Mercutio Quotes

I dreamt a dream tonight. Mercutio: And so did I. Romeo: Well, what was yours? Mercutio: That dreamers often lie. Romeo: In bed asleep while they do dream things true.

If there really had been a Mercutio, and if there really were a Paradise, Mercutio might be hanging out with teenage Vietnam draftee casualties now, talking about what it felt like to die for other people's vanity and foolishness.

Courage, man; the hurt cannot be much. Mercutio: No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve. Ask for me tomorrow, and you shall find me a grave man.

for Mercutio's soul Is but a little way above our heads, Staying for thine to keep him company: Either thou, or I, or both, must go with him.

Whatever. I'm pretty sure Mercutio was a vampire. He had the attitude, you know? He just never got a chance to show his fangs.

By my head, here come the Capulets." Mercutio- "By my heel, I care not.

Is love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. Mercutio: If love be rough with you, be rough with love; Prick love for pricking, and you beat love down.

You two are gorgeous together, like perfect bookends. Sunlight and moonlight. Jupiter and Mars… Mercutio and Romeo.

I get a crystal-clear image of Holt as a modern-day Mercutio.

Come, he hath hid himself among these trees, To be consorted with the humorous night: Blind is his love and best befits the dark. MERCUTIO: If love be blind, love cannot hit the mark.

Lear, Macbeth. Mercutio – they live on their own as it were. The newspapers are full of them, if we were only the Shakespeares to see it. Have you ever been in a Police Court? Have you ever watched tradesmen behind their counters? My soul, the secrets walking in the streets! You jostle them at every corner. There's a Polonius in every first-class railway carriage, and as many Juliets as there are boarding-schools. ... How inexhaustibly rich everything is, if you only stick to life.

Good morrow to you both. What counterfeit did I give you? MERCUTIO: The slip, sir, the slip; can you not conceive?

Pardon? Why, sir, I beg your pardon, for if that was pardon, then fists are love and nooses are kisses. You speak of duty? Duty is the rope that strangles me. Piety is a bed of broken glass. And family is the company of hateful demons.

What wouldst thou have with me? MERCUTIO: Good king of cats, nothing but one of your nine lives...

They found themselves striding into the herald's square of a place called Mercutio before they could discuss whether it was nightingales or sparrows that sang so prettily in the woods.

Escalus, Prince of Verona. Paris, a young Nobleman, kinsman to the Prince. Montague,}Heads of two Houses at variance with each other. Capulet, } An Old Man, Uncle to Capulet. Romeo, Son to Montague. Mercutio, Kinsman to the Prince, and Friend to Romeo. Benvolio, Nephew to Montague, and Friend to Romeo. Tybalt, Nephew to Lady Capulet.

Oh, Romeo and Juliet! Lovely! Didn’t you just love it?”She certainly didn’t sound like a nun. “Yes. I did. I liked it a lot. There were a few things I didn`t like about it, but it was quite moving, on the whole.” “What didn`t you like abut it? Can you remember?” To tell you the truth, it was sort of embarrassing, in a way, to be talking about Romeo and Juliet with her. I mean that play gets pretty sexy in some parts, and she was a nun and all, but she asked me, so I discussed it with her for a while. “Well, I`m not too crazy about Romeo and Juliet,”I said. “I mean I like them, but – I don’t know. They get pretty annoying sometimes. I mean I felt much sorrier when old Mercutio got killed then when Romeo and Juliet did. The thing is, I never liked Romeo too much after Mercutio gets stabbed by that other man – Juliet’s cousin – what’s his name?”(The Catcher in The Rye, p. 111).

We love the plays, the great characters, the fabulous speeches, the witty repartee even in times of duress. I hope never to be mortally stabbed, but if I am, I'd sure like to have the self-possession, when asked if it's bad, to answer, "No, 'tis not so deep as a well, nor so wide as a church door; but 'tis enough, 'twill serve," as Mercutio does in Romeo and Juliet. I mean, to be dying and clever at the same time, how can you not love that?

A torch for me: let wantons light of heart Tickle the senseless rushes with their heels, For I am proverb’d with a grandsire phrase; I’ll be a candle-holder, and look on. The game was ne’er so fair, and I am done. MERCUTIO: Tut, dun’s the mouse, the constable’s own word: If thou art dun, we’ll draw thee from the mire Of this sir-reverence love, wherein thou stick’st Up to the ears. Come, we burn daylight, ho! ROMEO: Nay, that’s not so. MERCUTIO: I mean, sir, in delay We waste our lights in vain, like lamps by day. Take our good meaning, for our judgement sits Five times in that ere once in our five wits. ROMEO: And we mean well in going to this mask; But ’tis no wit to go. MERCUTIO: Why, may one ask? ROMEO: I dream’d a dream to-night. MERCUTIO: And so did I. ROMEO: Well, what was yours? MERCUTIO: That dreamers often lie. ROMEO: In bed asleep, while they do dream things true. MERCUTIO: O, then, I see Queen Mab hath been with you. She is the fairies’ midwife, and she comes.

Tybalt, You Rat Catcher, Will you walk?

I am sick of love, I want power. I have had enough of being Romeo. I want to be Mercutio. Solimano (Romeo) - to Jennifer

WITH the single exception of Falstaff, all Shakespeare's characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run.

I hope never to be mortally stabbed, but if I am, I'd sure like to have the self-possession, when asked if it's bad, to answer, 'No, 'tis not so deep as a well, nor so wide as a church door; but 'tis enough, 'twill serve,' as Mercutio does in Romeo and Juliet.

Thou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says “God send me no need of thee!” and by the operation of the second cup draws it on the drawer, when indeed there is no need. BENVOLIO: Am I like such a fellow? MERCUTIO: Come, come, thou art as hot a Jack in thy mood as any in Italy, and as soon moved to be moody, and as soon moody to be moved. BENVOLIO: And what to? MERCUTIO: Nay, an there were two such, we should have none shortly, for one would kill the other. Thou! why, thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than thou hast: thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes: what eye but such an eye would spy out such a quarrel? Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter? with another, for tying his new shoes with old riband? and yet thou wilt tutor me from quarrelling! BENVOLIO: An I were so apt to quarrel as thou art, any man should buy the fee-simple of my life for an hour and a quarter. MERCUTIO: The fee-simple! O simple!

Love has always been the chief business of my life, the only thing I have thought—no, felt—supremely worth while, and I don’t pretend that this experience was not succeeded by others. But at that time, I was innocent, with the innocence of ignorance, I didn’t know what was happening to me. I was without consciousness, that is to say, more utterly absorbed than was ever possible again. For after that first time there was always part of me standing aside, comparing, analysing, objecting: ‘Is this real? Is this sincere?’ All the world of my predecessors was there before me, taking, as it were, the bread out of my mouth. Was this stab in my heart, this rapture, really mine or had I merely read about it? For every feeling, every vicissitude of my passion, there would spring into my mind a quotation from the poets. Shakespeare or Donne or Heine had the exact phrase for it. Comforting, perhaps, but enraging too. Nothing ever seemed spontaneously my own. As the blood dripped from the wound, there was always part of me to watch with a smile and a sneer: ‘Literature! Mere literature! Nothing to make a fuss about!’ And then I would add, ‘But so Mercutio jested as he died!

Once upon a time, there were two youngsters, a boy and a girl. Their families hated each other. But the boy snuck into a party hosted by the girl’s family because he was kind of a dick. The girl sees the boy, and angels sing so sweetly to her lady-parts that she instantly falls in love with him. Just like that. And so he sneaks into her garden and they decide to get married the next freaking day, because, you know, that’s totally practical, especially when your parents want to murder each other. Jump ahead a few days. Their families find out about the marriage and throw a shit-fit. Mercutio dies. The girl is so upset that she drinks a potion that will put her to sleep for two days. But, unfortunately, the young couple hasn’t learned the ins and outs of good marital communication yet, and the young girl totally forgets to mention something about it to her new husband. The young man therefore mistakes his new wife’s self-induced coma for suicide. He then totally loses his marbles and he commits suicide, thinking he’s going to be with her in the afterlife or some shit. But then she wakes up from her two-day coma, only to learn that her new husband has committed suicide, so she has the exact same idea and kills herself too. The end. Romeo

I inclined toward literature and poetry. I felt more at ease with girls than I did with boys, the latter discomfiting me with their crudeness and violence. For a while this preference was indulged by my parents and teachers, first with knowing sighs as natural melancholy at the loss of Annie and then laughed off. I must be, they joked, a pint-size Romeo pining for my crushes. But when at last I imagined myself as a Romeo, it was Mercutios, not Juliets, for whom I was yearning. More than anything I was alone. I took long solitary walks through the Berkshires, examining plants and watching birds. Among many other things, my time in the Argonne Forest spoiled woods for me. Everyone feels old when they’re sad, even children. Roaming the hills of western Massachusetts, I felt old much of the time. Aware in a vague way of my fundamental difference from other boys, I thought a lot about how, if not to be more like them, then to be the sort of person whom they’d like. When I matriculated at Pittsfield High, I deliberately set out to become more popular, with a grim understanding that this would amount to concealing, not expressing, my inner life.

Boundaries Once upon a time, there were two youngsters, a boy and a girl. Their families hated each other. But the boy snuck into a party hosted by the girl’s family because he was kind of a dick. The girl sees the boy, and angels sing so sweetly to her lady-parts that she instantly falls in love with him. Just like that. And so he sneaks into her garden and they decide to get married the next freaking day, because, you know, that’s totally practical, especially when your parents want to murder each other. Jump ahead a few days. Their families find out about the marriage and throw a shit-fit. Mercutio dies. The girl is so upset that she drinks a potion that will put her to sleep for two days. But, unfortunately, the young couple hasn’t learned the ins and outs of good marital communication yet, and the young girl totally forgets to mention something about it to her new husband. The young man therefore mistakes his new wife’s self-induced coma for suicide. He then totally loses his marbles and he commits suicide, thinking he’s going to be with her in the afterlife or some shit. But then she wakes up from her two-day coma, only to learn that her new husband has committed suicide, so she has the exact same idea and kills herself too. The end. Romeo and Juliet is synonymous with “romance” in our culture today. It is seen as the love story in English-speaking culture, an emotional ideal to live up to. Yet when you really get down to what happens in the story, these kids are absolutely out of their fucking minds. And they just killed themselves to prove it!

I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.

Il sait qu'il peut atteindre des sommets de bonheur avec lui et dégringoler aussi vite. Alors il commence à se méfier, comme un chien à qui l'on a donné un coup de pied et que l'on appelle gentiment pour qu'il revienne se faire caresser. ~ P 164

Tu es blessé. Tu as une cicatrice qu'il va falloir guérir. Ta blessure n'est pas visible comme au sortir d'un champ de bataille, mais elle est bien réelle. Tu dois te considérer comme un blessé en convalescence. Il faut te reposer, prendre soin de toi, et moi, je suis là pour toi, je serai ton infirmière, mon patient anglais ! ~ P 171

Für diese Welt, glaubt's nur, ist mir der Spaß versalzen.“ (3. Akt, 1. Szene)

Those theaters, banished outside city limits as vaguely satanic, were essentially larger-scaled bait pits that offered a competing menagerie of mutilations, executions, murders, rapes, etc. The scripts were of course infused with Tudor propaganda to be lapped up by the illiterate masses. As one drunk groundling spat at an actor, another clamored onstage to protect Mercutio in a swordfight. (Eventually the Globe had to ban all steel at the door.) Meanwhile, the more affluent patrons hardly noticed the play at all, there being too many other distractions, such as dice and cards, with pickpockets, blackmailers, and prostitutes working the crowd. Like it or not, the Globe was a G thang, a drunken vice-ridden delivery system of Tudor duplicity, its grand finale each evening not the play but the bawdy jig that followed.

I HAVE LIFTED this speech from Bartlett’s Familiar Quotations. If more people would acknowledge that they got their pearls of wisdom from that book instead of the original, it might clear the air. * * * IF THERE REALLY had been a Mercutio, and if there really were a Paradise, Mercutio might be hanging out with teenage Vietnam draftee casualties now, talking about what it felt like to die for other people’s vanity and foolishness.