Meadows Nature Quotes

Many eyes go through the meadow, but few see the flowers in it

On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes.

Raindrops blossom brilliantly in the rainbow, and change to flowers in the sod, but snow comes in full flower direct from the dark, frozen sky.

No matter how intently one studies the hundred little dramas of the woods and meadows, one can never learn all the salient facts about any one of them.

Joys come from simple and natural things; mist over meadows, sunlight on leaves, the path of the moon over water. Even rain and wind and stormy clouds bring joy.

Ah, in those earliest days of love how naturally the kisses spring into life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May.

It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror.

The sky is a meadow of wildstar flowers.

That perhaps is at the core of Wicca--it is a joyous union with nature. The earth is a manifestation of divine energy. Wicca's temples are flower-splashed meadows, forests, beaches, and deserts. When a Wicca is outdoors, she or he is actually surrounded by sanctity, much as is a Christian when entering a church or cathedral.

There was so much time that marvelous summer. Day after day, mist rose from the meadow as the sky lightened and hedges, barns and woods took shape until, at last, the long curving back of the hills lifted away from the Plain. It was a sort of stage-magic.

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.

She would be invisible forever to all mortals, save those few who have minds to believe, eyes to see. To these she is ever present, the spirit of Nature—a sprite of the meadow, a naiad of lakes, a nymph of the woods.

Therefore am I still / A lover of the meadows and the woods, / And mountains; and of all that we behold / From this green earth; of all the mighty world / Of eye and ear, both what they half create / And what perceive; well pleased to recognize / In nature and the language of the sense, / The anchor of my purest thoughts, the nurse/ The guide, the guardian of my heart, and soul / Of all my moral being.

It’s easy to look at the contours of a forest and feel a bone deep love for nature. It’s less easy to remember that the contours of your own body represent the exact same nature. The pathways of your mind. Your dreams, dark and strange as sprouts curling beneath a flat rock. Your regret, bitter as the citrus rot of old cut grass. It’s the same as the nature you make time to love. That you practice loving. The forest. The meadow. The sweeping arm of a galaxy. You are as natural as any postcard landscape and deserve the same love.

Sam said nothing about it, as though he spontaneously composed music with nature all the time.

Manners are the happy ways of doing things; each one a stroke of genius or of love, now repeated and hardened into usage, they form at last a rich varnish, with which the routine of life is washed, and its details adorned. If they are superficial, so are the dew-drops which give such a depth to the morning meadows.

She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.

Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries;- Listen to these wild traditions, To this Song of Hiawatha!

I know I can't own a hilltop, a meadow, or a mountainside. But keeping it a secret somehow makes it mine.

Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.

It’s more eerie to be alone in a city that’s lit up and functioning than one that’s a tomb. If everything were silent, one could almost pretend to be in nature. A forest. A meadow. Crickets and birdsong. But the corpse of civilization is as restless as the creatures that now roam the graveyards.

Walk away quietly in any direction and taste the freedom of the mountaineer. Camp out among the grasses and gentians of glacial meadows, in craggy garden nooks full of nature's darlings. Climb the mountains and get their good tidings, Nature's peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you and the storms their energy, while cares will drop off like autumn leaves. As age comes on, one source of enjoyment after another is closed, but nature's sources never fail.

Where the slanting forest eaves, Shingled tight with greenest leaves, Sweep the scented meadow-sedge, Let us snoop along the edge; Let us pry in hidden nooks, Laden with our nature books, Scaring birds with happy cries, Chloroforming butterflies, Rooting up each woodland plant, Pinning beetle, fly, and ant, So we may identify What we've ruined, by-and-by.

The Meadow... Only one of them succeeded in making a life here... He weathered. Before a backdrop of natural beauty, he lived a life from which everything was taken but a place. He lived so close to the real world it almost let him in.

The heart's seasons seldom coincide with the calendar. Who among us has not been made desolate beyond all words upon some golden day when the little creatures of the air and meadow were life incarnate, from sheer joy of living? Who among us has not come home, singing, when the streets were almost impassable with snow, or met a friend with a happy, smiling face, in the midst of a pouring rain?

You may not realize it but you're seeking the silence in your soul, a plea where you go to find the best of yourself. Learning a simple and beautiful skill, like choosing a teapot, that's seeking that silence, creating rituals where that silence may be found and nurtured. As long as you have that place, you'll never lose yourself, who you are, what you want. But you have to remember to keep bringing flowers into your meadow, always one at a time, to appreciate each blossom, to honor its contribution to your character. It helps make you into the person you were meant to be.

A meadow is nothing but a field of suffering. Every second some creature is dying in the gorgeous green expanse, ants eat wriggling earthworms, birds lurk in the sky to pounce on a weasel or a mouse. You see that black cat, standing motionless in the grass. She is only waiting for an opportunity to kill. I detest all that naïve respect for nature. Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don’t have the same capability for suffering as human, because otherwise they couldn’t bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror.

I breathe in the soft, saturated exhalations of cedar trees and salmonberry bushes, fireweed and wood fern, marsh hawks and meadow voles, marten and harbor seal and blacktail deer. I breathe in the same particles of air that made songs in the throats of hermit thrushes and gave voices to humpback whales, the same particles of air that lifted the wings of bald eagles and buzzed in the flight of hummingbirds, the same particles of air that rushed over the sea in storms, whirled in high mountain snows, whistled across the poles, and whispered through lush equatorial gardens…air that has passed continually through life on earth. I breathe it in, pass it on, share it in equal measure with billions of other living things, endlessly, infinitely.

In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long. In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.

It is human nature to avoid what makes us uncomfortable.

Walking through a meadow calling the plants by name is like entering a room of friends instead of strangers.

but then who said journalists need to know anything about their subject before spouting their ill-informed opinions to millions?

London was but a foretaste of this nomadic civilization which is altering human nature so profoundly, and throws upon personal relations a stress greater than they have ever borne before. Under cosmopolitanism, if it comes, we shall receive no help from the earth. Trees and meadows and mountains will only be a spectacle, and the binding force that once exercised on character must be entrusted to Love alone. May Love be equal to the task!

For a long time the human instinct to understand was thwarted by facile religious explanations, as in ancient Greece in the time of Homer, where there were gods of the sky and the Earth, the thunderstorm, the oceans and the underworld, fire and time and love and war; where every tree and meadow had its dryad and maenad.

Even now I remember those pictures, like pictures in a storybook one loved as a child. Radiant meadows, mountains vaporous in the trembling distance; leaves ankle-deep on a gusty autumn road; bonfires and fogs in the valleys; cellos, dark windowpanes, snow.

She could not rise. But there she lay content. The scent of the bog myrtle and the meadow-sweet was in her nostrils. The rooks' hoarse laughter was in her ears. "I have found my mate," she murmured. "It is the moor. I am nature's bride," she whispered, giving herself in rapture to the cold embraces of the grass as she lay folded in her cloak in the hollow by the pool. "Here I will lie. (A feather fell upon her brow.) I have found a greener laurel than the bay. My forehead will be cool always. These are wild birds' feathers - the owls, the nightjars. I shall dream wild dreams. My hands shall wear no wedding ring," she continued, slipping it from her finger. "The roots shall twine about them. Ah!" she sighed, pressing her head luxuriously on its spongy pillow, "I have sought happiness through many ages and not found it; fame and missed it' love and not known it; life - and behold, death is better. I have known many men and many women," she continued; "none have I understood. It is better that I should lie at peace here with only the sky above me - as the gipsy told me years ago.

What Gosta,' he said to himself, 'can you no longer endure? You have been hardened in poverty all of your life; you have heard every tree in the forest, every tuft in the meadows preach to you of sacrifice and patience. You, brought up in a country where the winter is severe, and the summer joy is very short, have you forgotten the art of bearing your trials? 'Oh Gosta, a man must bear all that life gives him with a courageous heart and a smile on his lips, else he is no man. Sorrow as much as you will. If you love your beloved, let your conscience burn and chafe within you, but show yourself a man and a Varmlander. Let your glances beam with joy, and meet your friends with a gay word on your lips! Life and nature are hard. They bring forth courage and joy as a counterweight against their own hardness, or no one could endure them...

Respect the man of noble races other than your own, who carries out, in a different place, a combat parallel to yours -- to ours. He is your ally. He is our ally, be he at the other end of the world. Love all living things whose humble task is not opposed in any way to yours, to ours: men with simple hearts, honest, without vanity and malice, and all the animals, because they are beautiful, without exception and without exception indifferent to whatever "idea" there may be. Love them, and you will see the eternal in the glance of their eyes of jet, amber, or emerald. Love also the trees, the plants, the water that runs though the meadow and on to the sea without knowing where it goes; love the mountain, the desert, the forest, the immense sky, full of light or full of clouds; because all these exceed man and reveal the eternal to you.

Aline found herself walking quickly, almost running, to her favorite place by the river, where a wildflower meadow sloped down to tall grasses alive with meadow-brown and marbled-white butterflies.

Oh, the wondrous places through which I wander: woodlands, meadows, and green hillsides yonder. I hike over mossy, meandering paths. Dead branches serve nicely as walking staffs. The sunset paints scenery crimson and gold. Oh, wondrous nature dyed in colors bold.

Yet even so, Jon Snow was not sorry he had come. There were wonders here as well. He had seen sunlight flashing on icy thin waterfalls as they plunged over the lips of sheer stone cliffs, and a mountain meadow full of autumn wildflowers, blue coldsnaps and bright scarlet frostfires and stands of piper's grass in russet and gold. He had peered down ravines so deep and black they seemed certain to end in some hell, and he had ridden his garron over a wind-eaten bridge of natural stone with nothing but sky to either side. Eagles nested in the heights and came down to hunt the valleys, circling effortlessly on great blue-grey wings that seemed almost part of the sky.

Indeed, everything that could hum, or buzz, or sing, or bloom had a part in my education--noisy-throated frogs, katydids and crickets held in my hand until, forgetting their embarrassment, they trilled their reedy note, little downy chickens and wildflowers, the dogwood blossoms, meadow-violets and budding fruit trees. I felt the bursting cotton-bolls and fingered their soft fiber and fuzzy seeds; I felt the low soughing of the wind through the cornstalks, the silky rustling of the long leaves, and the indignant snort of my pony...

Every spring in the wet meadows and ditches I hear a little shrilling chorus which sounds for all the world like an endlessly reiterated “We’re here, we’re here, we’re here.” And so they are, as frogs, of course. Confident little fellows. I suspect that to some greater ear than ours, man’s optimistic pronouncements about his role and destiny may make a similar little ringing sound that travels a small way out into the night. It is only its nearness that is offensive. From the heights of a mountain, or a marsh at evening, it blends, not too badly, with all the other sleepy voices that, in croaks or chirrups, are saying the same thing.

For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.

Scientists and shamans alike know that all of life is woven into a web of infinite connections, contributing to the larger whole in a system that is complex beyond our imagining. When we sit quietly at the edge of a lake, or hike through a wildflower-strewn meadow, or walk through a cool, dark forest, we quickly become aware of our unity with the natural world. We fall back into natural rhythms--rhythms we are no longer in synch with as a result of living by the clock and spending much of our time in man-made spaces lit by electricity. Nature has a way of recalibrating us and helping us gain a new perspective on our stressors so that they seem less overwhelming.

As they came out from the shelter of the trees and the Great Meadows stretched out before them, Kit caught her breath. She had not expected anything like this. From that first moment, in a way she could never explain, the Meadows claimed her and made her their own. As far as she could see they stretched on either side, a great level sea of green, broken here and there by a solitary graceful elm. Was it the fields of sugar cane they brought to mind, or the endless reach of the ocean to meet the sky? Or was it simply the sense of freedom and space and light that spoke to her of home?

The elk that you glimpse in the summer, those at the forest edge, are survivors of winter, only the strongest. You see one just before dusk that summer, standing at the perimeter of the meadow so it can step back to the forest and vanish. You can't help imagining the still, frozen nights behind it, so cold that the slightest motion is monumental. I have found their bodies, half drifted over in snow, no sign of animal attack or injury. Just toppled over one night with ice working into their lungs. You wouldn't want to stand outside for more than a few minutes in that kind of weather. If you lived through only one of those winters the way this elk has, you would write books about it. You would become a shaman. You would be forever changed. That elk from the winter stands there on the summer evening, watching from beside the forest. It keeps its story to itself.

I do not envy those whose introduction to nature was lush meadows, lakes, and swamps where life abounds. The desert hills of Yakima had a poverty that sharpened perception.

In my experience, friendship happens naturally. By talking, doing things together, learning.

. . . a meadow which David had known before the coming of the motorway, where he had searched for mushrooms in previous autumns, in lost quiet golden hazes.

Now I would solicit the particular attention of those numerous people who imagine that money is everything in this world, and that rank and ability are inseparable from wealth: let them observe that Cincinnatus, the one man in whom Rome reposed all her hope of survival, was at that moment working a little three-acre farm (now known as Quinctian meadows) west of the Tiber, just opposite the spot where the shipyards are today. A mission from the city found him at work on his land - digging a ditch, maybe, or ploughing. Greetings were exchanged, and he was asked - with a prayer for God's blessing on himself and his country - to put on his toga and hear the Senate's instructions. This naturally surprised him, and, asking if all were well, he told his wife Racilia to run to their cottage and fetch his toga. The toga was brought, and wiping the grimy sweat from his hands and face he put it on; at once the envoys from the city saluted him, with congratulations, as Dictator, invited him to enter Rome, and informed him of the terrible danger of Minucius's army.

On increasingly warm nice days I liked to sit toward noon on the bench encircling the cherry tree and look at the bare trees, the freshly plowed fields, the green strips of winter planting, the meadows that were already sprouting, and through the fragrance which swells out of the ground with the advent of spring contemplate the mountains, gleaming with the colossal quantities of snow still on them.

Many people say 'they love nature,' by which they mean they don't dislike the charms nature displays before them. They go on outings, delight in the beauty of the earth as they trample meadows and tear off flowers and sprigs, only to discard them or let them wilt at home. That is how they love nature.

A young girl’s stroke has breathed us life upon this luscious, grassy meadow. Unbound we float in the aether, protecting the sanctuary of life below. To grow, this world needs nurturing only Lady Solary’s warmth can provide. Yet light flickers briefly then fades, like a struck match failing to ignite.

It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror. Seeing this happen has always induced in me a fear great enough to make my hair stand on end, and at the thought that this nature might be one of the prerequisites for survival as a human being, I have come close to despairing of myself.

The more we are removed from nature, the more we are denied our birthright to play in forests, climb mountains, follow streams, and fall in love with meadows, to become creative, self-actualized, deeply intuitive.

Attempts to locate oneself within history are as natural, and as absurd, as attempts to locate oneself within astronomy. On the day that I was born, 13 April 1949, nineteen senior Nazi officials were convicted at Nuremberg, including Hitler's former envoy to the Vatican, Baron Ernst von Weizsacker, who was found guilty of planning aggression against Czechoslovakia and committing atrocities against the Jewish people. On the same day, the State of Israel celebrated its first Passover seder and the United Nations, still meeting in those days at Flushing Meadow in Queens, voted to consider the Jewish state's application for membership. In Damascus, eleven newspapers were closed by the regime of General Hosni Zayim. In America, the National Committee on Alcoholism announced an upcoming 'A-Day' under the non-uplifting slogan: 'You can drink—help the alcoholic who can't.' ('Can't'?) The International Court of Justice at The Hague ruled in favor of Britain in the Corfu Channel dispute with Albania. At the UN, Soviet Foreign Minister Andrei Gromyko denounced the newly formed NATO alliance as a tool for aggression against the USSR. The rising Chinese Communists, under a man then known to Western readership as Mao Tze-Tung, announced a limited willingness to bargain with the still-existing Chinese government in a city then known to the outside world as 'Peiping.' All this was unknown to me as I nuzzled my mother's breast for the first time, and would certainly have happened in just the same way if I had not been born at all, or even conceived. One of the newspaper astrologists for that day addressed those whose birthday it was: There are powerful rays from the planet Mars, the war god, in your horoscope for your coming year, and this always means a chance to battle if you want to take it up. Try to avoid such disturbances where women relatives or friends are concerned, because the outlook for victory upon your part in such circumstances is rather dark. If you must fight, pick a man! Sage counsel no doubt, which I wish I had imbibed with that same maternal lactation, but impartially offered also to the many people born on that day who were also destined to die on it.

Your true soul and body appear before me. Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb, I should have made my way straight to you long ago, I should h ave blabb'd nothing but you, I should have chanted nothing but you. I will leave all and come and make the hymns of you, none has understood you, but I understand you, none has done justice to you, you have not done justice to yourself, none but has found you imperfect, I only find no imperfection in you, none but would subordinate you, I only am he who will never consent to subordinate you, I only am he who places over you no master, owner, better, God, beyond what waits instrinsically in yourself. O I could sing such grandeurs and glories about you! You have not known what you are, you have slumber'd upon yourself all your life, Your eyelids have been the same as closed most of the time. I pursue you where none else has pursued you. Conceal you from others or from yourself, they do not conceal you from me. I give nothing to any one except I give the like carefully to you. These immense meadows, these interminable rivers, you are immense and interminable as they, these furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

All those nutrients field the growth of more new plants, in an accelerating cycle. This is the way for many ponds–the bottom gradually fills in until the pond becomes a marsh and maybe someday a meadow and then a forest. Ponds grow old, and though I will too, I like the ecological idea of aging as progressive enrichment, rather than progressive loss.

And I learned this long ago, that sweet freedom can be found in the middle of a meadow, upon the back of a faithful mare. Careless and wild we both shall be, on our ride across familiar fields, with steps that blend into the earth below.

Tis said that Chowmushih slept in a boat so that his dreams might mingle with those of the lotus. It was the same spirit which moved the Empress Komio, one of our most renowned Nara sovereigns, as she sang: "If I pluck thee, my hand will defile thee, O flower! Standing in the meadows as thou art, I offer thee to the Buddhas of the past, of the present, of the future.

Townsfolk have no conception of the peace that mother nature bestows, and as long as that peace is unfound the spirit must seek to quench its thirst with ephemeral novelties. And what is more natural that that of the townsman's feverish search for pleasure should mould people of unstable, hare-brained character, who think only of their personal appearance and their clothes and find momentary comfort in foolish fashions and other such worthless innovations? The countryman, on the other hand walks out into the verdant meadows, into an atmosphere clear and pure, and as he breaths it into his lungs some unknown power streams through his limbs, invigorating body and soul. The peace in nature fills his mind with calm and cheer, the bright green grass under his feet awakens a sense of beauty, almost of reverence. In the fragrance that is borne so sweetly to his nostrils, in the quietude that broods so blissfully around him, there is comfort and rest. The hillsides, the dingles, the waterfalls, and the mountains are all friends of his childhood, and never to be forgotten.

I break out laughing. I frown. I yell and scream. Sometimes, if one jokes and giggles, one causes war. So I hide how tickled I am. Tears well up in my eyes. My body is a large city. Much grieving in one sector. I live in another part. Lakewater. Something on fire over here. I am sour when you are sour, sweet when you are sweet. You are my face and my back. Only through you can I know this back-scratching pleasure. Now people the likes of you and I come clapping, inventing dances, climbing into this high meadow. I am a spoiled parrot who eats only candy. I have no interest in bitter food. Some have been given harsh knowledge. Not I. Some are lame and jerking along. I am smooth and glidingly quick. Their road is full of washed-out places and long inclines. Mine is royally level, effortless. The huge Jerusalem mosque stands inside me, and women full of light. Laughter leaps out. It is the nature of the rose to laugh. It cannot help but laugh.

The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

A mountain shrouded in mist is not hiding anything profound. There is no more wisdom on top of that mountain than there is anywhere else. It is just as sacred as a nap below the bough of a tree, washing the dishes, the sun fading over a meadow, belly laughter, a walk down a narrow path.

A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.

It was not the first time that they had seen trees, a blue sky, meadows; that they had heard the water flowing and the wind blowing in the leaves; but, no doubt, they had never admired all this, as if Nature had not existed before, or had only begun to be beautiful since the gratification of their desires.

I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me … I see pictures merging before my mind’s eye—paths through the fields, river meadows, and mountain pastures mingling with images of destruction—and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home…

MAGNITUDE of EXISTENCE U are a dot A point A speck An image A stillness A shadow A centrifugal force Turning into itself Emanating heat Emanating light You are a transient warmth Wave like u exist Resonating properties As body As mind As heart As human You are One dot in trillions exponentially Sifting through motion Expressed as e=motion You are engulfed in water From the inside out Wrapped in the Arms of giver of air Held ephemerally by the heart of sky In suspended attraction to the wooing of earth You are reflecting ash taken to travel Bathing in sun rays Resting as moonlight You are a resonant echo Given to name matter Bouncing dot like You are a distance timber Specified to forms A mountain A valley A hill A meadow A dune A desert Exacting measure You Are A magnitude of existences © Olivia Chumacero

Out in the wilderness, nature is your translator.

And nothing in nature is wasted. The bodies of the dead meadow ants will go to nourish the soil of the meadow. Ashes to ashes. Dust to dust. Flesh to flesh.

Inside the flower, within the very structure of its petals, my soul is an element of nature, at one with the blooming Meadow Pinx in the fields on the coast of Marnan.

They rarely speak, for the evergreen forests and the golden meadows and the great mountains rising to bare-rock summits are nature’s version of a cathedral.

Have you ever stood alone in a wild meadow, smelling the rich soil rising over the grass crushed beneath your feet and watched the birth of a tree?

beneath the rosy sky veiled in mist the blooming meadow

Ugly or beautiful, it is the little creatures that make the world go round. We should celebrate and appreciated them in all their wonderful diversity.

Across the broken apses and shattered naves of a hundred ruined Byzantine churches, the same smooth, cold, neo-classical faces of the saints and apostles stare down like a gallery of deaf mutes; and through this thundering silence the everyday reality of life in the Byzantine provinces remains persistently difficult to visualise. The sacred and aristocratic nature of Byzantine art means that we have very little idea of what the early Byzantine peasant or shopkeeper looked like; we have even less idea of what he thought, what he longed for, what he loved or what he hated. Yet through the pages of The Spiritual Meadow one can come closer to the ordinary Byzantine than is possible through virtually any other single source. Dalrymple, William (2012-06-21). From the Holy Mountain: A Journey in the Shadow of Byzantium (Text Only) (Kindle Location 248). HarperCollins Publishers. Kindle Edition.

Woodland You It’s easy to look at the contours of a forest and feel a bone deep love for nature. It’s less easy to remember that the contours of your own body represent the exact same nature. The pathways of your mind. Your dreams, dark and strange as sprouts curling beneath a flat rock. Your regret, bitter as the citrus rot of old cut grass. It’s the same as the nature you make time to love. That you practice loving. The forest. The meadow. The sweeping arm of a galaxy. You are as natural as any postcard landscape and deserve the same love.

The question of goldenrod and aster was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

Nature’s particular gift to the walker, through the semi-mechanical act of walking — a gift no other form of exercise seems to transmit in the same high degree — is to set the mind jogging, to make it garrulous, exalted, a little mad maybe — certainly creative and suprasensitive, until at last it really seems to be outside of you and as if it were talking to you whilst you are talking back to it. Then everything gradually seems to join in, sun and the wind, the white road and the dusty hedges, the spirit of the season, whichever that may be, the friendly old earth that is pushing life firth of every sort under your feet or spell-bound in a death-like winter trance, till you walk in the midst of a blessed company, immersed in a dream-talk far transcending any possible human conversation. Time enough, later, for that…; here and now, the mind has shaken off its harness, is snorting and kicking up heels like a colt in a meadow.

Rural Reflections" This is the grass your feet are planted on. You paint it orange or you sing it green, But you have never found A way to make the grass mean what you mean. A cloud can be whatever you intend: Ostrich or leaning tower or staring eye. But you have never found A cloud sufficient to express the sky. Get out there with your splendid expertise; Raymond who cuts the meadow does not less. Inhuman nature says: Inhuman patience is the true success. Human impatience trips you as you run; Stand still and you must lie. It is the grass that cuts the mower down; It is the cloud that swallows up the sky.

I was running, as fast as I could, carrying you, Carnation, shaking and scared ... She was there, waiting for me. Standing surrounded by a meadow of lavender, her arms opened wide for me to run into and cry and cry ...

For centuries, no one was concerned that books weren’t girl-friendly, because no one really cared if girls read; but even so, we persisted for long enough that literature has slowly come to accommodate us. Modern boys, by contrast, are not trying to read in a culture of opposition. Nobody is telling them reading doesn’t matter, that boys don’t need to read and that actually, no prospective wife looks for literacy in a husband. Quite the opposite! Male literary culture thrives, both teachers and parents are throwing books at their sons, and the fact that the books aren’t sticking isn’t, as the nature of the complaint makes clear, because boys don’t like reading – no. The accusation is that boys don’t like reading about girls, which is a totally different matter. Because constantly, consistently, our supposedly equal society penalises boys who express an interest in anything feminine. The only time boys are discouraged from books all together is in contexts where, for whatever reason, they’ve been given the message that reading itself is girly – which is a wider extrapolation of the same problem.

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

This fusion of wood and water is an entrancing thing. Without the wood the stream would be nothing: a mere thin watercourse winding through its flat meadows. Without the water the wood, on its slope and with its air of quietness and mystery and of being a world within itself, could not help being a constantly delightful thing. But water and wood, together, shading and watering and bounding each other, each give to the other something which the other does not possess, the wood giving to the stream something solid and shadowy and immemorial, the stream giving to the wood all the incomparable movement and twinkling transience of moving water, the tree shadows standing deep in the stream, the reflection of sunlight flickering a kind of waterlight up into the shadowy branches of pine and alder. The wood and the water are here, in fact, one, for each other and with each other. It is a fusion that is almost perfect.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

seven of his works had been discovered in the attic of a Roxbury home belonging to the family of his former nurse. Despite her affection for nature, she had little interest in nature painting—she could never get past the freedoms that the artists took, the impossible juxtapositions, the imagined trees, the meadows of flowers that would never be found together. William Henry Teale, however, was something of a revelation—photographically precise and seemingly intent on recording exactly what he was seeing, rather than composing something pleasing to the eye. She could identify at least a dozen species in every work, down to his clubmosses, and his way of painting in the same spot across the years and seasons gave

The slow stone metamorphoses filled him with longing—longing for what? Simplicity? Was simplicity the true nature of homegoing? The simple harmonies, earth order and abundance. In this churchyard in a woodland meadow at the end of a white road, he missed what he had never known, the peace of living one day then another in communion with others of one’s blood and at the end, at the close of one’s works and days, to draw that last breath and come to rest in earth where one’s bones belonged.

The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.

Not through the dogmas of archaic doctrines will you gain your greatest understandings, but, rather, through the continued evolution of science, and through your keen observations of the natural environment beyond your windows. To comprehend yourself truly, which is also to comprehend the world truly, you needn't look any farther than at what abounds with life around you—the blossoming meadow, the untrodden woodlands. Without this as mankind's overriding objective, I don't foresee an age of actual enlightenment ever arriving.

THE SHEEPDOGS Most humans truly are like sheep Wanting nothing more than peace to keep To graze, grow fat and raise their young, Sweet taste of clover on the tongue. Their lives serene upon Life’s farm, They sense no threat nor fear no harm. On verdant meadows, they forage free With naught to fear, with naught to flee. They pay their sheepdogs little heed For there is no threat; there is no need. To the flock, sheepdog’s are mysteries, Roaming watchful round the peripheries. These fang-toothed creatures bark, they roar With the fetid reek of the carnivore, Too like the wolf of legends told, To be amongst our docile fold. Who needs sheepdogs? What good are they? They have no use, not in this day. Lock them away, out of our sight We have no need of their fierce might. But sudden in their midst a beast Has come to kill, has come to feast The wolves attack; they give no warning Upon that calm September morning They slash and kill with frenzied glee Their passive helpless enemy Who had no clue the wolves were there Far roaming from their Eastern lair. Then from the carnage, from the rout, Comes the cry, “Turn the sheepdogs out!” Thus is our nature but too our plight To keep our dogs on leashes tight And live a life of illusive bliss Hearing not the beast, his growl, his hiss. Until he has us by the throat, We pay no heed; we take no note. Not until he strikes us at our core Will we unleash the Dogs of War Only having felt the wolf pack’s wrath Do we loose the sheepdogs on its path. And the wolves will learn what we’ve shown before; We love our sheep, we Dogs of War. Russ Vaughn 2d Bn, 327th Parachute Infantry Regiment 101st Airborne Division Vietnam 65-66

With this Humboldt brought together the external physical world with the internal world of the mind. Humboldt’s Cosmos was about the relationship between humankind and nature, and Thoreau placed himself firmly into this cosmos. At Walden Pond, he wrote, ‘I have a little world all to myself’ – his own sun, stars and moon. ‘Why should I feel lonely?’ he asked. ‘Is not our planet in the Milky Way?’ He was no more lonely than a flower or bumblebee in a meadow because like them he was part of nature. ‘Am I not partly leaves and vegetable mould myself?’ he asked in Walden.

I think locality exercises strange influence over some minds. The peaceful meadow-scenery holds no lurking horrors in its bosom, but in the lonesome moorlands, full of curiously molded boulders, grotesque fancies must assail one there. Creatures seem to come, odd and ill-defined as their surroundings. As a child I had a peculiar horror of those tall, odd-shaped boulders, with seeming faces, featureless, it is true, but sometimes strangely resembling humans and animals. I believe the spinney may be haunted by something of this nature, terrible as the trees. ("The Haunted Spinney")

The longer I live here, the better satisfied I am in having pitched my earthly camp-fire, gypsylike, on the edge of a town, keeping it on one side, and the green fields, lanes, and woods on the other. Each, in turn, is to me as a magnet to the needle. At times the needle of my nature points towards the country. On that side everything is poetry. I wander over field and forest, and through me runs a glad current of feeling that is like a clear brook across the meadows of May. At others the needle veers round, and I go to town--to the massed haunts of the highest animal and cannibal.

Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB

Nancy went to the front door, opened it, and walked outside. She breathed deeply of the lovely morning air and headed for the rose garden. She let the full beauty of the estate sink into her consciousness, before permitting herself to think further about the knotty problem before her. Long ago Mr. Drew had taught Nancy that the best way to clear one’s brain is to commune with Nature for a time. Nancy went up one walk and down another, listening to the twittering of the birds and now and then the song of the meadow lark. Again she smelled deeply of the roses and the sweet wisteria which hung over a sagging arbor.

May the light that reflects on water be this wild prayer. May water lift us with its unexpected strength. May we find comfort in the "repeated refrains of nature," the softly sheltering snow, the changing seasons, the return of blackbirds to the marsh. May we find strength in light that pours in under snow and laughter that breaks through tears. May we go out into the light-filled snow, among meadows in bloom, with gratitude for life that is deep and alive. May Earth's fire burn in our hearts, and may we know ourselves part of this flame--one thing, never alone, never weary of life. So may it be. "Never Alone or Weary

never cease to kiss him. Every kiss provokes another. Ah, in those earliest days of love how naturally the kisses spring into life. How closely, in their abundance, are they pressed one against another; until lovers would find it as hard to count the kisses exchanged in an hour, as to count the flowers in a meadow in May.

Montana A great many small failures have brought me to this Dark room where, against the teachings of the church, I lie in the forgiving dark with you and we kiss And loosen our clothing and feel the hot urge Toward nakedness, man's natural destination, The slow unbuttoning, unclasping, until at last We lie revealed. The fine sensation Of you on my skin. A slender woman as vast As Montana and I am now heading west On a winding road through the dark contours Of mountains and into a valley, coming to rest In a meadow that I recognize as yours. This is what I drove across North Dakota to find: This sweet nest. And put all my failed life behind.

Sleeper in the Valley" The river sings and cuts a hole in the meadow, madly hooking white tatters on the rushes. light escalades the strong hills. The small valley bubbles with sunbeams like a beerglass. The young conscript bareheaded and open-mouthed, his neck cooling in the blue watercress; he's sleeping. The grass soothes his heaviness, the sunlight is raining in his green bed, baking away the aches of his body. He smiles, as a sick child might smile himself asleep. O Nature, rock him warmly, he is cold. The fields no longer make his hot eyes weep. He sleeps in the sun, a hand on his breast lies open, at peace. He has two red holes in his left side.

As the sun continued to rise, the tune became more intoxicating, lulling me into a completely relaxed state. I allowed my mind to drift, imagining I was walking through a pretty meadow full of roses. In my mind’s eye, I held a rose flower in my hands and sniffed at it, my eyes shining with pure happiness. In my dreamy state, the air smelled of roses, warming my spirit and coaxing me to stop and rest. Lying back in the grass, I stretched my arms up to the sky, inviting the sun to join me. Warm tingles rippled across my skin and eased the pressure in my head. I was light, drifting through the breeze and letting the wind take me somewhere untouched and soothing.

Weeds, as the field guides indicate, are plants particularly well adapted to man-made places. They don’t grow in forests or prairies—in “the wild.” Weeds thrive in gardens, meadows, lawns, vacant lots, railroad sidings, hard by dumpsters and in the cracks of sidewalks. They grow where we live, in other words, and hardly anywhere else.

If you were to take one thing into intimate slumber and be in its sleep, Be deeply with the things -: oh how lightly it would come Day after day, up from the communal depths.. And perhaps you might remain, would bloom and be praised For your conversion, as one now resembling what is theirs, All those silent sisters of the meadow and the wind.

Winkler's breath plumed up onto his glasses. The entire valley was enveloped in a huge, illuminated stillness. Above him the clouds had pulled away and the sky burned with stars. The meadow smoldered with light, and the spruce had become illuminated kingdoms, snow sifting from branch to branch. He thought: This has been here every winter all my life.

The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.

They'd entered a clearing. A wide, green meadow in the middle of the forest. The entire space was carpeted with bluebells. Thousands upon thousands of sweetly curving green stalks, their tips heavy with sprays of blue-violet blossoms. The sunlight shone from above and slanted through the trees, catching the blooms at different angles. The whole scene splendid. It was magical.

Conceptions of humanity changed constantly, conceptions of the world and nature, too, all manner of strange ideas and beliefs emerged and vanished, useful and useless objects were discovered, science penetrated ever deeper into the world’s mysteries, machines grew in number, speeds increased and ever greater areas of old lifestyles were abandoned, but no one dreamed of discarding beer or changing it. Malt, hops, water. Field, meadow, stream.

It was a warm night for the end of March. Walt had left the front door to the ice-cream parlor open when he went out after supper to gossip with the old men down at Darly Stidger's Store. And yet it was not spring, although winter was dead and the moon was sickly with the neitherness of the time between those seasons: those last few weeks before the cries of the green frogs would rise in stitching clamor from the river shores and meadow bogs.

London was but a foretaste of this nomadic civilisation which is altering human nature so profoundly, and throws upon personal relations a stress greater than they have ever borne before. Under cosmopolitanism, if it comes, we shall receive no help from the earth. Trees and meadows and mountains will only be a spectacle, and the binding force that they once exercised on character must be entrusted to Love alone. May Love be equal to the task!

In the space of a single year, a crumbling rural village had sprouted an army town, like a great parasitical growth. The former peacetime aspect of the place was barely discernible. The village pond was where the dragoons watered their horses, infantry exercised in the orchards, soldiers lay in the meadows sunning themselves. All the peacetime institutions collapsed, only what was needed for war remained. Hedges and fences were broken or simply torn down for easier access, and everywhere there were large signs giving directions to military traffic. While roofs caved in, and furniture was gradually used up as firewood, telephone lines and electricity cables were installed. Cellars were extended outwards and downwards to make bomb shelters for the residents; the removed earth was dumped in the gardens. The village no longer knew any demarcations or distinctions between thine and mine.

What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who’s to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year’s scythes flung down, and left in the half-cut swaths—Starbuck!

In this radiant summer, it’s a luxury to inhale the breath of life. The grass grows, the buds burst, the meadow shimmers with fire and gold in its flowers. The sky is filled with the songs of birds and the sweet scent of pine. At night, the stars pour forth their ethereal rays. Gazing up at the vast dome of space, we feel like children, with the earth our toy ball.  Nature never put on a more glorious display or spread out a more lavish feast. The food and wine are freely given to all creatures

Sirius Sojourn by Stewart Stafford Cottage in an aromatic meadow, Summer's languid haze hanging, The old windmill's sundial stilled, Chirping birds and insect drones. Flowing brooks at a funereal pace, A bloated lull duels exiguous energy, Thick air's blanketing somnolence, Liquid refreshment soothes inertia. Salmon sundown slithers to a siesta, In a clear purple sky nodding assent, The intense day imperceptibly eased, As the night's humid embrace begins. © Stewart Stafford, 2022. All rights reserved.

Years ago, when she'd studied the constructions of stem, blade, stamen, ovule, she loved the infinite possibilities of the plant kingdom- but she had been interested in color, scent, presentation: the beautiful names- cloth-of-gold crocus; ash-leaved trumpet, star-of-Bethlehem; meadow saffron- the loveliness of a blown field of asters or irises, a ring of roses to bed a wedding cake, the careful depiction of a peony in cross section on the page, a gentian constructed in icing. She knew all about beauty and almost nothing of utility.

The rising sun silvered the mist lying low and dense on the meadow, where cattle stood on unseen legs. Over the mist the white owl was flying, on broad soft wings. It wafted itself along, light as the mist; the sun showed the snowy feathers on breast and underwings and lit the tallow-gold and grey of its back. It sailed under the middle arch of the bridge and pulled itself by its talons into one of the spaces left in the stone-work by masons. Throughout the daylight it stood among the bones and skulls of mice, often blinking, and sometimes yawning.

CRICKET A poor little cricket Hidden in the flowery grass, Observes a butterfly Fluttering in the meadow. The winged insect shines with the liveliest colors: Azure, purple, and gold glitter on his wings; Young, handsome, foppish, he hastens from flower to flower, Taking from the best ones. Ah! says the cricket, how his lot and mine Are dissimilar! Lady Nature For him did everything, and for me nothing. I have no talent, even less beauty; No one takes notice of me, they know me not here below; Might as well not exist. As he was speaking, in the meadow Arrives a troop of children. Immediately they are running After this butterfly, for which they all have a longing. Hats, handkerchiefs, caps serve to catch him. The insect in vain tries to escape. He becomes soon their conquest. One seizes him by the wing, another by the body; A third arrives, and takes him by the head. It should not be so much effort To tear to pieces the poor creature. Oh! Oh! says the cricket, I am no more sorry; It costs too dear to shine in this world. How much I am going to love my deep retreat! To live happily, live hidden.

In the nineteenth century, a young woman named Ellen Richards, trained in chemistry and unable to work in her field, announced the foundation of a new science she called oekology, or the science of living. This was the discipline later called domestic science or home economics, involving the effort to professionalize and dignify the work of the housewife by drawing on science and technology.* A single Greek root, oekos, has wandered through changing conceptions of human living, as well as changing fashions in spelling, producing the contemporary fields of economics and ecology, which frequently seem to be at odds. It also offers the less well-known term ekistics, coined by the city planner Constantinos Doxiadis to refer to a science of human settlement that would include the architectural creation of human spaces, their social and economic integration, and their relationship with the natural environment. Each of these latter-day coinages represents an incomplete view, but together they represent a view that includes biology and architecture, kitchens and stock exchanges, the growth of meadows and children as well as the GNP.

In the past few years, more and more passionate debates about the nature of SFF and YA have bubbled to the surface. Conversations about race, imperialism, gender, sexuality, romance, bias, originality, feminism and cultural appropriation are getting louder and louder and, consequently, harder to ignore. Similarly, this current tension about negative reviews is just another fissure in the same bedrock: the consequence of built-up pressure beneath. Literary authors feud with each other, and famously; yet genre authors do not, because we fear being cast as turncoats. For decades, literary writers have also worked publicly as literary reviewers; yet SFF and YA authors fear to do the same, lest it be seen as backstabbing when they dislike a book. (Small wonder, then, that so few SFF and YA titles are reviewed by mainstream journals.) Just as a culture of sexual repression leads to feelings of guilt and outbursts of sexual moralising by those most afflicted, so have we, by denying and decrying all criticism that doesn’t suit our purposes, turned those selfsame critical impulses towards censorship. Blog post: Criticism in SFF and YA

I like to think (and the sooner the better!) of a cybernetic meadow where mammels and computers live together in mutually programming harmony like pure water touching clear sky. I like to think (right now, please!) of a cybernetic forest filled with pines and electronics where deer stroll peacefully past computers as if they were flowers with spinning blossoms. I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace.

There exist, he says, natural, vulgar, and pathological variants of this impulse, in addition to a higher form which is the only genuinely humane type. Its vulgar manifestation lacks all moral value, and can occur even among mindless animals. The less educated one is, the less familiar one is with the qualities of other places in the world: all the stronger is the attraction to the patch of land where one first saw the light of day. In this respect, Greenlanders and Laplanders, Samoyeds and Hottentots must be listed together with the cowherd on his Swiss Alpine meadow.

May the light that reflects on water be this wild prayer. May water lift us with its unexpected strength. May we find comfort in the "repeated refrains of nature," the softly sheeting snow, the changing seasons, the return of blackbirds to the marsh. May we find strength in light that pours in under snow and laughter that breaks through tears. May we go out into the light-filled snow, among meadows in bloom, with a gratitude for life that is deep and alive. May Earth's fire burn in our hearts, and may we know ourselves part of this flame, one thing, never alone, never weary of life.

The rhododendron, growing every minute somewhere in Alpine meadows, are far happier than we, for they know neither love, nor hate, nor the Perillo slipper system, and they don't even die, since all nature, excepting man, is one undying, indestructible whole. If one tree somewhere in the forest perishes from old age, before dying, it gives the wind so many seeds, and so many new trees grow up around it on the land, near and far, that the wold tree, especially the rhododendron doesn't mind dying. [...] Only man minds and feels bitter, and burdened as he is with egotistical pity for himself.

Nature is a temple in which living pillars Sometimes give voice to confused words; Man passes there through forests of symbols Which look at him with understanding eyes. Like prolonged echoes mingling in the distance In a deep and tenebrous unity, Vast as the dark of night and as the light of day, Perfumes, sounds, and colors correspond. There are perfumes as cool as the flesh of children, Sweet as oboes, green as meadows — And others are corrupt, and rich, triumphant, With power to expand into infinity, Like amber and incense, musk, benzoin, That sing the ecstasy of the soul and senses.

The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men's eyes. And where men worship these things and abase themselves before them, there evil breeds; there places are made in the world where darkness gathers, places given over wholly to the Ones whom we call Nameless, the ancient and holy Powers of the Earth before the Light, the powers of the dark, of ruin, of madness.

I want to run out of the world, not into a monastery—I still have my strength—but in order to find myself (that is what every fool says), in order to forget myself; nor will I go where the wandering stream / in the meadow is seen.—I don't know whether this poem has been written by some poet, but I would wish that an uncompromising irony would compel some sentimental poet to write it, though in such a way that he himself always read something else. Or Echo—yes, Echo, you Grand Master of Irony!, you, who parody within yourself the most sublime and profound thing in the world—the Word which created the world—when you give only the tag end, not the fullness. Yes, Echo, avenge all the sentimental nonsense which conceals itself in the forests and meadows, in the church and the theater, and which breaks out there now and then, drowning out everything for me. I do not hear the trees in the forest telling old legends and such. No, to me they whisper all the nonsense to which they have been witness for so long, to me they plead in the name of God to be cut down in order to be freed from these nature worshipers who spout nonsense.—Yes, would that all these drivel-heads sat upon a single neck, then, like Caligula, I would know what to do.

The construction of castle arbours, monastic cloister gardens and Byzantine courtyards with trees and flowers attested to Western interest in the natural world. Paradise remained synonymous with perfect environments. In Anglo-Saxon, 'paradise' translated as 'meadow' or 'pasture'. Notions of a classical Golden Age, local legends, religion and romantic poetry all perpetuated the concept of nature as a refuge from society. For the nobility, nature signified a retreat for aesthetic pleasure and a venue for spiritual uplift. However, for the average medieval peasant, the organic world meant livestock rearing and crop production.

Most humans, it seems, still put up fences around their acts and thoughts – even when these are piles of shit – for they have no other way of delimiting them. Contrast Paleolithic cave paintings, in which animals and magical markings are overlayed with no differentiation or sense of framing. But when some of us have worked in natural settings, say in a meadow, woods, or mountain range, our cultural training has been so deeply ingrained that we have simply carried a mental rectangle with us to drop around whatever we were doing. This made us feel at home. (Even aerial navigation is plotted geometrically, thus giving the air a "shape".)

He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.

Then, some strange ecstasy came over her. Some wild notion she had of following the birds to the rim of the world and flinging herself on the spongy turf and there drinking forgetfulness, while the rooks' hoarse laughter sounded over her. She quickened her pace; she ran; she tripped; the tough heather roots flung her to the ground. Her ankle was broken. She could not rise. But there she lay content. The scent of the bog myrtle and the meadow-sweet was in her nostrils. The rooks' hoarse laughter was in her ears. 'I have found my mate,' she murmured. 'It is the moor. I am natures bride,' she whispered, giving herself in rapture to the cold embraces of the grass.

The splendor of light was a central metaphor (in the mystic) Hildegard of Bingen’s thought, a divine luminescence filling the earth…She heard God say, “I, the highest and fiery power, have kindled every spark of light…I flame above the beauty of the meadows, I gleam in the waters, and I burn in the sun, the moon, and the stars… for all life lights up out of me.” The same idea was also emerging in Jewish mystical thought (Kabbalistic)…the vessels containing God’s Shekinah glory were said to have shattered at creation, dispersing divine sparks that lie hidden within all things. The healing of the world (tikkun olam) requires the recovery of these shards of light.

abundant time in nature is a critical wellspring of human health, with a deep and formative influence on children in particular. Nature’s impacts extend far beyond physical fitness, encompassing intellectual and emotional health, self-identity, and basic values and morals. Health benefits of exposure to nature include enhanced healing, stress reduction, creativity, and self-esteem. Nature also has an unparalleled capacity to stir our emotions, fostering raw and powerful feelings of wonder, awe, mystery, joy—and, yes, fear. Smelling a wildflower in an alpine meadow, sprinting into the ocean surf, and sharing a face-to-face encounter with a coyote are all experiences that differ mightily from virtual alternatives.

What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who’s to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year’s scythes flung down, and left in the half-cut swaths.

What is it, what nameless, inscrutable, unearthly thing is it; what cozzening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year’s scythes flung down, and left in the half-cut swaths.

At last she's through, her baskets are full. In the meantime the sun has set. Krista lies down in the grass, with her hands cupped behind her head and her eyes open, and looks at what's left of the pale-blue sky. This is the finest fifteen minutes of her day. You mustn't think that the little flower girl, who's worked so hard, is unhappy. She's never unhappy, and as long as she has these few moments every day, she never will be. There in the meadow, among the flowers and the grass, beneath the wide-open sky, Krista is content. Gone is her exhaustion, gone are the market and the people; she thinks and dreams only of the present. If only she can have this every day, a whole fifteen minutes of doing nothing, alone with God and nature.

Bonobo sex comes in all forms: female to female, female to male, and male to male. I put the lady sex at the beginning of this list because bonobos also live in a matriarchy. Researchers have noted female Bonobos practicing tribbing (clitoris to clitoris rubbing) to help smooth out problems. Lead females will work out their tension together for around 20 seconds. In that time there is a measurable heart rate increase, facial flushing, shrieking, and clitoris engorgement. All the usual signs of pleasure and orgasm. They also participate in kissing with tongue, and oral sex. Males and females will of course procreate, and they do it more or less with everyone. They also practice some amount of face to face mating; looking at each other during the act.

Our experience of nature is becoming more and more about what we see on our screens, and less about actually being outside and experiencing it for ourselves. Crouched on the fellside, nose to flower with Purple Saxifrage, I had felt such wonder at just being present with another organism, the kind you can only experience when you’re there, on the mountainside, or in the meadow, or under the trees. It’s impossible to get that same, raw feeling from a television documentary, from our social media feeds or even from a book like this one. True appreciation of nature requires us to form real life bonds with it. [...] I think plants can offer us a lot in this regard, and the fact they can’t move actually allows us to spend time with them in a way that you just can’t with many animals.

He can climb anything lightning fast and is the king of the forest insofar as using the canopy as a highway. While his favorite food is voles, caught on the floors of forest and meadow, he much enjoys squirrels of all kinds and is the only hunter of squirrels who can follow them to the highest, thinnest branches; not even the fisher, eing heavier, can achieve that dangerous elevation. He eats everything else he can find, of course, but given his druthers, like today's late-summer bounty, he would have a vole for breakfast and then some thimbleberries and a cricket as a midmorning snack and then another vole for late lunch, followed by huckleberries in the afternoon, most of a dead White-crowned sparrow, some early white-oak acorns...and then, delightfully a young flying squirrel...

The grass in the meadow is wet and the ground gives a little beneath her feet. The herd of alpacas that have taken up residence in the meadow graze in the far distance. Maggie cuts a path towards the distant stile, watching as a flock of starlings take flight, swooping up from the earth and across the bone-colored sky until they come to settle in the treetops. Stepping into the woods, Maggie senses the shift in atmosphere; here the air is a little cleaner, the light a little softer, glancing off the smooth, silver-grey trunks and dancing in the green canopy. She breathes the trees' exhalation, takes it in and makes it her own, inhales the moist-earth scent rising up beneath her boots and fills her lungs. The leaves rustle in the breeze, dripping the last of the raindrops in a steady beat.

It’s so cute, isn’t it?” Arianna said dreamily. “Are we seeing the same creature? It’s like a demented goat with a bone growth.” “You’re going to hurt its feelings! Now shut up and sit on the ground.” I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair. Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes. “Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.” With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows. The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome! And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . . I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head. I was going to soak that hand in bleach. “Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.

It’s a famous bull, and when they see him on the road, the passersby marvel at his size. They admire him from a distance: with the bow of his horns, he could toss any man high in the air, like an arrow—if, indeed, he hasn’t already done so. As gentle as a lamb when it suits him, he can fly into sudden rages when he feels so inclined, and people standing near him never know what’s going to happen next. The angler is peering at him sideways, out of the corner of his eye. “If I try to run away,” he’s thinking, “the bull will catch up to me before I have time to get out of the meadow. If I throw myself into the river, I’ll drown because I can’t swim. If I lie down and pretend to be dead, they say he’ll just come over to sniff me and leave me alone. But can I be quite sure? And what if he doesn’t go away? How dreadful! Best thing is to pretend I’m not worried, even if I am.

In the courtyard, jasmine sugared the air, great white sprays tumbling from the top of a wooden arbor at the side of the lawn. Huge goldfish swam slowly near the surface of the pool, listing their plump bodies backwards and forwards to court the afternoon sun. It was heavenly, but I didn't stick around; a distant band of trees was calling to me and I wove my way towards it, through the meadow dusted with buttercups, self-sown amid the long grass. Although it wasn't quite summer, the day was warm, the air dry, and by the time I reached the trees my hairline was laced with perspiration. I spread the rug in a patch of dappled light and kicked off my shoes. Somewhere nearby a shallow brook chattered over stones and butterflies sailed the breeze. The blanket smelled reassuringly of laundry flakes and squashed leaves, and when I sat down the tall meadow grasses enclosed me so I felt utterly alone.

Spring was a long time unfolding. During the last weeks of Lent the weather was clear and frosty. In the daytime it thawed in the sun, but at night it went down to seven below; there was such a crust that carts could go over it where there was no road. There was still snow at Easter. Then suddenly, on Easter Monday, a warm wind began to blow, dark clouds gathered, and for three days and nights warm, heavy rain poured down. On Thursday the wind dropped, and a thick grey mist gathered, as if concealing the mysteries of the changes taking place in nature. Under the mist waters flowed, ice blocks cracked and moved off, the muddy, foaming streams ran quicker, and on the eve of Krasnaya Gorka the mist scattered, the dark clouds broke up into fleecy white ones, the sky cleared, and real spring unfolded. In the morning the bright sun rose and quickly ate up the thin ice covering the water, and the warm air was all atremble, filled with the vapours of the reviving earth. The old grass and the sprouting needles of new grass greened, the buds on the guelder-rose, the currants and the sticky, spiritous birches swelled, and on the willow, all sprinkled with golden catkins, the flitting, newly hatched bee buzzed. Invisible larks poured trills over the velvety green fields and the ice-covered stubble, the peewit wept over the hollows and marshes still filled with brown water; high up the cranes and geese flew with their spring honking. Cattle, patchy, moulted in all but a few places, lowed in the meadows, bow-legged lambs played around their bleating, shedding mothers, fleet-footed children ran over the drying paths covered with the prints of bare feet, the merry voices of women with their linen chattered by the pond, and from the yards came the knock of the peasants’ axes, repairing ploughs and harrows. The real spring had come.

I'd read the section in my guidebook about the trail's history the winter before, but it wasn't until now—a couple of miles out of Burney Falls, as I walked in my flimsy sandals in the early evening heat—that the realization of what that story meant picked up force and hit me squarely in the chest: preposterous as it was, when Catherine Montgomery and Clinton Clarke and Warren Rogers and the hundreds of others who'd created the PCT had imagined the people who would walk that high trail that wound down the heights of our western mountains, they'd been imagining me. It didn't matter that everything from my cheap knockoff sandals to my high-tech-by-1995-standards boots and backpack would have been foreign to them, because what mattered was utterly timeless. It was the thing that compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long-distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. That's what Montgomery knew, I supposed. And what Clarke knew and Rogers and what thousands of people who preceded and followed them knew. It was what I knew before I even really did, before I could have known how truly hard and glorious the PCT would be, how profoundly the trail would both shatter and shelter me.

The mutualistic relationships between bees, the flowers that they pollinate, and the bacteria that live within the roots of those plants are at the heart of the functioning of a natural, species-rich meadow. The problem is that these relationships can be ruined by application of a sack of fertiliser, which allows the grasses to swamp the legumes and other wild flowers, swiftly resulting in a bright green, flowerless sward, with no legumes, no Rhizombium, and no bees. In the farming world this is known as "improved" grassland. In the 1940's Britain had in the region 15 million acres of flower rich grasslands. It is hard to get precise figures, but about 250,000 acres remain; a staggering loss of over 98 percent. Fertilisers were cheap, and successive governments were keen to persuade farmers to boost productivity, so ecosystems that had taken hundreds of years to develop were subject to swift and wholesale destruction.

The Fairy Bride The fairy bride picked the lock And tiptoed through the summer wood She gave no mind to life behind Or shadows thrown by bad or good She gave no mind to wrong or right Or screeching call of owls at night She listened for the haunting cries That called her from her blushing bud Ferns unfurl a tickled fronds Laughing at her slightest brush Dewdrops glisten with green eyes Meadows sway with lightest hush A captive note arrests her breath Dreamers weave intricate maze Lithe and quick she shines the light Illuminating shadow glades She gives no mind to life and limb Or captor’s hiss from deep within Her purity will seize the thread Dangling loose from dreamer’s web She spins a silver spool of light To catch the rays of stars at night Now innocence can spread its wings Making haste for freedom flight She gives no mind to where they fly Or how tall grasses lift her high She clicks the lock and in she glides All nature hails the fairy bride

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Tell me not here, it needs not saying, What tune the enchantress plays In aftermaths of soft September Or under blanching mays, For she and I were long acquainted And I knew all her ways. On russet floors, by waters idle, The pine lets fall its cone; The cuckoo shouts all day at nothing In leafy dells alone; And traveler's joy beguiles in autumn Hearts that have lost their own. On acres of the seeded grasses The changing burnish heaves; Or marshalled under moons of harvest Stand still all night the sheaves; Or beeches strip in storms for winter And stain the wind with leaves. Possess, as I possessed a season, The countries I resign, Where over elmy plains the highway Would mount the hills and shine, And full of shade the pillared forest Would murmur and be mine. For nature, heartless, witless nature, Will neither care nor know What stranger's feet may find the meadow And trespass there and go, Nor ask amid the dews of morning If they are mine or no.

Our village life would stagnate if it were not for the unexplored forests and meadows which surround it. We need the tonic of wildness — to wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the ground. At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be infinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature. We must be refreshed by the sight of inexhaustible vigor, vast and titanic features, the sea-coast with its wrecks, the wilderness with its living and its decaying trees, the thunder-cloud, and the rain which lasts three weeks and produces freshets. We need to witness our own limits transgressed, and some life pasturing freely where we never wander.

Tis my Mary, my Mary herself! She promised that my boy, every morning, should be carried to the hill to catch the first glimpse of his father's sail! Yes, yes! no more! it is done! we head for Nantucket! Come, my Captain, study out the course, and let us away! See, see! the boy's face from the window! the boy's hand on the hill!" But Ahab's glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. "What is it, what nameless, inscrutable, unearthly thing is it; what cozzening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new- mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year's scythes flung down, and left in the half-cut swaths - Starbuck!" But blanched to a corpse's hue with despair, the Mate had stolen away.

But the creator of things,------1890 nature herself, was the first example of sowing seed and the start of grafting, for berries and acorns fell down from trees and, in due season, produced underneath a crowd of seedlings. Then from nature, too, they got the idea of setting young shoots into branches and planting new saplings in the ground through all their fields. After that, they kept trying various ways of tilling pleasant fields and saw that with tender care------1900 and gentle cultivation earth would tame wild fruits. Day by day, men forced the forests to move further up the mountains, yielding------[1370] lower parts to farming, so they could have meadows, lakes, streams, grain fields, and rich vineyards on hills and plains, and dark bands of olives could run between, marking the divisions, spreading over hillocks, plains, and valleys, just as you now see all land divided with various fine things—men make it shine------1910 by arranging sweet orchard trees in rows, and, with fertile shrubs planted all around, keep them fenced in.

She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.

Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage

Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.

Capitalism's geography has a distinctive pyrogeography, one that is part of the fossil record. Indigenous People had thoroughly modified New World landscapes through fire. In eastern North America, they coproduced the 'mosaic quality' of forest, savannah, and meadow that Europeans took for pristine nature. Between Columbus' arrival and around 1650, disease and colonial violence reduced Indigenous populations in the Americas by 95 percent. With fewer humans burning and cutting them down, forests recovered so vigorously that the New World became a planetary carbon sink. Forest growth cooled the planet so much that the Indigenous holocaust contributed to the Little Ice Age's severity....it would be wrong to characterize this episode of genocide and reforestation as anthropogenic. The colonial exterminations of Indigenous Peoples were the work not of all humans, but of conquerors and capitalists. *Capitalogenic* would be more appropriate. And if we are tempted to conflate capitalism with the Industrial Revolution, these transformations ought to serve notice that early capitalism's destruction was so profound that it changed planetary climate four centuries ago.

Yorick's Used and Rare Books had a small storefront on Channing but a deep interior shaded by tall bookcases crammed with history, poetry, theology, antiquated anthologies. There was no open wall space to hang the framed prints for sale, so Hogarth's scenes of lust, pride, and debauchery leaned rakishly against piles of novels, folk tales, and literary theory. In the back room these piles were so tall and dusty that they took on a geological air, rising like stalagmites. Jess often felt her workplace was a secret mine or quarry where she could pry crystals from crevices and sweep precious jewels straight off the floor. As she tended crowded shelves, she opened one volume and then another, turning pages on the history of gardens, perusing Edna St. Vincent Millay: "We were very tired, were very merry, / We had gone back and forth all night on the ferry..." dipping into Gibbon: "The decline of Rome was the natural and inevitable effect of immoderate greatness. Prosperity ripened the principle of decay..." and old translations of Grimm's Fairy Tales: "They walked the whole day over meadows, fields, and stony places. And when it rained, the little sister said, 'Heaven and our hearts are weeping together...

Blessed is he who has found his work; let him ask no other blessedness. He has a work, a life-purpose; he has found it, and will follow it! How, as a free-flowing channel, dug and torn by noble force through the sour mud-swamp of one's existence, like an ever-deepening river there, it runs and flows; draining off the sour festering water, gradually from the root of the remotest grass-blade; making, instead of pestilential swamp, a green fruitful meadow with its clear-flowing stream. How blessed for the meadow itself, let the stream and its value be great or small! Labour is Life: from the inmost heart of the Worker rises his god-given Force, the sacred celestial Life-essence breathed into him by Almighty God; from his inmost heart awakens him to all nobleness,--to all knowledge, 'self-knowledge' and much else, so soon as Work fitly begins. Knowledge? The knowledge that will hold good in working, cleave thou to that; for Nature herself accredits that, says Yea to that. Properly thou hast no other knowledge but what thou hast got by working: the rest is yet all a hypothesis of knowledge; a thing to be argued of in schools, a thing floating in the clouds, in endless logic-vortices, till we try it and fix it. 'Doubt, of whatever kind, can be ended by Action alone.

The sight of the canyon down there as we renegotiated the mountain road made me bite my lip with marvel and sadness. It's as familiar as an old face in an old photograph as tho I'm gone a million years from all that sun shaded brush on rocks and that heartless blue of the sea washing white on yellow sand, those rills of yellow arroyo running down mighty cliff shoulders, those distant blue meadows, that whole ponderous groaning upheaval so strange to see after the last several days of just looking at little faces and mouths of people -- As tho nature had a Gargantuan leprous face of its own with broad nostrils and huge bags under its eyes and a mouth big enough to swallow five thousand jeepster stationwagons and ten thousand Dave Wains and Cody Pomerays without a sigh of reminiscence or regret -- There it is, every sad contour of my valley, the gaps, the Mien Mo captop mountain again, the dreaming woods below our high shelved road, suddenly indeed the sight of poor Alf again far way grazing in the mid afternoon by the corral fence -- And there's the creek bouncing along as tho nothing had ever happened elsewhere and even in the daytime somehow dark and hungry looking in its deeper tangled grass. Cody's never seen this country before altho he's an old Californian by now, I can see he's very impressed and even glad he's come out on a little jaunt with the boys and with me and is seeing a grand sight.

What is it, what nameless, inscrutable, unearthly thing is it; what cozzening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is it Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year’s scythes flung down, and left in the half-cut swaths

What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year's scythes flung down, and left in the half-cut swaths--Starbuck!

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year's scythes flung down, and left in the half-cut swaths--Starbuck!" But blanched to a corpse's hue with despair, the Mate had stolen away. Ahab crossed the deck to gaze over on the other side; but started at two reflected, fixed eyes in the water there. Fedallah was motionlessly leaning over the same rail.

After basic needs are met, higher incomes produce gains in happiness only up to a point, beyond which further increases in consumption do not enhance a sense of well-being. The cumulative impact of surging per capita consumption, rapid population growth, human dominance of every ecological system, and the forcing of pervasive biological changes worldwide has created the very real possibility, according to twenty-two prominent biologists and ecologists in a 2012 study in Nature, that we may soon reach a dangerous “planetary scale ‘tipping point.’ ” According to one of the coauthors, James H. Brown, “We’ve created this enormous bubble of population and economy. If you try to get the good data and do the arithmetic, it’s just unsustainable. It’s either got to be deflated gently, or it’s going to burst.” In the parable of the boy who cried wolf, warnings of danger that turned out to be false bred complacency to the point where a subsequent warning of a danger that was all too real was ignored. Past warnings that humanity was about to encounter harsh limits to its ability to grow much further were often perceived as false: from Thomas Malthus’s warnings about population growth at the end of the eighteenth century to The Limits to Growth, published in 1972 by Donella Meadows, among others. We resist the notion that there might be limits to the rate of growth we are used to—in part because new technologies have so frequently enabled us to become far more efficient in producing more with less and to substitute a new resource for one in short supply. Some of the resources we depend upon the most, including topsoil (and some key elements, like phosphorus for fertilizers), however, have no substitutes and are being depleted.

These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.

If you pass on through the meadows with their thousand flowers of every color imaginable, from bright red to yellow and purple, and their bright green grass washed clean by last night’s rain, rich and verdant—again without a single movement of the machinery of thought—then you will know what love is. To look at the blue sky, the high full-blown clouds, the green hills with their clear lines against the sky, the rich grass and the fading flower—to look without a word of yesterday; then, when the mind is completely quiet, silent, undisturbed by any thought, when the observer is completely absent—then there is unity. Not that you are united with the flower, or with the cloud, or with those sweeping hills; rather there is a feeling of complete non-being in which the division between you and another ceases. The woman carrying those provisions which she bought in the market, the big black Alsatian dog, the two children playing with the ball—if you can look at all these without a word, without a measure, without any association, then the quarrel between you and another ceases. This state, without the word, without thought, is the expanse of mind that has no boundaries, no frontiers within which the I and the not-I can exist. Don’t think this is imagination, or some flight of fancy, or some desired mystical experience; it is not. It is as actual as the bee on that flower or the little girl on her bicycle or the man going up a ladder to paint the house—the whole conflict of the mind in its separation has come to an end. You look without the look of the observer, you look without the value of the word and the measurement of yesterday. The look of love is different from the look of thought. The one leads in a direction where thought cannot follow, and the other leads to separation, conflict, and sorrow. From this sorrow, you cannot go to the other. The distance between the two is made by thought, and thought cannot by any stride reach the other. As you walk back by the little farmhouses, the meadows, and the railway line, you will see that yesterday has come to an end: life begins where thought ends.

I DON'T WANT to talk about me, of course, but it seems as though far too much attention has been lavished on you lately-that your greed and vanities and quest for self-fulfillment have been catered to far too much. You just want and want and want. You believe in yourself excessively. You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups. You don't even take pleasure in looking at nature photographs these days. Oh, they can be just as pretty as always, but don't they make you feel increasingly ... anxious? Filled with more trepidation than peace? So what's the point? You see the picture of the baby condor or the panda munching on a bamboo shoot, and your heart just sinks, doesn't it? A picture of a poor old sea turtle with barnacles on her back, all ancient and exhausted, depositing her five gallons of doomed eggs in the sand hardly fills you with joy, because you realize, quite rightly, that just outside the frame falls the shadow of the condo. What's cropped from the shot of ocean waves crashing on a pristine shore is the plastics plant, and just beyond the dunes lies a parking lot. Hidden from immediate view in the butterfly-bright meadow, in the dusky thicket, in the oak and holly wood, are the surveyors' stakes, for someone wants to build a mall exactly there-some gas stations and supermarkets, some pizza and video shops, a health club, maybe a bulimia treatment center. Those lovely pictures of leopards and herons and wild rivers-well, you just know they're going to be accompanied by a text that will serve only to bring you down. You don't want to think about it! It's all so uncool. And you don't want to feel guilty either. Guilt is uncool. Regret maybe you'll consider. Maybe. Regret is a possibility, but don't push me, you say. Nature photographs have become something of a problem, along with almost everything else. Even though they leave the bad stuff out-maybe because you know they're leaving all the bad stuff out-such pictures are making you increasingly aware that you're a little too late for Nature. Do you feel that? Twenty years too late? Maybe only ten? Not way too late, just a little too late? Well, it appears that you are. And since you are, you've decided you're just not going to attend this particular party.

There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.

In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?

These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur, other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.

We are all the product of our worldviews--even scientists who claim pure objectivity. Their predictions for sweetgrass were consistent with their Western worldview, which sets human beings outside of ‘nature’ and judges their interactions with other species as largely negative. They had been schooled that the best way to protect a dwindling species was to leave it alone and keep people away. But the grassy meadows tell us that for sweetgrass, human beings are a part of the system, a vital part.

Why Do the Silent Winds Howl? by Maisie Aletha Smikle Winds gallop In velocity Velocity you can detect Velocity which other than the object being moved by the force of the air You cannot see neither can you touch Knots faster than the speed of light Churn in unified force To push everything except Mountains and lands out of sight The silent air of the wind moves Forcing and gushing through holes and crevices And hastens to vacuum plateaus Plains valleys meadows and sandy deserts Taking chattels fossils Structures and trees Anything its forces can carry Upon the wind arrival and contact with land and objects Nature sends off a howl or whistle Bringing all species to full attention As the silent wind moves With forces stronger than a million battalion No force can withstand such a force Neither air force space force Land force sea force or nuclear force All forces flee from the forces of this force Nature whistles Nature howls Nature pleads Stay away species stay away Else you'll be carried like fossils and pieces of species by the silent wind That says neither hello nor goodbye

Everything we think we know about the world is a model. Every word and every language is a model. All maps and statistics, books and databases, equations and computer programs are models. So are the ways I picture the world in my head—my mental models. None of these is or ever will be the real world. Our models usually have a strong congruence with the world. That is why we are such a successful species in the biosphere. Especially complex and sophisticated are the mental models we develop from direct, intimate experience of nature, people, and organizations immediately around us. However, and conversely, our models fall far short of representing the world fully. That is why we make mistakes and why we are regularly surprised. In our heads, we can keep track of only a few variables at one time. We often draw illogical conclusions from accurate assumptions, or logical conclusions from inaccurate assumptions. Most of us, for instance, are surprised by the amount of growth an exponential process can generate. Few of us can intuit how to damp oscillations in a complex system.

When I would beget content and increase confidence in the power and wisdom and providence of Almighty God, I will walk the meadows by some gliding stream, and there contemplate the lilies that take no care, and those very many other little living creatures that are not only created, but fed (man knows not how) by the goodness of the God of nature, and therefore trust in him.

The most effective way of dealing with policy resistance is to find a way of aligning the various goals of the subsystems, usually by providing an overarching goal that allows all actors to break out of their bounded rationality. If everyone can work harmoniously toward the same outcome (if all feedback loops are serving the same goal), the results can be amazing. The most familiar examples of this harmonization of goals are mobilizations of economies during wartime, or recovery after war or natural disaster. Another example was Sweden’s population policy. During the 1930s, Sweden’s birth rate dropped precipitously, and, like the governments of Romania and Hungary, the Swedish government worried about that. Unlike Romania and Hungary, the Swedish government assessed its goals and those of the population and decided that there was a basis of agreement, not on the size of the family, but on the quality of child care. Every child should be wanted and nurtured. No child should be in material need. Every child should have access to excellent education and health care. These were goals around which the government and the people could align themselves. The resulting policy looked strange during a time of low birth rate, because it included free contraceptives and abortion—because of the principle that every child should be wanted. The policy also included widespread sex education, easier divorce laws, free obstetrical care, support for families in need, and greatly increased investment in education and health care.4 Since then, the Swedish birth rate has gone up and down several times without causing panic in either direction, because the nation is focused on a far more important goal than the number of Swedes.

God and morality are outmoded ideas; people should be objective and scientific, should own and multiply the means of production, and should treat people and nature as instrumental inputs to production”—the organizing principles of the Industrial Revolution.

As the earth smiles in the memories of unremembered flowers, poetry breaks loose from the meadows for the blooms that have gone to sleep. Celebrating their stories, let it be a festival of memories, of somebody's last words, those last moments with untold goodbye...

[Evolution] appears to be not a series of accidents the course of which is determined only by the change of environments during earth history and the resulting struggle for existence, … but is governed by definite laws.… The discovery of these laws constitutes one of the most important tasks of the future. —Ludwig von Bertalanffy,3 biologist The most marvelous characteristic of some complex systems is their ability to learn, diversify, complexify, evolve. It is the ability of a single fertilized ovum to generate, out of itself, the incredible complexity of a mature frog, or chicken, or person. It is the ability of nature to have diversified millions of fantastic species out of a puddle of organic chemicals. It is the ability of a society to take the ideas of burning coal, making steam, pumping water, and specializing labor, and develop them eventually into an automobile assembly plant, a city of skyscrapers, a worldwide network of communications.

Yet the whole life of Christ—so entirely may sorrow and beauty be made one in their meaning and manifestation—is really an idyll, though it ends with the veil of the temple being rent, and the darkness coming over the face of the earth, and the stone rolled to the door of the sepulchre. One always thinks of him as a young bridegroom with his companions, as indeed he somewhere describes himself; as a shepherd straying through a valley with his sheep in search of green meadow or cool stream; as a singer trying to build out of the music the walls of the City of God; or as a lover for whose love the whole world was too small. His miracles seem to me to be as exquisite as the coming of spring, and quite as natural. I see no difficulty at all in believing that such was the charm of his personality that his mere presence could bring peace to souls in anguish, and that those who touched his garments or his hands forgot their pain; or that as he passed by on the highway of life people who had seen nothing of life’s mystery, saw it clearly, and others who had been deaf to every voice but that of pleasure heard for the first time the voice of love and found it as ‘musical as Apollo’s lute’; or that evil passions fled at his approach, and men whose dull unimaginative lives had been but a mode of death rose as it were from the grave when he called them; or that when he taught on the hillside the multitude forgot their hunger and thirst and the cares of this world, and that to his friends who listened to him as he sat at meat the coarse food seemed delicate, and the water had the taste of good wine, and the whole house became full of the odour and sweetness of nard.

What turned me on far more than the flickery silhouette of a bunting or a shrike was a general feeling of well-being: lofty tree-crowns blurred and waving in fresh gusts; the edge of a meadow darkened into mystery by a straggly blackthorn hedge; the intimacy of a single cornflower that no one else would ever notice; the scuffles of secret little beasts through dead leaves or grass, untainted by the absurdity of human institutions.

All of you with little children, and who have no need to count expense, or even if you have such need, take them somehow into the country, among green grass and yellow wheat – among trees – by hills and streams, if you wish their highest education, that of the heart and soul, to be completed. Therein they shall find a secret, a knowledge not to be found in books. They shall know the sun and the wind, the running water, the breast of the broad earth. They will forget their books. They will never forget the grassy fields. If you wish your children to think deep things, to feel the holiest emotions, take them to the woods and hills and give them the freedom of the meadows

The way her father moved behind the bar was like watching the shadow of a cloud move across a meadow. Julia wondered what she’d have to do to inhabit such natural joy in this building.

June is the month when the meadows are full of flowers and blossoming grasses. Hedge-parsley and chervil are both ni flower, together with many others of their kind that bear sprayes in the shape of upside- down umbrellas. They are sweet-scented in both leaf and blossom.

Blessed is he who has found his work; let him ask no other blessedness. He has a work, a life-purpose; he has found it, and will follow it!
How, as a free-flowing channel, dug and torn by noble force through the sour mud-swamp of one's existence, like an ever-deepening river there, it runs and flows; draining off the sour festering water, gradually from the root of the remotest grass-blade; making, instead of pestilential swamp, a green fruitful meadow with its clear-flowing stream. How blessed for the meadow itself, let the stream and its value be great or small!
Labour is Life: from the inmost heart of the Worker rises his god-given Force, the sacred celestial Life-essence breathed into him by Almighty God; from his inmost heart awakens him to all nobleness,--to all knowledge, 'self-knowledge' and much else, so soon as Work fitly begins. Knowledge? The knowledge that will hold good in working, cleave thou to that; for Nature herself accredits that, says Yea to that. Properly thou hast no other knowledge but what thou hast got by working: the rest is yet all a hypothesis of knowledge; a thing to be argued of in schools, a thing floating in the clouds, in endless logic-vortices, till we try it and fix it. 'Doubt, of whatever kind, can be ended by Action alone.

It had nothing to do with the gear or footwear or the backpacking fads or philosophies of any particular era. It had only to do with how it felt to be in th wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and desserts, streams and rocks, rivers and grasses, sunrises and sunsets.

The most effective way of dealing with policy resistance is to find a way of aligning the various goals of the subsystems, usually by providing an overarching goal that allows all actors to break out of their bounded rationality. If everyone can work harmoniously toward the same outcome (if all feedback loops are serving the same goal), the results can be amazing. The most familiar examples of this harmonization of goals are mobilizations of economies during wartime, or recovery after war or natural disaster.

Agricultural education is still overwhelmingly about change and innovation, and "disruption," not what is sustainable and what will work in the long run. From the modernizing perspective, the student in my hay meadow was right. The current economics of farming are such that almost no genuinely sustainable farming is profitable at present. Farming for nature is economic suicide. Produce meat at a greater cost than intensively produced chicken or pork and you are considered an anachronism on the supermarket shelf.     I have to ignore my accounts in this bid for good husbandry and hope the rest of the world comes to its senses someday soon. Of course this is no basis for a sound system, but I decided years ago that if I had to work off the farm to top up our income, to enable me to look after our land properly, than I would. There is nothing new in having to adapt and earn a crust away from the farm. I know that if we are too proud, too stubborn, and too unbending, then we will be finished.

No music ever made by an instrument is as sweet as that of rippling water; no painter's brush has ever caught the prodigality of color that nature flings across the hills in autumn; no scent is as agreeable as new mown meadow hay or drying leaves in autumn; no author has or ever will catch the full import of a mother's love or loss; no one can ever tell in more words of the actual glory of the morning star. These things you have to live with to know them.

Eighteen years have gone by, and still I can bring back every detail of that day in the meadow. Washed clean of summer's dust by days of gentle rain, the mountains wore a deep, brilliant green. The October breeze set white fronds of head-tall grass swaying. One long streak of cloud hung pasted across a dome of frozen blue. It almost hurt to look at that far-off sky. A puff of wind swept across the meadow and through her hair before it slipped into the woods to rustle branches and send back snatches of distant barking- a hazy sound that seemed to reach us from the doorway of another world. We heard no other sounds. We met no other people. We saw only two bright, red birds leap startled from the center of the meadow and dart into the woods. As we ambled along, Naoko spoke to me of wells.

Those fields of childhood, tall Meadow-grass and flowers small, The elm whose dusky leaves Patterned the sky with dreams innumerable And labyrinthine vein and vine And wandering tendrils green, Have grown a seed so small A single thought contains them all

What happened in Asphodel Meadows was a disgrace,” Tharion said, voice dangerously low. “If you don’t stand against the Republic for something of this nature, then you’re complicit in their slaughter.

The fox melted back into the shadows of the cave, but not before I sensed something terribly amiss about it, which jarred at my awareness like a toothache. "Emily," Rose murmured. I turned. Several more of the little vulpine Folk, perched upon a log on the bank--- for naturally they were Folk, like the one I'd observed briefly by the cottage; I felt irritated at myself for not realizing it before. Even at close range, they looked a great deal like foxes in all but their faces, which reminded me of a human infant, all overlarge eyes and small rosebud mouths. They might have been small children wearing costumes, but for the unnerving glint of very small, but very sharp teeth, and the wet, all-black of their eyes. They darted in and out of the meadow grass, which was riddled with foxholes, so quick it was difficult to ascertain their number, except that it was great.

The trees act not as individuals but somehow as a collective. But what we see is the power of unity. All flourishing is mutual.” “Ceremony is a vehicle for belonging - to a family, to a people, and to the land.” “He told me that science was not about beauty, not about the embrace between plants and humans.” “My natural inclination was to see relationships, to seek the threads that connect the world to join instead of divide.” "But science is rigorous in separating the observer from the observed, and the observed from the observer. Why two flowers are beautiful together would violate the division necessary for objectivity.” “Yes, I have learned the names of all the bushes, but I have yet to learn their songs. I was teaching the names and ignoring the songs.” “When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another? We see the world more fully when we use both.” "The questions of goldenrod and asters was of course just emblematic of what I really wanted to know. it was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.” “It’s not just the words that will be lost. The language is the heart of our culture, it holds our thoughts, our way of seeing the world.

Her mother, who made the most delicious pancakes and baked bread from scratch. Her mother, who could identify every bird by name and call. Her mother, who could grow a garden in an eggshell. Her mother, the kindest person she would ever know. Her mother, her mother, her mother, her mother, her mother. Her mother, an animal, whose eyes were filled with blood. PART THREE LEWIS WOODARD and MARGARET C. FINNEGAN MAIN CHARACTERS LEWIS: Carcharodon carcharias; often stubborn, irritable, heartbroken, and homesick, Lewis was formerly a man with an excellent sense of humor. MARGARET C. FINNEGAN: Carcharodon carcharias; chock-full of ocean expertise yet inexperienced in matters of the heart. Raised by a dolphin pod and Billy and Carolyn Finnegan of Dayton, Ohio. Prefers to be called by her full name because it reminds Margaret of her mother, Carolyn, who liked sounding the full percussive nature of Margaret’s name, the reverberations floating like a soft cloud above a spring green meadow in the place Margaret once lived a very long time ago. SETTING Various oceans.

How the roses of meadows..the red stretches of beauty open into a laughing sky along the walk.!... Into ecstatic oblivion, I fall as the flowers shoot from tender buds and gone is the rush of life, for I settle into a deep blooming.

A Mind's Minotaur - A Soliloquy by Stewart Stafford In a labyrinth’s mental corridors, prisoner of consciousness, Fleeing a Minotaur I fear is me. Achilles' heel, masked by strength hath shown, An arrow cometh from Time's swift flight, For those with bountiful time enow, Find themselves slain in a heroic light. When thou dost gaze upon the world below, And scorn its depths, thou canst not comprehend The truths that pool o'er its shadow, glow. No tears stain that meadow of solace, A phantom limb, tickling in memory's store, Galley slaves in hurricane's heart so lashed. Transient madness and renown, conjoin on pomp’s bridge, Champions of the joust wave paramour's kerchief, Revered statues limp from a pedestal's ridge. The signs of pride and brittle ardour, The hubristic bite of isolation's cur. The death warrant quill must ne'er be stilled, For authority doth stifle beauty's song, Staged chaos through the written word is willed. Phantasy's balm to verity's scourging, A cleansing soak of battle-scarred minds, And in the dark, imagination reigns. He who hath fear of the dark hath vision keen, Whilst those who see but naught are dull and plain. Thus, let us not be swayed by others' lore, But splay in error, heal to prosper once more. Idolatrous moth to lechery's candlelight, In lover's tongues, passion's seared delight. © 2024, Stewart Stafford. All rights reserved.

The natural world is the fundamental locus for the meeting of the divine and the human. We need to look up at the stars at night and recover our primordial wonder that awakened in our souls when we first saw the stars ablaze in the heavens against the dark mystery of the night. We need to hear the song of the mockingbird thrown out to the universe from the topmost branch of the highest tree in the meadow ... In all these experiences communion takes place between ourselves and the numinous reality ... If we were truly sensitive, we would realize that in these moments the universe is communicating to us the most basic understanding that we really need.

He was checking the perimeter of the south tower one dawn, marking out the schedules of delivery trucks, when he saw a woman in a green jumpsuit, bent down as if tying her shoelaces, over and over again, around the base of the towers. Little bursts of feathers came from the woman’s hands. She was putting the dead birds in little ziploc bags. White-throated sparrows mostly, some songbirds too. They migrated late at night, when the air currents were calmest. Dazzled by the building lights, they crashed into the glass, or flew endlessly around the towers until exhaustion got them, their natural navigational abilities stunned. She handed him a feather from a black-throated warbler, and when he left the city again he brought it to the meadow and tacked that too just inside the cabin wall. Another reminder. Everything had purpose, signal, meaning.