Memories Recall Quotes

People have an annoying habit of remembering things they shouldn't.

There’s something disturbing about recalling a warm memory and feeling utterly cold.

Your memory is a monster; you forget—it doesn't. It simply files things away. It keeps things for you, or hides things from you—and summons them to your recall with will of its own. You think you have a memory; but it has you!

There is no greater sorrow than to recall in misery the time when we were happy.

There is no one, no matter how wise he is, who has not in his youth said things or done things that are so unpleasant to recall in later life that he would expunge them entirely from his memory if that were possible.

I ask the impossible: love me forever. Love me when all desire is gone. Love me with the single mindedness of a monk. When the world in its entirety, and all that you hold sacred advise you against it: love me still more. When rage fills you and has no name: love me. When each step from your door to our job tires you-- love me; and from job to home again, love me, love me. Love me when you're bored-- when every woman you see is more beautiful than the last, or more pathetic, love me as you always have: not as admirer or judge, but with the compassion you save for yourself in your solitude. Love me as you relish your loneliness, the anticipation of your death, mysteries of the flesh, as it tears and mends. Love me as your most treasured childhood memory-- and if there is none to recall-- imagine one, place me there with you. Love me withered as you loved me new. Love me as if I were forever-- and I, will make the impossible a simple act, by loving you, loving you as I do

Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.

He thought each memory recalled must do some violence to its origins. As in a party game. Say the words and pass it on. So be sparing. What you alter in the remembering has yet a reality, known or not.

I could still smell her on my fur. It clung to me, a memory of another world. I was drunk with it, with the scent of her. I'd got too close. The smell of summer on her skin, the half-recalled cadence of her voice, the sensation of her fingers on my fur. Every bit of me sang with the memory of her closeness. Too close. I couldn't stay away.

The past does not haunt us. We haunt the past. We allow our minds to focus in that direction. We open memories and examine them. We reexperience emotions we felt during the painful events we experienced because we are recalling them in as much detail as we can.

You usually can’t recall all the people you’ve shared laughs with. But you rarely forget the people you’ve shared your tears with.

These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.

Both fictions and memories are recalled and retold. They're both forms of stories. Stories are the way we learn. Stories are how we understand each other.

One of the Georges - I forget which - once said that a certain number of hours' sleep each night - I cannot recall at the moment how many - made a man something which for the time being has slipped my memory.

In our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.

No, the last thing she cared about was whether people were staring at the boy and girl kissing by the river, as London, it's cities and towers and churches and bridges and streets, circled all about them like the memory of a dream. And if the Thames that ran beside them, sure and silver in the afternoon light, recalled a night long ago when the moon shone as brightly as a shilling on this same boy and girl, or if the stones of Blackfriars knew the tread of their feet and thought to themselves: At last, the wheel comes to a full circle, they kept their silence.

Some of the earliest memories I can recall are of my mother instructing me to always “save ten percent of yourself.” What she meant was that, no matter how much you thought you loved someone, or thought they loved you, you never gave all of yourself. Save 10 percent, always, so there was something to fall back on. “Even from Daddy, I save,” she would add.

We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

Nostalgia is recall without the criticism of the present day, all the good parts, memory without the pain. Finally, nostalgia asks so little of us, just to be noticed and revisited;

One of the poets, whose name I cannot recall, has a passage, which I am unable at the moment to remember, in one of his works, which for the time being has slipped my mind, which hits off admirably this age-old situation.

There is a secret bond between slowness and memory, between speed and forgetting. A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down. Meanwhile, a person who wants to forget a disagreeable incident he has just lived through starts unconsciously to speed up his pace, as if he were trying to distance himself from a thing still too close to him in time. In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.

Unhappy memories are persistent. They're specific, and it's the details that refuse to leave us alone. Though a happy memory may stay with you just as long as one that makes you miserable, what you remember softens over time. What you recall is simply that you were happy, not necessarily the individual moments that brought about your joy. But the memory of something painful does just the opposite. It retains its original shape, all bony fingers and pointy elbows. Every time it returns, you get a quick poke in the eye or jab in the stomach. The memory of being unhappy has the power to hurt us long after the fact. We feel the injury anew each and every time we think of it.

If all we are allowed is hours, minutes, I want to be able to etch each of them on to my memory with exquisite clarity so that I can recall them at moments like this, when my very soul feels blackened.

For the sense of smell, almost more than any other, has the power to recall memories and it's a pity we use it so little.

Why did happy memories fade and blur until one could scarcely recall them at all, while horrible memories seemed to retain their blinding clarity and painful sharpness?

You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

A safe but sometimes chilly way of recalling the past is to force open a crammed drawer. If you are searching for anything in particular you don't find it, but something falls out at the back that is often more interesting.

And only the enlightened can recall their former lives; for the rest of us, the memories of past existences are but glints of light, twinges of longing, passing shadows, disturbingly familiar, that are gone before they can be grasped, like the passage of that silver bird on Dhaulagiri.

If a woman is given only a limited amount of time to spend with the man she loves, she endures the separation by constantly recalling and reliving every moment down to the finest detail.

To live (as I understand it) is to exist within a conception of time. But to remember is to vacate the very notion of time. Every memory, no matter how remote its subject, takes place 'Now,' at the moment it's called to the mind. The more something is recalled, the more the brain has a chance to refine the original experience. Because every memory is a re-creation, not a playback.

No doubt you are right... there would be far less suffering amongst mankind if men... did not employ their imaginations so assiduously in recalling the memory of past sorrow, instead of bearing their present lot with equanimity.

Its really hard to recall the day you became friends with special people.

But the memories that hang heaviest are the easiest to recall. They hold in their creases the ability to change one's life, organically, forever. Even when you shake them out, they've left permanent wrinkles in the fabric of your soul.

And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute - like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness.

In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory.

They say that Hope is happiness But genuine Love must prize the past; And Mem'ry wakes the thoughts that bless: They rose first -- they set the last. And all that mem'ry loves the most Was once our only hope to be: And all that hope adored and lost Hath melted into memory. Alas! It is delusion all-- The future cheats us from afar: Nor can we be what we recall, Nor dare we think on what we are.

A memory is its own thing each time it's recalled. It's not absolute. Stories based on actual events often share more with fiction than fact. Both fictions and memories are recalled and retold. They're both forms of stories. Stories are the way we learn. Stories are how we understand each other. But reality happens only once.

So we don't believe that life is beautiful because we don't recall it but if we get a whiff of a long-forgotten smell we are suddenly intoxicated and similarly we think we no longer love the dead because we don't remember them but if by chance we come across an old glove we burst into tears.

I walked to Scott, each step heavy, tears hot on my face, my hands hovering uselessly over his rapidly decaying body. I shut my eyes, forcing myself to recall his lopsided grin. Not his vacant eyes. In my mind, I played back his teasing laugh. Not the gurgling, gasping sounds he'd made right before dying. I remembered his warmth in accidental touches and playful jabs, knowing his body was rotting even as I clung to the memory. "Thank you," I choked out, telling myself that somewhere nearby, he could still hear my voice. "You saved my life. Good-bye, Scott. I'll never forget you, that's my oath to you. Never." I vowed.

I tend to agree with the theory that if you want to keep a memory pristine, you must not call upon it too often, for each time it is revisited, you alter it irrevocably, remembering not the original impression left by experience but the last time you recalled it. With tiny differences creeping in at each cycle, the exercise of our memory does not bring us closer to the past but draws us further away.

The terror of being judged sharpens the memory: it sends an inevitable glare over that long-unvisited past which has been habitually recalled only in general phrases. Even without memory, the life is bound into one by a zone of dependence in growth and decay; but intense memory forces a man to own his blameworthy past. With memory set smarting like a reopened wound, a man’s past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavors and the tinglings of a merited shame.

I suppose it's only human nature to add and substract from our memories; to recall them the way we feel they should be remembered. After all, our lives are a living work of art - shouldn't we be allowed to shape it in any way we choose?

Each memory recalled must do some violence to its origins.

We all have our youthful follies, embarassing to recall -- but people somehow find it hard to dismiss as a youthful folly anything that has happened to be a financial success.

To eke out the most happiness from an experience, we must anticipate it, savor it as it unfolds, express happiness, and recall a happy memory.

The thing about memories wasn't that many of them inevitably faded, but that repeated recall of the ones you remembered burnished them into shining, gorgeous lies

What - what was I doing the whole time?" So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. "He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap." "What kind of dancing?" I pushed. "Not the kind you were doing with Tamlin on Solstice," Lucien said, and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes - eyes that sparkled with mischief as they beheld me. "In front of everyone?" "Yes," Lucien replied - more gently than I'd heard him speak to me before.

...I recall that day on the beach - the sand so brilliant, the clouds so massive, and the wind punishing your hair...

I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.

Every woman who makes a permanent impression on a man is afterwards recalled to his mind's eye as she appeared in one particular scene, which seems ordained to be her special medium of manifestation throughout all the pages of his memory.

That is the substance of remembering—sense, sight, smell: the muscles with which we see and hear and feel not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less; and its resultant sum is usually incorrect and false and worthy only of the name of dream.

Perception is never purely in the present - it has to draw on experience of the past;(...).We all have detailed memories of how things have previously looked and sounded, and these memories are recalled and admixed with every new perception.

Many African societies divide humans into three categories: those still alive on the earth, the sasha, and the zamani. The recently departed whose time on earth overlapped with people still here are the sasha, the living-dead. They are not wholly dead, for they still live in the memories of the living, who can call them to mind, create their likeness in art, and bring them to life in anecdote. When the last person to know an ancestor dies, that ancestor leaves the sasha for the zamani, the dead. As generalised ancestors, the zamani are not forgotten but revered. Many … can be recalled by name. But they are not the living-dead. There is a difference.

The act of vividly recalling a patch of the past is something that I seem to have been performing with the utmost zest all my life, and I have reason to believe that this almost pathological keenness of the retrospective faculty is a hereditary trait.

The hell with your secrets,” shouted Bonnie. “Language, language! How about this: One of you has kept a secret all their life, and is doing so even now. One of you is a murderer—and I am not speaking of a vampire, or a mercy killing, or anything like that. And then there is the question of the true identity of Sage—good luck on your research there!One of you has already had their memory erased—and I don’t mean Damon or Stefan. And what about the secret, stolen kiss? And then there is the question of what happened the night of the motel, that it seems that nobody but Elena can recall. You might ask her sometime about her theories about Camelot.

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?

When love dies and marriage lies in ruins, the first casualty is honest memory, decent, impartial recall of the past. Too inconvenient, too damning of the present. It's the spectre of old happiness at the feast of failure and desolation. So, against that headwind of forgetfulness I want to place my little candle of truth and see how far it throws its light.

It was one of those strange moments that came to him rarely, but never left. A moment that stamped itself on heart and brain, instantly recallable in every detail, for all of his life. There was no telling what made these moments different from any other, though he knew them when they came. He had seen sights more gruesome and more beautiful by far, and been left with no more than a fleeting muddle of their memory. But these-- the still moments, as he called them to himself-- they came with no warning, to print a random image of the most common things inside his brain, indelible.

I wondered if there would ever be a day when I didn't think about Alaska, wondered whether I should hope for a time when she would be a distant memory - recalled only on the anniversary of her death, or maybe a couple of weeks after, remembering only after having forgotten.

Imperfect knowledge, incomplete assessment of feedback, limited memory and recall, as well as poor problem-solving skills result in a form of rationality that attains not optimal decisions but more or less satisfactory compromises between conflicting constraints.

When does she stop speaking? When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?

From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion.

You're smiling. But you must know yourself, since you are a literary person, that the work of fiction is always a form of recovery of the past, even if that past has to be falsified to seem real. The act of recalling the past in what we write doesn't mean knowing the way it really was, but rather becoming the master of memories as they burn in the perilous instant of creation.

No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory – this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. ... Whence did it come? What did it mean? How could I seize and apprehend it? ... And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before mass), when I went to say good morning to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of tea or tisane. The sight of the little madeleine had recalled nothing to my mind before I tasted it. And all from my cup of tea.

With all the planning she’d done, she must have known she was leaving, and even she couldn’t have been totally immune to the feeling. She’d had good days here. And on the last day, the bad days become so difficult to recall, because one way or another, she made a life here, just as I had. The town was paper, but the memories were not. All the things I’d done here, all the love and pity and compassion and violence and spite, kept welling up inside me. These whitewashed cinder-block walls. My white walls. Margo’s white walls. We’d been captive in them for so long, stuck in their belly like Jonah.

The problem is not that we forget the past. It is that we recall it too well. Children recall wrongs that enemies did to their grandfathers, and blame the granddaughters of the old enemies. Children are not born with memories of those who insulted their mother or slew their grandfather or stole their land. Those hates are bequeathed to them, taught them, breathed into them. If adults didn't tell their children of their hereditary hates, perhaps we would do better.

However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It’s what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can’t remember. Their memories remain the closest replica of actual events. Underwater. Forever.

In the years that followed, Tsula would find that she could not recall that walk to the edge or the thrust of her legs into the air. Her clearest memory more than twenty years later is of the long, breathless wait as she fell, seemingly forever, and the water swallowing her at last. When she burst from its surface, unhurt, her mind noisy and electric, she grabbed for Jamie and kissed him hard.

And on the last day, the bad days become so difficult to recall, because one way or another, she had made a life here, just as I had. The town was paper, but the memories were not. All the things I’d done here, all the love and pity and compassion and violence and spite, kept welling up inside me.

The most compelling insight of that day was that this awesome recall had been brought about by a fraction of a gram of a white solid, but that in no way whatsoever could it be argued that these memories had been contained within the white solid. Everything I had recognized came from the depths of my memory and my psyche. I understood that our entire universe is contained in the mind and the spirit. We may choose not to find access to it, we may even deny its existence, but it is indeed there inside us, and there are chemicals that can catalyze its availability.

How can I explain to you, my happiness, my golden wonderful happiness, how much I am all yours — with all my memories, poems, outbursts, inner whirlwinds? Or explain that I cannot write a word without hearing how you will pronounce it — and can’t recall a single trifle I’ve lived through without regret — so sharp! — that we haven’t lived through it together — whether it’s the most, the most personal, intransmissible — or only some sunset or other at the bend of a road — you see what I mean, my happiness? And I know: I can’t tell you anything in words — and when I do on the phone then it comes out completely wrong. Because with you one needs to talk wonderfully, the way we talk with people long gone… in terms of purity and lightness and spiritual precision… You can be bruised by an ugly diminutive — because you are so absolutely resonant — like seawater, my lovely. I swear — and the inkblot has nothing to do with it — I swear by all that’s dear to me, all I believe in — I swear that I have never loved before as I love you, — with such tenderness — to the point of tears — and with such a sense of radiance.

Nine had heard whisperings that the secretive Bilderberg Group was effectively the World Government, undermining democracy by influencing everything from nations' political leaders to the venue for the next war. He recalled persistent rumors and confirmed media reports that the Bilderberg Group had such luminaries as Barack Obama, Prince Charles, Bill Gates, Rupert Murdoch, Tony Blair, Bill and Hillary Clinton, George Bush Sr. and George W. Bush. Other Bilderberg members sprung forth from Nine’s memory bank. They included the founders and CEOs of various multinational corporations like Facebook, BP, Google, Shell and Amazon, as well as almost every major financial institution on the planet.

I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.

It’s not magic. I remember because I make comparisons. Not in terms of better or worse, just different. And not all of these memories are great, but they’re mine. Which lends way to believe, that none of our lives are put together on an assembly line. We’re not pre-packaged with memories or programmed with stories. We have to make our own.

Soul mates meet in a place where time stands still. You recall where you were when the call came in. The vivid colors of the day. The season. The way the sun was streaming in or how the rain fell upon the glass. That’s how you know it was your destiny. You can remember the smallest details of your meeting. And you thought it wouldn’t matter.

Rich dreams now which he was loathe to wake from. Things no longer known in the world. The cold drove him forth to mend the fire. Memory of her crossing the lawn toward the house in the early morning in a thin rose gown that clung to her breasts. He thought each memory recalled must do some violence to its origins. As in a party game. Say the words and pass it on. So be sparing. What you alter in the remembering has yet a reality, known or not.

Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.

Tell you what." I closed the blade with a satisfying snick. "Remember that time you tried to kill me because I wouldn't open a gate to hell?" "The memory's a bit fuzzy..." I opened the knife again. "Yes, now that you mention it, I do recall something like that happening, although my motivation was certainly never to kill you. Can't you view it as me inspiring you to figure out how to use the Paths? I didn't actually want you to die.

The voice of the nickly reflection of the moon was not as deep as you might expect. It was a singer’s voice, though, a tenor, one that loved itself without reservation. “I feel time like you dream. Your dreams are jumbled. You can’t remember the order of your dreams, and when you recall them, the memories bend. Faces change. It’s all in puddles and ripples. That’s what time is for me.

What is human memory?" Manning asked. He gazed at the air as he spoke, as if lecturing an invisible audience - as perhaps he was. "It certainly is not a passive recording mechanism, like a digital disc or a tape. It is more like a story-telling machine. Sensory information is broken down into shards of perception, which are broken down again to be stored as memory fragments. And at night, as the body rests, these fragments are brought out from storage, reassembled and replayed. Each run-through etches them deeper into the brain's neural structure. And each time a memory is rehearsed or recalled it is elaborated. We may add a little, lose a little, tinker with the logic, fill in sections that have faded, perhaps even conflate disparate events. "In extreme cases, we refer to this as confabulation. The brain creates and recreates the past, producing, in the end, a version of events that may bear little resemblance to what actually occurred. To first order, I believe it's true to say that everything I remember is false.

Surprised by joy—impatient as the Wind I turned to share the transport—Oh! with whom But thee, deep buried in the silent tomb, That spot which no vicissitude can find? Love, faithful love, recalled thee to my mind— But how could I forget thee? Through what power, Even for the least division of an hour, Have I been so beguiled as to be blind To my most grievous loss!—That thought's return Was the worst pang that sorrow ever bore, Save one, one only, when I stood forlorn, Knowing my heart's best treasure was no more; That neither present time, nor years unborn Could to my sight that heavenly face restore.

You think your past defines you, and worse, you think that it is an unchangeable reality, when really, your perception of it changes as you do. Because experience is always multi-dimensional, there are a variety of memories, experiences, feelings, “gists” you can choose to recall…and what you choose is indicative of your present state of mind. So many people get caught up in allowing the past to define them or haunt them simply because they have not evolved to the place of seeing how the past did not prevent them from achieving the life they want, it facilitated it. This doesn’t mean to disregard or gloss over painful or traumatic events, but simply to be able to recall them with acceptance and to be able to place them in the storyline of your personal evolution.

As she stooped over him, her tears fell upon his forehead. The boy stirred, and smiled in his sleep, as though these marks of pity and compassion had awakened some pleasant dream of a love and affection he had never known; as a strain of gentle music, or the rippling of water in a silent place, or the odour of a flower, or even the mention of a familiar word, will sometimes call up sudden dim remembrances of scenes that never were, in this life; which vanish like a breath; and which some brief memory of a happier existence, long gone by, would seem to have awakened, for no voluntary exertion of the mind can ever recall them.

What I'm feeling, I think, is joy. And it's been some time since I've felt that blinkered rush of happiness, This might be one of those rare events that lasts, one that'll be remembered and recalled as months and years wind and ravel. One of those sweet, significant moments that leaves a footprint in your mind. A photograph couldn't ever tell its story. It's like something you have to live to understand. One of those freak collisions of fizzing meteors and looming celestial bodies and floating debris and one single beautiful red ball that bursts into your life and through your body like an enormous firework. Where things shift into focus for a moment, and everything makes sense. And it becomes one of those things inside you, a pearl among sludge, one of those big exaggerated memories you can invoke at any moment to peel away a little layer of how you felt, like a lick of ice cream. The flavor of grace.

I recall one particular sunset. It lent an ember to my bicycle hell. Overhead, above the black music of telegraph wires, a number of long, dark-violet clouds lined with flamingo pink hung motionless in a fan-shaped arrangement; the whole thing was like some prodigious ovation in terms of color and form! It was dying, however, and everything else was darkening, too; but just above the horizon, in a lucid, turquoise space, beneath a black stratus, the eye found a vista that only a fool could mistake for the square parts of this or any other sunset. It occupied a very small sector of the enormous sky and had the peculiar neatness of something seen through the wrong end of a telescope. There it lay in wait, a brilliant convolutions, anachronistic in their creaminess and extremely remote; remote but perfect in every detail; fantastically reduced but faultlessly shaped; my marvelous tomorrow ready to be delivered to me.

So, what role does memory play in the understanding and treatment of trauma? There is a form of implicit memory that is profoundly unconscious and forms the basis for the imprint trauma leaves on the body/mind. The type of memory utilized in learning most physical activities (walking, riding a bike, skiing, etc.) is a form of implicit memory called procedural memory. Procedural or "body memories" are learned sequences of coordinated "motor acts" chained together into meaningful actions. You may not remember explicitly how and when you learned them, but, at the appropriate moment, they are (implicitly) "recalled" and mobilized (acted out) simultaneously. These memories (action patterns) are formed and orchestrated largely by involuntary structures in the cerebellum and basal ganglia. When a person is exposed to overwhelming stress, threat or injury, they develop a procedural memory. Trauma occurs when these implicit procedures are not neutralized. The failure to restore homeostasis is at the basis for the maladaptive and debilitating symptoms of trauma.

And their memory made them extraordinary. In them, the unconscious knowledge of ancestral behavior called instinct had evolved. Stored in the back of their large brains were not just their own memories, but the memories of their forebears. They could recall knowledge learned by their ancestors and, under special circumstances, they could go a step beyond. They could recall their racial memory, their own evolution. And when they reached back far enough, they could merge that memory that was identical for all and join their minds, telepathically.

The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine Muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets, something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay. Whatever it is you are struggling to remember, it is not poised on the tip of your tongue, not even lurking in some obscure corner of your spleen. It has floated away down a dark mythological river whose name begins with an L as far as you can recall, well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle. No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.

Say to a blind man, you’re free, open the door that was separating him from the world, Go, you are free, we tell him once more, and he does not go, he has remained motionless there in the middle of the road, he and the others, they are terrified, they do not know where to go, the fact is that there is no comparison between living in a rational labyrinth, which is, by definition, a mental asylum and venturing forth, without a guiding hand or a dog-leash, into the demented labyrinth of the city, where memory will serve no purpose, for it will merely be able to recall the images of places but not the paths whereby we might get there.

You will live to love again. You know you have lost your springtime girl, your Molly on the beach with the wind in her brown hair and red cloak. You have been gone too long from her, and too much has befallen you both. And what you loved, what both of you truly loved, was not each other. It was the time of your life. It was the spring of your years, and life running strong in you, and war on your doorstep and your strong, perfect bodies. Look back, in truth. You will find you recall fully as many quarrels and tears as you do lovemaking and kisses. Fitz. Be wise. Let her go, and keep those memories intact. Save what you can of her, and let her keep what she can of the wild and daring boy she loved. Because both he and that merry little miss are no more than memories anymore." She shook her head. "No more than memories.

What seems like a reaction to some present circumstance is, in fact, a reliving of past emotional experience. This subtle but pervasive process in the body, brain, and nervous system has been called implicit memory, as compared to the explicit memory apparatus that recalls events, facts, and circumstances. According to the psychologist and memory researcher Daniel Schacter, implicit memory is active “when people are influenced by past experience without any awareness that they are remembering.… If we are unaware that something is influencing our behavior, there is little we can do to understand or counteract it. The subtle, virtually undetectable nature of implicit memory is one reason it can have powerful effects on our mental lives.”12 Whenever a person “overreacts”—that is, reacts in a way that seems inappropriately exaggerated to the situation at hand—we can be sure that implicit memory is at work. The reaction is not to the irritant in the present but to some buried hurt in the past. Many of us look back puzzled on some emotional explosion and ask ourselves, “What the heck was that about?” It was about implicit memory; we just didn’t realize it at the time.

Perhaps that's because I do not remember a thing about the shooting. Not a single thing. The doctors and nurses offered complicated explanations for why I didn't recall the attack. They said the brain protects us from memories that are too painful to remember. Or, they said, my brain might have shut down as soon as I was injured. I love science, and I love nothing more than asking question upon question to figure out the way things work. But I don't need science to figure out why I don't remember the attack. I know why: God is kind to me.

Naruto… I now remember the words you once said to me. That when you're with me, you finally understand what it's like to have a brother… And when I think of it that way… That feeling… I finally get it now. I've been travelling around the world and I seem to recall these memories a lot. We were alone and starved of love. Kids that lived in a world full of hate. And from that point on, we went our separate ways… and fought. But time has passed and now I'm thinking… Could it be that… just like how the hope and and pain from my father, mother and my brother, Itachi flowed into me… I'd understand your pain and hopes too, Naruto? You never abandoned me, no matter what. And you never gave up on me, coming closer when I pulled away. It wouldn't have surprised me if you hated me, but you didn't… You kept insisting that we were friends. And even that, I nearly destroyed. You fought to stop me… to the point you lost an arm. All because you were my friend. You saved me. The us that quarrelled over the smallest things… are now able to share the pain in each other's hearts. On my journey around the world, I noticed… That all these feelings of mine aren't just about us, I'm sure it's the same for everything else. But… there aren't a lot of people like you. And things won't go as planned, look at us. It's especially true when it comes to bigger things. I think it's the same as praying. And until I can do it, I'll stay strong. The beings that have been entrusted with hope… that's us. That's what makes us shinobi.

What are the tales?" Adrienne asked wryly. "His exploits are legendary!" "His conquests are legion. 'Tis rumored he's traveled the world accompanied by only the most beautiful lasses." "'Tis said there isna a comely lass in all of Scotia he hasna tumbled" "in England, too!" "and he canna recall any of their names." "He is said to have godlike beauty, and a practiced hand in the fine art of seduction." "He is fabulously wealthy and rumors say his castle is luxurious beyond compare." Adrienne blinked. "Wonderful. A materialistic, unfaithfill, beautiful playboy of a self-indulged, inconsiderate man with a bad memory. And he's all mine. Dear sweet God, what have I done to deserve this?" she wondered aloud. Twice, she brooded privately.

Like other kinds of intelligence, the storyteller's is partly natural, partly trained. It is composed of several qualities, most of which, in normal people, are signs of either immaturity or incivility: wit (a tendency to make irreverent connections); obstinacy and a tendency toward churlishness (a refusal to believe what all sensible people know is true); childishness (an apparent lack of mental focus and serious life purpose, a fondness for daydreaming and telling pointless lies, a lack of proper respect, mischievousness, an unseemly propensity for crying over nothing); a marked tendency toward oral or anal fixation or both (the oral manifested by excessive eating, drinking, smoking, and chattering; the anal by nervous cleanliness and neatness coupled with a weird fascination with dirty jokes); remarkable powers of eidetic recall, or visual memory (a usual feature of early adolescence and mental retardation); a strange admixture of shameless playfulness and embarrassing earnestness, the latter often heightened by irrationally intense feelings for or against religion; patience like a cat's; a criminal streak of cunning; psychological instability; recklessness, impulsiveness, and improvidence; and finally, an inexplicable and incurable addiction to stories, written or oral, bad or good.

memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well. [she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.

Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don't think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I'm not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be. Not you. Not me either. Because it's rarely bliss saved up, is it, when you finally get there. I'll take my now, waking with a lover's scent on me, around me, take my hopes before they're maybe tragedy; a good morning is a good morning, even if it leads to apocalypse at night.

The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.

I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.

Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything would be moving round me through the darkness: things, places, years. My body, still too heavy with sleep to move, would make an effort to construe the form which its tiredness took as an orientation of its various members, so as to induce from that where the wall lay and the furniture stood, to piece together and to give a name to the house in which it must be living. Its memory, the composite memory of its ribs, knees, and shoulder-blades offered it a whole series of rooms in which it had at one time or another slept; while the unseen walls kept changing, adapting themselves to the shape of each successive room that it remembered, whirling madly through the darkness. And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had collected sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke. The stiffened side underneath my body would, for instance, in trying to fix its position, imagine itself to be lying, face to the wall, in a big bed with a canopy; and at once I would say to myself, "Why, I must have gone to sleep after all, and Mamma never came to say good night!" for I was in the country with my grandfather, who died years ago; and my body, the side upon which I was lying, loyally preserving from the past an impression which my mind should never have forgotten, brought back before my eyes the glimmering flame of the night-light in its bowl of Bohemian glass, shaped like an urn and hung by chains from the ceiling, and the chimney-piece of Siena marble in my bedroom at Combray, in my great-aunt's house, in those far distant days which, at the moment of waking, seemed present without being clearly denned, but would become plainer in a little while when I was properly awake.