Memphis Quotes

We've searched our database for all the quotes and captions related to Memphis. Here they are! All 100 of them:

It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Facinating." He broke into a wide grin. "I've discovered something, Khufu. This is not Memphis, Egypt." Khufu gave me a sideways look, and I could swear his expression meant, Duh. "I've also discovered a new form of magic called blues music," the man continued. "And barbecue. Yes, you must try barbecue.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Life don’t come to you, Memphis. You gotta take it. We have to take it. Because ain’t nobody handing it to us.
Libba Bray (The Diviners (The Diviners, #1))
No such thing as a hard woman, Memphis,just soft men. With that, I turned, and the others followed me.
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
What will people say, you running off to Memphis like you don't have a house to look after? Shug say, Albert. Try to think like you got some sense. Why any woman give a shit what people think is a mystery to me. Well, say Grady, trying to bring light. A woman can't git a man if peoples talk. Shug look at me and us giggle. Then us sure nuff. Then Squeak start to laugh. Then Sofia. All us laugh and laugh.
Alice Walker (The Color Purple)
Memphis found his smile. 'You know me, sir. I don't wear worry.
Libba Bray (The Diviners (The Diviners, #1))
It’s funny, when you’re a child you think time will never go by, but when you hit about twenty, time passes like you’re on the fast train to Memphis.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Dear Trixie, Will you come to Memphis with me? A) Yes B) No C) I'd go anywhere with you because you fuck like a goddamn fire hose. D) You're an asshole and I never want to see you again. Circle ONLY ONE and give it back to me when you're done eating. Love, J
Tiffanie DeBartolo (God-Shaped Hole)
Memphis and I both looked at Olaf, as if he'd spoken in tongues. I think neither of us had expected anything useful from the corpse fondling. Damn.
Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
It was funny how their odd little family of friends had changed him. Made him feel safe. Theta, Memphis, Henry, Jericho, Mabel, Ling, Isaiah, and especially Evie. They’d been there for him. Opened the parts of him he was afraid would be closed off forever. Why had he wasted so much time bottling up his feelings? What did that ever get anybody but dumb fights? He had friends. He had a home in them. And Evie was home, too.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
An’ here I sit so patiently
 Waiting to find out what price
 You have to pay to get out of
 Going through all these things twice
 Oh, Mama, can this really be the end
 To be stuck inside of Mobile
 With the Memphis blues again -Bob Dylan, “Stuck Inside of Mobile with the Memphis Blues Again” (1966)
Bob Dylan (Lyrics 1962-2001)
Memphis—it’s just a bird. Birds fly around, brother. It’s what they do. It’s not following you, and it’s not a sign. Unless you really did give it candy and flowers, in which case you are one strange brother.
Libba Bray (The Diviners (The Diviners, #1))
I do hope you have some money. I'm getting tired of hitting people.
Elizabeth Peters (Night Train to Memphis (Vicky Bliss, #5))
Alliteration. It’s when you repeat the same consonant in a phrase,” Memphis explained. “Huh. I was hoping it was something dirty.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Most guys my age have girlfriends and drinking buddies on their speed dial. Me, I have the Memphis CDC.
Mira Grant (Deadline (Newsflesh, #2))
Passion comes from the mess, Memphis.
Devney Perry (Juniper Hill (The Edens, #2))
Because I was single, there was a chance I was a homosexual. Because I went to Syracuse, wherever that was, then I was probably a Communist. Or worse, a Liberal. Because I was from Memphis, I was a subversive intent on embarrassing Ford County.
John Grisham (The Last Juror)
Because I didn’t fall in love with you again, Memphis,” he said quietly. “I just never stopped.
River Jaymes (The Boyfriend Mandate (The Boyfriend Chronicles, #2))
If we tried this and it didn’t work, you’d lose him.” “Yeah.” He nodded. “I know what’s on the line, Memphis. But I’m standing here anyway.
Devney Perry (Juniper Hill (The Edens, #2))
I didn’t like to see Drake cry. But Memphis? It was like getting the wind knocked out of me.
Devney Perry (Juniper Hill (The Edens, #2))
We both had done the math. Kelly added it all up and... knew she had to let me go. I added it up, and knew that I had... lost her. 'cos I was never gonna get off that island. I was gonna die there, totally alone. I was gonna get sick, or get injured or something. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. So... I made a rope and I went up to the summit, to hang myself. I had to test it, you know? Of course. You know me. And the weight of the log, snapped the limb of the tree, so I-I - , I couldn't even kill myself the way I wanted to. I had power over *nothing*. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I'm back. In Memphis, talking to you. I have ice in my glass... And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?
William Broyles Jr. (Cast Away: The Shooting Script)
In 1930 the price of cotton dropped. And so, in the spring of 1931, Papa set out looking for work, going as far north as Memphis and as far south as the Delta country. He had gone west too, into Louisiana. It was there he found work laying track for the railroad. He worked the remainder of the year away from us, not returning until the deep winter when the ground was cold and barren. The following spring after the planting was finished, he did the same. Now it was 1933, and Papa was again in Louisiana laying track. I
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (Skinjacker, #3))
Memphis, Egypt a crazy long time ago...
Katy Perry
It was a thread woven through all of humankind: this need for story to explain the unexplainable, to comfort the hurting, to promise that no one was alone. Evie's uncle Will had said there was no greater power on earth than story. And in this shared moment, Memphis knew that it was so.
Libba Bray (The King of Crows (The Diviners, #4))
Hapi?" I asked. "Why, yes, I am happy!" Hapi beamed. "I'm always happy because I'm Hapi! Are you happy?" Zia frowned up at the giant. "Does he have to be so big?" The god laughed. Immediately he shrank down to human size, though the crazy cheerful look on his face was still pretty unnerving. "Oh, Setne!" Hapi chuckled and pushed the ghost playfully. "I hate this guy. Absolutely despise him!" Hapi's smile became painfully wide. "I'd love to rip off your arms and legs, Setne. That would be amazing!" Setne ... drifted a little farther away from the smiling god. "Oh!" Hapi clapped excitedly. "The world is going to end tomorrow. I forgot!" "You'd never get to Memphis without my help. You'd get torn into a million pieces!" He seemed genuinely pleased to share that news.
Rick Riordan
Look behind you now. Do you feel in your heart a slight hastening of its beat, and a powerful sense that something momentous is about to happen? ... Perhaps, then, this is the hour that Mary Hightower takes to the sky with thousands Afterlights heading toward Memphis. ... Perhaps this is the moment that Nick, the Chocolate Ogre, arrives in the same city in search for Allie, only to find that he has no idea where to look. ... Perhaps this is the very instant that a monster called the McGill arrives there as well, aching to ease his pain by sharing his misery - not only with his new minions, but with anyone he can. ... And perhaps you can sense, in some small twisting loop of your gut, the covergence of the wrong, of the right, and the woefully misguided. If you do, then pay sharp attention to the moment you wake, and the moment you fall asleep.... For maybe then you will know, without a shadow of doubt, which is which.
Neal Shusterman (Everwild (Skinjacker, #2))
In a 1968 speech given to striking sanitation workers in Memphis, Reverend Martin Luther King, Jr., defined power as the ability to achieve purpose and effect change. This is the most accurate and important definition of power that I’ve ever seen. The definition does not make the nature of power inherently good or bad, which aligns with what I’ve learned in my work. What makes power dangerous is how it’s used.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
He calls us to run hard after Him, His commands, and His glory. The decision to be in God's will is not the choice between Memphis or Fargo or engineering or art; it's the daily decision we face to seek God's kingdom or ours, submit to His lordship or not, live according to His rules or our own.
Kevin DeYoung (Just Do Something: A Liberating Approach to Finding God's Will)
Children don’t write their own tragedies. That is the work of adults.
Mara Leveritt (Devil's Knot: The True Story of the West Memphis Three (Justice Knot Trilogy Book 1))
Theta’s hand slid just slightly toward Memphis’s. He inched his forward, too, just grazing the tips of her fingers with his.
Libba Bray (The Diviners (The Diviners, #1))
Sometimes I open my mouth and my mother comes out. -Memphis to her dad
Lani Lynn Vale (Bang Switch (Code 11-KPD SWAT, #3))
I didn’t like having people in my kitchen. Even Mom and Lyla knew not to intrude when they came over. For Memphis, I’d make an exception.
Devney Perry (Juniper Hill (The Edens, #2))
I read a lot.' 'Me, too. One Hundred and Thirty-fifth Street Library,' Memphis said, a little cocky. 'Seward Park Library,' Ling answered in kind. 'It's like you're picking baseball teams for books,' Sam said.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Miriam thought her the most entitled white women she had met—uninteresting, her life so intertwined with that of her husband’s that she was no longer distinguishable as a woman.
Tara M. Stringfellow (Memphis)
What will people say, you running off to Memphis like you don't have a house to look after? Shug say, Albert. Try to think like you got some sense. Why any woman give a shit what people think is a mystery to me. Well, say Grady, trying to bring light. A woman can't git a man if peoples talk. Shug look at me and us giggle. Then us laugh sure nuff. Then Squeak start to laugh. Then Sofia. All us laugh and laugh. Shug say, Ain't they something? Us say um hum, and slap the table, wipe the water from our eyes.
Alice Walker (The Color Purple)
Con: his ex-boyfriend was seriously hot, but right now he looked angry and intent on making him pay. Pro: his ex-boyfriend was seriously hot, and right now he looked angry and intent on making him pay. And all Memphis could think was about damn time.
River Jaymes (The Boyfriend Mandate (The Boyfriend Chronicles, #2))
History had awakened me to the fact that racism is the only food Americans crave.
Tara M. Stringfellow (Memphis)
Thus the husband is buried at Memphis and the wife in Koptos, yet the Ka of the wife goes to live in her husband's tomb
H. Rider Haggard (Morning Star)
When you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Besides, even at night, Memphis is going to be hotter than a billy goat’s ass in a pepper patch.
Annie England Noblin (Sit! Stay! Speak!)
Mississippi begins in the lobby of a Memphis, Tennessee, hotel and extends south to the Gulf of Mexico.
William Faulkner
Led Zeppelin created their music from a diet of Bert Jansch, Memphis Minnie, John Fahey, Billy Fury, Phil Spector, Richard 'Rabbit' Brown, Moby Grape, Manitas De Plata and Om Kalsoum. Those who came afterwards were content with a diet of Led Zeppelin, which is not the same thing at all.
David Hepworth
Investigating Professor Shore from Memphis State, Decided to investigate Just how the elephant's tail was tied Onto the elephant's leathery hide. Well while he was investigating, Something happened so nauseating, That I fear it might make you sick to hear it. So let's just say Professor Shore Doesn't investigate tails no more. (You`ll find surprises happen mostly When we investigate too closely)
Shel Silverstein
walls shook with the laughter. Laughter that was, in and of itself, Black. Laughter that could break glass. Laughter that could uplift a family. A cacophony of Black female joy in a language private to them.
Tara M. Stringfellow (Memphis)
So that’s why he came to Memphis—“to assert my right to think for myself, to refuse to have my ideas assigned to me as though I was an intellectual slave because I’m black. I come to state that I’m a man, free to think for myself and do as I please.… I will not be consigned the unquestioned opinions of others.
Myron Magnet (Clarence Thomas and the Lost Constitution)
They damaged his nervous system with a wartime Russian mycotoxin. Strapped to a bed in a Memphis hotel, his talent burning out micron by micron, he hallucinated for thirty hours. The damage was minute, subtle, and utterly effective. For Case, who’d lived for the bodiless exultation of cyberspace, it was the Fall.
William Gibson (Neuromancer (Sprawl, #1))
Don’t give your heart to him, Shay,” Darby says softly. “Ford won’t keep it safe. No one ever kept his heart safe growing up and he doesn’t know how to treat anyone any better. It’s not his fault he’s not a good man, but it’ll be your fault if you expect him to be one.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
The 'Memphis Avalanche' reports that the Professor's course met with pretty general approval in the community; knowing that the law was powerless, in the actual condition of public sentiment, to protect him, he protected himself.
Mark Twain (Life on the Mississippi)
In the mind of the public, she seemed endowed with an almost supernatural power to commit heinous acts, no matter the time or place.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
Men and death. Men and death. How on earth y'all run the world when all y'all have ever done is kill each other?
Tara M. Stringfellow (Memphis)
The nights were advantageous, too. After they kissed their families goodnight, it was expected that they would share a bed, their bodies close, their movements obscured under the covers.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
Forgetting the injustices and seeming injustices which one suffered from one’s parents during childhood and youth must be the major part of any maturing process. I kept repeating this to myself, as though it were a lesson I would at some future time be accountable for. A certain oblivion was what we must undergo in order to become adults and live peacefully with ourselves.
Peter Taylor (A Summons to Memphis)
The Voice of Tomorrow America, America, will you listen to the story of you? You bruised mountains, purpled by majesty. You shining seas that refuse to see. You, haunted by ghosts of dreams, From the many, one; the one, many. I am in you and of you, America. You of amber waving grain, shining Like fool's gold in a plentiful river. I am the dream coming, yes, The Voice of Tomorrow Ringing in freedom's ear. Do you hear it now? Calling, calling, all: Listen, America - I am the story. I am you. I am.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Martin Luther King, Jr., is the most quoted black man on the planet. His words are like scripture to you and, yes, to us too. His name is evoked, his speech referenced, during every racial crisis we confront. He has become the language of race itself. He is, too, the history of black America in a dark suit. But he is more than that. He is the struggle and suffering of our people distilled to a bullet in Memphis. King’s martyrdom made him less a man, more a symbol, arguably a civic deity. But there are perils to hero-worship. His words get plucked from their original contexts, his ideas twisted beyond recognition. America has washed the grit from his rhetoric. Beloved,
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
When I introduce you to these doctors, do I get to drop the ex from the front of ex-boyfriend?” A sharp laugh shot from Tyler’s mouth, and he looked so surprised by the sound that Memphis had to grin. Tyler finally tipped his head, his expression softening. “You’d better.
River Jaymes (The Boyfriend Mandate (The Boyfriend Chronicles, #2))
Sweet and Wild - Dierks Bentley Light it Up - Rev Theory Thick as Thieves - Cavo Rock You All Night Long - Royal Bliss Outlawed - Attila Thug Life - Attila Can You Feel My Heart - Bring Me the Horizon Forever in Your Hands - All That Remains You’re Not Alone - Of Mice & Men Jezebel - Memphis May Fire These Things I’ve Done - Sleeping With Sirens The Way of the Fist - Five Finger Death Punch As Diehard as They Come - Hatebreed Just Keep Breathing - We Came as Romans Dead in a Grave - Rev Theory I Survive - We Came as Romans Payback - Attila You’re the One - Rev Theory Pool of Booze, Booze, Booza - Volbeat Perfect - My Darkest Days Die For You - Otherwise Where Did the Party Go? - Fall Out Boy
Autumn Jones Lake (Road to Royalty (Lost Kings MC, #1-2, 3))
Case had always taken it for granted that the real bosses, the kingpins in a given industry, would be both more and less than people... He'd seen it in the men who'd crippled him in Memphis, he'd seen Wage affect the semblance of it in Night City, and it had allowed him to accept Armitrage's flatness and lack of feeling. He'd always imagined it as a gradual and willing accommodation of the machine, the system, the parent organism. It was the root of street cool, too, the knowing posture that implied connection, invisible lines up to hidden levels of influence.
William Gibson (Neuromancer (Sprawl, #1))
Another tear, one that she hadn’t been able to dry, dripped down her cheek. I didn’t like to see Drake cry. But Memphis? It was like getting the wind knocked out of me. “Hey.” I went to her side and fit my hand to her elbow. “What happened, honey?” “I just . . .” Her shoulders sagged. “I had a bad day.
Devney Perry (Juniper Hill (The Edens, #2))
F. Franklin the Fourth has a job with a firm rich in heritage, money and pretentiousness, a firm vastly superior to Brodnax and Speer. His sidekicks at the moment are W. Harper Whittenson, an arrogant little snot who will, thankfully, leave Memphis and practice with a mega-firm in Dallas; J. Townsend Gross, who has accepted a position with another huge firm; and James Straybeck, a sometimes friendly sort who's suffered three years of law school without an initial to place before his name or numerals to stick after it. With such a short name, his future as a big-firm lawyer is in jeopardy. I doubt if he'll make it.
John Grisham (The Rainmaker)
Memphis cupped her cheek in his hand and put his mouth on hers. Theta had never been kissed the way Memphis was kissing her now. There had been fumbling boys thrumming with nervous want. There had been theater owners, older “uncles” who pawed at her when she walked past or who wanted to “inspect” her costume to make sure it was decent down to the undergarments, men she granted the occasional kiss in order to stave off something worse. And there was Roy, of course. Beautiful, cruel Roy, whose kisses were declaratory, as if he needed to conquer Theta, to brand her with his mouth. Those men had never really seen Theta. But Memphis’s kiss was nothing like theirs. It was passionate, yet tender. A mutual agreement of desire. It was a kiss shared. He was kissing her. He was with her.
Libba Bray (The Diviners (The Diviners, #1))
ONCE, THERE WAS A CHINA RABBIT WHO was loved by a little girl. The rabbit went on an ocean journey and fell overboard and was rescued by a fisherman. He was buried under garbage and unburied by a dog. He traveled for a long time with the hoboes and worked for a short time as a scarecrow. Once, there was a rabbit who loved a little girl and watched her die. The rabbit danced on the streets of Memphis. His head was broken open in a diner and was put together again by a doll mender. And the rabbit swore that he would not make the mistake of loving again. Once there was a rabbit who danced in a garden in springtime with the daughter of the woman who had loved him at the beginning of his journey. The girl swung the rabbit as she danced in circles. Sometimes, they went so fast, the two of them, that it seemed as if they were flying. Sometimes, it seemed as if they both had wings. Once, oh marvelous once, there was a rabbit who found his way home.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
He put a hand to the cool, painted stones bearing witness to so many names, so many histories. In the mural, there were painted lines for the Underground, like scars stretched across the skin of the infected nation. There were wounds and then there were wounds. Some were so great Memphis had no idea how they could ever be healed.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Tad’s mission in life is to have more fun than anyone else in New York City, and this involves a lot of moving around, since there is always the likelihood that where you aren’t is more fun than where you are. You are awed by his strict refusal to acknowledge any goal higher than the pursuit of pleasure. You want to be like that. You also think he is shallow and dangerous. His friends are all rich and spoiled, like the cousin from Memphis you met earlier in the evening who would not accompany you below Fourteenth Street because, he said, he didn’t have a lowlife visa. This cousin has a girlfriend with cheekbones to break your heart, and you knew she was the real thing when she steadfastly refused to acknowledge your presence. She possessed secrets—about islands, about horses, about French pronunciation—that you would never know.
Jay McInerney
In the mind of the public, she seemed endowed with an almost supernatural power to commit heinous acts, now matter the time or place.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
I know it’s a mistake, but I’m falling for you.” “I know and it’s fucking beautiful.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
I imagined a book that was both written and curated. I wanted readers to see my research, to explore the archival mix, connect with the material, and draw their own conclusions.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
If Alice had a post-engagement policy, it was to pass.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
But the rhetoric of deviance was far from extinct.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
The family's butcher made a brief appearance, recounting the time he called Alice a tomboy. Her damning reaction? She did not balk, testified the butcher.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
My old lady wouldn’t like me putting a dead chick under our house. She’s real particular about smells.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
Then almost raised her hand to her left brow, still tender, covered in cheap Maybelline foundation not her shade because no drugstore ever carried her shade.
Tara M. Stringfellow (Memphis)
Theta sat next to Memphis and watched Mr. and Mrs. Chan laughing about some private joke. They were a mixed couple, and they were happy. No one seemed to be bothering them. But they were also here in the few blocks of Chinatown. What happened when they crossed Canal Street into the rest of the city? What happened when they went out into the rest of the country?
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
In March 1955, Powell called for a boycott of Harlem savings banks that "practice 'Jim Crow-ism' and 'economic lynching.'" He urged Abyssinian Baptist Church's fifteen thousand members to withdraw their funds from white-woned banks and transfer them to either the black-owned Carver Federal Savings in Harlem or the black-owned Tri-State Bank in Memphis, Tennessee (108).
Manning Marable (Malcolm X: A Life of Reinvention)
In zijn eentje doodt Smithfield (Amerika's grootste producent van varkensvlees) jaarlijks meer varkens dan het gezamelijke inwonertal van New York City, Los Angeles, Chicago, Houston, Phoenix, Philadelphia, San Antonio, San Diego, Dallas, San Jose, Detroit, Jacksonville, Indianapolis, San Francisco, Columbus, Austin, Forth Worth en Memphis - ongeveer 31 miljoen dieren.
Jonathan Safran Foer (Eating Animals)
Six months ago when she first came up with the idea to kill Wilson, back when she was living in Memphis, she'd started going to church again. Since she was spending so much time thinking about sinister things, the least she could do, she reasoned, was to think about God and his love twice a week at church so that she wouldn't become a total sociopath. And rather than kill other people who were stand-ins for the person she really wanted to kill, like serial killers did, she'd be kind and generous to others and hone in on the one who deserved to die. And her plan had worked extremely well. Since she'd started planning to kill Wilson, and then decided to destroy his family instead, she felt no animosity toward anyone but him. Almost none at all!
Elizabeth Stuckey-French (The Revenge of the Radioactive Lady)
The things women do for the sake of their daughters. The things women don’t. The shame of it all. The shame of her daughter’s rape, the shame of her husband’s violence, her nephew’s psychopathy.
Tara M. Stringfellow (Memphis)
The Memphis Finley and I landed in was my mother’s Memphis. It was magnolia-lined and manicured, black-tailed and bow-tied. It glittered in illusory gold and tinkled in sing-song voices. It was cloistered, segregated, and well-appointed, the kind of place where everyone monogrammed their initials on everything from hand towels to silver because nothing mattered more than one’s family and to whom they were connected by lineage that traced through the fertile fields of the Mississippi Delta.
Claire Fullerton (Mourning Dove)
What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.
Don Winslow (The Kings of Cool (Savages, #1))
At fourteen he runs away. He will not see again the freezing kitchenhouse in the predawn dark. The firewood, the washpots. He wanders west as far as Memphis, a solitary migrant upon that flat and pastoral landscape. Blacks in the fields, lank and stooped, their fingers spiderlike among the bolls of cotton. A shadowed agony in the garden. Against the sun's declining figures moving in the slower dusk across a paper skyline. A lone dark husbandman pursuing mule and harrow down the rainblown bottomland toward night.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Ladies and Gentlemen - I'm only going to talk to you just for a minute or so this evening. Because... I have some very sad news for all of you, and I think sad news for all of our fellow citizens, and people who love peace all over the world, and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee. Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it's perhaps well to ask what kind of a nation we are and what direction we want to move in. For those of you who are black - considering the evidence evidently is that there were white people who were responsible - you can be filled with bitterness, and with hatred, and a desire for revenge. We can move in that direction as a country, in greater polarization - black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion and love. For those of you who are black and are tempted to be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man. But we have to make an effort in the United States, we have to make an effort to understand, to get beyond these rather difficult times. My favorite poet was Aeschylus. He once wrote: "Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God." What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black. (Interrupted by applause) So I ask you tonight to return home, to say a prayer for the family of Martin Luther King, yeah that's true, but more importantly to say a prayer for our own country, which all of us love - a prayer for understanding and that compassion of which I spoke. We can do well in this country. We will have difficult times. We've had difficult times in the past. And we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it's not the end of disorder. But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of our life, and want justice for all human beings that abide in our land. Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world. Let us dedicate ourselves to that, and say a prayer for our country and for our people. Thank you very much.
Robert F. Kennedy
An interesting example is found in an article by Dr. Jennifer Roback titled “The Political Economy of Segregation: The Case of Segregated Streetcars,” in the Journal of Economic History (1986). During the late 1800s, private streetcar companies in Augusta, Houston, Jacksonville, Mobile, Montgomery, and Memphis were not segregated, but by the early 1900s, they were. Why? City ordinances forced them to segregate black and white passengers. Numerous Jim Crow laws ruled the day throughout the South mandating segregation in public accommodations.
Walter E. Williams (American Contempt for Liberty (Hoover Institution Press Publication Book 661))
There were railroads in the wilderness now; people who used to go overland by carriage or horseback to the River landings for the Memphis and New Orleans steamboats could take the train from almost anywhere now. And presently Pullmans too, all the way from Chicago and the Northern cities and the Northern money, the Yankee dollars arriving between sheets and even in drawing rooms to open the wilderness, nudge it further and further toward obsolescence with the whine of saws; what had been one vast unbroken virgin span was now booming with cotton and timber both. Or rather, booming with simple money: increment's troglodyte which had fathered twin ones: solvency and bankruptcy, the three of them booming money into the land so fast now that the problem was to get rid of it before it whelmed you into strangulation.
William Faulkner (Big Woods)
According to the National Alliance on Mental Illness (NAMI), 3.5 million Americans are afflicted with severe mental illness and 250,000 of them are in prison. Incarceration has replaced treatment. And, as those numbers grow, we can’t keep blaming Reagan. Given that fully half of all people killed by the police are mentally ill, and that mental illness is a sorely, nay, criminally neglected area of social policy and government services, the least we can do is demand and present the finest possible training for our police officers. But what kind of training? Most conversations about police mental-health training begin and end with the “Memphis Model,” and for good reason. But well before events in Memphis, Tennessee, prompted development of the model there was an important antecedent, born of the movement to reduce family violence.
Norm Stamper (To Protect and Serve: How to Fix America's Police)
The rock there is described as “blue-gray true unfading slate.” It is strong but “soft,” and will accept a polishing that makes it smoother than glass. From Memphis to St. Joe, from Joplin to River City, there is scarcely a hustler in the history of pool who has not racked up his runs over Martinsburg slate. For anybody alive who still hears corruption in the click of pocket billiards, it is worth a moment of reflection that not only did all those pool tables accumulate on the ocean floor as Ordovician guck but so did the blackboards in the schools of all America.
John McPhee (Annals of the Former World)
I didn’t want that, either—poverty and the shame it brings—but I was willing to risk being chronically poor the rest of my life so that I could draw. Art mattered more to me than anything else. If there was a chance I could make it work, that I might make a living off it, however meager, I had to try.
Tara M. Stringfellow (Memphis)
It's a sight, ain't it? And after all these years, I can't get used to it. Mountains. How did they even come to be? Sometimes I sit in that shop all day wondering. Don't make no sense to me how a fella can question the existence of God waking up to mountains like that every morning. All the proof I need.
Tara M. Stringfellow (Memphis)
Let me tell you a story,” he says, leaning closer until his lips are an inch from my ear. “Once upon a time, there was a hot piece of tail who dressed like a boy. She wore flannel and baggy jeans and trucker hats. She kept all her pretty curves hidden, but no one was fooled especially not my dick. The end.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
Miss Bobbit came tearing across the road, her finger wagging like a metronome; like a schoolteacher she clapped her hands, stamped her foot, said: "It is a well-known fact that gentlemen are put on the face of this earth for the protection of ladies. Do you suppose boys behave this way in towns like Memphis, New York,London, Hollywood or Paris?" The boys hung back, and shoved their hands in their pockets. Miss Bobbit helped the colored girl to her feet; she dusted her off, dried her eyes, held out a handkerchief and told her to blow. "A pretty pass," she said, "a fine situation when a lady can’t walk safely in the public daylight.
Truman Capote (Children On Their Birthdays)
Chicago in the twenties may have been corrupt, but it was not really as violent as reputation has it. With an annual rate of 13.3 murders per every 100,000 people, it was indubitably more homicidal than New York, with 6.1, Los Angeles, with 4.7, or Boston, with just 3.9—but it was less dangerous than Detroit, at 16.8, or almost any city in the South. New Orleans had a murder rate of 25.9 per 100,000, while Little Rock had a rate of 37.9, Miami 40, Atlanta 43.4, and Charlotte 55.5. Memphis was miles ahead of all other cities, with a truly whopping rate of 69.3. The average in America today, you may be surprised and comforted to hear, is 6 murders per 100,000 people.
Bill Bryson (One Summer: America, 1927)
In a little while they were kissing. In a little while longer, they made their slow sweet love. The iron bed sounded like a pine forest in an ice storm, like a switch track in a Memphis trainyard, like the sweet electrical thunder of habitual love and the tragical history of the constant heart. Auntee finished first, and then Uncle soon after, and their lips were touching lightly as they did. The rain was still falling and the scritch owl was still asleep and the dragonflies were hidden like jewels somewhere in deep brown wet grasses, nobody knew where. Uncle rolled away from his wife and held onto her hand, never let it go, old friend, old partner, passionate wife.
Lewis Nordan (Wolf Whistle)
I want you to call me tonight when you’re at work,” I say, tense now. “Why?” “So I’ll know you’re safe.” “When do you want me to call?” “Every hour.” Sipping her lemonade, Shay grins. “Yeah, I’m not doing that.” “Why?” I grunt. “I’ll never remember. Besides, it’s a little excessive.” “I’ll call you every hour then.” Shay smiles wider. “Will we talk every hour or will you just ask if I’m dead then hang up once you get your answer?” I lean over and kiss her forehead. Her hair smells so good. I want it spread out across my pillows while I move inside her. I can barely sit still with my cock so hard. “I should get a room at the hotel, so you can spend your breaks with me.” Shay loses her smile. “No.” I run my fingers over her thigh. “I could help you count toilet paper rolls. Even take luggage to rooms for late night guests. How does that sound?” “You’re being weird.” “Is it weird to crave you?” Shay grins. “Yes. You’re weird.” I roll my eyes. “Fuck you for being addictive.” “I’m sorry my pussy is so addictive. Maybe there’s a twelve step program to help you.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
My grandmother, perhaps the biggest Elvis fan on earth, loved going to Memphis and visiting Graceland with her sister, daughter, and nieces. She had photo albums full of their trips; they’d go and she would take photos of the exact same things trip after trip. It was her mecca. She had a photo of Elvis’s headstone in various seasons, and you could watch her daughter and nieces grow up in a series of photos in front the mansion’s driveway gate. It was routine. I’ve come to regard Dianne Feinstein’s “assault weapons” press conferences in the same way. Every few years or so, Senator Feinstein calls a press conference, the D.C. version of theater, and plays Vanna White with guns strapped to whiteboards. You can watch her age through the years at these pressers via Google Images. She begins with a youthful plump to her cheeks, standing tall, holding up a rifle to her chest and as the years go by she takes on the posture of a cocktail shrimp and simply motions to the boards. I give her credit for her dedication to never learning a single thing about the firearms she proposes to ban. It takes devotion to remain ignorant about a topic when you spend decades discussing it.
Dana Loesch (Hands Off My Gun: Defeating the Plot to Disarm America)
For years in this country there was no one for black men to vent their rage on except black women. And for years black women accepted that rage—even regarded that acceptance as their unpleasant duty. But in doing so, they frequently kicked back, and they seem never to have become the “true slave” that white women see in their own history. True, the black woman did the housework, the drudgery; true, she reared the children, often alone, but she did all of that while occupying a place on the job market, a place her mate could not get or which his pride would not let him accept. And she had nothing to fall back on: not maleness, not whiteness, not ladyhood, not anything. And out of the profound desolation of her reality she may very well have invented herself. —Toni Morrison, “What the Black Woman Thinks About Women’s Lib,” The New York Times, 1971
Tara M. Stringfellow (Memphis)
To an American Negro living in the northern part of the United States the word South has an unpleasant sound, an overtone of horror and of fear. For it is in the South that our ancestors were slaves for three hundred years, bought and sold like cattle. It is in the South today that we suffer the worst forms of racial persecution and economic exploitation--segregation, peonage, and lynching. It is in the Southern states that the color line is hard and fast, Jim Crow rules, and I am treated like a dog. Yet it is in the South that two-thirds of my people live: A great Black Belt stretching from Virginia to Texas, across the cotton plantations of Georgia and Alabama and Mississippi, down into the orange groves of Florida and the sugar cane lands of Louisiana. It is in the South that black hands create the wealth that supports the great cities--Atlanta, Memphis, New Orleans, where the rich whites live in fine houses on magnolia-shaded streets and the Negroes live in slums restricted by law. It is in the South that what the Americans call the "race problem" rears its ugly head the highest and, like a snake with its eyes on a bird, holds the whole land in its power. It is in the South that hate and terror walk the streets and roads by day, sometimes quiet, sometimes violent, and sleep n the beds with the citizens at night.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
I’ve been with thousands of women and you claimed the one night that you fucked four hundred billion men,” I say and Shay smiles slightly. “Out of all those people, you’re the only one that makes my heart hurt. Do you know how stupid I feel saying my heart hurts? I feel like a damn pussy, but I’m saying the words because they’re true.” “I give you heart trouble,” Shay whispers. “You own my heart. I don’t know if that’s the same thing though.” “For me, it is.
Bijou Hunter (Little Memphis (Little Memphis MC Book 1))
REINHOLD JOBS. Wisconsin-born Coast Guard seaman who, with his wife, Clara, adopted Steve in 1955. REED JOBS. Oldest child of Steve Jobs and Laurene Powell. RON JOHNSON. Hired by Jobs in 2000 to develop Apple’s stores. JEFFREY KATZENBERG. Head of Disney Studios, clashed with Eisner and resigned in 1994 to cofound DreamWorks SKG. ALAN KAY. Creative and colorful computer pioneer who envisioned early personal computers, helped arrange Jobs’s Xerox PARC visit and his purchase of Pixar. DANIEL KOTTKE. Jobs’s closest friend at Reed, fellow pilgrim to India, early Apple employee. JOHN LASSETER. Cofounder and creative force at Pixar. DAN’L LEWIN. Marketing exec with Jobs at Apple and then NeXT. MIKE MARKKULA. First big Apple investor and chairman, a father figure to Jobs. REGIS MCKENNA. Publicity whiz who guided Jobs early on and remained a trusted advisor. MIKE MURRAY. Early Macintosh marketing director. PAUL OTELLINI. CEO of Intel who helped switch the Macintosh to Intel chips but did not get the iPhone business. LAURENE POWELL. Savvy and good-humored Penn graduate, went to Goldman Sachs and then Stanford Business School, married Steve Jobs in 1991. GEORGE RILEY. Jobs’s Memphis-born friend and lawyer. ARTHUR ROCK. Legendary tech investor, early Apple board member, Jobs’s father figure. JONATHAN “RUBY” RUBINSTEIN. Worked with Jobs at NeXT, became chief hardware engineer at Apple in 1997. MIKE SCOTT. Brought in by Markkula to be Apple’s president in 1977 to try to manage Jobs.
Walter Isaacson (Steve Jobs)
Then she sent Schweik for lunch and wine. And before he returned, she put on a filmy gown which made her extremely attractive and alluring. At lunch she drank a bottle of wine and smoked several Memphis cigarettes. And while Schweik was in the kitchen feasting on army bread which he soaked in a glass of brandy she retired to rest. "Schweik," she shouted from the bedroom. "Schweik!" Schweik opened the door and beheld the young lady in an enticing attitude among the cushions. "Come here." He stepped up to the bed, and with a peculiar smile she scrutinized his sturdy build. Then, she pulled aside the thin covering which had hitherto concealed her person. And so it came about that when the lieutenant returned from the barracks, the good soldier Schweik was able to inform him: "Beg to report, sir, I carried out all the lady's wishes and treated her courteously, just as you instructed me." "Thank you, Schweik," said the lieutenant. "And did she want many things done?" "About six," replied Schweik.
Jaroslav Hašek (The Good Soldier Švejk)
I knowed Lancey from back yonder. I see him to Nig's in Memphis and down to Yeller's in Noorlins, back yonder when they was shunting booze into the country. Him. Sheet! Nothing but a comer like you, Kid, only he liked wimmen too. Always got to feel a leg, that's the kind he is. Oooeeeh! That sonsabitch is cold. I seen him gut a feller with a furth card and rattle him s'bad, the feller quit and got up and pissed red in the john and went square. They ain't but one way to ferk with the kind of man Lancey Hodges is...
Richard Jessup (The Cincinnati Kid: A Novel)
Something is happening in Memphis; something is happening in our world. And you know, if I were standing at the beginning of time, with the possibility of taking a kind of general and panoramic view of the whole of human history up to now, and the Almighty said to me, "Martin Luther King, which age would you like to live in?" I would take my mental flight by Egypt and I would watch God's children in their magnificent trek from the dark dungeons of Egypt through, or rather across the Red Sea, through the wilderness on toward the promised land. And in spite of its magnificence, I wouldn't stop there. I would move on by Greece and take my mind to Mount Olympus. And I would see Plato, Aristotle, Socrates, Euripides and Aristophanes assembled around the Parthenon. And I would watch them around the Parthenon as they discussed the great and eternal issues of reality. But I wouldn't stop there. I would go on, even to the great heyday of the Roman Empire. And I would see developments around there, through various emperors and leaders. But I wouldn't stop there. I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and aesthetic life of man. But I wouldn't stop there. I would even go by the way that the man for whom I am named had his habitat. And I would watch Martin Luther as he tacked his ninety-five theses on the door at the church of Wittenberg. But I wouldn't stop there. I would come on up even to 1863, and watch a vacillating President by the name of Abraham Lincoln finally come to the conclusion that he had to sign the Emancipation Proclamation. But I wouldn't stop there. I would even come up to the early thirties, and see a man grappling with the problems of the bankruptcy of his nation. And come with an eloquent cry that we have nothing to fear but "fear itself." But I wouldn't stop there.
Martin Luther King Jr.