“
Because in the end, the measure of a well-lived life is not titles or riches. It’s not even measured by the people we please, especially at the cost of our own souls. No, the true measure of a well-lived life is how well we love…and how well we are loved in return.
”
”
Cathy Maxwell (Four Dukes and a Devil (The Byrons of Braebourne #1.5))
“
The dark scares you because it seems boundless. But it isn’t as vast as it seems. You can explore it, learn the shape of it, take its measure—just as you can see a room with your eyes. You have your hands, nose, ears
”
”
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
“
Did that kiss nearly destroy the memory of all other kisses, and become the benchmark against which all future kisses would be measured?
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
I promise you that it will be okay," the Duke said, her voice measured, quiet.
"You're good at that," I said. "At, like, saying crazy things in a way that makes me believe them.
”
”
John Green (Let It Snow: Three Holiday Romances)
“
The dark scares you because it seems boundless. But it isn't as vast as it seems. You can explore it, learn the shape of it, take its measure -- just as you see a room with your eyes. You have your hands, nose, ears.
”
”
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
“
The promise of this book is that if we follow the example of poker players by making explicit that our decisions are bets, we can make better decisions and anticipate (and take protective measures) when irrationality is likely to keep us from acting in our best interest.
”
”
Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
“
Don’t just measure whether you hit the goal, ask what you have achieved and learned along the way.
”
”
Annie Duke (Quit: The Power of Knowing When to Walk Away)
“
Incorporating uncertainty into the way we think about our beliefs comes with many benefits. By expressing our level of confidence in what we believe, we are shifting our approach to how we view the world. Acknowledging uncertainty is the first step in measuring and narrowing it. Incorporating uncertainty in the way we think about what we believe creates open-mindedness, moving us closer to a more objective stance toward information that disagrees with us.
”
”
Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
This trade must stop.”
“I can take no responsibility for any such measure,” said Gumpas.
“Very well, then,” answered Caspian, “we relieve you of your office. My Lord Bern, come here.” And before Gumpas quite realized what was happening, Bern was kneeling with his hands between the King’s hands and taking the oath to govern the Lone Islands in accordance with the old customs, rights, usages and laws of Narnia. And Caspian said, “I think we have had enough of governors,” and made Bern a Duke, the Duke of the Lone Islands.
“As for you, my Lord,” he said to Gumpas, “I forgive you your debt for the tribute. But before noon tomorrow you and yours must be out of the castle, which is now the Duke’s residence.”
“Look here, this is all very well,” said one of Gumpas’s secretaries, “but suppose all you gentlemen stop play-acting and we do a little business. The question before us really is--”
“The question is,” said the Duke, “whether you and the rest of the rabble will leave without a flogging or with one. You may choose which you prefer.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I — The duke didn't ban—" She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now." He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Again? Dom meant to leave her without a word again? Not if she had anything to say about it.
Jane forced a smile. “Unfortunately, since the matter the men are pursuing involves me and my cousin, I really must consult with his lordship and Mr. Bonnaud before they head for London. And I do not mean to let them leave without giving me a report.”
That seemed to startle the woman. “Forgive me, but I was given to understand by my husband that you and Lord Rathmoor haven’t been friendly since the two of you were engaged and you…well…”
“Jilted him?” One day Jane was going to subject Dom to a long list of all the ways in which his subterfuge had created problems for her. But at the moment, she needed Lady Ravenswood on her side. “That is only partly true. Tell me, madam, have you ever been the victim of unfair or misinformed gossip?”
Pain glimmered in the viscountess’s dark eyes. “I’m the American half-Senecan wife of a viscount with high-placed friends. So yes, you might say I have.”
Jane gentled her tone. “Then you’ll understand how easy it is for society to misconstrue matters. Lord Rathmoor and I…have a rather complicated association, which he seems determined not to complicate further. I believe that is why he refuses to give me my report. And that’s why I could use your help.”
“In what?” the woman said warily.
“Nothing too awful, I assure you. As you will understand when I explain.”
She would tell her ladyship however much was necessary to gain her aid. Because it began to appear that the only way to fight Dom’s sly ways was to take some devious measures of her own.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
It was a particular pleasure when she climbed into the dark confines of her coach and sat back with a deep sigh, all without realizing he was sitting in the shadows across from her. She rapped on the roof three times, and the coach pulled away with the horses at a sedate walk. “Did you have fun, Miss Windham?” She didn’t scream, which was a point in her favor, though her hand disappeared into her reticule. “You might hit me at this range, even in the dark,” Hazlit said. “But I really wish you wouldn’t. In such a situation, even a gentleman might be forced to take desperate measures.” “Good evening, Mr. Hazlit. Not quite a pleasure to see you.” “You hired me, Miss Windham. Were we to communicate exclusively in notes written in disappearing ink?” “No.” Her ungloved hand emerged from her reticule. “I meant I can’t quite see you.” She took off her other glove and stuffed them both into her bag. “I suppose it makes sense you’d prefer to meet in private. I wasn’t sure whether to approach you, since you insist on determining the time and place you meet with a client. You did not look to be enjoying yourself.” “You did.” How could peevishness creep into only two syllables? In the dark, her teeth gleamed in a smile. “I did. A little bit, I did. There are advantages to being on the shelf, though I’ve yet to truly appreciate them.” “One being that you can tease and flirt and carry on like a strumpet all night?” The peevishness was gone, but Hazlit hardly liked himself for the condescension that had taken its place. “If I’m flirting and teasing, then the gentlemen are also flirting and teasing, and yet you hardly compare them to streetwalkers. They are being gallant, but you accuse me of being immoral. Hardly fair, Mr. Hazlit.” “They do not have their hair swinging around their backsides like some dollymop working the docks.” She went still, as if he’d slapped her, and Hazlit had to wonder if she wouldn’t be justified in shooting him.
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
Their Graces bought me, you know. They’d acquired my brother Devlin the year before, and my mother, inspired by this development, threatened to publish all manner of lurid memoirs regarding His Grace.” Acquired her brother? As if he were a promising yearling colt or an attractive patch of ground? “You are going to burden me with the details of your family past, I take it?” “You are the man who glories in details.” Without the least rude inflection, she made it sound like a failing. “My point is that my mother sold me. She could just as easily have sold me to a brothel. It’s done all the time. Unlike your sisters, Mr. Hazlit, I do not take for granted the propriety with which I was raised. You may ignore it if you please; I will not.” She had such a lovely voice. Light, soft, lilting with a hint of something Gaelic or Celtic… exotic. The sound of her voice was so pretty, it almost disguised the ugliness of her words. “How old were you?” “Five, possibly six. It depends on whether I am truly Moreland’s by-blow or just a result of my mother’s schemes in his direction.” Six years old and sold to a brothel? The food he’d eaten threatened to rebel. “I’m… sorry.” For calling her a dollymop, for making her repeat this miserable tale, for what he was about to suggest. She turned her head to regard him, the slight sheen in her eyes making him sorrier still. Sorrier than he could recall being about anything in a long, long time. Not just guilty and ashamed, but full of regret—for her. The way he’d been full of regret for his sisters and powerless to do anything but support them in their solitary struggles. He shoved that thought aside, along with the odd notion that he should take Magdalene Windham’s hand in some laughable gesture of comfort. He passed her his handkerchief instead. “This makes the stated purpose of my call somewhat awkward.” “It makes just about everything somewhat awkward,” she said quietly. “Try a few years at finishing school when you’re the daughter of not just a courtesan—there are some of those, after all—but a courtesan who sells her offspring. I realized fairly early that my mother’s great failing was not a lack of virtue, but rather that she was greedy in her fall from grace.” “She exploited a child,” Hazlit said. “That is an order of magnitude different from parlaying with an adult male in a transaction of mutual benefit.” “Do you think so?” She laid his handkerchief out in her lap, her fingers running over his monogrammed initials. “Some might say she was protecting me, providing for me and holding the duke accountable for his youthful indiscretions.” Despite her mild tone, Hazlit didn’t think Miss Windham would reach those conclusions. She might long to, but she wouldn’t. By the age of six a child usually had the measure of her caretakers. And to think of Maggie Windham at six… big innocent green eyes, masses of red hair, perfect skin… in a brothel. “I
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
What lesson is this?” she choked out.
His wild gaze met hers. “That even a low bastard can be tempted above his station when a lady is as lovely as you.”
“A lady? Not a tomboy?”
“I wish you were a tomboy, sweeting,” he said bitterly. “Then you wouldn’t have viscounts and earls and dukes vying for your favors.”
Was he jealous? Oh, how wonderful if he was! “And Bow Street Runners?” she prodded.
He shot her a dark glance that was apparently supposed to serve as her answer, for he then bent to close his mouth over one linen-draped breast.
Good. Heavens. What deliciousness what this? She shouldn’t allow it. But the man she’d been fascinated with for months was treating her as if he truly found her desirable, and she didn’t want it to stop.
Clutching his head to her, she exulted in the hungry way he sucked her breast through her chemise, turning her knees to water and her blood to stream.
He pleasured her breast with teeth and tongue as his hand found her other breast and teased the nipple to arousal. Her pulse leapt so high she feared she might faint. “Jackson…ohhh, Jackson…I thought you…despised me.”
“Does this feel like I despise you?” he murmured against her breast, then tongued it silkily for good measure.
A sensual tremor swept through her. “No.” But then, she’d been a fool before with men. She wasn’t good at understanding them when it came to this. “If you desired me all along, why didn’t you…say anything before?”
“Like what? ‘My lady, I keep imagining you naked in my bed?’” He slid one hand down to her hip. “I’m not fool enough to risk being shot for impertinence.”
Should she be thrilled or disappointed to hear that he imagined her in his bed? It was more than she’d expected, yet not enough.
She dug her fingers into his shoulder. “How do you know I won’t try shooting you now?”
He nuzzled her breast. “You left your pistol on the breakfast table.”
A strange excitement coursed through her. It made no sense, considering what had happened the last time a man had got her alone and helpless. “Perhaps I have another hidden in this room.”
He lifted his head to gaze steadily into her eyes. “Then I’d best keep you too busy to use it.”
Suddenly he was kissing her again, hard, hungry kisses…each more intoxicating than the last. He filled his hands with her breasts and fondled them shamelessly, distracting her from anything but the taste and feel of him.
A moan escaped her, and he tore his mouth from hers. “You shouldn’t let me touch you this way.”
“Yet I am,” she gasped against his cheek. “And you aren’t stopping, either.”
“Say the word, and I will.” Yet he dragged her skirts up and pressed forward between her legs. “This is mad. We’re both mad.”
“Are we?” she asked, hardly conscious anymore of what she was aying.
Because it felt utterly right to be in his arms, as if she’d waited ages to be there. Her heart had never clamored so for anyone else.
“I don’t generally take advantage of my clients’ sisters,” he rasped as his hands slid to grip her thighs. “It’s unwise.”
“I’m your client, too. Do I look as if I’m complaining?” she whispered and drew his head down to hers.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Julia dimly suspected, and research by Harris Cooper of Duke University confirms, that there is only a tenuous correlation between how much homework elementary students do and how well they do on tests of the material or with other measures of achievement. She also suspected that this nightly homework ordeal served other purposes—to convince parents that their kids are getting a suitably rigorous education; to introduce the children to their future lives as spiritually crushed drones; or, more positively, to introduce children to the study habits they would need later in life.
”
”
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
“
Once it was two lads— Domenico and Piero— and it was Piero who lorded it with you! You do not choose to remember—"
"I remember well enough." Domenico's voice was dangerously even. "Forbear to talk of it."
"If you remember, then judge my jealousy. Measure for measure with the love I gave you."
"You loved the son of the Duke of Cabria." The raw fury in Domenico's eyes made Piero step back, but his voice was still stifled. "It was my power you made your court to; you thought to haul yourself higher on my coattails and rule the state from behind my throne. Do not tell me tales of your undying love.
”
”
Teresa Denys (The Silver Devil)
“
I’ve had hemorrhoids more pleasant, my dear!”
Minin’s head spun.
Two gray and white Italian Greyhounds—Artemis and Eos—pranced into the lounge and happily came for Minin with their wet noses. He knew they were gifts to their master from the grand duke of Luxembourg, and twins of the same litter.
Lord Roman Leonidovich Ivanov trailed in a moment later. He was a tall, sharp man of eighty-six with the booming voice of an auctioneer, the confident poise of a Shakespearean actor and the suffocating presence of a master politician. A wavy silver mane covered the sides of his head; wrinkles ran across his forehead like rivulets and connected his wide nose with the corners of his mouth; and pale, fleshy circles ringed his eyes where tanning goggles frequently rested.
”
”
Matt Fulton (Active Measures: Part I (Active Measures Series #1))
“
I am the threat,” Burke replied. “Touch Tom again, speak a soft word in his ear, so much as look at him in a way I find overly familiar…and I will rip out your goddamn throat.” Hartington gave him a measured look. “You know I am a decorated naval captain, right? Scratch that…you know I am the son and brother of a duke…” Burke wasn’t intimidated. “What you are is a bastard, Hart. Same as me. The rules are different for us. We’re not really part of their society. The only way we survive is by staking our claims and holding to them with everything we have. So, bastard to bastard, hear me when I tell you that Tom Renley is mine. And in a fight to keep him, I have absolutely nothing to lose.
”
”
Emily Rath (His Grace, The Duke (Second Sons, #2))
“
The duke had indeed existed alone for ten long years. That shattering knowledge brought a harsh ache to the back of Jules’s throat and calmed the odd sense of fright that had filled her at his intensity. There were so many times she had felt an aloneness that ravaged her, for she truly felt like she did not belong. Despite being surrounded by friends and family, Jules had not been able to confide her uncertainty and hopes to anyone. As she grew older she had kept a careful distance from her sister and acquaintances lest they discovered the truth. Eschewing deep bonds and friendship had bred a sense of aloneness that had eaten at her, and more than one night she had buried her face in her pillows and wept. How had it been for the duke? Everyone needed a measure of contact, and he had been deprived of it for years. How had he endured without the comfort of a hug or a lover’s embrace? To touch others and be touched was an imperative biological need and necessity. It was a language without words that he might hunger for without knowing it, for touch was far more powerful and stronger than verbal or emotional contact. There had been no gentle touch, a kiss against the brow…a lover’s touch, the reassuring slap of a friend across his shoulders.
”
”
Stacy Reid (The Wolf and the Wildflower)
“
Chapter 2 Summary Quitting on time usually feels like quitting too early. The hardest time to make a quitting decision is when you’re in it. Our intuition is that quitting will slow down our progress. The reverse is actually true. If you walk away from something that is no longer worthwhile, that frees you up to switch to something that is more likely to help you achieve your goals—and you’ll get there faster. When the time is objectively right to quit, nothing particularly dire will be happening right at that moment. Getting the timing right means looking into the future and seeing that the chances things will go your way are too slim. Thinking in expected value helps you figure out if the path you are on is worth sticking to. EV is not just about money. It can be measured in health, well-being, happiness, time, self-fulfillment, satisfaction in relationships, or anything else that affects you. If you feel like the choice between persevering and walking away is a close call, it’s likely that quitting is the better choice. In hindsight, we can see when someone has waited too long to quit, and we tend to be harsh in our judgment of those people. But when someone quits before it seems obvious to others, we mock them for quitting too early. That’s the quitting bind.
”
”
Annie Duke (Quit: The Power of Knowing When to Walk Away)
“
Being in the losses is as much a state of mind as anything else. We don’t see ourselves as being in the gains, even though we’ve gone farther than where we started, because we’re not measuring ourselves by how far we are past the starting line. We’re measuring ourselves by whether we’re short of the finish line.
”
”
Annie Duke (Quit: The Power of Knowing When to Walk Away)
“
Be thankful all she did was raise her voice," Mr. Blackpool told Sarah conspiratorially. "During the ride to London, I had to talk her out of scaling up the townhouse walls, should the door go unanswered."
She had to hide her smile at the image of flamboyant Mrs. Blackpool climbing row houses like a circus monkey. "We are fortunate indeed that such measures did not prove necessary.
”
”
Erica Ridley (The Brigadier's Runaway Bride (The Dukes of War, #5))
“
I’m sorry,” she said again, turning to stand beside him, laying a hand on his back. He heard her sharp intake of breath as she realized her error—his shirt was still off. He didn’t move off, though, but waited to see how she’d manage. Her hand was comforting, and without him willing it, his own slid along her waist and drew her against his side. She remained facing the gardens, her expression impassive, her breath moving in a measured rhythm, her hand resting on his back as if it had arrived there despite her complete indifference to him as a person. Slowly, he relaxed, sensing her innate decency had, for just a few moments, trumped her notions of propriety, class distinction, and personal rectitude. She offered comfort, he decided. Just comfort, for him, upon his recounting some very dark moments and his frustration and helplessness in those moments. But what about for her? He turned her to face him, brought her slowly against his body, and rested his cheek against her temple. Just that, but it changed the tenor of the moment from gestures of comfort to the embrace of a man and a woman. His arms draped over her shoulders while hers looped at his naked waist, even as he told himself to end this folly immediately, or she’d have grounds for believing he trifled with the help after all. She didn’t end it. She stood in the loose circle of his arms, letting him positively wallow in the clean summery scent of her, the soft curves fitting him in all the right places. He urged her with patient strokes of his hands on her back to rest more fully against him, to give him her weight. He wasn’t even aroused, he realized, he was just… consoled. When
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
And in the measured, sonorous lines of sentiment he offered her, in the tenderness of his hand caressing her hair, Louisa found hope that even her husband—her dark, limping, occasionally ridiculous husband—might be a little besotted too. ***
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
You aren’t going to be shy with me, are you, Mrs. Seaton?” “Shy?” And just like that, she blushed, damn him. “Why ever would I…? Oh, shy. Of course not. A small, insignificant, forgivable indiscretion on the part of one’s employer is hardly cause to become discomposed.” “Glad you aren’t the type to take on, but I would not accost you where someone might come upon us,” the earl said, pouring himself a measure of lemonade. “My lord,” she shot back, “you will not accost me anywhere.” “If you insist. Some lemonade before you go out?” “You are attempting to be charming,” Anna accused. “Part of your remorse over your misbehavior last evening.” “That must be it.” He nodded. “Have some lemonade anyway. You will go marching about in the heat and find yourself parched in no time.” “It isn’t that hot yet,” Anna countered, accepting a glass of lemonade, “And a lady doesn’t march.” “Here’s to ladies who don’t march.” The earl saluted with his drink. “Now, about those muffins? Pericles is waiting.” “Mustn’t inconvenience dear Pericles,” Anna muttered loudly enough for the earl to hear her, but his high-handedness did not inspire blushes, so it was an improvement of sorts. She opened the bread box—where anybody would have known to look for the muffins—and selected the two largest. The earl was sitting on the wooden table and let Anna walk up to him to hand over the goodies. “There’s my girl.” He smiled at her. “See? I don’t bite, though I’ve been known to nibble. So what is in this batch?
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
Anna,” he began, but he saw his use of her name made her bristle. “Please sit, and I do mean will you please.” She sat, perched like an errant schoolgirl on the very edge of her chair, back straight, eyes front. “You are scolding me without saying a word,” the earl said on a sigh. “It was just a kiss, Anna, and I had the impression you rather enjoyed it, too.” She looked down, while a blush crept up the side of her neck. “That’s the problem, isn’t it?” he said with sudden, happy insight. “You could accept my apology and treat me with cheerful condescension, but you enjoyed our kiss.” “My lord,” she said, addressing the hands she fisted in her lap, “can you not accept that were I to encourage your… mischief, I would be courting my own ruin?” “Ruin?” He said with a snort. “Elise will be enjoying an entire estate for the rest of her days as a token of ruin at my hands—among others—if ruin you believe it to be. I did not take her virginity, either, Mrs. Seaton, and I am not a man who casually discards others.” She was silent then raised her eyes, a mulish expression on her face. “I will not seek another position as a function of what has gone between us so far, but you must stop.” “Stop what, Anna?” “You should not use my name, my lord,” she said, rising. “I have not given you leave to do so.” He rose, as well, as if she were a lady deserving of his manners. “May I ask your permission to use your given name, at least when we are private?” He’d shocked her, he saw with some satisfaction. She’d thought him too autocratic to ask, and he was again reminded of his father’s ways. But she was looking at him now, really looking, and he pressed his advantage. “I find it impossible to think of you as Mrs. Seaton. In this house, there is no other who treats me as you do, Anna. You are kind but honest, and sympathetic without being patronizing. You are the closest thing I have here to an ally, and I would ask this small boon of you.” He watched as she closed her eyes and waged some internal struggle, but in the anguish on her face, he suspected victory in this skirmish was to be his. She’d grant him his request, precisely because he had made it a request, putting a small measure of power exclusively into her hands. She nodded assent but looked miserable over it. “And you,” he said, letting concern—not guilt, surely—show in his gaze, “you must consider me an ally, as well, Anna.” She speared him with a stormy look. “An ally who would compromise my reputation, knowing without it I am but a pauper or worse.” “I do not seek to bring you ruin,” he corrected her. “And I would never force my will on you.” Anna stood, and he thought her eyes were suspiciously bright. “Perhaps, my lord, you just did.” He
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Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
Mr. Hazlit, won’t you please, please help me find my reticule? It is one of my dearest possessions. I feel horrid for having lost track of it, and I’m too embarrassed to prevail upon anybody else but you to aid me in my hour of need.” She turned her best swain-slaying gaze on him in the moonlight, the look Val had told her never to use on his friends. For good measure, she let a little sincerity into her eyes, because she’d spoken nothing but the truth. “God help me.” Hazlit scrubbed a hand over his face. “Stick to quoting the law with me, please. I might have a prayer of retaining my wits.” She dropped the pleading expression. “You’ll keep our bargain, then?” “I will make an attempt to find this little purse of yours, but there are no guarantees in my work, Miss Windham. Let’s put a limit on the investigation—say, four weeks. If I haven’t found the thing by then, I’ll refund half your money.” “You needn’t.” She rose, relieved to have her business concluded. “I can spare it, and this is important to me.” “Where are you going?” He rose, as well, as manners required. But Maggie had the sense he was also just too… primordial to let a woman go off on her own in the moonlight. “I’m going back to the ballroom. We’ve been out here quite long enough, unless you’re again trying to wiggle out of your obligations?” “No need to be nasty.” He came closer and winged his arm at her. “We’ve had our bit of air, but you’ve yet to tell me anything that would aid me in attaining your goal. What does this reticule look like? Who has seen you with it? Where did you acquire it? When did you last have it?” “All of that?” “That and more if it’s so precious to you,” he said, leading her back toward the more-traveled paths. “That is just a start. I will want to establish who had access to the thing, what valuables it contained, and who might have been motivated to steal it.” “Steal?” She went still, dropping his arm, for this possibility honestly hadn’t occurred to her. She realized, as he replaced her hand on his arm, that she’d held the thought of theft away from her awareness, an unacknowledged fear. “You think somebody would steal a little pin money? People are hung for stealing a few coins, Mr. Hazlit, and transported on those awful ships, and… you think it was a thief?” “You clearly do not.” She was going to let him know in no uncertain terms that no, she could not have been victimized by a thief. She was too careful, too smart. She’d hired only staff with the best references, she seldom had visitors, and such a thing was utterly… “I did not reach that conclusion. I don’t want to.” Voices
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Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
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Lady Jenny, your turn.” She passed her sketch pad over to him, feeling a pang of sympathy for accused criminals as they stood in the dock. And yet, she’d asked for this. Gotten together all of her courage to ask for this one moment of artistic communion. “Well,” Mr. Harrison said, “isn’t he a handsome fellow? What do you think, ladies?” “You look like a papa,” Fleur observed. “Though our papa doesn’t sketch. He reads stories.” “And hates his ledgers,” Amanda added. “Is my hair that long in back?” “Yes,” Jenny said, because she’d drawn not only Elijah Harrison’s hands, but all of him, looking relaxed, elegant, and handsome, with Amanda crouched at his side, fascinated with what he created on the page. “I look…” He regarded the sketch in silence, while Jenny heard a coach-and-four rumbling toward her vulnerable heart. “I look… a bit tired, slightly rumpled, but quite at home. You are very quick, Lady Genevieve, and quite good.” Quite good. Like saying a baby was adorable, a young gentleman well-mannered. “The pose was simple,” Jenny said, “the lighting uncomplicated, and the subject…” “Yes?” He was one of those men built in perfect proportion. Antoine had spent an entire class wielding a tailor’s measure on Mr. Harrison’s body, comparing his proportions to the Apollo Belvedere, and scoffing at the “mistakes” inherent in Michelangelo’s David. Jenny wanted to snatch her drawing from his hand. “The subject is conducive to a pleasing image.” He passed the sketch pad back, but Jenny had the sense that in some way, some not entirely artistic way, she’d displeased him. The disappointment was survivable. Her art had been displeasing men since she’d first neglected her Bible verses to sketch her brothers. “You
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Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
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Hullo, Aunt Jen!” “Bronwyn, hello. Please tell Scout not to knock anything over.” On the mantel, Timothy had come to attention, though he remained sitting. He hissed at the dog and added a low, menacing growl for good measure. “Scout, come.” The dog ignored his owner, another Windham grandchild, this one down from the North with St. Just and his countess. The scent of Elijah’s boots was apparently more compelling than the punishment for indifferent hearing. “Scout, come here this instant.” Bronwyn sounded like her papa, the former cavalry officer, but the dog had apparently never bought his colors. Elijah nudged the beast in the direction of the door with his knee. “Miss Winnie, was there something you were looking for? Something you wanted to tell us?” “Yes!” The dog walked over to the girl while Jenny steadied a jar of brushes his tail had nearly knocked to the floor. “I forget—oh, I remember. Aunt Eve is here. You have to come get kissed. She’s going to have a baby, and Papa says from the size of her he thinks it will be a baby horse.” Jenny hoped St. Just hadn’t said that within Eve’s hearing—though he probably had. “We’ll be along presently. You can tell everybody we’re coming.
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Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
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In the mid-1990s, at Duke University, Miguel Nicolelis and John Chapin began a behavioral experiment, with the goal of learning to read an animal’s thoughts. They trained a rat to press a bar, electronically attached to a water-releasing mechanism. Each time the rat pressed the bar, the mechanism released a drop of water for the rat to drink. The rat had a small part of its skull removed, and a small group of microelectrodes were attached to its motor cortex. These electrodes recorded the activity of forty-six neurons in the motor cortex involved in planning and programming movements, neurons that normally send instructions down the spinal cord to the muscles. Since the goal of the experiment was to register thoughts, which are complex, the forty-six neurons had to be measured simultaneously. Each time the rat moved the bar, Nicolelis and Chapin recorded the firing of its forty-six motor-programming neurons, and the signals were sent to a small computer. Soon the computer “recognized” the firing pattern for bar pressing. After the rat became used to pressing the bar, Nicolelis and Chapin disconnected the bar from the water release. Now when the rat pressed the bar, no water came. Frustrated, it pressed the bar a number of times, but to no avail. Next the researchers connected the water release to the computer that was connected to the rat’s neurons. In theory, now, each time the rat had the thought “press the bar,” the computer would recognize the neuronal firing pattern and send a signal to the water release to dispense a drop. After a few hours, the rat realized it didn’t have to touch the bar to get water. All it had to do was to imagine its paw pressing the bar, and water would come! Nicolelis and Chapin trained four rats to perform this task.
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Anonymous
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My Dear Fellow Subjects,
I have recently learned a Truth that I wish to share with you: A man can be powerful, wealthy, privileged, even arrogant, yet still bend himself down to the level of the lowliest child to act with kindness, compassion, and heroism. I have witnessed it.
I have been wrong my friends. In the past, cynicism and old hurt threaded through my disparagements of great men. Some men of position and wealth do serve England for their own gain. But some do so because they wish to help others and to make the world a better place. Whether it is always apparent to observers, the fact that they serve from a place of both Honor and Love – love of their families, their lands, and England.
The People of this great nation and its Rulers have much to teach other. Both sides should listen.
In this same manner, a wife and her husband must coexist. In sharing and celebrating their partnership, they must trust each other; depend upon each other, support each other, and raise each other up – in equal measure. For where there is Love there must always be Respect.
For Respect to flourish, however, Equality must first exist. I ask you: How can a man with a single slice of bread look upon a rich man’s feast day after day, yet not come to resent him for that bounty? And how can a feasting lord look upon a pauper’s crust and not feel contempt, even judge that pauper deficient in some manner? Is not a well-fed man a happier man and a better contributor to Society? Is not an equal sharing of resources a pathway toward equal respect?
In much the same way, to withhold from wives the same rights and privileges in marriage as their husbands is to sow Anger, Resentment, Fear, and Weakness into the fertile soil of this most blessed union. Instead of allowing wives equal rights and privileged as their husbands is to empower women to love and serve with Strength, Vigor, and Honesty.
Dear fellow subjects, I have witnessed the intimate bond between Love and Respect: I have seen it in my parents’ marriage and in the marriages of my dearest friends. Now I have also felt it in my heart. And I have learned that without the one, the other cannot survive. Entwined together, however, they can conquer the worst of life’s challenges.
In learning this lesson, I have come to understand that I can no longer hide in anonymity. In doing so, I only contribute to mistrust between the People of this kingdom and its Rulers, who should instead be united, bonded, as spouses are bonded, in Love and Respect. In remaining anonymous, I am also a hypocrite. For how can I claim that women’s voices are worthy of being heard when I have hidden my own so effectively behind this crusade that even those who I love most dearly do not know me?
Therefore, today I sign off sincerely,
-- Emily Vale, “Lady Justice
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Katharine Ashe (The Earl (Devil's Duke, #2; Falcon Club, #5))
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Someone said to me recently that a great man is not measured by the strength of his privilege, but by the depth of his heart,” Colin smiled. “She was right.” He bowed. “Thank you, my lords.
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Katharine Ashe (The Earl (Devil's Duke, #2; Falcon Club, #5))
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Mr. Winterborne is in no way beneath me, ma'am. Character is a far more important measure of a man than birth."
"Well said. Fortunately for Mr. Winterborne, marriage to a Ravenel will elevate him sufficiently that he will be allowed to mix in good society. One hopes he will prove worthy of the privilege."
"I hope aristocratic society will be worthy of *him*," Helen said pointedly.
The gray eyes sharpened. "Is he high-minded? Refined in his tastes? Exquisite in his comportment?"
"He is well-mannered, intelligent, honest, and generous."
"But not refined?" Lady Berwick pressed.
"Whatever refinements Mr. Winterborne does not possess, he will certainly acquire them if he wishes. But I wouldn't ask him to change anything about himself, as there is already far too much to admire, and I would be in danger of excessive pride on his behalf."
Lady Berwick gazed at her steadily, her gray eyes warming. "What an extraordinary girl. 'Cool as caller air," as my Scottish grandfather used to say. You'll be wasted on a Welshman- I vow, we could have married you to a duke.
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Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
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The most successful investors in start-up companies have a majority of bad results. If you applied to NASA’s astronaut program or the NBC page program, both of which have drawn thousands of applicants for a handful of positions, things will go your way a minority of the time, but you didn’t necessarily do anything wrong. Don’t fall in love or even date anybody if you want only positive results. The world is structured to give us lots of opportunities to feel bad about being wrong if we want to measure ourselves by outcomes. Don’t fall for it!
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Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
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Leonardo da Vinci has been called “the most relentlessly curious man in history.”7 That’s hyperbole, perhaps, but Leonardo asked a lot of questions, both of others and of himself. Consider, for example, a single day’s “to-do” list that he wrote while in Milan around 1495.8 Calculate the measurement of Milan and its suburbs. Find a book describing Milan and its churches, which is to be had at the stationer’s on the way to Cordusio. Discover the measurement of the Corte Vecchia [old courtyard of the duke’s palace]. Ask the Master of Arithmetic [Luca Pacioli] to show you how to square a triangle. Ask Benedetto Portinari [a Florentine merchant passing through Milan] by what means they go on ice at Flanders? Draw Milan. Ask Maestro Antonio how mortars are positioned on bastions by day or night. Examine the crossbow of Maestro Gianetto. Find a Master of Hydraulics and get him to tell you how to repair a lock, canal and mill, in the Lombard manner. Ask about the measurement of the sun, promised me by Maestro Giovanni Francese.
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Craig Wright (The Hidden Habits of Genius: Beyond Talent, IQ, and Grit—Unlocking the Secrets of Greatness)
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Goals can make it possible to achieve worthwhile things, but goals can also increase the chances that we will escalate commitment when we should quit. Goals are pass-fail in nature. You either reach the finish line or you don’t, and progress along the way matters very little. Don’t just measure whether you hit the goal, ask what you have achieved and learned along the way. Set intermediate goals and prioritize goals that allow you to recognize progress along the way or acquire something valuable even if you don’t reach the goal. Goals, when set, are a proxy for an expected-value equation, balancing the benefits that you’re trying to gain against the costs you’re willing to bear. Inflexible goals aren’t a good fit for a flexible world. With better advance planning (like identifying monkeys and pedestals and kill criteria) and the help of a good quitting coach, you can make goals more flexible, setting at least one “unless” and planning regular check-ins on the analysis that initially led to setting the goal. In general, when we quit, we fear two things: that we’ve failed and that we’ve wasted our time, effort, or money. Waste is a forward-looking problem, not a backward-looking one.
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Annie Duke (Quit: The Power of Knowing When to Walk Away)
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Why do these runners disregard their pain to the point where continuing to push through means that some body part breaks? And again, after the injury, why do they continue on, putting their future ability to run another race at risk? Because there’s a finish line. Finish lines are funny things. You either reach them or you don’t. You either succeed or you fail. There is no in between. Progress along the way matters very little. When we consider how off base our intuition is that we will walk away when circumstances make it clear that we ought to, these marathon runners help us to understand why we’ve got it so wrong. Once you start the race, success is only measured against crossing the finish line. And even a broken leg won’t make us quit when facing the choice between falling short or continuing on in pain.
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Annie Duke (Quit: The Power of Knowing When to Walk Away)
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Our problem is that we’re ticker watchers of our own lives. Happiness (however we individually define it) is not best measured by looking at the ticker, zooming in and magnifying moment-by-moment or day-by-day movements. We would be better off thinking about our happiness as a long-term stock holding. We would do well to view our happiness through a wide-angle lens, striving for a long, sustaining upward trend in our happiness stock, so it resembles the first Berkshire Hathaway chart.
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Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
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A mistake to be treated in the exact same manner that you treat a success." She ignored the incredulous look he was giving her. "Mistakes and successes both have the same power - to be destructive or constructive. Dwell on either too long and they will both prevent you from moving forward. Learn from your mistakes and your successes in equal measure, and they will both make you better.
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Grace Burrowes (Forever and a Duke (Rogues to Riches, #3))
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The [Crimean War] victory was bitter sweet for the Ottomans, their weak Islamic realm saved by Christian soldiers. To show his gratitude and keep the West at bay, Sultan Abdulmecid was forced, in measures known as Tanzimat--reform--to centralize his administration, decree absolute equality for all minorities regardless of religion, and allow the Europeans all manner of once-inconceivable liberties. He presented St. Anne's, the Crusader church that had become Saladin's madrassa, to Napoleon III. In March 1855, the Duke of Brabant, the future King Leopold II of Belgium, exploiter of the Congo, was the first European allowed to visit the Temple Mount: its guards--club-wielding Sudanese from Darfur--had to be locked in their quarters for fear they would attack the infidel. In June, Archduke Maximilian, the heir to the Habsburg empire--and ill-fated future Emperor of Mexico--arrived with the officers of his flagship. The Europeans started to build hulking imperial-style Christian edifices in a Jerusalem building boom. Ottoman statesmen were unsettled and there would be a violent Muslim backlash, but, after the Crimean War, the West had invested too much to leave Jerusalem alone.
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Simon Sebag Montefiore (Jerusalem: The Biography)
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We need to find a way to flip the script and stop measuring ourselves solely by how far we are from the finish line. We need to start giving ourselves more credit for how far we are from where we started.
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Annie Duke (Quit: The Power of Knowing When to Walk Away)
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Quitting on time usually feels like quitting too early. The hardest time to make a quitting decision is when you’re in it. Our intuition is that quitting will slow down our progress. The reverse is actually true. If you walk away from something that is no longer worthwhile, that frees you up to switch to something that is more likely to help you achieve your goals—and you’ll get there faster. When the time is objectively right to quit, nothing particularly dire will be happening right at that moment. Getting the timing right means looking into the future and seeing that the chances things will go your way are too slim. Thinking in expected value helps you figure out if the path you are on is worth sticking to. EV is not just about money. It can be measured in health, well-being, happiness, time, self-fulfillment, satisfaction in relationships, or anything else that affects you. If you feel like the choice between persevering and walking away is a close call, it’s likely that quitting is the better choice. In hindsight, we can see when someone has waited too long to quit, and we tend to be harsh in our judgment of those people. But when someone quits before it seems obvious to others, we mock them for quitting too early. That’s the quitting bind.
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Annie Duke (Quit: The Power of Knowing When to Walk Away)
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Rohan took a seat on the old, thronelike chair in the center of the great hall and drummed his fingers on his sword's hilt in kingly impatience.
After all, the sooner he finished here, the sooner he could go unwrap his little "present." His eyes gleamed with anticipation as he permitted himself to think about her briefly. Even now, his instincts were wide-awake with a very male awareness of a woman in his house.
Waiting for him in his bed.
He had wanted her gone from the great hall in case stronger measures were needed to remind his unruly tenants of his authority. He did not wish any female to witness his capacity for violence.
Besides, he did not need the distraction of those beautiful breasts clamoring for his attention. He'd get to know them better soon enough, every silky inch of her.
His people knew what he liked; he was decidedly pleased with their peace offering. This luscious young token of their apology left him feeling much more disposed to forgive. Indeed, the prospect of spending the next few nights in this abominable stone crypt of a castle suddenly looked a good deal more agreeable.
Coming out here to the middle of nowhere, he had expected to have to go without his daily dose of sex, a real inconvenience for a man of his elemental nature. He had a rule, after all, against poaching on the locals.
He wanted to be feared, not hated. But, hell, if they were going to offer her up on a silver platter, far be it from him to refuse such a delicious-looking morsel.
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Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
Goals can make it possible to achieve worthwhile things, but goals can also increase the chances that we will escalate commitment when we should quit. Goals are pass-fail in nature. You either reach the finish line or you don’t, and progress along the way matters very little. Don’t just measure whether you hit the goal, ask what you have achieved and learned along the way. Set intermediate goals and prioritize goals that allow you to recognize progress along the way or acquire something valuable even if you don’t reach the goal. Goals, when set, are a proxy for an expected-value equation, balancing the benefits that you’re trying to gain against the costs you’re willing to bear. Inflexible goals aren’t a good fit for a flexible world. With better advance planning (like identifying monkeys and pedestals and kill criteria) and the help of a good quitting coach, you can make goals more flexible, setting at least one “unless” and planning regular check-ins on the analysis that initially led to setting the goal. In general, when we quit, we fear two things: that we’ve failed and that we’ve wasted our time, effort, or money. Waste is a forward-looking problem, not a backward-looking one. ACKNOWLEDGMENTS
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Annie Duke (Quit: The Power of Knowing When to Walk Away)
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In most of our decisions, we are not betting against another person. Rather, we are betting against all the future versions of ourselves that we are not choosing. We are constantly deciding among alternative futures: one where we go to the movies, one where we go bowling, one where we stay home. Or futures where we take a job in Des Moines, stay at our current job, or take some time away from work. Whenever we make a choice, we are betting on a potential future. We are betting that the future version of us that results from the decisions we make will be better off. At stake in a decision is that the return to us (measured in money, time, happiness, health, or whatever we value in that circumstance) will be greater than what we are giving up by betting against the other alternative future versions of us.
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Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
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Incorporating uncertainty into the way we think about our beliefs comes with many benefits. By expressing our level of confidence in what we believe, we are shifting our approach to how we view the world. Acknowledging uncertainty is the first step in measuring and narrowing it. Incorporating uncertainty in the way we think about what we believe creates open-mindedness, moving us closer to a more objective stance toward information that disagrees with us. We are less likely to succumb to motivated reasoning since it feels better to make small adjustments in degrees of certainty instead of having to grossly downgrade from “right” to “wrong.” When confronted with new evidence, it is a very different narrative to say, “I was 58% but now I’m 46%.” That doesn’t feel nearly as bad as “I thought I was right but now I’m wrong.” Our narrative of being a knowledgeable, educated, intelligent person who holds quality opinions isn’t compromised when we use new information to calibrate our beliefs, compared with having to make a full-on reversal. This shifts us away from treating information that disagrees with us as a threat, as something we have to defend against, making us better able to truthseek.
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Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
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Simplicity is not a measure of difficulty but of finesse
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Mac Duke The Strategist
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Forgiveness is never about measuring the wrong against you, about weighing the injuries and calculating the moral equation. It’s about freeing yourself to move on, and allowing the other person to move on, too. It’s unlocking the room you’re trapped in together.
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Beth Duke (Tapestry)
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Without pretending to be quite sure what a skunk is,” said the Duke, “I take you to be all that it isn’t. And the high esteem in which I hold you is the measure for me of the loss that your death would be to America and to Oxford.
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Max Beerbohm (Zuleika Dobson)
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He measured time in the increments between her visits. When he’d been reassembled, bathed, stitched, or simply had a bandage changed, she’d been there. Touching him. Crooning reassurances and praising his progress. Promising recovery. She sang to him sometimes, her voice high and sweet and … unencumbered by talent or pitch of any kind. Christ, she really was terrible. But every time she finished, he promised the devil his soul for one more song.
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Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
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When Yan He was appointed tutor to the crown prince of Wei, son of Duke Ling, he went to consult with Qu Boyu. “Here is a man who is just naturally no good. If I find no way to contain him, he will endanger my state, but if I do try to contain him, he will endanger my life. His cleverness allows him to understand the crimes people commit, but not why they were driven to commit these crimes.10 What should I do?” Peng Boyu said, “Good question! Be careful and cautious and rectify yourself! Be compromising in appearance and harmonious in mind. But even these measures can present problems. Don’t let the external compromise get inside you, and don’t let your inner harmony show itself externally. If you let the external compromise get inside you, it will topple you, destroy you, collapse you, cripple you. If the harmony in your heart shows itself externally, it will lead to reputation and renown, until you are haunted and plagued by them. If he’s playing the baby, play baby with him. If he’s being lawless and unrestrained, be lawless and unrestrained with him. If his behavior is unbounded and shapeless, be unbounded and shapeless with him. You must master this skill to the point of flawlessness. Don’t you know the story of the praying mantis? It flailed its pincers around to stop an oncoming chariot wheel, not realizing the task was beyond its powers. This is how it is for those with ‘great talents.’ Be careful, be cautious! If you irritate him by flaunting your talents, you will be in more or less the same position. Don’t you know how the tiger trainer handles it? He doesn’t feed the beast live animals for fear of arousing its lust for killing. He doesn’t feed it uncut sides of meat for fear of arousing its lust for dismemberment. He carefully times out the feedings and comprehends the creature’s propensity for rage. The tiger is a different species from man but can be tamed through affection for its feeder. The ones it kills are the ones who cross it. However, a man who loves horses even to the point of gathering their shit and piss in jeweled boxes may still get his skull or chest kicked in if he smacks away a mosquito on the unbridled animal at the wrong time. Despite the best intentions, (4:17) his solicitousness backfires on him. Can you afford to be careless?
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Zhuangzi (Zhuangzi: The Essential Writings: With Selections from Traditional Commentaries (Hackett Classics))