Member Of The Wedding Quotes

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The trouble with me is that for a long time I have just been an I person. All people belong to a We except me. Not to belong to a We makes you too lonesome.
Carson McCullers (The Member of the Wedding)
She was afraid of these things that made her suddenly wonder who she was, and what she was going to be in the world, and why she was standing at that minute, seeing a light, or listening, or staring up into the sky: alone.
Carson McCullers (The Member of the Wedding)
WE do try to eat," Raoul called back to her [Kel]. I go all faint if I don't get fed regularly. Only think of the disgrace to the King's Own if I fell from the saddle." "But there was that time in Fanwood," a voice behind them said. "That wedding in Tameran," added the blonde Sergeant Osbern, riding a horse-length behind Kel. "Don't forget when what's-his-name, with the army, retired," yelled a third. "Silence, insubordinate curs!" cried Raoul. "Do not sully my new squire's ears with your profane tales!" "Even if they're TRUE?" That was Dom. It seemed Neal wasn't the only family member versed in irony.
Tamora Pierce (Squire (Protector of the Small, #3))
They are the we of me.
Carson McCullers (The Member of the Wedding)
There are all these people here I don't know by sight or by name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know.
Carson McCullers (The Member of the Wedding)
It was better to be in a jail where you could bang the walls than in a jail you could not see.
Carson McCullers (The Member of the Wedding)
...all members of Congress should be required wear NASCAR uniforms. You know, the kind with the patches? That way we'd know who is sponsoring each of them. I think he was kidding; they'd never be able to do it but it's a great idea and would wake people up in this country.
Brad Thor (Full Black (Scot Harvath, #10))
Sarai had treasured every stage of Rachel's childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
A young woman, newly wed, may find herself in the delightful position of wanting to do nothing without the company of her darling husband. She may indeed discover that she spends all her waking hours with her fellow to the exclusion of every other friend or family member. This is understandable, but wholly unacceptable, to society.
Anna Godbersen (Envy (Luxe, #3))
Listen,” F. Jasmine said. “What I’ve been trying to say is this. Doesn’t it strike you as strange that I am I, and you are you? I am F. Jasmine Addams. And you are Berenice Sadie Brown. And we can look at each other, and touch each other, and stay together year in and year out in the same room. Yet always I am I, and you are you. And I can’t ever be anything else but me, and you can ever be anything else but you. Have you ever thought of that? And does it seem to you strange?
Carson McCullers (Member of the Wedding)
It happened that green and crazy summer when Frankie was twelve years old. This was the summer when for a long time she had not been a member. She belonged to no club and was a member of nothing in the world. Frankie had become an unjoined person and hung around in doorways, and she was afraid.
Carson McCullers (The Member of the Wedding)
There was a hollow in her chest, but at the bottom of this emptiness a heavy weight pressed down and bruised her stomach, so that she felt sick.
Carson McCullers (The Member of the Wedding)
I wish I was somebody else except me.
Carson McCullers (The Member of the Wedding)
Prince Rowan Whitethorn, of Doranelle. Former commander to Queen Maeve, and a member of her royal household.” Yrene could have sworn the blood drained wholly from Arghun’s face. “Aelin Galathynius is to wed Rowan Whitethorn?” From the way the prince said the name … he’d indeed heard of this Rowan. Chaol had mentioned Rowan more than once in passing—Rowan, who had managed to heal much of the damage in his spine. A Fae Prince. And Aelin’s beloved. Chaol shrugged. “They are carranam, and he swore the blood oath to her.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
You have a name and one thing after another happens to you, and you behave in various ways and do things, so that soon the name begins to have a meaning. Things have accumulated around your name.
Carson McCullers (The Member of the Wedding)
Haley and I would talk for hours about which member of 'N Sync we'd want to marry. After long deliberation, the answer was always J. C. Chasez. Joey Fatone's last name was going to be “Fat One” no matter how great he was, and even though they didn't know at their age that Lance Bass was gay outright, they sensed he'd make a better good friend and confidante. As for Justin Timberlake, well, JT was the coolest and hottest, but too flashy, so we couldn't trust him to be faithful. J. C. Chasez was the smart compromise.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
We all of us somehow caught. We born this way or that way and we don't know why. But we caught any how. I was born Berenice. You Born Franky. John Henry born John Henry. And maybe we wants to widen and bust free. But no matter what we do we still caught. Me is me and you is you and he is he. We each one of us somehow caught all by ourself. I'm caught worse than you is. Because I'm Black, because I'm colored.
Carson McCullers (The Member of the Wedding)
The world is certainty a sudden place.
Carson McCullers (The Member of the Wedding)
She did not know why she was sad, but because of this peculiar sadness, she began to realize she ought to leave the town.
Carson McCullers (The Member of the Wedding)
She decided to donate blood to the Red Cross; she wanted to donate a quart a week and her blood would be in the veins of Australians and Fighting French and Chinese, all over the whole world, and it would be as though she were close kin to all of these people. She could hear the army doctors saying that the blood of Frankie Addams was the reddest and the strongest blood that they had ever known.
Carson McCullers (The Member of the Wedding)
It looks to me like everything has just walked off and left me
Carson McCullers (The Member of the Wedding)
To me it is the irony of fate,” she said. “The way they come here. Those moths could fly anywhere. Yet they keep hanging around the windows of this house.
Carson McCullers (The Member of the Wedding)
That was the thing about weddings: they forced family members to deal with one another, like it or not.
Jamie Brenner (The Wedding Sisters)
She belonged to no club and was a member of nothing in the world.
Carson McCullers (The Member of the Wedding)
It was the year Frankie thought about the world. And she did not see it as a round school globe, with the countries neat and different-colored. She thought of the world as huge and cracked and loose and turning a thousand miles an hour.
Carson McCullers (The Member of the Wedding)
An hour later, we’d indulged in the traditional St Mary’s ritual for dealing with any sort of crisis, which is to imbibe vast reservoirs of tea. People laugh, but it works. By the time the kettle has boiled, the tea made, the amount of sugar added has been silently criticised, the tea blown on and finally drunk … all this takes time, and if you’re a member of St Mary’s with the attention-span of a privet hedge, then you’ve forgotten what you were arguing about in the first place.
Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's, #4))
I'm sorry about these two," Mike told the waitress. "Just so you know, I'll be embarrassed with you." "It's just that we haven't seen each other since summmer camp," Becky said. "And we'd formed such a bond playing wily tricks on our camp counselors," Felix said. "Remember how you replaced Miss Pepper's shampoo with liquid Jell-O and turned her hair green?" "It was sheer genius when you stretched cling film over all the toilet seats." "Oh." The waitress turned to Mike, as if to address the only sane member of the group. "So, are ya'll ready to eat now, or are you waiting for your date to arrive?" Mike played with the menu. "Actually, she's my date." "These are my two husbands," Becky said. "We're from Utah. You know, Mormom.
Shannon Hale (The Actor and the Housewife)
I know, but what is it all about? People loose and at the same time caught. Caught and loose. All these people and you don’t know what joins them up. There’s bound to be some sort of reason and connection. Yet somehow I can’t seem to name it. I don’t know.” “If you did you would be God,” said Berenice. “Didn’t you know that?
Carson McCullers (The Member of the Wedding)
But the music did not come again. The tune was left broken, unfinished. And the drawn tightness she could no longer stand. She felt she must do something wild and sudden that never had been done before. She hit herself on the head with her fist, but that did not help any at all. And she began to talk aloud, although at first she paid no attention to her own words and did not know in advance what she would say.
Carson McCullers (The Member of the Wedding)
She hated herself, and had become a loafer and a big no-good who hung around the summer kitchen: dirty and greedy and mean and sad.
Carson McCullers (The Member of the Wedding)
The three of them sat at the kitchen table, saying the same things over and over, so that by August the words began to rhyme with each other and sound strange.
Carson McCullers (The Member of the Wedding)
None of us had any experience with literary societies, so we made our own rules: we took turns speaking about the books we'd read. At the start, we tried to be calm and objective, but that soon fell away, and the purpose of the speaker was to goad the listeners into wanting to read the book themselves. Once two members had read the same book, they could argue, which was our great delight. We read books, talked books, argued over books, and became dearer and dearer to one another.
Mary Ann Shaffer
She stood in the corner of the bride's room, wanting to say: I love the two of you so much and you are the we of me. Please take me with you from the wedding, for we belong to be together.
Carson McCullers (The Member of the Wedding)
April that year came sudden and still, and the green of the trees was a wild bright green. The pale wistarias bloomed all over town, and silently the blossoms shattered. There was something about the green trees and the flowers of April that made Frankie sad. She did not know why she was sad, but because of this peculiar sadness, she began to realize she ought to leave the town.
Carson McCullers (The Member of the Wedding)
You are walking down a street and you meet somebody. Anybody. And you look at each other. And you are you. And he is him. Yet when you look at each other, the eyes make a connection. Then you go off one way. And he goes off another way. You go off into different parts of town, and maybe you never see each other again. Not in your whole life.
Carson McCullers (The Member of the Wedding)
The reason why women think men should spend a lot of money on an engagement ring is because women are the ones who get to clean up all the poop (stains and toilet bowl swirls included) that is provided by every family member living in the house until they die.
Heather Chapple (Write like no one is reading)
Frances wanted the whole world to die.
Carson McCullers (The Member of the Wedding)
Henry Johnson was the third husband, the one who had gone crazy on Berenice. He was all right for three
Carson McCullers (The Member of the Wedding)
Have you ever seen any people that afterward you remembered more like a feeling than a picture?
Carson McCullers (The Member of the Wedding)
It was better to be in a jail where you could bang the walls than in a jail you could not see
Carson McCullers (The Member of the Wedding)
She was afraid because in the war they would not include her, and because the world seemed somehow separate from herself.
Carson McCullers (The Member of the Wedding)
I was sent forth from the power, and I have come to those who reflect upon me, and I have been found among those who seek after me. Look upon me, you who reflect upon me, and you hearers, hear me. You who are waiting for me, take me to yourselves. And do not banish me from your sight. And do not make your voice hate me, nor your hearing. Do not be ignorant of me anywhere or any time. Be on your guard! Do not be ignorant of me. For I am the first and the last. I am the honored one and the scorned one. I am the whore and the holy one. I am the wife and the virgin. I am and the daughter. I am the members of my mother. I am the barren one and many are her sons. I am she whose wedding is great, and I have not taken a husband. I am the midwife and she who does not bear. I am the solace of my labor pains. I am the bride and the bridegroom, and it is my husband who begot me. I am the mother of my father and the sister of my husband and he is my offspring. I am the slave of him who prepared me. I am the ruler of my offspring. But he is the one who begot me before the time on a birthday. And he is my offspring in (due) time, and my power is from him. I am the staff of his power in his youth, and he is the rod of my old age. And whatever he wills happens to me. I am the silence that is incomprehensible and the idea whose remembrance is frequent. I am the voice whose sound is manifold and the word whose appearance is multiple. I am the utterance of my name. -The Thunder, Perfect Mind
George W. MacRae
You have a name and one thing after another happens to you, and you behave in various ways and do things, so that soon the name begins to have a meaning. Things have accumulated around the name.
Carson McCullers (The Member of the Wedding)
I’d be churched to death, bridge-partied to death, called upon to give book reviews at the Amanuensis Club, expected to become a part of the community. It takes a lot of what I don’t have to be a member of this wedding.
Harper Lee (Go Set a Watchman)
In the beginning of dog days Frankie's cat had gone away. And the season of dog days is like this: it is the time at the end of the summer when as a rule nothing can happen - but if a change does come about, that change remains until dog days are over. Things that are done are not undone and a mistake once made is not corrected.
Carson McCullers (The Member of the Wedding)
This was the summer when for a long time she had not been a member. She belonged to no club and was a member of nothing in the world. Frankie had become an unjoined person who hung around in doorways, and she was afraid.
Carson McCullers (The Member of the Wedding)
The point is that we all caught. And we try in one way or another to widen ourself free. For instance, me and Ludie. When I was with Ludie, I didn’t feel so caught. But then Ludie died. We go around trying one thing or another, but we caught anyhow.
Carson McCullers (The Member of the Wedding)
So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at." "Be still my beating heart." "But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless." I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest. It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again. I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here." There was another pause, then he started walking again. I followed, leaves crunching under my feet. "Like I said, Hacte Hall has always made The Eye nervous." "Why? Are they allergic to plaid?" I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious." That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done? Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Drink, the social glue of the human race. Probably in the beginning we could explain ourselves to our close family members with grunts, muttered syllables, gestures, slaps, and punches. Then when the neighbors started dropping in to help harvest, stomp, stir, and drink the bounty of the land, after we'd softened our natural suspicious hostility with a few stiff ones, we had to think up some more nuanced communications, like words. From there it was a short step to grammar, civil law, religion, history, and "The Whiffenpoof Song.
Barbara Holland (The Joy of Drinking)
Theoretically, there is always a better place for a person to live, better work to do, a better spouse to wed, better friends to have. But then this person must meet herself coming beck. Theoretically, there always is a better inhabitant of this place, a better member of this community, a better worker, spouse, and friend than she is. This surely describes one of the circles of Hell, and who hasn't traveled around it a time or two?
Wendell Berry (Jayber Crow)
Because things accumulate around your name," said Berenice. "You have a name and one thing after another happens to you, and you behave in various ways and do things, so that soon the name begins to have meaning. Things have accumulated around the name, if it is bad and you have a bad reputation, then you just can't jump out of your name and escape like that. And if it is good and you have a good reputation, then you should be content and satisfied.
Carson McCullers (The Member of the Wedding)
(Jen gets completely sloshed and it's not her wedding) I was supposed to meet Carol and her family at the aquarium the next morning, and somehow had the presence of mind to leave a voicemail apologizing in advance for not being able to make it. I was please at myself for being so responsible and considerate. After I left the message, I blissfully headed off to bed, wearing a face full of makeup, all my grown up jewelry, and a relatively restrictive girdle. Suffice it to say, yesterday was rough, what with my apartment spinning and all. But today I felt better. That is, until Carol played me the voice mail I left for her at 1:03 AM. Somehow I thought I had been able to hold it together on the phone. Following is a transcript of the message I left: 30 seconds of heavy breathing, giggling, and intermittent hiccups (At first Carol thought it was a 911 call.) Oh, heeheehee, I waassshh wayyyting for a beep. But noooooo beeeeeeep. Why don't you hash a beep on your, your, ummmmmm...celery phone? Noooooo beeeeeeep, hic, heeheeeheee. Um, hiiiiii, itsch JEENNNNNNNN!! It's thirteen o'clock in the peeeeeee eeeemmmmmmm. Heeeeeeeellllllllllloooooooo! I went to my wedding tonight and it wash sooooo niiiiiiiiiice. Hic." More giggling and the sound of a phone being dropped and retrieved Nannyway, I am calling to telllll you noooooooooo fishies tomorry...no fishies for meeee! I hic, heeeee, can't smake it to the quariyummm. Maybeeee you can call me so I can say HIIIIIIIIIIIIIII later hich in the day hee hee hee. Call me at, um, 312, ummmmmmm, 312, uummmmm, hee hee hee I can't member my phone, Hic. Do you know my number? Can you call me and tell me what it isssch? I LIKESH TURKEY SAMMICHES! 10 seconds of chewing, giggling, and what may be gobbling sounds Okay, GGGGGGGGooooooodniiiiiiiiiggggggggggggghhhhhhhhhhhttttt! No fish! Um, how do I turn this tthing off? Shhhhh, callllls' over. Beeee quiiiiiiietttt, hee hee hee." 15 more seconds of giggles, hiccups, shushing, and a great deal of banging Perhaps this is why most people only have one wedding?
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
and two pounds of fatback a
Carson McCullers (The Member of the Wedding)
Because he had a mashed thumb like Ludie’s?
Carson McCullers (The Member of the Wedding)
Yet at the same time you almost might use the word loose instead of caught. Although they are two opposite words.
Carson McCullers (The Member of the Wedding)
İnsan yaşamının 'doğaçlamasını', hiçbir şey bitmemiş bir ezgi kadar iyi anlatamaz. Ya da eski bir adres defteri kadar.
Carson McCullers (The Ballad of the Sad Cafe and Other Stories. The Heart is a Lonely Hunter. The Member of the Wedding. (In One Volume))
So she knew she ought to leave the town and go to some place far away. For the late spring, that year, was lazy and too sweet. The long afternoons flowered and lasted and the green sweetness sickened her. The town began to hurt Frankie. Sad and terrible happenings had never made Frankie cry, but this season many things made Frankie suddenly wish to cry. Very early in the morning she would sometimes go out into the yard and stand for a long time looking at the sunrise sky. And it was as though a question came into her heart, and the sky did not answer.
Carson McCullers (The Member of the Wedding)
We all of us somehow caught. We born this way or that way and we don't know why. But we caught any how. I was born Berenice. You Born Franky. John Henry born John Henry. And maybe we wants to widen and bust free. But no matter what we do we still caught. Me is me and you is you and he is he. We each one of us somehow caught all by ourself. I'm caught worse than you is. Because I'm Black, because I'm colored.
Carson McCullers
the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unselfconscious flow of little things – the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things—the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
But there is no Messiah of Sitka. Landsman has no home, no future, no fate but Bina. The land that he and she were promised was bounded only by the fringes of their wedding canopy, by the dog-eared corners of their cards of membership in an international fraternity whose members carry their patrimony in a tote bag, their world on the tip of the tongue.
Michael Chabon (The Yiddish Policemen's Union)
Frankie watched the soft moths tremble and press against the window screen. The moths came every evening when the lamp on her desk was lighted. They came from out of the August night and fluttered and clung against the screen. "To me it is the irony of fate," she said "The way they come here. Those moths could fly anywhere. Yet they keep hanging around the windows of his house.
Carson McCullers (The Member of the Wedding)
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
I think I have a vague idea what you were driving at,” she said. “We all of us somehow caught. We born this way or that way and we don’t know why. But we caught anyhow. I born Berenice. You born Frankie. John Henry born John Henry. And maybe we wants to widen and bust free. But no matter what we do we still caught. Me is me and you is you and he is he. We each one of us somehow caught all by ourself. Is that what you was trying to say?” “I don’t know,” F. Jasmine said. “But I don’t want to be caught” “Me neither,” said Berenice. “Don’t none of us. I’m caught worse than you is.” F. Jasmine understood why she had said this, and it was John Henry who asked in his child voice: “Why?” “Because I am black,” said Berenice. “Because I am colored. Everybody is caught one way or another. But they done drawn completely extra bounds around all colored people. They done squeezed us off in one corner by ourself. So we caught that first-way I was telling you, as all human beings is caught. And we caught as colored people also. Sometimes a boy like Honey feel like he just can’t breathe no more. He feel like he got to break something or break himself. Sometimes it just about more than we can stand.
Carson McCullers (The Member of the Wedding)
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
I think I have a vague idea what you were driving at," she said. "We all of us somehow caught. We born this way and we don't know why. But we caught anyhow. I born Berenice. You born Frankie. John Henry born John Henry. And maybe we wants to widen and bust free. But no matter what we do we still caught. Me is me and you is you and he is he. We each one of us somehow caught all by ourself. Is that what you was trying to say?
Carson McCullers (The Member of the Wedding)
Theoretically, there is always a better place for a person to live, better work to do, a better spouse to wed, better friends to have. But then this person must meet herself coming back: Theoretically, there always is a better inhabitant of this place, a better member of this community, a better worker, spouse, and friend than she is. This surely describes one of the circles of Hell, and who hasn’t traveled around it a time or two?
Wendell Berry (Jayber Crow)
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather in the unselfconscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
One of my greatest concerns for the young women of the Church is that they will sell themselves short in dating and marriage by forgetting who they really are--daughters of a loving Heavenly Father. . . . Unfortunately, a young woman who lowers her standards far enough can always find temporary acceptance from immature and unworthy young men. . . . At their best, daughters of God are loving, caring, understanding, and sympathetic. This does not mean they are also gullible, unrealistic, or easily manipulated. If a young man does not measure up to the standards a young woman has set, he may promise her that he will change if she will marry him first. Wise daughters of God will insist that young men who seek their hand in marriage change before the wedding, not after. (I am referring here to the kind of change that will be part of the lifelong growth of every disciple.) He may argue that she doesn't really believe in repentance and forgiveness. But one of the hallmarks of repentance is forsaking sin. Especially when the sin involves addictive behaviors or a pattern of transgression, wise daughters of God insist on seeing a sustained effort to forsake sin over a long period of time as true evidence of repentance. They do not marry someone because they believe they can change him. Young women, please do not settle for someone unworthy of your gospel standards. On the other hand, young women should not refuse to settle down. There is no right age for young men or young women to marry, but there is a right attitude for them to have about marriage: "Thy will be done" . . . . The time to marry is when we are prepared to meet a suitable mate, not after we have done all the enjoyable things in life we hoped to do while we were single. . . . When I hear some young men and young women set plans in stone which do not include marriage until after age twenty-five or thirty or until a graduate degree has been obtained, I recall Jacob's warning, "Seek not to counsel the Lord, but to take counsel from his hand" (Jacob 4:10). . . . How we conduct ourselves in dating relationships is a good indication of how we will conduct ourselves in a marriage relationship. . . . Individuals considering marriage would be wise to conduct their own prayerful due diligence--long before they set their hearts on marriage. There is nothing wrong with making a T-square diagram and on either side of the vertical line listing the relative strengths and weaknesses of a potential mate. I sometimes wonder whether doing more homework when it comes to this critical decision would spare some Church members needless heartache. I fear too many fall in love with each other or even with the idea of marriage before doing the background research necessary to make a good decision. It is sad when a person who wants to be married never has the opportunity to marry. But it is much, much sadder to be married to the wrong person. If you do not believe me, talk with someone who has made that mistake. Think carefully about the person you are considering marrying, because marriage should last for time and for all eternity.
Robert D. Hales (Return: Four Phases of our Mortal Journey Home)
Polarization can destroy democratic norms. When socioeconomic, racial, or religious differences give rise to extreme partisanship, in which societies sort themselves into political camps whose worldviews are not just different but mutually exclusive, toleration becomes harder to sustain. Some polarization is healthy - even necessary - for democracy. And indeed, the historical experience of democracies in Western Europe shows us that norms can be sustained even where parties are separated by considerable ideological differences. But when societies grow so deeply divided that parties become wedded to incompatible worldviews, and especially when their members are so socially segregated that they rarely interact, stable partisan rivalries eventually give way to perceptions of mutual threat. As mutual toleration disappears, politicians grow tempted to abandon forbearance and try to win at all costs. This may encourage the rise of antisystem groups that reject democracy's rules altogether. When that happens, democracy is in trouble.
Steven Levitsky (How Democracies Die: What History Reveals About Our Future)
President Grant sent a note to Golden. The note read that there was a member of the stake presidency from Coalville, who had passed away. His wife had requested Golden speak at the funeral. Golden didn’t get the note until he returned from a Church assignment in Southern California. By then the funeral was in an hour, and Coalville was almost two hours away He hopped in his Model T and drove as fast as he could. When he arrived, the funeral was almost over. The bishop saw Golden walk in. "Brother Kimball, come forward. We’d like to hear from you." He went up and said, "I’m very happy to be here. I’m sorry I’m late. I want to tell you what a wonderful person this man was. I knew him, I’ve stayed in his home. He was an inspiration to me. He was a good father, he was a good husband. He goes to a great reward." As he started to hit his stride, he looked out in the audience. About the eighth row back, there sat the man he thought was dead! So he looked down in the casket. He did not recognize the man lying there. Confused, he turned and said, "Say Bishop, who the hell’s dead around here anyway?
James Kimball
Our ability to tell, create and believe in stories is Homo sapiens’s most powerful weapon. It’s how we organise ourselves, how we control each other, how we justify our decisions. If we didn’t have them, we’d be like fleas or rabbits or any other member of the animal kingdom, beings just trying to get through the day. Religion is just a story. Waitrose tells a better story than Lidl. Most things you learn at school are irrelevant, but you’ve been assured they’re important. You buy your car from one company over another because a salesman told you a better tale about its gearbox or revolutions per minute.
Hannah Rothschild (House of Trelawney)
If Hank and I—Hank. She glanced down the long, low-ceilinged livingroom at the double row of women, women she had merely known all her life, and she could not talk to them five minutes without drying up stone dead. I can’t think of anything to say to them. They talk incessantly about the things they do, and I don’t know how to do the things they do. If we married—if I married anybody from this town—these would be my friends, and I couldn’t think of a thing to say to them. I would be Jean Louise the Silent. I couldn’t possibly bring off one of these affairs by myself, and there’s Aunty having the time of her life. I’d be churched to death, bridge-partied to death, called upon to give book reviews at the Amanuensis Club, expected to become a part of the community. It takes a lot of what I don’t have to be a member of this wedding.
Harper Lee (Go Set a Watchman)
According to the man, who identified himself as Morton Thornton, the night got real long and by midnight, he was darn well wed to one of the lovelier inhabitants of the dish, a comely middle-aged amoeba of unknown parentage named Rita. When he was rescued on the morning of the following day, Morton plumb forgot about his single-celled nuptials and went back to his daytime job tasting the contents of open pop bottles for backwash and cigarette butts. Only sixteen years later, when a brilliant Sacajawea Junior High roving reporter—who shall remain nameless—discovered the product of this union lurking among us right here at Sac Junior High, was Morton’s long-held secret discovered. “This intrepid reporter was present three weeks into Dale Thornton’s third try at seventh grade, when the young Einstein bet this reporter and several other members of the class that he could keep a wad of chewing tobacco in his mouth from the beginning of fifth period Social Studies until the bell. The dumb jerk only lasted twenty minutes, after which he sprinted from the room, not to be seen for the rest of the day. When he returned on the following morning, he told Mr. Getz he had suddenly become ill and had to go home, but without a written excuse (he probably didn’t have a rock big enough for his dad to chisel it on) he was sent to the office. The principal, whose intellectual capacities lie only fractions of an IQ point above Dale’s, believed his lame story, and Dale was readmitted to class. Our dauntless reporter, however, smelled a larger story, recognizing that for a person to attempt this in the first place, even his genes would have to be dumber than dirt. With a zeal rivaled only by Alex Haley’s relentless search for Kunta Kinte, he dived into Dale’s seamy background, where he discovered the above story to be absolutely true and correct. Further developments will appear in this newspaper as they unfold.
Chris Crutcher (Staying Fat for Sarah Byrnes)
I was visiting Marcus and his wife when a friend asked if she could talk to me alone. Teresa was the spouse of a Team member who’d served with Chris. We hadn’t spent a lot of time together, but we’d always had a connection. “I have something I want to give you,” she said. “I don’t know if it’s going to seem corny to you or what, but I kind of want to do it for me.” She pressed a medal into my hand. I looked at it--it was the medal she’d received for completing the Boston Marathon. “You and Chris kept me going,” she explained. “It was almost eerie how, when my legs were tired and I wanted to quit, Randy Travis’s song came on the iPod. It was the one he played at the memorial. My iPod was on random shuffle but it was always at just the right moment. I would hear that song and it would spur me on.” Maybe Chris was somehow behind that. People have told me of other inspirational incidents; each one, from simple to grand, has touched me with its beauty.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Fearing death - neurotically manifested as a fear of “failure” or being needy in American culture - we slavishly pursue “success” as it is defined by the surrounding culture. Even more troubling, we become hostile toward out-group members who call our hero system into question. The great problem in all this - a problem we need to face before concluding - is how God and religion undergird and support the cultural hero system. Cultural hero systems and religion are deeply interconnected - in fact, they are generally synonymous - with our “God” or “gods” providing the warrant for our way of life. Recall that in order for hero systems to confer immunity in the face of death, they must be experienced as immortal and eternal. And there is no better way to create that sense of immortality than to baptize and sacralize the hero system, to fuse our way of life with the way of God. What this means is that “God” and religious institutions can become as enslaved to the fear of death as everything else in the culture. The church can become as much a principality and power as any other cultural institution. And if this is so, service to “God” and “the church” can produce satanic outcomes as much as, if not more so, any other form of service to the power of death in our world. In biblical terms, this is idolatry - when “God” and religion become another form of our slavery to the fear of death, another fallen principality and power demanding slavish service and loyalty. Idolatry is when our allegiances to the faith-based principalities and powers, and the cultural institutions they are wedded to (e.g., the nation-state), keep us enslaved to death, bound to the fear-driven cycle of sin as we become paranoid and hostile toward out-group members. It’s not news that much of the hostility and violence in the world has been rooted in religious conflict. Idolatry, then, is the slavery of God where “God” and “the church” become another manifestation of our slavery to death, another form of “the devil’s work” in our lives.
Richard Beck (The Slavery of Death)
BILL MURRAY, Cast Member: Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever. So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?” We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there. It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.
James Andrew Miller (Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests)
Uncle Charles lived in a shady wooden house out in the country, and he was too old to eat corn on the cob. He lay in bed, shrunken and brown and very old. He complained that the pictures were hung crooked on the wall, and they took down all the framed pictures - it was not that. He complained that his bed was placed in a wrong corner, and so they moved the bed - it was not that. Then his voice failed, and when he tried to talk, it was as though his throat had filled with glue, and they could not understand the words. One Sunday the Wests had gone out to see him and taken Frankie with them; she had tiptoed to the open door of the back bedroom. He looked like an old man carved in brown wood and covered with a sheet. Only his eyes had moved, they were like blue jelly, and she had felt they might come out from the sockets and roll like blue wet jelly down his stiff face. She had stood in the doorway staring at him - then tiptoed away, afraid. They finally made out that he complained the sun shone the wrong way through the window, but that was not the thing that hurt him so. And it was death.
Carson McCullers (The Member of the Wedding)
Eleanor was a member of one of America’s great families, niece to Teddy Roosevelt and a distant cousin of her future husband. But she was not raised to be anyone significant. In fact, it’s surprising she survived her upbringing at all—one cousin called it “the grimmest childhood I had ever known.” Her father was an alcoholic who kept abandoning the family. One of her two brothers died when she was five years old, and her mother, who she remembered as “kindly and indifferent,” died when she was eight. Her father, who Eleanor worshiped despite his endless betrayals, died two years later. The orphan was sent to live with her grandmother, a stern woman with two alcoholic adult sons whose advances caused a teenage Eleanor to put three locks on her door. When she met Franklin, he was a student at Harvard and was known in the family as the not particularly impressive only son of a domineering widow. Eleanor got pregnant right after her wedding and spent the next ten years having six children and wriggling under her mother-in-law’s thumb. (“I was your real mother; Eleanor merely bore you,” Sara Roosevelt told her grandchildren.)
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
Curtis Sittenfeld (Romantic Comedy)
Your grandfather should not be allowed on social media,” Caroline went on. “He just did a quick and dirty post asking if anyone wanted to go owling with him, and never noticed that autocorrect changed ‘owling’ to ‘bowling.’ And before I noticed it and posted a correction, several dozen people signed up.” “Good grief,” I muttered. “And once I corrected it, we started hearing from any number of people saying how deeply disappointed they were about our canceling the bowling—as if you could cancel something that wasn’t even scheduled in the first place. So he told me to go ahead and organize some kind of bowling event. Open to anyone in the Brigade, no cost, but donation to one of the Blake Foundation’s environmental projects suggested. Brigade members love events like that. We’re sure to get way more donations than it costs to rent a few bowling lanes. Now I just need to figure out how to deal with his other typo, which won’t be quite as easy.” “Why?” I asked. “What was the other typo?” “He intended to say that we’d wrap up the event by singing around a campfire,” Caroline said. “I have no idea why autocorrect changed ‘campfire’ to ‘vampire.’ Or why anyone would suppose he’d be planning to serenade one. Am I really expected to provide a vampire on top of the bowling?
Donna Andrews (Dashing Through the Snowbirds (Meg Langslow Mysteries Book 32))
claque, aka canned laughter It’s becoming increasingly clear that there’s nothing new under the sun (a heavenly body, by the way, that some Indian ascetics stare at till they go blind). I knew that some things had a history—the Constitution, rhythm and blues, Canada—but it’s the odd little things that surprise me with their storied past. This first struck me when I was reading about anesthetics and I learned that, in the early 1840s, it became fashionable to hold parties where guests would inhale nitrous oxide out of bladders. In other words, Whip-it parties! We held the exact same kind of parties in high school. We’d buy fourteen cans of Reddi-Wip and suck on them till we had successfully obliterated a couple of million neurons and face-planted on my friend Andy’s couch. And we thought we were so cutting edge. And now, I learn about claque, which is essentially a highbrow French word for canned laughter. Canned laughter was invented long before Lucille Ball stuffed chocolates in her face or Ralph Kramden threatened his wife with extreme violence. It goes back to the 4th century B.C., when Greek playwrights hired bands of helpers to laugh at their comedies in order to influence the judges. The Romans also stacked the audience, but they were apparently more interested in applause than chuckles: Nero—emperor and wannabe musician—employed a group of five thousand knights and soldiers to accompany him on his concert tours. But the golden age of canned laughter came in 19th-century France. Almost every theater in France was forced to hire a band called a claque—from claquer, “to clap.” The influential claque leaders, called the chefs de claque, got a monthly payment from the actors. And the brilliant innovation they came up with was specialization. Each claque member had his or her own important job to perform: There were the rieurs, who laughed loudly during comedies. There were the bisseurs, who shouted for encores. There were the commissaires, who would elbow their neighbors and say, “This is the good part.” And my favorite of all, the pleureuses, women who were paid good francs to weep at the sad parts of tragedies. I love this idea. I’m not sure why the networks never thought of canned crying. You’d be watching an ER episode, and a softball player would come in with a bat splinter through his forehead, and you’d hear a little whimper in the background, turning into a wave of sobs. Julie already has trouble keeping her cheeks dry, seeing as she cried during the Joe Millionaire finale. If they added canned crying, she’d be a mess.
A.J. Jacobs (The Know-it-All: One Man's Humble Quest to Become the Smartest Person in the World)
Statistically, the probability of any one of us being here is so small that you'd think the mere fact of existing would keep us all in a contented dazzlement of surprise. We are alive against the stupendous odds of genetics, infinitely outnumbered by all the alternates who might, except for luck, be in our places. Even more astounding is our statistical improbability in physical terms. The normal, predictable state of matter throughout the universe is randomness, a relaxed sort of equilibrium, with atoms and their particles scattered around in an amorphous muddle. We, in brilliant contrast, are completely organized structures, squirming with information at every covalent bond. We make our living by catching electrons at the moment of their excitement by solar photons, swiping the energy released at the instant of each jump and storing it up in intricate loops fro ourselves. We violate probability, by our nature. To be able to do this systematically, and in such wild varieties of form, from viruses to whales, is extremely unlikely; to have sustained the effort successfully for the several billion years of our existence, without drifting back into randomness, was nearly a mathematical impossibility. Add to this the biological improbability that makes each member of our own species unique. Everyone is one in 3 billion at the moment, which describes the odds. Each of us is a self-contained, free-standing individual, labeled by specific protein configurations at the surfaces of cells, identifiable by whorls of fingertip skin, maybe even by special medleys of fragrance. You'd think we'd never stop dancing.
Lewis Thomas (The Lives of a Cell: Notes of a Biology Watcher)
Sorry,” said Ron, wrenching Harry back out of the brambles, “but the name’s been jinxed, Harry, that’s how they track people! Using his name breaks protective enchantments, it causes some kind of magical disturbance — it’s how they found us in Tottenham Court Road!” “Because we used his name?” “Exactly! You’ve got to give them credit, it makes sense. It was only people who were serious about standing up to him, like Dumbledore, who ever dared use it. Now they’ve put a Taboo on it, anyone who says it is trackable — quick-and-easy way to find Order members! They nearly got Kingsley —” “You’re kidding?” “Yeah, a bunch of Death Eaters cornered him, Bill said, but he fought his way out. He’s on the run now, just like us.” Ron scratched his chin thoughtfully with the end of his wand. “You don’t reckon Kingsley could have sent that doe?” “His Patronus is a lynx, we saw it at the wedding, remember?” “Oh yeah . . .” They moved farther along the hedge, away from the tent and Hermione. “Harry . . . you don’t reckon it could’ve been Dumbledore?” “Dumbledore what?” Ron looked a little embarrassed, but said in a low voice, “Dumbledore . . . the doe? I mean,” Ron was watching Harry out of the corners of his eyes, “he had the real sword last, didn’t he?” Harry did not laugh at Ron, because he understood too well the longing behind the question. The idea that Dumbledore had managed to come back to them, that he was watching over them, would have been inexpressibly comforting. He shook his head. “Dumbledore’s dead,” he said. “I saw it happen, I saw the body. He’s definitely gone. Anyway, his Patronus was a phoenix, not a doe.” “Patronuses can change, though, can’t they?” said Ron. “Tonks’s
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
When I first started to run the Jingu Gaien course, Toshihiko Seko was still an active runner and he used this course too. The S&B team used this course every day for training, and over time we naturally grew to know each other by sight. Back then I used to jog there before seven a.m. — when the traffic wasn’t bad, there weren’t as many pedestrians, and the air was relatively clean—and the S&B team members and I would often pass each other and nod a greeting. On rainy days we’d exchange a smile, a guess-we’re-both-havingit-tough kind of smile. I remember two young runners in particular, Taniguchi and Kanei. They were both in their late twenties, both former members of the Waseda University track team, where they’d been standouts in the Hakone relay race. After Seko was named manager of the S&B team, they were expected to be the two young stars of the team. They were the caliber of runner expected to win medals at the Olympics someday, and hard training didn’t faze them. Sadly, though, they were killed in a car accident when the team was training together in Hokkaido in the summer. I’d seen with my own eyes the tough regimen they’d put themselves through, and it was a real shock when I heard the news of their deaths. It hurt me to hear this, and I felt it was a terrible waste. Even now, when I run along Jingu Gaien or Asakasa Gosho, sometimes I remember these other runners. I’ll round a corner and feel like I should see them coming toward me, silently running, their breath white in the morning air. And I always think this: They put up with such strenuous training, and where did their thoughts, their hopes and dreams, disappear to? When people pass away, do their thoughts just vanish?
Haruki Murakami (What I Talk About When I Talk About Running)
Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure. Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed. I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved. It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out. Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man. Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad. I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown. We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me. It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
In the weeks that followed, Elizabeth discovered to her pleasure that she could ask Ian any question about any subject and that he would answer her as fully as she wished. Not once did he ever patronize her when he replied, or fend her off by pointing out that, as a woman, the matter was truly none of her concern-or worse-that the answer would be beyond any female’s ability to understand. Elizabeth found his respect for her intelligence enormously flattering-particularly after two astounding discoveries she made about him: The first occurred three days after their wedding, when they both decided to spend the evening at home, reading. That night after supper, Ian brought a book he wanted to read from their library-a heavy tome with an incomprehensible title-to the drawing room. Elizabeth brought Pride and Prejudice, which she’d been longing to read since first hearing of the uproar it was causing among the conservative members of the ton. After pressing a kiss on her forehead, Ian sat down in the high-backed chair beside hers. Reaching across the small table between them for her hand, he linked their fingers together, and opened his book. Elizabeth thought it was incredibly cozy to sit, curled up in a chair beside him, her hand held in his, with a book in her lap, and she didn’t mind the small inconvenience of turning the pages with one hand. Soon, she was so engrossed in her book that it was a full half-hour before she noticed how swiftly Ian turned the pages of his. From the corner of her eye, Elizabeth watched in puzzled fascination as his gaze seemed to slide swiftly down one page, then the facing page, and he turned to the next. Teasingly, she asked, “Are you reading that book, my lord, or only pretending for my benefit?” He glanced up sharply, and Elizabeth saw a strange, hesitant expression flicker across his tanned face. As if carefully phrasing his reply, he said slowly, “I have an-odd ability-to read very quickly.” “Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.” A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said.
Judith McNaught (Almost Heaven (Sequels, #3))
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
Andrew Morton (Diana: Her True Story in Her Own Words)
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’” Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.” While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit. “Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
Andrew Morton (Diana: Her True Story in Her Own Words)
In life,” he said, “there are no essentially major or minor characters. To that extent, all fiction and biography, and most historiography, are a lie. Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius’s point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn’t think he was a minor character in anything, I daresay. Or suppose you’re an usher in a wedding. From the groom’s viewpoint he’s the major character; the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bridge and groom both are minor figures. What you’ve done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn’t a lie at all, but a true representation of the distortion that everyone makes of life. “Now, not only are we the heroes of our own life stories–we’re the ones who conceive the story, and give other people the essences of minor characters. But since no man’s life story as a rule is ever one story with a coherent plot, we’re always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are supposed to play. This is generally true. If any man displays almost the same character day in and day out, all day long, it’s either because he has no imagination, like an actor who can play only one role, or because he has an imagination so comprehensive that he sees each particular situation of his life as an episode in some grand over-all plot, and can so distort the situations that the same type of hero can deal with them all. But this is most unusual. “This kind of role-assigning is myth-making, and when it’s done consciously or unconsciously for the purpose of aggrandizing or protecting your ego–and it’s probably done for this purpose all the time–it becomes Mythotherapy. Here’s the point: an immobility such as you experienced that time in Penn Station is possible only to a person who for some reason or other has ceased to participate in Mythotherapy. At that time on the bench you were neither a major nor a minor character: you were no character at all. It’s because this has happened once that it’s necessary for me to explain to you something that comes quite naturally to everyone else. It’s like teaching a paralytic how to walk again.
John Barth
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
practice, the synagogue generally limits its services only to members in the area of bat or bar mitzvah. Most life-cycle events (outside of these four core events) that individuals mark, such as getting a drivers license or graduating from college, are outside the purview of the synagogue. And for life-cycle events that used to be a benefit of synagogue membership, such as bar or bat mitzvahs and weddings, families are looking outside of the synagogue for assistance. This new model allows the synagogue to reach a larger target population and expand its ability to bring Judaism together with important milestones, beyond the traditional four, in a person’s life.
Kerry M. Olitzky (Playlist Judaism: Making Choices for a Vital Future)
Following the Soviet invasion, the Communists, to their credit, passed decrees making girls’ education compulsory and abolishing certain oppressive tribal customs—such as the bride-price, a payment to the bride’s family in return for her hand in marriage. However, by massacring thousands of tribal elders, they paved the way for the “commanders” to step in as the new elite. Aided by American and Saudi patronage, extremism flourished. What had once been a social practice confined to areas deep in the hinterlands now became a political practice, which, according to ideologues, applied to the entire country. The modest gains of urban women were erased. “The first time a woman enters her husband’s house," Heela “told me about life in the countryside, “she wears white”—her wedding dress—“and the first time she leaves, she wears white”—the color of the Muslim funeral shroud. The rules of this arrangement were intricate and precise, and, it seemed to Heela, unchanged from time immemorial. In Uruzgan, a woman did not step outside her compound. In an emergency, she required the company of a male blood relative to leave, and then only with her father’s or husband’s permission. Even the sound of her voice carried a hint of subversion, so she was kept out of hearing range of unrelated males. When the man of the house was not present, boys were dispatched to greet visitors. Unrelated males also did not inquire directly about a female member of the house. Asking “How is your wife?” qualified as somewhere between uncomfortably impolite and downright boorish. The markers of a woman’s life—births, anniversaries, funerals, prayers, feasts—existed entirely within the four walls of her home. Gossip, hopscotching from living room to living room, was carried by husbands or sons.
Anand Gopal (No Good Men Among the Living: America, the Taliban, and the War through Afghan Eyes)
•    Be an intentional blessing to someone. Devote yourself to caring for others. Even when your own needs begin to dominate your attention, set aside time daily to tune in to others. Pray for their specific needs and speak blessings to those you encounter each day. Make them glad they met you.     •    Seek joy. Each morning ask yourself, “Where will the joy be today?” and then look for it. Look high and low—in misty sunbeams, your favorite poem, the kind eyes of your caretaker, dew-touched spiderwebs, fluffy white clouds scuttling by, even extra butterflies summoned by heaven just to make you smile.     •    Prepare love notes. When energy permits, write, videotape, or audiotape little messages of encouragement to children, grandchildren, and friends for special occasions in their future. Reminders of your love when you won’t be there to tell them yourself. Enlist the help of a friend or family member to present your messages at the right time, labeled, “For my granddaughter on her wedding day,” “For my beloved friend’s sixty-fifth birthday,” or “For my dear son and daughter-in-law on their golden anniversary.”     •    Pass on your faith. Purchase a supply of Bibles and in the front flap of each one, write a personal dedication to the child or grandchild, friend, or neighbor you intend to give it to. Choose a specific book of the Bible (the Gospels are a great place to start) and read several chapters daily, writing comments in the margin of how this verse impacted your life or what that verse means to you. Include personal notes or prayers for the recipient related to highlighted scriptures. Your words will become a precious keepsake of faith for generations to come. (*Helpful hint: A Bible with this idea in mind might make a thoughtful gift for a loved one standing at the threshold of eternity. Not only will it immerse the person in the comforting balm of scripture, but it will give him or her a very worthwhile project that will long benefit those he or she loves.)     •    Make love your legacy. Emily Dickinson said, “Unable are the loved to die. For love is immortality.” Ask yourself, “What will people remember most about me?” Meditate on John 15:12: “Love each other as I have loved you” (NIV). Tape it beside your bed so it’s the last thing you see at night and the first thing you see in the morning.     •    “Remember that God loves you and will see you through it.
Debora M. Coty (Fear, Faith, and a Fistful of Chocolate: Wit and Wisdom for Sidestepping Life's Worries)
of my jacket pocket. By this point, with my full workday and tonight’s party of all parties to plan, I was more surprised when it wasn’t going off. A sound, deafening even by midtown Manhattan standards, hammered into my ears as I made the corner. Was it a jackhammer? A construction pile driver? Of course not, I thought, as I spotted a black kid squatting on the sidewalk, playing drums on an empty Spackle bucket. Luckily, I also spotted my lunch appointment, Aidan Beck, at the edge of the crowded street performance. Without preamble, I hooked elbows with the fair, scruffily handsome young man and pulled him into the chic Hudson. At the top of the neon-lit escalator, a concierge who looked like one of the happy, shiny cast members of High School Musical smiled from behind the Carrara marble check-in desk. “Hi. I called twenty minutes ago,” I said. “I’m Mrs. Smith. This is Mr. Smith. We’d like a room with a large double bed. The floor or view doesn’t matter. I’m paying cash. I’m really in a rush.” The clerk took in my sweating face and the contrast between my sexy office attire and my much younger companion’s faded jeans and suede jacket with seeming approval. “Let’s get you to your room, then,” the über-happy concierge said without missing a beat.
James Patterson (10th Anniversary (Women's Murder Club, #10))
June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
In just a few hours, we’d shed our old identities as valued members of a vibrant community to take on a new one: we were the parents of a perpetrator now, the agent of that community’s destruction. It felt significant, as I clutched the warm glass dish in my arms, that people would still be kind to us.
Sue Klebold (A Mother's Reckoning: Living in the Aftermath of Tragedy)
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
Really, Gareth, His Grace was not unkind to me. He gave me a huge amount of money —" "I don't care what he gave you, you traveled three thousand miles to get here, and what does he damn well do? Pays you off like some — some creditor or something!  You, who ought to be treated as a member of our family, not a piece of unwanted baggage!  I cannot forgive him, Juliet. Do not ask it of me!" "I'm not asking it of you, but surely you can swallow your pride just for one night, if only for the sake of your niece." He stared at her, furious. "Er ... daughter," she corrected, lamely. Through his teeth he gritted, "We are not staying at de Montforte House or Blackheath Castle or any of Lucien's other estates, and I'll hear no more about it!"  He made a fist and pressed it to his forehead, trying to keep his temper under control even as Perry made a noise of impatient disgust and Charlotte's endless screaming threatened to drown out all thought, all sanity. Perry chose the wrong moment to be sarcastic. "Well done, my friend. You have just succeeded in showing your unsuspecting bride that there is indeed another side to you. Were you beginning to think your new lord was all syrupy sweetness, Lady Gareth?" Gareth's patience broke, and with a snarl, he went for his sword. Juliet grabbed his arm just in time. "Stop it, the both of you!  Really, Lord Brookhampton — must you antagonize him so?" Perry touched a forefinger to his chest. "Me?" "Yes, you!  The two of you are acting like a pair of brawling schoolboys!"  She pushed Gareth's hand away from its sword hilt and faced him with flashing eyes. "Charlotte and I have had enough. Either take us to de Montforte House or wash your hands of us, but I'm not going to stand here watching you two bicker while she screams London down around our ears!" Gareth stared at her in shock. And Perry, raising his brows at this sudden display of fire, merely reached into his coat and pulled out his purse.  He tossed it casually to Gareth. "Here," he said. "There's enough in there to buy yourselves room and board somewhere for a week, by which time maybe you'll have come to your senses. Consider it my wedding present."  He mounted his horse and touched his hat to Juliet. "Good day, Lady Gareth."  He gave Gareth a look of mocking contempt. "I wish the two of you many hours of marital bliss." And then, to Juliet's dismay, he turned and trotted off, leaving her standing on the pavement with a screaming baby and a husband who — it was growing alarmingly clear — was ill-equipped to take care of either of them.  
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
All during the war we knew that if the Muslim Brotherhood won, our country would become a strict Islamic nation ruled by Sharia Law. This would affect women the most as we would not be able to get jobs, drive or even walk alone in the street. And we’d always have to wear the burka covering our whole body. There was nothing we could do to stop the fighting except pray, so our church, along with many others, fasted for the country’s freedom and for the civil war to end. My pastor felt we needed to pray and fast for our nation for 21 days, so different members of the congregation would take spans of days during this time—some one to three days, some seven, some ten, some the whole 21 days . 
Samaa Habib (Face to Face with Jesus: A Former Muslim's Extraordinary Journey to Heaven and Encounter with the God of Love)