Mercury Rising Quotes

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The gut is the seat of all feeling. Polluting the gut not only cripples your immune system, but also destroys your sense of empathy, the ability to identify with other humans. Bad bacteria in the gut creates neurological issues. Autism can be cured by detoxifying the bellies of young children. People who think that feelings come from the heart are wrong. The gut is where you feel the loss of a loved one first. It's where you feel pain and a heavy bulk of your emotions. It's the central base of your entire immune system. If your gut is loaded with negative bacteria, it affects your mind. Your heart is the seat of your conscience. If your mind is corrupted, it affects your conscience. The heart is the Sun. The gut is the Moon. The pineal gland is Neptune, and your brain and nervous system (5 senses) are Mercury. What affects the moon or sun affects the entire universe within. So, if you poison the gut, it affects your entire nervous system, your sense of reasoning, and your senses.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable. If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language. Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts. It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way. You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn. This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
Aleister Crowley
Scientists say that the palm tree line, that is the climate suitable to growth of the palm, is moving north, five hundred metres, I think it was, every year...The palm tree line...I call it the coffee line, the strong black coffee line...It's rising like mercury in a thermometer, this palm tree line, this strong coffee line, this scandal line, rising up throughout Italy and already passed Rome...
Leonardo Sciascia (The Day of the Owl)
I shuffle through the pile of rings. “We have Jupiter, Venus, Neptune, Bacchus, Juno, Mercury, Diana, Ceres … and we have a Minerva right here.” I frown and rummage around. “Hmm. Odd. I can’t find a Pluto.” I look up at him. His eyes are different. Dead. Quiet. “Oh, there’s one.
Pierce Brown (Red Rising (Red Rising Saga, #1))
When all else fails, science comes up with a label, like “gravity” or “inertia” or “Asperger’s” and calls it a day.
Robert Kroese (Mercury Rises)
When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend ‘the One, the All’. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.
C.G. Jung (Psychology and Alchemy (Collected Works 12))
Of course. Of course. Mercury thinks you brilliant. Apollo thinks you’re uppity. He really does not like you, you know.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I seem to have fallen victim to the illusion, so common on the Mundane Plane, that committing facts to paper will somehow help me make sense of them.
Robert Kroese (Mercury Rises)
Mercury will bloom after this, and my clients have
Pierce Brown (Light Bringer (Red Rising Saga, #6))
And when we say also that the Word, who is the first-birth of God, was produced without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died, and rose again, and ascended into heaven, we propound nothing different from what you believe regarding those whom you esteem sons of Jupiter. For you know how many sons your esteemed writers ascribed to Jupiter: Mercury, the interpreting word and teacher of all; Aesculapius, who, though he was a great physician, was struck by a thunderbolt, and so ascended to heaven; and Bacchus too, after he had been torn limb from limb; and Hercules, when he had committed himself to the flames to escape his toils; and the sons of Leda, and Dioscuri; and Perseus, son of Danae; and Bellerophon, who, though sprung from mortals, rose to heaven on the horse Pegasus. For what shall I say of Ariadne, and those who, like her, have been declared to be set among the stars? And what of the emperors who die among yourselves, whom you deem worthy of deification, and in whose behalf you produce some one who swears he has seen the burning Caesar rise to heaven from the funeral pyre? And what kind of deeds are recorded of each of these reputed sons of Jupiter, it is needless to tell to those who already know. This only shall be said, that they are written for the advantage and encouragement of youthful scholars; for all reckon it an honourable thing to imitate the gods. But far be such a thought concerning the gods from every well-conditioned soul, as to believe that Jupiter himself, the governor and creator of all things, was both a parricide and the son of a parricide, and that being overcome by the love of base and shameful pleasures, he came in to Ganymede and those many women whom he had violated and that his sons did like actions. But, as we said above, wicked devils perpetrated these things. And we have learned that those only are deified who have lived near to God in holiness and virtue; and we believe that those who live wickedly and do not repent are punished in everlasting fire.
Justin Martyr (The First Apology of Justin Martyr, Addressed to the Emperor Antoninus Pius; Prefaced by Some Account of the Writings and Opinions of Justin)
If I could just have him until the day was over. Just a few more hours. But he was gone. I clasped my hand tightly over my mouth and felt a trembling that started deep inside move out to make all of me shake. I had a mighty impulse, it truly was mighty, to rise to my feet and howl. To overturn the chair and nightstand, to rip at my clothes, to bring down the very walls around us. But of course I did not do that. I pulled an elemental sense of outrage back inside and smoothed it down. I forced something far too big into something far too small, and this made for a surprising and unreasonable weight, as mercury does. I noticed sounds coming from my throat, little unladylike grunts. I saw that everything I’d ever imagined about what it would feel like when was pale. Was wrong. Was the shadow and not the mountain. And then, “It’s all right,” I said, quickly. “It’s all right.” To whom? I wondered later.
Elizabeth Berg
Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.
Malcolm Lowry (Under the Volcano)
I open the bag and dump out its contents. A score of golden sigil rings roll across the table. Lucian watches them roll. “These all come from the dead kids. The kids the medBots couldn’t save. Let’s see.” I shuffle through the pile of rings. “We have Jupiter, Venus, Neptune, Bacchus, Juno, Mercury, Diana, Ceres … and we have a Minerva right here.” I frown and rummage around. “Hmm. Odd. I can’t find a Pluto.” I look up at him. His eyes are different. Dead. Quiet. “Oh, there’s one.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Had you asked me back then, I would have described this compulsion as a pressure, a sort of tension building in my head. It was like mercury slowly rising in an old-fashioned thermometer. At first it was barely noticeable, just a blip on my otherwise peaceful cognitive radar. But over time it would get stronger. The quickest way to relieve the pressure was to do something undeniably wrong, something I knew would absolutely make anyone else feel one of the emotions I couldn’t. So that’s what I did.
Patric Gagne (Sociopath)
In perhaps the strangest statement published on the issue of arming slaves, the Mercury charged Robert E. Lee (who had not yet made his views public but was privately known to be a supporter) with being a Federalist-like Alexander Hamilton-someone who had always evidenced a "profound disbelief in the institution of slavery." This comparison was drawn in contrast to South Carolina's great Democratic/states' rights standard-bearer John C. Calhoun, and the paper put the question starkly as "JOHN C. CALHOUN VS. DANIEL WEBSTER and ROBERT E. LEE.
Anne Sarah Rubin (A Shattered Nation: The Rise and Fall of the Confederacy, 1861-1868 (Civil War America))
A high-pitched sound, like steam escaping from a kettle whistles through the dark room. But nobody’s making tea. We both turn toward the source of the eerie noise. A weak stream of unearthly light seeps through the window near the corner of the room and pours onto the floor. Its consistency seems to lie somewhere between a liquid and a solid, like mercury, only blue. Out of the gleaming, wobbly puddle, a phosphorescent vapor rises up. The ghost we thought was Daniel materializes and looms over us for two seconds before he lunges and wraps his hands around Wyatt’s neck.
Alyson Larrabee (Enter If You Dare)
i wish i was a little less virgo moon a little more gemini rising i don’t mind being a scorpio sun but i wish it hurt less to be vulnerable and that my cancer mars at twenty-six degrees made me less likely to be angry but not talk about it then blame myself i wish my mercury in sagittarius would stop saying things that are rude but true and i would happily swap my venus in capricorn for taurus or anything a little less analytical i wish my pisces midheaven had a little more self-resolve and my chiron in leo didn’t try to sabotage my success all i’m asking is to switch some signs shift the sky i just need a little change
Michaela Angemeer (Please Love Me at My Worst)
The Sun burned down in a warm contrasting world of white and black, of white Sun against black sky and white rolling ground mottled with black shadow. The bright sweet smell of the Sun on every exposed square centimeter of metal contrasting with the creeping death-of-aroma on the other side. He lifted his hand and stared at it, counting the fingers. Hot-hot-hot-turning, putting each finger, one by one, into the shadow of the others and the hot slowly dying in a change in tactility that made him feel the clean, comfortable vacuum. Yet not entirely vacuum. He straightened and lifted both arms over his head, stretching them out, and the sensitive spots on either wrist felt the vapors- the thin, faint touch of tin and lead rolling through the cloy of mercury. The thicker taste rose from his feet; the silicates of each variety, marked by the clear separate-and-together touch and tang of each metal ion. He moved one foot slowly through the crunchy, caked dust, and felt the changes like a soft, not quite random symphony. And over all the Sun. He looked up at it, large and fat and bright and hot, and heard its joy. He watched the slow rise of prominences around its rim and listened to the crackling sound of each; and to the other happy noises over the broad face. When he dimmed the background light, the red of the rising wisps of hydrogen showed in bursts of mellow contralto, and the deep bass of the spots amid the muted whistling of the wispy, moving faculae, and the occasional thin keening of a flare, the ping-pong ticking of gamma rays and cosmic particles, and over all in every direction the soft, fainting, and ever-renewed sigh of the Sun's substance rising and retreating forever in a cosmic wind which reached out and bathed him in glory. He jumped, and rose slowly in the air with a freedom he had never felt, and jumped again when he landed, and ran, and jumped, and ran again, with a body that responded perfectly to this glorious world, this paradise in which he found himself.
Isaac Asimov (The Bicentennial Man and Other Stories)
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Today is our fourth Liberation Day. After two years of siege, Mercury has joined the free worlds of Luna, Earth, and Mars.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
One of the Obsidians to fight alongside Ragnar at the walls of Agea, Wulfgar was with the Sons of Ares that freed me from the Jackal in Attica. Now ArchWarden of the Republic, he smiles down at me from the step above, his black eyes crinkling at the corners. “Hail libertas,” I say with a smile. “Hail libertas,” he echoes. “Wulfgar. Fancy meeting you here. You missed the Rain,” I say. “You did not wait for me to return, did you?” Wulfgar clucks his tongue. “My children will ask where I was when the Rain fell upon Mercury, and you know what I will have to tell them?” He leans forward with a conspiratorial smile. “I was making night soil, wiping my ass when I heard Barca had taken Mount Caloris.” He rumbles out a laugh.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Two days before the Iron Rain over Mercury, the Senate, led by my old friend Dancer, voted against my proposal. They told me to maintain the siege. To not waste men, resources, on an assault. I disobeyed and let the Rain fall. Now a million of my men lie in the sands of Mercury and we have our Liberation Day.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
I thought the submarine environment would be a useful analogy for the space station in a number of ways, and I especially wanted my colleagues to get an up-close look at how the Navy deals with CO2. What we learned on that trip was illuminating: the Navy has their submarines turn on their air scrubbers when the CO2 concentration rises above two millimeters of mercury, even though the scrubbers are noisy and risk giving away the submarine’s location. By comparison, the international agreement on ISS says the CO2 is acceptable up to six millimeters of mercury! The submarine’s chief engineering officer explained to us that the symptoms of high CO2 posed a threat to their work, so keeping that level low was a priority. I felt that NASA should be thinking of it the same way. When I prepared for my first flight on the ISS, I got acquainted with a new carbon dioxide removal system. The lithium hydroxide cartridges were foolproof and reliable, but that system depended on cartridges that were to be thrown away after use—not very practical, since hundreds of cartridges would be required to get through a single six-month mission. So instead we now have a device called the carbon dioxide removal assembly, or CDRA, pronounced “seedra,” and it has become the bane of my existence. There are two of them—one in the U.S. lab and one in Node 3. Each weighs about five hundred pounds and looks something like a car engine. Covered in greenish brown insulation, the Seedra is a collection of electronic boxes, sensors, heaters, valves, fans, and absorbent beds. The absorbent beds use a zeolite crystal to separate the CO2 from the air, after which the lab Seedra dumps the CO2 out into space through a vacuum valve, while the Node 3 Seedra combines oxygen drawn from the CO2 with leftover hydrogen from our oxygen-generating system in a device called Sabatier. The result is water—which we drink—and methane, which is also vented overboard.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
A study in Japan found that rates of autism diagnosis continued to rise steeply even after the combination MMR was replaced by single vaccines. Another study in Hong Kong found that mercury levels in the bloodstreams of kids with autism were not significantly higher than those in typical children.
Steve Silberman (NeuroTribes: Winner of the Samuel Johnson Prize for Nonfiction)
I don’t need someone to rescue me. I need someone who’ll be there when I finally figure out how to save myself.
Scarlett Kol (Mercury Rises)
Shareholders,” murmured Eddie, the word echoing meaninglessly in his head. His brain had screeched to a halt in front of an earlier word in the sentence, and it now stood (in a figurative sense) stock still, with its eyes wide and its jaw open, staring at the word in awe. Lovely Wanda Kwan, the vaguely Asian-American publishing company representative, had uttered, through her lip gloss and perfect teeth, the one word that every writer secretly yearns to hear. That word is movie. “Ms. Kwan,” he began.
Robert Kroese (Mercury Rises)
Exposure to Thimerosal increased beginning in 1989 and rose sharply during the early 1990s as new vaccines were added to the US childhood vaccine schedule. This increased exposure to mercury via vaccines coincided closely with increased case reports of neurodevelopmental disorders, including a dramatic increase in autism spectrum disorder (ASD) cases and a rise in attention deficit hyperactivity disorder (ADHD).
Robert F. Kennedy Jr. (Thimerosal: Let the Science Speak: The Evidence Supporting the Immediate Removal of Mercury--a Known Neurotoxin--from Vaccines)
Chaos was spreading through the scene like germs at a preschool.
Robert Kroese (Mercury Rises)
Interagency cooperation was all well and good, but it was understood to be the sport of the aristocracy; rank-and-file workers like Jacob were expected to keep to their own kind.
Robert Kroese (Mercury Rises)
The Christians had then struck back with a decal of a larger fish, labeled “TRUTH,” eating the Darwin fish, which distilled Christianity to its core principle: the ultimate devouring of Science by the giant, horrific Jesus-fish.
Robert Kroese (Mercury Rises)
Having set its mark on the generation before Cocteau’s, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers.
Claude Arnaud (Jean Cocteau (French Edition))
I sent a man to Mercury to bring Darrow home if Heliopolis falls.” “Who?” I ask. “The same man who told us the Rim was coming.
Pierce Brown (Dark Age (Red Rising Saga #5))
The last century has witnessed a far-reaching redistribution of ability between the classes in society, and the consequence is that the lower classes no longer have the power to make revolt effective. Without intelligence in their heads, the lower classes are never more menacing than a rabble, even if they are sometimes sullen, sometimes mercurial, not yet completely predictable.
Michael Young (The Rise of the Meritocracy (Classics in Organization and Management Series))
They began a dance, the woman and the bird, a swinging and sweeping dance that defied the compass of the earth, marked by the flash of emeralds, the bells, and the white glory of the falcon’s twisting flight as it drove and stooped and chased the toll. Around and around the lure spun, beckoning and evading, mercurial, up and down and doubled back, the falcon keen and nimble in pursuit—an eternity— and yet before Ruck could take his eyes from them, before he could imprint the picture on his mind, before he could overcome the irresistible rise of his heart at the sight of the falcon’s dance, it was over.
Laura Kinsale (For My Lady's Heart (Medieval Hearts, #1))
You can’t possibly believe this is a coincidence,” I said, anger rising like mercury in a thermometer. “Quit. Playing.
Amber Fisher (Temple of the Inner Flame (Rest in Power Necromancy, #1))
he knew the mystery of Uranus and the despair of Mercury,
Susan Cooper (The Dark Is Rising)
this salt/hypertension hypothesis has resolutely resisted confirmation in clinical trials. For those not hopelessly wedded to the hypothesis, it has become increasingly difficult to believe that consuming too much salt is why we become hypertensive and why our blood pressure rises inexorably with age. Systematic reviews of the evidence from these trials invariably conclude that reducing our average salt intake by half, for instance, which is difficult to accomplish in the real world, will decrease blood pressure by 4 to 5 mm Hg mercury, on average, in those with hypertension, and perhaps 2 mm Hg in those without (known as normotensives). But even stage 1 hypertension, the less severe form of the condition, is defined by having a blood pressure elevated by at least 20 mm Hg over what’s considered healthy. Stage 2 is defined as blood pressure elevated by at least 40 mm Hg over healthy levels. Hence, the fact that halving our salt consumption will result in a decrease of only 4 to 5 mm Hg suggests that the salt we eat is not the primary dietary driver of this disorder.
Gary Taubes (The Case Against Sugar)
Of the two environmental temperature extremes, heat and cold, the human body is better adapted to deal with heat. With virtually hairless skin filled with abundant sweat glands, powered by a cardiovascular system of marvelous endurance, humans function well when the mercury rises. You are not, however, a foolproof design. Overheating can ruin your day—and your life.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
As if on cue, there was a scream from the boat. “Dad!” called a shrill voice from somewhere below deck. “Shem is trying to cut me with a carving knife again!” Noah turned back to the boat. “Shem!” he hollered, “What did I tell you about eating Ham?
Robert Kroese (Mercury Rises)
Jacob Slater had been diagnosed with Asperger’s syndrome, a vaguely defined condition which, in the final analysis, meant that people gave him the heebie jeebies. He didn’t like crowds, and he liked smaller groups of people even less. One-on-one contact with a person he didn’t already know was roughly as painful for him as a third-degree sunburn.
Robert Kroese (Mercury Rises)
No,” said Uzziel. “I didn’t OK the rain in Asia either.” “Hmm,” said Mercury. “But Africa, though. Surely—” “I most certainly did not bless the rains down in Africa!” growled Uzziel.
Robert Kroese (Mercury Rises)
The U.S. military feared no fighting force on earth, but even it was no match for the army of attorneys that served the Mouse.
Robert Kroese (Mercury Rises)
I connected my phone to the Escalade’s Bluetooth and blasted Queen’s Greatest Hits. Restless fingers drummed along against the steering wheel. The music helped. There wasn’t much Freddie Mercury couldn’t make better.
Nichole Willowbrook (Son of a Preacher Man (We Rise #1))
Nothing is ever truly lost,” Havah and Mercury say in unison, “let great rise from ashes.
Dipa Sanatani (The Little Light (The Guardians of the Lore #1))
In the summer of 1970, according to a front-page story in The New York Times, the U.S. Interior Department charged the Olin Corporation with dumping 26.6 pounds of mercury a day into the Niagara River in upstate New York. Mercury was by then a known human health hazard. Scientists had documented its damage to the human brain and reproductive and nervous systems.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)