Mercury Element Quotes

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I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform one’s life, change the nature and direction of one’s work, and give final meaning and color to one’s loves and friendships.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
In the twentieth century, astrophysicists in the United States discovered galaxies, the expanding of the universe, the nature of supernovas, quasars, black holes, gamma-ray bursts, the origin of the elements, the cosmic microwave background, and most of the known planets in orbit around solar systems other than our own. Although the Russians reached one or two places before us, we sent space probes to Mercury, Venus, Jupiter, Saturn, Uranus, and Neptune. American probes have also landed on Mars and on the asteroid Eros. And American astronauts have walked on the Moon. Nowadays most Americans take all this for granted, which is practically a working definition of culture: something everyone does or knows about, but no longer actively notices. While shopping at the supermarket, most Americans aren’t surprised to find an entire aisle filled with sugar-loaded, ready-to-eat breakfast cereals. But foreigners notice this kind of thing immediately, just as traveling Americans notice that supermarkets in Italy display vast selections of pasta and that markets in China and Japan offer an astonishing variety of rice. The flip side of not noticing your own culture is one of the great pleasures of foreign travel: realizing what you hadn’t noticed about your own country, and noticing what the people of other countries no longer realize about themselves.
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
He’s so awful. He’s…he’s like ammonium dichromate with mercury thiocyanate. He’s the college boy equivalent of the bowels of hell
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will always be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist. It is, at the end of the day, the individual moments of restlessness, of bleakness, of strong persuasions and maddened enthusiasms, that inform one's life, change the nature and direction of one's work, and give final meaning and color to one's loves and friendships.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Hat manufacturers once used a bright orange mercury wash to separate fur from pelts, and the common hatters who dredged around in the steamy vats, like the mad one in Alice in Wonderland, gradually lost their hair and wits.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Scarily, cadmium is not even the worst poison among the elements. It sits above mercury, a neurotoxin. And to the right of mercury sit the most horrific mug shots on the periodic table—thallium, lead, and polonium—the nucleus of poisoner’s corridor.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend ‘the One, the All’. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.
C.G. Jung (Psychology and Alchemy (Collected Works 12))
When we are mindful to the various elements of the human experience and are acutely aware of the sacred responsibility we hold when we treat the mouth of another person – and we are humbled by the beauty, sensitivity and complexity of the design of the human body and spirit – it is in that moment that we do our best work and are in service to the well-being of the patient, and we are grateful for the fulfilling experience of restoring health to that person.
James E. Rota (Mirror of the Body: Your Mouth Reflects the Health of Your Whole Body)
I long ago abandoned the notion of a life without storms, or a world without dry and killing seasons. Life is too complicated, too constantly changing, to be anything but what it is. And I am, by nature, too mercurial to be anything but deeply wary of the grave unnaturalness involved in any attempt to exert too much control over essentially uncontrollable forces. There will be propelling, disturbing elements, and they will be there until, as Lowell put it, the watch is taken from the wrist.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Wavelength calibration lamps containing mercury and other elements were in use in astronomy.
Steven Magee
Though the element is no longer used in mainstream medicine, mercury has managed to slither its way into many a doctor’s office. It is perhaps oddly appropriate that the symbol for the god Mercury was the caduceus—two snakes entwined on a winged rod. The symbol is commonly and incorrectly associated with the medical establishment, due to a mistake when the US Army Medical Corps adopted the symbol in 1902. Soon after, it became a ubiquitous sign of healing. But in fact, the caduceus represents Mercury—the god of financial gain, commerce, thieves, and trickery.
Lydia Kang (Quackery: A Brief History of the Worst Ways to Cure Everything)
If I could just have him until the day was over. Just a few more hours. But he was gone. I clasped my hand tightly over my mouth and felt a trembling that started deep inside move out to make all of me shake. I had a mighty impulse, it truly was mighty, to rise to my feet and howl. To overturn the chair and nightstand, to rip at my clothes, to bring down the very walls around us. But of course I did not do that. I pulled an elemental sense of outrage back inside and smoothed it down. I forced something far too big into something far too small, and this made for a surprising and unreasonable weight, as mercury does. I noticed sounds coming from my throat, little unladylike grunts. I saw that everything I’d ever imagined about what it would feel like when was pale. Was wrong. Was the shadow and not the mountain. And then, “It’s all right,” I said, quickly. “It’s all right.” To whom? I wondered later.
Elizabeth Berg
You don’t let your feelings run around and jump into someone else’s hand.” Mercury made a fist. “You grab on to your own life and push it around where you want it to go.” Mercury believed she had her life firmly in place beneath her tongue, and she didn’t spit it out here and there, in bits and pieces diffusing its power. She had even taken a new name, changing it from Anna to Mercury after er granddaughter brought home a copy of the periodic table in the eighth grade and explained it to her: “An element is a substance that can’t be broken down into simpler substances.” “That’s my story,” Mercury told Charlene. running her thick forefinger across the chart. “I’m all of a piece.” Charlene opened her mouth to object, to explain that her grandmother could never be one of the chemical elements, assigned an atomic number and measured for atomic weight, but Mercury presided over the kitchen like a force of nature. Charlene’s words were snatched from her mind before they ever made it to her vocal chords. She imagined they were pulled into the woman’s energy field, the electric air surrounding Mercury’s body like her own personal atmosphere.
Susan Power (The Grass Dancer)
The land is encrusted with ephemeral human conceits. That is not altogether good for a youngster; it disarranges his mind and puts him out of harmony with what is permanent. Just listen a moment. Here, if you are wise, you will seek an antidote. Taken in over-dose, all these churches and pictures and books and other products of our species are toxins for a boy like you. They falsify your cosmic values. Try to be more of an animal. Try to extract pleasure from more obvious sources. Lie fallow for a while. Forget all these things. Go out into the midday glare. Sit among rocks and by the sea. Have a look at the sun and stars for a change; they arc just as impressive as Donatello. Find yourself! You know the Cave of Mercury? Climb down, one night of full moon, all alone, and rest at its entrance. Familiarize yourself with elemental things. The whole earth reeks of humanity and its works. One has to be old and tough to appraise them at their true worth. Tell people to go to Hell, Denis, with their altar-pieces and museums and clock- towers and funny little art-galleries.
Norman Douglas (South Wind)
The widespread use of gold in religious artifacts may be of special significance. Gold is a useless metal. It is too soft to be used in tools or cookware. It is also rare and difficult to mine and extract, especially for primitive peoples. But from the earliest times gold was regarded as a sacred metal, and men who encountered gods were ordered to supply it. Over and over again the Bible tells us how men were instructed to create solid gold objects and leave them on mountaintops where the gods could get them. The gods were gold hungry. But why? Gold is an excellent conductor of electricity and is a heavy metal, ranking close to mercury and lead on the atomic scale. We could simplify things by saying that the atoms of gold, element 79, are packed closely together. If the ancient gods were real in some sense, they may have come from a space-time continuum so different from ours that their atomic structure was different. They could walk through walls because their atoms were able to pass through the atoms of stone. Gold was one of the few earthly substances dense enough for them to handle. If they sat in a wooden chair, they would sink through it. They needed gold furniture during their visits.
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
selling it as a supplement”: In the May 2009 issue of Smithsonian, the article “Honorable Mentions: Near Misses in the Genius Department” describes one Stan Lindberg, a daringly experimental chemist who took it upon himself “to consume every single element of the periodic table.” The article notes, “In addition to holding the North American record for mercury poisoning, his gonzo account of a three-week ytterbium bender… (‘Fear and Loathing in the Lanthanides’) has become a minor classic.” I spent a half hour hungrily trying to track down “Fear and Loathing in the Lanthanides” before realizing I’d been had. The piece is pure fiction. (Although who knows? Elements are strange creatures, and ytterbium might very well get you high.)
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Progressives today are quick to fault “America” for slavery and a host of other outrages. America did this, America did that. As we will see in this book, America didn’t do those things, the Democrats did. So the Democrats have cleverly foisted their sins on America, and then presented themselves as the messiahs offering redemption for those sins. It’s crazy, but it’s also ingenious. We have to give them credit for ingenuity. The second whitewash is to portray the Civil War entirely in terms of the North versus the South. The North is supposedly the anti-slavery side and the South is the pro-slavery side. A recent example is Ta-Nehisi Coates’s article about the Confederate battle flag in The Atlantic.3 Now of course there is an element of truth in this, in that the Civil War was fought between northern states and southern states. But this neat and convenient division ignores several important details. First, the defenders of the Confederate cause were, almost without exception, Democrats. Coates cites many malefactors from Senator Jefferson Davis to Senator James Henry Hammond to Georgia Governor Joseph Brown. Yet while identifying these men as southerners and Confederates, Coates omits to identify them as Democrats. Second, Coates and other progressives conveniently ignore the fact that northern Democrats were also protectors of slavery. We will see in this chapter how Stephen Douglas and other northern Democrats fought to protect slavery in the South and in the new territories. Moreover, the southerners who fought for the Confederacy cannot be said to have fought merely to protect slavery on their plantations. Indeed, fewer than one-third of white families in the South on the eve of the Civil War had slaves. Thus the rigid North-South interpretation of the Civil War conceals—and is intended to conceal—the active complicity of Democrats across the country to save, protect, and even extend the “peculiar institution.” As the Charleston Mercury editorialized during the secession debate, the duty of the South was to “rally under the banner of the Democratic Party which has recognized and supported . . . the rights of the South.”4 The real divide was between the Democratic Party as the upholder of slavery and the Republican Party as the adversary of slavery. All the figures who upheld and defended American slavery—Senators John C. Calhoun and Stephen Douglas, President James Buchanan, Supreme Court Chief Justice Roger Taney, architect of the Dred Scott decision, and the main leaders of the Confederacy—were Democrats. All the heroes of black emancipation—from the black abolitionists Sojourner Truth and Frederick Douglass, to the woman who organized the Underground Railroad, Harriet Tubman, to the leader whose actions finally destroyed American slavery, Abraham Lincoln—were Republicans. It is of the utmost importance to progressive propagandists to conceal or at least ignore this essential historical truth.
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
Even as a raft, of course, it could have been made from gold, or any element with a molecular number lower than mercury. Lead would still sink in mercury, but gold shouldn’t. It was one number down the Periodic Table and so ought to float. Veppers looked over the side of the vessel at where his ingot of gold had entered the liquid metal, but it showed no sign of surfacing yet.
Iain M. Banks (Surface Detail (Culture, #9))
In his discussion of the trumps, Crowley goes so far as to identify three cards with the alchemical elements: the Magus is mercury, the Empress is salt, and the Emperor is sulfur.
Lon Milo DuQuette (Understanding Aleister Crowley's Thoth Tarot)
First to bloom in the primary colors of yellow, blue, and red are the Fool, the Hanged Man, and the Aeon. These three personify the powers and qualities of the three mother letters of the Hebrew alphabet and the primitive elements of air, water, and fire.69 Figure 10. Three Petals of the elemental trumps. Next to flower in the primary and secondary colors of the rainbow (scarlet, orange, yellow, green, blue, indigo, and violet) are the Tower, the Sun, the Magus, the Empress, the High Priestess, the Universe, and Fortune. These seven trumps personify the powers and qualities of the seven double letters of the Hebrew alphabet and the seven planets of the ancients: Mars, Sol, Mercury, Venus, Luna, Saturn, and Jupiter. Figure 11. Seven petals of the planetary trumps.
Lon Milo DuQuette (Understanding Aleister Crowley's Thoth Tarot)
The second my bare feet touch stone, I become a thermometer-the mercury moves pas my toes, up through my legs and body to form a blush on my face- and what I see has already warmed me…this scooped out place in an ancient dune of sand, turned to rock, has the look of a hammock, a cradle, a papyrus raft…a space that invites me to lie down, roll over, stretch out and feel the texture of time beneath the elements. Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
Katie Lee
Coming to the alchemists, we find the view that the metals are all composed of two elementary principles—sulphur and mercury—in different proportions and degrees of purity, well-nigh universally accepted in the earlier days of Alchemy. By these terms “sulphur” and “mercury,” however, must not be understood the common bodies ordinarily designated by these names; like the elements of Aristotle, the alchemistic principles were regarded as properties rather than as substances, though it must be confessed that the alchemists were by no means always clear on this point themselves. Indeed, it is not altogether easy to say exactly what the alchemists did mean by these terms, and the question is complicated by the fact that very frequently they make mention of different sorts of “sulphur” and “mercury.” Probably, however, we shall not be far wrong in saying that “sulphur” was generally regarded as the principle of combustion and also of colour, and was said to be present on account of the fact that most metals are changed into earthy substances by the aid of fire; and to the “mercury,” the metallic principle par excellence, was attributed such properties as fusibility, malleability and lustre, which were regarded as characteristic of the metals in general.
H. Stanley Redgrove (Alchemy: Ancient and Modern (Illustrated))
You still have not confided to me on what you are basing your theory that a human woman can produce a female child in good health.” He needed to know. He needed to believe as much as Gregori did. This time Gregori’s silver eyes warmed into mercury, a self-mocking humor that wasn’t real shimmering for a brief moment. “Need. Pure need, my old friend.” Mikhail’s eyes gleamed with answering humor. Need was as elemental as hunger. Even the earth itself needed. “If what you suspect is true, perhaps we need to conduct a search for likely candidates. We could take out single ads in newspapers across the world for all Carpathians.” “Your woman would like that,” Gregori agreed. Mikhail nodded. “She says we need to be brought into this century.” Mikhail’s laughter was genuine. “All my latest technology has failed to convince her that I am a modern man.” Without thought, his mind reached for Raven’s to share the joke. Instantly Raven flooded his mind with her soft musical laughter. For a moment, the severity of his people’s problems slipped away, and he was surrounded by her love. Gregori’s silver eyes glittered ominously, dragging Mikhail back to their present dilemma.
Christine Feehan (Dark Prince (Dark, #1))
Never quite assimilable into mainstream narrative or endeavor, whether literary or commercial, the swamp, like an element in the collective Southern psyche imperfectly repressed, remains a mercurial but undeniable element in defining a culture to which, in both practical and literary dimensions, it was both progenitor and antagonist.
Anthony Wilson (Shadow and Shelter: The Swamp in Southern Culture)