Meaningful T Shirt Quotes

She sighed. Loudly. "Physical appearance is not what is important." Yeah right. Tell that to any girl who hasn't bothered to put on a presentable shirt or fix her hair because she's only running into the grocery store to get a quart of milk for her grandmother, and who does she see tending the 7-ITEMS-OR-LESS cash register but the guy of her dreams, except she can't even say hi—much less try to develop a meaningful relationship—since she looks like the poster child for the terminally geeky.

Stretch your mind to expand your soul.

Solus walked over to the young brown-haired man and grabbed him by the front of his shirt, ignoring the look of panic he received in return. "You can call me Solus." His golden eyes trailed meaningfully down the mortal's body before he added, softly, "I've been told it's easier to scream.

Funny how meaningful those small tender gestures can be: a friend picking burrs off your shirt, the ones you can’t get because they’re stuck in that unreachable spot on your back.

Each day we wake up and make myriad choices that affect others. We clothe ourselves with shirts, pants, and shoes that may have been sewn together by women working in factories fourteen-plus hours a day for a nonliving wage; we buy products manufactured in ways the destroy forests, pollute waterways, and poison the air; we wash our hair with shampoos that may have been squeezed into the eyes of conscious rabbits or force-fed to them in quantities that kill; and on and on. As Derrick Jensen has written in his book "The Culture of Make Believe", "It is possible to destroy a culture without being aware of its existence. It is possible to commit genocide or ecocide from the comfort of one's living room

Believe in those who seek liberation, but not in those who promise liberty.

To expand the definition of freedom you have to keep on setting something free…

If you want to be interesting for your own God, you must have something that your God does not know about.

Jesus says, “When someone hits you on one cheek, give him the other. And if someone takes your coat, snatches it, give him your shirt also. And if someone forces you to carry his load for one mile, tell him that you are ready to carry it for two miles.” This is patent foolishness, but very meaningful. If you can do this, these techniques will be for you. Jesus is preparing his disciples for sudden enlightenment. Just think about it. If you can be so innocent, so trusting, that if the other is hitting you, he must be hitting you for your good – so give him the other cheek also, and let him hit it. The other’s goodness is believed in, trusted in; no one is your enemy. When Jesus says, “Love your enemies,” this is the meaning. No one is your enemy; don’t see the enemy anywhere. That doesn’t mean that there will not be enemies and there will not be people who will exploit you. There will be. They will exploit you. But be exploited – and don’t be cunning. Just look at that dimension: be exploited but don’t be cunning. Be exploited but don’t be mistrusting, don’t disbelieve, don’t lose faith. That is more valuable than anything others can cheat you of. Nothing else is so valuable. But

We only have a little bit of time before I leave for Korea. Let’s not waste it.” Then I slide my hand in his, and he squeezes it. The house is completely empty, for the first time all week. All the other girls are still at the party, except for Chris, who ran into somebody she knows through Applebee’s. We go up to my room, and Peter takes off his shoes and gets in my bed. “Want to watch a movie?” he asks, stretching his arms behind his head. No, I don’t want to watch a movie. Suddenly my heart is racing, because I know what I want to do. I’m ready. I sit down on the bed next to him as he says, “Or we could start a new show--” I press my lips to his neck, and I can feel his pulse jump. “What if we don’t watch a movie or a show? What if we…do something else instead.” I give him a meaningful look. His body jerks in surprise. “What, you mean like now?” “Yes.” Now. Now feels right. I start planting little kisses down his throat. “Do you like that?” I can feel him swallow. “Yes.” He pushes me away from him so he can look at my face. “Let’s stop for a second. I can’t think. Are you drunk? What did Chris put in that drink she gave you?” “No, I’m not drunk!” I had a little bit of a warm feeling in my body, but the walk home woke me right up. Peter’s still staring at me. “I’m not drunk. I swear.” Peter swallows hard, his eyes searching mine. “Are you sure you want to do this now?” “Yes,” I say, because I really, truly am. “But first can you put on Frank Ocean?” He grabs his phone, and a second later the beat kicks in and Frank’s melodious voice fills the room. Peter starts fumbling with his shirt buttons and then gives up and starts to pull my shirt up, and I yelp, “Wait!” Peter’s so startled, he jumps away from me. “What? What’s wrong?” I leap off the bed and start rummaging through my suitcase. I’m not wearing my special bra and underwear set; I’m wearing my normal every day cappuccino-colored bra with the frayed edges. I can’t lose my virginity in my ugliest bra.

Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.

A winnowing fan was droning away in one of the barns and dust poured out of the open door. On the threshold stood the master himself, Alyokhin, a man of about forty, tall, stout, with long hair, and he looked more like a professor or an artist than a landowner. He wore a white shirt that hadn't been washed for a very long time, and it was tied round with a piece of rope as a belt. Instead of trousers he was wearing underpants; mud and straw clung to his boots. His nose and eyes were black with dust. He immediately recognised Ivan Ivanych and Burkin, and was clearly delighted to see them. 'Please come into the house, gentlemen,' he said, smiling, 'I'll be with you in a jiffy.' It was a large house, with two storeys. Alyokhin lived on the ground floor in the two rooms with vaulted ceilings and small windows where his estate managers used to live. They were simply furnished and smelled of rye bread, cheap vodka and harness. He seldom used the main rooms upstairs, reserving them for guests. Ivan Ivanych and Burkin were welcomed by the maid, who was such a beautiful young woman that they both stopped and stared at each other. 'You can't imagine how glad I am to see you, gentlemen,' Alyokhin said as he followed them into the hall. 'A real surprise!' Then he turned to the maid and said, 'Pelageya, bring some dry clothes for the gentlemen. I suppose I'd better change too. But I must have a wash first, or you'll think I haven't had one since spring. Would you like to come to the bathing-hut while they get things ready in the house?' The beautiful Pelageya, who had such a dainty look and a gentle face, brought soap and towels, and Alyokhin went off with his guests to the bathing-hut. 'Yes, it's ages since I had a good wash,' he said as he undressed. 'As you can see, it's a nice hut. My father built it, but I never find time these days for a swim.' He sat on one of the steps and smothered his long hair and neck with soap; the water turned brown. 'Yes, I must confess...' Ivan Ivanych murmered, with a meaningful look at his head. 'Haven't had a wash for ages,' Alyokhin repeated in his embarrassment and soaped himself again; the water turned a dark inky blue.

Many ideologies that promise liberty are only involved in advanced forms of captivity.

I exist for the art of existence.

Some ideas take you on an existential elevator.

Freedom has an expanding definition.

Let me guess, you haven’t eaten.” “How’d you know?” She traced her fingertip over the edge of the empty shot glass. “I’m astute that way.” Tongue-tied, she picked up her water again and took a long gulp, draining it. The ice clinked as she placed it on the chipped counter. “Thirsty?” he asked, in a low voice that vibrated in her belly. She straightened and tried to look proper. “It’s important to stay hydrated when you get drunk.” He laughed. “And why the rush to get drunk, Princess?” “Stop calling me that.” The scowl she’d intended died halfway to her lips. Another meaningful glance at her attire. “If you don’t like being called a princess, maybe you shouldn’t wear such a sparkly dress.” “I suppose you have a point. I’m normally more of a jeans and T-shirt kind of girl.” The last shot of whiskey sat in front of her, and she took a little sip. A drop of alcohol clung to her lower lip, which she licked. His gaze tracked the movement, eyes darkening to burnished gold. The tip of her tongue stalled mid-swipe and retreated to press against her teeth. Was something happening here? Appreciating the view was one thing, but she needed to be good. She’d been good for a very long time and now wasn’t the time to break her streak. Maybe the alcohol was playing tricks on her, making her imagine things. She gave herself a tiny mental shake. “What’s your name?” he asked. He was a stranger. She shouldn’t tell him her name. She shot back. “What’s yours?” Again, the corners of his mouth twitched. “Mitch Riley.” She sighed. Well, now he’d been forthcoming so she had to tell him hers. “Maddie Donovan.” He held out his hand. “It’s nice to meet you, Maddie Donovan.” She slipped her palm into his. His grip was warm and sure, and a tingle raced along her arm. She snatched back her hand as though she’d been burned. “Hard day?” he asked. “You could say that.” “Wanna tell me about it?” “No thank you.” “Don’t you know you’re supposed to confess to your bartender?

Mohair jumpers, knitted on big needles, so loosely that you can see all the way through them, T-shirts slashed and written on by hand, seams and labels on the outside, showing the construction of the piece; these attitudes are reflected in the music we make. It’s OK not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level.

Keep in mind that all his possessions are very important to him; from the clothes that don’t fit to broken toys to ripped books. DO NOT throw away anything. DO NOT give any of his old clothes to Goodwill. DO NOT try to fix, glue, mend, tape, untangle, whatever, anything that is his. DO NOT try and talk him out of keeping something you see as worthless. His possessions are his only connection to his past life. Please keep that sacred. If the child brings something into your home that is objectionable, say a T-shirt with a questionable picture, or a toy gun, or a music CD with lyrics that just aren’t allowed in your household, what do you do? DO NOT GET RID OF IT! Negotiate with the child. Explain why you are not fond of such an item and together decide where it belongs. It is important that you understand that his possessions are just as meaningful to him as yours are to you. He will feel secure when he knows his things are not in danger of being taken away from him. So much has been taken from him already, don’t add to the list!

The old man was far older than the old lady, and it was obvious that he was also much crazier. He was bald, purplish, and completely toothless, his mouth like an obscene flabby asshole stuck into the middle of his face, and despite the coldness of the day, he wore neither a shirt nor an undershirt. His shoulders were rounded, and his chest was in as though he no longer had any vital organs, and his muscles were as shriveled as if he'd been drying out in the sun for weeks. All in all he was a pretty horrible sight a well as an alarming one. Lowell glanced round at the other yards that were visible from where he stood, half expecting to see more old people proliferating in various degrees of madness and nudity, like some kind of ghastly, pale fungus brought forth from the sterile soil by the sun, but there was no else to be seen. There weren't even any sounds.

Vivienne [Westwood] and Malcolm [McLaren] use clothes to shock, irritate and provoke a reaction but also to inspire change. Mohair jumpers, knitted on big needles, so loosely that you can see all the way through them, T-shirts slashed and written on by hand, seams and labels on the outside, showing the construction of the piece; these attitudes are reflected in the music we make. It’s ok not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level. That’s why we’re all merciless about each other’s failings and why sloppiness is derided.

Masterfully the manager struggled to control himself. “I…ah…brought bandages and a fresh shirt for you, Mr. Devlin.” “Do you always keep a change of clothes at your place of business, Mr. Devlin?” Amanda asked. “Oh, yes,” Fretwell said cheerfully before Devlin could reply. “Ink stains, spills, marauding aristocrats…one never knows what to expect. It is best to be prepared.” “Out, Fretwell,” Devlin said meaningfully, and the manager continued to grin as he complied. “I like that Mr. Fretwell,” Amanda said, reaching for a rolled bandage when the cut was cleaned. “Everyone does,” rejoined Devlin dryly.