Medieval Insults Quotes

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And yet, despite repeated assurances that women aren't particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about "insatiable" whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality...all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
People generally forget the things they are ashamed of, but no one ever forgets an insult.
Lina J. Potter (Palace Intrigue (A Medieval Tale, #3))
If women were as libidinous as men, we’re told, society itself would collapse. Lord Acton was only repeating what everyone knew in 1875 when he declared, “The majority of women, happily for them and for society, are not very much troubled with sexual feeling of any kind.” And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
A medieval Christian proverb says, "To search for God is to insult God." This implies that God is always present and any search for him is a refusal of this fact.
Robert A. Johnson (He: Understanding Masculine Psychology)
Self-control has been credited with one of the greatest reductions of violence in history, the thirtyfold drop in homicide between medieval and modern Europe. Recall that according to Norbert Elias’s theory of the Civilizing Process, the consolidation of states and the growth of commerce did more than just tilt the incentive structure away from plunder. It also inculcated an ethic of self-control that made continence and propriety second nature. People refrained from stabbing each other at the dinner table and amputating each other’s noses at the same time as they refrained from urinating in closets, copulating in public, passing gas at the dinner table, and gnawing on bones and returning them to the serving dish. A culture of honor, in which men were respected for lashing out against insults, became a culture of dignity, in which men were respected for controlling their impulses.
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
century. The most visible legacy of the wealth and splendor generated by the medieval spice trade still dazzles the eye today in Venice, whose grand palazzi and magnificent public architecture were built largely on profits from pepper, cinnamon, nutmeg, mace, and cloves. A hundred pounds of nutmeg, purchased in medieval Alexandria for ten ducats, might easily go for thirty or fifty ducats on the wharves of Venice. Even after payments for shipping, insurance, and customs duties at both ends, profits well in excess of 100 percent were routine; a typical Venetian galley carried one to three hundred tons between Egypt and Italy and earned vast fortunes for the imaginative and the lucky. During the medieval period, a corpulent Croesus was called a “pepper sack,” not a thoroughgoing insult, since the price of a bag of pepper was usually higher than that of a human being.
William J. Bernstein (A Splendid Exchange: How Trade Shaped the World)
Clad in red velvet it came, the very covering my old Master had so loved, the dream king, Marius. It came swaggering and camping through the lighted streets of Paris as though God had made it. But it was a vampire child, the same as I, son of the seventeen hundreds, as they reckoned the time to be then, a blazing, brash, bumbling, laughing and teasing blood drinker in the guise of a young man, come to stomp out whatever sacred fire yet burnt in the cleft scar tissue of my soul and scatter the ashes. It was The Vampire Lestat. It wasn't his fault. Had one of us been able to strike him down one night, break him apart with his own fancy sword and set him ablaze, we might have had a few more decades of our wretched delusions. But nobody could. He was too damned strong for us. Created by a powerful and ancient renegade, a legendary vampire by the name of Magnus, this Lestat, aged twenty in mortal years, an errant and penniless country aristocrat from the wild lands of Auvergne, who had thrown over custom and respectability and any hope of court ambitions, of which he had none anyway since he couldn't even read or write, and was too insulting to wait on any King or Queen, who became a wild blond-haired celebrity of the boulevard gutter theatricals, a lover of men and women, a laughing happy-go-lucky blindly ambitious self-loving genius of sorts, this Lestat, this blue-eyed and infinitely confident Lestat, was orphaned on the very night of his creation by the ancient monster who made him, bequeathed to him a fortune in a secret room in a crumbling medieval tower, and then went into the eternal comfort of the ever devouring flames. This Lestat, knowing nothing of Old Covens and Old Ways, of soot covered gangsters who thrived under cemeteries and believed they had a right to brand him a heretic, a maverick and a bastard of the Dark Blood, went strutting about fashionable Paris, isolated and tormented by his supernatural endowments yet glorying in his new powers, dancing at the Tuileries with the most magnificently clad women, reveling in the joys of the ballet and the high court theater and roaming not only in the Places of Light, as we called them, but meandering mournfully in Notre Dame de Paris itself, right before the High Altar, without the lightning of God striking him where he stood. Armand’s description of Lestat from The Vampire Armand
Anne Rice (The Vampire Armand (Anne Rice's The Vampire Lestat #7))
But the past that gives Kiev unique glamour, that made it ‘the City’ to the novelist Mikhail Bulgakov and the ‘Joy of the World’ to the medieval chroniclers, is not the brash boom town of the turn of the last century, but the Kiev of a thousand years ago. From the tenth century to the thirteenth it was the capital of the eastern Slavs’ first great civilisation, Kievan Rus. And here Ukraine’s fight for an identity commences. Generations of scholars have bandied insults about how Rus began, how it was governed, even about how it got its name. But the biggest argument of all is over who Rus belongs to. Did Kievan Rus civilisation pass eastward, to Muscovy and the Russians, or did it stay put, in Ukraine? ‘If Moscow is Russia’s heart,’ runs a Russian proverb, ‘and St Petersburg its head, Kiev is its mother.’ Ukrainians, of course, say Kiev has nothing whatsoever to do with Russia – if she mothered anybody, it was the Ukrainians themselves.
Anna Reid (Borderland: A Journey Through the History of Ukraine)
punish him for insulting her. Still… she had unhorsed him.
Kathryn Le Veque (Magnificent Medieval Knights)
[...] In a rather sad and humiliating scene we see the couple celebrating Midsummer Eve in 1413. Her husband asks: 'Margery, if there came a man with a sword who would slice off my head unless I should have sex with you as I have done before, tell me the truth from your conscience — for you say you will not lie — whether you would allow my head to be sliced off or allow me to be intimate with you, like in the past?' She replies, 'Truthfully, I would rather see you be slain than that we should turn again to the impurity of sexual activity.' She goads him further, asking why he won't try to have sex with her, even though they sleep in the same bed. He says: 'He became so afraid when he touched her that he dared not do more.' A far cry from the domineering husband we might expect from a medieval marriage. Margery adds insult to injury, explaining that she still lusts after other men but is sickened by her own husband.
Janina Ramírez (Femina)
Michael Kazin, a history professor at Georgetown University and an author or coauthor of several books on progressive and populist movements, as well as a well-known figure on the left from his days as a leader of the Harvard Students for a Democratic Society (and briefly a member of the Weatherman),29 echoed Kammen’s criticism in Dissent Magazine, a journal for social Democrats that he co-edits. Kazin described A People’s History as “bad history, albeit gilded with virtuous intentions.” That was the nice part of the review. According to Kazin, Zinn’s book is “unworthy of [the] fame and influence” it has earned; he has reduced the past to a “Manichean fable” and failed to acknowledge the work and successes of progressives. Despite containing phrases “hint[ing] of Marxism,” A People’s History is really an insult to the memory of Karl Marx, who “never took so static or simplistic a view of history.” Kazin charged that “Zinn’s conception of American elites” such as George Washington, Thomas Jefferson, James Madison, and Alexander Hamilton “is akin to the medieval church’s image of the Devil.” Zinn’s “failure,” he said, was “grounded in a premise better suited to a conspiracy-monger’s Web site than to a work of scholarship.” Leftist Kazin deemed A People’s History “polemic disguised as history.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
Like most people, she forgot the things she was ashamed of, but no one ever forgets an insult.
Lina J. Potter (Palace Intrigue (A Medieval Tale, #3))
And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Anonymous