Meant To Happen Quotes

We've searched our database for all the quotes and captions related to Meant To Happen. Here they are! All 100 of them:

I don't think he meant to kiss me," I said finally. "What? Did he slip and fall on your mouth? Those things are known to happen.
Jennifer L. Armentrout (Obsidian (Lux, #1))
We'll be there, Harry," said Ron "What?" "At your Aunt and Uncle's house," said Ron, "And then we'll go with you wherever you're going." "No-" said Harry quickly; he hadn't counted on this, he had meant them to understand that he was undertaking the most dangerous journey alone. "You said it once before," said Hermione quickly, "that there was time to turn back if we wanted to. We've had time, haven't we? We're with you whatever happens.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I just thought to my self, all of a sudden, that we had something in common. A natural chemistry, if you will. And I had a feeling that something big was going to happen. To both of us. That we were, in fact, meant to be together.
Sarah Dessen (This Lullaby)
Realize that if a door closed, it’s because what was behind it wasn’t meant for you.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
The moment you fall in love feels like it has centuries behind it, generations - all of them rearranging themselves so this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.
David Levithan (Every Day (Every Day, #1))
Him: Confession: I deleted all the 1 Direction from your iPod when u were in the can. You’re welcome. Me: WHAT?? I’m going to kiss u! Him: With tongue? It takes me a second to realize what happened, at which point I’m completely mortified. Me: Kill u! I meant KILL. u. Damn autocorrect. Him: Surrrrrre. Let’s blame it on autocorrect. Me: Shut it. Him: I think someone wants to kiss me…
Elle Kennedy (The Deal (Off-Campus, #1))
Because being comfortable meant she might lower her guard, and she could not let that happen.
Nicholas Sparks (Safe Haven)
Good things don’t wait until you’re ready. Sometimes they come right before, when you’re almost there. And I figured when that happens, you can let them pass by like a bus not meant for you. Or you can get ready. So I got ready.
Taylor Jenkins Reid (One True Loves)
Sometimes it takes a wrong turn to get you to the right place.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
You have no idea how much the last few days have meant to me," I began. "Meeting you has been the best thing that's ever happened to me." I hesitated, know that if I stopped now, I'd never be able to say it to anyone. "I love you," I whispered. "Did you ever imagine something like this?" she wondered aloud. "You and me , I mean?" "No," I said. "It scares me a little." My stomach flipped, and all at once, I was sure she didnt feel the same way. "You dont have to say it back to me," I began. "That's not why I said it--" "I know," she interrupted. "You don't understand. I wasnt scared because you told me. I got scared because I wanted to say it, too: I love you, John.
Nicholas Sparks (Dear John)
He had said that our lives are steered by uncertainties, many of which are disruptive or even daunting; but that if we persevere and remain generous of heart, we may be granted a moment of lucidity—a moment in which all that has happened to us suddenly comes into focus as a necessary course of events, even as we find ourselves on the threshold of the life we had been meant to lead all along.
Amor Towles (A Gentleman in Moscow)
Even seasonal situations can bring with them lessons that last a lifetime. If the love doesn’t last, it prepares you for the one that will.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
You have no idea how much the last few days have meant to me," I began. "Meeting you has been the best thing that's ever happened to me.
Nicholas Sparks (Dear John)
I don't suppose that she gave you the job based on looks alone?" Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker." "That's not what I meant! What happened?" He shrugged. "I told the truth." "Adrian!" "I'm serious. She asked me what my greatest strength was. I said getting along with people." "That's not bad." I admitted. "Then she asked what my greatest weakness was. And I said, 'Where should I start?'" "Adrian!" "Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go.
Richelle Mead (Bloodlines (Bloodlines, #1))
No, it's not that. It's not what you're thinking. I was serious when I said 'all of it'. I can remember every moment we were together, and in eachof them there was something wonderful. I can't really pick any one time that meant more than any other. The entire summer was perfect, the kind of summer everyone should have. How could I pick one moment over another? Poets often describe love as an emotion that we can't control, one that overwhelms logic and common sense. That's what it was like for me. I didn't plan on falling in love with you, and I doubt if you planned on falling in love with me. But once we met, it was clear that neither of us could control what was happening to us. We fell in love, despite our differences, and once we did, something rare and beautiful was created. For me, love like that has happened only once, and that's why every minute we spent together has been seared in my memory. I'll never forget a single moment of it.
Nicholas Sparks (The Notebook (The Notebook, #1))
Maybe this was meant to happen, this discovery of cracks where now a different, new light can shine through.
Nina Lane (Arouse (Spiral of Bliss, #1))
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
Henry Scott Holland (Death is Nothing at All)
I think I have to believe that life will work out the way it needs to. If everything that happens in the world is just a result of chance and there’s no rhyme or reason to any of it, that’s just too chaotic for me to handle. I’d have to go around questioning every decision I’ve ever made, every decision I will ever make. If our fate is determined with every step we take . . . it’s too exhausting. I’d prefer to believe that things happen as they are meant to happen.
Taylor Jenkins Reid (Maybe in Another Life)
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break. So that was that. We were finally, finally over. I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.' I couldn’t even be mad at him, because this was who he was. This was who he’d always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever. Maybe this was why I came, so I could really know. So I could say good-bye. I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.' I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway. 'I release you. I evict you from my heart. Because if I don't do it now, I never will.' I was the one to look away first.
Jenny Han (It's Not Summer Without You (Summer, #2))
Every now and then, I’d meet a guy and think that we were getting along great, and suddenly I’d stop hearing from him. Not only did he stop calling, but if I happened to bump into him sometime later he always acted like I had the plague. I didn’t understand it. I still don’t. And it bothered me. It hurt me. With time, it got harder and harder to keep blaming the guys, and I eventually came to the conclusion that there was something wrong with me. That maybe I was simply meant to live my life alone.
Nicholas Sparks (The Lucky One)
As much as we have free choice, absolute destiny is immutable. What is meant to happen does, through one measure or another.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
But then she happened. The girl who had never been able to call her life her own taught a boy who had the world at his fingertips exactly what it meant to live. He wasn’t alone anymore.
J.M. Darhower (Sempre (Sempre, #1))
What is it about the moment you fall in love? How can such a small measure of time contain such enormity? I suddenly realize why people believe in déjà vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment you fall in love feels like it has centuries behind it, generations—all of them rearranging themselves so that this precise, remarkable intersection could happen. In you heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are now just arriving at the place you were always meant to be.
David Levithan (Every Day (Every Day, #1))
It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going, because they were holding on to something. That there is some good in this world, and it's worth fighting for.
J.R.R. Tolkien
The sea loved the moon When she was supposed to love the shore. The moon knew And hence made his intentions known. That she should love the shore Who was destined for her. Yet his protests seemed weak. And even when he pushed her towards the shore- She always retreated back. To want, to need, to love the moon For all she's worth. Everyone said, it wasn't meant to happen. Yet, the Tsunami rose that night for their union.
Saiber (Stardust and Sheets)
The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going, because they were holding on to something.
Peter Jackson
There was silence. Something real was happening: this was, as it were, her life. If she could keep that in mind she would be able to play it through, do the right thing, whatever that meant.
Joan Didion (Play It As It Lays)
Every day was like a day out of someone else's life. Nothing had ever happened to me, and now everything was happening to me -- and by everything, I really meant Lena. An hour was both faster and slower. I felt like I had sucked the air out of a giant balloon, like my brain wasn't getting enough oxygen. Clouds were more interesting, the lunchroom less disgusting, music sounded better, the same old jokes were funnier, and Jackson went from being a clump of grayish-green industrial buildings to a map of times and places where I might run into her. I found myself smiling for no reason, keeping my earphones in and replaying our conversations in my head, just so I could listen to them again. I had seen this kind of thing before. I had just never felt it.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Sometimes it comes down to a choice," Magnus said. "Between saving one person and saving the whole world. I've seen it happen, and I'm selfish enough to want the person who loves me to choose me. But Nephilim wil always choose the world. I look at Alec and I feel like Lucifer in Paradise Lost. 'Abashed the Devil stood, And felt how awful goodness is.' He meant it in the classical sense. 'Awful' as in inspiring awe. And awe is well and good, but it's poison to love. Love has to be between equals." "He's just a boy," said Luke. "Alec--he's not perfect. And you're not fallen." "We're all fallen," said Magnus, and he wrapped himself up in his chains and was silent.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The problem with having so many people call me by nicknames was that when someone called me by my actual name, it usually meant something serious was happening.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
The imporant things in life never happened by accident. But even with those things that were meant to be, sometimes you had to wait awhile and then maybe give them a little nudge.
Nicholas Evans
Everything in life happened for a reason,happened exactly how it meant to,no matter how painful it seemed. Some love stories were meant to be forever,and others just for a season.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
Have faith in who you are. Believe that you will recover, and it will truly happen. And don't judge yourself too harshly. Some things are meant to be, and you had to fall so that later you may rise and become what you are truly meant to be.
Joseph Delaney (Clash of the Demons (The Last Apprentice / Wardstone Chronicles, #6))
Frodo: I can't do this, Sam. Sam: I know. It's all wrong. By rights we shouldn't even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness, and danger, they were. And sometimes you didn't want to know the end, because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines, it'll shine out the clearer. Those were the stories that stayed with you. That meant something. Even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back only they didn't. They kept going. Because they were holding on to something. Frodo: What are we holding on to, Sam? Sam: That there's some good in this world, Mr. Frodo...and it's worth fighting for.
J.R.R. Tolkien
I know what it feels like, and it sucks, it really does, when you are up in the middle of the night thinking about the things that you've suddenly became aware of. The things you're missing out on right now, and all the people who are not close to you anymore, and all of the good times that will never happen again, and all the people who have meant the world to you who have forgotten about you forever, and you get this awful feeling that's kind of like a mix between loneliness and nostalgia.
Abraham M. Alghanem (Summer and Autumn)
Dan gestured past Neil toward the changing room. "What happened?" Neil counted it off on his fingers. "Kevin told them Coach is his father, said he's never going back to Edgar Allan, and called the Ravens out as two-faced assholes. Oh," he said, looking up from his hand, "and he said his injury wasn't an accident. Not in so many words, but it won't take them long to figure out what he meant." Dan gaped. "He what?" "Great," Wymack said. "He's turning into another you. That's just what I needed.
Nora Sakavic (The King's Men (All for the Game, #3))
You must choose to be happy, grateful, and fulfilled. If you make that choice every single day, regardless of where you are or what’s happening, you will be happy.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
I'd never lived on a planet where such atrocities could happen, even before the souls came. This place was truly the highest and the lowest of all worlds- the most beautiful senses, the most exquisite emotions...the most malevolent desires, the darkest deeds. Perhaps it was meant to be so. Perhaps without the lows, the highs could not be reached.
Stephenie Meyer (The Host (The Host, #1))
That's the way it goes. Some things happen and some things don't. This one is obviously just wasn't meant to be. Except deep down... I still believe it was.
Sophie Kinsella (The Undomestic Goddess)
He loved the scratching of pencil against paper when he was focused: it meant something was happening.
John Green (An Abundance of Katherines)
Scarlett was not fond of fate. She liked to believe if she were good, good things would happen. Fate left her feeling powerless, and hopeless, and with an overall feeling of lessness. To her, fate seemed like a larger, omnipotent version of her father, stealing her choices and controlling her life without any regard for her feelings. Fate meant that nothing she did mattered.
Stephanie Garber (Caraval (Caraval, #1))
But belonging meant denying who he was. Living as something he wasn't had nearly torn him part from the inside out. But he also loved his family, and his community. It was bad enough being an outsider; what would happen if they just couldn't--or wouldn't--accept him for who he was?
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
If things happen for a reason, I was meant to get fucked over.
Nina LaCour (The Disenchantments)
Frodo: 'It's a pity Bilbo didn't kill Gollum when he had the chance.' Gandalf: 'Pity? It's a pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play in it, for good or evil, before this is over. The pity of Bilbo may rule the fate of many.' Frodo: 'I wish the Ring had never come to me. I wish none of this had happened.' Gandalf: 'So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides that of evil. Bilbo was meant to find the Ring, in which case you were also meant to have it. And that is an encouraging thought.
J.R.R. Tolkien
Sara waited a respectful time, knowing there was nothing she could do to ease the woman's pain. Grief was a place, Sara understood, where a person went alone. It was like a room without doors, and what happened in that room, all the anger and the pain you felt, was meant to stay there, nobody's business but yours.
Justin Cronin (The Passage (The Passage, #1))
...as I watched all the problems you were struggling with, I realized how much you meant to me. It changed everything. I was worried about you—so, so worried. You have no idea. And it became useless to try to act like I could ever put any Moroi life above yours. It's not going to happen, no matter how wrong others say it is. And so I decided that's something I have to deal with. Once I made that decision...there was nothing to hold us back." He hesitated, seeming to replay his words as he brushed my hair from my face. "Well, to hold me back. I'm speaking for myself. I don't mean to act like I know exactly why you did it." "I did it because I love you," I said, like it was the most obvious thing in the world. And really, it was.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
When people tell you that "you've changed" what they really mean is...they haven't. It's easy to see movement when you're standing still. Change is inevitable and embracing your evolution in this lifetime is what's supposed to happen, but there are those that will fight against it. We are meant to examine all that life has to offer, explore our gifts, welcome love and release the loss. 
C. Toni Graham
No one else knows exactly what the future holds for you, no one else knows what obstacles you've overcome to be where you are, so don't expect others to feel as passionate about your dreams as you do.
Germany Kent
I don't suppose," I said, once we were in the car, "that she just gave you the job based on looks alone?" Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker." "Thats not what I meant! What happened?" He shrugged. "I told the truth." "Adrian!" "I'm serious. She asked me what my greatest strength was. I said getting along with people." "Thats not bad," I admitted. "Then she asked what my greatest weakness was. And I said, 'Where should I start?'" "Adrian!" "Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go.
Richelle Mead (Bloodlines (Bloodlines, #1))
...most people in the ancient world, did not make a sharp distinction between myth and reality. The two were intimately tied together in their spiritual experience. That is to say, they were less interested in what actually happened, than in what it meant. It would have been perfectly normal, indeed expected, for a writer in the ancient world, to tell tales of gods and heroes, whose fundamental facts would have been recognized as false, but whose underlying message would have been seen as true.
Reza Aslan (Zealot: The Life and Times of Jesus of Nazareth)
It was like wondering how evil had come into the world or what happens to a person after he dies: an interesting philosophical exercise, but also curiously pointless, since evil and death happened, regardless of the why and the how and what-it-meant.
Joe Hill (Horns)
I wanted to give her a lot of things. I wanted what I had to be hers. I wondered if this was what it felt like to love someone. I already knew what it meant to be in love with someone. I'd felt it, and I'd acted it. But to love someone. To care for them. To throw your lot in with theirs and think, Whatever happens, it's you and me.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.
Erin Morgenstern (The Starless Sea)
I know. It's all wrong. By rights we shouldn't even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn't. They kept going. Because they were holding on to something.
Samwise Gamgee
Shigure: "Lemme guess; you lost your temper and yelled at her again, right? You know, you shouldn't do that if you're just going to regret it. Not too bright, now is it?" Kyo: "Save your breath. I'm just not meant to get along with other people. Period. End of story." Shigure: "Oh sure, some people just aren't. But you're not one of them. You lack experience, that's all. For example, I'm sure you could smash this table to bits with your bare hands. But I'm equally sure you could punch the table without breaking it. And why is that? Because I know your training has taught you to control your fists... at least I should hope so, after four months of fighting bears and-" Kyo: "I didn't fight bears!" Shigure: "My point is, it takes just as much training to get along with people. Only, training by yourself in the mountains won't do you any good. You need to surround yourself with others. As you get to know them, of course you take the chance that you'll end up hurting them, or they'll end up hurting you. One of those things might very well happen. That's the only way we learn... about others, and about ourselves. You're a black-belt in martial arts, but I'd guess you still a white-belt in social skills. Someday, you're going to meet someone that truly wants to be your friend, and you, theirs. But it if you don't keep training, you won't be ready when that happens." Kyo: "It'll never happen, anyways!" Shigure: "Uh-uh! Never say never." Kyo: "Ok, fine. Maybe if I meet someone with brain-damage... or something." Shigure: "That's the spirit!
Natsuki Takaya (Fruits Basket, Vol. 1)
Ariel, Belle, Cinderella, Jasmine... none of them had mothers." I was still wasn't following, but she continued, obviously excited. "When I was little, I used to think that meant that life had to make it up to them, for taking their mothers away, and so that's why they ended up having the whole fairy-tale happily-ever-after magic happen to them. The deserved it more than other girls." She looked at me intently. "Life will make it up to you, Anna.
Jessi Kirby (Moonglass)
You’ve acquired a pet, archangel. When did this happen?” There’s puzzlement in his voice, as if it’s normal for Beliel to know of Raffe’s companions. “I’m not anyone’s pet.” “I met her tonight at the aerie,” says Raffe. “She’s been following me around. She means nothing.” Beliel snorts. “Funny, I didn’t ask if she meant anything to you.” He looks me up and down, taking in every detail. “Scrawny. But serviceable.” He saunters toward me.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
What would it mean for Christians to give up that little piece of the American Dream that says, "You are limitless"? Everything is not possible. The mighty kingdom of God is not yet here. What if 'rich' did not have to mean 'wealthy', and 'whole' did not have to mean 'healed'? What if being the people of "the gospel" meant that we are simply people with good news? God is here. We are loved. It is enough.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.
Lauren Oliver (Requiem (Delirium, #3))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat. He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening. So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
Arundhati Roy (The God of Small Things)
I wish I could say they lived happily ever after. They did, for a time. Very happily [...] But things happen in life that you don't expect, that you can't plan for and you're helpless to stop. Their story didn't end as it should have. But I know for a fact that they'd live it all over again, even the ending, as long as it meant they could keep their beginning.
Lynette Noni (The Prison Healer (The Prison Healer, #1))
Did you think I was helping you out of the goodness of my heart? Or am I just the only warlock you know?” (Magnus) … “No,” he said now, “but you are the only warlock we know who happens to be dating a friend of ours.” (Jace) For a moment everyone stared at him-Alec in sheer horror, Magnus un astonished anger, and Clary and Simon in surprise. It was Alec who spoke first, his voice shaking. “Why would you say something like that?” Jace looked baffled. “Something like what?” “That I‘m dating-that we‘re-its not true,” Alec said, his voice rising and dropping several octaves as he fought to control it. Jace looked at him steadily. “I didn’t say he was dating you,” he said, “but funny that you knew just what I meant, isn’t it?” “We‘re not dating,” Alec said again. “Oh?” Magnus said. “So you‘re just that friendly with everybody, is that it?” -pg.241-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Let's begin with an easy agreement. Before his death, your father and I were negotiating for a small area of land on our borders, near Libeth. The Carthyan land has a spring that my farmers need for their crops. Carthya has other spings nearby, so you won't miss it." "My father wouldn't have missed it, but I would," I said, with no actual idea of what spring he meant. "It happens to be my favourite water source in all of Carthya, and I won't part with it.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
It's not that I believe everything happens for a reason,' she said. 'It's just that... I just think that some things are meant to be broken. Imperfect. Chaotic. It's the universe's way of providing contrast, you know? There have to be a few holes in the road. It's how life is' ... 'But if everything was always smooth and perfect,' she continued,'you'd get too used to that, you know? You have to have a little bit of disorganization now and then. Otherwise, you'll never really enjoy it when things go right. ' ~Delia, pg 93 and 94
Sarah Dessen (The Truth About Forever)
I lacked some essential skill for attracting people, for giving and receiving love easily. It meant too much to me. I seemed to be driving away the people I most wanted. Finally I had realized that getting someone to love you was like trying to coax a bird to perch on your finger . . . it wouldn't happen unless you stopped trying so hard.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
This is was what their mothers would say if she and her cousins ever told them the things they folded inside their hearts. Twice as many paths to trouble, their mothers would whisper. As though their daughters loving both men and women meant they wanted all of them in the world. There was no way to tell their mothers the truth and make them believe it, that hearts that loved both boys and girls were no more reckless or easily won than any other heart. They loved who they loved. They broke how they broke. And the way it happened depended less on what was under their lovers' clothes and more on what was wrapped inside their spirits.
Anna-Marie McLemore (Wild Beauty)
Jason took me by the shoulders—not out of anger, or in a clinging way, but as a brother. “Promise me one thing. Whatever happens, when you get back to Olympus, when you’re a god again, remember. Remember what it’s like to be human.” A few weeks ago, I would have scoffed. Why would I want to remember any of this? At best, if I were lucky enough to reclaim my divine throne, I would recall this wretched experience like a scary B-movie that had finally ended. I would walk out of the cinema into the sunlight, thinking Phew! Glad that’s over. Now, however, I had some inkling of what Jason meant. I had learned a lot about human frailty and human strength. I felt…different toward mortals, having been one of them. If nothing else, it would provide me with some excellent inspiration for new song lyrics!
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
You've known him how long?" Malcolm asked. "Since he was a small boy. I firs noticed him when he slipped into Master Chubb's kitchen to steal some pies." "So, what did you have to say to Will when you caught him stealing these pies? "Oh, I didn't let on I was there. We rangers can be very unobtrusive when we choose. I remained out of sight and watched him. I thought he might have potential to be a ranger." Halt said. Horace joined in "Why?" Halt answered carefully. "Because he was excellent at moving from cover to cover. Chubb entered 3 times and never noticed him. So i thought that if he could acheive that with no training, he would make a good ranger." "No" Horace spoke. "Thats not what I meant. Why were you hiding in the kitchen in the first place?" "I told you. I was watching Will to see if he had the potential to be a ranger." "Thats not what you said. You said that was the first time you noticed Will." "Does it matter?" "Not really. Were you hiding from chub yourself and Will just turned up by coincidence?" "And why would I be hiding from master Chubb in his own kitchen?" "Well, there were freshly made pies on the windowsill, and you like pies, don't you?" "Are you acusing me of trying to steal those pies?!?!" "No, of course not. I just thought i'd give you the opportunity to confess." After a pause, Halt continued. "You know, Horace, you used to be a most agreeable young man. Whatever happened to you?" "I've spent to much time around you, I suppose." And Halt had to admit that was probably true.
John Flanagan
People talk about nightfall, or night falling, or dusk falling, and it’s never seemed right to me. Perhaps they once meant befalling. As in night befalls. As in night happens. Perhaps they, whoever they were, thought of a falling sun. That might be it, except that that ought to give us dayfall. Day fell on Rupert the Bear. And we know, if we’ve ever read a book, that day doesn’t fall or rise. It breaks. In books, day breaks, and night falls. In life, night rises from the ground. The day hangs on for as long as it can, bright and eager, absolutely and positively the last guest to leave the party, while the ground darkens, oozing night around your ankles, swallowing for ever that dropped contact lens, making you miss that low catch in the gully on the last ball of the last over.
Hugh Laurie (The Gun Seller)
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
If you're a coward--and let's just say that you are, for the sake of argument--it means nothing. My Aunt Peg, she's an alcoholic. She can't handle drinking. It ruins her life and turns her into a mess--and do you know what that means? It means nothing. Do you think it makes her a bad person? Of course not--it's just the way she is. Alcoholism just happened to her, Frank. Things happen to people. We are the way we are--there's nothing to be done for it. My Uncle Billy--he couldn't keep a promise or stay faithful to a woman. It meant nothing. He was a wonderful person, Frank, and he was completely untrustworthy. It's just how he was. It didn't mean anything. We all still loved him.
Elizabeth Gilbert (City of Girls)
Don't be discouraged if people don't see your vision, your harvest. All they see from their perspective is that you're watering a whole lot of dirt. They don't SEE what seeds you've been planting with blood, sweat, tears and lack of sleep. Make sure you don't abandon or neglect it because "they" don't see it. You have to KNOW and believe for yourself. They don't see the roots and what's budding under the dirt. But it's okay, because it's NOT meant for them to see it. While you wait, MASTER it. You continue to do YOUR work and have unwavering faith! Remember why you started planting in the first place. Your harvest WILL come!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
We were just about the last ones to leave. Reverend Ballou took Joseph’s hand to shake it, and Joseph said, “How much of that story is true?” Reverend Ballou considered this. “I think it all has to be true, or none of it,” he said. “The angels?” said Joseph. “Really?” “Why not?” said Reverend Ballou. “Because bad things happen,” said Joseph. “If there were angels, then bad things wouldn’t happen.” “Maybe angels aren’t always meant to stop bad things.” “So what good are they?” “To be with us when bad things happen.” Joseph looked at him. “Then where the hell were they?” he said. I thought Reverend Ballou was going to start bawling.
Gary D. Schmidt (Orbiting Jupiter)
we all seem to function in the exact same way: We hurt people, and we are hurt by people. We feel left out, envious, not good enough, sick, and tired. We have unrealized dreams and deep regrets. We are certain that we were meant for more and that we don’t even deserve what we have. We feel ecstatic and then numb. We wish our parents had done better by us. We wish we could do better by our children. We betray and we are betrayed. We lie and we are lied to. We say good-bye to animals, to places, to people we cannot live without. We are so afraid of dying. Also: of living. We have fallen in love and out of love, and people have fallen in love and out of love with us. We wonder if what happened to us that night will mean we can never be touched again without fear. We live with rage bubbling. We are sweaty, bloated, gassy, oily. We love our children, we long for children, we do not want children. We are at war with our bodies, our minds, our souls. We are at war with one another. We wish we’d said all those things while they were still here. They’re still here, and we’re still not saying those things. We know we won’t. We don’t understand ourselves. We don’t understand why we hurt those we love. We want to be forgiven. We cannot forgive. We don’t understand God. We believe. We absolutely do not believe. We are lonely. We want to be left alone. We want to belong. We want to be loved. We want to be loved. We want to be loved.
Glennon Doyle (Untamed)
What the hell," I said, pushing off the wall, ready to take off the head of whatever stupid salesperson had decided to get cozy with me. My elbow was still buzzing, and I could feel a hot flush creeping up my neck: bad signs. I knew my temper. I turned my head and saw it wasn't a salesman at all. It was a guy with black curly hair, around my age, wearing a bright orange T-shirt. And for some reason he was smiling. "Hey there," he said cheerfully. "How's it going?" "What is your problem?" I snapped, rubbing my elbow. "Problem?" "You just slammed me into the wall, asshole." He blinked. "Goodness," he said finally. "Such language." I just looked at him. Wrong day, buddy, I thought. You caught me on the wrong day. "The thing is," he said, as if we'd been discussing the weather or world politics, "I saw you out in the showroom. I was over by the tire display?" I was sure I was glaring at him. But he kept talking. "I just thought to myself, all of a sudden, that we had something in common. A natural chemistry, if you will. And I had a feeling that something big was going to happen. To both of us. That we were, in fact, meant to be together." "You got all this," I said, clarifying, "at the tire display?" "You didn't feel it?" he asked. "No. I did, however, feel you slamming me into the wall," I said evenly. "That," he said, lowering his voice and leaning closer to me, "was an accident. An oversight. Just an unfortunate result of the enthusiasm I felt knowing I was about to talk to you.
Sarah Dessen (This Lullaby)
Both Hegel and Marx believed that the evolution of human societies was not open-ended, but would end when mankind had achieved a form of society that satisfied its deepest and most fundamental longings. Both thinkers thus posited an "end of history": for Hegel this was the liberal state, while for Marx it was a communist society. This did not mean that the natural cycle of birth, life, and death would end, that important events would no longer happen, or that newspapers reporting them would cease to be published. It meant, rather, that there would be no further progress in the development of underlying principles and institutions, because all of the really big questions had been settled.
Francis Fukuyama
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
The Other" She had too much so with a smile you took some. Of everything she had you had Absolutely nothing, so you took some. At first, just a little. Still she had so much she made you feel Your vacuum, which nature abhorred, So you took your fill, for nature's sake. Because her great luck made you feel unlucky You had redressed the balance, which meant Now you had some too, for yourself. As seemed only fair. Still her ambition Claimed the natural right to screw you up Like a crossed out page, lossed into a basket. Somebody, on behalf of the gods, Had to correct that hubris. A little touch of hatred steadied the nerves. Everything she had won, the happiness of it, You collected As your compensation For having lost. Which left her absolutely Nothing. Even her life was Trapped in the heap you took. She had nothing. Too late you saw what had happened. It made no difference that she was dead. Now that you had all she had ever had You had much too much. Only you Saw her smile, as she took some. At first, just a little.
Ted Hughes
They have no idea what a bottomless pit of misery I am. They will have to do more and more and more...but they don’t know how enormous my need is. They don’t know how much I will demand from them before I can even think about getting better. They do not know that this is not some practice fire drill meant to prepare them for the real inferno, because the real thing is happening right now. All the bells say: too late. Its much too late and I’m sure that they are still not listening. They still don’t know that they need to do more and more and more, they need to try to get through to me until they haven’t slept or eaten or breathed fresh air for days, they need to try until they’ve died for me. They have to suffer as I have. And even after they’ve done that, there will still be more. They will have to rearrange the order of the cosmos, they will have to end the cold war...they will have to cure hunger in Ethiopia, and end the sex trade in Thailand and stop torture in Argentina. They will have to do more then they ever thought they could if they want me to stay alive. They have no idea how much energy and exasperation I am willing to suck out of them until I feel better. I will drain them and drown them until they know how little of me there is left even after I’ve taken everything they’ve got to give me because I hate them for not knowing.
Elizabeth Wurtzel (Prozac Nation)
In past ages, a war, almost by definition, was something that sooner or later came to an end, usually in unmistakable victory or defeat. In the past, also, war was one of the main instruments by which human societies were kept in touch with physical reality. All rulers in all ages have tried to impose a false view of the world upon their followers, but they could not afford to encourage any illusion that tended to impair military efficiency. So long as defeat meant the loss of independence, or some other result generally held to be undesirable, the precautions against defeat had to be serious. Physical facts could not be ignored. In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four. Inefficient nations were always conquered sooner or later, and the struggle for efficiency was inimical to illusions. Moreover, to be efficient it was necessary to be able to learn from the past, which meant having a fairly accurate idea of what had happened in the past. Newspapers and history books were, of course, always coloured and biased, but falsification of the kind that is practiced today would have been impossible. War was a sure safeguard of sanity, and so far as the ruling classes were concerned it was probably the most important of all safeguards. While wars could be won or lost, no ruling class could be completely irresponsible.
George Orwell (1984)
I keep waiting for things to go back to normal," Blue admitted. "But I know now that that's not going to happen, even when Mom comes back." She meant "if", but she said "when" "I wouldn't have pegged you for a fan of normal," the Gray Man said. He slowed slightly as the headlights illuminated the eyes of three deers standing by the side of the road. It was warming to be so known. She said, "I'm not, really, but I was used to it, I guess. It's boring, but at least it's not scary. Do you ever get scared? Or are you too badass for that?" He looked amused, but also like a badass, sitting quietly and efficiently behind the wheel of the car. "In my experience," the Gray Man said, "the badasses are the most scared. I just avoid being inappropriately frightened." Blue thought this seemed like a reasonable goal. After a pause, she said, "You know, I like you." He glanced over at her. "I do, too." "Like me or like you? The grammar was unspecific." The two of them enjoyed another laugh and the presence of someone else with their precise sense of humour.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
You’ll never lose me,” I said, my voice breaking. “Promise.” His gaze searched mine as he ran his fingertip up my spine. “I promise.” I closed the minuscule gap between us once more, capturing his lips and trying to show him how much I meant it. “I love you. I love our family. I love our life together, and I can’t wait for the day when we’re back home, just the three of us, and this whole war is over. I swear to you that will happen. That will be our future.” He cradled the back of my head, his palm searing against my skin. “I have waited an eternity for this love. I’m not going to let anyone, Titan or not, take it from us.” “Promise?” I said, and this time it was Henry’s turn to kiss me. “I promise.” “Then do me a favor.” “Anything.” I shifted onto my back, rolling him with me. His body pressed against mine in all the right places, and I lifted my head high enough to rest my forehead against his. “Live this love now,” I whispered. “And never stop.
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?" I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm. One happy day for every falling leaf you catch." Sam's voice was low. I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?" It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped." And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
Maggie Stiefvater
Ask and it shall be given you,'" I began. "'Seek and ye shall find; knock, and it shall be opened unto you; For every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.' We have the same message in the Book of Saint John," I said, sounding for all the world like a preacher...." Well, but how could I just stop there? Those words were worse than nothing if I didn't tell what they meant to Grandpa. Looking at the long rough box, I spoke timid, in a mumbled voice. Not preachified at all. "Grandpa didn't think Jesus meant, by that, that we should ast God for things, or for special favors. He said we could trust that in the nature of things, without astin', we'll get lots of blessin's and happy surprises and maybe a miracle or two. When Jesus said ast and you'll get it, He meant things of the spirit, not the flesh. Right now for instance, I could ast, 'Lord please raise Grandpa from the dead,' but it wouldn't happen. But I can say, 'Please, God, comfort me,' and I'll get heart's ease. Grandpa said Jesus meant us to ast for hope, forgiveness, and all that. Ast, 'Hep us not be scared, hep us not be greedy, give us courage to try." I was really carried away. "Ast any such and God will give it to you. But don't ast Him not to let fire burn, or say spare me from death. At least, uh, that's what Grandpa said.
Olive Ann Burns (Cold Sassy Tree)
During the cold war, the anticommunist ideological framework could transform any data about existing communist societies into hostile evidence. If the Soviets refused to negotiate a point, they were intransigent and belligerent; if they appeared willing to make concessions, this was but a skillful ploy to put us off our guard. By opposing arms limitations, they would have demonstrated their aggressive intent; but when in fact they supported most armament treaties, it was because they were mendacious and manipulative. If the churches in the USSR were empty, this demonstrated that religion was suppressed; but if the churches were full, this meant the people were rejecting the regime's atheistic ideology. If the workers went on strike (as happened on infrequent occasions), this was evidence of their alienation from the collectivist system; if they didn't go on strike, this was because they were intimidated and lacked freedom. A scarcity of consumer goods demonstrated the failure of the economic system; an improvement in consumer supplies meant only that the leaders were attempting to placate a restive population and so maintain a firmer hold over them. If communists in the United States played an important role struggling for the rights of workers, the poor, African-Americans, women, and others, this was only their guileful way of gathering support among disfranchised groups and gaining power for themselves. How one gained power by fighting for the rights of powerless groups was never explained. What we are dealing with is a nonfalsifiable orthodoxy, so assiduously marketed by the ruling interests that it affected people across the entire political spectrum.
Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.' 'You said the other day life was long,' I shot back. 'Which is it?' ' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.' 'Nothing can be two opposite things at once,' I said. 'It's impossible.' 'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.' 'Uh-huh,' Monica said, looking at her sister. 'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.' Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said. 'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked. 'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.' But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life. 'It's the same thing,' I told her. 'What is?' 'Being afraid and being alive.' 'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
Sarah Dessen (The Truth About Forever)
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy." Unhappy? Why's that?" With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward. Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course." I nodded. I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
Haruki Murakami (Norwegian Wood)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
I’ve had a lot of sucks in life A lot My parents died almost four years ago, right after I turned seven With every day that goes by I remember them less and less Like my mom…I remember that she used to sing. She was always happy, always dancing. Other than what I’ve seen of her in pictures, I don’t really remember what she looks like. Or what she smells like Or what she sounds like And my Dad I remember more things about him, but only because I thought he was the most amazing man in the world. He was smart. He knew the answer to everything. And he was strong. And he played the guitar. I used to love lying in bed at night, listening to the music coming from the living room. I miss that the most. His music. After they died, I went to live with my grandma and grandpaul. Don’t get me wrong…I love my grandparents. But I loved my home even more. It reminded me of them. Of my mom and dad. My brother had just started college the year they died. He knew how much I wanted to be home. He knew how much it meant to me, so he made it happen. I was only seven at the time, so I let him do it. I let him give up his entire life just so I could be home. Just so I wouldn’t be so sad. If I could do it all over again, I would have never let him take me. He deserved a shot, too. A shot at being young. But sometimes when you’re seven, the world isn’t in 3-D. So, I owe a lot to my brother. A lot of ‘thank you’d’ A lot of ‘I’m sorry’s’ A lot of ‘I love you’s’ I owe a lot to you, Will For making the sucks in my life a little less suckier And my sweet? My sweet is right now.
Colleen Hoover (Point of Retreat (Slammed, #2))
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
pleasefindthis (I Wrote This For You)
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Jules: Emma? You haven't said anything since we left the church. Emma: You're in love with me. Still. Jules: What are you talking about? Emma: I thought you didn't love me anymore. But that isn't true, is it? Jules: Why are you saying that? Why now? Emma: Because of the church. Because of what happened. We burned a church down, Julian, we melted stone. Jules: What does that have to do with anyhing? Emma: It has everything to do with. You don't understand. You can't. Jules: You're right. I don't understand. I don't understand any of it, Emma. I don't understand why you suddenly decided you didn't want me, you wanted Mark, and then you decided you didn't wnat him either and you dropped him like he was nothing, in fron of everyone. What the hell were you thinking ... Emma: What do you care? What do you care how I feel about Mark? Jules: Because I needed you to love him. Because if you threw me away and everything we had, it had better be for something that meant more to you, it had better be for something real, but maybe none of this is ever real to you ... Emma: Not real to me? You don't know what you're talking about, Julian Blackthron! You don't know what I've given up, what my reasons are for anything, you don't know what I'm trying to do ... Jules: What you're trying to do? How about you did do? How about breaking my heart and breaking Cameron's and breaking Mark's? What, am I missing someone else, some other person whose life you want to wreck forever? Emma: Your life isn't wrecked. You're still alive. You can have a good life! You kissed that faerie girl... Jules: She was a leanansidhe! A shape-shifter! I thought se was you! Emma: Oh. Oh. Jules: Yes, oh. You really think I'm going to fall in love with someon else? You think I get to do that? I'm not you, I don't geet to fall in love every week with someone different. I wish it wasn't you, Emma, but it is, it'll always be you, so don't tell me life isn't wrecked when you don't know the first thing about it!
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me. At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy (American Hunger))