Meet Me At The Lake Quotes

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It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
What if you could meet your soul mate?" the ghost asked. "You 'd want to avoid that?" "Hell, yes. The idea that there's one soul out there, waiting to merge with mine like some data-sharing program, depresses the hell out of me." "It's not like that. It's not about losing yourself." "Then what is it?" Alex was only half listening, still occupied with the viselike tightness of his chest. "It's like your whole life you 've been falling toward the earth, until the moment someone catches you. And you realise that somehow you 've caught her at the same time. And together, instead of falling, you might be able to fly.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
I think about going to the lake, but I'm so weak that I barely make it to my meeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me. Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair of lips.
Suzanne Collins
THE INVITATION by Oriah Mountain Dreamer It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours or mine, and still stand on the edge of the lake and shout to the silver of the full moon, "yes!" It doesn't interest me who you know, or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with your and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end
Jim Morrison (The Doors: The Complete Lyrics)
Let me tell you something about me: I am extremely picky about people. Most of them, I don't particularly like. I have very high standards for the ones I let into my life these days. And you, Will Baxter, are my favorite of all of them.
Carley Fortune (Meet Me at the Lake)
My headphones were both my therapist and my invisibility cloak.
Carley Fortune (Meet Me at the Lake)
We will meet again in the lake you as water I as lotus blossom You will carry me I will drink you We will belong to each other in everyone’s sight Even the stars will be surprised here are two beings transformed back into their dream that chose them.
Rose Ausländer
He tastes like coffee and maple syrup and coming home after a long day.
Carley Fortune (Meet Me at the Lake)
Why are we not satisfied when life mirrors itself peacefully in a deep lake? …How seldom do we now meet a person who can keep living so peacefully and cheerfully with himself even amidst the turmoil, saying to himself like Goethe: ‘The best is the deep quiet in which I live and grow against the world, and harvest what they cannot take from me by fire or sword.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
It’s not every day you decide to change your entire life.
Carley Fortune (Meet Me at the Lake)
You’re not an escape. You’re everything.
Carley Fortune (Meet Me at the Lake)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
May I? My hands were asking. May I touch you? May I devote myself to you? May I take you in my arms and mold my body to yours? May I fall in love with you even if you never do?
Iris Lake (Meet Me in the Ether)
You and me in one year, Fern Brookbanks. Don't let me down.
Carley Fortune (Meet Me at the Lake)
We’re not the same people we were at twenty-two. It’s okay to want different things.
Carley Fortune (Meet Me at the Lake)
Can you love me truly? Can you love me even when I’m cruel and wicked and violent? Can you love me even when I’m small and fearful and tender? Can you love me when I hate myself? Can you?
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
Japhy,' I said out loud, 'I don't know when we'll meet again or what'll happen in the future, but Desolation, Desolation, I owe so much to Desolation, thank you forever for guiding me to the place where I learned it all. Now comes the sadness of coming back to cities and I've grown two months older and there's all that humanity of bars and burlesque shows and gritty love, all upsidedown in the void God bless them, but Japhy you and me forever we know, O ever youthful, O ever weeping.' Down on the lake rosy reflections of celestial vapor appeared, and I said 'God I love you' and looked up to the sky and really meant it. 'I have fallen in love with you, God. Take care of us all, one way or the other.' To the children and the innocent it's all the same. And in keeping with Japhy's habit of always getting down on one knee and delivering a little prayer to the camp we left, to the one in the Sierra, and the others in Marin, and the little prayer of gratitude he had delivered to Sean's shack the day he sailed away, as I was hiking down the mountain with my pack I turned and knelt on the trail and said 'Thank you, shack.' Then I hadded 'Blah,' with a little grin, because I knew that shack and that mountain would understand what that meant, and turned and went on down the trail back to this world.
Jack Kerouac (The Dharma Bums)
What a strange, jarring thing it was to be needed so vastly, to know that you could break someone irreversibly and that they would let you, because they’d rather be broken by your hands than not be touched by you at all.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
It was my mom who saved my life, but it was Will who helped me figure out how to make it my own.
Carley Fortune (Meet Me at the Lake)
A walking vice of a man, that was what he was. Looking at him was as much painful as it was addictive.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
Are you a hero or an idiot?” I chuckled, shaking my head. “A bit of both.” “A lover then,” she sighed.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
I spent just one day with Will, and it changed my life I once thought he might be my soulmate. I thought he and I would be here together under very different circumstances.
Carley Fortune (Meet Me at the Lake)
My girl,” he said, “I don’t care how long I’ll have to wait. A hundred years, a thousand years, a chance to find you in another life. Time does not apply to us. Because no matter how many times we’ll fall in love with other people, or how far apart we’ll be in the Cosmos, I know it in my soul, one day, we’ll find each other between the stars. I will be your last love. And you will be mine.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
I’d never realized how fearful of an act it was, to love someone so absolutely that their physicality felt frail and watery to you, something that could simply slip between your fingers and be lost forever.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
It's not selfish to want something for yourself. It's human.
Carley Fortune (Meet Me at the Lake)
He locked you up to save his kingdom. I'd burn mine down to save you.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
I wish I cared about something the way you care about art.” “You will. You just need time to find it.
Carley Fortune (Meet Me at the Lake)
I asked the Warden why he never left this valley, why he didn’t get away from the prison and me and the ignorant young guards and the bells across the lake and all the rest of it. He had years of leave time he had never used. He said, “I would only meet more people.” “You don’t like any kind of people?” I said. We were talking in a sort of joshing mode, so I could ask him that. “I wish I had been born a bird instead,” he said. “I wish we had all been born birds instead.
Kurt Vonnegut Jr. (Hocus Pocus)
The gods I was assured craved our misery if not even conspired it. Joyful men had no need of praying and worship. A miserable man would fall on his knees. A desperate one would offer his life.
Iris Lake (Meet Me in the Ether)
I always thought abuse hurt the perpetrator as much as the victim. You could heal from the things that were done to you, but the things you did were irreversible, they transformed you completely.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
Self-destruction is the most interesting thing we mortals do. We break ourselves one way so we don’t die from another. We cover pain with pain and then we escape in the normalcy of our suffering.
Iris Lake (Meet Me in the Ether)
I’ve always known the contours of your existence, the form you take between the stars. You are the inception and destruction of my sky. I will always be able to recognize you, even in the abysmal darkness.
Iris Lake (Meet Me in the Ether)
Oh,bleep no. "Jack! What are you-" He lit both wicks and grabbed one of the bottles. Grinning maniacally at me, he turned and hurled his bottle. It spun lazily,a trail of light until it disappeared behind the deck of the ship.Maybe it wouldn't work.Maybe- A massive fireball billowed up, scorching the air and flowering along the boat. "Evie?You might want to throw that thing." I looked down in horror at my own burning Molotov cocktail,then flung it as far from myself as I could. It smashed against the side of the boat, most of the falmes falling down into the silver water. Which proceeded to catch fire. "Wow.Didn't expect that!" Jack nodded appreciatively as the flames spread, eating their way outward along the top of the lake.The boat,now engulfed, creaked and groanded its death cries. "Adding a touch of faerie liguor to the petrol gave it the extra kick,I think." An unearthly shriek ripped through the air, jarring me to the bones.I did not want to meet the owner of that voice. Jack laughed,taking my trembling hand. "This is the part where we run.
Kiersten White (Supernaturally (Paranormalcy, #2))
I knew then, I loved her. Not for the other lives we’ve lived, for the other times we’ve loved, but for this one, this version of herself that made me want to be here, in the so very expansive and daunting now. I loved her, suspended in eternity.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
Will tells me how lucky he is to have met his soulmate eleven years ago, and even luckier to have found me again. He tells me I'm his best friend. He tells me he never thought it was possible to be as happy as he is now, with me. He tells me I'm the bravest person he knows. He tells me he loves my loyalty and my playlists and my nose. He tells me he loves me best of all.
Carley Fortune (Meet Me at the Lake)
Yeah. I like how the space is so overwhelming, it makes you feel insignificant and alive at the same time. It basically forces you to take a deep breath. It’s the same way I feel when I look at the mountains out West.” I thought it was the loveliest thing I’d ever heard.
Carley Fortune (Meet Me at the Lake)
Power is an inexhaustible source of corruption. And you, love, have way too much of it.
Iris Lake (Meet Me in the Ether)
I rue the day he was born. I rue the people who held each other close nine months before that. I do a lot of rue-ing as I lie there. I
Carley Fortune (Meet Me at the Lake)
One great thing about meeting someone you’ll likely never see again is that you can tell them anything about yourself without any consequence.
Carley Fortune (Meet Me at the Lake)
He locked you up to save his kingdom. I would burn mine down to save you.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
I will not be the girl that teeters on the edge between love and abuse and finds it romantic.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
I really like doing nothing with you, Orion. There aren’t many people you can do nothing with, you know.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
I'd asked him to make me a weapon, and that was how I felt in his hands; an iron girl, a bullet, a blade. He was fire and he was smelting me.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
I really thought I could be strong in this life. That I could let you go. That I wouldn’t fall in love with you. Gods, look at me. I’m not falling. I’m capitulating to you.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
The silence was perhaps the very definition of us. We would get enthralled in the clutches of an arbitrary, impalpable almost. An almost kiss. An almost truth. An almost surrender. We were never nothing, never something. We were ever stuck in a lethargic, amorphous in-between. Until all the unsaid things transformed into misshapen interpretations of ourselves. A severe interruption between who we were and who we could have been. Until the silence became an atrocity. Something unbeatable and grotesque. And we would have to turn away from it, so we didn’t have to look at what we’d done.
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer (The Invitation)
Abundance of the Heart. He describes an experience with nature and his father. An environment of trust can have to do with a special experience, a place, another person, or people. My first real discovery of nature in life came one morning in April 1916. My father put me on the back of his bike, where I had a little seat, and said, "Off we go." And then he turned in the wrong direction for I thought he was taking me down to Quakers' meeting--it was a Sunday. "No," he said, "we are going somewhere else today." And we rode for about eight miles, and we stopped at a wood. . . . We went into the wood; and there, suddenly, was a great pool of bluebells stretching for perhaps a hundred yards in the shade of the oak trees. And I could scarcely breathe because the impression was so great. The experience then was just the bluebells and the scent; now, when I recall it, it is also the love of my father who chose to do that that morning--to give me that experience. I am sure he had been there the day before, found it, and thought, "I'll take my son there." As we rode there and as we rode back, we heard the distant thud of the guns at the Battle of the Somme, where thousands were dying every day. That overwhelming experience of a natural phenomenon, a demonstration of beneficent creation, and at the same time hearing those guns on the Somme--that experience has remained with me almost more clearly than anything else in my life. [The Abundance of the Heart (Salt Lake City: Bookcraft, 1986), p. 88]
Arthur Henry King
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
He was there everynight, to make me laugh, to make me blush, to make a girl that couldn't dream, dream of a thousand different lives with him. He was the unwavering rock to lean on the nights when breathing felt insufferable. He was the voice and I was the echo.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
Let’s pretend that you trust me and that I forgive you. Let’s stay in this room and confess all of our sins and only leave when we’re ready to be ourselves out in the world. Let’s make love until our bodies ache so we don’t feel our hearts breaking. Let’s pretend.
Iris Lake (Meet Me in the Ether)
I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers. Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together. There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force. Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . . Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no. One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak. Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates. Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.
Dieter F. Uchtdorf
It doesn’t interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love for your dream for the adventure of being alive. It doesn’t interest me what planets are squaring your moon... I want to know if you have touched the centre of your own sorrow if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain mine or your own without moving to hide it or fade it or fix it. I want to know if you can be with joy mine or your own if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful to be realistic to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy. I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence. I want to know if you can live with failure yours and mine and still stand at the edge of the lake and shout to the silver of the full moon, “Yes.” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair weary and bruised to the bone and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Translations "Voulez-vous boire un verre, mademoiselle?" Would you like another drink, Miss? “Si vous comprenez, retrouvez-moi dans le placard dans dix minutes.” If you understand, meet me in the closet in ten minutes. “Je comprends. Et je décline votre offre.” I do understand. And I decline your offer.
Keri Lake (Nocticadia)
would you like to meet him there, in Heaven? Imagine a room, a sudden glow. Here is my hand, my heart, my throat, my wrist. Here are the illuminated cities at the center of me, and here is the center of me, which is a lake, which is a well that we can drink from, but I can't go through with it. I just don't want to die anymore.
Richard Siken (Crush)
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
B.B. Reid (Fearless (Broken Love, #5))
He leans forward, twisting his ring. 'You do that a lot,' I say. Will assesses me from the corner of his eye. 'Who gave it to you?' 'My grandmother,' he says after a moment. 'It was my grandfather's.' 'You were close.' 'With my grandmother, yeah. You remember?' A hint of a smile graces his lips, and I want to hook my thumbs on the corner of his mouth and pull the edges up higher. 'Of course,' I say quietly. 'I remember everything.
Carley Fortune (Meet Me at the Lake)
I always thought I would have to change myself wholly to be accepted. But then you came along, and you made me realize that I don’t have to change or be perfect to be loved. I just have to want to be better. So, Orion, see me as I am now, and tell me. Can you love me truly? Can you love me even when I’m cruel and wicked and violent? Can you love me even when I’m small and fearful and tender? Can you love me when I hate myself? Can you?
Iris Lake (Find Me Between the Stars (Meet Me in the Ether, #2))
Grover: Oh, um—well, it’s a little embarrassing. I got this request once from a muskrat who wanted to hear “Muskrat Love.” Well ... Ilearned it, and I have to admit I enjoy playing it. Honestly, it’s not just for muskrats anymore! It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me. Who would you least like to meet in a dark alley—a Cyclops or an angry Mr. D? Grover: Blah-hah-hah! What kind of question is that? Um—well... I’d much rather meet Mr. D, obviously, because he’s so . . . er, nice. Yes, kind and generous to all us satyrs. We all love him. And I’m not just saying that because he’s always listening, and he would blast me to pieces if I said anything different. In your opinion, what’s the most beautiful spot in nature in all of America? Grover: It’s amazing there are any nice spots left, but I like Lake Placid in upstate New York. Very beautiful, especially on a winter day! And the dryads up there—wow! Oh, wait, can you edit that part out? Juniper will kill me. Are tin cans really that tasty? Grover: My old granny goat used to say, “Two cans a day keep the monsters away.” Lots of minerals, very filling, and the texture is wonderful. Really, what’s not to like? I can’t help it if human teeth aren’t built for heavy-duty dining. Interview with PERCY JACKSON, Son of Poseidon What’s your favorite part about summers at
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
I’d made a point of meeting our closest neighbors the first week we moved in, because it seemed like a good precaution to assess them early for threats, or as possible resources in an emergency. I don’t count the Johansens as either. They are just . . . there. Most people just take up space anyway. The whisper comes and goes in my head, and it frightens me, because I hate remembering Melvin Royal’s voice. That was nothing he’d ever said at home, ever said to me, but I’d seen the video of him saying it at the trial. He’d said it utterly casually about the women he’d torn apart.
Rachel Caine (Stillhouse Lake (Stillhouse Lake, #1))
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
I do not know the substance of the considerations and recommendations which Dr. Szilárd proposes to submit to you,” Einstein wrote. “The terms of secrecy under which Dr. Szilárd is working at present do not permit him to give me information about his work; however, I understand that he now is greatly concerned about the lack of adequate contact between scientists who are doing this work and those members of your Cabinet who are responsible for formulating policy.”34 Roosevelt never read the letter. It was found in his office after he died on April 12 and was passed on to Harry Truman, who in turn gave it to his designated secretary of state, James Byrnes. The result was a meeting between Szilárd and Byrnes in South Carolina, but Byrnes was neither moved nor impressed. The atom bomb was dropped, with little high-level debate, on August 6, 1945, on the city of Hiroshima. Einstein was at the cottage he rented that summer on Saranac Lake in the Adirondacks, taking an afternoon nap. Helen Dukas informed him when he came down for tea. “Oh, my God,” is all he said.35 Three days later, the bomb was used again, this time on Nagasaki. The following day, officials in Washington released a long history, compiled by Princeton physics professor Henry DeWolf Smyth, of the secret endeavor to build the weapon. The Smyth report, much to Einstein’s lasting discomfort, assigned great historic weight for the launch of the project to the 1939 letter he had written to Roosevelt. Between the influence imputed to that letter and the underlying relationship between energy and mass that he had formulated forty years earlier, Einstein became associated in the popular imagination with the making of the atom bomb, even though his involvement was marginal. Time put him on its cover, with a portrait showing a mushroom cloud erupting behind him with E=mc2 emblazoned on it. In a story that was overseen by an editor named Whittaker Chambers, the magazine noted with its typical prose flair from the period: Through the incomparable blast and flame that will follow, there will be dimly discernible, to those who are interested in cause & effect in history, the features of a shy, almost saintly, childlike little man with the soft brown eyes, the drooping facial lines of a world-weary hound, and hair like an aurora borealis… Albert Einstein did not work directly on the atom bomb. But Einstein was the father of the bomb in two important ways: 1) it was his initiative which started U.S. bomb research; 2) it was his equation (E = mc2) which made the atomic bomb theoretically possible.36 It was a perception that plagued him. When Newsweek did a cover on him, with the headline “The Man Who Started It All,” Einstein offered a memorable lament. “Had I known that the Germans would not succeed in producing an atomic bomb,” he said, “I never would have lifted a finger.”37 Of course, neither he nor Szilárd nor any of their friends involved with the bomb-building effort, many of them refugees from Hitler’s horrors, could know that the brilliant scientists they had left behind in Berlin, such as Heisenberg, would fail to unlock the secrets. “Perhaps I can be forgiven,” Einstein said a few months before his death in a conversation with Linus Pauling, “because we all felt that there was a high probability that the Germans were working on this problem and they might succeed and use the atomic bomb and become the master race.”38
Walter Isaacson (Einstein: His Life and Universe)
He couldn’t believe his ears. She was rambling on about nonsense, and he needed to put a stop to it. “I don’t want to change you—” She cut him off. “From the day you came to the workshop, you told me I should sell the company and go to the south of France to celebrate. That I should wear my hair down and quit being a howling mass of anxiety. Zack, I don’t want to go to the south of France. I want to turn the clock back and reconstruct my life exactly as it was before the fire. I want my workshop back. I want to make watches and know what is on the schedule for the next day, next month, next year. I need order and stability.” His fist clenched around the leather sack. She was trying to cut him out of her life, and he wouldn’t let her. “And what about Colonel Lowe?” he demanded. “Is Colonel Lowe among the things you want?” She stiffened and couldn’t meet his eyes. “Richard means a lot to me,” she said softly. Richard. So he wasn’t even Colonel Lowe to her. A wave of heat crashed through his body, and he wanted to break something. He stood and stalked a few feet closer to the lake. He couldn’t bear to sit beside Mollie while she talked about another man, but she hadn’t stopped speaking. “Richard and I are very much alike,” she said. “I feel . . . safe with him. I don’t need to change to suit him.” “I don’t want to change you,” he said through clenched teeth. Where did she get these insane ideas? He could feel her slipping away from him, like water dribbling out of his cupped hands, and there was nothing he could do to stop it from draining away. “Please let me go,” she said. “I need to move on with the rest of my life, and I can’t do that with you in it. The notes need to stop. And the visits. I will be forever grateful for what you did for me on the night of the fire, but, Zack . . . that’s all there is. It was gratitude and the temporary rush of insanity because I was glad to be alive. You and I will never work.
Elizabeth Camden (Into the Whirlwind)
It doesn’t interest me what you do for a living. I want to know what you ate for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you still risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the centre of your own sorrow, if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer (The Invitation)
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder. “I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other. The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.” “We shall soon find out.” In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?” The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon. “Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.” Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!” Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“ “Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
Judith McNaught (Almost Heaven (Sequels, #3))
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music. “Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?” Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening. “I cannot escort you there,” he said flatly. Her smile faded. “Why not?” “Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.” Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?” “That was part of the reason.” “What was the rest of it?” she asked curiously. His chuckle was grim. “Call it a well-developed instinct for self-preservation.” “What?” “Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.” Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?” “Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.” A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public. “I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.” “Then where?” “In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts. "Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
Judith McNaught (Almost Heaven (Sequels, #3))
Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you
Hoshang Merchant (The Book of Chapbooks (Collected Works Volume IV))
The whole Happy Valley, indeed, lay beneath me, and I could trace my former journeys, and those yet to come, march after march. There lay the broad expanse of the Wular Lake, with its little island in the middle, where is the ruined temple of the Serpent God, its winding bays and far-stretching promontories; and I could follow for league and leagues the sinuous reaches of the Jhelum, and the other rivers that bring fertility to this fat land from the surrounding mountain snows. No wonder the old conquerors from over the desert northern highlands waxed enthusiastic when they looked down first upon the fair, well-watered vale, and hailed it as the earthly paradise.
Edward Frederick Knight (WHERE THREE EMPIRES MEET: Narrative of travel in Kashmir, Western Tibet, Gilgit and other adjoining countries)
Will We Become Angels? I’m often asked if people, particularly children, become angels when they die. The answer is no. Death is a relocation of the same person from one place to another. The place changes, but the person remains the same. The same person who becomes absent from his or her body becomes present with the Lord (2 Corinthians 5: 8). The person who departs is the one who goes to be with Christ (Philippians 1: 23). Angels are angels. Humans are humans. Angels are beings with their own histories and memories, with distinct identities, reflected in the fact that they have personal names, such as Michael and Gabriel. Under God’s direction, they serve us on Earth (Hebrews 1: 14). Michael the archangel serves under God, and the other angels, in various positions, serve under Michael (Daniel 10: 13; Revelation 12: 7). In Heaven human beings will govern angels (1 Corinthians 6: 2-3). The fact that angels have served us on Earth will make meeting them in Heaven particularly fascinating. They may have been with us from childhood, protecting us, standing by us, doing whatever they could on our behalf (Matthew 18: 10). They may have witnessed virtually every moment of our lives. Besides God himself, no one could know us better. What will it be like not only to have them show us around the intermediate Heaven but also to walk and talk with them on the New Earth? What stories will they tell us, including what really happened that day at the lake thirty-five years ago when we almost drowned? They’ve guarded us, gone to fierce battle for us, served as God’s agents in answer to prayers. How great it will be to get to know these brilliant ancient creatures who’ve lived with God from their creation. We’ll consult them as well as advise them, realizing they too can learn from us, God’s image-bearers. Will an angel who guarded us be placed under our management? If we really believed angels were with us daily, here and now, wouldn’t it motivate us to make wiser choices? Wouldn’t we feel an accountability to holy beings who serve us as God’s representatives? Despite what some popular books say, there’s no biblical basis for trying to make contact with angels now. We’re to ask God, not angels, for wisdom (James 1: 5). As Scripture says and as I portray in my novels Dominion, Lord Foulgrin’s Letters, and The Ishbane Conspiracy, Satan’s servants can “masquerade as servants of righteousness” and bring us messages that appear to be from God but aren’t (2 Corinthians 11: 15). Nevertheless, because Scripture teaches that one or more of God’s angels may be in the room with me now, every once in a while I say “Thank you” out loud. And sometimes I add, “I look forward to meeting you.” I can’t wait to hear their stories. We won’t be angels, but we’ll be with angels—and that’ll be far better. Will We Have Emotions? In Scripture, God is said to enjoy, love, laugh, take delight, and rejoice, as well as be angry, happy, jealous, and glad. Rather than viewing these actions and descriptors as mere anthropomorphisms, we should consider that our emotions are derived from God’s. While we should always avoid creating God in our image, the fact remains we are created in his. Therefore, our emotions are a reflection of and sometimes (because of our sin) a distortion of God’s emotions. To be like God means to have and express emotions. Hence, we should expect that in Heaven
Randy Alcorn (Heaven: A Comprehensive Guide to Everything the Bible Says About Our Eternal Home (Clear Answers to 44 Real Questions About the Afterlife, Angels, Resurrection, ... and the Kingdom of God) (Alcorn, Randy))
If, for example, you and I were anteaters, rather than two people sitting in the corner of a bar, I might feel more comfortable with your silence, with your motionless hands holding your glass, with your glazed fish eyes fixing now on my balding head and now on my navel, we might be able to understand each other better in a meeting of restless snouts sniffing halfheartedly at the concrete for nonexistent insects, we might come together, under cover of darkness, in acts of sexual coitus as sad as Lisbon nights, when the Neptunes in the lakes slough off the mud and slime and scan the deserted squares with blank, eager, rust-colored eyes. Perhaps you would finally tell me about yourself. Perhaps behind your Cranach brow there lies sleeping a secret fondness for rhinoceroses. Perhaps, if you felt my body, you would discover that I had been suddenly transformed into a unicorn, and I would embrace you, and you would flap startled arms, like a butterfly transfixed by a pin, your voice grown husky with desire. We would buy tickets for the train that travels around the zoo, from creature to creature, with its clockwork engine, an escapee from some provincial haunted castle, and we would wave, as we passed, at the grotto-cum-crib of those recycled carpets—the polar bears. We would observe with an ophthalmological eye the baboons' anal conjunctivitis, like eyelids inflamed with combustible hemorrhoids. We would kiss outside the lions' den, where the lions—moth-eaten old overcoats—would curl their lips to reveal toothless gums. I would stroke your breasts in the oblique shade cast by the foxes, you would buy me an ice cream on a stick from the clowns' enclosure, where they, eyebrows permanently arched, exchanged blows to the tragic accompaniment of a saxophone. And that way we would have recovered a little of the childhood that belongs to neither of us and that insists on whizzing down the children's slide with a laugh that reaches us now as an occasional faint, almost angry echo.
António Lobo Antunes (Os Cus de Judas)
Do you know about twin souls? It’s a theory that we all have a twin soul, a soul identical to ours that we meet out there in our lives when we’re ready. We fall for them because we connect so deeply on a physical, spiritual, and mental level, but the twin soul is not a sexual relationship. Sex is crude. Primitive. The twin soul is far deeper, and the train wrecks of marriages you see are from people trying to make a romantic relationship work with their twin souls, rather than recognizing it’s deeper than that. Your soul mate, who you should be in a romantic relationship with, and your twin soul, who you should be in a spiritual relationship with, are not the same thing. But when you meet your twin soul, it’s like the rest of the world disappears, and there’s nothing you want more than to be with them.” She paused and seemed lost in thought a moment. “I was Edward’s twin soul. You must have really had a hold on him for him to not even be tempted to make love to me.
Victor Methos (Crimson Lake Road (Desert Plains, #2))
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
I am one of seven women—three of us white—in the office of CORE (the Congress of Racial Equality); at a joint meeting with SNCC (the Student Nonviolent Coordinating Commit- tee). More than twenty men, black and white, are present, run- ning the meeting. Three civil-rights workers—one black man and two white men—have disappeared in Mississippi, and the groups have met over this crisis. (The lynched bodies of the three men—James E. Chaney, Andrew Goodman, and Michael Schwerner—are later found, tortured to death.) Meanwhile, the FBI, local police, and the National Guard have been dredging lakes and rivers in search of the bodies. During the search, the mutilated parts of an estimated seventeen different human bodies are found. All of us in the New York office are in a state of shock. As word filters in about the. difficulty of identifying mutilated bodies long decomposed, we also learn that all but one of the unidentified bodies are female. A male CORE leader mutters, in a state of fury, ““There’s been a whole goddamned lynching we never even knew about. There’s been some brother disappeared who never even got reported.” My brain goes spinning. Have I heard correctly? Did he mean what I think he meant? If so, is it my racism showing itself in that I am appalled? Finally, I hazard a tentative question. Why one lynching? What about the sixteen unidentified female bodies? What about - Absolute silence. The men in the room, black and white, stare at me. The women in the room, black and white, stare at the floor. Then the answer comes, in a tone of impatience, as if I were politically retarded. "Those were obviously sex murders. Those weren't political." I fall silent.
Robin Morgan (The Demon Lover)
I look at Will over her shoulder, and mouth 'wow'. He and Cam are laughing, and the Jolly Jumper is squeaking with each of Owen's leaps, and Whitney is saying, "I'm just so happy." It's loud and lovely and I think, 'This is what a good life sounds like.
Carley Fortune (Meet Me at the Lake)
I waited until the sun had sunk low in the sky. I waited for Will Baxter for hours.
Carley Fortune (Meet Me at the Lake)
I want him to be okay. I want us to be okay. I want more than okay. The reality of what I want with Will crashes into me with such a force I have to sit down.
Carley Fortune (Meet Me at the Lake)
I tell her I can’t wait to meet her, but that I don’t need to meet her to know I will never love another person as much as I love my daughter.
Carley Fortune (Meet Me at the Lake)
I don’t want to be with someone who keeps parts of their life separate from me. I don’t want to be an escape. I want to be the reality.
Carley Fortune (Meet Me at the Lake)
Twice, Will has crashed into my world like a meteorite, and both times, I’ve been left hollowed out. Cratered.
Carley Fortune (Meet Me at the Lake)
It’s your life.
Carley Fortune (Meet Me at the Lake)
Then I read her diary, and I became a human wrecking ball.
Carley Fortune (Meet Me at the Lake)
Mallory's hand shot up. "As long as we're talking about Friday, Jessi told me to tell you that her new ballet class meets Fridays at 5:15." "Every Friday?" I asked. "Is that the only class she can take?" Mallory nodded. "It's level three, only one class per week. Jesse begged Mme Noelle to change the time. A few other kids didn't like it, either." "We could have our meetings at the dance studio," Abby suggested. "And feed the ballerinas junk food," Claudia added. "Welcome to Swine Lake," Abby said in an announcer's voice.
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
Day 1 I am Slinklebert Petrovius Mordechai Smythe, but everyone calls me Slinky, mainly because nobody can ever figure out how to say my name properly. I live in the jungle with my family and we’re the royal family here. It’s no big deal really. It just means that every now and then, dad puts on a crown and makes people bow to him, just so they know who’s boss. And once a year, we have a special party for all the important Minecraftians in the area so dad can show off how many emeralds we have. It’s very boring if you ask me. Nobody ever does though. I’m just a kitten and nobody thinks that I have anything to say they want to listen to. That’s OK with me. I don’t want to be royal anyway. I’d rather play all day. That’s why I’m glad we live in the jungle. There’s so much cool stuff to do here. I can climb trees, chase sunlight through the leaves, and catch fish in the lake. It’s a busy life being a royal kitten. It’s going to be my birthday soon and dad asked me what I wanted. I told him that I wanted to have a pet creeper. He told me not to be so silly. Everyone knows that creepers don’t exist. They’re a story made up by Minecraftians to scare naughty children. No ocelot has ever seen a creeper, and if nobody has seen one then they can’t be real. It’s a shame they’re not real though. They sound so cool! I mean, tall, green things that blow up when they’re annoyed or frightened or trying to cause trouble? Who wouldn’t want to meet one of those? Since dad said I couldn’t have a pet creeper, I had to think of something else to ask for. I know what he really wanted to give me, a day on the throne leading the jungle. I can’t think of a worse present for my birthday. I’d have to sit around all day while people come to see me and complain about what the other ocelots are doing. I’ve sat with dad in the throne room before and it was hard to stay awake. It was so dull! But I could see how much it meant to dad to have me interested in his work, so I told him that I’d like to spend the day with him. I don’t think I’ve ever seen him smile as much as he did when he heard me say that. I could count all his sharp, pointy teeth. He has a lot of them. Now that I’ve thought a little more about it, I should have asked for a big pile of fish. At least they’d taste good. Instead, I’ve got to spend my birthday hanging around with dad when I could be out in the jungle having fun. Oh well. I suppose it’s just for one day. I can put up with being bored for just one day.
Diary Wimpy (Diary of a Minecraft Kitten)
But it wasn’t our differences that I wanted to focus on. So I parked in one of the visitors’ spots and pulled out the GPS I had taken to carrying in my backpack when I went running. I switched it on so I could pinpoint my coordinates, the longitude and latitude that placed me here and nowhere else in the world. The problem was, inside the car, the device couldn’t locate the satellites, so I unrolled the window, stuck my hand out and held the device to the sun. As soon as it calibrated, I grabbed my notebook from my backpack, ripped out a random page, and wrote my position on the paper. As I folded the sheet in half, I caught sight of my meager notes from the lecture about Fate Maps all those months ago. Genetics might be our first map, imprinted within us from the moment the right sperm meets the right egg. But who knew that all those DNA particles are merely reference points in our own adventures, not dictating our fate but guiding our future? Take Jacob’s cleft lip. If his upper lip had been fused together the way it was supposed to be inside his mother’s belly, he’d probably be living in a village in China right now. Then there was me with my port-wine stain. I lifted my eyes to the rearview mirror, wondering what I would have been like had I never been born with it. My fingers traced the birthmark landlocked on my face, its boundary lines sharing the same shape as Bhutan, the country neighboring Tibetans call the Land of the Dragon. I liked that; the dragons Dad had always cautioned me about had lived on my face all this time. Here be dragons, indeed. I leaned back in my seat now, closing my eyes, relishing the feel of the sun warming my face. No, I wouldn’t trade a single experience — not my dad or my birthmark — to be anyone but me, right here, right now. At last, at 3:10, I open my door. I don’t know how I’ll find Jacob, only that I will. A familiar loping stride ambles out of the library. Not a Goth guy, not a prepster, just Jacob decked in a shirt as unabashedly orange as anything in Elisa’s Beijing boutique. This he wore buttoned to the neck and untucked over jeans, sleeves rolled up to reveal tanned arms. For the first time, I see his aggressively modern glasses, deathly black and rectangular. His hair is the one constant: it’s spiked as usual. What swells inside me is a love so boundless, I am the sunrise and sunset. I am Liberty Bell in the Cascades. I am Beihai Lake. I am every beautiful, truly beautiful, thing I’ve ever seen, captured in my personal Geographia, the atlas of myself.
Justina Chen (North of Beautiful)
The spring was still mysteriously swooning, Across the hills wandered transparent wind And the deep lake was growing blue among us -- A temple forged and kept not by mankind. You were affrighted of our first encounter, And prayed already for the second one, And now today once more is the hot evening -- How low over the mountain dropped the sun. You aren't with me, but this is not a parting: For me triumphant news is in each moment. I know that you can't even pronounce a word For so complete within you is the torment.
Anna Akhmatova
Fluffing her fur out against the cold, Twigkit followed Alderpaw through the moonlit forest. They were going to meet Violetkit and Needlepaw. It had been over half a moon since they’d met, and she longed to see her sister. She could tell Violetkit how she’d heard their mother’s voice and smelled her scent when she’d nearly drowned. Perhaps Violetkit still remembered what their mother had smelled and sounded like. As Twigkit followed Alderpaw up a leaf-strewn rise, she tried to ignore the shame worming in her belly. “Do you think Bramblestar’s still mad at me for falling in the lake?
Erin Hunter (Thunder and Shadow (Warriors: A Vision of Shadows, #2))
One great thing about meeting someone you’ll likely never see again is that you can tell them anything about yourself without any consequences.
Carley Fortune (Meet Me at the Lake)
I know you’re not ready right now, honey, but I think one day you’ll find your heart’s too big for just you.
Carley Fortune (Meet Me at the Lake)
Meet. Dandelion, ask me where we got the meat. I won't because I know that joke. Don't be a swine. Where did you get the meat? Crawled here itself.
Andrzej Sapkowski (The Lady of the Lake (The Witcher Book 7 / The Witcher Saga Novels Book 5))
I spent just one day with Will, and it changed my life. I once thought he might be my soulmate. I once thought he and I would be here together under very different circumstances. I once thought a lot of things about Will.
Carley Fortune (Meet Me at the Lake)
while people want to express their sympathy, there’s a limit on how much suffering others can tolerate.
Carley Fortune (Meet Me at the Lake)
on a seagull poo–like texture when mixed into cold water. Amelia saved my palate and joints by introducing me to the Great Lakes hydrolyzed version (green label), which blends easily and smoothly. Add a tablespoon of beet root powder like BeetElite to stave off any cow-hoof flavor, and it’s a whole new game. Amelia uses BeetElite pre-race and pre-training for its endurance benefits, but I’m much harder-core: I use it to make tart, low-carb gummy bears when fat Tim has carb cravings. RumbleRoller: Think foam roller meets monster-truck tire. Foam rollers have historically done very little for me, but this torture device had an immediate positive impact on my recovery. (It also helps you sleep if used before bed.) Warning: Start slow. I tried to copy Amelia and did 20-plus minutes my first session. The next day, I felt like I’d been put in a sleeping bag and swung against a tree for a few hours. Rolling your foot on top of a golf ball on the floor to increase “hamstring” flexibility. This is infinitely more helpful than a lacrosse ball. Put a towel on the floor underneath the golf ball, lest you shoot your dog’s eye out. Concept2 SkiErg for training when your lower body is injured. After knee surgery, Amelia used this low-impact machine to maintain cardiovascular endurance and prepare for the 2014 World’s Toughest Mudder, which she won 8 weeks post-op. Kelly Starrett (page 122) is also a big fan of this device. Dry needling: I’d never heard of this before meeting Amelia. “[In acupuncture] the goal is not to feel the needle. In dry-needling, you are sticking the needle in the muscle belly and trying to get it to twitch, and the twitch is the release.” It’s used for super-tight, over-contracted muscles, and the needles are not left in. Unless you’re a masochist, don’t have this done on your calves. Sauna for endurance: Amelia has found using a sauna improves her endurance, a concept that has since been confirmed by several other athletes, including cyclist David Zabriskie, seven-time U.S. National Time Trial Championship winner. He considers sauna training a more practical replacement for high-altitude simulation tents. In the 2005 Tour de France, Dave won the Stage 1 time trial, making him the first American to win stages in all three Grand Tours. Zabriskie beat Lance Armstrong by seconds, clocking an average speed of 54.676 kilometers per hour (!). I now use a sauna at least four times per week. To figure out the best protocols, I asked
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
I think that day with Fern was the most exciting thing that happened to me.
Carley Fortune (Meet Me at the Lake)
And love, I shall think, musn't leave you hungry for love.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
I was poor in so many ways, but never with my ambition to live.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
Because what do smart, selfish girls do?" "They take care of themselves.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
Regarding incident at Reiden Lake,” Walter read out loud, pausing to exchange a significant glance with Bell. “Meet me at the northwest corner of Alamo Square Park at midnight 10/23. Crucial new information has come to light. A friend in the Bureau.
Christa Faust (The Zodiac Paradox (Fringe, #1))
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come. And plink! a silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes: they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))