Meaningless Apologies Quotes

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Is it meaningless to apologize? Never.
Alan Moore (V for Vendetta)
I catch myself humming what I thought was a meaningless tune. I stop when I realize it’s my mother’s apology song.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story. Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen. You can remember stories. Everything else is quickly forgotten. Smell is the most powerful sense out of 4 to immerse audience members into a scene. Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point. If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience. Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are. You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself. People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited? Never hide behind a lectern or a table. Your audience needs to see 100% of your body. Speak slowly and people will consider you to be a thoughtful and clever person. Leaders don’t talk much, but each word holds a lot of meaning and value. You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again. Cover the entire room with eye contact. When you scan the audience and pick people for eye contact, pick positive people more often. When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said. Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in. After you make an important point and stand still. During this pause, people think about your words and your message sinks in. Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence. Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.” The best speeches are not written, they are rewritten. Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes. Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept. Good speakers and experts can always explain the most complex ideas with very simple words. Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic. If you're considering whether to use statistics or a story, use a story. PowerPoint is for pictures not for words. Use as few words on the slide as possible. Never learn your speech word for word. Just rehearse it enough times to internalize the flow. If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit. Meaningless words and clichés neither convey value nor information. Avoid them. Never apologize on stage. If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.
Andrii Sedniev (Magic of Public Speaking: A Complete System to Become a World Class Speaker)
An endless, meaningless string of apologies signals a failure to change one’s own behavior. What matters is not whether the person was authentic or “really meant it” in those passionate expressions of remorse. All that counts is whether that person follows through so there is no repeat performance.
Anonymous
Addicts wear the shit out of that word, to the point where it becomes synonymous with “I fucked up again, can we just pretend it never happened.” Our families, friends, co-workers, colleagues, are all sick of hearing us apologize. It’s meaningless. There is nothing to it, a simple cop-out for whatever insane behavior we recently
Jason Smith (The Bitter Taste of Dying: A Memoir)
And so, you find yourself back to where you always go, back to the surface, a straight back, sky above, clear as a sleeping ocean, shaded with your favorite blue, calm enough to lay still, the perfect weight, an extra hand would drown you. A heart so full of water and mind only concerned with dreams, only concerned with you. You find yourself home, finding shelter in everything you love, finding a destination in everything you want, clearing up space for what you really should want, washing away false accusations and false desires as if they were nothing, making them nothing. Now you are back to looking in what makes you, you. Finding your heart in everything that can't hurt him, and finally apologizing for leaving him alone outside of the water for 3 months without you. You find yourself home, that hug you needed is meaningless, it wouldn't have felt good, and it's a good thing we haven't really tried it. But let me tell you, once you get the courage to write, be thankful you have an inspiration.
Mennah al Refaey
There’s my girl.” He tossed the rag to the hearth. “Now, cuddle up. Do you know, I think you put bruises on my arse, woman?” He stretched out on his side, right smack beside her. “You have slain me, Emmie Farnum.” He sighed happily and felt cautiously for her in the dark. His hand found her hair, which he smoothed back in a tender caress. “I badly needed slaying, too, I can tell you.” He bumped her cheek with his nose and pulled back abruptly. “I would have said you were in need of slaying, as well,” he said slowly, “but why the tears, Emmie, love?” There were women who cried in intimate circumstances, a trait he’d always found endearing, but they weren’t Emmie, and her cheek wasn’t damp. It was wet. “Did I hurt you?” he asked, pulling her over his body. He positioned her to straddle him and wrapped an arm around her even while his hand continued to explore her face. He thought he’d been careful, but at the end, he’d been ardent—or too rough? “Sweetheart.” He found her cheek with his lips. “I am so heartily sorry.” “For what?” she expostulated, sitting up on him. “I am the one who needs to apologize. Oh, God, help me, I was hoping you wouldn’t learn this of me, and I tried to tell you, but I couldn’t… I just…” She was working herself up to a state. Even in the dark, her voice alone testified to rising hysteria. “Emmie.” He leaned up and gathered her in his arms. “Emmie, hush.” But she couldn’t hush; she was sobbing and hiccupping and gulping in his arms, leaving him helpless to do more than hold her, murmur meaningless reassurances, and then finally, lay her gently on her side, climb out of bed, and fish his handkerchief out of his pockets. All the while though, he sorted through their encounter and seized upon a credible source of Emmie’s upset. “You were not a virgin,” he said evenly as he tucked the handkerchief into her hand and gathered her back over him. “I was n-n-not,” she said, seizing up again in misery. “And I h-h-hate to cry. But of course you know.” I do now, he thought with a small smile, though had he thought otherwise, he wouldn’t have been so willing to bed her—he hoped. “Cease your tears, Emmie love.” He tucked her closer. “I am sorry for your sake you are so upset, and I hope your previous liaisons were not painful, but as for me, I am far more interested in your future than your past.” A moment of silence went by, his hands tracing lazy patterns on her lovely back, and then she looked up at him. “You cannot mean that.” “I can,” he corrected her gently. “I know you were without anyone to protect you, and you were in service. One of my own sisters was damned near seduced by a footman, Emmie. It happens, and that’s the end of it. Has your heart been broken?” She nodded on a shuddery breath. “Shall I trounce him for you? Flirt with his wife?” “That won’t be necessary,” she said, her voice sounding a little less shaky.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
now and it mustn’t be broken under any circumstance. There was so much yet to be said, but it would all come in good time. So many meaningless apologies. So many strained explanations. Promises
s.ahnhem
apologies are meaningless. Apologies are like holey socks, pretending to cover your skin but providing no real warmth. And they can’t change the past. Nope. Not one bit.
David Estes (The Slip Trilogy Complete Boxed Set)
So from the head master of the Meaningless Club to the head mistress of the Hopeful Club, I apologize on behalf of all the losers, users, dumbasses, dicks, fuckers, meatheads, nerds, liars, cheaters, and just plain idiots.
Brittainy C. Cherry (Our Totally, Ridiculous, Made-up Christmas Relationship)
Grayson thought about apologizing, but he’d been raised to believe apologies were meaningless without changed behavior, and he didn’t know how to change.
Courtney Milan (The Devil Comes Courting (The Worth Saga #3))
Apologies are meaningless when they’re used as manipulation.
Sav R. Miller (Souls and Sorrows (Monsters & Muses, #5))
Actions speak louder than words. We can apologize over and over, but if our actions don't change, the words become meaningless.
Golden Flower