“
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer
“
What if you could meet your soul mate?" the ghost asked. "You 'd want to avoid that?"
"Hell, yes. The idea that there's one soul out there, waiting to merge with mine like some data-sharing program, depresses the hell out of me."
"It's not like that. It's not about losing yourself."
"Then what is it?" Alex was only half listening, still occupied with the viselike tightness of his chest.
"It's like your whole life you 've been falling toward the earth, until the moment someone catches you. And you realise that somehow you 've caught her at the same time. And together, instead of falling, you might be able to fly.
”
”
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
“
I think about going to the lake, but I'm so weak that I barely make it to my
meeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.
Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair
of lips.
”
”
Suzanne Collins
“
My headphones were both my therapist and my invisibility cloak.
”
”
Carley Fortune (Meet Me at the Lake)
“
Let me tell you something about me: I am extremely picky about people. Most of them, I don't particularly like. I have very high standards for the ones I let into my life these days. And you, Will Baxter, are my favorite of all of them.
”
”
Carley Fortune (Meet Me at the Lake)
“
THE INVITATION
by Oriah Mountain Dreamer
It doesn't interest me what you do for a living.
I want to know what you ache for, and if you
dare to dream of meeting your heart's longing.
It doesn't interest me how old you are.
I want to know if you will risk looking like a fool
for love,
for your dreams,
for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow,
if you have been opened by life's betrayals
or have become shriveled and closed from fear of future pain.
I want to know if you can sit with pain,
mine or your own,
without moving to hide it,
or fade it,
or fix it.
I want to know if you can be with joy,
mine or your own,
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us to be careful,
to be realistic,
to remember
the limitations of being human.
It doesn't interest me if the story you are telling
me is true.
I want to know if you can disappoint another to be true to yourself;
if you can bear the accusation of betrayal
and not betray your own soul;
if you can be faithless and therefore
trustworthy.
I want to know if you can see beauty even when it's not pretty,
every day,
and if you can source your own life from its presence.
I want to know if you can live with failure,
yours or mine,
and still stand on the
edge of the lake
and shout to the silver of the full moon, "yes!"
It doesn't interest me who you know, or how you came to be here.
I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied.
I want to know what sustains you,
from the inside,
when all else falls away.
I want to know if you can be alone
with your and if you truly like the company you keep
in the empty moments.
”
”
Oriah Mountain Dreamer
“
It’s not every day you decide to change your entire life.
”
”
Carley Fortune (Meet Me at the Lake)
“
The Doors
The End
This is the end, beautiful friend
This is the end, my only friend
The end of our elaborate plans
The end of ev'rything that stands
The end
No safety or surprise
The end
I'll never look into your eyes again
Can you picture what will be
So limitless and free
Desperately in need of
some strangers hand
In a desperate land
Lost in a Roman wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain
There's danger on the edge of town
Ride the king's highway
Weird scenes inside the goldmine
Ride the highway West baby
Ride the snake
Ride the snake
To the lake
To the lake
The ancient lake baby
The snake is long
Seven miles
Ride the snake
He's old
And his skin is cold
The west is the best
The west is the best
Get here and we'll do the rest
The blue bus is calling us
The blue bus is calling us
Driver, where you taking us?
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived
And then he paid a visit to his brother
And then he walked on down the hall
And he came to a door
And he looked inside
Father?
Yes son
I want to kill you
Mother, I want to.............
Come on, baby, take a chance with us
Come on, baby, take a chance with us
Come on, baby, take a chance with us
And meet me at the back of the blue bus
This is the end, beautiful friend
This is the end, my only friend
The end
It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end
”
”
Jim Morrison (The Doors: The Complete Lyrics)
“
You and me in one year, Fern Brookbanks. Don't let me down.
”
”
Carley Fortune (Meet Me at the Lake)
“
We will meet again
in the lake
you as water
I as lotus blossom
You will carry me
I will drink you
We will belong to each other
in everyone’s sight
Even the stars
will be surprised
here are two beings
transformed back
into their dream
that chose them.
”
”
Rose Ausländer
“
He tastes like coffee and maple syrup and coming home after a long day.
”
”
Carley Fortune (Meet Me at the Lake)
“
Why are we not satisfied when life mirrors itself peacefully in a deep lake? …How seldom do we now meet a person who can keep living so peacefully and cheerfully with himself even amidst the turmoil, saying to himself like Goethe: ‘The best is the deep quiet in which I live and grow against the world, and harvest what they cannot take from me by fire or sword.
”
”
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
“
You’re not an escape. You’re everything.
”
”
Carley Fortune (Meet Me at the Lake)
“
We’re not the same people we were at twenty-two. It’s okay to want different things.
”
”
Carley Fortune (Meet Me at the Lake)
“
It's not selfish to want something for yourself. It's human.
”
”
Carley Fortune (Meet Me at the Lake)
“
What a strange, jarring thing it was to be needed so vastly, to know that you could break someone irreversibly and that they would let you, because they’d rather be broken by your hands than not be touched by you at all.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
May I? My hands were asking. May I touch you? May I devote myself to you? May I take you in my arms and mold my body to yours? May I fall in love with you even if you never do?
”
”
Iris Lake (Meet Me in the Ether)
“
It was my mom who saved my life, but it was Will who helped me figure out how to make it my own.
”
”
Carley Fortune (Meet Me at the Lake)
“
I spent just one day with Will, and it changed my life I once thought he might be my soulmate. I thought he and I would be here together under very different circumstances.
”
”
Carley Fortune (Meet Me at the Lake)
“
Can you love me truly? Can you love me even when I’m cruel and wicked and violent? Can you love me even when I’m small and fearful and tender? Can you love me when I hate myself? Can you?
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Japhy,' I said out loud, 'I don't know when we'll meet again or what'll happen in the future, but Desolation, Desolation, I owe so much to Desolation, thank you forever for guiding me to the place where I learned it all. Now comes the sadness of coming back to cities and I've grown two months older and there's all that humanity of bars and burlesque shows and gritty love, all upsidedown in the void God bless them, but Japhy you and me forever we know, O ever youthful, O ever weeping.' Down on the lake rosy reflections of celestial vapor appeared, and I said 'God I love you' and looked up to the sky and really meant it. 'I have fallen in love with you, God. Take care of us all, one way or the other.'
To the children and the innocent it's all the same.
And in keeping with Japhy's habit of always getting down on one knee and delivering a little prayer to the camp we left, to the one in the Sierra, and the others in Marin, and the little prayer of gratitude he had delivered to Sean's shack the day he sailed away, as I was hiking down the mountain with my pack I turned and knelt on the trail and said 'Thank you, shack.' Then I hadded 'Blah,' with a little grin, because I knew that shack and that mountain would understand what that meant, and turned and went on down the trail back to this world.
”
”
Jack Kerouac (The Dharma Bums)
“
My girl,” he said, “I don’t care how long I’ll have to wait. A hundred years, a thousand years, a chance to find you in another life. Time does not apply to us. Because no matter how many times we’ll fall in love with other people, or how far apart we’ll be in the Cosmos, I know it in my soul, one day, we’ll find each other between the stars. I will be your last love. And you will be mine.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
A walking vice of a man, that was what he was. Looking at him was as much painful as it was addictive.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
Are you a hero or an idiot?”
I chuckled, shaking my head. “A bit of both.”
“A lover then,” she sighed.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
He locked you up to save his kingdom. I'd burn mine down to save you.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
I wish I cared about something the way you care about art.”
“You will. You just need time to find it.
”
”
Carley Fortune (Meet Me at the Lake)
“
Twice, Will has crashed into my world like a meteorite, and both times, I’ve been left hollowed out. Cratered.
”
”
Carley Fortune (Meet Me at the Lake)
“
Will tells me how lucky he is to have met his soulmate eleven years ago, and even luckier to have found me again. He tells me I'm his best friend. He tells me he never thought it was possible to be as happy as he is now, with me. He tells me I'm the bravest person he knows. He tells me he loves my loyalty and my playlists and my nose. He tells me he loves me best of all.
”
”
Carley Fortune (Meet Me at the Lake)
“
I’d never realized how fearful of an act it was, to love someone so absolutely that their physicality felt frail and watery to you, something that could simply slip between your fingers and be lost forever.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
One great thing about meeting someone you’ll likely never see again is that you can tell them anything about yourself without any consequences.” I shook my head. “Everything has a consequence.” I learned that when I was seventeen.
”
”
Carley Fortune (Meet Me at the Lake)
“
One great thing about meeting someone you’ll likely never see again is that you can tell them anything about yourself without any consequence.
”
”
Carley Fortune (Meet Me at the Lake)
“
I’ve never wanted anything for myself the way I want you. I’m completely in love with you.
”
”
Carley Fortune (Meet Me at the Lake)
“
I waited until the sun had sunk low in the sky. I waited for Will Baxter for hours.
”
”
Carley Fortune (Meet Me at the Lake)
“
But if you fuck my friend over again, I will drive to Toronto, and I will kill you.
”
”
Carley Fortune (Meet Me at the Lake)
“
You were there.” My voice cracks. He nods. “Yeah. I was there.
”
”
Carley Fortune (Meet Me at the Lake)
“
You painted a fern on a wall for me.
”
”
Carley Fortune (Meet Me at the Lake)
“
Yeah. I like how the space is so overwhelming, it makes you feel insignificant and alive at the same time. It basically forces you to take a deep breath. It’s the same way I feel when I look at the mountains out West.” I thought it was the loveliest thing I’d ever heard.
”
”
Carley Fortune (Meet Me at the Lake)
“
I asked the Warden why he never left this valley, why he didn’t get away from the prison and me and the ignorant young guards and the bells across the lake and all the rest of it. He had years of leave time he had never used. He said, “I would only meet more people.” “You don’t like any kind of people?” I said. We were talking in a sort of joshing mode, so I could ask him that. “I wish I had been born a bird instead,” he said. “I wish we had all been born birds instead.
”
”
Kurt Vonnegut Jr. (Hocus Pocus)
“
The gods I was assured craved our misery if not even conspired it. Joyful men had no need of praying and worship. A miserable man would fall on his knees. A desperate one would offer his life.
”
”
Iris Lake (Meet Me in the Ether)
“
Self-destruction is the most interesting thing we mortals do. We break ourselves one way so we don’t die from another. We cover pain with pain and then we escape in the normalcy of our suffering.
”
”
Iris Lake (Meet Me in the Ether)
“
I always thought abuse hurt the perpetrator as much as the victim. You could heal from the things that were done to you, but the things you did were irreversible, they transformed you completely.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
Translations "Voulez-vous boire un verre, mademoiselle?" Would you like another drink, Miss? “Si vous comprenez, retrouvez-moi dans le placard dans dix minutes.” If you understand, meet me in the closet in ten minutes. “Je comprends. Et je décline votre offre.” I do understand. And I decline your offer.
”
”
Keri Lake (Nocticadia)
“
I’ve always known the contours of your existence, the form you take between the stars. You are the inception and destruction of my sky. I will always be able to recognize you, even in the abysmal darkness.
”
”
Iris Lake (Meet Me in the Ether)
“
Oh,bleep no. "Jack! What are you-"
He lit both wicks and grabbed one of the bottles. Grinning maniacally at me, he turned and hurled his bottle. It spun lazily,a trail of light until it disappeared behind the deck of the ship.Maybe it wouldn't work.Maybe-
A massive fireball billowed up, scorching the air and flowering along the boat.
"Evie?You might want to throw that thing."
I looked down in horror at my own burning Molotov cocktail,then flung it as far from myself as I could. It smashed against the side of the boat, most of the falmes falling down into the silver water.
Which proceeded to catch fire.
"Wow.Didn't expect that!" Jack nodded appreciatively as the flames spread, eating their way outward along the top of the lake.The boat,now engulfed, creaked and groanded its death cries. "Adding a touch of faerie liguor to the petrol gave it the extra kick,I think."
An unearthly shriek ripped through the air, jarring me to the bones.I did not want to meet the owner of that voice.
Jack laughed,taking my trembling hand. "This is the part where we run.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
I knew then, I loved her. Not for the other lives we’ve lived, for the other times we’ve loved, but for this one, this version of herself that made me want to be here, in the so very expansive and daunting now. I loved her, suspended in eternity.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing.
It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy.
I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer (The Invitation)
“
Then I read her diary, and I became a human wrecking ball.
”
”
Carley Fortune (Meet Me at the Lake)
Carley Fortune (Meet Me at the Lake)
“
I rue the day he was born. I rue the people who held each other close nine months before that. I do a lot of rue-ing as I lie there. I
”
”
Carley Fortune (Meet Me at the Lake)
“
Power is an inexhaustible source of corruption. And you, love, have way too much of it.
”
”
Iris Lake (Meet Me in the Ether)
“
Vorrei che parlasse con me.
”
”
Carley Fortune (Meet Me at the Lake)
“
I really thought I could be strong in this life. That I could let you go. That I wouldn’t fall in love with you. Gods, look at me. I’m not falling. I’m capitulating to you.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
I'd asked him to make me a weapon, and that was how I felt in his hands; an iron girl, a bullet, a blade. He was fire and he was smelting me.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
I really like doing nothing with you, Orion. There aren’t many people you can do nothing with, you know.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
He locked you up to save his kingdom. I would burn mine down to save you.
”
”
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
“
I will not be the girl that teeters on the edge between love and abuse and finds it romantic.
”
”
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
“
I think that day with Fern was the most exciting thing that happened to me.
”
”
Carley Fortune (Meet Me at the Lake)
“
I know you’re not ready right now, honey, but I think one day you’ll find your heart’s too big for just you.
”
”
Carley Fortune (Meet Me at the Lake)
“
Likes: coffee, music, walking.” I glanced at Will. “The basics.” “The fundamentals,” he corrected.
”
”
Carley Fortune (Meet Me at the Lake)
“
Will Baxter and me, making plans for the future, the dreams that we’ll share.
”
”
Carley Fortune (Meet Me at the Lake)
“
But now Will is there when I come home. While he cooks dinner, he reminds me of all the things I’ve accomplished and how much I love what I do,
”
”
Carley Fortune (Meet Me at the Lake)
“
You’re thinking about feeding me to the fyredrakes again, aren’t you? Perhaps I should meet these terrible beasts, so I can truly appreciate your threat without rolling my eyes.
”
”
Keri Lake (Anathema (The Eating Woods, #1))
“
The silence was perhaps the very definition of us. We would get enthralled in the clutches of an arbitrary, impalpable almost. An almost kiss. An almost truth. An almost surrender. We were never nothing, never something. We were ever stuck in a lethargic, amorphous in-between. Until all the unsaid things transformed into misshapen interpretations of ourselves. A severe interruption between who we were and who we could have been. Until the silence became an atrocity. Something unbeatable and grotesque. And we would have to turn away from it, so we didn’t have to look at what we’d done.
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
Abundance of the Heart. He describes an experience with nature and his father. An environment of trust can have to do with a special experience, a place, another person, or people.
My first real discovery of nature in life came one morning in April 1916. My father put me on the back of his bike, where I had a little seat, and said, "Off we go." And then he turned in the wrong direction for I thought he was taking me down to Quakers' meeting--it was a Sunday. "No," he said, "we are going somewhere else today." And we rode for about eight miles, and we stopped at a wood. . . . We went into the wood; and there, suddenly, was a great pool of bluebells stretching for perhaps a hundred yards in the shade of the oak trees. And I could scarcely breathe because the impression was so great. The experience then was just the bluebells and the scent; now, when I recall it, it is also the love of my father who chose to do that that morning--to give me that experience. I am sure he had been there the day before, found it, and thought, "I'll take my son there." As we rode there and as we rode back, we heard the distant thud of the guns at the Battle of the Somme, where thousands were dying every day. That overwhelming experience of a natural phenomenon, a demonstration of beneficent creation, and at the same time hearing those guns on the Somme--that experience has remained with me almost more clearly than anything else in my life. [The Abundance of the Heart (Salt Lake City: Bookcraft, 1986), p. 88]
”
”
Arthur Henry King
“
I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers.
Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together.
There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force.
Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . .
Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no.
One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak.
Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates.
Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.
”
”
Dieter F. Uchtdorf
“
He was there everynight, to make me laugh, to make me blush, to make a girl that couldn't dream, dream of a thousand different lives with him. He was the unwavering rock to lean on the nights when breathing felt insufferable. He was the voice and I was the echo.
”
”
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
“
Let’s pretend that you trust me and that I forgive you. Let’s stay in this room and confess all of our sins and only leave when we’re ready to be ourselves out in the world. Let’s make love until our bodies ache so we don’t feel our hearts breaking. Let’s pretend.
”
”
Iris Lake (Meet Me in the Ether)
“
It doesn’t interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart’s longing.
It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.
It doesn’t interest me
what planets are
squaring your moon...
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life’s betrayals
or have become shrivelled and closed
from fear of further pain.
I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it.
I want to know
if you can be with joy
mine or your own
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us
to be careful
to be realistic
to remember the limitations
of being human.
It doesn’t interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.
I want to know if you can see Beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.
I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
“Yes.”
It doesn’t interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.
It doesn’t interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.
It doesn’t interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.
I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments.
”
”
Oriah Mountain Dreamer
“
would you like to
meet him there, in Heaven? Imagine a room,
a sudden glow. Here is my hand, my heart,
my throat, my wrist. Here are the illuminated
cities at the center of me, and here is the center
of me, which is a lake, which is a well that we
can drink from, but I can't go through with it.
I just don't want to die anymore.
”
”
Richard Siken (Crush)
“
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
”
”
B.B. Reid (Fearless (Broken Love, #5))
“
Over the next twelve months, I’d remember the smile that took over
Will’s face. I’d close my eyes and picture that very moment. The bend of
his lips, the surprise in his eyes, the faint lines at their corners. It was
electric.
“You and me in one year, Fern Brookbanks,” he said. “Don’t let me
down.”
And then Will Baxter turned around and walked out of my life.
”
”
Carley Fortune (Meet Me at the Lake)
“
I think it IS you. That's why I asked you to meet me. I'm sorry if I gave you the wrong idea.' He allowed himself one final chuckle-this crazy business!-then brushed the smile off his face with his hand. 'You'd have to go immediately. Can you do that? Do you have anything else going on?'
I shook my head. Having played easy to get, I forfeited the chance to play hard to get.
”
”
Ann Patchett (Tom Lake)
“
He leans forward, twisting his ring. 'You do that a lot,' I say. Will assesses me from the corner of his eye. 'Who gave it to you?' 'My grandmother,' he says after a moment. 'It was my grandfather's.' 'You were close.' 'With my grandmother, yeah. You remember?' A hint of a smile graces his lips, and I want to hook my thumbs on the corner of his mouth and pull the edges up higher. 'Of course,' I say quietly. 'I remember everything.
”
”
Carley Fortune (Meet Me at the Lake)
“
I always thought I would have to change myself wholly to be accepted. But then you came along, and you made me realize that I don’t have to change or be perfect to be loved. I just have to want to be better. So, Orion, see me as I am now, and tell me. Can you love me truly? Can you love me even when I’m cruel and wicked and violent? Can you love me even when I’m small and fearful and tender? Can you love me when I hate myself? Can you?
”
”
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
“
Grover: Oh, um—well, it’s a little embarrassing. I got this request once from a muskrat who wanted to hear “Muskrat Love.” Well ... Ilearned it, and I have to admit I enjoy playing it. Honestly, it’s not just for muskrats anymore! It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me. Who would you least like to meet in a dark alley—a Cyclops or an angry Mr. D? Grover: Blah-hah-hah! What kind of question is that? Um—well... I’d much rather meet Mr. D, obviously, because he’s so . . . er, nice. Yes, kind and generous to all us satyrs. We all love him. And I’m not just saying that because he’s always listening, and he would blast me to pieces if I said anything different. In your opinion, what’s the most beautiful spot in nature in all of America? Grover: It’s amazing there are any nice spots left, but I like Lake Placid in upstate New York. Very beautiful, especially on a winter day! And the dryads up there—wow! Oh, wait, can you edit that part out? Juniper will kill me. Are tin cans really that tasty? Grover: My old granny goat used to say, “Two cans a day keep the monsters away.” Lots of minerals, very filling, and the texture is wonderful. Really, what’s not to like? I can’t help it if human teeth aren’t built for heavy-duty dining. Interview with PERCY JACKSON, Son of Poseidon What’s your favorite part about summers at
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
I’d made a point of meeting our closest neighbors the first week we moved in, because it seemed like a good precaution to assess them early for threats, or as possible resources in an emergency. I don’t count the Johansens as either. They are just . . . there. Most people just take up space anyway. The whisper comes and goes in my head, and it frightens me, because I hate remembering Melvin Royal’s voice. That was nothing he’d ever said at home, ever said to me, but I’d seen the video of him saying it at the trial. He’d said it utterly casually about the women he’d torn apart.
”
”
Rachel Caine (Stillhouse Lake (Stillhouse Lake, #1))
“
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace.
Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops.
One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward.
It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . .
I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place.
The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best.
It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt.
But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing.
Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
”
”
D. Todd Christofferson
“
Do you know about twin souls? It’s a theory that we all have a twin soul, a soul identical to ours that we meet out there in our lives when we’re ready. We fall for them because we connect so deeply on a physical, spiritual, and mental level, but the twin soul is not a sexual relationship. Sex is crude. Primitive. The twin soul is far deeper, and the train wrecks of marriages you see are from people trying to make a romantic relationship work with their twin souls, rather than recognizing it’s deeper than that. Your soul mate, who you should be in a romantic relationship with, and your twin soul, who you should be in a spiritual relationship with, are not the same thing. But when you meet your twin soul, it’s like the rest of the world disappears, and there’s nothing you want more than to be with them.” She paused and seemed lost in thought a moment. “I was Edward’s twin soul. You must have really had a hold on him for him to not even be tempted to make love to me.
”
”
Victor Methos (Crimson Lake Road (Desert Plains, #2))
“
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
”
”
Pat Conroy (South of Broad)
“
I do not know the substance of the considerations and recommendations which Dr. Szilárd proposes to submit to you,” Einstein wrote. “The terms of secrecy under which Dr. Szilárd is working at present do not permit him to give me information about his work; however, I understand that he now is greatly concerned about the lack of adequate contact between scientists who are doing this work and those members of your Cabinet who are responsible for formulating policy.”34 Roosevelt never read the letter. It was found in his office after he died on April 12 and was passed on to Harry Truman, who in turn gave it to his designated secretary of state, James Byrnes. The result was a meeting between Szilárd and Byrnes in South Carolina, but Byrnes was neither moved nor impressed. The atom bomb was dropped, with little high-level debate, on August 6, 1945, on the city of Hiroshima. Einstein was at the cottage he rented that summer on Saranac Lake in the Adirondacks, taking an afternoon nap. Helen Dukas informed him when he came down for tea. “Oh, my God,” is all he said.35 Three days later, the bomb was used again, this time on Nagasaki. The following day, officials in Washington released a long history, compiled by Princeton physics professor Henry DeWolf Smyth, of the secret endeavor to build the weapon. The Smyth report, much to Einstein’s lasting discomfort, assigned great historic weight for the launch of the project to the 1939 letter he had written to Roosevelt. Between the influence imputed to that letter and the underlying relationship between energy and mass that he had formulated forty years earlier, Einstein became associated in the popular imagination with the making of the atom bomb, even though his involvement was marginal. Time put him on its cover, with a portrait showing a mushroom cloud erupting behind him with E=mc2 emblazoned on it. In a story that was overseen by an editor named Whittaker Chambers, the magazine noted with its typical prose flair from the period: Through the incomparable blast and flame that will follow, there will be dimly discernible, to those who are interested in cause & effect in history, the features of a shy, almost saintly, childlike little man with the soft brown eyes, the drooping facial lines of a world-weary hound, and hair like an aurora borealis… Albert Einstein did not work directly on the atom bomb. But Einstein was the father of the bomb in two important ways: 1) it was his initiative which started U.S. bomb research; 2) it was his equation (E = mc2) which made the atomic bomb theoretically possible.36 It was a perception that plagued him. When Newsweek did a cover on him, with the headline “The Man Who Started It All,” Einstein offered a memorable lament. “Had I known that the Germans would not succeed in producing an atomic bomb,” he said, “I never would have lifted a finger.”37 Of course, neither he nor Szilárd nor any of their friends involved with the bomb-building effort, many of them refugees from Hitler’s horrors, could know that the brilliant scientists they had left behind in Berlin, such as Heisenberg, would fail to unlock the secrets. “Perhaps I can be forgiven,” Einstein said a few months before his death in a conversation with Linus Pauling, “because we all felt that there was a high probability that the Germans were working on this problem and they might succeed and use the atomic bomb and become the master race.”38
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
He couldn’t believe his ears. She was rambling on about nonsense, and he needed to put a stop to it. “I don’t want to change you—” She cut him off. “From the day you came to the workshop, you told me I should sell the company and go to the south of France to celebrate. That I should wear my hair down and quit being a howling mass of anxiety. Zack, I don’t want to go to the south of France. I want to turn the clock back and reconstruct my life exactly as it was before the fire. I want my workshop back. I want to make watches and know what is on the schedule for the next day, next month, next year. I need order and stability.” His fist clenched around the leather sack. She was trying to cut him out of her life, and he wouldn’t let her. “And what about Colonel Lowe?” he demanded. “Is Colonel Lowe among the things you want?” She stiffened and couldn’t meet his eyes. “Richard means a lot to me,” she said softly. Richard. So he wasn’t even Colonel Lowe to her. A wave of heat crashed through his body, and he wanted to break something. He stood and stalked a few feet closer to the lake. He couldn’t bear to sit beside Mollie while she talked about another man, but she hadn’t stopped speaking. “Richard and I are very much alike,” she said. “I feel . . . safe with him. I don’t need to change to suit him.” “I don’t want to change you,” he said through clenched teeth. Where did she get these insane ideas? He could feel her slipping away from him, like water dribbling out of his cupped hands, and there was nothing he could do to stop it from draining away. “Please let me go,” she said. “I need to move on with the rest of my life, and I can’t do that with you in it. The notes need to stop. And the visits. I will be forever grateful for what you did for me on the night of the fire, but, Zack . . . that’s all there is. It was gratitude and the temporary rush of insanity because I was glad to be alive. You and I will never work.
”
”
Elizabeth Camden (Into the Whirlwind)
“
It doesn’t interest me what you do for a living.
I want to know what you ate for, and if you dare to dream of meeting your heart’s longing.
It doesn’t interest me how old you are. I want to know if you still risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the centre of your own sorrow, if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy.
I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back.
It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer (The Invitation)
“
…and then Aerin caught a sudden whiff of smoke as from, and then the smell of cooking. She sat down hard, but Talat’s ears flicked back at her. What do you mean stop here? and went on. And there was a small campfire, tucked in the curve of the trail where there was a little clearing and a stream curving around the other side.
“Good day to you,” said Luthe.
Talat whickered a greeting, and Aerin slid off him and he went forward alone to nose Luthe's hands and browse his hair. “I thought you never left your hall and your lake,” said Aerin.
“Rarely,” said Luthe. “In fact, increasingly exceedingly rarely. But I can be prodded from time to time by extraordinary circumstances.”
Aerin smiled faintly. “You have plenty to choose from here recently.”
“Yes.”
“May I ask, which particular circumstance was sufficiently extraordinary in this case?”
“Aerin—” Luthe paused, and then his voice took on its bantering tone again. “I thought you might like to be dragged back to the present, that you might arrive in time to give Tor his Crown and end the siege; and of course now instead of a few hundred years hence there is no jungle to be compelled to claw your way through. I’ve no doubt you could have done it, but it would have put you in a foul temper, and you would have been in a fouler one by the time you came back to the Lake of Dreams—assuming you would still have had the sense to to make your way there, not in your case something one can count on. You would have needed my assistance to regain your own time—if lighting a little fire made you see double, charging about in time without assistance would have blinded you for good—the longer you’re out of it, the harder it would have been to get you back in. So I came to meet you.”
Aerin stared at the fire, for she couldn’t think at all when she looked at Luthe. “I really was a long time climbing, then,” she said.
“Yes,” said Luthe. “A very long time.”
“And a very long time falling.”
“And a very long time falling.”
Aerin said nothing more while she pulled Talat’s saddle off and dropped it by the fire, and rubbed his back dry, and checked his feet for small stones. “I suppose I should forgive you, then, for making me other than mortal,” she said.
“You might. I would appreciate it if you did.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Glass"
In every bar there’s someone sitting alone and absolutely absorbed
by whatever he’s seeing in the glass in front of him,
a glass that looks ordinary, with something clear or dark
inside it, something partially drunk but never completely gone.
Everything’s there: all the plans that came to nothing,
the stupid love affairs, and the terrifying ones, the ones where actual happiness
opened like a hole beneath his feet and he fell in, then lay helpless
while the dirt rained down a little at a time to bury him.
And his friends are there, cracking open six-packs, raising the bottles,
the click of their meeting like the sound of a pool cue
nicking a ball, the wrong ball, that now edges, black and shining,
toward the waiting pocket. But it stops short, and at the bar the lone drinker
signals for another. Now the relatives are floating up
with their failures, with cancer, with plateloads of guilt
and a little laughter, too, and even beauty—some afternoon from childhood,
a lake, a ball game, a book of stories, a few flurries of snow
that thicken and gradually cover the earth until the whole
world’s gone white and quiet, until there’s hardly a world
at all, no traffic, no money or butchery or sex,
just a blessed peace that seems final but isn’t. And finally
the glass that contains and spills this stuff continually
while the drinker hunches before it, while the bartender gathers
up empties, gives back the drinker’s own face. Who knows what it looks like;
who cares whether or not it was young once, or ever lovely,
who gives a shit about some drunk rising to stagger toward
the bathroom, some man or woman or even lost
angel who recklessly threw it all over—heaven, the ether,
the celestial works—and said, Fuck it, I want to be human?
Who believes in angels, anyway? Who has time for anything
but their own pleasures and sorrows, for the few good people
they’ve managed to gather around them against the uncertainty,
against afternoons of sitting alone in some bar
with a name like the Embers or the Ninth Inning or the Wishing Well?
Forget that loser. Just tell me who’s buying, who’s paying;
Christ but I’m thirsty, and I want to tell you something,
come close I want to whisper it, to pour
the words burning into you, the same words for each one of you,
listen, it’s simple, I’m saying it now, while I’m still sober,
while I’m not about to weep bitterly into my own glass,
while you’re still here—don’t go yet, stay, stay,
give me your shoulder to lean against, steady me, don’t let me drop,
I’m so in love with you I can’t stand up.
Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
”
”
Kim Addonizio (Tell Me)
“
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder.
“I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other.
The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.”
“We shall soon find out.”
In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?”
The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon.
“Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.”
Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!”
Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“
“Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music.
“Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?”
Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening.
“I cannot escort you there,” he said flatly.
Her smile faded. “Why not?”
“Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.”
Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?”
“That was part of the reason.”
“What was the rest of it?” she asked curiously.
His chuckle was grim. “Call it a well-developed instinct for self-preservation.”
“What?”
“Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.”
Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?”
“Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.”
A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public.
“I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.”
“Then where?”
“In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts.
"Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Cage gestured to my running leg. “Testing a new leg?”
I shook my head. “Underwear.”
His brow wrinkled and the guys behind him inched a bit closer, ears perked.
“What?” Cage asked.
“My favorite underwear has been discontinued. I’m trying a new brand and the best way to test them out is to go for a jog. I want to know before I buy ten pairs if they’re going to ride up on me. I’m not a thong girl. I don’t like anything shoved up my ass.”
His cheeks turned red while taking a hard swallow. The fishing crew tried and failed to hide their chuckling. One of the guys slapped him on the shoulder.
“We’ll meet you out front.” He cleared his throat. “Our condolences on the ass news.”
That sparked a new round of laughter as the guys piled onto the elevator. When the doors shut, Cage pursed his lips and sighed. “Thanks for that.”
I shrugged. “What?”
“What …” It’s possible his intention was to be serious or maybe upset, but he couldn’t finish his thought without rubbing his hand over his mouth to hide his smirk. “You don’t like ‘anything shoved up your ass.’ Really, Lake?” Rolling his eyes to the ceiling, he shook his head.
“So you’re big into fishing, huh?”
“Don’t change the subject.” He narrowed his eyes at me. Too bad he still couldn’t keep a straight face. It would have given his case a lot more merit. Those were favorite moments of mine, when he was ninety percent sure my actions were an embarrassing side effect of my Sahara Desert humor, yet still ten percent holy-shit-she’s-serious.
I loved that ten percent. I worked my ass off for that ten percent.
“I’m sorry, what was the subject? Oh yeah, things I don’t like in my crack. Sounds like a Jeopardy category or a Family Feud survey. ‘Name something Lake Jones does not like up her crack. Underwear. Survey says? Ding ding ding … ninety-four people surveyed said underwear, the other six said cock. And I do believe those six lascivious idiots are downstairs waiting for you.”
Cage observed me; it was never just a stare or a lingering look. His eyes narrowed a fraction, but never lost their sparkle. The wetting of his lips was always followed by biting them together like he refused to speak until he’d figured me out. And just before he spoke, his dimples surrendered to his impending grin.
“I’m going to text you an address. Meet me there in three hours.”
“What if I haven’t sorted through this underwear situation by then?” My head tilted to the side as my poker face slipped a bit, revealing my own impending grin.
“Hmm …” He pulled me to him, his hands easing into the back of my running shorts. “Don’t fret over it,” he whispered before sucking my earlobe into his mouth.
My lips parted, and eyes closed, as I held onto his biceps to keep my knees from buckling.
“Panties are optional.”
Three words and my knees buckled. Thankfully—not really thankful at all—he fisted the back of my new panties and yanked up. My hero? No. The wedgie was underway a few seconds before my knees gave out.
I gasped.
He smirked.
“I think you should consider getting used to the idea—the feeling—of something in that sexy ass of yours.”
Not much left me speechless, but my first non-brother-male-induced wedgie left me with cow eyes and a numb tongue.
He winked just before the elevator doors shut.
”
”
Jewel E. Ann (One)
“
If, for example, you and I were anteaters, rather than two people sitting in the corner of a bar, I might feel more comfortable with your silence, with your motionless hands holding your glass, with your glazed fish eyes fixing now on my balding head and now on my navel, we might be able to understand each other better in a meeting of restless snouts sniffing halfheartedly at the concrete for nonexistent insects, we might come together, under cover of darkness, in acts of sexual coitus as sad as Lisbon nights, when the Neptunes in the lakes slough off the mud and slime and scan the deserted squares with blank, eager, rust-colored eyes. Perhaps you would finally tell me about yourself. Perhaps behind your Cranach brow there lies sleeping a secret fondness for rhinoceroses. Perhaps, if you felt my body, you would discover that I had been suddenly transformed into a unicorn, and I would embrace you, and you would flap startled arms, like a butterfly transfixed by a pin, your voice grown husky with desire. We would buy tickets for the train that travels around the zoo, from creature to creature, with its clockwork engine, an escapee from some provincial haunted castle, and we would wave, as we passed, at the grotto-cum-crib of those recycled carpets—the polar bears. We would observe with an ophthalmological eye the baboons' anal conjunctivitis, like eyelids inflamed with combustible hemorrhoids. We would kiss outside the lions' den, where the lions—moth-eaten old overcoats—would curl their lips to reveal toothless gums. I would stroke your breasts in the oblique shade cast by the foxes, you would buy me an ice cream on a stick from the clowns' enclosure, where they, eyebrows permanently arched, exchanged blows to the tragic accompaniment of a saxophone. And that way we would have recovered a little of the childhood that belongs to neither of us and that insists on whizzing down the children's slide with a laugh that reaches us now as an occasional faint, almost angry echo.
”
”
António Lobo Antunes (Os Cus de Judas)
“
I want him to be okay. I want us to be okay. I want more than okay. The reality of what I want with Will crashes into me with such a force I have to sit down.
”
”
Carley Fortune (Meet Me at the Lake)
“
I don’t want to be with someone who keeps parts of their life separate from me. I don’t want to be an escape. I want to be the reality.
”
”
Carley Fortune (Meet Me at the Lake)
“
I am one of seven women—three of us white—in the office of CORE (the Congress of Racial Equality); at a joint meeting with SNCC (the Student Nonviolent Coordinating Commit- tee). More than twenty men, black and white, are present, run- ning the meeting. Three civil-rights workers—one black man and two white men—have disappeared in Mississippi, and the groups have met over this crisis. (The lynched bodies of the three men—James E. Chaney, Andrew Goodman, and Michael Schwerner—are later found, tortured to death.) Meanwhile, the FBI, local police, and the National Guard have been dredging lakes and rivers in search of the bodies. During the search, the mutilated parts of an estimated seventeen different human bodies are found. All of us in the New York office are in a state of shock. As word filters in about the. difficulty of identifying mutilated bodies long decomposed, we also learn that all but one of the unidentified bodies are female. A male CORE leader mutters, in a state of fury, ““There’s been a whole goddamned lynching we never even knew about. There’s been some brother disappeared who never even got reported.”
My brain goes spinning. Have I heard correctly? Did he mean what I think he meant? If so, is it my racism showing itself in that I am appalled? Finally, I hazard a tentative question. Why one lynching? What about the sixteen unidentified female bodies? What about -
Absolute silence. The men in the room, black and white, stare at me. The women in the room, black and white, stare at the floor. Then the answer comes, in a tone of impatience, as if I were politically retarded. "Those were obviously sex murders. Those weren't political."
I fall silent.
”
”
Robin Morgan (The Demon Lover)
“
I tell her I can’t wait to meet her, but that I don’t need to meet her to know I will never love another person as much as I love my daughter.
”
”
Carley Fortune (Meet Me at the Lake)
“
Meet. Dandelion, ask me where we got the meat. I won't because I know that joke. Don't be a swine. Where did you get the meat? Crawled here itself.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher Book 7 / The Witcher Saga Novels Book 5))
“
Andrew is about to sign his papers,” I said. I took a breath, focusing on the blank TV screen across from me. “We have an option to go to Washington.” I felt the vise tighten. This was the first time I’d mentioned this to her. I felt her look at me. “You do? Oh my god, you totally should!” I turned to meet her eyes. “I should?” “Yes, it’s gorgeous. I actually dated this Marine who was stationed there. He was an asshole, but I loved it. He lived right on this beautiful lake surrounded by mountains.” “But what about how I’m not allowed to leave?” I asked. “Oh, Simone,” she said, and her eyes had a sudden shine. “It’s hard to imagine you not being a mile away. But it’s how it is, right? We won’t be here forever either.
”
”
Simone Gorrindo (The Wives: A Memoir)
“
He took a long pull, eyes half-closed, hand wrapped over the top of the joint, and I thought it was probably the sexiest thing I’d witnessed.
”
”
Carley Fortune (Meet Me at the Lake)
“
I’m not sure what’s more ridiculous, the fact that you think the water will get in your little pussy or you calling the lake water yucky.”
“Do you have to be crass?”
“Crass would be calling it cunt, I didn’t. What do you want me to call it?”
“I’M IN A MEETING.”
“It’s a question, don’t shout at me.”
“Vagina. It’s called vagina.”
“That’s boring and… is that what Tom called it when he licked your pussy? Can I taste your vagina?
”
”
Kendall Hale (About That One Night (Happily Ever Mishaps Book, #3))
“
What will you do, my lady?' Moonlight kissed the apple of his cheekbone as he tilted his head once more. 'You have no shadowstone dagger to threaten me with.'
'I don't need a dagger,' I said, my voice thready. 'And I'm not a lady.'
His head straightened. 'No, I imagine not, considering you're nude in a lake with an unfamiliar man, whose lip you bit upon meeting, and have seen the bare backs of many sailors. I was only being polite.'
My lip curled at the presumed insult. I knew I should let it go. Keep my mouth shut, but I didn't. I hadn't in three years, and my inability to do so had grown and festered into an incurable disease. The kind that provoked further, dangerous recklessness. 'What I am is a Princess who is nude in a lake with an unfamiliar man and has seen the bare backs of men,' I told him, speaking the forbidden. 'And you, with each passing moment, are getting closer to no longer having the ability to see anyone's unmentionable places ever again.
”
”
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
“
I had thought what I felt for Will was physical
attraction, but it was more than that—it was so much worse.
”
”
Carley Fortune (Meet Me at the Lake)