Mechanic Wife Quotes

We've searched our database for all the quotes and captions related to Mechanic Wife. Here they are! All 67 of them:

The Christian idea of marriage is based on Christ's words that a man and wife are to be regarded as a single organism - for that is what the words 'one flesh' would be in modern English. And the Christians believe that when He said this He was not expressing a sentiment but stating a fact - just as one is stating a fact when one says that a lock and its key are one mechanism, or that a violin and a bow are one musical instrument.
C.S. Lewis (Mere Christianity)
He took one look at me and knew I would be his best friend, his partner, his wife, and the mother of his children. He saw more in me in one glance than I’d seen in myself my whole life.
Alexa Riley (Mechanic (Breeding, #2))
The hell with virtue. I've figured out the mechanics of her dress.
Audrey Niffenegger (The Time Traveler's Wife)
Of course, the brain is a machine and a computer—everything in classical neurology is correct. But our mental processes, which constitute our being and life, are not just abstract and mechanical, but personal, as well—and, as such, involve not just classifying and categorising, but continual judging and feeling also.
Oliver Sacks (The Man Who Mistook His Wife For A Hat: And Other Clinical Tales)
You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.
David Foster Wallace (The Broom of the System)
It was a gross, tasteless thing to say – my brain had been burping up such inappropriate thoughts at inopportune moments. Mental gas I couldn’t control. Like, I’d started internally singing the lyrics to ‘Bony Moronie’ whenever I saw my cop friend. She’s as skinny as a stick of macaroni, my brain would bebop as Detective Rhonda Boney was telling me about dragging the river for my missing wife. Defense mechanism, I told myself, just a weird defense mechanism. I’d like it to stop.
Gillian Flynn (Gone Girl)
I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day — at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.
Walt Whitman (Leaves of Grass)
I was in bed at my beach house, but could not sleep because of some fried chicken in the icebox that I felt entitled to. I waited till my wife dropped off, and tiptoed into the kitchen. I remembered looking at the clock. It was precisely four-fifteen. I'm quite certain of this, because our kitchen clock has not worked in twenty-one years and is always at that time. I also noticed that our dog, Judas, was acting funny. He was sanding up on his hind legs and singing, 'I Enjoy Being a Girl.' Suddenly the room turned bright orange. At first, I thought my wife had caught me eating between meals and set fire to the house. Then I looked out the window, where to my amazement I saw a gigantic cigar-shaped aircraft hovering just over the treetops in the yard and emitting an orange glow. I stood transfixed for what must have been several hours, though our clock still read four-fifteen, so it was difficult to tell. Finally, a large, mechanical claw extended from the aircraft and snatched the two pieces of chicken from my hand and quickly retreated. When I reported the incident to the Air Force, they told me that what I had seen was a flock of birds. When I protested, Colonel Quincy Bascomb personally promised that the Air Force would return the two pieces of chicken. To this day, I have only received one piece.
Woody Allen (Side Effects)
Quantum mechanics. What a repository, a dump, of human aspiration it was, the borderland where mathematical rigor defeated common sense, and reason and fantasy irrationally merged. Here the mystically inclined could find whatever they required and claim science as their proof. And for these ingenious men in their spare time, what ghostly and beautiful music it must be--spectral asymmetry, resonances, entanglement, quantum harmonic oscillators--beguiling ancient airs, the harmony of the spheres that might transmute a lead wall into gold and bring into being the engine that ran on virtually nothing, on virtual particles, that emitted no harm and would power the human enterprise as well as save it. Beard was stirred by the yearnings of these lonely men. And why should he think they were lonely? It was not, or not only, condescension that made him think them so. They did not know enough, but they knew too much to have anyone to talk to. What mate waiting down the pub or in the British Legion, what hard-pressed wife with job and kids and housework, was going to follow them down these warped funnels in the space-time continuum, into the wormhole, the shortcut to a single, final answer to the global problem of energy?
Ian McEwan (Solar)
The Total Perspective Vortex derives its picture of the whole Universe on the principle of extrapolated matter analyses. To explain — since every piece of matter in the Universe is in some way affected by every other piece of matter in the Universe, it is in theory possible to extrapolate the whole of creation — every sun, every planet, their orbits, their composition and their economic and social history from, say, one small piece of fairy cake. The man who invented the Total Perspective Vortex did so basically in order to annoy his wife. Trin Tragula — for that was his name — was a dreamer, a thinker, a speculative philosopher or, as his wife would have it, an idiot. And she would nag him incessantly about the utterly inordinate amount of time he spent staring out into space, or mulling over the mechanics of safety pins, or doing spectrographic analyses of pieces of fairy cake. “Have some sense of proportion!” she would say, sometimes as often as thirty-eight times in a single day. And so he built the Total Perspective Vortex — just to show her. And into one end he plugged the whole of reality as extrapolated from a piece of fairy cake, and into the other end he plugged his wife: so that when he turned it on she saw in one instant the whole infinity of creation and herself in relation to it. To Trin Tragula’s horror, the shock completely annihilated her brain; but to his satisfaction he realized that he had proved conclusively that if life is going to exist in a Universe of this size, then the one thing it cannot afford to have is a sense of proportion.
Douglas Adams (Hitchhiker's Guide to the Galaxy omnibus 2: Tot ziens en bedankt voor de vis / Grotendeels ongevaarlijk / En dan nog iets… (Hitchhiker's Guide to the Galaxy, #4-6))
The fear of rejection can also lead you to over-dramatize events. If your boss criticized you at work, your brain may see the event as a threat and you now think, “What if I’m fired? What if I can’t find a job quickly enough and my wife leaves me? What about my kids? What if I can’t see them again?” While you are fortunate to have such an effective survival mechanism, it is also your responsibility to separate real threats from imaginary ones.
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
The Adoption When Paul Jobs was mustered out of the Coast Guard after World War II, he made a wager with his crewmates. They had arrived in San Francisco, where their ship was decommissioned, and Paul bet that he would find himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance to James Dean. But it wasn’t his looks that got him a date with Clara Hagopian, a sweet-humored daughter of Armenian immigrants. It was the fact that he and his friends had a car, unlike
Walter Isaacson (Steve Jobs)
the son not of a lawyer but of a high school dropout with a passion for mechanics and his salt-of-the-earth wife who was working as a bookkeeper. Paul and Clara named their new
Walter Isaacson (Steve Jobs)
himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance
Walter Isaacson (Steve Jobs)
It’s just a stupid game,” my wife had always told me. How could I explain it was more than just a game...It was the celebration of a kind of mystery; the fusion of the mechanics of physics and the feeling of soul.
Randy Attwood
The male victims were born in the forties and fifties, a generation for whom therapy was mostly an alien concept. In the police files, gender roles are rigid and unambiguous. Detectives ask the women where they shop and the men about the locking mechanisms on the doors and windows. They drape blankets over the women's shoulders and ferry them to the hospital. The men are asked what they saw, not what they felt. Many of the male victims had military experience. They had toolsheds. They were doers and protectors who'd been robbed of their ability to do and protect. Their rage is in the details: one husband chewed the bindings off his wife's feet.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
very early in Moderan the mighty Stronghold masters had solved for themselves the flesh-woman question, or, to be more precise, the wife-nuisance roadblock. And for that I honor them. I mean, my beamish hat is off to them, for that was QUITE a solving! We have no such problem, of course, in the essence times. If I don't like the beams of the woman I'm with, or if I like too much the beams of the woman I'm with and she won't reciprocate, I just signal back to the Love Dictator's office my discontent and he orders one of his little clerk mechanics to call the old beams home, and the Love Dictator then transmits me, personally, a new package.
David R. Bunch (Moderan)
The Adoption When Paul Jobs was mustered out of the Coast Guard after World War II, he made a wager with his crewmates. They had arrived in San Francisco, where their ship was decommissioned, and Paul bet that he would find himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance to James Dean. But it wasn’t his looks that got him a date
Walter Isaacson (Steve Jobs)
Joanne had one requirement: Her child must be adopted by college graduates. So the doctor arranged for the baby to be placed with a lawyer and his wife. But when a boy was born—on February 24, 1955—the designated couple decided that they wanted a girl and backed out. Thus it was that the boy became the son not of a lawyer but of a high school dropout with a passion for mechanics and his salt-of-the-earth wife who was working as a bookkeeper. Paul and Clara named their new baby Steven Paul Jobs.
Walter Isaacson (Steve Jobs)
My mother’s true appeal went beyond the clash of the beautiful trust fund darling as the arm candy of an overweight trailer salesman. Carl grew up in harsh, chaotic poverty. His escape was the alcoholism that was conceived during puberty and flourished throughout adulthood. His initial career was a diesel mechanic wearing faded coveralls with oil up his nails and sweat on his brow. His earliest homes were the dingy trailers he would later profit from. His first marriage was doused with benders, acid trips, and sex crazed parties packed with orgies with a first wife who’d lost track of number of dicks shoved down her throat in the midst of intoxication. I don’t know what sparked his revelation, but at some point, Carl decided to fiercely pursue the world he envied. He wanted a life of starched, white shirts, ties, SUVs, and picket fences. He ached for the scent of steaks grilling on his sunny patio. He dreamed of white-collar southern beauty and my mother, in all her naïve innocence, was the loveliest possession he could ever obtain.
Magda Young
Of course, the brain is a machine and a computer - everything in classical neurology is correct. But our mental processes, which constitute out being and life, are not just abstract and mechanical, but personal, as well - and, as such, involve not just classifying and categorising, but continual judging and feeling also. If this is missing, we become computer-like, as Dr P. was. And, by the same token, if we delete feeling and judging, the personal, from the cognitive sciences, we reduce them to something as defective as Dr P. - and we reduce our apprehension of the concrete and real.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
We arrived at the battalion just as it was getting dark. Ryan’s wife was a mechanic at battalion and he’d asked me to go see her. She had a carton of cigarettes to give him. I asked if he needed anything else before I left and he said, “Nah. Tell her I love her.” I told him I would. So when I got there I went straight to see her. She led me into this little café and we sat down with some hot tea. She gave me the cigarettes and we talked for a while about this and that and as I stood up to head out she said, “Hey, Noah, be careful out there. It’s dangerous where y’all are at.” I tilted my head to the side and said, “Be careful? I’m Noah, what can happen to me?” I smiled cockily and walked out.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on. As far as I'm concerned now, I'm just hanging on and trying to keep up.
Jason Faris (Transitions (The Quantum Mechanic, #1))
hear some o’ them preachers, you’d think as a man must be doing nothing all’s life but shutting’s eyes and looking what’s agoing on inside him. I know a man must have the love o’ God in his soul, and the Bible’s God’s word. But what does the Bible say? Why, it says as God put his sperrit into the workman as built the tabernacle, to make him do all the carved work and things as wanted a nice hand. And this is my way o’ looking at it: there’s the sperrit o’ God in all things and all times — weekday as well as Sunday — and i’ the great works and inventions, and i’ the figuring and the mechanics. And God helps us with our headpieces and our hands as well as with our souls; and if a man does bits o’ jobs out o’ working hours — builds a oven for ‘s wife to save her from going to the bakehouse, or scrats at his bit o’ garden and makes two potatoes grow istead o’ one, he’s doin’ more good, and he’s just as near to God, as if he was running after some preacher and a-praying and a-groaning.
George Eliot (Complete Works of George Eliot)
The communists didn’t release their grip until the late 1980s. Effective organisation kept them in power for eight long decades, and they eventually fell due to defective organisation. On 21 December 1989 Nicolae Ceaus¸escu, the communist dictator of Romania, organised a mass demonstration of support in the centre of Bucharest. Over the previous months the Soviet Union had withdrawn its support from the eastern European communist regimes, the Berlin Wall had fallen, and revolutions had swept Poland, East Germany, Hungary, Bulgaria and Czechoslovakia. Ceaus¸escu, who had ruled Romania since 1965, believed he could withstand the tsunami, even though riots against his rule had erupted in the Romanian city of Timis¸oara on 17 December. As one of his counter-measures, Ceaus¸escu arranged a massive rally in Bucharest to prove to Romanians and the rest of the world that the majority of the populace still loved him – or at least feared him. The creaking party apparatus mobilised 80,000 people to fill the city’s central square, and citizens throughout Romania were instructed to stop all their activities and tune in on their radios and televisions. To the cheering of the seemingly enthusiastic crowd, Ceauşescu mounted the balcony overlooking the square, as he had done scores of times in previous decades. Flanked by his wife, Elena, leading party officials and a bevy of bodyguards, Ceaus¸escu began delivering one of his trademark dreary speeches. For eight minutes he praised the glories of Romanian socialism, looking very pleased with himself as the crowd clapped mechanically. And then something went wrong. You can see it for yourself on YouTube. Just search for ‘Ceauşescu’s last speech’, and watch history in action.20 The YouTube clip shows Ceaus¸escu starting another long sentence, saying, ‘I want to thank the initiators and organisers of this great event in Bucharest, considering it as a—’, and then he falls silent, his eyes open wide, and he freezes in disbelief. He never finished the sentence. You can see in that split second how an entire world collapses. Somebody in the audience booed. People
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Evolution optimizes strongly for energy efficiency because of limited food supply, not for ease of construction or understanding by human engineers. My wife, Meia, likes to point out that the aviation industry didn’t start with mechanical birds. Indeed, when we finally figured out how to build mechanical birds in 2011,1 more than a century after the Wright brothers’ first flight, the aviation industry showed no interest in switching to wing-flapping mechanical-bird travel, even though it’s more energy efficient—because our simpler earlier solution is better suited to our travel needs. In the same way, I suspect that there are simpler ways to build human-level thinking machines than the solution evolution came up with, and even if we one day manage to replicate or upload brains, we’ll end up discovering one of those simpler solutions first. It will probably draw more than the twelve watts of power that your brain uses, but its engineers won’t be as obsessed about energy efficiency as evolution was—and soon enough, they’ll be able to use their intelligent machines to design more energy-efficient ones.
Max Tegmark (Life 3.0: Being Human in the Age of Artificial Intelligence)
Hagen understood that the policeman believes in law and order in a curiously innocent way. He believes in it more than does the public he serves. Law and order is, after all, the magic from which he derives his power, individual power which he cherishes as nearly all men cherish individual power. And yet there is always the smoldering resentment against the public he serves. They are at the same time his ward and his prey. As wards they are ungrateful, abusive and demanding. As prey they are slippery and dangerous, full of guile. As soon as one is in the policeman’s clutches the mechanism of the society the policeman defends marshals all its resources to cheat him of his prize. The fix is put in by politicians. Judges give lenient suspended sentences to the worst hoodlums. Governors of the States and the President of the United States himself give full pardons, assuming that respected lawyers have not already won his acquittal. After a time the cop learns. Why should he not collect the fees these hoodlums are paying? He needs it more. His children, why should they not go to college? Why shouldn’t his wife shop in more expensive places? Why shouldn’t he himself get the sun with a winter vacation in Florida? After all, he risks his life and that is no joke.
Mario Puzo (The Godfather (The Godfather #1))
Probably you consider the body is not at all important. I’ve seen you eat, and you eat as if you were feeding a furnace. You may like the taste of food, but it is all so mechanical, so inattentive, the way you mix food on your plate. When you become aware of all this, your fingers, your eyes, your ears, your body all become sensitive, alive, responsive. This is comparatively easy. But what is more difficult is to free the mind from the mechanical habits of thought, feeling and action into which it has been driven by circumstances – by one’s wife, one’s children, one’s job. The mind itself has lost its elasticity. The more subtle forms of observation escape it. This means seeing yourself actually as you are without wanting to correct yourself or change what you see or escape from it – just to see yourself actually as you are, so that the mind doesn’t fall back into another series of habits. When such a mind looks at a flower or the colour of a dress or a dead leaf falling from a tree, it is now capable of seeing the movement of that leaf as it falls and the colour of that flower vividly. So both outwardly and inwardly the mind becomes highly alive, pliable, alert; there is a sensitivity which makes the mind intelligent. Sensitivity, intelligence and freedom in action are the beauty of living.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
there was a human interest segment about a street sweeper on the evening news. I think he worked in Philadelphia. He was a black gentleman and swept streets the old-fashioned way, with one of those wide, stiff bristle brooms and a wheeled garbage can. He had a wife and several children and lived in a modest home. It was a loving family, and he had high ambitions for his children. He enjoyed his job very much and felt he was providing a worthwhile service to his community. He had only one professional ambition in life and that was to get promoted to drive one of those mechanized street sweepers with big round brushes. He finally achieved his ambition and was promoted to driving a street sweeping machine. His wife and children were proud of him. The television piece closed with him driving down the street; a huge smile was on his face. He knew who he was and what he was. I run that video piece through my mind every few months as a reality check. Here is a man happy in his work, providing an essential service for his community, providing for his family, who love and respect him. Have I been more successful in what is truly important in life than he has been? No, we have both been fortunate. He has touched all the important bases in the game of life. When we are ultimately judged, despite my titles and medals, he may have a few points on me, and on a lot of others I know.
Colin Powell (It Worked for Me: In Life and Leadership)
Christopher observed the passage of the coach from his sight and then turned his gaze to the pair of men who approached them. It was Farrell and Captain Daniels, and while the latter was smiling broadly, the former frowned in sharp disapproval at the couple. Christopher thrust out a hand in greeting to his captain, then looked to his wife’s brother. “Farrell, I don’t think we’ve been properly introduced.” Christopher smiled as he extended his hand. “I am Lord Saxton.” The young man’s eyes widened, and he searched the softly smiling visage of his sister as he mechanically accepted the hand. “Lord Saxton? The Lord Saxton?” “Aye, I am the one who wore the mask and walked with a limp,” Christopher confessed. “ ’Twas done partly to fool the thieves into believing the man they had murdered was still alive, and then too, I desired to wed your sister and found no other way. I hope you will value the friendship we began when you knew me as the cripple.” Farrell tried to grasp all the facts and put them together in their proper places. “You are really married to my sister, and you are the father of her…” Erienne blushed as she glanced hesitantly toward the sea captain, who seemed to be enjoying the whole exchange. His smile broadened as her husband gave a reply. “You needn’t sharpen your skill with firearms to avenge your sister’s honor,” Christopher replied. The teasing gleam in his eyes shone brighter. “ ’Twas quite properly made, I assure you.” -Christopher & Farrell
Kathleen E. Woodiwiss (A Rose in Winter)
One can do only so much to control one's life,' Ernestine said, and with that, a summary statement as philosophically potent as any she cared to make, she returned the wallet to her handbag, thanked me for lunch, and, gathering herself almost visibly back into that orderly, ordinary existence that rigorously distanced itself from delusionary thinking, whether white or black or in between, she left the car. Instead of my then heading home, I drove crosstown to the cemetery and, after parking on the street, walked in through the gate, and not quite knowing what was happening, standing in the falling darkness beside the uneven earth mound roughly heaped over Coleman's coffin, I was completely seized by his story, by its end and by its beginning, and, then and there, I began this book. I began by wondering what it had been like when Coleman had told Faunia the truth about that beginning--assuming that he ever had; assuming, that is, that he had to have. Assuming that what he could not outright say to me on the day he burst in all but shouting, "Write my story, damn you!" and what he could not say to me when he had to abandon (because of the secret, I now realized) writing the story himself, he could not in the end resist confessing to her, to the college cleaning woman who'd become his comrade-in-arms, the first and last person since Ellie Magee for whom he could strip down and turn around so as to expose, protruding from his naked back, the mechanical key by which he had wound himself up to set off on his great escapade. Ellie, before her Steena, and finally Faunia. The only woman never to know his secret is the woman he spent his life with, his wife. Why Faunia?
Philip Roth (The Human Stain (The American Trilogy, #3))
What I gleaned from all this research is that empathy is the result of numerous cognitive and affective processes, all firing away behind the scenes somewhere in our brains. Cognitive processes allow us to understand the mental state of another person—his or her emotions, desires, beliefs, intentions, et cetera—which in turn helps us to understand and even predict the person’s actions or behaviors. They allow us to step outside of our own experience in order to take on and understand other people’s perspectives—something that every wife on the planet wishes her husband would do. The affective component of empathy is more related to our emotional responses to the mental states that we observe in other people. This component allows us to feel some appropriate and non-egocentric emotional response to another person’s emotions—something else that every wife on the planet wishes her husband would do. Empathy involves both processes, and while they operate independently of one another, there is some overlap. A graphical representation of empathy might involve a Venn diagram—two circles, one for the affective component and one for the cognitive, slightly overlapping, with me standing well outside of both circles talking incessantly about the weather during a funeral. In people with Asperger syndrome and other autism spectrum conditions, these mechanisms of understanding are much less reliable and productive than in neurotypicals. Those of us living within the parameters of an autism spectrum condition simply can’t engage the empathic processes that allow for social reasoning and emotional awareness. Furthermore, we have difficulty separating ourselves from our own perspectives (the word autism comes from the Greek word autos, meaning “self”), so we can’t easily understand or even access the perspectives and feelings of others.
David Finch (The Journal of Best Practices: A Memoir of Marriage, Asperger Syndrome, and One Man's Quest to Be a Better Husband)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
I said to myself, This is going to be quick. I also thought: I’ll take the epidural now! Because the contractions were starting to demonstrate what the pain of birth is all about. The obstetrician came in. I smiled, ready for my shot. “I don’t know how to tell you this,” she said. “Your platelets are really, really low.” “Okay,” I said. I knew what platelets were-blood cells whose job it is to stop bleeding-but I had no idea why that was significant. “So, my epidural?” “You can’t have any medications.” “Come again?” “No drugs, no medications,” she said. “No epidural. I’ve called around to different anesthesiologists, and no one will touch you.” “No epidural?” “Nothing.” There are girls from third-world countries who do it with no drugs, I reminded myself. My mother elected for natural childbirth. How bad can it be? I got this. It started to hurt. I thought to myself, I am not going to cuss. Hell no! I am about to be a mother. I am bringing our baby into a positive environment and must be a good role model. Wow! The contractions built up quickly. My pristine vision of perfect, calm, quiet childbirth disappeared. A banshee snuck into the room and took over my body. Arrrgggh!!! No cursing! There was a rocking chair in the birth room. I went over and sat in it and began moving back and forth. Chris put on a CD by Enya that we’d brought to listen to: peaceful, pleasant music. I took a deep breath. Jeez, Louise! That one was a monster! Then, a breather. I’m doing goooooood! Breathe. Breathe… Wow! Then I said some other things. The banshee had a mind of her own. “I’m sorry, I’m sorry, I’m sorry!” I apologized to the nurses as I recovered from the surge of the contraction. “It’s okay,” said Chris. The pain surged again. Dang! Jiminy! And other things. Chris would watch the monitor. Suddenly he’d turn to look at me. “What?” I asked. “That was a strong one.” “Uh-huh.” The funny thing is, the stronger the contractions were on the monitor, the less they seemed to hurt. Maybe when things are really bad you focus more on being tough. Or perhaps my brain’s pain mechanism simply went on strike when the agony got too much.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
A “London Mechanic's Wife” made a point that historians should take to heart: Shall the idiot-like, the stupid and usurious capitalists, tell us to look to our domestic affairs, and say, “these we understand best,” we will retort on them, and tell them that thousands of us have scarce any domestic affairs to look after, when the want of employment on the one hand, or ill-requited toil on the other, have left our habitations almost destitute...
Hal Draper (Women and Class: Toward a Socialist Feminism)
...and although she'd glibly remarked that you couldn't stand still, was this actually true or was it a hollow axiom as false and misleading as any other trite saying? Why should one not stand still? If the position in which one found oneself standing was a satisfactory and comfortable one? She felt no need, no need at all to move on from being Mma Ramotswe of The No. 1 Ladies' Detective Agency, wife that great mechanic, Mr. J.L.B. Matekoni.
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
In the story, Ivan Ilyich is forty-five years old, a midlevel Saint Petersburg magistrate whose life revolves mostly around petty concerns of social status. One day, he falls off a stepladder and develops a pain in his side. Instead of abating, the pain gets worse, and he becomes unable to work. Formerly an “intelligent, polished, lively and agreeable man,” he grows depressed and enfeebled. Friends and colleagues avoid him. His wife calls in a series of ever more expensive doctors. None of them can agree on a diagnosis, and the remedies they give him accomplish nothing. For Ilyich, it is all torture, and he simmers and rages at his situation. “What tormented Ivan Ilyich most,” Tolstoy writes, “was the deception, the lie, which for some reason they all accepted, that he was not dying but was simply ill, and he only need keep quiet and undergo a treatment and then something very good would result.” Ivan Ilyich has flashes of hope that maybe things will turn around, but as he grows weaker and more emaciated he knows what is happening. He lives in mounting anguish and fear of death. But death is not a subject that his doctors, friends, or family can countenance. That is what causes him his most profound pain. “No one pitied him as he wished to be pitied,” writes Tolstoy. “At certain moments after prolonged suffering he wished most of all (though he would have been ashamed to confess it) for someone to pity him as a sick child is pitied. He longed to be petted and comforted. He knew he was an important functionary, that he had a beard turning grey, and that therefore what he longed for was impossible, but still he longed for it.” As we medical students saw it, the failure of those around Ivan Ilyich to offer comfort or to acknowledge what is happening to him was a failure of character and culture. The late-nineteenth-century Russia of Tolstoy’s story seemed harsh and almost primitive to us. Just as we believed that modern medicine could probably have cured Ivan Ilyich of whatever disease he had, so too we took for granted that honesty and kindness were basic responsibilities of a modern doctor. We were confident that in such a situation we would act compassionately. What worried us was knowledge. While we knew how to sympathize, we weren’t at all certain we would know how to properly diagnose and treat. We paid our medical tuition to learn about the inner process of the body, the intricate mechanisms of its pathologies, and the vast trove of discoveries and technologies that have accumulated to stop them. We didn’t imagine we needed to think about much else. So we put Ivan Ilyich out of our heads. Yet within a few years, when I came to experience surgical training and practice, I encountered patients forced to confront the realities of decline and mortality, and it did not take long to realize how unready I was to help them. *   *   *
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
He had told his wife, Melinda, “If you’re fast, you don’t have to make hard decisions. When you’re slower, you have to pull rabbits out of your hat and do incredible things with the maneuvers, and push the rules so far that you almost cross a line.
Julian Guthrie (The Billionaire and the Mechanic: How Larry Ellison and a Car Mechanic Teamed up to Win Sailing's Greatest Race, the Americas Cup, Twice)
Consider Edgar Allen Poe’s famous poem, “The Raven.” Here we have a first-person narrator whose wife or lover, Lenore, has recently died. He is in his library searching through his books to find a way to make her death meaningful—or even understandable. When a raven enters the library, the narrator takes it as a sign and asks a series of increasingly desperate questions. The raven, of course, has long been a symbol for death, and the questions that the narrator asks the raven are all really questions about death. Is there a heaven? Does death come from God or the Devil? Will he ever get over her death? Will he see her again? These are likely the same things he was trying to find out from his books. But while the books may have tried to give answers, the raven—death itself—says only one word: “Nevermore.” So this is a poem that makes claims—or, more specifically, it is a poem that rejects claims. It rejects the notion that anyone can know anything about death, or what happens after death, except that a person who has died no longer exists. All that death “says” to us is “Nevermore.” If we try to go beyond this, we will eventually suffer the narrator’s fate and become insane. Many people would disagree vigorously with this premise. Some people believe that the spirits of the dead become ghosts that we can still communicate with. Others believe in heaven, hell, reincarnation, Nirvana, or some knowable final destination for the soul. I can imagine a number of different ways that one might go about rebutting Poe’s metaphysical truth claims. But it makes no difference whether or not ravens can talk. Nothing about Poe’s poem can be supported, or refuted, by scientific knowledge about the vocalization mechanisms of the Corvus corax. Nor does it matter whether or not Edgar Allen Poe ever knew anybody named Lenore, or owned a “bust of Pallas,” or did or said any of the things described in the poem. “The Raven” makes metaphysical truth claims that we can isolate and evaluate. But these claims do not depend on either the history or the science of the poem turning out to be true.
Michael Austin (Re-reading Job: Understanding the Ancient World’s Greatest Poem (Contemporary Studies in Scripture))
I finally realized who really ran the show at home; my mom. I just didn't realize how toxic it was until I saw him crumble under her will and joined forces with her when I was violated. I had no idea at the time what this kind of dysfunction was, but I knew it was wrong and unfair treatment. My dad was a decent hard-working man who found himself caught in a web of an extremely controlling wife he loved but who emasculated him. He found her difficult to live with, and so the best way he could try to keep peace in the marriage was to play the role of “go along to get along”. That grew into a whole different branch of coping mechanism; enabling.  Mom was the boss and he accepted it by withdrawing and avoiding the big elephant in the family. His little girl, his only girl, his “little shadow” no longer was his priority; pleasing mom at all cost was the main vein that fed his insufficiency to step into his authority as the head of the home. As time passed, I witnessed repeatedly, that his needs were not a priority and he accepted my mom's behavior no matter how it infected us or the atmosphere of the home. He did all this just to keep her pleased and so he didn't have to hear the constant bickering, even though it was a temporary fix.
Dee Dee Moreland (The Broken Scapegoat: From Trauma to Triumph)
In the following years, Andrew remained at his father’s side, assisting in the farm work and livestock breeding and continuing his experiments with ostensibly labor-saving agricultural contraptions. That phase of his life came to an end with the close of the century. In 1898, the sixty-five-year-old Philip took his third wife, a widow named Frances Murphy Wilder, twenty-five years his junior. Not long afterward, Andrew left home. Despite the best efforts of researchers, little is known about the next eight years of Andrew Kehoe’s life. Census records show that, in 1900, he lived in a boardinghouse in Ann Arbor and worked as a “dairyman.”17 At some point—at least according to his claims—he enrolled at the Michigan State Agricultural College in East Lansing. Founded in 1855 as the nation’s first educational institution devoted to “instruction and practice in agriculture, horticulture and the sciences directly bearing upon successful farming,” the college (which later evolved into Michigan State University) gradually expanded its curriculum to include training in mechanical, civil, and electrical engineering, Kehoe’s alleged major.18 Sometime during this period, he evidently made his way to Iowa and found work as a lineman, stringing electrical wire. He also seems to have spent time in St. Louis, attending an electrical school while employed as an electrician for the city park.19 Family members would later report that, while residing in Missouri, he suffered a serious head injury: “a severe fall” that left him “semi-conscious for nearly two months.”20
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
Whenever Cyrus feels overwhelmed, like on the anniversary of his mother’s death or after arguing with Jules and Asha, he tends to disappear. Why do you think this is this coping mechanism, and what consequences does it have on his relationship with Asha? What did you make of Cyrus’ apology and surprise announcement in Chapter Fifteen? In the end, Asha admits to herself that she gave Cyrus power over her. How much do you agree with Asha’s assessment of what went wrong? How do you feel about Asha’s overall growth, and her willingness to fix what’s broken at WAI? Is it fair for the responsibility of rebuilding to fall on her?
Tahmima Anam (The Startup Wife)
There is a different practice of devotion for the gentleman and the mechanic; for the prince and the servant; for the wife, the maiden, and the widow; and still further, the practice of devotion must be adapted to the capabilities, the engagements, and the duties of each individual. It would not do were the bishop to adopt a Carthusian solitude, or if the father of a family refused like the Capuchins to save money. . . . Such devotion would be inconsistent and ridiculous. . . . It is not merely an error but a heresy to suppose that a devout life is necessarily banished from the soldier’s camp, the merchant’s shop, the prince’s court, or the domestic hearth. . . . Lot remained chaste whilst in Sodom, and fell into sin after he had forsaken it. Wheresoever we may be, we may and should aim at a life of perfect devotion.
Elisabeth Elliot (A Path Through Suffering)
The pragmatic mood is already visible in the Odyssey. The poem opens with Odysseus living on a remote island ruled by a nymph who offers him immortality if he will remain as her consort. A bit surprisingly to anyone steeped in the orthodox Western religio-philosophical-scientific tradition, he refuses, preferring mortality and a dangerous struggle to regain his position as the king of a small, rocky island and be reunited with his son, aging wife, and old father. He turns down what the orthodox tradition says we should desire above all else, the peace that comes from overcoming the transience and vicissitudes of mortality, whether that peace takes the form of personal immortality or of communing with eternal verities, moral or scientific—in either case ushering us to the still point of the turning world. Odysseus prefers going to arriving, struggle to rest, exploring to achieving—curiosity is one of his most marked traits—and risk to certainty. The Odyssey situates Calypso’s enchanted isle in the far west, the land of the setting sun, and describes the isle in images redolent of death. In contrast, Odysseus’s arrival at his own island, far to the east, a land of the rising sun, is depicted in imagery suggestive of rebirth. Another thing that is odd about the protagonist, and the implicit values, of the Odyssey from the orthodox standpoint is that Odysseus is not a conventional hero, the kind depicted in the Iliad. He is strong, brave, and skillful in fighting, but he is no Achilles (who had a divine mother) or even Ajax; and he relies on guile, trickery, and outright deception to a degree inconsistent with what we have come to think of as heroism or with its depiction in the Iliad. His dominant trait is skill in coping with his environment rather than ability to impose himself upon it by brute force. He is the most intelligent person in the Odyssey but his intelligence is thoroughly practical, adaptive. Unlike Achilles in the Iliad, who is given to reflection, notably about the heroic ethic itself, Odysseus is pragmatic. He is an instrumental reasoner rather than a speculative one. He is also, it is true, distinctly pious, a trait that the Odyssey harps on and modern readers tend to overlook. But piety in Homeric religion is a coping mechanism. Homeric religion is proto-scientific; it is an attempt to understand and control the natural world. The gods personify nature and men manipulate it by “using” the gods in the proper way. One sacrifices to them in order to purchase their intervention in one’s affairs—this is religion as magic, the ancestor of modern technology—and also to obtain clues to what is going to happen next; this is the predictive use of religion and corresponds to modern science. The gods’ own rivalries, mirroring (in Homeric thought, personifying or causing) the violent clash of the forces of nature, prevent human beings from perfecting their control over the environment. By the same token, these rivalries underscore the dynamic and competitive character of human existence and the unrealism of supposing that peace and permanence, a safe and static life, are man’s lot. Odysseus’s piety has nothing to do with loving God as creator or redeemer, or as the name, site, metaphysical underwriter, or repository of the eternal or the unchanging, or of absolutes (such as omniscience and omnipotence) and universals (numbers, words, concepts). Odysseus’s piety is pragmatic because his religion is naturalistic—is simply the most efficacious means known to his society for controlling the environment, just as science and technology are the most efficacious means by which modern people control their environment.
Richard A. Posner (Law, Pragmatism, and Democracy)
The more than 2,500 respondents to the WCS that I constructed while at the University of Missouri reported that they “occasionally” experienced the pain of a loved one at a distance. In Stevenson’s review of 160 published simulpathity cases, one-third involved a parent and child. Friends and acquaintances were in- volved in about 28 percent. Husband and wife pairs were involved in about 14 per- cent and siblings about 15 percent. The similar relatively high percentages of par- ent-child and friend-acquaintance simulpathity suggests that emotional bonds, rather than genetic similarities, facilitate these interactions. Stevenson’s reports are well-documented by follow-up interviews with both the coincider and the people who witnessed the event. I decided to name this coincidence pattern simulpathity, from the Latin word simul, which means “simultaneous,” and the Greek root pathy, which means both “suffering” and “feeling,” as in the words sympathy and empathy. With sympathy (“suffering together”), the sympathetic person is aware of the suffering of the other. With simulpathity, the person involved is usually not consciously aware of the suffering of the other (except for those pairs with whom this shared pain is a regular occurrence). Only later is the simultaneity of the distress recognized. No explanatory mechanism is implied.
Bernard D. Beitman, MD (Meaningful Coincidences: How and Why Synchronicity and Serendipity Happen)
She attributed the stress-eating to everything that had been going on in the family. Everyone had their coping mechanisms. This was hers. Better than drugs, she told herself! Or was it?
Sally Hepworth (The Younger Wife)
I was born to an unwed female in a settlement that makes Windhaven look like a tolerant, welcoming paradise. She was shunned for bearing a child out of wedlock, and forced to give birth to me alone in a tent in the dead of winter.' Horror lurched through her. She'd known Cassian was low-born, but that level of cruelty because of it... 'What of your father?' 'You mean the piece of shit who forced himself on her and then went back to his wife and family?' Cassian let out a cold laugh that she rarely heard. 'There were no consequences for him.' 'There never are,' Nesta said coolly. She blocked out the image of Tomas's face. 'There are here,' Cassian growled, as if he sensed the direction of her thoughts. Cassian gestured to the city below, hidden by the mountain and the House blocking the view. 'Rhys changed the laws here in the Night Court, and in Illyria.' His face hardened further. 'But it still requires the survivor to come forward. And in places like Illyria, they make life a living hell for any female who does. They seem it a betrayal.' 'That's outrageous.' 'We're all Fae. Forget the High Fae or Lesser Fae bullshit. We're all immortal or close to it. Change comes slowly for us. What humans accomplish in decades takes us centuries. Longer, if you live in Illyria.' 'Then why do you bother with the Illyrians?' 'Because I fought like hell to prove my worth to them.' His eyes glittered. 'To prove that my mother brought some good into this world.' 'Where is she now?' He'd never spoken of her. His eyes shuttered in a way she had not witnessed before. 'I was taken away from her when I was three. Thrown out into the snow. And in her so-called disgraced state, she became prey to other monsters.' Nesta's stomach twisted with each word. 'She did their backbreaking labour until she died, alone and...' His throat worked. 'I was at Windhaven by then. I wasn't strong enough to return to help her. To bring her somewhere safe. Rhys wasn't yet High Lord, and none of us could do anything.' ... 'It's a story for another time. But what I meant to try to explain is that through it all, through every awful thing, the training centred me. Guided me. When I had a shit day, when I was spat on or pummelled or shunned, when I led armies and lost good warriors, when Rhys was taken by Amarantha- through all of that, the training remained. You said the other day the breathing helped you. It helps me, too. It helped Feyre.' She watched the wall rise in his eyes, word after word. As if he waited for her to rip it down. Rip him down. 'Make of that what you will, but it's true.' Oily shame slithered through her. She'd done that- brought this level of defensiveness in him. Heaviness weighed on her. Started gnawing on her insides. So Nesta said, 'Show me another set of movements.' Cassian scanned her face for a heartbeat, his gaze still shuttered, and began his next demonstration.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Classification and then reduction, the mind’s strongest weapon against conscience, if it wants to relieve your conscience to kill innocents, it would classify them within a group and include with them those who deserve death in its view, then reduce all the small details into generalities, and ignore them. As it will not fail a trick, to make the killing of children and women an inevitable necessity, towards a higher goal and a better world. Thus began the story of Baibars himself, nearly twenty years ago, when the extremist organization decided to classify the entire American people as one group, ignoring that the number of Muslims killed by Muslims themselves was many times greater than those killed because of American policies in the Middle East, and then decided that the destruction of their opponents in the Middle East. The destruction of the World Trade Center in Manhattan. Their minds reduced all the details; a child playing in his father’s office, a girl waiting for her mother’s return, a wife on the plane eager to meet her husband, their conscience did not hesitate for a moment to kill thousands of innocent people, for the sake of their ultimate goal. And so did America itself, when it decided to avenge its murderers, categorized, reduced, and shot everyone. Its pilots saw neither the children nor the families in the homes they were about to demolish over their heads. So did Hitler, Napoleon, Hulagu, and every serial killer known to mankind. It makes you like a pilot driving a plane, throwing a bomb over the houses, not seeing the trace of what it did on the ground, and if he carried it with his hand and walked in the streets, and watched the children, women, the innocent, who would fall dead from this bomb, he would not detonate it, but he only sees houses that look like matchboxes from the sky, general picture, no details. Satan’s most powerful weapon for controlling the mind, or the most powerful weapon of the mind to control us, and at some point, it masters it, to the point where it no longer needs to justify, reduce, or categorize anything, kill your opponents, and all their offspring, destroy them, burn them, leave none of them. Since many minds are tools in the hands of Satan, it can manipulate them as it wants. Since its working mechanisms have become known to him, Baibars decided, why not? Why do not we make them tools for good. He used Satan’s own style, manipulated everyone, and at times, reduced, but according to his laws, do not reduce the innocent. He is not afraid, he made his decision in the war, and whoever made this decision must bear the consequences of it. He wished time would go back a thousand or two thousand years and freeze there, where the wars between human beings were fought with swords and arrows, at that time, not many innocents fell, only soldiers who made their decision in advance to war, to kill, knowing that they might die. Everyone had the time and the ability to think, make decisions, and even escape. While today, most of the victims of wars do not make a decision, they pay with their lives without anyone asking them if they want to be part of this war at all. Cities are bombed and destroyed over the heads of their inhabitants, and most of them reject this war from the beginning. When someone detonates a bomb in a mall, he does not ask the victims of his bombing about their political stances, their religion, and even if they want to be part of this war, and so do the planes, they do not ask, and their victims have no opportunity to make a decision. As for him, Baibars, he made up his mind It is to fight in defense of those who did not have the opportunity to take it.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
He told her he was tired and didn't want any mechanical intervention. "No breathing tubes! No shocks, and no pushing on my chest. Just let me go." He was willing to try treatments that would make him feel better (comfort care), Rebecca says, such as wound care and pain management, as well as the treatments he was already getting. But, he said, "If they are giving it to me just to give it to me, then forget about it." At that point, Rebecca turned to her grandmother, who would be the ultimate decision maker should her grandfather become unable to make his own choices. "Well, darling," she said, "of course I would tell the doctors to do everything possible to keep my husband alive." Rebecca was stunned. She'd just had a lovely, candid, and specific discussion with her grandfather about his wishes. Hadn't her grandmother heard what he'd said? She then asked her grandmother to tell her what she had heard her grandfather say, and her grandmother repeated his wishes but said she loved her husband too much to let him go. "If he is with me just one more day, it would be worth it to me," she told her granddaughter. It would be worth it to her even if he were "hooked up to machines and not able to talk to me." Rebecca then turned back to her grandfather and asked, "Did you just hear what Grandma said?" He said he did. She asked how he felt about her going against his wishes and requesting a feeding tube, ventilator, shocks, and other treatments he had said he did not want. "Is that okay with you?" she asked in disbelief. Her grandfather said it was. "I am ready to go, but if it helps your grandmother to feel that she did everything possible for me, even if it is because she doesn't want me to go, that is okay. She is the one who has to go on living with her decision. If this is what she wants, then this is what I want because I love her." Rebecca realized in that moment that her grandfather's wishes were being honored; above all else, he wanted a death that his wife could live with.
BJ Miller
Reconstructing family life amid the chaos of the cotton revolution was no easy matter. Under the best of circumstances, the slave family on the frontier was extraordinarily unstable because the frontier plantation was extraordinarily unstable. For every aspiring master who climbed into the planter class, dozens failed because of undercapitalization, unproductive land, insect infestation, bad weather, or sheer incompetence. Others, discouraged by low prices and disdainful of the primitive conditions, simply gave up and returned home. Those who succeeded often did so only after they had failed numerous times. Each failure or near-failure caused slaves to be sold, shattering families and scattering husbands and wives, parents and children. Success, moreover, was no guarantee of security for slaves. Disease and violence struck down some of the most successful planters. Not even longevity assured stability, as many successful planters looked west for still greater challenges. Whatever the source, the chronic volatility of the plantation took its toll on the domestic life of slaves. Despite these difficulties, the family became the center of slave life in the interior, as it was on the seaboard. From the slaves' perspective, the most important role they played was not that of field hand or mechanic but husband or wife, son or daughter - the precise opposite of their owners' calculation. As in Virginia and the Carolinas, the family became the locus of socialization, education, governance, and vocational training. Slave families guided courting patterns, marriage rituals, child-rearing practices, and the division of domestic labor in Alabama, Mississippi, and beyond. Sally Anne Chambers, who grew up in Louisiana, recalled how slaves turned to the business of family on Saturdays and Sundays. 'De women do dey own washing den. De menfolks tend to de gardens round dey own house. Dey raise some cotton and sell it to massa and git li'l money dat way.' As Sally Anne Chambers's memories reveal, the reconstructed slave family was more than a source of affection. It was a demanding institution that defined responsibilities and enforced obligations, even as it provided a source of succor. Parents taught their children that a careless word in the presence of the master or mistress could spell disaster. Children and the elderly, not yet or no longer laboring in the masters' fields, often worked in the slaves' gardens and grounds, as did new arrivals who might be placed in the household of an established family. Charles Ball, sold south from Maryland, was accepted into his new family but only when he agreed to contribute all of his overwork 'earnings into the family stock.' The 'family stock' reveals how the slaves' economy undergirded the slave family in the southern interior, just as it had on the seaboard. As slaves gained access to gardens and grounds, overwork, or the sale of handicraft, they began trading independently and accumulating property. The material linkages of sellers and buyers - the bartering of goods and labor among themselves - began to knit slaves together into working groups that were often based on familial connections. Before long, systems of ownership and inheritance emerged, joining men and women together on a foundation of need as well as affection.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
HILL: Will you describe the major factors which entered into the modus operandi of Mr. Ford’s mind while he was perfecting the automobile? CARNEGIE: Yes, that will be very easy. And when I describe them, you will have a clear understanding of the working principles used by all successful men, as well as a clear picture of the Ford mind, viz.: (a) Mr. Ford was motivated by a definite purpose, which is the first step in all individual achievements. (b) He stimulated his purpose into an obsession by concentrating his thoughts upon it. (c) He converted his purpose into definite plans, through the principle of Organised Individual Endeavour, and put his plans into action with unabating persistence. (d) He made use of the Master Mind principle, first, by the harmonious aid of his wife, and second, by gaining counsel from others who had experimented with internal combustion engines and methods of power transmission. Still later, of course, when he began to produce automobiles for sale, he made a still more extensive use of the Master Mind principle by allying himself with the Dodge brothers and other mechanics and engineers skilled in the sort of mechanical problems he had to solve. (e) Back of all this effort was the power of Applied Faith, which he acquired as the result of his intense desire for achievement in connection with his Definite Major Purpose.
Napoleon Hill (How to Own Your Own Mind)
Always it was the same, Furlong thought; always they carried mechanically on without pause, to the next job at hand. What would life be like, he wondered, if they were given time to think and reflect over things? Might their lives be different or much the same – or would they just lose the run of themselves? Even while he’d been creaming the butter and sugar, his mind was not so much upon the here and now and on this Sunday nearing Christmas with his wife and daughters so much as on tomorrow and who owed what, and how and when he’d deliver what was ordered and what man he’d leave to which task, and how and where he’d collect what was owed – and before tomorrow was coming to an end, he knew his mind would already be working in much the same way, yet again, over the day that was to follow.
Claire Keegan (Small Things Like These)
For those who lack the classical education of New York’s early butchers and bakers, Xanthippe was Socrates’ wife, and has gone down in history as an atrocious nag. Socrates’ equanimity in enduring (ignoring) her is regularly held out as a proof of his nobility of character. Graves begins by pointing out: why is it that for two thousand years, no one seems to have asked what it might have actually been like to be married to Socrates? Imagine you were saddled with a husband who did next to nothing to support a family, spent all his time trying to prove everyone he met was wrong about everything, and felt true love was only possible between men and underage boys? You wouldn’t express some opinions about this? Socrates has been held out ever since as the paragon of a certain unrelenting notions of pure consistency, an unflinching determination to follow arguments to their logical conclusions, which is surely useful in its way--but he was not a very reasonable person, and those who celebrate him have ended up producing a "mechanized, insensate, inhumane, abstract rationality" that has done the world enormous harm. Graves writes that as a poet, he feels no choice but to identify himself more with those frozen out of the "rational" space of Greek city, starting with women like Xanthippe, for whom reasonableness doesn’t exclude logic (no one is actually *against* logic) but combines it with a sense of humor, practicality, and simple human decency. With that in mind, it only makes sense that so much of the initiative for creating new forms of democratic process--like consensus--has emerged from the tradition of feminism, which means (among other things) the intellectual tradition of those who have, historically, tended not to be vested with the power of command. Consensus is an attempt to create a politics founded on the principle of reasonableness--one that, as feminist philosopher Deborah Heikes has pointed out, requires not only logical consistency, but "a measure of good judgment, self-criticism, a capacity for social interaction, and a willingness to give and consider reasons." Genuine deliberation, in short. As a facilitation trainer would likely put it, it requires the ability to listen well enough to understand perspectives that are fundamentally different from one’s own, and then try to find pragmatic common ground without attempting to convert one’s interlocutors completely to one’s won perspective. It means viewing democracy as common problem solving among those who respect the fact they will always have, like all humans, somewhat incommensurable points of view. (p. 201-203)
David Graeber (The Democracy Project: A History, a Crisis, a Movement)
Of course, the brain is a machine and a computer—everything in classical neurology is correct. But our mental processes, which constitute our being and life, are not just abstract and mechanical, but personal, as well—and, as such, involve not just classifying and categorising, but continual judging and feeling also. If this is missing, we become computer-like, as Dr P. was. And, by the same token, if we delete feeling and judging, the personal, from the cognitive sciences, we reduce them to something as defective as Dr P.—and we reduce our apprehension of the concrete and real.
Oliver Sacks (The Man Who Mistook His Wife For A Hat: And Other Clinical Tales)
He’s a professor of mechanical and biomedical engineering at the local university. He is somewhat renowned in his field. This is what I’m told by his adoring colleagues and students at boring cocktail parties where I play the part of devoted wife. They always marvel at what it must be like to be married to the great Dr. David Foster III. They imagine, I think, that our nights are filled with romantic whisperings about fluid dynamics and heat transfer or the power of biomechanical joints. They forget that I am a writer and maintain only a cursory understanding of and interest in David’s work—just enough to assure him that my love is true.
Roxane Gay (Difficult Women)
The meanness that first bothered me, though, when I encountered it a decade ago, long before I was married, was in a short story in Pigeon Feathers in which a young husband returns with hamburgers and eats them happily with his family in front of the fire, and thinks lovingly of his wife’s Joyceanly “smackwarm” thighs, and then, in the next paragraph, says as narrator (the “you” directed at the narrator’s wife), “In the morning, to my relief, you are ugly.… The skin between your breasts is a sad yellow.” And a little later, “Seven years have worn this woman.” This hit me as inexcusably brutal when I read it. I couldn’t imagine Updike’s real, nonfictional wife reading that paragraph and not being made very unhappy. You never know, though; the internal mechanics of marriages are shielded from us, and maybe in the months after that story came out the two of them enjoyed a wry private joke whenever they went to a party and she wore a dress with a high neckline and they noticed some interlocutor’s gaze drop to her breasts and they saw together the little knowing look cross his unpleasantly salacious features as he thought to himself, Ho ho: high neckline to cover up all that canary-yellow, eh? Updike knows that people are going to assume that the fictional wife of an Updike-like male character corresponds closely with Updike’s own real-life wife — after all, Updike himself angered Nabokov by suggesting that Ada was Vera. How can Updike have the whatever, the disempathy, I used frequently to ask myself, and ask myself right now, to put in print that his wife appeared ugly to him that morning, especially in so vivid a way? It just oughtn’t to be done! It makes us readers imagine her speculating as she read it: “Which morning was he thinking that? He sat at the kitchen table eating breakfast and thinking I was ugly and worn! And I had no idea.
Nicholson Baker (U and I)
The Defenestration of Ermintrude Inch First published in Tales from the White Hart An unusual story from the White Hart, in which Harry Purvis seemingly meets his match when his wife discovers the location of his ‘quantum mechanics lectures’. It also chronicles the move from the ‘White Hart’ to the ‘Sphere’, matching the move from the White Horse to the Globe, following the landlord, Lew Mordecai.
Arthur C. Clarke (The Collected Stories of Arthur C. Clarke)
How many fathers pay no mind to their daughter's clothes? How many care not when the police drop her off after finding her somewhere? How many have no sense of the shame or potential shame brought on their homes? They do not care, but for the moment, a permanent reminder of their failure, a new baby, enters the home. Then the household swarms to protect. This is a maternal move. Often, the father is enraged, but his wife tells him they will provide for this new child. This only encourages more dishonorable behavior.Who is watching the babies of young single moms? The grandparents will care for it and raise the bastard child because it is the right thing, the honorable thing to do. A good father helps in this moment. Honor matters then, but it is a fraud. It is a crystal statue that shatters when the smallest of observers knock on it. “Where were you for the days,week,months and years leading up to that moment," we might ask. "Where was your honor then?" No one asks this because it would be rude. Such a comment implies a functioning community with corrective mechanisms, but it would be shouted down in this matriarchal culture that celebrates single mothers.
Ryan Landry (Masculinity Amidst Madness)
We’ve heard the horror stories, too. Attorney Richard Watts, whom we met in the introduction, tells me another: One early client, three decades ago, was a working-class guy with a lottery win of about $60 million after taxes. He came to Watts in deep trouble, but he came too late: “It was all gone in five years: bankrupt, wife gone, kids gone, kids on drugs, kids in jail—really, truly a life he could not recover from.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on. As far as I'm concerned at this point, I'm just hanging on and trying to keep up.
Jason Faris (Transitions (The Quantum Mechanic, #1))
Abruptly, she said, "I wonder what she did to so alienate our father that he disinherited her. Do you know?" "Supposedly… she ran off with Glen Sabella. He was a mechanic, and he was married. Gossip had it that your father was furious, especially since—" "Since both his wife and his other daughter had also run off without a word.
Kay Hooper (Whisper of Evil (Bishop/Special Crimes Unit, #5; Evil, #2))
Do you get where this is going? Ezra, your wife is in the same category as your cleaner’s guy, mechanic, your dentist, and me, a virtual stranger to you. Nothing or no one else is inside this box, not even your parents. Marriage doesn’t work this way. She needs to be in here with you. She’s your partner, not a tool sent for your one-sided pleasure.
Love Belvin (Bonded with Ezra (Love Unaccounted #3))
Nothing more sharply reflects the inner contradictions in the emotional world of chivalry than its equivocal attitude to love, which combined the highest spiritualization with extreme sensuality. But illuminating as is a psychological analysis of the equivocal nature of these emotions, the psychological facts are a product of historical circumstances which in turn require explanation and can only be explained sociologically. The psychological mechanism of this attachment to the wife of another, and of this intensification of emotion through the freedom with which it could be expressed, could never have been set in motion without the force of ancient religious and social taboos having first been weakened and the soil prepared for such an exuberant growth of erotic feelings by the rise of a new emancipated upper class. In this case, too, psychology, as so often, is only unclear, disguised, incompletely worked-out sociology.
Arnold Hauser (The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages)
Osip Mandelstam in the context of early twentieth-century Russia, his wife Nadezhda writes, “The poet’s mode of thought is the product of all sides of his personality: the intellectual, physiological, spiritual, and emotional, a synthesis of what he perceives through his senses, his instincts and desires, and the higher aspirations of his spirit. All these can be bound together only by some dominant idea which shapes the personality. If there is no such idea, one will have, at best, a clever craftsman, a ‘translator of ready-made ideas,’ a mechanical nightingale. The unifying idea can be located at any level of the personality—in its deep reaches or on the surface.
Stephen Dobyns (Next Word, Better Word: The Craft of Writing Poetry)
And Dr. Michael Burry was dumbstruck: He recalled Asperger’s from med school, but vaguely. His wife now handed him the stack of books she had accumulated on autism and related disorders. On top were The Complete Guide to Asperger’s Syndrome, by a clinical psychologist named Tony Attwood, and Attwood’s Asperger’s Syndrome: A Guide for Parents and Professionals. “Marked impairment in the use of multiple non-verbal behaviors such as eye-to-eye gaze…” Check. “Failure to develop peer relationships…” Check. “A lack of spontaneous seeking to share enjoyment, interests, or achievements with other people…” Check. “Difficulty reading the social/emotional messages in someone’s eyes…” Check. “A faulty emotion regulation or control mechanism for expressing anger…” Check. “…One of the reasons why computers are so appealing is not only that you do not have to talk or socialize with them, but that they are logical, consistent and not prone to moods. Thus they are an ideal interest for the person with Asperger’s Syndrome…” Check. “Many people have a hobby…. The difference between the normal range and the eccentricity observed in Asperger’s Syndrome is that these pursuits are often solitary, idiosyncratic and dominate the person’s time and conversation.” Check…Check…Check. After a few pages, Michael Burry realized that he was no longer reading about his son but about himself.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
I'm hardly looking to marry an automaton." "But it would be convenient, wouldn't it?" Cassandra mused, coming to stand just a foot or two away from him. "A mechanical wife would never annoy or inconvenience you," she continued. "No love required on either side. And even with the expense of minor repairs and maintenance, she would be quite cost-effective.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Should such a “dreaded relationship” (such as marriage) materialize, the complex defense mechanism which has been constructed within the psyche of the pathological narcissist would come under severe stress, because, as Christopher Lasch notes, such a person perceives the female, “child or woman, wife or mother,” as a monster who “cuts men to ribbons or swallows them whole.” Thus, in Lasch’s view, “fear of the devouring mother of the pre-Oedipal fantasy gives rise to a generalized fear of women,” and this fear, “closely associated with a fear of the consuming desires within, reveals itself . . . as a boundless rage against the female sex.” *
Joe McGinniss (Fatal Vision: A True Crime Classic)