Memorial Engraving Quotes

We've searched our database for all the quotes and captions related to Memorial Engraving. Here they are! All 100 of them:

A fleeting moment can become an eternity. From a past encounter everything may disappear in the dungeon of forgetfulness. A few furtive flashes or innocent twinkles can survive, though. Some immaterial details may remain marked in our memory, forever. A significant look, a salient colour or a unforeseen gesture may abide, indelibly engraved in our mind. ( "Girl in blue" )
Erik Pevernagie
Things as they appear every day and as they are engraved in our memory, facts and occurrences as they are perceived by senses, create an intricate labyrinth in the mind. The way how things are experienced in our environment and how they react in the arsenal of our imagination, creates a torrent of inspiring ideas that flood the speedy highways of our brains. ( " Labyrinth of the mind " )
Erik Pevernagie
I urge you to engrave this on the template of your memories: there are thousands of diseases in this world, but Medical Science only has an empirical cure for twenty-six of them. The rest is … guesswork.
Erich Segal (Doctors)
Misery is a scar on the soul, that if it begins in childhood, it lasts the whole lifetime. I understand that no two scars are alike, but I also ask myself; even if these scars are not alike, aren’t these things engraved on our souls signed by which we know each other?Aren’t we also alike?
Bahaa Taher (الحب في المنفى)
Pain engraves a deeper memory.
Anne Sexton
The poets and philosophers I once loved had it wrong. Death does not come to us all, nor does the passage of time dim our memories and reduce our bodies to dust. Because while I was considered dead, and a headstone had been engraved with my name, in truth my life was just beginning.
L.J. Smith (Bloodlust (The Vampire Diaries: Stefan's Diaries, #2))
I am my mother’s caresses, and the serene kindness with which my father calmly guided me; I am my adolescent travels; I am what my reading has deposited in layers in my mind; I am my loves, my moments of despair, my friendships, what I’ve written, what I’ve heard; the faces engraved on my memory. I am, above all, the one who a minute ago made a cup of tea for himself. The one who a moment ago typed the word “memory” into his computer. The one who just composed the sentence that I am now completing. If all this disappeared, would I still exist? I am this long, ongoing novel. My life consists of it.
Carlo Rovelli (L'ordine del tempo)
Relationships never truly die. Though they may come to an end, their spirit lingers on, eternally engraved in the realm of our treasured memories.
Mouloud Benzadi
I shall try to conjure up each of the sentences engraved in my memory which were either so unbearable or so comforting to me at the time that the mere thought of them today engulfs me in a wave of horror or sweetness.
Annie Ernaux (Happening)
In this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
Naomi Wolf (The Beauty Myth)
In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
If only one could engrave entire memories in silver, thought Robin, to be manifested again and again for years to come – not the cruel distortion of the daguerreotype, but a pure and impossible distillation of emotions and sensations. For simple ink on paper was not enough to describe this golden afternoon; the warmth of uncomplicated friendship, all fights forgotten, all sins forgiven; the sunlight melting away the memory of the classroom chill; the sticky taste of lemon on their tongues and their startled, delighted relief.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Then again, in the early morning hours, when the world outside whispers of slumber, my fingers still trace the outline of a memory. He rests there, in that blind spot between the everyday, when his presence feels most palpable, engraved on the half of the bed that remains unforgivingly empty. What a paradox of loss, this heightened sense of him in the heart of his absence.
Aura Biru (We Are Everyone)
I've got quite a memory. Engraved in my mind, things are. I can't forget anything...It's not a sign of intelligence...Nothing to boast about, memory...that's just how it is...
Louis-Ferdinand Céline (Fable for Another Time)
We are so constituted that we believe the most incredible things; and, once they are engraved upon the memory, woe to him who would endeavour to efface them.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
You cannot engrave on water nor wound it with a knife, which is why the river has no fear of memories.
Girish Karnad (Hayavadana)
I begin to realize that my memory is a great catacomb, and that below my actual standing-ground there is layer after layer of historical ashes. Is the life of mind something like that of great trees of immemorial growth? Is the living layer of consciousness super-imposed upon hundreds of dead layers? Dead? No doubt this is too much to say, but still, when memory is slack the past becomes almost as though it had never been. To remember that we did know once is not a sign of possession but a sign of loss; it is like the number of an engraving which is no longer on its nail, the title of a volume no longer to be found on its shelf. My mind is the empty frame of a thousand vanished images.
Henri-Frédéric Amiel (Amiel's Journal, Vol 1: The Journal Intime of Henri-Frederic Amiel)
The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes.
Kevin Hearne (Trapped (The Iron Druid Chronicles, #5))
In life, the visible surface of the Sperm Whale is not the least among the many marvels he presents. Almost invariably it is all over obliquely crossed and re-crossed with numberless straight marks in thick array, something like those in the finest Italian line engravings. But these marks do not seem to be impressed upon the isinglass substance above mentioned, but seem to be seen through it, as if they were engraved upon the body itself. Nor is this all. In some instances, to the quick, observant eye, those linear marks, as in a veritable engraving, but afford the ground for far other delineations. These are hieroglyphical; that is, if you call those mysterious cyphers on the walls of pyramids hieroglyphics, then that is the proper word to use in the present connexion. By my retentive memory of the hieroglyphics upon one Sperm Whale in particular, I was much struck with a plate representing the old Indian characters chiselled on the famous hieroglyphic palisades on the banks of the Upper Mississippi. Like those mystic rocks, too, the mystic-marked whale remains undecipherable.
Herman Melville (Moby-Dick or, The Whale)
The first impression is readily received. We are so constituted that we believe the most incredible things; and, once they are engraved upon the memory, woe to him who would endeavor to efface them.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
All my life my dad felt this need to protect his kids from a war he fought, a war I believed could never reach out and touch us, could never hurt us—and yet he fed us lies with his answers, shielding us from the truth about what he did there, about what he saw, about who he was before the war, and about what he became because of it. He lied to protect us from his memories, from his nightmares. Standing with my dad at The Wall, I knew the truth—no one could know so many names engraved in granite if he 'never was in danger.
Tucker Elliot (The Day Before 9/11)
In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
I find by this, how much an author injures his works by altering them, even though they be improved in a poetical point of view. The first impression is readily received. We are so constituted that we believe the most incredible things; and, once they are engraved upon the memory, woe to him who would endeavour to efface them.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Beyle's advice is not to purchase engravings of fine views and prospects seen on one's travels, since before very long they will displace our memories completly, ideed one might say they destroy them.
W.G. Sebald (Vertigo)
A lover of comfort might shrug after looking at the whole apparent jumble of furniture, old paintings, statues with missing arms and legs, engravings that were sometimes bad but precious in memory, and bric-a-brac. Only the eye of a connoisseur would have blazed with eagerness at the sight of this painting or that, some book yellowed with age, a piece of old porcelain, or stones and coins. But the furniture and paintings of different ages, the bric-a-brac that meant nothing to anyone but had been marked for them both by a happy hour or memorable moment, and the ocean of books and sheet music breathed a warm life that oddly stimulated the mind and aesthetic sense. Present everywhere was vigilant thought. The beauty of human effort shone here, just as the eternal beauty of nature shone all around. pp. 492-493
Ivan Goncharov (Oblomov)
Every moment of our existence is linked by a peculiar triple thread to our past—the most recent and the most distant—by memory. Our present swarms with traces of our past. We are histories of ourselves, narratives. I am not this momentary mass of flesh reclined on the sofa typing the letter a on my laptop; I am my thoughts full of the traces of the phrases that I am writing; I am my mother’s caresses, and the serene kindness with which my father calmly guided me; I am my adolescent travels; I am what my reading has deposited in layers in my mind; I am my loves, my moments of despair, my friendships, what I’ve written, what I’ve heard; the faces engraved on my memory. I am, above all, the one who a minute ago made a cup of tea for himself. The one who a moment ago typed the word “memory” into his computer. The one who just composed the sentence that I am now completing. If all this disappeared, would I still exist? I am this long, ongoing novel. My life consists of it.
Carlo Rovelli (The Order of Time)
If you do not cease loving me, you will see me, you will feel me, you will hear me everywhere. My form will be before your eyes because it will remain engraved on your mind; my voice will echo in your ear because it will remain in your heart’s memory: my spirit will again reveal itself to your spirit because your soul understands me and knows me completely.
George Sand (Spiridion)
They don't engrave memories on markers, for only we who are left behind can truly tell the story of a life
Paisley Swan Stewart (Chanson de l'Ange, Book 1: The Bleeding Rose- An Epic Retelling of Phantom of the Opera)
My poetry has been engraved with your name And my heart is by your memory scarred
Zubair Ahsan (Of Endeavours Blue)
Our eyes told each other when we met. What our soul didn't know yet. An encounter I will never forget. Engraved in my heart to my last sunset - Soul Core Memory
Farah Ayaad (Coming Home)
Athens was ripped from their wealth and territory but their culture still lived on. This now engraved upon your memory, what decision shall you face?
Shanaya N.
In this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.’ ‘That
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Nothing chases away the sand or the memories engraved on the back of my eyelids. They play on a continuous loop, with smells and sound and sorrow.
Laurie Halse Anderson (The Impossible Knife of Memory)
I've read that certain memories put down in agitation at a vulnerable age do not extinguish with time, but engrave ever deeper as they return and return.
Louise Erdrich (The Round House)
You can be certain I’ll remember. In this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
You may be wonderful with words, but your best writing comprises of the words that had been said to you by somebody else and had engraved on your memory forever...
Gaurav Sharma Lakhi
Two Metro lines, two trains, two carriages, two people walking in parallel streets, two lives, couples criss-crossing without seeing each other, potential encounters, meetings which shall never take place. The imagination rewrites history. It modifies the local directory and the roll-call of those who frequent a town, a street, a house, a woman. It transfixes reflections in the mirror for all eternity. It hangs entire portrait galleries from the wall of our future memory on which magnificent strangers use a sharp knife to engrave their initials and a date.
Robert Desnos (Liberty or Love!)
The world’s oldest map, the Babylonian Map of the World, had a little circle bored through the center. Scholars explained that the hole had come from using a compass to trace the two outer rings of the map. Oghi was captivated more by that hole than by the geometric shapes engraved in the clay tablet, and had stared at it for a long time in the darkened exhibit room of the British Museum. That dark, narrow hole went as deep as the memory of an age that no one could ever return to. The only way to reach that lost age was through that hole, but the hole itself could never be reached.
Hye-Young Pyun (The Hole)
If only one could engrave entire memories in silver, thought Robin, to be manifested again and again for years to come – not the cruel distortion of the daguerreotype, but a pure and impossible distillation of emotions and sensations.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
Here, too, is a maxim to engrave upon the memory: in charging a superior force, never to leave a difficult tract of ground in the rear of your attack, since there is all the difference in the world between a stumble in flight and a stumble in pursuit.
Xenophon (The Cavalry General)
It’s not like you have anything to lose anymore.” My fingers stop at my thumb ring while Sienna’s words echo in my head. Do I have anything to lose? I mean, after all I did, everything I fought against. I slowly turn the ring on my thumb. This simple band has, like all of my rings, one word engraved on it. Will anything change if I go to him? After all, I did lose everything that is important. It’s funny, actually, after the months I spent pushing him away. I thought, like the silly girl I probably am, that if I didn’t give myself to him, I’d be safe, that as long as I didn’t sleep with him, I wouldn’t lose my heart. Shouldn’t I have this one last memory to take home with me? So lost…I came here lost and I’ll go home lost. How convenient, and so utterly pathetic I want to give myself one strong shake to snap out of this.
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
I asked John how he was able to fall asleep so easily on the road. His response is engraved into my memory. He turned to me casually and said, “I just imagine large planes bombing the shit out of the whole planet to a point where there is nothing to think of, and then I gently go to sleep.” My jaw dropped. What the fuck, psycho? That was John.
Serj Tankian (Down with the System)
If only one could engrave entire memories in silver, thought Robin, to be manifested again and again for years to come- not the cruel distortion of the daguerreotype, but a pure and impossible distillation of emotions and sensations. For simple ink on paper was not enough to describe this golden afternoon; the warmth of uncomplicated friendships all fights forgotten, all sins forgiven.
R.F. Kuang (Babel)
This “Hawking temperature” of a black hole and its “Hawking radiation” (as they came to be called) were truly radical—perhaps the most radical theoretical physics discovery in the second half of the twentieth century. They opened our eyes to profound connections between general relativity (black holes), thermodynamics (the physics of heat) and quantum physics (the creation of particles where before there were none). For example, they led Stephen to prove that a black hole has entropy, which means that somewhere inside or around the black hole there is enormous randomness. He deduced that the amount of entropy (the logarithm of the hole’s amount of randomness) is proportional to the hole’s surface area. His formula for the entropy is engraved on Stephen’s memorial stone at Gonville and Caius College in Cambridge, where he worked. For the past forty-five years, Stephen and hundreds of other physicists have struggled to understand the precise nature of a black hole’s randomness. It is a question that keeps on generating new insights about the marriage of quantum theory with general relativity—that is, about the ill-understood laws of quantum gravity.
Stephen Hawking (Brief Answers to the Big Questions)
You enthralled me on the first day I was brought to your house. I still remember how you played by the lily pond, every turning of your hand, every fine line of your soft, pink face and rosy lips, and the red leather shoes glittering on your feet - that moment is engraved in my memory. You've grown up now and given me a second life. I see that you're the only one in this world that I will ask to be my wife.
Catherine Aerie (The Dance of the Spirits)
George Washington is the quintessential American public ancestor. Americans worship him before an obelisk in Washington, a statue in Baltimore, a square in New York, an engraving on the dollar, and Stuart prints hanging from coast to coast. (Washington couldn't have known that the obelisk to be dedicated in memory of him, on February 21, 1885, would be the world's largest replica of a 3,500-year-old monument to the Egyptian sun god.)
Randall Robinson (The Debt: What America Owes to Blacks)
I am trapped inside a part of me I hate. A hard, masculine part of myself that has surfaced to fight, after small memories and scars come out of me with a suddenness that is sobering as well as horrifying-and I fight to save the Laura I wish I could be again. The one everyone thinks is still around. Me in a sundress, hair in the wind, and a smile engraved into my cheeks by the sharp fear that a man may visit me at any moment this evening and try to kill me.
Jennifer Lynch (The Secret Diary of Laura Palmer)
It's a special and wonderful thing to have a bond with an animal...any animal...and one that not just anyone can experience or even recognize for what it is. Having been raised with animals all of my life, I can appreciate how much animals become a part of your family, and how blessed you know you are to have them in your life, how much they teach you and how much they give you...unconditional love, trust, loyalty...and a great deal of humor along the way. And if the day does come when you have to say goodbye, you shed a great many tears, but you always have a window in your mind, a memory engraved on your heart that will never leave you as long as you live...you know your life has been forever changed for the better, and you are grateful to that animal...or animals...for the precious gift that they gave you. And, it gives you a sense of comfort to remember, that that animal's life was also touched by the companionship, love and security that you gave to them all of their lives. Animals are far smarter than we give them credit for. Believe me...they love and cherish you as much as you do them.
Inis L. Fal
At this time of life one has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before our passive and astonished hearts. We come to its aid, we falsify it by memory and by suggestion. Recognising one of its symptoms, we remember and re-create the rest. Since we know its song, which is engraved on our hearts in its entirety, there is no need for a woman to repeat the opening strains—filled with the admiration which beauty inspires—for us to remember what follows.
Marcel Proust (Swann's Way)
those that were left—was then calling tube-neck, he had seen the twelve people he loved best in the world pass away while he himself remained healthy and feeling fine. He had joked at school about not being able to remember all his kids’ names, but the order of their passing was engraved on his memory: Jeff on the twenty-second, Marty and Helen on the twenty-third, his wife Harriett and Bill and George, Jr., and Robert and Stan on the twenty-fourth, Richard on the twenty-fifth, Danny on the twenty-seventh, three-year-old Frank on the twenty-eighth, and finally Pat—and Pat had seemed to be getting better, right up to the end. George thought he would go mad.
Stephen King (The Stand)
They don’t know about the lonely nights in a strange, often dirty, bed in some fleabag hotel on the other side of the world. Lying there for hours on end staring at the rusty ceiling fan that barely moves the air, doing little more than collecting dust. The heat and humidity clog up my head and the sweat streams down my chest despite feeble attempts to cool off. Nights when I struggle to get the aging computer called my mind, a late ‘70s model, to process all the new events and information collected in its memory during the day. Appalling images are engraved on my soul, leaving permanent scars. The nights are spent fixated on the memories that never die, like maggots eating at my brain. I was striving hard for routine.
Yigal Zur (Child of Dust: A Dotan Naor Thriller)
On January 30, 1750, Mayhew stood in the pulpit of Boston’s Old West Church and preached on the occasion of the 101st anniversary of the execution of King Charles I. His message from Romans 13, titled “A Discourse Concerning Unlimited Submission and Non-Resistance to the High Powers,” became “the most famous sermon preached in pre-Revolutionary America.”2 When published, Mayhew’s sermon spread like electricity through the Colonies. John Adams, fourteen at the time, read it over and over “till the Substance of it, was incorporated into my Nature and indelibly engraved on my Memory.”3 Adams later called Mayhew’s sermon “the catechism” for the American Revolution.4 Others have called it “the first volley of the American Revolution, setting forth the intellectual and scriptural justification for rebellion against the crown.”5 In
Robert J. Morgan (100 Bible Verses That Made America: Defining Moments That Shaped Our Enduring Foundation of Faith)
But at the age, already a little disillusioned, which Swann was approaching, at which one knows how to content oneself with being in love for the pleasure of it without requiring too much reciprocity, this closeness of two hearts, if it is no longer, as it was in one’s earliest youth, the goal toward which love necessarily tends, still remains linked to it by an association of ideas so strong that it may become the cause of love, if it occurs first. At an earlier time one dreamed of possessing the heart of the woman with whom one was in love; later, to feel that one possesses a woman’s heart may be enough to make one fall in love with her. And so, at an age when it would seem, since what one seeks most of all in love is subjective pleasure, that the enjoyment of a woman’s beauty should play the largest part in it, love may come into being—love of the most physical kind—without there having been, underlying it, any previous desire. At this time of life, one has already been wounded many times by love; it no longer evolves solely in accordance with its own unknown and inevitable laws, before our astonished and passive heart. We come to its aid, we distort it with memory, with suggestion. Recognizing one of its symptoms, we recall and revive the others. Since we know its song, engraved in us in its entirety, we do not need a woman to repeat the beginning of it—filled with the admiration that beauty inspires—in order to find out what comes after. And if she begins in the middle—where the two hearts come together, where it sings of living only for each other—we are accustomed enough to this music to join our partner right away in the passage where she is waiting for us.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
No name. No memory today of yesterday's name; of today's name tomorrow. If the name is the thing, if a name in us is the concept of everything that is situated without us, if without a name there is no concept, and the thing remains blindly indistinct and undefined within us, very well, then, let men take that name which I once bore and engrave it as an epitaph on the brow of that pictured me that they beheld; let them leave it there in peace, and let them not speak of it again. For a name is no more than that, an epitaph. Something befitting the dead. One who has reached a conclusion. I am alive, and I reach no conclusion. Life knows no conclusion. Nor does it know anything of names. This tree, tremulous breathing of new leaves. I am this tree. Tree, cloud; tomorrow, book or breeze; the book I read, the breeze I drink in. Living wholly without, a vagabond
Luigi Pirandello (One, No One, and One Hundred Thousand)
There is a section in all our minds where the memories don't just get stored, they get engraved. They sit behind a sign that says 'Do Not Delete'. Although who put the sign there, I do not know. The problem is we can't seem to control what goes in there. For as well as the gloriously high happy moments, the lowest most hurtful sad sorrowful ones get sucked in also. It's the place our minds wander to when we're tired or idle. It's not always a happy place to go. But I think I have found my solution. I flood my mind with memories and images of you. Even if you're doing nothing more than sipping your morning coffee, in the hope that with enough thought the sad memories will fall from prominence, obscured by those more positive. So the next time you catch me staring glossy eyed at you and you ask me what I'm thinking.. and I answer 'nothing', you know what I'm doing.
Raven Lockwood
always has?” “What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
There are perhaps no days of our childhood we lived so fully as those . . . we spent with a favorite book. Everything that filled them for others, so it seemed, and that we dismissed as a vulgar obstacle to a divine pleasure: the game for which a friend would come to fetch us at the most interesting passage; the troublesome bee or sun ray that forced us to lift our eyes from the page or to change position; the provisions for the afternoon snack that we had been made to take along and that we left beside us on the bench without touching, while above our head the sun was diminishing in force in the blue sky; the dinner we had to return home for, and during which we thought only of going up immediately afterward to finish the interrupted chapter, all those things with which reading should have kept us from feeling anything but annoyance, on the contrary they have engraved in us so sweet a memory (so much more precious to our present judgment than what we read then with such love), that if we still happen today to leaf through those books of another time, it is for no other reason than that they are the only calendars we have kept of days that have vanished, and we hope to see reflected on their pages the dwellings and the ponds which no longer exist.
Maryanne Wolf (Proust and the Squid: The Story and Science of the Reading Brain)
If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
The only traveler with real soul I've ever met was an office boy who worked in a company where I was at one time employed. This young lad collected brochures on different cities, countries and travel companies; he had maps, some torn out of newspapers, others begged from one place or another; he cut out pictures of landscapes, engravings of exotic costumes, paintings of boats and ships from various journals and magazines. He would visit travel agencies on behalf of some real or hypothetical company, possibly the actual one in which he worked, and ask for brochures on Italy or India, brochures giving details of sailings between Portugal and Australia. He was not only the greatest traveler I've ever known (because he was truest), he was also one of the happiest people I have had the good fortune to meet. I'm sorry not to know what has become of him, though, to be honest, I'm not really sorry, I only feel that I should be. I'm not really sorry because today, ten or more years on from that brief period in which i knew him, he must be a grown man, stolidly, reliably fulfilling his duties, married perhaps, someone's breadwinner - in other words, one of the living dead. By now he may even have traveled in his body, he who knew so well how to travel in his soul. A sudden memory assails me: he knew exactly which trains one had to catch to ho from Paris to Bucharest; which trains one took to cross England; and in his garbled pronunciation of the strange names hung the bright certainty of the greatness of his soul. Now he probably lives like a dead man, but perhaps one day, when he's old, he'll remember that to dream of Bordeaux is not only better, but truer, than actually to arrive in Bordeaux
Fernando Pessoa
I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  
Jayita Bhattacharjee (The Ecstatic Dance of Soul)
Her eyes were closed so tightly that you could see her long-curled eyelashes pointed skyward, in her baby blue coffin. She was an angel to look at even at that moment. I knew that she was looking over all of us! In addition to that, she was most likely looking at him and holding his hands with her spiritual touch, I could just feel it. He said that he felt the breeze of her presents. He was crying hysterically from his hazel almost jade green eyes! I remember he said that he was secretly in love with Jaylynn back to when she was a little girl. That he never got the chance to say that to her in person. I remember him placing one pink daisy in her box on top of her small, yet perky upward-facing breasts next to her motionless heart; with the bloom under her chin and her slight smile. Along with that, then he slid an engraved promise ring on her finger as well; at that moment… one of his teardrops fell from his eyes on her petite hand, as he was holding it… not wanting to ever let go of her. That is love… if I ever did see it. Greg also whispered to me, that he never even got to kiss her as he always hoped to do, and that she was everything that he was looking for in a girl. Furthermore, he would never look for anyone else. That she was the one, and the only! The only thing I could say was; I thank you and follow your heart, and she will be watching over you. Then he walked away… I never saw him again after that. You know I don't even know his last name. Still, I will always remember his face, and the look that was upon it that day, he was devastated. So, someone did care about her, someone truly loved her, and adored her, and it was taken away from him too. Why! Why oh God, why? Why didn’t she see this when she was alive? ‘Why is a question that has no answers, only just more unanswered questions?
Marcel Ray Duriez (Nevaeh Struggle with Affections)
If the winds of temptation blow, if you stumble when confronted by temptation; look to the star of the sea by calling out to Mary. If the waves of pride, ambition or envy tug at your heart, call on Mary as well. If anger, avarice or impurity imperil the course of your soul’s journey, look to Mary. If you are disturbed by the memory of your sins, confused with the ugliness of your conscience, fearful in the face of judgment, or you begin to sink into the bottomless pit of sadness or into the abyss of despair, think of Mary. In every danger, moment of anguish or doubt, invoke Mary. May her name be ever on your lips and engraved on your heart too. Never stray from the example of her virtue, so that you may always gain her help as an intercessor. You will not soon swerve from the path if you follow her, nor will you soon despair if you beseech her. You will never be lost if you think about her. With her taking you by the hand, you will not stay down in the case of a fall. With her protection, you will have nothing at all to fear. You will not lose strength, for she is your guide. You will reach a safe haven happily, if you count on her as your most intimate helper.[236] In every moment of the day, she will guide us on a sure path... Cor Mariae Dulcissimum, iter para
Francisco Fernández-Carvajal (In Conversation with God – Volume 7 Part 2: Special Feasts: October – December)
He continued, sombrely, to evoke the more recent memory of the Great War: ‘the four names which have really engraved themselves on the popular memory are Mons, Ypres, Gallipoli and Passchendaele, every time a disaster. The names of the great battles that finally broke the German armies are simply unknown to the general public.
Fintan O'Toole (Heroic Failure: Brexit and the Politics of Pain)
that countries follow their interests, not their sympathies—was engraved in Hamilton’s memory, and he often reminded Jeffersonians later on that the French had fought for their own selfish purposes.
Ron Chernow (Alexander Hamilton)
What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
She was convinced the demonic pain she had suffered in her leg as a child had been in some sort of preparation for the accident. Engraved in her memory was how she had been left speechless by the first attack. She had yet to accept that pain cannot be expressed in words but only in inarticulate screams. It took time before she could put brush to canvas, and still more time before she could paint pictures that screamed. In place of the screams themselves. In place of verbal descriptions. She owed it to her father, she thought, to the frantic look in his eyes which she would never forget, and to his words: 'Tell me, tell me!
Slavenka Drakulić (Frida's Bed)
In May of 1861, Brigham and his entourage stopped at Mountain Meadows and stopped at the rock cairn that had been built there by U.S. soldiers as a monument to the victims. Atop the peak of the cairn stood a heavy wooden cross engraved with “Vengeance is mine: I will repay, saith the Lord.” Young regarded it for a moment, then read the inscription aloud with a slight change: “Vengeance is mine, saith the Lord: I have repaid.” He gave a Danite signal by raising his right arm, fist to the sky. His men understood. A horseman lassoed the cross and pulled it down, dragging it until it splintered to pieces. The others set to work and five minutes later not a single stone was left of the memorial.
David Fitzgerald (The Mormons (The Complete Heretic's Guide to Western Religion, #1))
These horror stories about Hamilton have been regurgitated for two centuries and are now engraved on the memories of historians and readers alike. Unfortunately, these vignettes often cruelly misrepresent Hamilton and have done no small damage to his reputation. Jefferson understood very well the power of laying down a paper trail.
Ron Chernow (Alexander Hamilton)
Whether we remember a particular event at all, and how accurate our memories of it are, largely depends on how personally meaningful it was and how emotional we felt about it at the time. The key factor is our level of arousal. We all have memories associated with particular people, songs, smells, and places that stay with us for a long time. Most of us still have precise memories of where we were and what we saw on Tuesday, September 11, 2001, but only a fraction of us recall anything in particular about September 10. Most day-to-day experience passes immediately into oblivion. On ordinary days we don’t have much to report when we come home in the evening. The mind works according to schemes or maps, and incidents that fall outside the established pattern are most likely to capture our attention. If we get a raise or a friend tells us some exciting news, we will retain the details of the moment, at least for a while. We remember insults and injuries best: The adrenaline that we secrete to defend against potential threats helps to engrave those incidents into our minds. Even if the content of the remark fades, our dislike for the person who made it usually persists.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Our donation was enough to have two brick pavers added to the museum's garden engraved with Helena Wisniewska on one in her honor and Irene Wisniewska on the other in memory of Miss Wise's sister. Those were tears of healing.
T.I. Lowe (Under the Magnolias)
If human beings had only known how to truly preserve their knowledge of the world, if they had just engraved it into rock, into crystals, into diamond and in so doing, passed it on to their descendants, then perhaps the world would now look altogether otherwise. For what are we to do with such a brittle stuff as paper? What can come of writing books?
Olga Tokarczuk (The Books of Jacob)
Words are more forgettable, but the emotional effects they have on the person hearing them stay engraved in his or her memory.
Innocent Mwatsikesimbe (The Reason)
Then she’d died with him curled between her front legs. He’d been too young to understand the words she’d spoken, but he knew they resided in him all the same, engraved deep in his memory. Lightfeather was a legend to some Sun Herd pegasi and an unlucky orphan to others. She’d been born to Snow Herd in the far north, the illegitimate foal of Icewing. But the lead mare there had driven Lightfeather and her mother out when she was just a filly.
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
A common feature of many theories of trauma is the idea that the causative—the wounding—event is not remembered but relived, as it is in the flashbacks of combat veterans, experienced anew with a visceral immediacy that affords no critical distance. To remember something, you have to consign it to the past—put it behind you—but trauma remains in the present; it fills that present entirely. You are inside it. Your mouth is always filled with the taste of blood. The killers are always crashing through the brush behind you. Some researchers believe that trauma bypasses the normal mechanisms of memory and engraves itself directly on some portion of the brain, like a brand. Cattle are branded to signify that they are someone’s property, and so, too, were slaves. The brand of trauma signifies that henceforth you yourself are property, the property of that which has injured you. The psychoanalyst Sándor Ferenczi believed that trauma is characterized by the victim’s helpless identification with the perpetrator, and elsewhere in the literature one often comes across the word “possession.” The moment of trauma marks an event horizon after which memory ceases. Or else memory breaks down, so that the victim can reconstruct the event but not the feeling that accompanied it, or alternatively only the feeling.
Peter Trachtenberg (The Book of Calamities: Five Questions About Suffering and Its Meaning)
engraved on the Jefferson Memorial in Washington: “God who gave us life gave us liberty. Can the liberties of a nation be secure when we have removed a conviction that these liberties are the gift of God?
Bill O'Reilly (Keep It Pithy: Useful Observations in a Tough World)
In the middle of April 1945, we paid for three spaces on a truck, that would take a few families to the border. The night before we left, all three knapsacks ready, we looked around the house: the furniture in the dining room and bedroom, all brought by the parents from Vienna, the beautiful grandfather clock that had to be wound once a month - all these were part of our lives. Father, without saying a word, opened the clock, cut through the spring, took the two beautifully engraved, gilded weights and threw them in the garbage. He did not want anybody to enjoy that clock, that was brought from Vienna in 1918 and was chiming the quarter, half and the hours for our entire life, in good times and bad. It was the only spiteful act that I ever saw him perform, this quiet, gentle man.
Pearl Fichman (Before Memories Fade)
All I had to do was open a book to see the stories flow from the page To another, to see memories engraved on paper. I have spent my life immersed in the pages of books in the absence of relationships Humanity formed relationships with paper characters. I experienced love and loss through inherited stories. I experienced adolescence by dependence. My world is an intertwined network of words
Tahereh Mafi (Shatter Me (Shatter Me, #1))
The Boss is the perfect blend of Elvis and Dylan, come from New Jersey (America’s armpit) to save the seventies from further Mellotron arabesques and Minimoog, with a stars-and-stripes ass to die for snugly fitted jeans on the cover of Born in the U.S.A., the minstrel descending the Lincoln Memorial staircase to crown Obama, the knight in shining armor for the Super Bowl halftime show, the musical equivalent to fried chicken wings and the E pluribus unum motto engraved on the national crest.
Leonardo Colombati (Bruce Springsteen: Like a Killer in the Sun: Selected Lyrics 1972-2017)
Maybe by painting you over and over again I can engrave you deeper in my head and so I can survive.
Melanie Sargsian (Midnight Memories)
If elements of the trauma are replayed again and again, the accompanying stress hormones engrave those memories ever more deeply in the mind. Ordinary, day-to-day events become less and less compelling. Not being able to deeply take in what is going on around them makes it impossible to feel fully alive. It becomes harder to feel the joys and aggravations of ordinary life, harder to concentrate on the tasks at hand. Not being fully alive in the present keeps them more firmly imprisoned in the past.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
He wanted to relive the anguish of yesteryear, while I wanted to brush such painful memories aside.
Lisa Medved (The Engraver's Secret)
But there is a third ingredient in the foundation of our identity, and it is probably the essential one—it is the reason this delicate discussion is taking place in a book about time: memory. We are not a collection of independent processes in successive moments. Every moment of our existence is linked by a peculiar triple thread to our past—the most recent and the most distant—by memory. Our present swarms with traces of our past. We are histories of ourselves, narratives. I am not this momentary mass of flesh reclined on the sofa typing the letter a on my laptop; I am my thoughts full of the traces of the phrases that I am writing; I am my mother’s caresses, and the serene kindness with which my father calmly guided me; I am my adolescent travels; I am what my reading has deposited in layers in my mind; I am my loves, my moments of despair, my friendships, what I’ve written, what I’ve heard; the faces engraved on my memory. I am, above all, the one who a minute ago made a cup of tea for himself. The one who a moment ago typed the word “memory” into his computer. The one who just composed the sentence that I am now completing. If all this disappeared, would I still exist? I am this long, ongoing novel. My life consists of it.
Carlo Rovelli (The Order of Time)
You can be certain I will,” Geralt said, taking the sword and slinging it across his back. “You can be certain I’ll remember. In this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Disciples are to be prepared for whatever trials yet await them in the future. If the Catechism is engraved in the memory and embedded in the heart, then disciples will carry with them all they need to remain faithful to their Lord.
John Rev. Pless (Luther’s Small Catechism: A Manual for Discipleship)
For decades the prevailing theory of memory was that all of a person’s experiences were engraved on sheets of gold foil; it was these sheets, torn apart by the force of the blast, that were the source of the tiny flakes found after accidents. Anatomists would collect the bits of gold leaf—so thin that light passes greenly through them—and spend years trying to reconstruct the original sheets, with the hope of eventually deciphering the symbols in which the deceased’s recent experiences were inscribed.
Ted Chiang (Exhalation)
The imagining of music, even in relatively nonmusical people, tends to be remarkably faithful not only to the tune and feeling of the original but to its pitch and tempo. Underlying this is the extraordinary tenacity of musical memory, so much if what is heard during one's early years may be "engraved" on the brain form the rest of one's life. Our auditory systems, our nervous systems, are indeed exquisitely tuned for music.
Oliver Sacks (Musicophilia: Tales of Music and the Brain)
Nevertheless they all insisted upon calling me Moscarda still, although the name Moscarda surely held for everyone a different signification than before; and it seems to me they might have spared that poor nobody of a pauper, as he stood there smilingly in his wooden sandals and his sky-blue blouse, the pain of having to turn around once again at the sound of that name, as if it really belonged to him. No name. No memory today of yesterday's name; of today's name tomorrow. If the name is the thing, if a name in us is the concept of everything that is situated without us, if without a name there is no concept, and the thing remains blindly indistinct and undefined within us, very well, then let man take that name which I once bore and engrave it as an epitaph on the brow of that pictured me that they beheld; let them leave it there in peace, and let them not speak of it again. For a name is no more than that, an epitaph. Something befitting the dead. One who has reached a conclusion. I am alive, and I reach no conclusion. Life knows no conclusion. Nor does it know anything of names. This tree, tremulous breathing of new leaves. I am this tree. Tree, cloud; tomorrow, book or breeze; the book I read, the breeze I drink in. Living wholly without, a vagabond.
Luigi Pirandello (One, No One, and One Hundred Thousand)
a streetlight reflected off the black cobblestones . . . in such a way that there were thousands of brief white squiggles underfoot, looking like names engraved on black granite, as if the whole surface of the earth were paved by a single memorial.
Kim Stanley Robinson (Remaking History and Other Stories)
this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
The corruption that happens to the inner space is what I call samskara or engraved memories. They are the memories that go and sit in your inner space and pull you to go through the same experience, to do the same kind of actions repeatedly, to run through the same kind of thought patterns, even if you don’t want to, repeatedly
Bhagavan Sri Nithyananda Paramashivam
We collect these different levels of samskaras, engraved memories, and store them in our system and expand them. Finally when driven by the desire you execute the action and it becomes karma.
Bhagavan Sri Nithyananda Paramashivam
Anything half done leaves a samskara (engraved memory) in your being. Anything not lived fully leaves an imprint or samskara in your being, which time and again pulls you, attracts you to travel the same path and fulfill it
Bhagavan Sri Nithyananda Paramashivam
Anything half done leaves a samskara (engraved memory) in your being. Anything not lived fully leaves an imprint or samskara in your being, which time and again pulls you, attracts you to travel the same path and fulfill it
Bhagavan Sri Nithyananda Paramashivam
There are three types of karma - agamya, prarabdha and sanchita. Sanchita karma is like a bank, a reserve bank. Understand, this may not be the first time you have taken a body and come to planet earth. You may have taken millions of bodies before! In those millions of bodies, whatever thoughts you had, whatever you spoke, whatever you did, all those unfulfilled experiences have become your engrams –engraved memories. Put together, they are like a bank called sanchita karma. When I say ‘bank’, it is not a collection or saving, it is debt! You will have to pay back all the loans
Bhagavan Sri Nithyananda Paramashivam
Why is it that my mind never discovers anything new? I am a prisoner of all the impressions deposited in me. I am conditioned by the reservoir of my memory, the result engraved in me of the influences that have touched me. It is all that I have to answer with in life. Little by little, I unconsciously accept this state of conditioning, and the energy of my mind deteriorates. My mind is sapped in its vitality and strength. It simply accumulates more and more information. I can discipline my mind, polish my knowledge. It can even become brilliant. But I remain in the realm of the known. How could I go beyond this way of thinking so that something new could appear?
Jeanne De Salzmann (The Reality of Being: The Fourth Way of Gurdjieff)
Another murder took place on September 17, 1898, when a young woman, Sarah Ware, suddenly disappeared. Two weeks later her mutilated, beheaded and badly decomposed body was found on Miles Lane, just northeast of the town center. In this case, a shop owner, William Treworgy, was arrested for the crime, but was never convicted. Over a century later, during the winter of 2008, Emeric Spooner, an amateur investigator and the author of In Search of Maine Urban Legends, with an interest in the paranormal, reopened the investigation. Being a librarian at the Buck Memorial Library, he had ready access to many of the original files regarding the case. What concerned him most was that no one was ever convicted of the gruesome crime and that what had happened to Sarah Ware was all but forgotten. What was left was just a faded headstone on a pauper’s grave. Searching through all of the available documents and news articles, Spooner pieced together the scraps representative of Sarah Ware’s life. He found a solitary photograph showing her with another woman and two children. He discovered that Ware had been a divorced mother with four children, who had worked hard for a local storeowner, named as none other than William Treworgy. Moreover, Spooner discovered that she had lent Mister Treworgy money out of her meager paycheck. What the court had ignored, Spooner found to be of interest and definite relevance. At the time of the murder, a detective from Lewiston and one from Bangor were called in to investigate the case. They discovered a bloody hammer engraved with the initials “W.T.T.” and a tarp with blood on it in Treworgy's wagon. Another man came forth and testified that Treworgy had paid him to move a body to a nearby swamp. Four years after the murder, the case finally was tried in court. By this time both the bloody hammer and the tarp were nowhere to be found and the man, who had claimed Treworgy had paid him to move a body, recanted. He asserted that a town selectman and some members of the citizens’ committee had originally pressured him to lie. More than 100 years later, Emeric Spooner continued his investigation and concluded that there were just too many things involving Treworgy. In so many words, he stated that if Treworgy didn't actually do it, he most likely helped move the body.
Hank Bracker
should be engraved on stone in the Prospect Garden itself – a lasting memorial to the precocious talent of her gifted family.
Cao Xueqin (The Golden Days (The Story of the Stone #1))
Under the Sun" The days are my consolation. I take one home each night and put it in the case beside my bed and watch it fade in the dark, no matter how shiny it seems at first, no matter how high it stands behind the glass. I keep a few polished for memory's sake, but even they grow tarnished and lost among the others. "Thank you," I say to the dusk each night for another trophy engraved with the cloud code of that particular day—April l0, June 19 ... As for the diamond- studded chalice I glimpsed in a dream, I no longer want it, although I live as if I do to fool myself, throwing quarters at a wall, playing the numbers, singing, "Grief is happy with a stone. See how bright it shines on the dull cold ground.
Chard deNiord
The Remnants We carry small membranes of memories Within us As do trees, flowers, stones, All life force around us Fragments of memories Engraved in chips of iron, copper, silver... Interlaced in the workings of men Intertwined into the streets, buildings The networks around us Pathways between ages Each carrying their Remnants of the past
Maria Lehtman (The Dreaming Doors: Through the Soul Gateways)