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The rave situation is a temporary, artificial environment made by the combined labors of the promoter, DJs, lighting designers, sound engineers, hosts, and all those paid to make it happen. They construct a situation that confronts the ravers with a set of constraints and possibilities. The ravers bring their freedom: their moves, raw need, and their arts of presence.
For the situationists, the constructed situation had a revolutionary potential, for what the form of life could be after the abolition of the commodity, the spectacle, the whole oppressive totality. I remember some of those intentions still being present in some eighties and nineties rave scenes. Today's raves are hardly a situation that prefigures utopia. They cannot prefigure futures when there may not be any. The constructed situation of the rave may be all some of us have -- even if the revolution comes.
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