Mayhem Quotes

We've searched our database for all the quotes and captions related to Mayhem. Here they are! All 100 of them:

...I also believe that introversion is my greatest strength. I have such a strong inner life that I’m never bored and only occasionally lonely. No matter what mayhem is happening around me, I know I can always turn inward.
Susan Cain
...Despite the mayhem that followed, Bruno found that he was still holding Shmuel's hand in his own and nothing in the world would have persuaded him to let go.
John Boyne (The Boy in the Striped Pajamas)
If I ever form a clan, we'll be the anti-cheerleaders and walk under the bleacher forming mild acts of mayhem.
Laurie Halse Anderson (Speak)
Madness, mayhem, erotic vandalism, devastation of innumerable souls - while we scream and perish, History licks a finger and turns the page.
Thomas Ligotti
I've always wanted not to give a fuck. While crying helplessly into my pillow for no good reason, I would often fantasize that maybe someday I could be one of those stoic badasses whose emotions are mostly comprised of rock music and not being afraid of things.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone, in fact I want my pain to be inflicted on others. I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
Bret Easton Ellis (American Psycho)
Deliberately causing mayhem in Snape's Potions class was about as safe as poking a sleeping dragon in the eye.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Most people can motivate themselves to do things simply by knowing that those things need to be done. But not me. For me, motivation is this horrible, scary game where I try to make myself do something while I actively avoid doing it. If I win, I have to do something I don't want to do. And if I lose, I'm one step closer to ruining my entire life. And I never know whether I'm going to win or lose until the last second.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
This is your last chance, and I mean it. Now get me to my ship,’ he told the device. A moment later he vanished from the Grand Plaza, and the mayhem that still continued unabated.
A.R. Merrydew (Inara (Godfrey Davis, #3))
The mother in her believed that the love she had for her daughter was safe from the mayhem of her mind, because it lived in her heart.
Lisa Genova (Still Alice)
And that's the most frustrating thing about depression. It isn't always something you can fight back against with hope. It isn't even something - it's nothing. And you can't combat nothing.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
Bret Easton Ellis (American Psycho)
On a fundamental level, I am someone who would throw sand at children.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
You’re about to be rich, Kaz. What will you do when there’s no more blood to shed or vengeance to take?” “There’s always more.” “More money, more mayhem, more scores to settle. Was there never another dream?” He said nothing. What had carved all the hope from his heart? She might never know. Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. "Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.” She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?” He took a breath. “I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?” He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea. Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The time has arrived when patience becomes a crime and mayhem appears garbed in a manner of virtue
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
What I've learnt - to my cost - on several occasions in my life, is that people will put up with all manner of bad behaviour so long as you're giving them what they want. They'll laugh and get into it and enjoy the anecdotes and the craziness and the mayhem as long as you're going your job well, but the minute you're not, you're fucked. They'll wipe their hands of you without a second glance.
Russell Brand (My Booky Wook)
Procrastination has become its own solution - a tool I can use to push myself so close to disaster that I become terrified and flee toward success. A more troubling matter is the day-to-day activities that don't have massive consequences when I neglect to do them.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Anarchists did not try to carry out genocide against the Armenians in Turkey; they did not deliberately starve millions of Ukrainians; they did not create a system of death camps to kill Jews, gypsies, and Slavs in Europe; they did not fire-bomb scores of large German and Japanese cities and drop nuclear bombs on two of them; they did not carry out a ‘Great Leap Forward’ that killed scores of millions of Chinese; they did not attempt to kill everybody with any appreciable education in Cambodia; they did not launch one aggressive war after another; they did not implement trade sanctions that killed perhaps 500,000 Iraqi children. In debates between anarchists and statists, the burden of proof clearly should rest on those who place their trust in the state. Anarchy’s mayhem is wholly conjectural; the state’s mayhem is undeniably, factually horrendous.
Robert Higgs
Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
What's your specialty? Oh, you know. Madness. Mayhem. Debauchery. And even with all that going for me, I can still make a mean mojito.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
Тo me, the future doesn’t seem real. It’s just this magical place where I can put my responsibilities so that I don’t have to be scared while hurtling toward failure at eight hundred miles per hour.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Nobody can guarantee that it's going to be okay, but - and I don't know if this will be comforting to anyone else - the possibility exists that there's a piece of corn on a floor somewhere that will make you just as confused about why you were laughing as you have ever been about why you are depressed.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
It's easy to bask in the sun, not so easy to enjoy the rain. But one can't exist without the other. The weather always changes. Feelings of sadness and happiness deserve equal mental screen time.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
How am I supposed to like myself if all these shitty things keep happening because I do them???
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
People like death and mayhem.
Neil deGrasse Tyson
I cope with it the best way I know - by being completely unreasonable and trying to force everything else in the world to obey me and do all the nonsensical things I want.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
And finally - FINALLY - after a lifetime of feelings and anxiety and more feelings, I didn't have any feelings left. I had spent my last feeling being disappointed that I couldn't rent Jumanji.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Quite an impressive file you've amassed, Sophia." Clasping his hands, he added, "If Hecate offered classes in complete mayhem, I have no doubt you'd be valedictorian." Nice to see where I got my snarkiness.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Five years of destruction and mayhem, lives lost everywhere, shortages of food and fuel and clothing - and the insane mind behind it just urges us all on and on to more destruction. And we all keep playing.
Elizabeth Wein (Rose Under Fire)
I had tasted cake and there was no going back. My tiny body had morphed into a writhing mass of pure tenacity encased in a layer of desperation. I would eat all of the cake or I would evaporate from the sheer power of my desire to eat it.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
This is important! But you have to stay absolutely cool. I may be completely off-base, and panicking prematurely." "I don't think so. I think you're panicking post-maturely. In fact, if you were panicking any later it would be practically posthumously. I've been panicking for days.
Lois McMaster Bujold (Miles, Mystery, and Mayhem (Vorkosigan Omnibus, #3))
What are you up to?” “Oh, you know, mischief and mayhem,” he replied. “That so reminds me of Harry Potter,” Brit said, sighing. “I need a re-read.” We all turned to her. Two bright spots appeared in her cheeks as she tossed her blonde hair back. “What? I’m not ashamed to admit that random things remind me of Harry Potter.
J. Lynn (Wait for You (Wait for You, #1))
The only true currency we have in life is the effect we have on those around us.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
I'd hate to list our specialties. Wreck cars, eat doughnuts, create mayhem.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
You do not know me, but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow, and I am causing mayhem in this store. [...] There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened.
Katherine Applegate (The Diversion (Animorphs, #49))
Mayhem now, please.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise others’ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often I’d found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.
Asaad Almohammad (An Ishmael of Syria)
A hero will sacrifice the person they love to save the world, but a villain will sacrifice the world to save the person they love.
Renee Rocco (Jester (Masters of Mayhem, #2))
I think I'd better do the actual stealing," Hermione continued in a matter-of-fact tone. "You two will be expelled if you get into anymore trouble, and I've got a clean record. So all of you need to do is cause enough mayhem to keep Snape busy for five minutes or so.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Honestly, not enough people know how to use good manners as a weapon.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
I just love the gifts you bring me for lunch. Other girls get diamonds. Me? I get mayhem and blood – and all before noon. Thanks, Tate. (Simone)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
Lisa Genova (Still Alice)
Nancy's got a guardian angel. Seven feet plus of muscle and mayhem that goes by the name of Marv.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
There is very little difference between the capacity for mayhem and destruction, integrated, and strength of character. This is one of the most difficult lessons of life.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Love’s anarchy. There are no rules, no rhyme or reason. You can’t control it. You can fight to keep it and lose. Or fight to keep it away and lose. Or win, depending. Love’s chaos. It’s mayhem.
Layla Frost (Hyde and Seek (Hyde #1))
Fear and shame are the backbone of my self-control. They are my source of inspiration, my insurance against becoming entirely unacceptable. They help me do the right thing. And I am terrified of what I would be without them. Because I suspect that, left to my own devices, I would completely lose control of my life. I'm still hoping that perhaps someday I'll learn how to use willpower like a real person, but until that very unlikely day, I will confidently battle toward adequacy, wielding my crude skill set of fear and shame.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Rioting is not a movement. It is not an act of civil disobedience. I think it is a mistake for people to consider disorganized action, mayhem, and attacks on other people and property as an extension of any kind of movement. It is not. It is simply an explosion of emotion. That's all. There is nothing constructive about it. It is destructive.
John Lewis (Walking with the Wind: A Memoir of the Movement)
At first, I’d try to explain that it’s not really negativity or sadness anymore, it’s more just this detached, meaningless fog where you can’t feel anything about anything—even the things you love, even fun things—and you’re horribly bored and lonely, but since you’ve lost your ability to connect with any of the things that would normally make you feel less bored and lonely, you’re stuck in the boring, lonely, meaningless void without anything to distract you from how boring, lonely, and meaningless it is.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Tatiana is a ridiculously curvy thing of dreams, with smooth succulent thighs, long strawberry blond cascading beneath a teal bandana, and a nympho sparkle in her eyes that says pick me, lick me, spank me, or I punish you. Raw innocence and mayhem at once.
Brett Tate
However, I could no longer rely on genuine emotion to generate facial expressions, and when you have to spend every social interaction consciously manipulating your face into shapes that are only approximately the right ones, alienating people is inevitable.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
There I was, casually wishing that I could stop existing in the same way you'd want to leave an empty room or mute an unbearably repetitive noise.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
There were no other vessels in the sound; the big white sports fisherman streaked along like a solitary comet on the surface of the world.
Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
Spurred by Amy’s death I’ve tried to salvage unwilling victims from the mayhem of the internal storm and am always, always just pulled inside myself.
Russell Brand
when once-naïve people recognize in themselves the seeds of evil and monstrosity, and see themselves as dangerous (at least potentially) their fear decreases. They develop more self-respect. Then, perhaps, they begin to resist oppression. They see that they have the ability to withstand, because they are terrible too. They see they can and must stand up, because they begin to understand how genuinely monstrous they will become, otherwise, feeding on their resentment, transforming it into the most destructive of wishes. To say it again: There is very little difference between the capacity for mayhem and destruction, integrated, and strength of character. This is one of the most difficult lessons of life.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There's always more." "More money, more mayhem, more scores to settle. Was there never another dream?
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Sir,” Garrett said cheerfully, in a tone that meant mayhem was imminent, “Request permission to punch the asshole in the mouth.
A.J. Sherwood (Jon's Crazy Head-Boppin' Mystery (Jon's Mysteries, #2))
Anyway . . . we’ve decided we don’t care about getting into trouble anymore.” “Have you ever?” asked Hermione. “’Course we have,” said George. “Never been expelled, have we?” “We’ve always known where to draw the line,” said Fred. “We might have put a toe across it occasionally,” said George. “But we’ve always stopped short of causing real mayhem,” said Fred.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Deep-fried Oreos were sent from heaven to prove God loves us.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
My body cheerfully informed me that he felt really good pressed against me like that, all hard muscles and smooth contours and ominous bulges. My body liked the air of barely leashed strength and caged mayhem he was giving off. My body thought he smelled really good, like heat and coffee and electricity. My body was going to get me killed.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
Emma has taught me so many valuable lessons over the years, most importantly: don’t always follow the herd, never underestimate the power of a woman and, whatever you do, keep quacking.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
Let's skip [Mobile Infantry] tradition for a moment. Can you think of anything sillier than being fired out of a spaceship with nothing but mayhem and sudden death at the other end? However, if someone must do this idiotic stunt, do you know a surer way to keep a man keyed up to the point where he is willing than by keeping him constantly reminded that the only good reason why men fight is a living, breathing reality? "In a mixed ship [men and women] the last thing a trooper hears before a drop (maybe the last word he ever hears) is a woman's voice, wishing him luck. If you don't think this is important you've probably resigned from the human race.
Robert A. Heinlein (Starship Troopers)
We live in a world where we seem increasingly in need of ways to unify ourselves, ways to build bridges and feel as one. It strikes me that very few things have achieved these aims as successfully as the brilliant world of Harry Potter.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
You lazy, floor banana motherf*****
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
You don't have to be a good person to feel like a good person, though. There's a loophole I found where I don't do good, helpful things, but I keep myself in a perpetual state of thinking I might.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
I walked to his bedside table next. Infinite Mayhem. the ninth sequel to The Prince of Dawn, lay atop the table next to his reading lamp, the corner of page 138 turned down. He'd never made it to the end of the book. 'Spoiler alert: Mayhem survives,' I said out loud to him, just in case he could hear me.
John Green (The Fault in Our Stars)
Helping others is a powerful weapon in the fight against mood disorders.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
I dedicate this book to the Muggles who got me here.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
Now that system has weakened to the point he and his worst disciples are able to be free. He wants total mayhem and bloodshed. Most of all, he wants Sin to suffer for helping to lock him in there. (Zakar) Oh, this just gives you the warm and fuzzies, doesn’t it? (Kat)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
And there was something indescribably lovely about this, the baby who’d once jabbed with restless knees at your internal organs sitting beside you on a park bench and benevolently giving you shit, and it occurred to her that it was moments like these that made being alive feel worth it, little blips of contentment amid the mayhem and status quo.
Claire Lombardo (The Most Fun We Ever Had)
I have a subconscious list of rules for how reality should work. I did not develop these rules on purpose, and most of them don’t make sense – which is disturbing when you consider that they are an attempt to govern the behavior of reality – but they exist, and they play a large role in determining how I react to the things that happen to me. Large enough that a majority of the feelings I feel are simply a reaction to reality not complying with my arbitrary set of rules. Reality doesn’t give a shit about my rules, and this upsets me.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Why can someone get so sick that the only way to get better is to make them more sick? It’s like the world’s longest exorcism. It doesn’t make sense that I can chat with someone live on a tiny screen, that governments spend billions of dollars on war and mayhem, that actors make millions of dollars to just look pretty and skinny, yet no one can fucking fi gure out how to cure cancer without torturing people.
Julie Halpern (The F-It List)
Why give a robot an order to obey orders—why aren't the original orders enough? Why command a robot not to do harm—wouldn't it be easier never to command it to do harm in the first place? Does the universe contain a mysterious force pulling entities toward malevolence, so that a positronic brain must be programmed to withstand it? Do intelligent beings inevitably develop an attitude problem? (…) Now that computers really have become smarter and more powerful, the anxiety has waned. Today's ubiquitous, networked computers have an unprecedented ability to do mischief should they ever go to the bad. But the only mayhem comes from unpredictable chaos or from human malice in the form of viruses. We no longer worry about electronic serial killers or subversive silicon cabals because we are beginning to appreciate that malevolence—like vision, motor coordination, and common sense—does not come free with computation but has to be programmed in. (…) Aggression, like every other part of human behavior we take for granted, is a challenging engineering problem!
Steven Pinker (How the Mind Works)
I don't just want to do the right thing. I want to WANT to do the right thing.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
I don't like when I can't control what reality is doing. Which is unfortunate because reality works independently of the things I want, and I have only a limited number of ways to influence it, none of which are guaranteed to work. I still want to keep tabs on reality, though. Just in case it tries to do anything sneaky. It makes me feel like I'm contributing. The illusion of control makes the helplessness seem more palatable. And when that illusion is taken away, I panic.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Cover me!' Augustus said as he jumped out from behind the wall and raced toward the school. Isaac fumbled for his controller and then started firing while the bullets rained down on Augustus, who was shot once and then twice but still ran, Augustus shouting,'YOU CAN’T KILL MAX MAYHEM!' and with a final flurry of button combinations, he dove onto the grenade, which detonated beneath him. His dismembered body exploded like a geyser and the screen went red. A throaty voice said, 'MISSION FAILURE,' but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth. 'Saved the kids' he said. 'Temporarily' I pointed out. 'All salvation is temporary' Augustus shot back. 'I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.
John Green (The Fault in Our Stars)
I didn't want to be the woman who gave herself over willingly to the first man to notice her. I didn't want to be the stupid girl in every novel who loved without question and entered relationships that didn't make sense.
Destinee Hardwick (Wishing on Raining Stars (The Mayhem Fairy Chronicles, #2))
But my experiences slowly flattened and blended together until it became obvious that there's a huge difference between not giving a fuck and not being able to give a fuck. Cognitively, you might know that different things are happening to you, but they don't feel different.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
There is a moment of sheer panic when I realize that Paul's apartment overlooks the park... and is obviously more expensive than mine.
Patrick Bateman
Find yourself and you will find your freedom.
Gillian Johns (Demons And Dangers: Magic And Mayhem - Book 4)
I write humor as it's pretty much the only thing keeping me out of an asylum.
Bonnie Daly (Christmas Madness, Mayhem, and Mall Santas: Humorous Insights into the Holiday Season)
There's a quote of hers [Lucille Ball] that I've always loved: 'I guess I would rather regret the things I've done than to regret the things I've never done.
Carol Burnett (In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox)
What I am is constantly thrust into my face while I'm trying to be better than I am. Even if I'm actively doing all the right things, I can't escape the fact that my internal reactions are those of a fundamentally horrible person.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry. So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity. Blog post: Love Team Freezer
Foz Meadows
Procrastination has become a it's own solution - a tool I can use to push myself so close to disaster that I become terrified and flee towards success.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
Dee!” he shouts. “The guy who snuck in your room last night is here!
Jamie Shaw (Riot (Mayhem, #2))
let’s imagine that 95 percent of the food on Earth magically disappears tonight, guaranteeing that almost all of us will starve to death within two months. Law and order collapse. Chaos and mayhem ensue. Who among us will still be alive a year from now? Will it be the biggest, strongest, and most violent individuals in each town? Or will it be the people who manage to work together in groups to monopolize, hide, and share the remaining food supplies among themselves?
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
I’m still depressed, but how depressed I am varies, which is good. Much of the time, it’s a comfortable numbness that just makes things feel muted. Other times, I’m standing in the shower or something and I can feel the nothingness hurtling toward me at eight thousand miles per hour and there’s nothing I can really do aside from let it happen and wait until it goes away again.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
But hidden drawers, lockable diaries and cryptographic systems could not conceal from Briony the simple truth: she had no secrets. Her wish for a harmonious, organised world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. Her effective status as an only child, as well as the relative isolation of the Tallis house, kept her, at least during the long summer holidays, from girlish intrigues with friends. Nothing in her life was sufficiently interesting or shameful to merit hiding; no one knew about the squirrel's skull beneath her bed, but no one wanted to know.
Ian McEwan (Atonement)
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
being referred to as a woman is a compliment, not a put-down. Women can handle all the banes of existence, including being called the bane of existence, and keep on trucking. Our fragile egos don’t cause war and famine.
K.F. Breene (Natural Witch (Magical Mayhem Trilogy, #1; Demon Days, Vampire Nights, #4))
The thing about being an unstoppable force is that you can really only enjoy the experience of being one when you have something to bash yourself against. You need to have things trying to stop you so that you can get a better sense of how fast you are going as you smash through them. And whenever I was inside the dinosaur costume, that is the only thing I wanted to do.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
The beginning of my depression had been nothing but feelings, so the emotional deadening that followed was a welcome relief. I had always viewed feelings as a weakness-annoying obstacles on my quest for total power over myself. And I finally didn't have to feel them anymore.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
An audience can go back and watch a film any number of times they want. It's always there for them. For the cast and crew, the relationship with a film is more complex. The magic is in the making, and that process is a discreet unit of time in the past. You can reflect on that unit of time, you can be proud of it, but you can't revisit it.
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
You don't know what you're talking about. When you fall in love, even a kiss is mind-blowing. You don't fuck other people, because there's only one person you want to be close to. When he fucks me, it's like I give him a part of my soul," his words became quieter. "I'm not looking for other guys, and I don't wanna do it with anyone else.
K.A. Merikan (Road of No Return: Hounds of Valhalla MC (Sex & Mayhem, #1))
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini. But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time." While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus. This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
Just as sure as each knot on a fisherman's net does not physically connect so far as each knot forms continuous connection to make the whole -which works perfectly; know that in the broader picture of life, all things are connected, including you. Even when you feel otherwise disconnected from another - the whole always works perfectly.
Gillian Johns (Blight in the Ocean (Magic and Mayhem 3))
Modern cultish groups also feel comforting in part because they help alleviate the anxious mayhem of living in a world that presents almost too many possibilities for who to be (or at least the illusion of such). I once had a therapist tell me that flexibility without structure isn’t flexibility at all; it’s just chaos. That’s how a lot of people’s lives have been feeling. For most of America’s history, there were comparatively few directions a person’s career, hobbies, place of residence, romantic relationships, diet, aesthetic—everything—could easily go in. But the twenty-first century presents folks (those of some privilege, that is) with a Cheesecake Factory–size menu of decisions to make. The sheer quantity can be paralyzing, especially in an era of radical self-creation, when there’s such pressure to craft a strong “personal brand” at the very same time that morale and basic survival feel more precarious for young people than they have in a long time. As our generational lore goes, millennials’ parents told them they could grow up to be whatever they wanted, but then that cereal aisle of endless “what ifs” and “could bes” turned out to be so crushing, all they wanted was a guru to tell them which to pick.
Amanda Montell (Cultish: The Language of Fanaticism)
To this day I never know which version of myself I’m going to wake up to. It can happen that the smallest chores or decisions—brushing my teeth, hanging up a towel, should I have tea or coffee—overwhelm me. Sometimes I find the best way to get through the day is by setting myself tiny, achievable goals that take me from one minute to the next. If you sometimes feel like that, you are not alone, and I urge you to talk about it to someone. It’s easy to bask in the sun, not so easy to enjoy the rain. But one can’t exist without the other. The weather always changes. Feelings of sadness and happiness deserve equal mental screen time.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
We have made money our god and called it the good life. We have trained our children to go for jobs hat bring the quickest corporate advancements at the highest financial levels. We have taught them careerism but not ministry and wonder why ministers are going out of fashion. We fear coddling the poor with food stamps while we call tax breaks for the rich business incentives. We make human community the responsibility of government institutions while homelessness, hunger, and drugs seep from the centers of our cities like poison from open sores for which we do not seek either the cause or the cure. We have created a bare and sterile world of strangers where exploitation is a necessary virtue. We have reduced life to the lowest of values so that the people who have much will not face the prospect of having less. Underlying all of it, we have made women the litter bearers of a society where disadvantage clings to the bottom of the institutional ladder and men funnel to the top, where men are privileged and women are conscripted for the comfort of the human race. We define women as essential to the development of the home but unnecessary to the development of society. We make them poor and render them powerless and shuttle them from man to man. We sell their bodies and question the value of their souls. We call them unique and say they have special natures, which we then ignore in their specialness. We decide that what is true of men is true of women and then say that women are not as smart as men, as strong as men, or as capable as men. We render half the human race invisible and call it natural. We tolerate war and massacre, mayhem and holocaust to right the wrongs that men say need righting and then tell women to bear up and accept their fate in silence when the crime is against them. What’s worse, we have applauded it all—the militarism, the profiteering, and the sexisms—in the name of patriotism, capitalism, and even religion. We consider it a social problem, not a spiritual one. We think it has something to do with modern society and fail to imagine that it may be something wrong with the modern soul. We treat it as a state of mind rather than a state of heart. Clearly, there is something we are failing to see.
Joan D. Chittister (Heart of Flesh: Feminist Spirituality for Women and Men)