Melinda Speak Quotes

We've searched our database for all the quotes and captions related to Melinda Speak. Here they are! All 29 of them:

I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears?
Laurie Halse Anderson (Speak)
A person can say a lot without speaking.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
The parents are making threatening noises, turning dinner into performance art, with dad doing his Arnold Schwarzenegger imitation and mom playing Glenn Close in one of her psycho roles. I am the Victim. Mom: [creepy smile] “Thought you could put one over us, did you, Melinda? Big high school students now, don’t need to show your homework to your parents, don’t need to show any failing test grades?” Dad: [bangs table, silverware jumps] “Cut the crap. She knows what’s up. The interim reports came today. Listen to me, young lady. I’m only going to say this to you once. You get those grades up or your name is mud. Hear me? Get them up!” [Attacks baked potato.]
Laurie Halse Anderson (Speak)
I have gotten one question repeatedly from young men. These are guys who liked the book, but they are honestly confused. They ask me why Melinda was so upset about being raped.
Laurie Halse Anderson (Speak)
That would be Suzanne, who had started speaking complicated sentences at ten months and may have been about eight years old when she was born." - Ben Logan.
Melinda Rathjen (Home for Christmas)
I’ve come to learn that stigma is always an effort to suppress someone’s voice. It forces people to hide in shame. The best way to fight back is to speak up—to say openly the very thing that others stigmatize. It’s a direct attack on the self-censorship that stigma needs to survive.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Melinda," Mr. Freeman says. Snow filters into the car and melts on the dashboard. "You're a good kid. I think you have a lot to say. I'd like to hear it." I close the door.
Laurie Halse Anderson (Speak)
The best way to fight back is to speak up—to say openly the very thing that others stigmatize. It’s a direct attack on the self-censorship that stigma needs to survive.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
No group should have to trust another to protect their interests; all should be able to speak for themselves.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
He says a million things without saying a word" "I have never head a more eloquent silence" -Melinda
Laurie Halse Anderson (Speak)
Some stand-up comic cracks, 'No, Melinda no es linda.' They call me Me-no-linda for the rest of the period. This is how terrorists get started, this harmless fun.
Laurie Halse Anderson (Speak)
Afraid that my head might burst through the roof, I head for the mall. I have ten bucks in my pocket—what to spend it on? French fries—ten bucks’ worth of french fries, ultimate fantasy.
Laurie Halse Anderson (Speak)
I’ve come to learn that stigma is always an effort to suppress someone’s voice. It forces people to hide in shame. The best way to fight back is to speak up—to say openly the very thing that others stigmatize
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
It’s universal. The mother-in-law respects the daughter-in-law because her income has improved the life of the family. When we women can use our talent and energy, we begin to speak in our own voices for our own values, and that makes everybody’s life better.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
I am clanless. I wasted the last weeks of August watching bad cartoons. I didn’t go to the mall, the lake, or the pool, or answer the phone. I have entered high school with the wrong hair, the wrong clothes, the wrong attitude. And I don’t have anyone to sit with. I am Outcast.
Laurie Halse Anderson (Speak)
I head for my closet after school. I want to take the poster of Maya Angelou home, and I’d like to keep some of my tree pictures and my turkey-bone sculpture. The rest of the stuff can stay, so long as it doesn’t have my name on it. Who knows, some other kids may need a safe place to run to next year.
Laurie Halse Anderson (Speak)
I get hosed in Spanish. 'Linda' means 'pretty' in Spanish. This is a great joke. Mrs. Spanish Teacher calls my name. Some stand-up comic cracks, 'No, Melinda no es linda.' They call me Me-no-linda for the rest of the period. This is how terrorists get started, this kind of harmless fun. I wonder if it's not too late to transfer to German.
Laurie Halse Anderson (Speak)
(From the Q&A with the author at the end of the book.) Have any readers ever asked questions that shocked you? I have gotten one question repeatedly from young men. These are guys who liked the book, but they are honestly confused. They ask me why Melinda was so upset about being raped. The first dozen times I heard this, I was horrified. But I heard it over and over again. I realized that many young men are not being taught the impact that sexual assault has on a woman. They are inundated by sexual imagery in the media, and often come to the (incorrect) conclusion that having sex is not a big deal. This, no doubt, is why the number of sexual assaults is so high. I am also shocked by adults who feel that rape is an inappropriate topic to discuss with teenagers. According to the U.S. Department of Justice, 44 percent of rape victims are under the age of 18 and 46 percent of those victims are between the ages of 12-15. It makes adults uncomfortable to acknowledge this, but our inability to speak clearly and openly about sexual issues endangers our children. It is immoral not to discuss this with them.
Laurie Halse Anderson (Speak)
The most radical approach to resistance is acceptance--and acceptance does not mean accepting the world as it is. It means accepting our pain as it is. If we refuse to accept our pain, then we're just trying to make ourselves feel better--and when our hidden motive is to make ourselves feel better, there is no limit to the damage we can do in the name of justice. Great leaders never combine a call for justice with a cry for vengeance. Leaders who can master their pain have taken self-interest off the agenda, so their voice rings with moral power. They are no longer speaking their truth. They are speaking truth.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
I open up a paper clip and scratch it across the inside of my left wrist. Pitiful. If a suicide attempt is a cry for help, then what is this? A whimper, a peep? I draw little windowcracks of blood, etching line after line until it stops hurting. It looks like I arm-wrestled a rosebush. Mom sees the wrist at breakfast. Mom: "I don't have time for this, Melinda." Me: She says suicide is for cowards. This is an uglynasty Momside. She bought a book about it. Tough love. Sour sugar. Barbed velvet. Silent talk. She leaves the book on the back of the toilet to educate me. She has figured out that I don't say much. It bugs her.
Laurie Halse Anderson (Speak)
Mr. Freeman: "Time's up, Melinda. Are you ready?" I hand over the picture. He takes it in his hands and studies it. I sniff again and wipe my eyes on my arm. The bruises are vivid, but they will fade. Mr. Freeman: "No crying in my studio. It ruins the supplies. Salt, you know, saline. Etches like acid." he sits on the stool next to me and hands back my tree. "You get an A+. You worked hard at this." He hands me the box of tissues. "You've been through a lot, haven't you?" The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up. Me: "Let me tell you about it.
Laurie Halse Anderson (Speak)
Do you believe that?” Melinda says, directing her wonderment at Irv. “That if someone commits suicide they go to hell?” “No.” “But many Christians do, right?” “There’s a debate, but it’s doctrine.” “But you don’t think so?” “No.” “Why not?” “For the same reason the Catholics believe in the Trinity, Melinda.” The appetizers arrive with a speed that Sigrid finds suspicious. “Which is . . . what?” “It’s how I understand Jesus’s words spoken from the cross,” says Irv, taking a calamari. “Jesus spoke seven times on the cross. In Matthew Twenty-Seven, verse forty-six and in Mark Fifteen verse thirty-four he says, ‘My God, my God, why have you forsaken me?’ This led to the Trinity,” Irv said, sucking cocktail sauce and grease from his thumb. “The thinking is, if Jesus was Lord, who was he speaking to? He was obviously speaking to someone or something other than himself, unless . . . ya know.” Irv makes a circular cuckoo motion by his head with a piece of squid. “So perhaps he was speaking to the Father, or to the Holy Spirit. In this act, he distinguishes himself from the eternal and embodies everything that is Man. The fear, the sadness, the tragedy. The longing. The recognition of betrayal. We see him, in that moment, only as the Son, and because of that, as ourselves. As I read it, Melinda, we are not invited in that moment to be cruel to him for his despair, or to mock him. Instead we are asked to feel his pain. When Jesus says, ‘It is finished’ I don’t read, ‘Mission accomplished.’ I see a person resigned. A person who has lost hope. A person who has taken a step away from this life. And our pity for him grows. And finally he says, ‘Father, into your hands I commend my spirit.’ Now, I’m not going to equate Jesus letting go with suicide, but any decent and forgiving Christian person would have to admit that we are looking at a person who cannot fight anymore. We are being taught to be understanding of that state of mind and sympathetic to the suffering that might lead a person to it. It does not follow to me that if someone succumbs to that grief we are to treat them with eternal contempt. I just don’t believe it.
Derek B. Miller (American by Day (Sheldon Horowitz #3))
I’m glad you’re here,” Morgan said. “I really need to speak with you both.” “In that case, let’s go into my office. I have actual chairs.” Sharp stepped back and gestured across the hall. “Can I offer you a cup of tea?” “Yes. Thank you,” she said. Sharp ushered Morgan into his office. “I’ll be right back.” He went into the kitchen.
Melinda Leigh (Say You're Sorry (Morgan Dane, #1))
Harry, Harry, just the man I was hoping to see!” he boomed genially, twiddling the ends of his walrus mustache and puffing out his enormous belly. “I was hoping to catch you before dinner! What do you say to a spot of supper tonight in my rooms instead? We’re having a little party, just a few rising stars, I’ve got McLaggen coming and Zabini, the charming Melinda Bobbin — I don’t know whether you know her? Her family owns a large chain of apothecaries — and, of course, I hope very much that Miss Granger will favor me by coming too.” Slughorn made Hermione a little bow as he finished speaking. It was as though Ron was not present; Slughorn did not so much as look at him. “I can’t come, Professor,” said Harry at once. “I’ve got a detention with Professor Snape.” “Oh dear!” said Slughorn, his face falling comically. “Dear, dear, I was counting on you, Harry! Well, now, I’ll just have to have a word with Severus and explain the situation. I’m sure I’ll be able to persuade him to postpone your detention. Yes, I’ll see you both later!” He bustled away out of the Hall. “He’s got no chance of persuading Snape,” said Harry, the moment Slughorn was out of earshot. “This detention’s already been postponed once; Snape did it for Dumbledore, but he won’t do it for anyone else.” “Oh, I wish you could come, I don’t want to go on my own!” said Hermione anxiously; Harry knew that she was thinking about McLaggen. “I doubt you’ll be alone, Ginny’ll probably be invited,” snapped Ron, who did not seem to have taken kindly to being ignored by Slughorn. After dinner they made their way back to Gryffindor Tower. The common room was very crowded, as most people had finished dinner by now, but they managed to find a free table and sat down; Ron, who had been in a bad mood ever since the encounter with Slughorn, folded his arms and frowned at the ceiling. Hermione reached out for a copy of the Evening Prophet, which somebody had left abandoned
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
You certainly speak your mind, child. Is it bravery or idiocy? Ah, well in many folks they are the same.
Melinda Taub (The Scandalous Confessions of Lydia Bennet, Witch)
There you are,” I said, striving to paddle back to shore from the deep waters I felt I’d somehow wandered into. “Aren’t you going to waltz me? Listen, they’re starting.” He opened his eyes at that. “I know,” he said. “I can hear. God, I can hear it. How do you humans bear it?” The waltz had started slowly, and he thumped his hand against his chest in time. One-two-three, one-two-three. “Bear what?” I said softly. “The music,” he said. “A man in Austria wrote this—just a man, just a stinking, selfish, distractible human—scratched it out on tree pulp, and then it traveled across countries and through wars and arrived here, and though none of us speak his language and most don’t know his name, he speaks to us exactly as he intended to. He tells our bodies how to move to it almost without learning the steps. One-two-three, one-two-three.” A smile flitted across his lips. I was astonished to see that he had tears in his eyes. “God! How beautiful it is! And you all talk over it about what Lady-So-and-So said to the Honorable Whosit yesterday on the Steyne.
Melinda Taub (The Scandalous Confessions of Lydia Bennet, Witch)
Do we have any more candles?” she asked him. “Not that I know about.” “How about flashlights?” “Yeah, I have a couple of those.” “Get the strongest one. If he starts to come before John gets here, I might be able to hold the light for you.” “For... Me?” “Jack, there are only two of us here. One of us is going to push him out, one of us is going to catch him. Which job do you want?” “Oh,” he said, going for the flashlight. He took it back to her and demonstrated its strength by shining it right in her eyes. She winced and he turned it off. She rubbed her eyes. “Oh, brother. Maybe you should push him out. I’m calmer. Yeah, I vote for you,” she said. He knelt with one knee on the floor beside her bed. “Melinda, how can you be sarcastic right now?” “You know, you own a bar and you don’t keep alcohol at home,” she said, breathless. “I could have had a shot—it sometimes slows labor.” “We’ll have some on hand for the next one.” “You keep talking like that’s gonna happen,” she said. “How ridiculous.” “I think my record speaks for itself. But, Mel, I just want to make them, not deliver them.” “I hear ya, buddy,” she said, and then was gripped by another contraction. She tried to pant through it, but they were getting tougher—longer and closer together.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Baliostra, speaking in very low growls (I worried rather about the state of Madame Melinda’s throat),
Robin Stevens (First Class Murder (Murder Most Unladylike, #3))
Research and development conducted by private companies in the United States has grown enormously over the past four decades. We have substantially replaced the publicly funded science that drove our growth after World War II with private research efforts. Such private R&D has shown some impressive results, including high average returns for the corporate sector. However, despite their enormous impact, these private R&D investments are much too small from a broader perspective. This is not a criticism of any individuals; rather, it is simply a feature of the system. Private companies do not capture the spillovers that their R&D efforts create for other corporations, so private sector executives in established firms underinvest in invention. The venture capital industry, which provides admirable support to some start-ups, is focused on fast-impact industries, such as information technology, and not generally on longer-run and capital-intensive investments like clean energy or new cell and gene therapies. Leading entrepreneur-philanthropists get this. In recent years, there have been impressive investments in science funded by publicly minded individuals, including Eric Schmidt, Elon Musk, Paul Allen, Bill and Melinda Gates, Mark Zuckerberg, Michael Bloomberg, Jon Meade Huntsman Sr., Eli and Edythe Broad, David H. Koch, Laurene Powell Jobs, and others (including numerous private foundations). The good news is that these people, with a wide variety of political views on other matters, share the assessment that science—including basic research—is of fundamental importance for the future of the United States. The less good news is that even the wealthiest people on the planet can barely move the needle relative to what the United States previously invested in science. America is, roughly speaking, a $20 trillion economy; 2 percent of our GDP is nearly $400 billion per year. Even the richest person in the world has a total stock of wealth of only around $100 billion—a mark broken in early 2018 by Jeff Bezos of Amazon, with Bill Gates and Warren Buffett in close pursuit. If the richest Americans put much of their wealth immediately into science, it would have some impact for a few years, but over the longer run, this would hardly move the needle. Publicly funded investment in research and development is the only “approach that could potentially return us to the days when technology-led growth lifted all boats. However, we should be careful. Private failure is not enough to justify government intervention. Just because the private sector is underinvesting does not necessarily imply that the government will make the right investments.
Jonathan Gruber (Jump-Starting America: How Breakthrough Science Can Revive Economic Growth and the American Dream)