Meet The Plastics Quotes

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My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
Rose: Who are you then? Who's that lot down there? [The Doctor ignores her] I said who are they?! The Doctor: They're made of plastic. Living plastic creatures. They're being controlled by a relay device on the roof. Which would be a great big problem if- [he pulls a bleeping bomb out of his coat] -I didn't have this. So I'm gonna go upstairs and blow it up. And I might well die in the process. But don't worry about me, no. You go home, go on! Go and have your lovely beans on toast. [suddenly serious] Don't tell anyone about this 'cos if you do, you'll get them killed. [closes the door] [opens it again] I'm The Doctor, by the way. What's your name? Rose: Rose. The Doctor: Nice to meet you, Rose. [holds up the bomb, shaking it slightly while grinning.] Run for your life!
Russell T. Davies
but there I was, trying to fit the ocean into a plastic cup as it tossed and turned me in its waves.
Samantha Irby (We Are Never Meeting in Real Life.)
That we leave our homes, that we step through our doors to the world, that we travel our whole lives not because we want to collect exotic T-shirts, not because we want to consume foreign adventure the same Western way we consume plastic and Styrofoam and LCD TVs and iPads, but because it has the power to renew us—not the guarantee, not the promise, just the possibility. Because there are places our imaginations can never construct for us, and there are people who we will never meet but we could and we might. It reminds us that there is always reason to begin again.
Stephen Markley (Tales of Iceland or "Running with the Huldufólk in the Permanent Daylight")
My horizon lightened, I see an old woman. Who is she? Where is she from? Bent over, the ends of her boubou tied behind her, she empties into a plastic bag the left-overs of red rice. Her smiling face tells of the pleasant day she has just had. She wants to take back proof of this to her family, living perhaps in Ouakam, Thiaroye or Pikine. Standing upright, her eyes meeting my disapproving look, she mutters between teeth reddened by cola nuts: 'Lady, death is just as beautiful as life has been.
Mariama Bâ (So Long a Letter)
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
I went down not long ago to the Mad River, under the willows I knelt and drank from that crumpled flow, call it what madness you will, there's a sickness worse than the risk of death and that's forgetting what we should never forget. Tecumseh lived here. The wounds of the past are ignored, but hang on like the litter that snags among the yellow branches, newspapers and plastic bags, after the rains. Where are the Shawnee now? Do you know? Or would you have to write to Washington, and even then, whatever they said, would you believe it? Sometimes I would like to paint my body red and go into the glittering snow to die. His name meant Shooting Star. From Mad River country north to the border he gathered the tribes and armed them one more time. He vowed to keep Ohio and it took him over twenty years to fail. After the bloody and final fighting, at Thames, it was over, except his body could not be found, and you can do whatever you want with that, say his people came in the black leaves of the night and hauled him to a secret grave, or that he turned into a little boy again, and leaped into a birch canoe and went rowing home down the rivers. Anyway this much I'm sure of: if we meet him, we'll know it, he will still be so angry.
Mary Oliver
You see, for me a painting is a dramatic action in the course of which the reality finds itself split apart. For me, that dramatic action takes precedence over all other considerations. The pure plastic act is only secondary as far as I'm concerned. What counts is the drama of that plastic art, the moment at which the universe comes out of itself and meets its own destruction.
Françoise Gilot (Life With Picasso)
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
If she came out of this, she would surely schedule a face lift.
Jennifer Valoppi (Certain Cure: Where Science Meets Religion)
New Rule: Stop hitting on women at the dog park. Yes, we're talking to you, divorced guy with a ponytail. That better be a Milk-Bone in your pocket, because we're not glad to see you. Women come to the park to exercise their dogs, not to socialize with hounds. They wouldn't pick you up if they had a plastic bag on their hand. Although if you're determined to meet a woman at the dog park, here's a tip: Get a dog.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
To learn theory by experimenting and doing. To learn belonging by participating and self-rule. Permissiveness in all animal behavior and interpersonal expression. Emphasis on individual differences. Unblocking and training feeling by plastic arts, eurythmics and dramatics. Tolerance of races, classes, and cultures. Group therapy as a means of solidarity, in the staff meeting and community meeting. Taking youth seriously as an age in itself. Community of youth and adults, minimizing 'authority.' Educational use of the actual physical plant (buildings and farms) and the culture of the school community. Emphasis in the curriculum on real problems and wider society, its geography and history, with actual participation in the neighboring community (village or city). Trying for functional interrelation of activities.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
Meet Chester,” Katie said, holding out a plastic bag with a nervous-looking goldfish darting about in the three inches of water. “What happened to Rudy?” Christy asked. Katie had insisted they buy a goldfish on their way home from Bargain Barn last Saturday. She had situated the fish in his new, twenty-five-cent fishbowl and had named him Rudy. She talked to him every day and fed him way too much. “Rudy went to fish heaven this morning,” Katie said sadly. “Chester wants to live with us now.” “You better get him in the bowl pretty soon,” Christy said. “He looks like he’s drowning in that bag.” “Drowning, ha-ha. Very funny.” “Okay, then, he’s suffocating.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
Our hearts connect with others all the time, the electricity zipping and zapping all over the place. We can't even sense it most of the time, but then we meet The One, and that's when the beat changes ever so slightly to match theirs. That's what they call a match – when the music inside your chest beats in synchronization with the one you're meant to be with.
Vivi Barnes (Paper or Plastic (Entangled Teen))
In the United States, more than a quarter of people over eighteen reported that they engaged in binge drinking during the previous month. This pattern is even more prevalent among college students, nearly 40 percent of whom reported binge drinking in the previous month. Whether cause or effect, about half of these students (20 percent) meet the criteria for an alcohol use disorder, and 25 percent report academic consequences from drinking. Binge drinking is risky for anyone, but particularly for those whose brains are still developing. The impact of high alcohol concentrations during this “plastic” period leads to lasting alterations in brain structure and function and is more likely to result in an alcohol use disorder. The converse is also true: one of the most effective ways to curtail the risk of addiction is to avoid intoxication during periods of rapid brain development.
Judith Grisel (Never Enough: The Neuroscience and Experience of Addiction)
Green tea may just be the most powerful of all antioxidant sources. Green tea contains polyphenols that scavenge free radicals and protect against photo damage. A 1997 presentation of University of Kansas research at the American Chemical Society national meeting found that antioxidants in green tea called catechins (a phenol) are more than 100 times more effective at neutralizing free radicals than vitamin C, and 25 times more powerful than vitamin E.
Anthony Youn (The Age Fix: A Leading Plastic Surgeon Reveals How to Really Look 10 Years Younger)
Sometimes,’ croaked Margaret in a voice bent ragged from two days’ crying, ‘when God sees a particularly pretty flower, He’ll take it up from Earth, and put it in his own garden.’ Margaret held me in the sort of tight, worried grip usually reserved for heaving lambs up a ladder. As she clenched my hand and told me God had specially marked my mother for death, a tear-damp thumb traced small circles on my temple. She stroked my hair. It was nice to think that Mammy was so well-liked by God, since she was a massive fan. She went to all his gigs – Mass, prayer groups, marriage guidance meetings; and had all the action figures – small Infant of Prague statuettes, much larger Infant of Prague statuettes, little blue plastic flasks of holy water in the shape of God’s own Mammy herself.
Séamas O'Reilly (Did Ye Hear Mammy Died?)
As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life.
David Wong (John Dies at the End (John Dies at the End #1))
THE CONDITIONAL Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.
Ada Limon (Bright Dead Things: Poems)
I argue against purism not because I want a devastated world, the Mordor of industrial capitalism emerging as from a closely aligned alternate universe through our floating islands of plastic gradually breaking down into microbeads consumed by the scant marine life left alive after generations of overfishing, bottom scraping, and coral reef–killing ocean acidification; our human-caused, place-devastating elevated sea levels; our earth-shaking, water poisoning fracking; our toxic lakes made of the externalities of rare-earth mineral production for so-called advanced electronics; our soul-and-life destroying prisons; our oil spills; our children playing with bits of dirty bombs; our white phosphorus; our generations of trauma held in the body; our cancers; and I could go on. I argue against purism because it is one bad but common approach to devastation in all its forms. It is a common approach for anyone who attempts to meet and control a complex situation that is fundamentally outside our control. It is a bad approach because it shuts down precisely the field of possibility that might allow us to take better collective action against the destruction of the world in all its strange, delightful, impure frolic. Purism is a de-collectivizing, de-mobilizing, paradoxical politics of despair. This world deserves better.
Alexis Shotwell (Against Purity: Living Ethically in Compromised Times (Posthumanities))
As they grow, wind and solar and EVs will need “big shovels” to meet their increasing call on mined minerals and land itself. It is estimated that an onshore wind turbine requires fifteen hundred tons of iron, twenty-five hundred tons of concrete, and forty-five tons of plastic. About half a million pounds of raw materials have to be mined and processed to make a battery for an electric car.
Daniel Yergin (The New Map: Energy, Climate, and the Clash of Nations)
You get this drama, babe, you got until the end of Tack’s meeting to burn it out, but mark this, Lanie. After that meeting, I don’t give a fuck if you’re strapped into a rocket to go to the goddamned moon, I’m findin’ you, we’re sortin’ this shit out and we’re movin’ on,” he warned. “I just made a mental note to find a plastic surgeon who does emergency face alterations so you won’t know who to look for,” I shot back. “Jesus, I’m pissed as all fuck and still she’s cute,” he groused like he wasn’t talking to me but actually complaining to the Son of God. “Jesus works on Sunday, Hop. You want a direct line, time to haul your biker ass to church,” I shared. “You want me to let you go so you can burn this out, you better stop bein’ cute, lady. You keep bein’ cute, I’ll kiss you in the goddamn forecourt and I won’t give a fuck who sees.” I snapped my mouth shut. “That’s what I thought,” he
Kristen Ashley (Fire Inside (Chaos, #2))
In the novel Janus Equation, writer G. Spruill explored one of the harrowing problems with time travel. In this tale a brilliant mathematician whose goal is to discover the secret of time travel meets a strange, beautiful woman, and they become lovers, although he knows nothing about her past. He becomes intrigued about finding out her true identity. Eventually he discovers that she once had plastic surgery to change her features. And that she had a sex change operation. Finally, he discovers that “she” is actually a time traveler from the future, and that “she” is actually himself, but from the future. This means that he made love to himself. And one is left wondering, what would have happened if they had had a child? And if this child went back into the past, to grow up to become the mathematician at the beginning of the story, then is it possible to be your own mother and father and son and daughter?
Michio Kaku (Physics of the Impossible: A Scientific Exploration of the World of Phasers, Force Fields, Teleportation, and Time Travel)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
then they walked back to the wicker picnic basket and sat on a plaid blanket eating cold fried chicken, salt-cured ham and biscuits, and potato salad. Sweet and dill pickles. Slices of four-layer cake with half-inch-thick caramel icing. All homemade, wrapped in wax paper. He opened two bottles of Royal Crown Cola and poured them into Dixie cups—her first drink of soda pop in her life. The generous spread was incredible to her, with the neatly arranged cloth napkins, plastic plates and forks. Even minuscule pewter salt and pepper shakers. His mother must have packed it, she thought, not knowing he was meeting the Marsh Girl. They talked softly of sea things—pelicans
Delia Owens (Where the Crawdads Sing)
I've found that, in most cases, managers greatly underestimate the impact that a comment or quick gesture of approval has on employees. They'll spend weeks trying to tweak an annual bonus program or some other compensation system, believing that their employees are coin-operated, but they'll neglect to stop someone during a meeting and say, “Hey, that's a fantastic example of hunger. We should all try to be more like that.” I'm not saying that compensation doesn't matter. But if we want to create a culture of humility, hunger, and smarts, the best way to do it is to constantly be catching people exhibiting those virtues and publicly holding them up as examples. No balloons, pastries, or plastic tchotchkes are necessary, just genuine, in-the-moment appreciation.
Patrick Lencioni (The Ideal Team Player: How to Recognize and Cultivate The Three Essential Virtues (J-B Lencioni Series))
It was in that kitchen where I waited for Daddy and Mrs. Masicotte to be finished with the weekly business, two rooms away. Though Mrs. Masicotte seemed as indifferent to me as her renters were, she provided richly for me while I waited. On hand were plates of bakery cookies, thick picture books with shiny pages, punch-out paper dolls. My companion during these vigils was Zahra, Mrs. Masicotte’s fat tan cocker spaniel, who sat at my feet and watched, unblinking, as cookies traveled mercilessly from the plate to my mouth. Mrs. Masicotte and my father laughed and talked loud during their meetings and sometimes played the radio. (Our radio at home was a plastic box; Mrs. Masicotte’s was a piece of furniture.) “Are we going soon?” I’d ask Daddy whenever he came out to the kitchen to check on me or get them another pair of Rheingolds. “A few minutes,” was what he always said, no matter how much longer they were going to be. I wanted my father to be at home laughing with Ma on Saturday afternoons, instead of with Mrs. Masicotte, who had yellowy white hair and a fat little body like Zahra’s. My father called Mrs. Masicotte by her first name, LuAnn; Ma called her, simply, “her.” “It’s her,” she’d tell Daddy whenever the telephone interrupted our dinner. Sometimes, when the meetings dragged on unreasonably or when they laughed too loud in there, I sat and dared myself to do naughty things, then did them. One time I scribbled on all the faces in the expensive storybooks. Another Saturday I waterlogged a sponge and threw it at Zahra’s face. Regularly, I tantalized the dog with the cookies I made sure stayed just out of her reach. My actions—each of which invited my father’s anger—shocked and pleased me.
Wally Lamb (She's Come Undone)
Our age makes higher demands of solidarity and benevolence on people today than ever before. Never before have people been asked to stretch out so far, and so consistently, so systematically, so as a matter of course, to the stranger outside the gates” (p. 695). How do we manage to do it? Or how could we? “Well, one way is that performance of these standards has become part of what we understand as a decent, civilized human life” (p. 696). The mechanism then becomes shame: to not meet these expectations is not only to be abnormal but almost inhuman. One can see this at work in a heightened version of holier-than-Thou: You don’t recycle (gasp)? You use plastic shopping bags (horror)? You don’t drive a Prius (eek!)? “You won’t wear the ribbon?!”44 This has to also be seen in light of Taylor’s earlier analysis of the sociality of mutual display and the self-consciousness it generates (pp. 481-82). So what we get is justice chic.
James K.A. Smith (How (Not) to Be Secular: Reading Charles Taylor)
But then I don’t begin to understand a lot of things about Sweden and Norway. It’s as if they are determined to squeeze all the pleasure out of life. They have the highest income-tax rates, the highest VAT rates, the harshest drinking laws, the dreariest bars, the dullest restaurants, and television that’s like two weeks in Nebraska. Everything costs a fortune. Even the purchase of a bar of chocolate leaves you staring in dismay at your change, and anything larger than that brings tears of pain to your eyes. It’s bone-crackingly cold in the winter and it does nothing but rain the rest of the year. The most fun thing to do in these countries is walk around semi-darkened shopping centers after they have closed, looking in the windows of stores selling wheelbarrows and plastic garden furniture at prices no one can afford. On top of that, they have shackled themselves with some of the most inane and restrictive laws imaginable, laws that leave you wondering what on earth they were thinking about. In Norway, for instance, it is illegal for a barman to serve you a fresh drink until you have finished the previous one. Does that sound to you like a matter that needs to be covered by legislation? It is also illegal in Norway for a bakery to bake bread on a Saturday or Sunday. Well, thank God for that, say I. Think of the consequences if some ruthless Norwegian baker tried to foist fresh bread on people at the weekend. But the most preposterous law of all, a law so pointless as to scamper along the outer margins of the surreal, is the Swedish one that requires motorists to drive with their headlights on during the daytime, even on the sunniest summer afternoon. I would love to meet the guy who thought up that one. He must be head of the Department of Dreariness. It wouldn’t surprise me at all if on my next visit to Sweden all the pedestrians are wearing miners’ lamps.
Bill Bryson (Neither Here nor There: Travels in Europe)
Under a Torremolinos Sky (Psalm 116)8 For Jim The first thing I notice is not the bed, oddly angled as all hospital beds are nor the pillowcase, covered in love notes. Not the table filled with pill bottles nor the sterile tools of a dozen indignities. I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome? What can I give back to God for the blessings he’s poured out on me? I’ll lift high the cup of salvation—a toast to God! You smile behind the plastic that keeps you alive, and as I rest my hand on your chest we conspire together to break the rules. The rhythm of your labored breathing will decide our seconds, our minutes, our hours. Tears to laughter and back again always in that order and rightly so. We bask under a Torremolinos sky and hear the tongues of angels sing of sins forgiven long before the world was made. I’ll pray in the name of God; I’ll complete what I promised God I’d do, and I’ll do it together with his people. Talk turns to motorcycles and mortuaries, to scotch and sons who wear their father’s charm like a crown, daughters who quicken the pulse with just a glance. Time flies and neither of us has time to waste. I’ll make a great looking corpse, you say because we of all people must speak of these things, because we of all people refuse to pretend. This doesn’t bring tears—not yet. Instead a giggle, a shared secret that life is and is not in the body. Soul, you’ve been rescued from death; Eye, you’ve been rescued from tears; And you, Foot, were kept from stumbling. Your chest still rises and falls but you grow weary, my hand tells me so. It’s too soon to ever say goodbye. When it’s my turn, brother, I will find you where the streets shimmer and tears herald only joy where we wear our true names and our true faces. Promise me, there, the dance we never had. When they arrive at the gates of death, God welcomes those who love him. Oh, God, here I am, your servant, your faithful servant: set me free for your service! I’m ready to offer the thanksgiving sacrifice and pray in the name of God. I’ll complete what I promised God I’d do, and I’ll do it in company with his people, In the place of worship, in God’s house, in Jerusalem, God’s city.
Karen Dabaghian (A Travelogue of the Interior: Finding Your Voice and God's Heart in the Psalms)
On our first night, while I was sitting at one of the plastic tables with Heba, watching our kids splashing in the water, a woman approached me. "I am sorry to bother you," she said. "I just never thought I would ever meet you in real life. My husband is doing to me now what your husband did." I reached for her hand as she continued with less composure. "And I just want to tell you that the mornings when I don't think I can get out of bed, I think of you. You have given me strength and I want to thank you for it." I had lost count of the women (and some men too) who had approached me with their stories of personal betrayal, their struggles to decide what to tolerate, whether to stay, when and how to leave, how to navigate this sometimes torturous thing called love. I looked over her shoulder, and saw her husband a short distance away, staring at us. He was a handsome man in a bathing suit, watching over a toddler with arm floaties splashing in the water. To any casual observer, they looked like the perfect family. The 2017 me wanted to tell her to run. Run as fast as she could. But I didn't. For whatever reason, this woman had made a choice to stay—a choice she felt was right for her, and I was not one to stand in judgment. "I am with you," I said before we each went back to our children.
Huma Abedin (Both/And: A Memoir)
They had a very pleasant evening out together in Shrewsbury – she was lovely to him, they chatted to mutual acquaintances, laughed, drank quite a bit of wine. They settled into a relaxed mood together – Jason wondering why it couldn’t always be that way; and, in fact, she had closed down again by the time they were walking back to his flat, with a bag of chips shared between them. Something sparked the subject of family once more. He joked about one day being invited to meet her parents. ‘There you go again!’ she snapped. ‘It’s not as if you’re a serious boyfriend, or anything.’ He stopped dead, other revellers had to swerve around them. ‘Why do you say that? I know I’m serious about this. I just don’t get you at all.’ Her expression told him that she was not willing to discuss it. He threw the remnants of the chips into a plastic bin. ‘Adelaide, we’re so good together. We are, aren’t we? Admit it.’ ‘All right, I admit it. I do want you, Jason. Just not in the way you want.’ ‘I know I don’t pressure you. God, I put up with so much crap from you. Just spell it out to me. What is your problem?’ By some miracle of logistics, two police officers happened to be passing along the pedestrianised road. Adelaide used their presence as a way of ending the discussion, ‘Jason, you’re making a scene. I’m going home alone.’ ‘Adelaide!’ ‘Let’s leave it for now, Jason.’ ‘Adelaide!’ She skipped away into groups of passers-by. Infuriated beyond belief by her once more, Jason punched the plastic bin, causing a huge dent. The policemen looked over their shoulders briefly, but then continued on.
HB Morris
what I knew that morning in March 1977 as we settled around the conference table. I wasn’t even sure how these guys reached us, or how they’d arranged this meeting. “Okay, fellas,” I said, “what’ve you got?” It was a beautiful day, I remember. The light outside the room was a buttery pale yellow, and the sky was blue for the first time in months, so I was distracted, a little spring feverish, as Rudy leaned his weight on the edge of the conference table and smiled. “Mr. Knight, we’ve come up with a way to inject . . . air . . . into a running shoe.” I frowned and dropped my pencil. “Why?” I said. “For greater cushioning,” he said. “For greater support. For the ride of a lifetime.” I stared. “You’re kidding me, right?” I’d heard a lot of silliness from a lot of different people in the shoe business, but this. Oh. Brother. Rudy handed me a pair of soles that looked as if they’d been teleported from the twenty-second century. Big, clunky, they were clear thick plastic and inside were—bubbles? I turned them over. “Bubbles?” I said. “Pressurized air bags,” he said. I set down the soles and gave Rudy a closer look, a full head-to-toe. Six-three, lanky, with unruly dark hair, bottle-bottom glasses, a lopsided grin, and a severe vitamin D deficiency, I thought. Not enough sunshine. Or else a long-lost member of the Addams Family. He saw me appraising him, saw my skepticism, and wasn’t the least fazed. He walked to the blackboard, picked up a piece of chalk, and began writing numbers, symbols, equations. He explained at some length why an air shoe would work, why it would never go flat, why it was the Next Big Thing. When he finished I stared at the blackboard. As a trained accountant I’d spent a good part of my life looking at blackboards, but this Rudy fella’s scribbles were something else. Indecipherable.
Phil Knight (Shoe Dog: A Memoir by the Creator of NIKE)
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph. I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards. Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet. I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend. Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs. I know. It's mortifying.
Stacey Ballis (Off the Menu)
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
Throughout this book, we speak of classifications as objects for cooperation across social worlds, or as boundary objects...objects that both inhabit several communities of practice and satisfy the informational requirements of each of them.... They are objects that are able both to travel across borders and maintain some sort of constant identity. They can be tailored to meet the needs of any one community (they are plastic in this sense, or customizable). At the same time, they have common identities across settings. ... They are thus both ambiguous and constant; they may be abstract or concrete.
Geoffrey Bowker; Susan Leigh Starr
Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again. Call cleared his throat. “I’ll be home in a couple of minutes, Toby.” “Yes, sir. I’ll have your breakfast waiting.” With a wave good-bye, he set off down the path the way he had come. When Charity turned, she saw Call watching her, his face dark, his expression closed up as it usually was. “I didn’t mean for that to happen.” Oh, God. He was obviously sorry it had and it made her even more embarrassed. “Neither did I. I don’t make a habit of…of…I don’t exactly know what happened.” She studied her feet, then stared off toward the creek. “It must have been the fear, you know? They say when your life is threatened you revert to your most basic instincts.” She risked a glance at him, saw that his jaw looked iron-hard. “Yeah, that must be it.” She glanced away, trying not to think of what they’d just done. Trying not to wonder what would have happened if Toby hadn’t arrived when he did. “You’d better go,” she said, making an effort to smile. “Your breakfast is waiting and I’ve got work to do.” As she started to turn, the sun peeked out from behind a cloud, casting shadows beneath his cheekbones and the little indentation on his chin. He didn’t move when she grabbed the plastic bag of garbage and headed for one of the heavy iron trash cans that were supposed to be bear-proof. She saw him walk over and pick up his rifle, his fingers wrapping around the stock with a casual ease that said he was comfortable with the weapon. He didn’t walk away as she expected. Instead, he stood there watching, waiting until she disappeared inside the house.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
...you should’ve seen me ready to shiv security for making me take my ring off earlier.” I frowned as I accidently lost control of my chopsticks, my California roll dropping into the little plastic cup of soy sauce. “See?Sounds like classic Bridezilla behavior to me.” She almost choked on her wasabi-laced sushi piece. “Bridezilla? I am the least likely person to turn Bridezilla you will ever meet. In fact, I am like the Mothra of the Bridezilla world.” “Mothra.” I tsked. “Pedestrian. Destoroyah—no, Bridestoroyah—could totally take on Bridezilla.” “You have the chopstick skill level of a preschooler, and you dare to go around citing Japanese monster movie characters to me?” Laney seethed. “I have my reasons for choosing Mothra.” “Yeah?” I stabbed my chopsticks straight through the middle of my errant sushi piece. “Let’s hear them.” “Don’t, it’s bad luck!” she exclaimed. “What, to talk to a bride about her wedding dress before the big day?” And I thought Sloane was taking the wedding superstitions too far. “No, to stab your chopstick through the middle of your food.” She reached across the table and readjusted my sticks for me with one hand. I noticed she kept her other hand on the garment bag riding shotgun in the chair next to her. Its midnight blue sheen and fancy silver embroidery looked out of place in the middle of the airport food court.
Jessica Topper (Dictatorship of the Dress (Much "I Do" About Nothing, #1))
I was intrigued and stopped to listen to what he had to say. “Well, Tom, it sure sounds like you’re busy with your job. I’m sure they pay you well but it’s a shame you have to be away from home and your family so much. Hard to believe a young fellow should have to work sixty or seventy hours a week to make ends meet. Too bad you missed your daughter’s dance recital.” He continued, “Let me tell you something, Tom, something that has helped me keep a good perspective on my own priorities.” And that’s when he began to explain his theory of a “thousand marbles.” “You see, I sat down one day and did a little arithmetic. The average person lives about seventy-five years. I know, some live more and some live less, but on average, folks live about seventy-five years. “Now then, I multiplied 75 times 52 and I came up with 3,900 which is the number of Saturdays that the average person has in their entire lifetime. Now stick with me Tom, I’m getting to the important part. “It took me until I was fifty-five years old to think about all this in any detail,” he went on, “and by that time I had lived through over twenty-eight hundred Saturdays. I got to thinking that if I lived to be seventy-five, I only had about a thousand of them left to enjoy. “So I went to a toy store and bought every single marble they had. I ended up having to visit three toy stores to round up 1,000 marbles. I took them home and put them inside of a large, clear plastic container right here . . . next to my gear. Every Saturday since then, I have taken one marble out and thrown it away. “I found that by watching the marbles diminish, I focused more on the really important things in life. There is nothing like watching your time here on this earth run out to help get your priorities straight. “Now let me tell you one last thing before I sign off with you and take my lovely wife out for breakfast. This morning, I took the very last marble out of the container. I figure if I make it until next Saturday then I have been given a little extra time. And the one thing we can all use is a little more time. “It was nice to meet you, Tom. I hope you spend more time with your family, and I hope to meet you again here on the band.” You could have heard a pin drop on the band when this fellow signed off. I guess he gave us all a lot to think about.
John C. Maxwell (Leadership Gold: Lessons I've Learned from a Lifetime of Leading)
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Jackie Lee
More and more, I began to see the characters of these silly tales walk out of the pages and amble into the busy streets. They sat in cafes, and checked their phones, and spoke in different languages, and held plastic signs, and argued in meetings, and waited for the light to turn, and stepped back onto the curb.
Nathan Walkowicz (THE GIANT)
She stares at it for several moments before taking it out from underneath the plastic film that covers it. Then she holds it with the affection of a mother for her new-born child, tender and loving; Preeti’s eyes soften briefly just for that moment. The lava of hurt makes way into her throat, setting ablaze all that she has held within. As memories meet sentience, the apartment echoes with her muffled cries. The photograph, a silent spectator, drenches in her grief as the tears start their descent.
Faraaz Kazi (More Than Just Friends)
By one estimate, approximately 20 billion synapses are pruned every day between childhood and early adolescence. It’s survival of the busiest. Like a cable TV subscription canceled because nobody’s watching, synaptic connections that aren’t used weaken and vanish. Here is where the power of genes falls off rapidly: genes may lead neurons to make their initial, tentative connections and control the order in which different regions of the brain (and thus physical and mental capacities) come on line, but it’s the environmental inputs acting on the plasticity of the young nervous system that truly determine the circuits that will power the brain. Thus, from the earliest stages of development, laying down brain circuits is an active rather than a passive process, directed by the interaction between experience and the environment. The basic principle is this: genetic signals play a large role in the initial structuring of the brain. The ultimate shape of the brain, however, is the outcome of an ongoing active process that occurs where lived experience meets both the inner and the outer environment.
Jeffrey M. Schwartz (The Mind & The Brain: Neuroplasticity and the Power of Mental Force)
But somehow, I don't wind up on a tour of this soggy house. I wind up sitting in a cracked plastic Adirondack chair by the fire with Buck and -I think?- Chip and Lita-the-soon-to-be-rafting-guide, ranking Nicholas Cage movies by various criteria as the deep blues and purples of twilight melt into the deeper blues and blacks of night, the starry sky seeming to unfurl over us like a great, light-pricked blanket.
Emily Henry (People We Meet on Vacation)
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Goutos London
Poetry and Trance Dimensions dovetail, setting in resonant motion the boundaries where my dreams meet my wakened state. What deep truths reside in these ancient echos! It this half-dreaming, half waking state, plasticity reverberates off rigidity; polarities engage in epic battle, and a thing of beauty is born: an idea for a painting, a melody, or the seed of a poem, a collusion of words that prompts the poet to say something like, 'Dimensions dovetail'.
Beryl Dov
their bin bags, boxes, and carriers on the sticky concrete around them, until the mountain rose high enough to meet the lip of each container. It was perfect. Dax nimbly scaled the mountain to the top of the nearest bin and began to scrabble at the peak. His sharp claws cut easily through a bulging plastic sack, causing a small eruption of potato peelings, baked beans, and two pink-spattered yoghurt pots. Underneath them, though—treasure! The
Ali Sparkes (Finding the Fox (The Shapeshifter, #1))
OK. Day four in the Big Brother Jeep,’ she quipped, with a bad Geordie accent, as she pulled the door shut. ‘What’s with the plastic?’ A thin sheet of plastic had been pulled across the dashboard. ‘In case it gets messy,’ said John. ‘Clara—I’d like you to meet Yanos.’ Shocked, Clara spun in her seat and saw a dark-haired man sitting in the rear of the Jeep. He was smiling and she noticed a white flash through his hair at one temple. ‘What the hell—?’ ‘Calm down—he’s been sent,’ said John, reaching for the car stereo. Clara eyed the man, who was still smiling. Plastic crackled under her walking boots. The foot-well was lined with it too. The hair prickled up across her arms. John turned the radio on and a heavy bass line pounded out of it at high volume. Clara swallowed, keeping calm. ‘What has he been sent for?’ The man smiled even more, lifted one eyebrow in a roguish way and brought out a .22 calibre pistol, partially wrapped in a plastic bag. ‘To kill you.’ She went for the Glock but there was no time. He shot her in the centre of her forehead. The radio hid the thud. The plastic caught the mess.   The
Ali Sparkes (Unleashed: Mind Over Matter)
He wrapped his arms around her. “Have I told you today how happy I am that you gave up the good fight and moved back in with me?” “Not today,” she said, sucking in his sex-and-sin scent. “But last night you mentioned it quite a few times.” She’d tried for six weeks to live by herself in the apartment over Gracie’s garage, thinking she needed to experience life on her own before living with Mitch. She’d hated every minute of it. When she’d taken to sneaking into the farmhouse and crawling into bed with him in the middle of the night, he’d finally put his foot down. She sighed. Contentment had her curling deeper into his embrace. She didn’t care if it was wrong: Mitch and this farmhouse made her happy. “Maddie,” he said, his voice catching in a way that had her lifting her chin. “You know I love you.” “I know. I love you too.” His fingers brushed a lock of hair behind her chin. “Come with me.” He clasped her hand and led her into the bedroom before motioning her to the bed. She sat, and he walked over to the antique dresser and took a box out of the dresser. He walked back to the bed and sat down next to her. “I wanted to give this to you tonight, but then I saw you standing in the doorway and I knew I couldn’t wait.” Maddie looked at the box, it was wooden, etched with an intricate fleur-de-lis design on it and words in another language. “What is it?” “It was my grandmother’s. They bought it on their honeymoon. It’s French. It says, ‘There is only one happiness in life: to love and be loved.’” “It’s beautiful.” That he would give her something so treasured brought the threat of tears to her eyes. He handed it to her. “Open it.” She took the box and suddenly her heart started to pound. She lifted the lid and gasped, blinking as her vision blurred. Mitch grasped her left hand. “I know it’s only been three months, but in my family, meeting the night your car breaks down is a sign of a long, happy marriage.” Maddie couldn’t take her eyes off the ring. It was a gorgeous, simple platinum band with two small emerald stones flanking what had to be a three-carat rectangular diamond. She looked at Mitch. “Maddie Donovan, will you please marry me?” “Yes.” She kissed him, a soft, slow, drugging kiss filled with hope and promises. There was no hesitation. Not a seed of worry or shred of doubt. Her heart belonged to only one man, and he was right in front of her. “It would be my honor.” He slipped the ring on her finger. “My grandma would be thrilled that you have her ring.” “It’s hers?” It sparkled in the sunlight. It looked important on her hand. “It’s been in the family vault since she died. My mom sent it a couple of weeks ago. She’s been a little pushy about the whole thing. I think she’s worried I’ll do something to screw it up and she’ll lose the best daughter-in-law ever.” Maddie laughed. “I love her, too.” He ran his finger over the platinum band. “I changed the side stones to emeralds because they match your eyes. Do you think I made the right choice?” She put her hands on the sides of his face. “It is the most gorgeous ring I have ever laid eyes on. I love it. I love you. You know I’d take you with a plastic ring from Wal-Mart.” “I know.” She kissed him. “But I’m not going to lie: this is a kick-ass ring.” He grinned. “You know, I think that’s what my grandma used to say.” “She was obviously a smart woman.” “For the record, don’t even think about running.” Mitch pushed her back on the bed and captured her beneath him. “I will hunt you down to the ends of the earth and bring you back where you belong.” She reached for him, this man who’d been her salvation. “I will run down the aisle to meet you.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Ye canna meet the laird in these rags.” She pinched Melanie’s cashmere-encased arm and stopped dead in her tracks. Fingering the material, she commented, “Hmm, mayhap they werena rags to start with. This is a fine woolen, if an odd color, but ’tis no good now, what with all this Gunn blood on it. I’d lend ye one of mine,” she said as she guided Melanie to the basin and whipped her sweater over her head before Melanie realized what she was doing. “But ye’re inches shorter and I havena time to tack up a hem if ye wish to see the laird before midnight. I’m terribly slow at sewing. I wonder…” Melanie seized on her distraction and snatched her sweater back to hold in front of her chest. “Um, the men are still here—” Melanie’s protest died on her lips as she met Darcy’s eyes. He’d had his head bent in whispers with Edmund until her sweater had been removed. Now he stared at her and nodded absently at whatever Edmund was saying. His gaze caressed her bare shoulders, pausing at her satiny bra straps with their little plastic clips that must be completely foreign to him. A flush warmed her skin, and it wasn’t all from embarrassment. Fran turned her energetic gaze on Darcy. “Do you suppose your mother’s dresses might fit?” she asked, oblivious to the heat in his gaze and the unsettling effect it was having on Melanie. “Fetch ye one or two when ye run up to Fraineach. Well, what are you waiting for?” she demanded. “Go on with you. Ye canna go to the laird in bloodied plaid.” Fran snapped her fingers in front of Darcy’s face until he stopped staring. He towered over the woman, yet he let her herd him out the door like a bashful boy being kicked out of the kitchen for sneaking sweets before dinner.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Avalon is full of desperate people.’ She bites at her lower lip this time, fumbling her hands, knitting her fingers into the bundle of plastic coin bags in her grasp. ‘Are you implying that I’m desperate?’ I say, one eyebrow tilting. ‘You don’t need to be desperate… you can have anyone... I…’ she trails off. Looking up and trying to search the line of shops for the bank. I repulse her, I make her want to run. Why is this so hard? I need to get inside of her, I need to know what she is thinking, what she is wanting. It surely isn’t me she wants. Not to the extent that I… want her. ‘You?’ I entice her to finish her sentence but she doesn’t, she stares off into the bustling crowds, memory flashing her eyes with a darkness. ‘Madi wouldn’t fumble like this.’ Oh, she would fumble, but not in the way you are, Elli. ‘You’re not her, Elli.’ I entice her again, trying to force the dark memory, the sadness from her. ‘No, if I was, you wouldn’t have wanted anyone else.’ A breath hitches in her throat, she puts a hand over her mouth and says something else, her cheeks dance a shade of red that brightens and brightens until she apologises and quickens her pace. I chuckle, pulling at her arm and encircling one around her waist, pulling her back to me. Beneath my touch, her body trembles. When I raise my hand, my palm touching her cheek, I am sure she isn’t breathing. ‘I don’t want anyone, Elli.’ My eyes burn, consuming her with my gaze. She is like a frightful deer, struggling beneath me with a gaze that cannot quite meet mine. When she does, it is only for a brief second before falling down and all I see is the gentle flutter of her raven flashes. ‘I told you. I want someone I cannot have.’ ‘That is a really harsh way of telling someone you’re not interested.
Charlotte Munro (Grey October (East Hollow Chronicles))
Well, what if we meet new friends waiting in line for one of the shows?” Paige asks. “And we end up staying in the same hotel as them. And then one of them has a birthday. We would want to decorate their hotel room door, wouldn’t we?” She grins and holds up the plastic bag. “Thus, balloons!
Rachel Schurig (Ransom (Ransom, #1))
In fact, Tung himself was also a businessman. Born in Shanghai, Tung took over his family business after his father, shipping magnate Tung Chao Yung, died in 1981 and managed Orient Overseas, one of the world's leading shipping and logistics service providers. Sitting next to Tung at the meeting with President Xi was Li Ka- shing who made a statement on Oct. 15, calling on the Occupy protesters to go home and not to "let today's passion become tomorrow's regrets." The Asia's wealthiest man did not make it clear whether or not he agrees with the appeals of the protesters. Li built his family business empire from plastics manufacturing and accumulated wealth through real estate, supermarket chains and mobile phone network. Other Hong Kong tycoons, such as Lee Shau-kee, nicknamed "Hong Kong's Warrenn Buffett," Kuok Hock Nien known for his sugar refineries in Asia, and Woo Kwong-ching whose businesses range from Hong Kong's cable TV to the Star Ferry, have all remained mute.
Anonymous
This was as true and sweet as ice cream in December. We each had our different priorities. If you held them lightly and used a plastic spoon they were nothing to get stuck on.
Rhoda Janzen (Does This Church Make Me Look Fat?: A Mennonite Finds Faith, Meets Mr. Right, and Solves Her Lady Problems)
Though the intensity may differ from person to person, you can be sure that everyone you meet is driven by two primal urges: the need to feel safe and secure, and the need to feel in control. If you satisfy those drives, you’re in the door. As we saw with my chat with Daryl, you’re not going to logically convince them that they’re safe, secure, or in control. Primal needs are urgent and illogical, so arguing them into a corner is just going to push your counterpart to flee with a counterfeit “Yes.” And being “nice” in the form of feigned sympathy is often equally as unsuccessful. We live in an age that celebrates niceness under various names. We are exhorted to be nice and to respect people’s feelings at all times and in every situation. But nice alone in the context of negotiation can backfire. Nice, employed as a ruse, is disingenuous and manipulative. Who hasn’t received the short end of the stick in dealings with a “nice” salesman who took you for a ride? If you rush in with plastic niceness, your bland smile is going to dredge up all that baggage. Instead of getting inside with logic or feigned smiles, then, we get there by asking for “No.” It’s the word that gives the speaker feelings of safety and control. “No” starts conversations and creates safe havens to get to the final “Yes” of commitment. An early “Yes” is often just a cheap, counterfeit dodge.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
We were girls being girls at the keg parties and house parties, eating frozen pizza, holding red plastic cups of bad beer or worse wine, convening for late-night McDonald’s, and meeting for gropings in the dark with interchangeable boys-will-be-boys boys.
Chelsea G. Summers (A Certain Hunger)
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Tom turned and looked up just in time to make eye contact with Marie, who was still across the street. She waved and gave him an eyebrow raise to indicate that she understood what had just gone down. He raised a fingertip to his lips. He thought he was so cool, but he also sort of was cool. She crossed the street to meet him, and he greeted her by holding out his hand, which was almost as good as a kiss. Inside his hand was a little plastic bag full of brown twigs. “Want to come over and eat mushrooms?” Obviously, she said yes.
Emily Gould (Perfect Tunes)
She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I
Debbie Macomber (204 Rosewood Lane (Cedar Cove #2))
So people turn to the realms of fantasy for stability, ancient truths, immutable simplicities. And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action into violence, their actors into dolls, and their truth-telling into sentimental platitude. Heros brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionatly conceived idesas of the great story tellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertiesed, sold, broken, junked, replaceable, interchangeable. What the commodifiers of fantasy count on and expolit is the unsuperable imagination of the reader, child or adult, which gives even these dead things live -- of a sort, for a while.
Ursula K. Le Guin
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I drove fast and carefully while Sloan made calls. I scanned the road and went twenty over the speed limit on the freeway. I zipped around cars using my blinker and hand waves. When we got to the hospital, I dropped her off at the emergency room entrance and parked, then ran with her bag to meet her at the front desk. “He’s in surgery,” she said tearfully when I jogged in through the automatic doors of the ER, my shoes squeaking on the white shiny floors. I looked at the woman behind the check-in desk, like a robot gathering data. I could see everything. The age spots on her forehead, the gray wisps along her hairline. The sterile, white countertop and the shimmer in the petals of pink roses in a vase behind the desk. “Where can we wait? And can you inform the doctor that his family is here?” We were sent to a private waiting area for the neurology department on the third floor. Brightly lit, plastic potted plants tucked in the corners of the room, serene blue walls, uniform gray tweed upholstered chairs, magazines and boxes of tissues on every end and coffee table. Sloan scanned the room. Maybe it was the finality of it—the cessation of forward movement—but this was when she officially broke down. She buried her face in her hands and wept. “Why is this happening?” I wrapped her sweater around her and put her in a chair. “I don’t know, Sloan. Why does anything happen?” I knew what things had to be done, what I had to do to make her comfortable. But I couldn’t feel any of the panic or grief that I saw in Sloan. I felt like I was watching a movie with the sound off. I could see what was happening, but I couldn’t connect to the characters. We waited. And waited. And waited.
Abby Jimenez
The Chemturion type is also known as a blue suit, because it is bright blue. It is a pressurized, heavy-duty plastic space suit that meets government specifications for work with airborne hot agents.
Richard Preston (The Hot Zone)
Wilton Mace lived in a redbrick split-level on a gravel road two miles from the casino. On the phone he’d been reluctant to talk and said he would have to check with his brother. He called Hugo back the following day and agreed to a meeting. He was waiting in a lawn chair under a tree by the carport, swatting flies and drinking iced tea. The day was cloudy and not as hot. He offered Lacy and Hugo sweet tea to drink and they declined. He pointed to two other folding chairs and they sat down. A toddler in a diaper was playing in a plastic wading pool in the backyard, under the watchful eye of its grandmother.
John Grisham (The Whistler (The Whistler, #1))
高仿毕业证【咨询、办理Q微2026614433】澳洲高仿毕业证莫纳什大学毕业证一模一样证书、出售澳洲大学学位书Monash毕业证。 了;DKLDJKLDDKJLDKJLDHJDKJDK lkDJKDJDBNMDBDNM NDBNDNDBDNDBD Wemberly worried about everything. Big things. Little things. And things in between. Then it was time for school to start. And Wemberly worried even more. If you ever worry (or know someone who does), this is the book for you. Wemberly worried about spilling her juice, about shrinking in the bathtub, even about snakes in the radiator. She worried morning, noon, and night. Worry, worry, worry, her family said. Too much worry. And Wemberly worried about one thing most of all: her first day of school. But when it's time to go back to school and she meets a fellow worrywart in her class, Wemberly realizes that school is too much fun to waste time worrying! This warm and comforting back-to-school favorite is from Kevin Henkes, the nationally bestselling and celebrated creator of Lilly's Purple Plastic Purse, Kitten's First Full Moon, and Chrysanthemum. "This winning heroine speaks to the worrywart i
澳洲高仿毕业证莫纳什大学毕业证一模一样证书、出售澳洲大学学位书Monash毕业证
So people turn to the realms of fantasy for stability, ancient truths, immutable simplicities. And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitude... The passionately conceived ideas of the great story-tellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertised, sold, broken, junked, replaceable, and interchangeable.
Ursula K. Le Guin
They were travelers, created as such with the breeze at their backs, meant to fill any gaps the gods had forgotten. There were stars in the sky but still no moon, and a temporary rounded her body into an iridescent orb. “Great idea,” one god said, feasting on honeydew, and the moon was made in her image. The intentions of the moose were always unclear to the elk, and a temporary vaulted her arms into antlers so the animals could lock themselves into thorny disagreements, then eventually, solutions. Shoelaces were always frayed at the ends. A temporary reduced herself to a fraction of her size, capped an aglet on the laces with her new, plastic countenance. The sky would not meet the sea, and so a temporary folded herself into a thin connecting strip of mist and air, henceforth called a horizon.
Hilary Leichter (Temporary)
over twenty-eight hundred Saturdays. I got to thinking that if I lived to be seventy-five, I only had about a thousand of them left to enjoy. “So I went to a toy store and bought every single marble they had. I ended up having to visit three toy stores to round up 1,000 marbles. I took them home and put them inside of a large, clear plastic container right here . . . next to my gear. Every Saturday since then, I have taken one marble out and thrown it away. “I found that by watching the marbles diminish, I focused more on the really important things in life. There is nothing like watching your time here on this earth run out to help get your priorities straight. “Now let me tell you one last thing before I sign off with you and take my lovely wife out for breakfast. This morning, I took the very last marble out of the container. I figure if I make it until next Saturday then I have been given a little extra time. And the one thing we can all use is a little more time. “It was nice to meet you, Tom. I hope you spend more time with your family, and I hope to meet you again here on the band.” You could have heard a pin drop on the band when this fellow signed off. I guess he gave us all a lot to think about. I had planned to work on the antenna that morning, and then I was going to meet up with a few hams to work on the next club newsletter. Instead, I went upstairs and woke my wife up with a kiss. “C’mon honey, I’m taking you and the kids to breakfast.” “What brought this on?” she asked with a smile.“Oh, nothing special, it’s just been a long time since we spent a Saturday together with the kids. Hey, can we stop at a toy store while we’re out? I need to buy some marbles.
John C. Maxwell (Leadership Gold: Lessons I've Learned from a Lifetime of Leading)
I'm not going to Wichita,' Vladimir said, the word 'Wichita' rendered by his accent as the most foreign word imaginable in the English language. 'I’m going to live with Fran and it’s going to be all right. You’re going to make it all right.' But even as he was laying down the law, his hands were shaking to the point where it was hard to keep the shabby pay-phone receiver properly positioned between his mouth and ear. Teardrops were blurring the corners of his eyes and he felt the need to have Baobab hear him burst out in a series of long, convulsive sobs, Roberta-style. All he had wanted was twenty thousand lousy dollars. It wasn’t a million. It was how much Dr. Girshkin made on average from two of his nervous gold-toothed patients. 'Okay,' Baobab said. 'Here’s how we’re going to do it. These are the new rules. Memorize them or write them down. Do you have a pen? Hello? Okay, Rule One: you can’t visit anyone—friends, relatives, work, nothing. You can only call me from a pay phone and we can’t talk for more than three minutes.' He paused. Vladimir imagined him reading this from a little scrap of paper. Suddenly Baobab said, under his breath: 'Tree, nine-thirty, tomorrow.' 'The two of us can never meet in person,' he was saying loudly now. 'We will keep in touch only by phone. If you check into a hotel, make sure you pay cash. Never pay by credit card. Once more: Tree, nine-thirty, tomorrow.' Tree. Their Tree? The Tree? And nine-thirty? Did he mean in the morning? It was hard to imagine Baobab up at that unholy hour. 'Rule Five: I want you to keep moving at all times, or at least try to keep moving. Which brings us to…' But just as Rule Six was about to come over the transom, there was a tussle for the phone and Roberta came on the line in her favorite Bowery harlot voice, the kind that smelled like gin nine hundred miles away. 'Vladimir, dear, hi!' Well, at least someone was enjoying Vladimir’s downfall. 'Say, I was thinking, do you have any ties with the Russian underworld, honey?' Vladimir thought of hanging up, but the way things were going even Roberta’s voice was a distinctly human one. He thought of Mr. Rybakov’s son, the Groundhog. 'Prava,' he muttered, unable to articulate any further. An uptown train rumbled beneath him to underscore the underlying shakiness of his life. Two blocks downtown, a screaming professional was being tossed back and forth between two joyful muggers. 'Prava, how very now!' Roberta said. 'Laszlo’s thinking of opening up an Academy of Acting and the Plastic Arts there. Did you know that there are thirty thousand Americans in Prava? At least a half dozen certified Hemingways among them, wouldn’t you agree?' 'Thank you for your concern, Roberta. It’s touching. But right now I have other… There are problems. Besides, getting to Prava… What can I do?… There’s an old Russian sailor… An old lunatic… He needs to be naturalized.' There was a long pause at this point and Vladimir realized that in his haste he wasn’t making much sense. 'It’s a long story…' he began, 'but essentially… I need to… Oh God, what’s wrong with me?' 'Talk to me, you big bear!' Roberta encouraged him. 'Essentially, if I get this old lunatic his citizenship, he’ll set me up with his son in Prava.' 'Okay, then,' Roberta said. 'I definitely can’t get him his citizenship.' 'No,' Vladimir concurred. 'No, you can’t.' What was he doing talking to a sixteen-year-old? 'But,' Roberta said, 'I can get him the next best thing…
Gary Shteyngart (The Russian Debutante's Handbook)
Forget being hit or kicked—the real terror of my childhood was tiptoeing around trying to disguise all the precious resources I was using up. Sometimes a person’s damage is obvious: yelling, violence, defensiveness. But in some cases it looks like walking around with a plastic bag full of trash in your backpack when you didn’t spend last night at home because of a baseless worry that someone will look through it and hold its contents against you.
Samantha Irby (We Are Never Meeting in Real Life.)
is it?” “You’ll find out when you get here. Make it snappy, mate.” “Will do.” The man’s voice sounded unsure come the end. Ellen sat down in one of the plastic chairs and glanced up at the TV on the wall. Bloody soaps! What the heck anybody sees in them is beyond me. She reached for the evening paper from the small table and was engrossed in the headline story about objections to a new housing estate on the outskirts of Worcester when a bearded man came marching through the front door. She noticed the troubled look that travelled between the two men and stood up. The man on control introduced her to the driver. “This is Stan, the driver you were after.” “Nice to meet you, Stan. I’m Ellen Brazil from the Worcester Missing Persons Hotline.” The man frowned, then threw himself into the chair Ellen had just vacated. “What can I do for you?” “Last Friday, you picked up a couple of ladies around one in the morning. I suppose you’d class that as Saturday, to be fair. One lived out at Norton. The other—” “Over at St. John’s. That’s right. What about it?” He shoved his hands in the pockets of his jacket and looked at her through narrowed eyes. “One of the women went missing that night.” Ellen didn’t say anymore, just tested the water to see what his reaction would be. “And?” “And I wondered if you could throw any light on the woman’s disappearance.” The man leapt out of his seat and rushed toward her. “What the fuck are you accusing me of, lady?” “Take it easy, big man,” Den warned the driver. “All I’m asking is whether you saw anything suspicious? Anyone hanging around when you dropped the last woman off at home?” “No. I wasn’t looking for anyone, though. She was bloody drunk. I don’t
J. Carson Black (Mortal Crimes #1)