Memoirs Of A Geisha Quotes

We've searched our database for all the quotes and captions related to Memoirs Of A Geisha. Here they are! All 200 of them:

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At the temple there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.
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Arthur Golden (Memoirs of a Geisha)
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The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.
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Arthur Golden (Memoirs of a Geisha)
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This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes they consume us completely.
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Arthur Golden (Memoirs of a Geisha)
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He was like a song I'd heard once in fragments but had been singing in my mind ever since.
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Arthur Golden (Memoirs of a Geisha)
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I dont think any of us can speak frankly about pain until we are no longer enduring it.
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Arthur Golden (Memoirs of a Geisha)
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I don't know when we'll see each other again or what the world will be like when we do. We may both have seen many horrible things. But I will think of you every time I need to be reminded that there is beauty and goodness in the world.
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Arthur Golden (Memoirs of a Geisha)
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Adversity is like a strong wind. I don't mean just that it holds us back from places we might otherwise go. It also tears away from us all but the things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as we might like to be.
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Arthur Golden (Memoirs of a Geisha)
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We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course.
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Arthur Golden (Memoirs of a Geisha)
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Sometimes," he sighed, "I think the things I remember are more real than the things I see.
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Arthur Golden (Memoirs of a Geisha)
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Grief is a most peculiar thing; we’re so helpless in the face of it. It’s like a window that will simply open of its own accord. The room grows cold, and we can do nothing but shiver. But it opens a little less each time, and a little less; and one day we wonder what has become of it.
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Arthur Golden (Memoirs of a Geisha)
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If you aren't the woman I think you are, then this isn't the world I thought it was.
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Arthur Golden (Memoirs of a Geisha)
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I had to wonder if men were so blinded by beauty that they would feel privileged to live their lives with an actual demon, so long as it was a beautiful demon.
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Arthur Golden (Memoirs of a Geisha)
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Sometimes we get through adversity only by imagining what the world might be like if our dreams should ever come true.
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Arthur Golden (Memoirs of a Geisha)
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Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one.
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Arthur Golden (Memoirs of a Geisha)
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Can't you see? Every step I have taken, since I was that child on the bridge, has been to bring myself closer to you.
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Arthur Golden (Memoirs of a Geisha)
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If a few minutes of suffering could make me so angry, what would years of it do? Even a stone can be worn down with enough rain.
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Arthur Golden (Memoirs of a Geisha)
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Now I know that our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha)
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Water is powerful. It can wash away earth, put out fire, and even destroy iron.
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Arthur Golden (Memoirs of a Geisha)
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A mind troubled by doubt cannot focus on the course of victory.
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Arthur Golden (Memoirs of a Geisha)
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If you have experienced an evening more exciting than any in your life, you're sad to see it end; and yet you still feel grateful that it happened.
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Arthur Golden (Memoirs of a Geisha)
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I never seek to defeat the man I am fighting, " he explained. "I seek to defeat his confidence. A mind troubled by doubt cannot focus on the course to victory. Two men are equals - true equals - only when they both have equal confidence.
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Arthur Golden (Memoirs of a Geisha)
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We can never flee the misery that is within us.
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Arthur Golden (Memoirs of a Geisha)
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If you keep your destiny in mind, every moment in life becomes an opportunity for moving closer to it.
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Arthur Golden (Memoirs of a Geisha)
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Of course, a sign doesn't mean anything unless you know how to interpret it.
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Arthur Golden (Memoirs of a Geisha)
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Waiting patiently doesn't suit you. I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about. [Mameha]
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Arthur Golden (Memoirs of a Geisha)
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We none of us find as much kindness in this world as we should.
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Arthur Golden (Memoirs of a Geisha)
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Was life nothing more than a storm that constantly washed away what had been there only a moment before, and left behind something barren and unrecognizable?
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Arthur Golden (Memoirs of a Geisha)
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After all, when a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.
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Arthur Golden (Memoirs of a Geisha)
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I could no more have stopped myself from feeling that sadness than you could stop yourself from smelling an apple that has been cut open on the table before you.
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Arthur Golden (Memoirs of a Geisha)
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It was what we Japanese called the onion life, peeling away a layer at a time and crying all the while.
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Arthur Golden (Memoirs of a Geisha)
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Watch for the thing that will show itself to you. Because that thing, when you find it, will be your future.
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Arthur Golden (Memoirs of a Geisha)
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I will think of you every time I need to be reminded that there is beauty and goodness in the world.
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Arthur Golden (Memoirs of a Geisha)
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Every man has his destiny. But who needs to go to a fortune-teller to find it? Do I go to a chef to find out if I'm hungry?
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Arthur Golden (Memoirs of a Geisha)
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Occasionally in life we come upon things we can't understand, because we have never seen anything similar.
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Arthur Golden (Memoirs of a Geisha)
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Even stone can be worn down with enough rain.
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Arthur Golden (Memoirs of a Geisha)
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From this experience, I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
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Arthur Golden (Memoirs of a Geisha)
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Flowers that grow where old ones have withered serve to remind us that death will one day come to us all.
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Arthur Golden (Memoirs of a Geisha)
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I was thanking him for...well, for something I'm not sure I can explain even now. For showing me that something besides cruelty could be found in the world, I suppose.
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Arthur Golden (Memoirs of a Geisha)
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Those of us with water in our personalities don't pick where we'll flow to. All we can do is flow where the landscape of our lives carries us
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Arthur Golden (Memoirs of a Geisha)
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We don't become geisha because we want our lives to be happy; we become geisha because we have no choice.
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Arthur Golden (Memoirs of a Geisha)
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A tree may look as beautiful as ever; but when you notice the insects infesting it, and the tips of the branches that are brown from disease, even the trunk seems to lose some of its magnificence.
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Arthur Golden (Memoirs of a Geisha)
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She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel. Geisha is an artist of the floating world. She dances, she sings. She entertains you, whatever you want. The rest is shadows, the rest is secret.
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Arthur Golden (Memoirs of a Geisha)
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An en is a karmic bond lasting a lifetime. Nowadays many people seem to believe their lives are entirely a matter of choice; but in my day we viewed ourselves as pieces of clay that forever show the fingerprints of everyone who has touched them.
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Arthur Golden (Memoirs of a Geisha)
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I stumbled out into the courtyard to try to flee my misery, but of course we can never flee the misery that is within us.
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Arthur Golden (Memoirs of a Geisha)
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Well, a peach has a lovely taste and so does a mushroom, but you can't put the two together...
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Arthur Golden (Memoirs of a Geisha)
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Some people have difficulty telling the difference between something great and something they've simply heard of.
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Arthur Golden (Memoirs of a Geisha)
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Yet somehow the thing that startled me most, after a week or two had passed, was that I had in fact survived.
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Arthur Golden (Memoirs of a Geisha)
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How many times already had I encountered the painful lesson that although we may wish for the barb to be pulled from our flesh, it leaves a welt that doesn't heal?
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Arthur Golden (Memoirs of a Geisha)
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You cannot say to the sun, 'More sun,' or to the rain, 'Less rain.' To a man, geisha can only be half a wife. We are the wives of nightfall. And yet, to learn kindness after so much unkindness, to understand that a little girl with more courage than she knew, would find her prayers were answered, can that not be called happiness? After all these are not the memoirs of an empress, nor of a queen. Theseο»Ώ are memoirs of another kind.
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Arthur Golden (Memoirs of a Geisha)
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A woman who acts like a fool is a fool.
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Arthur Golden (Memoirs of a Geisha)
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Friendship is a precious thing, Sayuri. One mustn't throw it away.
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Arthur Golden (Memoirs of a Geisha)
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I've lived my life again just telling it to you.
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Arthur Golden (Memoirs of a Geisha)
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Seeing him again after so long awakened something inside me. I was surprised to find myself feeling sad rather than joyful, as I would have imagined.
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Arthur Golden (Memoirs of a Geisha)
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Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that isn't it
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Arthur Golden (Memoirs of a Geisha)
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And then I became aware of all the magnificent silk wrapped around my body, and had the feeling I might drown in beauty. At that moment, beauty itself struck me as a kind of painful melancholy.
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Arthur Golden (Memoirs of a Geisha)
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I went back to those graves not long afterward and found as I stood there that sadness was a very heavy thing. My body weighed twice what it had only a moment earlier, as if those graves were pulling me down toward them.
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Arthur Golden (Memoirs of a Geisha)
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At that moment, beauty itself struck me as a kind of painful melancholy.
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Arthur Golden
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Neither you nor I can know your destiny. You may never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more than struggling through life from day to day.
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Arthur Golden (Memoirs of a Geisha)
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You seemed so desperate, like you might drown if someone didn't save you.
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Arthur Golden (Memoirs of a Geisha)
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I began to feel that all the people I'd ever known who had died or left me had not in fact gone away, but continued to live on inside me just as this man's wife lived on inside him.
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Arthur Golden (Memoirs of a Geisha)
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Nothing in life is ever as simple as we imagine.
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Arthur Golden (Memoirs of a Geisha)
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A wounded tiger is a dangerous beast.
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Arthur Golden (Memoirs of a Geisha)
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When we fight upstream against a rocky undercurrent, every foothold takes on a kind of urgency.
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Arthur Golden (Memoirs of a Geisha)
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When a man takes a mistress, he doesn't turn around and divorce his wife.
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Arthur Golden (Memoirs of a Geisha)
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All at once I felt so vain, like a girl posturing for the crowds as she walks along, only to discover the street is empty.
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Arthur Golden (Memoirs of a Geisha)
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Autobiography, if there really is such a thing, is like asking a rabbit to tell us what he looks like hopping through the grasses of the field. How would he know? If we want to hear about the field on the other hand, no one is in a better circumstance to tell us-so long as we keep in mind that we are missing all those things the rabbit was in no position to observe.
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Arthur Golden (Memoirs of a Geisha)
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I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about -- the tiny hole through the roof or the bottom of the box. There's no doubt it's the most versatile of the five elements. It can wash away earth; it can put out fire; it can wear a piece of metal down and sweep it away. Even wood, which is its natural complement, can't survive without being nurtured by water. And yet, you haven't drawn on those strengths in living your life, have you?
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Arthur Golden (Memoirs of a Geisha)
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We must use whatever methods we can to understand the movement of the universe around us and time our actions so that we are not fighting the currents, but moving with them.
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Arthur Golden (Memoirs of a Geisha)
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I didn't say to act dead. I said act helpless.
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Arthur Golden (Memoirs of a Geisha)
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We human beings have a remarkable way of growing accustomed to things.
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Arthur Golden (Memoirs of a Geisha)
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Nothing like work for getting over a disappointment.
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Arthur Golden (Memoirs of a Geisha)
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A geisha has studied a man's moods and his seasons. She fusses and he blooms.
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Arthur Golden (Memoirs of a Geisha)
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Here you are...A beautiful girl with nothing to be ashamed of...And yet you are afraid to look at me. Someone has been cruel to you...Or perhaps life has been cruel. "I don't know sir" I said, Though of course I knew perfectly well.
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Arthur Golden (Memoirs of a Geisha)
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Geisha is always called beautiful even if she is not.
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Arthur Golden (Memoirs of a Geisha)
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If those sorts of moments would be the only pleasure life offered me, I'd be better off shutting out that one brilliant source of light to let my eyes begin to adjust to the darkness.
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Arthur Golden (Memoirs of a Geisha)
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What an unbearable sorrow it would be, to realized I'd never really tasted to things I'd eaten, or seen the places I'd been. What life would I have? I would be like the dancer who had practiced since childhood for a performance she would never give.
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Arthur Golden (Memoirs of a Geisha)
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Every step I have taken has been to bring myself closer to you.
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Arthur Golden (Memoirs of a Geisha)
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Nothing is bleaker than the future, except perhaps the past.
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Arthur Golden (Memoirs of a Geisha)
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If he couldn't forgive you for what you'd done, it was clear to me he was never truly your destiny.
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Arthur Golden (Memoirs of a Geisha)
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I tried to continue, but somehow my throat made up its mind to swallow – though I can’t think what I was swallowing, unless it was a little knot of emotion I pushed back down because there was no room in my face for any more.
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Arthur Golden (Memoirs of a Geisha)
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I expect you to go through life with your eyes open! If you keep your destiny in mind, every moment in life becomes an opportunity for moving closer to it.
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Arthur Golden (Memoirs of a Geisha)
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I understood that he left me at the end of his long life just as naturally as the leaves fall from the trees.
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Arthur Golden (Memoirs of a Geisha)
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When a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.
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Arthur Golden (Memoirs of a Geisha)
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My feelings of disgust had been so loud within me, they’d nearly drowned out everything else.
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Arthur Golden (Memoirs of a Geisha)
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Passion can quickly slip over into jealousy, or even hatred.
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Arthur Golden (Memoirs of a Geisha)
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We all know that a winter scene, though it may be covered over one day, with even the trees dressed in shawls of snow, will be unrecognizable the following spring. Yet I never imagined such a thing could occur within our very selves.
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Arthur Golden (Memoirs of a Geisha)
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His face was very heavily creased, and into each crease he had tucked some worry or other, so that it wasn't really his face any longer, but more like a tree that had nests of birds in all of the branches. He had to struggle constantly to manage it and always looked worn out from the effort.
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Arthur Golden (Memoirs of a Geisha)
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I fell into a sound sleep and dreamed that I was at a banquet back in Gion, talking with an elderly man who was explaining to me that his wife, whom he'd cared for deeply, wasn't really dead because the pleasure of their time together lived on inside him.
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Arthur Golden (Memoirs of a Geisha)
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Couldn't the wrong sort of living turn anyone mean? I remembered very well that one day back in Yoroido, a boy pushed me into a thorn bush near the pond. By the time I clawed my way out I was mad enough to bite through wood. If a few minutes of suffering could make me so angry, what would years of it do? Even stone can be worn down with enough rain.
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Arthur Golden (Memoirs of a Geisha)
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And suddenly everything around me seemed to grow quiet, as if he were the wind that blew and I were just a cloud carried upon it.
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Arthur Golden (Memoirs of a Geisha)
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Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha)
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Here's the thing: this eel spends its entire life trying to find a home, and what do you think women have inside them? Caves, where the eels like to live...when they find a cave they like, the wriggle around inside it for a while to be sure that...well, to be sure it's a nice cave, I suppose. And when they've made up their minds that it's comfortable, they mark the cave as their territory...by spitting.
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Arthur Golden (Memoirs of a Geisha)
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I'm not sure this will make sense to you, but I felt as though I'd turned around to look in a different direction, so that I no longer faced backward toward the past, but forward toward the future. And now the question confronting me was this: What would that future be? The moment this question formed in my mind, I knew with as much certainty as I'd ever known anything that sometime during that day I would receive a sign. This was why the bearded man had opened the window in my dream. He was saying to me, "Watch for the thing that will show itself to you. Because that thing, when you find it, will be your future.
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Arthur Golden (Memoirs of a Geisha)
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Oh I'm sure you're right," Auntie said. "Probably she's just as you say. But she looks to me like a very clever girl, and adaptable; you can see that from the shape of her ears.
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Arthur Golden (Memoirs of a Geisha)
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Here again, I saw life in all its noisy excitement passing me by.
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Arthur Golden (Memoirs of a Geisha)
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As a young girl I believed my life would never have been a struggle if Mr.Tanaka hadn't torn me away from my tipsy house. But now I know that our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha)
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If Mother and Mameha couldn't come to an agreement, I would remain a maid all my life just as surely as a turtle remains a turtle
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Arthur Golden (Memoirs of a Geisha)
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Some times we get through adversity only by imagining what the world might be like if our dreams should ever come true.
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Arthur Golden (Memoirs of a Geisha)
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Finally the homeless eel marked its territory, I suppose, and the Doctor lay heavily upon me, moist with sweat.
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Arthur Golden (Memoirs of a Geisha)
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I cannot tell you what it is that guides us in this life; but for me, I fell toward the Chairman just as a stone must fall toward the earth. When I cut my lip and met Mr. Tanaka, when my mother died and I was cruelly sold, it was all like a stream that falls over rocky cliffs before it can reach the ocean. Even now that he is gone I have him still, in the richness of my memories.
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Arthur Golden (Memoirs of a Geisha)
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Water never waits. It changes shape and floes around things, and finds the secret paths no one else thought about __ the tiny hole through the roof or the bottom of a box. There's no doubt it's the most versatile of the five elements. It can wash away earth, it can put out fire; it can wear a piece of metal down and can sweep it away. Even wood, which is its natural complement, can'survive without being nurtured by water.
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Arthur Golden (Memoirs of a Geisha)
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I'm not sure this will make sense to you but I felt as though I'd turned around to look in a different direction so that I no longer faced backward toward the past but forward toward the future. And now the question confronting me was this: What would the future be
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Arthur Golden (Memoirs of a Geisha)
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Sadness was a very heavy thing.
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Arthur Golden (Memoirs of a Geisha)
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In the instant before the door opened, I could almost sense my life expanding just like a river whose waters have begun to swell; for I had never before taken such a drastic step to change the course of my own future. I was like a child tiptoeing along a precipice overlooking the sea. And yet somehow I hadn't imagined a great wave might come and strike me there, and wash everything away.
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Arthur Golden (Memoirs of a Geisha)
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Even now that he is gone I have him still, in the richness of my memories. I've lived my life again just telling it to you.
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Arthur Golden (Memoirs of a Geisha)
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Isn’t there one thing I can ask of you that you won’t disregard?. . . . You could just reply, "Yes, Baron," and be done with it.' Yes, Baron.
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Arthur Golden (Memoirs of a Geisha)
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Hatsumomo's lovely smille grew... until her lips were as rich and full as drops of blood beading at the edge of a wound
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Arthur Golden (Memoirs of a Geisha)
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No one knows the author of memoir so well like himself.
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Arthur Golden (Memoirs of a Geisha)
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I felt I was standing on a stage many hours after the dance had ended, when the silence lay as heavily upon the empty theater as a blanket of snow.
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Arthur Golden (Memoirs of a Geisha)
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My tears simply broke through the fragile wall that had held them, and with a terrible feeling of shame, I laid my head upon the table and let them drain out of me.
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Arthur Golden (Memoirs of a Geisha)
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... nothing in life is ever as simple as we imagine.
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Arthur Golden (Memoirs of a Geisha)
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Every time I caught a glimpse of myself in the glass of a shop, I felt I was someone to be taken seriously; not a girl anymore, but a young woman.
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Arthur Golden (Memoirs of a Geisha)
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Memoirs give the knowledge about the author and his environment. They are different from biography. Memoirs do not get ahead, and the man who writes a biography looks at his future like at a very simple thing.
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Arthur Golden (Memoirs of a Geisha)
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Waiting patiently doesn't suit you.I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things. There's no doubt it's the most versatile of the five elements. It can wash away earth it can put fire it can wear a piece of metal down and sweep it away. And yet, you haven't drawn on those strengths in living your life, Have you?
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Arthur Golden (Memoirs of a Geisha)
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To the eyes of the American soldiers who drove past, I looked no different from the women around me; and as I thought of it, who could say I was any different? If you no longer have leaves, or bark, or roots, can you go on calling yourself a tree? "I am a peasant," I said to myself, "and not a geisha at all any longer." It was a frightening feeling to look at my hands and see their roughness. To draw my mind away from my fears, I turned my attention again to the truckloads of soldiers driving past. Weren't these the very American soldiers we'd been taught to hate, who had bombed our cities with such horrifying weapons? Now they rode through our neighborhood, throwing pieces of candy to the children.
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Arthur Golden (Memoirs of a Geisha)
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Grief is a most peculiar thing; we're so helpless in the face of it.
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Arthur Golden (Memoirs of a Geisha)
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A memoir provides a record not so much of the memoirist as of the memoirist's world.
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Arthur Golden (Memoirs of a Geisha)
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The very idea!" he said, with another big laugh. "You, growing up in a dump like Yoroido. That's like making tea in a bucket!
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Arthur Golden (Memoirs of a Geisha)
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Chairman: "Sometimes", he sighed, "I think the things I remember are more real than the things I see.
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Arthur Golden (Memoirs of a Geisha)
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Even stone can be worn down with enough rain
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Arthur Golden (Memoirs of a Geisha)
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Nowadays many people seem to believe their lives are entirely a matter of choice; but in my day we viewed ourselves as pieces of clay that forever show the fingerprints of everyone who has touched them.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
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He stood with his two frail hands on his cane and his eyes closed, and breathed in deeply the scent of the past. "Sometimes," he sighed, "I think the things I remember are more real than the things I see.
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Arthur Golden (Memoirs of a Geisha)
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But, Mameha-san, I don’t want kindness!” β€œDon’t you? I thought we all wanted kindness. Perhaps what you mean is that you want something more than kindness. And that is something you’re in no position to ask.
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Arthur Golden (Memoirs of a Geisha)
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I wasn’t thanking him for the coin, or even for the trouble he’d taken in stopping to help me. I was thanking him for... well, for something I’m not sure I can explain even now. For showing me that something besides cruelty could be found in the world, I suppose.
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Arthur Golden (Memoirs of a Geisha)
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dreams can be such dangerous things: they smolder on like a fire does, and sometimes consume us completely.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
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And when I raised myself to look at the man who’d spoken, I had a feeling of leaving my misery behind me there on the stone wall.
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Arthur Golden (Memoirs of a Geisha)
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We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course. If I'd never met Mr. Tanaka, my life would have been a simple stream flowing from our tipsy house to the ocean. Mr. Tanaka changed all that when he sent me out into the world.
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Arthur Golden (Memoirs of a Geisha)
β€œ
It's your duty to use what influence you have, unless you want to drift through life like a fish belly-up on the stream" "I wish I could believe that life really is something more than a stream that carries us along, belly-up" "Alright, if it's a stream, you're still free to be in this part of it or that part, aren't you? The water will divide again and again. If you bump, and tussle, and fight, and make use of whatever advantages you might have-" "Oh, that's fine, I'm sure, when you have advantages." "You'd find them everywhere, if you ever bothered to look!
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Arthur Golden (Memoirs of a Geisha)
β€œ
After this, I couldn't hear their voices any longer; for in my ears I heard a sound like a bird's wings flapping in panic. Perhaps it was my heart, I don't know. But if you've ever seen a bird trapped inside the great hall of a temple, looking for some way out, well, that was how my mind was reacting. It had never occurred to me that my mother wouldn't simply go on being sick. I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Estava a viver apenas metade em Gion, a outra metade de mim vivia nos meus sonhos de regressar a casa. Γ‰ por isso que os sonhos podem ser coisas tΓ£o perigosas; continuam acesos mesmo sem chama, e Γ s vezes consomem-nos completamente
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Arthur Golden (Memoirs of a Geisha)
β€œ
It was an evening of torment, and I remember only one other thing about it. At some point after everyone was asleep, I wandered away from the inn in a daze and ended up on the sea cliffs, staring out into the darkness with sound of the roaring water below me. The thundering of the ocean was like a bitter lament. I seemed to see beneath everything a layering of cruelty I have never known was there. The howling of the wind and shaking of the trees seemed to mock me. Could it really be that the stream of my life had divided forever.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Izdrži. To je jedino őto bilo tko od nas može učiniti na ovome svijetu.
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Arthur Golden (Memoirs of a Geisha)
β€œ
He lived in a world that was visible, even if it didn't always please him to be there.
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Arthur Golden (Memoirs of a Geisha)
β€œ
When I said these words, all the heat in my body seemed to rise to my face. I felt I might float up into the air, just like a piece of ash from a fire.
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Arthur Golden (Memoirs of a Geisha)
β€œ
All my hard work in overhearing it was it was about as rewarding to me as a man who lugs a chest up the hill only to learn that its full of rocks.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Now, Chiyo, stumbling along in life is a poor way to proceed. You must learn how to find the time and place for things.
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Arthur Golden (Memoirs of a Geisha)
β€œ
ΒΏEs que la vida era sΓ³lo una tempestad que arrasaba con todo, dejando tras ella sΓ³lo algo yermo e irreconocible?
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Arthur Golden (Memoirs of a Geisha)
β€œ
We lead our lives like water flowing down a hill , going more or less in one direction until we splash into something that forces us to find a new course
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Arthur Golden (Memoirs of a Geisha)
β€œ
The swan who goes on living in its parents’ tree will die; this is why those who are beautiful and talented bear the burden of finding their own way in the world.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
I knew he noticed the tress, and the mud, and the children in the street, but I had no reason to believe he'd ever notice me.
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Arthur Golden (Memoirs of a Geisha)
β€œ
[The eyes] are the most expressive part of a woman's body.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I learned that year that nothing is so unpredictable as who will survive a war and who won't.
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Arthur Golden (Memoirs of a Geisha)
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a sign doesn’t mean anything unless you know how to interpret it.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
I think the things I remember are more real than the things I see.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
Once when I was a little child of six or so, I watched a spider spinning its web in a corner of the house. Before the spider had even finished its job, a mosquito flew right into the web and was trapped there. The spider didn't pay it any attention at first, but went on with what it was doing; only when it was finished did it creep over on its pointy toes and sting that poor mosquito to death. As I sat there on that wooden floor and watched Hatsumomo come reaching for me with her delicate fingers, I knew I was trapped in a web she had spun for me.
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Arthur Golden (Memoirs of a Geisha)
β€œ
But what I could see out of the corner of my eye made me think of two lovely bundles of silk floating along a stream. In a moment they were hovering on the walkway in front of me, where they sank down and smoothed their kimono across their knees.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Is this how you act toward your honored guest? You must take him out onto the street and walk him around a bit to wake him up. The cold will do him good." "He's lying in the snow. Isn't that cold enough?
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Arthur Golden (Memoirs of a Geisha)
β€œ
How can we protect ourselves from a culture of manipulation, where tastes and flavors are re-created chemically in laboratories and given to us as natural food, where religion is packaged, televised and tweeted and commercials influence us to such an extent that they dictate not only what we eat, wear, read and want but what and how we dream. We need the pristine beauty of truth as revealed to us in fiction, poetry, music and the arts: we need to retrieve the third eye of imagination.
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Azar Nafisi (The Republic of Imagination: America in Three Books)
β€œ
If we rub a fabric too often, it will quickly grow threadbare; and Nobu’s words had rasped against me so much, I could no longer maintain that finely lacquered surface Mameha had always counseled me to hide behind.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I long ago developed a very practical smile, which I call my "Noh smile" because it resembles a Noh mask whose features are frozen. Its advantage is that men can interpret it however they want; you can imagine how often I've relied on it.
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Arthur Golden
β€œ
I knew even then that she was right. An en is a karmic bond lasting a lifetime. Nowadays many people seem to believe their lives are entirely a matter of choice; but in my day we viewed ourselves as pieces of clay that forever show the fingerprints of everyone who has touched them. Nobu's touch had made a deeper impression on me than most. No one could tell me whether he would be my ultimate destiny, but I had always sensed the en between us. Somewhere in the landscape of my life Nobu would always be present. But could it really be that of all the lessons I'd learned, the hardest one lay just ahead of me? Would I really have to take each of my hopes and put them away where no one would ever see them again, where not even I would ever see them?
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Arthur Golden (Memoirs of a Geisha)
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... agora sei que o nosso mundo nΓ£o e mais permanente do que uma onda a erguer-se no oceano. E quaisquer que sejam as nossas lutas e triunfos, como quer que os possamos sofrer, muito rapidamente se dissolvem todos numa aguada, como tinta de pintar no papel
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Arthur Golden (Memoirs of a Geisha)
β€œ
The moment I formulated this thought, everything aroud me seemed to droop heavily toward the earth. Outside in the garden, the eaves of the roof dripped rain like beads of weighted glass. Even the mats themselves seemed to press down upon the floor. I remember thinking that I was dacing to express not the pain of a young woman who has lost her supernatural lover, but the pain I myself would feel when my life was finally robbed of the one thing I cared most deeply about. I found myself thinking,too,of satsu; I danced the bitterness of our eternal separation.By the end I felt almost overcome with grief; but I certainly wasn't prepared for what I saw when I turned to look at the Chairman.He was sitting at the near corner of the table so that, as it happened, no one but me could see him. I thought he wore an expression of astonishment at first, because his eyes were so wide. But just as his mouth sometimes twitched when he tried not to smile, now I could see it twitching under the strain of a different emotion. I couldn't be sure, but I had to impression his eyes were heavy with tears. He looked toward the door, pretending to scratch the side of his nose so he cold wipe a finger in the corner of his eye; and he smoothed his eyebrows as if the were the source of his trouble. I was so shocked to see the Chairman in pain I felt almost disoriented for a moment.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I don’t think any of us can speak frankly about pain until we are no longer enduring it.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
Destiny isn’t always like a party at the end of the evening. Sometimes it’s nothing more than struggling through life from day to day.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
β€œ
I had the sudden insight that nothing in life is ever as simple as we imagine.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
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The world was simply too cruel; how could I survive?
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Arthur Golden (Memoirs of a Geisha)
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Every man has his destiny. But who needs to to go to a fortune-teller to find it? Do I go to a chef to find out if I'm hungry?" Nobu
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Arthur Golden (Memoirs of a Geisha)
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My existence was as unstable as a stream, changing in every way; but the moth was like a piece of stone, changing not at all.
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Arthur Golden (Memoirs of a Geisha)
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Sadness was a very heavy thing. My body weighed twice what it had only a moment earlier.
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Arthur Golden (Memoirs of a Geisha)
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... razgovaram s jednim starijim muΕ‘karcem koji mi objaΕ‘njava kako njegova ΕΎena, nije doista mrtva, jer zadovoljstva iz vremena koje su proveli zajedno i dalje ΕΎive u njemu.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Llevamos nuestras vidas como el agua que corre colina abajo, mΓ‘s o menos en una direcciΓ³n, hasta que damos con algo que nos obliga a encontrar un nuevo curso.
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Arthur Golden (Memoirs of a Geisha)
β€œ
The corridor couldn't have smelled more strongly of fish guts if we had actually been inside a fish.
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Arthur Golden (Memoirs of a Geisha)
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-Ninguno de nosotros encuentra en este mundo todo el cariΓ±o que deberΓ­amos.
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Arthur Golden (Memoirs of a Geisha)
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This was what we Japanese called the β€œonion life”—peeling away a layer at a time and crying all the while.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
β€œ
Zar ΕΎivot nije niΕ‘ta drugo do oluja koja stalno odnosi ono Ε‘to je joΕ‘ samo trenutak ranije bilo tu i ostavlja za sobom tek neΕ‘to ogoljelo i neprepoznatljivo?
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Arthur Golden (Memoirs of a Geisha)
β€œ
Premda sam imala samo četrnaest godina, činilo mi se kao da sam veΔ‡ ΕΎivjela dva ΕΎivota. Moj novi ΕΎivot joΕ‘ uvijek nije pravo započeo, iako je moj stari ΕΎivot zavrΕ‘io prije dosta vremena.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Tuga je vrlo neobičan osjeΔ‡aj, tako smo bespomoΔ‡ni kad se s njome suočimo. To je neΕ‘to poput prozora koji se otvara po vlastitoj volji. Soba se hladi, a mi moΕΎemo samo bespomoΔ‡no drhtati.
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Arthur Golden (Memoirs of a Geisha)
β€œ
our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
Ε to ako doΔ‘em do kraja ΕΎivota i shvatim kako sam iz dana u dan očekivala čovjeka koji nikad nije doΕ‘ao? Postat Δ‡u poput plesačice koja se od djetinstva priprema za predstavu u kojoj nikad neΔ‡e nastupati.
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Arthur Golden (Memoirs of a Geisha)
β€œ
When I unwrapped the moth from its funeral shroud, it was the same startlingly lovely creature as on the day I had entombed it. Everything about it seemed beautiful and perfect, and so utterly unchanged.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I never seek to defeat the man I am fighting,” he explained. β€œI seek to defeat his confidence. A mind troubled by doubt cannot focus on the course to victory. Two men are equalsβ€”true equalsβ€”only when they both have equal confidence.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
β€œ
I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I was hardly worthy of these surroundings. And then I became aware of all the magnificent silk wrapped about my body, and had the feeling I might drown in beauty. At that moment, beauty itself struck me as a kind of painful melancholy.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Since the day I’d left Yoroido, I’d done nothing but worry that every turn of life’s wheel would bring yet another obstacle into my path; and of course, it was the worrying and the struggle that had always made life so vividly real to me.
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Arthur Golden (Memoirs of a Geisha)
β€œ
People in the village often said she ought to have been extremely attractive, because her parents had been. Well, a peach has a lovely taste and so does a mushroom, but you can't put the two together; this was the terrible trick nature had played on her.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Adversity is like a strong wind. I don’t mean just that it holds us back from places we might otherwise go. It also tears away from us all but the things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as we might like to be.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
β€œ
I lived in that contented state a long while before I was finally able to look back and admit how desolate my life had once been. I’m sure I could never have told my story otherwise; I don’t think any of us can speak frankly about pain until we are no longer enduring it.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
that droplet of moisture that had slipped from me like a tear seemed almost to tell the story of my life. It fell through empty space, with no control whatsoever over its destiny; rolled along a path of silk; and somehow came to rest there on the teeth of that dragon. I thought of the petals I’d thrown into the Kamo River shallows outside Mr. Arashino’s workshop, imagining they might find their way to the Chairman. It seemed to me that, somehow, perhaps they had.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I watched him walk away with sickness in my heartβ€”though it was a pleasing kind of sickness, if such a thing exists. I mean to say that if you have experienced an evening more exciting than any in your life, you’re sad to see it end; and yet you still feel grateful that it happened. In that brief encounter with the Chairman, I had changed from a lost girl facing a lifetime of emptiness to a girl with purpose in her life. Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that, isn’t it? And I really do think if you’d been there to see what I saw, and feel what I felt, the same might have happened to you.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
Kakve god bile naΕ‘e muke i naΕ‘e pobede, kako god ih mi propratili, sve one vrlo brzo izblede, kao mastilo na papiru.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Zato snovi mogu biti tako opasni:oni tinjaju poput priguΕ‘ene vatre,a ponekad se vatra rasplamsa i potpuno nas proguta.
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Arthur Golden (Memoirs of a Geisha)
β€œ
We can’t waste our time thinking about such things,” she said. β€œNothing is bleaker than the future, except perhaps the past.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
My goodness, Sayuri, you do look like a peasant!” he said.
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Arthur Golden (Memoirs of a Geisha: The Literary Sensation and Runaway Bestseller (Vintage 21st Anniv Editions))
β€œ
It struck me that we-that moth and I-were two opposite extremes. My existence was as unstable as a stream, changing in every way; but the moth was like a piece of stone, changing not at all. While thinking this thought, I reached out a finger to feel the moth’s velvety surface; but when I brushed it with my fingertip, it turned all at once into a pile of ash without even a sound, without even a moment in which I could see it crumbling. I was so astonished I let out a cry. The swirling in my mind stopped; I felt as if I had stepped into the eye of a storm. I let the tiny shroud and its pile of ashes flutter to the ground; and now I understood the thing that had puzzled me all morning. The stale air had washed away. The past was gone.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Could it really be that of all the lessons I'd learned, the hardest one lay just ahead of me? Would I really have to take each of my hopes and put them away where no one would ever see them again, where not even I would ever see them? "Go back to the okiya, Sayuri," Mameha told me. "Prepare for the evening ahead of you. There's nothing like work for getting over a disappointment.
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Arthur Golden (Memoirs of a Geisha)
β€œ
Only when she sits before her mirror to apply her makeup with care does she become a geisha. And I don’t mean that this is when she begins to look like one. This is when she begins to think like one too.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
But now I know that our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course. If I'd never met Mr. Tanaka, my life would have been a simple stream flowing from our tipsy house to the ocean. Mr. Tanaka changed all that when he sent me out into the world. But being sent out into the world isn't necessarily the same as leaving your home behind you. I'd been in Gion more than six months by the time I received Mr. Tanaka's letter; and yet during that time, I'd never for a moment given up the belief that I would one day find a better life elsewhere, with at least part of the family I'd always known. I was living only half in Gion; the other half of me lived in my dreams of going home. This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes consume us completely.
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Arthur Golden (Memoirs of a Geisha)
β€œ
You're eighteen years old, Sayuri," she went on. "Neither you nor I can know your destiny. You may never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more than struggling through life from day to day." "But, Mameha-san, how cruel!" "Yes, it is cruel," she said. "But none of us can escape destiny." "Please, it isn't a matter of escaping my destiny, or anything of that sort. Nobu-san is a good man, just as you say. I know I should feel nothing but gratitude for his interest, but . . . there are so many things I've dreamed about." "And you're afraid that once Nobu has touched you, after that they can never be? Really, Sayuri, what did you think life as a geisha would be like? We don't become geisha so our lives will be satisfying. We become geisha because we have no other choice." "Oh, Mameha-san . . . please . . . have I really been so foolish to keep my hopes alive that perhaps one day-" "Young girls hope all sorts of foolish things, Sayuri. Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one.
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Arthur Golden (Memoirs of a Geisha)
β€œ
We topped the ridge a few moments later, and the town of Senzuru came into view below us. The day was drab, everything in shades of gray. It was my first look at the world outside Yoroido, and I didn't think I'd missed much. I could see the thatched roofs of the town around an inlet, amid dull hills, and beyond them the metal-colored sea, broken with shards of white. Inland, the landscape might have been attractive but for the train tracks running across it like a scar.
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Arthur Golden (Memoirs of a Geisha)
β€œ
We all know that a winter scene, though it may be covered over one day, with even the trees dressed in shawls of snow, will be unrecognizable the following spring. Yet I had never imagined such a thing could occur within our very selves.
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
I don't know for sure what ever became of Hatsumomo. A few years after the war, I heard she was making a living as a prostitute in the Miyagawa-cho district. She couldn't have been there long, because on the night I heard it, a man at the same party swore that if Hatsumomo was a prostitute, he would find her and give her some business of his own. He did go looking for her, but she was nowhere to be found. Over the years, she probably succeeded in drinking herself to death. She certainly wouldn't have been the first geisha to do it. In just the way that a man can grow accustomed to a bad leg, we'd all grown accustomed to having Hatsumomo in our okiya. I don't think we quite understood all the ways her presence had afflicted us until long after she'd left, when things that we hadn't realized were ailing slowly began to heal. Even when Hatsumomo had been doing nothing more than sleeping in her room, the maids had known she was there, and that during the course of the day she would abuse them. They'd lived with the kind of tension you feel if you walk across a frozen pond whose ice might break at any moment. And as for Pumpkin, I think she'd grown to be dependent on her older sister and felt strangely lost without her. I'd already become the okiya's principal asset, but even I took some time to weed out all the peculiar habits that had taken root because of Hatsumomo. Every time a man looked at me strangely, I found myself wondering if he'd heard something unkind about me from her, even long after she was gone. Whenever I climbed the stairs to the second floor of the okiya, I still kept my eyes lowered for fear that Hatsumomo would be waiting there on the landing, eager for someone to abuse. I can't tell you how many times I reached that last step and looked up suddenly with the realization that there was no Hatsumomo, and there never would be again. I knew she was gone, and yet the very emptiness of the hall seemed to suggest something of her presence. Even now, as an older woman, I sometimes lift the brocade cover on the mirror of my makeup stand, and have the briefest flicker of a thought that I may find her there in the glass, smirking at me.
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Arthur Golden (Memoirs of a Geisha)
β€œ
I'd done nothing but worry that every turn of life's wheel would bring yet another obstacle into my path; and of course, it was the worrying and the struggle that had always made life so vividly real to me. When we fight upstream against a rocky undercurrent, every foothold takes on a kind of urgency.
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Arthur Golden (Memoirs of a Geisha)
β€œ
We human beings are only a part of something very much larger. When we walk along, we may crush a beetle or simply cause a change in the air so that a fly ends up where it might never have gone otherwise. And if we think of the same example but with ourselves in the role of the insect, and the larger universe in the role we’ve just played, it’s perfectly clear that we’re affected every day by forces over which we have no more control than the poor beetle has over our gigantic foot as it descends upon it. What are we to do? We must use whatever methods we can to understand the movement of the universe around us and time our actions so that we are not fighting the currents, but moving
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Arthur Golden (Memoirs of a Geisha (Vintage Contemporaries))
β€œ
The war ended for us in August of 1945. Most anyone who lived in Japan during this time will tell you that it was the very bleakest moment in a long night of darkness. Our country wasn't simply defeated, it was destroyed and I don't mean by all the bombs, as horrible as those were. When your country has lost a war and an invading army pours in, you feel as though you yourself have been led to the execution ground to kneel, hands bound, and wait for the sword to fall. During a period of a year or more, I never once heard the sound of laughter unless it was little Juntaro, who didn't know any better. And when Juntaro laughed, his grandfather waved a hand to shush him. I've often observed that men and women who were young children during these years have a certain seriousness about them; there was too little laughter in their childhoods.
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Arthur Golden (Memoirs of a Geisha)
β€œ
When I was in the street throwing a beanbag with the other children and Mr. Tanaka happened to stroll out of the seafood company, I always stopped what I was doing to watch him. I lay there on that slimy table while Mr. Tanaka examined my lip, pulling it down with his fingers and tipping my head this way and that. All at once he caught sight of my gray eyes, which were fixed on his face with such fascination, I couldn't pretend I hadn't been staring at him. He didn't give me a sneer, as if to say that I was an impudent girl, and he didn't look away as if it made no difference where I looked or what I thought. We stared at each other for a long moment-so long it gave me a chill even there in the muggy air of the seafood company. "I know you," he said at last. "You're old Sakamoto's little girl." Even as a child I could tell that Mr. Tanaka saw the world around him as it really was; he never wore the dazed look of my father. To me, he seemed to see the sap bleeding from the trunks of the pine trees, and the circle of brightness in the sky where the sun was smothered by clouds. He lived in the world that was visible, even if it didn't always please him to be there. I knew he noticed the trees, and the mud, and the children in the street, but I had no reason to believe he'd ever noticed me. Perhaps this is why when he spoke to me, tears came stinging to my eyes.
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Arthur Golden (Memoirs of a Geisha)
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Whatever any of us may have thought about Hatsumomo, she was like an empress in our okiya since she earned the income be which we all lived. And being an empress she would have been very displeased, upon returning late at night, to find her palace dark and all the servants asleep. That is to say, when she came home too drunk to unbutton her socks, someone had to unbutton them for her; and if she felt hungry, she certainly wasn't going to stroll into the kitchen and prepare something by herself--such as an umeboshi ochazuke, which was a favorite snack of hers, made with leftover rice and pickled sour plums, soaked in hot tea. Actually our okiya wasn't at all unusual in this respect. The job of waiting up to bow and welcome the geisha home almost always fell to the most junior of the "cocoons"--as the young geisha-in-training were often called. And from the moment I began taking lessons at the school, the most junior cocoon in our okiya was me. Long before midnight, Pumpkin and the two elderly maids were sound asleep on their futons only a meter or so away on the wood floor of the entrance hall; but I had to go on kneeling there, struggling to stay awake until sometimes as late as two o'clock in the morning. Granny's room was nearby and she slept with her light on and her door opened a crack. The bar of light that fell across my empty futon made me think of a day, not long before Satsu [Chiyo's sister] and I were taken away from our village, when I'd peered into the back room of our house to see my mother asleep there. My father had draped fishing nets across the paper screens to darken the room, but it looked so gloomy I decided to open one of the windows; and when I did, a strip of bright sunlight fell across my mother's futon and showed her hand so pale and bony. To see the yellow lights streaming from Granny's room onto my futon...I had to wonder if my mother was still alive. We ere so much alike, I felt sure I would have known if she'd died; but of course, I'd had no sign one way or the other.
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Arthur Golden (Memoirs of a Geisha)
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I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
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Arthur Golden (Memoirs of a Geisha)
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Men have a kind of... well, an 'eel' on them... It isn't an eel really, but pretending it's an eel makes things so much easier. Here's the thing: this eel spends its entire life trying to find a home, and what do you think women have inside them? Caves, where the eels like to live. You may not know this about eels, but they're quite territorial. When they find a cave they like, they wriggle around inside it for awhile to be sure that... well to be sure it's a nice cave, I suppose. And when they've made up their minds that it's comfortable, they mark the cave as their territory, by spitting. Men like doing this very much. There are even men who do little in their lives besides search for different caves to let their eels live in.
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Arthur Golden (Memoirs of a Geisha)