β
Our doubts are traitors,
and make us lose the good we oft might win,
by fearing to attempt.
β
β
William Shakespeare (Measure for Measure)
β
The tempter or the tempted, who sins most?
β
β
William Shakespeare (Measure for Measure)
β
Go to your bosom; Knock there, and ask your heart what it doth know.
β
β
William Shakespeare (Measure for Measure)
β
Life... is a paradise to what we fear of death.
β
β
William Shakespeare (Measure for Measure)
β
It is excellent To have a giant's strength But it is tyrannous To use it like a giant
β
β
William Shakespeare (Measure for Measure)
β
Your cause of sorrow must not be measured by his worth, for then it hath no end.
β
β
William Shakespeare (Macbeth: Playgoer's Edition (ARDEN SHAKESPEARE PLAYGOER'S EDITION))
β
But man, proud man,
Dress'd in a little brief authority,
Most ignorant of what he's most assur'dβ
His glassy essenceβlike an angry ape
Plays such fantastic tricks before high heaven
As makes the angels weep; who, with our spleens,
Would all themselves laugh mortal.
β
β
William Shakespeare (Measure for Measure)
β
Well, heaven forgive him! and forgive us all!
Some rise by sin, and some by virtue fall:
Some run from brakes of ice, and answer none:
And some condemned for a fault alone.
β
β
William Shakespeare (Measure for Measure)
β
O, it is excellent
To have a giant's strenght, but it is tyrannous to use it like a giant.
β
β
William Shakespeare (Measure for Measure)
β
What's his offense?
Groping for trout in a peculiar river.
β
β
William Shakespeare (Measure for Measure)
β
I, measuring his affections by my own,
Which then most sought where most might not be found,
Being one too many by my weary self,
Pursued my humor not pursuing his,
And gladly shunned who gladly fled from me.
β
β
William Shakespeare (Romeo and Juliet)
β
Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.
β
β
William Shakespeare (Measure for Measure)
β
Oh, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiopeβs ear,
Beauty too rich for use, for earth too dear.
So shows a snowy dove trooping with crows
As yonder lady o'er her fellows shows.
The measure done, Iβll watch her place of stand,
And, touching hers, make blessèd my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne'er saw true beauty till this night.
β
β
William Shakespeare
β
To sue to live, I find I seek to die;
And, seeking death, find life.
β
β
William Shakespeare (Measure for Measure)
β
Thy best of rest is sleep,
And that thou oft provok'st; yet grossly fear'st
Thy death, which is no more.
β
β
William Shakespeare (Measure for Measure)
β
It seems only fair," Matthew continued. "A bit of karma, if you will." He twirled the stake again. "Shall we see how long you scream?"
"Are you ever going to shut up?" I snapped, fear and irritation filling me in equal measures. "This isn't your monologue, Hamlet. It's the battle scene, in case you've forgotten."
His eyes narrowed so fast they nearly sparked. They were the color of honey on fire. One of the others growled like an animal, low in his throat. It made all the hairs on my arms stand straight up.
I was going to die for making fun of Shakespeare.
My English Lit professor would be so proud.
β
β
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
β
There is no measure in the occasion that breeds;
therefore the sadness is without limit.
β
β
William Shakespeare (Much Ado About Nothing)
β
Tis one thing to be tempted, Escalus,
Another thing to fall."
- Angelo, Act 2 Scene 1
β
β
William Shakespeare (Measure for Measure)
β
I'll be supposed upon a book, his face is the worst thing about him.
β
β
William Shakespeare (Measure for Measure)
β
And the poor beetle, that we tread upon,
In corporal sufferance finds a pang as great
As when a giant dies.
β
β
William Shakespeare (Measure for Measure)
β
Wooing, wedding, and repenting is as a Scotch jig, a measure, and a cinque-pace: the first suit is hot and hasty like a Scotch jig--and full as fantastical; the wedding, mannerly modest, as a measure, full of state and ancientry; and then comes repentance and with his bad legs falls into the cinque-pace faster and faster, till he sink into his grave.
β
β
William Shakespeare (Much Ado About Nothing)
β
Music oft hath such a charm
To make bad good, and good provoke to harm.
β
β
William Shakespeare (Measure for Measure)
β
There's some ill planet reigns:
I must be patient till the heavens look
With an aspect more favourable. Good my lords,
I am not prone to weeping, as our sex
Commonly are; the want of which vain dew
Perchance shall dry your pities: but I have
That honourable grief lodged here which burns
Worse than tears drown: beseech you all, my lords,
With thoughts so qualified as your charities
Shall best instruct you, measure me; and so
The king's will be perform'd!
β
β
William Shakespeare (The Winter's Tale)
β
From too much liberty, my Lucio, liberty
As surfeit is the father of much fast,
So every scope of the immoderate use
Turns to restraint. Our natures do pursue, -
Like rats that ravin down their proper bane, -
A thirsty evil; and when we drink we die.
β
β
William Shakespeare (Measure for Measure)
β
What one man does is something done, in some measure, by all men. For that reason a disobedience committed in a garden contaminates the human race; for that reason it is not unjust that the crucifixion of a single Jew suffices to safe it. Perhaps Schopenhauer is right: I am all others, any men is all men, Shakespeare is in some way the wretched John Vincent Moon.
β
β
Jorge Luis Borges (Ficciones)
β
It's the same struggle for each of us, and the same path out: the utterly simple, infinitely wise ultimately defiant act of loving one thing and then another, loving our way back to life... Maybe being perfectly happy is not really the point. Maybe that is only some modern American dream of the point, while the truer measure of humanity is the distance we must travel in our lives, time and again, "twixt two extremes of passion--joy and grief," as Shakespeare put it. However much I've lost, what remains to me is that I can still speak to name the things I love. And I can look for safety in giving myself away to the world's least losable things.
β
β
Barbara Kingsolver (Small Wonder)
β
When we set about accounting for a Napoleon or a Shakespeare or a Raphael or a Wagner or an Edison or other extraordinary person, we understand that the measure of his talent will not explain the whole result, nor even the largest part of it; no, it is the atmosphere in which the talent was cradled that explains; it is the training it received while it grew, the nurture it got from reading, study, example, the encouragement it gathered from self-recognition and recognition from the outside at each stage of its development: when we know all these details, then we know why the man was ready when his opportunity came.
β
β
Mark Twain (How Nancy Jackson Married Kate Wilson and Other Tales of Rebellious Girls and Daring Young Women)
β
He who the sword of heaven will bear
Should be as holy as severe;
Pattern in himself to know,
Grace to stand, and virtue go;
More nor less to others paying
Than by self-offences weighing.
Shame to him whose cruel striking
Kills for faults of his own liking!
Twice treble shame on Angelo,
To weed my vice and let his grow!
O, what may man within him hide,
Though angel on the outward side!
How may likeness made in crimes,
Making practise on the times,
To draw with idle spiders' strings
Most ponderous and substantial things!
Craft against vice I must apply:
With Angelo to-night shall lie
His old betrothed but despised;
So disguise shall, by the disguised,
Pay with falsehood false exacting,
And perform an old contracting.
β
β
William Shakespeare (Measure for Measure)
β
Thou fond mad man, hear me but
speak a word.
ROMEO: O, thou wilt speak again of banishment.
FRIAR LAURENCE: Iβll give thee armour to keep off
that word:
Adversityβs sweet milk, philosophy,
To comfort thee, though thou art banished.
ROMEO: Yet βbanishedβ? Hang up philosophy!
Unless philosophy can make a Juliet,
Displant a town, reverse a princeβs doom,
It helps not, it prevails not: talk no more.
FRIAR LAURENCE: O, then I see that madmen
have no ears.
ROMEO: How should they, when that wise men
have no eyes?
FRIAR LAURENCE: Let me dispute with thee of thy estate.
ROMEO: Thou canst not speak of that thou dost not feel:
Wert thou as young as I, Juliet thy love,
An hour but married, Tybalt murdered,
Doting like me and like me banished,
Then mightst thou speak, then mightst thou
tear thy hair,
And fall upon the ground, as I do now,
Taking the measure of an unmade grave.
β
β
William Shakespeare (Romeo and Juliet)
β
Wonder of time,' quoth she, 'this is my spite,
That, thou being dead, the day should yet be light.
'Since thou art dead, lo, here I prophesy:
Sorrow on love hereafter shall attend:
It shall be waited on with jealousy,
Find sweet beginning, but unsavoury end,
Ne'er settled equally, but high or low,
That all love's pleasure shall not match his woe.
'It shall be fickle, false and full of fraud,
Bud and be blasted in a breathing-while;
The bottom poison, and the top o'erstraw'd
With sweets that shall the truest sight beguile:
The strongest body shall it make most weak,
Strike the wise dumb and teach the fool to speak.
'It shall be sparing and too full of riot,
Teaching decrepit age to tread the measures;
The staring ruffian shall it keep in quiet,
Pluck down the rich, enrich the poor with treasures;
It shall be raging-mad and silly-mild,
Make the young old, the old become a child.
'It shall suspect where is no cause of fear;
It shall not fear where it should most mistrust;
It shall be merciful and too severe,
And most deceiving when it seems most just;
Perverse it shall be where it shows most toward,
Put fear to valour, courage to the coward.
'It shall be cause of war and dire events,
And set dissension 'twixt the son and sire;
Subject and servile to all discontents,
As dry combustious matter is to fire:
Sith in his prime Death doth my love destroy,
They that love best their loves shall not enjoy.
β
β
William Shakespeare (Venus and Adonis)