Maw Quotes

We've searched our database for all the quotes and captions related to Maw. Here they are! All 200 of them:

She plunged her snout into my hair and took a deep shuddering breath. A warm string of drool dripped from her open maw onto my bare shoulder. I forced myself to stay very calm, and after a moment, she released me. Giving a bashful shrug, she said, "Sorry. Werewolf thing." "Hey, no problem," I said, even though all I could think was, Slobber! Werewolf slobber! On my skin!
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Mungo’s capacity for love frustrated her. His loving wasn’t selflessness; he simply could not help it. Mo-Maw needed so little and he produced so much. So that it all seemed a horrible waste. It was a harvest no one seeded, and it blossomed from a vine no one tended.
Douglas Stuart (Unge Mungo)
If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.
Mary Wollstonecraft Shelley (Frankenstein)
--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.
David Foster Wallace (Infinite Jest)
Staring into the dragon's maw, one quickly learns wisdom.
Steven Brust
Someone once had said to her that the sky hides the night behind it, shelters the person beneath from the horror that lies above. Unblinking, she fixed the solid emptiness, and the anguish began to move in her. At any moment the rip can occur, the edges fly back, and the giant maw will be revealed.
Paul Bowles (The Sheltering Sky)
Don't say another goddamn word. Up until now, I've been polite. If you say anything else--word one--I will kill myself. And when my tainted spirit finds its destination, I will topple the master of that dark place. From my black throne, I will lash together a machine of bone and blood, and fueled by my hatred for you this fear engine will bore a hole between this world and that one. When it begins you will hear the sound of children screaming--as though from a great distance. A smoking orb of nothing will grow above your bed, and from it will emerge a thousand starving crows. As I slip through the widening maw in my new form, you will catch only a glimpse of my radiance before you are incinerated. Then, as tears of bubbling pitch stream down my face, my dark work will begin. I will open one of my six mouths, and I will sing the song that ends the Earth.
Jerry Holkins
She had held a pear in her hand and she had eaten it skin and all. She had eaten the stem and she had eaten its seeds and she had eaten its core, and the hunger still sat in her like an open maw. She thought: I can hold you and find that I still miss your body. She thought: I can listen to you speak and still miss the sound of your voice.
Yael van der Wouden (The Safekeep)
There came to him an image of man’s whole life upon the earth. It seemed to him that all man’s life was like a tiny spurt of flame that blazed out briefly in an illimitable and terrifying darkness, and that all man’s grandeur, tragic dignity, his heroic glory, came from the brevity and smallness of this flame. He knew his life was little and would be extinguished, and that only darkness was immense and everlasting. And he knew that he would die with defiance on his lips, and that the shout of his denial would ring with the last pulsing of his heart into the maw of all-engulfing night.
Thomas Wolfe (You Can't Go Home Again)
Mungo’s capacity for love frustrated her. His loving wasn’t selflessness; he simply couldn’t help it. Mo-Maw needed so little and he produced too much, so that it all seemed a horrible waste. It was a harvest no one had seeded, and it blossomed from a vine no one had tended. It should have withered years ago, like hers had, like Hamish’s had. Yet Mungo had all this love to give and it lay about him like ripened fruit and nobody bothered to gather it up.
Douglas Stuart (Young Mungo)
Th-there," she sobbed. "it dragged him to the Italian gardens. He managed to elude its maw at first, but it harried him through the paths. No matter how much I screamed, it would not put him d-down!" She burst into a fresh wave of tears. "You screamed," will said. "Is that all you did?" "I screamed a great deal,." Tatiana sounded injured. She drew fully away from Will and fixed him with a green gaze. "I see you are as ungenerous as you ever were.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Some cities bustle, some meander, I have read; London blazes and it incinerates. London is the wolf's maw. From the instant I arrived there, I loved every smoldering inch of it
Lyndsay Faye (Jane Steele)
(from: Age Sixty-nine) Often, lately, the night is a cold maw and stars the scattered white teeth of the gods, which spare none of us. At dawn I have birds, clearly divine messengers that I don't understand yet day by day feel the grace of their intentions.
Jim Harrison (In Search of Small Gods)
I expected this reception. All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.
Mary Wollstonecraft Shelley (Frankenstein)
Along those lines, to get personal for a moment, I think the best way to die would be swallowed by a giant snake. Going feet first and whole into a slimy maw would give your life perfect symmetry.
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
If I ever did go maleficer, if I ever did start pulling malia out of people like toffee and tossing off those killing spells of mine left and right, I’d be unstoppable. Maybe literally. Raining death and destruction on all the enclaves of the world like a maw-mouth myself, like the biggest maw-mouth ever, tearing the others apart because they were my competition.
Naomi Novik (A Deadly Education (The Scholomance, #1))
It’s like my dear old MeeMaw always says, ‘You can’t bullshit a bullshitter.
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
I should say we’d reach England by Tuesday or thereabouts, with a decent wind behind us. It would be a lot quicker than that if we could just sail straight there, but I was looking at the nautical charts, and there’s a dirty great sea serpent right in the middle of the ocean! It has a horrible gaping maw and one of those scaly tails that looks like it could snap a boat clean in two. So I thought it best to sail around that.’ FitzRoy frowned. ‘I think they just draw those on maps to add a bit of decoration. It doesn’t actually mean there’s a sea serpent there.’ The galley went rather quiet. A few of the pirate crew stared intently out of the portholes, embarrassed at their Captain’s mistake. But to everyone’s relief, instead of running somebody through, the Pirate Captain just narrowed his eyes thoughtfully. That explains a lot,’ he said. ‘I suppose it’s also why we’ve never glimpsed that giant compass in the corner of the Atlantic. I have to say, I’m a little disappointed.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
To mee, who with eternal Famine pine, Alike is Hell, or Paradise, or Heaven, There best, where most with ravin I might meet; Which here, though plenteous, all too little seems To stuff this Maw, this vast unhide-bound Corpse.
John Milton (Paradise Lost)
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience. Jodie shunted him again but Mungo only grumbled and curled tighter around her. Her brother was her mother’s minor moon, her warmest sun, and at the exact same time, a tiny satellite that she had forgotten about. He would orbit her for an eternity, even as she, and then he, broke into bits.
Douglas Stuart (Young Mungo)
Of course, if Charles found out his father was out here, too, the damn fool would probably head right back into the maw of danger; he was that kind of heroic idiot.
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
Ratched shall line us all against the wall, where we’ll face the terrible maw of a muzzle-loading shotgun which she has loaded with Miltowns! Thorazines! Libriums! Stelazines! And with a wave of her sword, blooie! Tranquilize all of us completely out of existence.
Ken Kesey (One Flew Over the Cuckoo's Nest)
Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed — while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby-Dick or, The Whale)
This is a sensationally bad idea, Ash.” “So you said. About twenty times now.” “You remember what Marielle did to Hush?” “Maw’s teeth, Corvere. When my da got tortured in the Thorn Towers of Elai, they chopped his bollocks off and fed them to the scabdogs. What’s your excuse?
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
the shelves on shelves of unread or half-read or read-and-forgotten books that had always been supposed to make such a difference and never had; the loathsome, gloating maw of the television set;
Richard Yates (Revolutionary Road)
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
...he had known that the endless space below him that stretched out like a maw was exactly that: a mouth the size of the world, straining to swallow him.
China Miéville (The Scar (New Crobuzon, #2))
Had it but been for myself the choice had been easy, the maw of the wolf were better to rest in than the grave of the Vampire!
Bram Stoker (Dracula)
When it comes to the Civil War, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding "African slavery." That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
Black holes are the seductive dragons of the universe, outwardly quiescent yet violent at the heart, uncanny, hostile, primeval, emitting a negative radiance that draws all toward them, gobbling up all who come too close. Once having entered the tumultuous orbit of a black hole, nothing can break away from its passionate but fatal embrace. Though cons of teasing play may be granted the doomed, ultimately play turns to prey and all are sucked haplessly―brilliantly aglow, true, but oh so briefly so―into the fire-breathing maw of oblivion. Black holes, which have no memory, are said to contain the earliest memories of the universe, and the most recent, too, while at the same time obliterating all memory by obliterating all its embodiments. Such paradoxes characterize these strange galactic monsters, for whom creation is destruction, death life, chaos order. And darkness illumination: for, as dragons are also called worms, so black hole are known as wormholes, offering a mystical and intimate pathway to the farthest reaches of the cosmos, thus bring light as they consume it.
Robert Coover (A Child Again)
Most merciful God, accept these two poor sinners into your arms. And keep the doors ajar for the coming of the rest of us, because you are witnessing the end, the absolute, irrevocable, fantastic end. I’ve finally realized what is happening. It is our last fling. We are doomed henceforth. Must screw our courage to the sticking point and face up to our impending fate. We [255] shall be all of us shot at dawn. One hundred cc’s apiece. Miss Ratched shall line us all against the wall, where we,,, face the terrible maw of a muzzle-loading shotgun which she has loaded with Miltowns! Thorazines! Libriums! Stelazines! And with a wave of her sword, blooie! Tranquilize all of us completely out of existence.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
I would believe again if I could. In goodness. In magnificence. In simple benevolence. Yet even in these far and icy valleys, mankind is no different, just more poorly armed. Strip away psychrometer and sextant, carbines and glass plates, skin shifts and quills and painted faces, and we are the same. Quivering maws. Gluttonous. Covetous. Fearful. We say we worship. A word. A man-god. A fiery mountain. But we worship only ourselves. And we are jealous gods.
Eowyn Ivey (To The Bright Edge of the World)
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience.
Douglas Stuart (Young Mungo)
He had spent much of his childhood perched on the coast, with the taste of salt in the air: this was a place of woodland and river, mysterious and secretive in a different way from St. Mawes, the little town with its long smuggling history, where colorful houses tumbled down to the beach.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
Mungo lunged at him then and cracked his fist off his chest. He dared him to strike back. Violence always preceded affection; Mungo didn’t know any other way. Mo-Maw would crack her Scholl sandal off his back, purpling bruises curdling his cream skin, then she would realize she had gone too far and pull him into the softness of her breast. Jodie would scold and demean his poorly wired brain and then, feeling guilty, make a heaped bowl of warm Weetabix and white sugar.
Douglas Stuart (Young Mungo)
Rome fell silently to ruins. A New city rose in its place, and it was too erased by emptiness. Like phantom Giants, cities, kingdoms, and countries swiftly fell and disappeared into emptiness-- swallowed up in the black maw of the Infinite
Leonid Andreyev (Lazarus)
It wallowed in its water-bed; it burrowed, heaved and swung; It gnawed its way ahead with grunts and sighs; Its bill of fare was rock and sand; the tailings were its dung; It glared around with fierce electric eyes. Full fifty buckets crammed its maw; it bellowed out for more; It looked like some great monster in the gloom.
Robert W. Service (The Collected Verse)
How to Be a Man Step One: Eat a steak, preferably raw. If you can find a juicy steer and just maw a healthy bite off of its rump, that’s the method that will deliver the most immediate nutrition, protein, and flavor. Make sure you chew at least three times. Step Two: Wash it down with your whisky of choice, preferably a single-malt scotch.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
A small town is nothing but eyes and gaping maw; it pecks at its own like a flock of vicious birds.
Sonya Hartnett (Surrender)
Methinks your maw, like mine, should be your clock, And strike you home without a messenger.
William Shakespeare (The Comedy of Errors)
Like the deepest secrets in a psychoanalysis, our lives stay hidden, harboring our precious information like a piece of decaying food behind a major molar in our country’s maw,
Larry Kramer (The American People: Volume 1: Search for My Heart)
Expert Tip: “No matter how old and achy I am, I can still haul ass outta bed when the dog starts making vomit noises.”—Connie Sherretts, MAW
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
The gloom beckoned, challenging her like the open maw of some great beast. A wyrm, poised to devour her whole.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
Every flight is a gamble. If we don’t smash into a cloud bound hillside, we might be picked off like a defenceless lamb by a lone wolf Messerschmitt with a gaping maw painted on its fuselage.
Kate Lord Brown (The Beauty Chorus)
There is something terrifying about seeing someone strong standing on the edge of the abyss, like a ship on the lip of a whirlpool where the whole sea plunges into the maw of Charybdis. There is that moment when they reach out—like a drowning man will—and if you’re within reach, they will pull you down with them. I didn’t want to stand there beside him. I didn’t want to be dragged down.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
Thou saw'st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed–while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms.
Herman Melville (Moby Dick)
A hush fell over them. For a long moment, while she was leaning her chin on her hand atop the piano lid, and his hands rested lightly on the keys, they stared at each other. The stage, the wings, the maw of the theater and its rows of seats and ornamental moldings, all receded. The air about them shimmered, drew in, coalesced into a bubble. They looked at each other, breathing together, long past a socially acceptable interval. It was far beyond the border where Erik normally would have dropped his gaze, cracked a joke or at least a smile. She’s peaceful, he thought, and her eyes widened slightly, as if she had heard him.
Suanne Laqueur (The Man I Love (The Fish Tales, #1))
I muttered, "In the Rita skeych, you were a little hard to understand. Can you just enunciate a little more?" Stallone was unfazed. "Youcannunnastanme? Youneeme nanaunciate maw? Okay."He couldn't have been more easygoing about it. My guess is that this was not the first time in his career he had been given that note.
Tina Fey (Bossypants)
We are all of us balanced on Fortuna's wheel, clinging as best we can lest we tumble needlessly into Fata's dark maw. Yet we can, if we dare, let go and in that golden moment find the strength of our wings unfurling.
Sara Poole (The Borgia Betrayal (The Poisoner Mysteries, #2))
My name, among our people, means ‘slow arrow.’ It comes from a story in which the god Fen’Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen’Harel how he would save them, and he said to them, ‘When did I say that I would save you?’ And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen’Harel had loosed fell from the sky into the great beast’s mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen’Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed.
Patrick Weekes (The Masked Empire (Dragon Age, #4))
Dory stared at it. Twenty feet of muscle. Twenty feet of terror. Twenty feet of prehistoric hate with a maw of what-the-fuck and claws they didn’t make anymore because even nature had looked at those things and thought, you know what?
Karen Chance (Zombie's Bite (Dorina Basarab #0.1))
Shall we continue to raise our eyes to heaven? is the luminous point which we distinguish there one of those which vanish? The ideal is frightful to behold, thus lost in the depths, small, isolated, imperceptible, brilliant, but surrounded by those great, black menaces, monstrously heaped around it; yet no more in danger than a star in the maw of the clouds.
Victor Hugo (Les Misérables)
She learned that there was an animal living inside her, something that celebrated when nature did its work upon the weak. She came to value that animal.
Nathan Ballingrud (The Maw)
He looked up at the stars as the storm closed in and saw them extinguished, one-by-one, until just two remained. They glimmered and shone through gaps in the clouds like two great eyes in the darkness, burning on a demon’s face that chased him across the sea.
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
How could I possibly feel so close to the precipice of unraveling, so powerful yet so untethered? I was a butterfly twisted inside a tornado, the brightest colors between day and night, a little brown bird in the maw of a fox, waiting for the teeth to bite down.
Kylie Lee Baker (The Keeper of Night (The Keeper of Night, #1))
We walked into the forests which encircled the town. I have never liked them, their dark throat, their sullen height, their slump-shouldered gloom. But Evangeline walked steadily into their maw, and I followed her. She wanted to see the swathes which, years ago, the firebug had burned. The furnaced forest was green again, though here and there stood leafless trunks cindered to the core; on the scruffy dirt lay stiff black limbs tangled in morning-glory. Evangeline touched her palm to the charcoal, murmured, 'Poor things.
Sonya Hartnett (Surrender)
Should Plenty pour from cornucopia full As much in riches as the sand Stirred up by wind-whipped seas, or as the countless stars That shine in the clear night sky, And never stay her hand, Still would mankind not cease Complaining of their wretchedness. Even were God with much gold prodigal, Answering men's prayers, And heaped bright honors on those wanting them, Their gains would seem to them Nothing: ever their cruel gain-devouring greed Opens new maws. What curbs Could check within firm bounds this headlong lust, When even those whose wealth is overflowing The thirst for gain still burns? He is never rich Who trembles and sighs, thinking himself in need.
Boethius (Theological Tractates/The Consolation of Philosophy)
Every man I know, every father and brother and son, Always these clenched hands. Where did you get that idea from? Always this violence, always round holes and a square block, The absurd idea you were sold, that we want you to fight for us. If you want to do something for us, Put a weapon down for me, Close the maw of hell for me, Be a friend to me, Try to be good men for me. You boast about all you’re going to do for me. So when are you going to stop ruining things for me? Do you want to know what you can do for me? Start by hearing me.
Fredrik Backman (Us Against You (Beartown, #2))
Mrs. Gould knew the history of the San Tomé mine. Worked in the early days mostly by means of lashes on the backs of slaves, its yield had been paid for in its own weight of human bones. Whole tribes of Indians had perished in the exploitation; and then the mine was abandoned, since with this primitive method it had ceased to make a profitable return, no matter how many corpses were thrown into its maw. Then it became forgotten.
Joseph Conrad (Nostromo)
Mungo's capacity for love frustrated her. His loving wasn't selflessness, he simply couldn't help it. Mo-Maw needed so little and he produced too much, so that it all seemed a horrible waste. It was a harvest no one had seeded, and it blossomed from a vine no one had tended. It should have withered years ago, like hers had, like Hamish's had, yet Mungo had all this love to give and it lay about him like ripened fruit and nobody bothered to gather it up.
Douglas Stuart
Instead, I opened my eyes to find the thing in front of my face, wafting dead horse breath across my chin and up my nose, its mouth like a gaping maw; its eyes, two giant wormholes, twisting and bending with some apparitional substance that could have been space and time if I’d known anything about physics.
Shannon Celebi (1:32 P.M. (Small Town Ghosts))
. . . she glanced up casually at the two men who'd just sat down at a nearby table. The one with his back to her was tall and broad, with dark, curly hair, and before she could remind herself that he couldn't be Strike, because her partner was in St. Mawes, a thrill of excitement and happiness passed through her.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
The eyes of hope looking over the flare of the hood into the maw with its white line feeding in straight as an arrow, the lighting of fresh cigarettes, the buckling to lean forward to the next adventure something that's been going on in America ever since the covered wagons clocked the deserts in three months flat—
Jack Kerouac (Big Sur)
Before her eyes was the violent blue sky— nothing else. For an endless moment she looked into it. Like a great overpowering sound it destroyed everything in her mind, paralyzed her. Someone once had said to her that the sky hides the night behind it, shelters the person beneath from the horror that lies above. Unblinking, she fixed the solid emptiness, and the anguish began to move in her. At any moment the rip can occur, the edges fly back, and the giant maw will be revealed.
Paul Bowles (The Sheltering Sky)
There are hundreds of us living in an abandoned airport outside some large city. We don’t need shelter or warmth, obviously, but we like having the walls and roofs over our heads. Otherwise we’d just be wandering in an open field of dust somewhere, and that would be horrifying. To have nothing at all around us, nothing to touch or look at, no hard lines whatsoever, just us and the gaping maw of the sky. I imagine that’s what being full-dead is like. An emptiness vast and absolute.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience.
Douglas Stuart
I saw bundles of dead raggedy reeds hanging down from the broken ceilings that had depicted heaven. I looked deep into the house’s diseased and dying maw. It was like it had been putting on an act the whole time and was only now showing itself as it, in reality, had always been: a hollow, drafty cavern, rancid and rotting at its core.
Willem Frederik Hermans (Het behouden huis)
She wasn't afraid of people in need because she wasn't afraid of needing others," my mom explained. "She didn't mind extending kindness to others, because she herself relied on the kindness of others." My mom and I didn't need to unpack the emotion behind that story. We both understood what MeeMaw had that we didn't: The capacity to receive.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution)
Does your maw take a drink?” she asked abruptly. “Sometimes. Just a little,” admitted Shuggie. “How can you tell?” “You are too worried-looking.
Douglas Stuart (Shuggie Bain)
I will glut the maw of death, until it be satiated with the blood of your remaining friends.
Mary Wollstonecraft Shelley (Frankenstein)
If charnel-houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites.
William Shakespeare (Macbeth)
It's the long finger of Big Night, the darkness that feeds the muttering damned to the gentle white maw of Wards.
William Gibson (Burning Chrome (Sprawl, #0))
The window to the past opened up to her like a dragon's maw, dark and jagged, an abyss licked with fire.
Lara Adrian (A Touch of Midnight (Midnight Breed, #0.5))
The penitent face of the religieuse collapsed into the greedy hookworm maw, as though it ate its own false countenance
Dean Koontz (Quicksilver)
Mo-Maw was only a few inches taller than her eldest child even then, but she’d strung him up like a butcher’s chicken.
Douglas Stuart (Young Mungo)
Your ankles are swollen from carrying the weight of the patriarchy all of these years.”—Danika Hill, MAW
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
They certainly didn’t resemble the people you pictured when you saw those don’t kill mee-maw signs urging masks and social distancing
Anne Tyler (French Braid)
Tanya Maw's sister is two years older, the perfect age gap for wisdom transmission.
Rita Bullwinkel (Headshot)
They came like specters from the dark maw of the bayou, first ghostly light in the fog, then the rasp of a motor: an aluminum powerboat scudding across lacquer-black water.
Tom Cooper
Sharpening the writer's sense of reality. Feeding that great opportunistic maw, a novelist's mind.
Philip Roth (The Human Stain (The American Trilogy, #3))
She’d believed his praise was genuine. She hadn’t noticed that he’d pegged her as a person who would snatch up any compliment into the maw of her unloved, throbbing little heart.
Sarah Manguso (Very Cold People)
if I can’t control the words in my head, it’s best not to open my maw.
Nita Prose (The Mystery Guest (Molly the Maid, #2))
but I have learned that if I can’t control the words in my head, it’s best not to open my maw.
Nita Prose (The Mystery Guest (Molly the Maid, #2))
Folks don’t go to wars for fun. A man don’t leave his maw crying just for fun.
William Faulkner (Collected Stories of William Faulkner)
I could see the cat was definitely on the steps. Still on the steps, 20 minutes after Carl's call. This was strange; Amy loved the cat. The cat was declawed, the cat was never let outside, never ever, because the cat ... was sweet, but extremely stupid. ... Amy knew she'd never see the cat again if he ever got out. The cat would waddle straight into the Mississippi River, "deedlie-dum," and float all the way to the Gulf of Mexico into the maw of a hungry bull shark. But it turned out, the cat wasn't even smart enough to get past the steps.
Gillian Flynn (Gone Girl)
All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.
Mary Wollstonecraft Shelley (Frankenstein)
Expert Tip: “The day will come when you fervently wish that you are only as fat as you were the FIRST time you thought you were fat.”—Michelle Loyet, MAW, whom I’ve been on vacation with numerous times
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
The beast lunged forward and grabbed up two townsfolk in its gaping maw. It munched down on them, extinguishing their screams in an instant. Blood oozed past its teeth and down its chin as it swallowed.
Adam Moon (Apex(Apex,#1))
A man dressed in a radiant white uniform stands below the ragged maw of the jetway holding his hands downwards with fluorescent orange sticks in them, like Christ dispensing mercy on a world of sinners.
Neal Stephenson (Cryptonomicon)
I saw his smile, and I wanted, with the sudden pitiless clarity of a lightning bolt, to drag him away-out of the engine’s maw, of the labyrith’s heart, out of the cold and sleepless dark beneath Summerdown.
Sarah Monette (Corambis (Doctrine of Labyrinths, #4))
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
Ya saw the Maw, boy. A hopeless place that holds the darkest spirits. But now it be consumin’ every soul, no matta their deeds in life. Good or evil, thief or prince, they all go to the Maw. Nothin’ is as it should be.
Madeleine Roux (Shadows Rising (World of Warcraft, #17))
I knelt down. The dirt felt cool as it ran through my fingers. Nothing hits the nose quite like freshly tilled topsoil, carrying the scent of life and death. The ground around here smells rotten after a rain, gray buckshot petrichor, grabbing tires and axles and feet. I’ve lost shoes in this mud. Delta folks call it gumbo and it feels hungry, aggressive even, as if it actively wants to pull more living things down into its stinking maw.
Wright Thompson (The Barn: The Secret History of a Murder in Mississippi)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
I learnt how to start a fire. I learnt how to put bait on a hook.” “See!” Mo-Maw sounded like she was relieved. “That’s what ah telt our Jodie. That’s what ah wanted you to do this for. Masculine pursuits. It’ll make a man out of ye.
Douglas Stuart (Young Mungo)
From down here, it was obvious what had happened to Nettle. A huge cluster of pitcher plants was gathered right below the hill, gaping maws ready to swallow any animal that tumbled down it. Each one looked like a long green sack, tipped with stripes of dark pink around the open mouth at the top. Sundew had a collection of much smaller pitcher plants growing outside her nest to catch flies before they buzzed in and bothered her. She really didn’t like this big kind, though; it was super creepy to look at a giant pitcher plant and wonder whether there might be a dragon corpse decomposing inside it. Or, in this case, a dragon that was still very much alive and spitting mad. “GET ME OUT! GET ME OUT OF THIS THING!” Nettle shrieked. One of the plants wobbled as she slammed herself into the side. “Whoa,” Cricket said, landing beside Sundew. “She’s … in there? Why doesn’t she just fly out?” “Meeebomorp,” Bumblebee added, wide-eyed.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
The PM smiles, and for a moment I see a flickering vision where His face should be: an onion-skin Matryoshka doll of circular shark-toothed maws, lizard-man faces, and insectile hunger. “A word in my study if you don’t mind. Right this way.
Charles Stross (The Labyrinth Index (Laundry Files, #9))
Mo-Maw smiled wanly before her eyes glazed over and filled with a faraway look. It was the look that the melancholy singers got at Hogmanay; the old men who gathered in corners and burst into mournful song, ruining good spirits, making old women cry.
Douglas Stuart (Young Mungo)
Seven thousand of them were indicted and arraigned, and then they entered the maw of the criminal justice system—right here—through the gateway into Gibraltar, where the vans were lined up. That was about 150 new cases, 150 more pumping hearts and morose glares, every week that the courts and the Bronx County District Attorney's Office were open. And to what end? The same stupid, dismal, pathetic, horrifying crimes were committed day in and day out, all the same. What was accomplished by assistant D.A.'s, by any of them, through all this relentless stirring of the muck? The Bronx crumbled and decayed a little more, and a little more blood dried in the cracks. The Doubts! One thing was accomplished for sure. The system was fed, and those vans brought in the chow.
Tom Wolfe
Then the Maw did something really disgusting. It let loose with the evil mother of all farts. It was actually visible, a gray murky mist. I covered my mouth and nose with my sleeve, but my eyes were burning. I had been tear-gassed before. This was worse. While
Patrick Thomas (Fairy With A Gun: The Collected Terrorbelle: Terrorbelle Book 1)
The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
My dark one stands there as if nothing's changed after taking entire into his maw all three worlds the gods and the good kings who hold their lands as a mother would a child in her womb-- and I by his leave have taken him entire and I have him in my belly for keeps.
Nammalvar
Rite To Tyr: Hail to the One-Handed God! Hail to Him whose name is Honor And whose Word is iron, Who alone never shirks the thankless task Whose reason is Lawful Necessity. Hail to the Lord of Swords, Who gave a weapon-bearing hand To see that what must be done was done in truth. Hail God of the sunset, last single ray of light, Lord of loyal morality, whose name none takes in vain. Now must I face loss to do what is right, O Lord Tyr, and I do not ask for your aid To take away that loss, that I might hope for ease of action. As you stood forth knowing you must lose to win, So I ask only that you keep my back straight, My arm strong, my hand from trembling, My voice from faltering, my words from vanishing, My head up, and my resolve unyielding As I reach into the challenging maw of my own future.
Galina Krasskova (Northern Tradition for the Solitary Practitioner: A Book of Prayer, Devotional Practice, and the Nine Worlds of Spirit)
I want to grab her and confess that I'm an unbeliever. That being on that machine makes me feel like I'm running in some sucking substance worse than mud. I can find no foothold, no traction. That I feel out of control, inches from the lip of the abyss. That while we've been sitting here, there's this angry, hungry maw in me that is fathoms deep. But even though Ruth's only a hair thinner than I am, she's way on the other side of the fat girl spectrum, looking at me from the safe, slightly smug distance of her own control and conviction.
Mona Awad (13 Ways of Looking at a Fat Girl)
I could almost see time lagging behind, unable to catch up with the quick work of a thing bound to happen. The ice groaned and gasped, opened its frozen maw in a hibernated yawn. My mother broke through the teeth of ice like she was dropped from the seat of a dunking machine.
Susan Donovan Bernhard (Winter Loon)
A woman once told me that, for a time after her husband died, her grief was as constant as breathing. Then one day, while pushing a shopping cart, she realized she was thinking about yogurt. With time, thoughts in this vein became contiguous. With more time thoughts in this vein became sustained. Eventually they won a kind of majority. Her grieving had ended while she wasn’t watching (although, she added, grief never ends). And so it was with my depression. One day in December I changed a furnace filter with modest interest in the process. The day after that I drove to Gorst for the repair of a faulty seat belt. On the thirty-first I went walking with a friend—grasslands, cattails, asparagus fields, ice-bound sloughs, frost-rimed fencerows—with a familiar engrossment in the changing of winter light. I was home, that night, in time to bang pots and pans at the year’s turn: “E quindi uscimmo a riveder le stelle.” It wasn’t at all like that—this eve was cloudy, the stars hidden by high racing clouds—but I found myself looking skyward anyway, into the night’s maw, and I noticed I was thinking of January’s appointments without a shudder, even with anticipation. Who knows why, but the edge had come off, and being me felt endurable again. My crucible had crested, not suddenly but less gradually than how it had come, and I felt the way a newborn fawn looks in an elementary school documentary. Born, but on shaky, insecure legs. Vulnerable, but in this world for now, with its leaf buds and packs of wolves. Was it pharmacology, and if so, is that a bad thing? Or do I credit time for my healing? Or my Jungian? My reading? My seclusion? My wife’s love? Maybe I finally exhausted my tears, or my dreams at last found sufficient purchase, or maybe the news just began to sound better, the world less precarious, not headed for disaster. Or was it talk in the end, the acknowledgments I made? The surfacing of so many festering pains? My children’s voices down the hall,
David Guterson (Descent: A Memoir of Madness (Kindle Single))
The fairest state of them all, this tranquil and beloved domain—what has it now become? A nursery for Mississippi, Alabama, Arkansas. A monstrous breeding farm to supply the sinew to gratify the maw of Eli Whitney’s infernal machine, cursed be that blackguard’s name! In such a way is our human decency brought down, when we pander all that is in us noble and just to the false god which goes by the vile name of Capital! Oh, Virginia, woe betide thee! Woe, thrice woe, and ever damned in memory be the day when poor black men in chains first trod upon thy sacred strand!
William Styron (The Confessions of Nat Turner)
THE MAW OF THE OCEAN The obsidian seas heaved underneath the Dragon Wing, propelling the ship high in the air. There it teetered on the precipitous crest of a foam-capped swell before pitching forward and racing down the face of the wave into the black trough below. Billows of stinging mist
Christopher Paolini (Eldest (Inheritance, #2))
Are you okay?" Jaw snapped open, revealing a gaping maw of teeth and fire. A primal roar crushed my insides. Wincing, I staggered back a few steps. "You need to work on your indoor voice." Raveling, Emma (2013-09-17). Crest (Ondine Quartet Book 3) (p. 415). Mandorla Publishing. Kindle Edition.
Emma Raveling (Crest (Ondine Quartet, #3))
And looking down on them, the other Londoners, those monsters who live in the air, the city’s uncounted population of stone men and women and beasts, and things that are neither human nor beasts, fanged rabbits and flying hares, four-legged birds and pinioned snakes, imps with bulging eyes and ducks’ bills, men who are wreathed in leaves or have the heads of goats or rams; creatures with knotted coils and leather wings, with hairy ears and cloven feet, horned and roaring, feathered and scaled, some laughing, some singing, some pulling back their lips to show their teeth; lions and friars, donkeys and geese, devils with children crammed into their maws, all chewed up except for their helpless paddling feet; limestone or leaden, metaled or marbled, shrieking and sniggering above the populace, hooting and gurning and dry-heaving from buttresses, walls and roofs. That night, the king permitting,
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
...smoke, spattered with grey-black debris, coming faster and thicker, eager to escape the brick maw and billow across the unbroken sky. 'Go on...go!' Tania said, exhilarated, raising her arms above her, scattering the sparrows from the trees, who fluttered through the grey snow and beyond it, singing their journey as they flew.
Meera Syal (Life Isn't All Ha Ha Hee Hee)
And long he travers’d to and fro, to acquaint Himself with every mystery, and awe; Till, weary, he sat down before the maw Of a wide outlet, fathomless and dim To wild uncertainty and shadows grim. There, when new wonders ceas’d to float before, And thoughts of self came on, how crude and sore The journey homeward to habitual self!
John Keats
Nonetheless, death images came to him: dead frog plastered to the turnpike like a grisly stamp; Daddy’s broken watch lying on top of a box of junk to be thrown out; gravestones with a dead person under every one; dead jay by the telephone pole; the cold junk Mommy scraped off the plates and down the dark maw of the garbage disposal.
Stephen King (The Shining (The Shining #1))
But after his going his wife walked alone in the court, and was lonely. For so it was with her always; she did not like to be alone. Perhaps her thin being drew in life and warmth through seeing its beauty mirrored in a lover’s eyes. Perhaps otherwise reality was hard to hold to. The air may have seemed too vast, space a gaping maw.
Evangeline Walton (The Mabinogion Tetralogy: The Prince of Annwn, The Children of Llyr, The Song of Rhiannon, The Island of the Mighty)
When the dead return they will come to you in dream and in waking, will be the bird knocking, knocking against glass, seeking a way in, will masquerade as the wind, its voice made audible by the tongues of leaves, greedily lapping, as the waves’ self-made fugue is a turning and returning, the dead will not then nor ever again desert you, their unrest will be the coat cloaking you, the farther you journey from them the more that distance will maw in you, time and place gulching when the dead return to demand accounting, wanting and wanting and wanting everything you have to give and nothing will quench or unhunger them as they take all you make as offering. Then tell you to begin again.
Shara McCallum
On the far side of the bay was the command station that controlled the door, which was currently semi-open. Rather than the normal closed maw of steel, there was a network of pulsing gold veins crisscrossing the gaping mouth of black - a nitrogen membrane keeping the molecular air contained and pressurized while allowing aircraft to pass through.
April Adams (Drawing the Dragon)
When you change the way you look at things, the things you look at change.” ~ Dr. Wayne D. Dyer
Jeannette Maw (LOA for the Real World: 7 Big Fat Clues to Getting What You Want)
She didn’t want to hear his story. Everybody had one. Tragedy gets boring after a while.
Nathan Ballingrud (The Maw)
It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx’s in the desert. “Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed—while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby-Dick or, The Whale)
Momma doesn’t let me play with hers. Now I can practice for when I’m a mortician!” Hmm. Maybe she’s not faking after all. “Maw-Maw…Mimi…think I could practice on y’all after breakfast?” And. I. Am. Dead. She actually just asked the two oldest women in the room if she could use them as guinea pigs to hone her mortuary makeup skills. This kid is fucking brilliant.
Heather M. Orgeron (Mourning Wood)
What are the fifty newspapers, which those precocious urchins are bawling down the street, and which are kept filed within, what are they but amusements? Not vapid, waterish amusements, but good strong stuff; dealing in round abuse and blackguard names; pulling off the roofs of private houses, as the Halting Devil did in Spain; pimping and pandering for all degrees of vicious taste, and gorging with coined lies the most voracious maw; imputing to every man in public life the coarsest and the vilest motives; scaring away from the stabbed and prostrate body-politic, every Samaritan of clear conscience and good deeds; and setting on, with yell and whistle and the clapping of foul hands, the vilest vermin and worst birds of prey.
Charles Dickens (The Complete Works of Charles Dickens)
Have you ever been made to contemplate your death? Locked in a tower cell, perhaps, or in some bastille of the Chantry to await your end on the edge of the White Sword? Have you ever sat there through a sleepless night and counted the seconds you have left like grains of sand? I pray that you have not. It is one thing to die and quite another to have suffered the fear of death and survive. I wish neither for you, who has suffered both. You stand as does the solitary candle in chapel, flickering against the Dark. A darkness not of space but of time, of the yawning maw of some empty, echoing future forever barred to you. It is comforting to know the sun will always rise--that is, until it does not, until it dissolves into cold ash and the universe runs down, or you do. Fire fades. And life. Or it is snuffed out. For the chapel candle, that is no tragedy--the candle knows not when it is extinguished. It is only a symbol, only the avatar of the unconquered sun lit to keep watch through the night in the Chantry temple. But the human flame knows, and it shivers not from wind but from fear. From the sickness of the heart. And so I shivered in my cloying bed and on the floor besides it when I could lie amongst its folds no more. Though I was but one score and three years--next to nothing compared to the centuries I have since counted--I felt my age and the specter of my fleeting mortality. I felt the ache in every once-broken bone, felt every scar from every would healed on the street and in the Colosso.
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
When things are good, it is because we remember a time when they were not. When there was pain. But now the pain is gone, so things are ‘good’. When we hurt, it is because we recall a time when we did not. When there was no pain. But now we suffer, so things are ‘bad’. The tiger sipped from the cup, peering at the boy over the rim. Stars swirled in its eyes. “Good. Bad. The cup holds both.
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
I’ll imagine it.” She twirled around in front of the gaping maw of a concrete tube. “Do you know the song ‘Dard-e-Disco’ from Om Shanti Om?” “Am I brown?” Om Shanti Om was one of the classic Bollywood films. He’d been forced to watch it countless times. His mother never cooked without a Bollywood film playing on the TV in her kitchen, and the songs from each one were burned into his brain.
Sara Desai (The Marriage Game (Marriage Game #1))
There is more, but James has ceased to listen. In the months since Agnes’ disappearance, his old fear of hellfire has been replaced by another more terrible and pervasive: the fear of the void. Cold Marsh has been abandoned, cursed by God or the Devil both. He is certain of this. He will lose his daughter to death or to marriage, and when the darkness descends to cover his eyes, he will face that black maw alone.
Daniel Mills (Revenants)
[I]t seems that everyone has fallen under the thrall of this idea that we’re all writers and dramatists now, that each of us has a special voice and something very important to say, usually about a feeling we have, and all this gets expressed in the black maw of social media billions of times a day. Usually this feeling is outrage, because outrage gets attention, outrage gets clicks, outrage can make your voice heard above the deafening din of voices squalling over one another in this nightmarish new culture—and the outrage is often tied to a lunacy demanding human perfection, spotless citizens, clean and likable comrades, and requiring thousands of apologies daily. Advocating while creating your own drama and your brand is where the game is now. And if you don’t follow the new corporate rules accordingly you are banished, exiled, erased from history.
Bret Easton Ellis (White)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
Her Royal Highness, the cursed royal bastard, is four cubits high, shaped like a barrel of beer, has a maw which stretches from ear to ear and is full of dagger-like teeth, has red eyes and a red mop of hair! Her paws, with claws like a wild cat's, hang down to the ground! I'm surprised we've yet to send her likeness to friendly courts! The princess, plague choke her, is already fourteen. Time to think of giving her hand to a prince in marriage!
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
The Johnson Space Center “potty cam,” as it is more casually known, is an astronaut training aid. It provides a vivid, arresting perspective on something you’ve had intimate contact with all your life but never really seen. Perhaps not unlike viewing one’s home planet from space for the first time. Positioning is critical because the opening to a Space Shuttle toilet is 4 inches across, as opposed to the 18-inch maw we are accustomed to on Earth.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
The Fuhrer himself was the target of the fourth leaflet: "Every word that comes from Hitler's mouth is a lie. When he says peace, he means war, and when he blasphemously uses the name of the Almighty, he means the power of evil, the fallen angel, Satan. His mouth is the foul-smelling maw of Hell, and his might is at bottom accursed." This leaflet ended with the words "We will not be silent. We are your bad conscience. The White Rose will not leave you in peace.
Russell Freedman (We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler – Sibert Honor History of Hans and Sophie Scholl for Kids (Ages 10-12))
It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx’s in the desert. “Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed- while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou has seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby-Dick or, The Whale)
1:315-316 WHITE-BIRD SENTENCES In my dream large white birds, larger than geese, were flying. As they flew, they were praising. I understood the bird-language. One was saying, I praise you in all circumstances, and another was saying the same in other words, and another in yet other phrasing, but I could not remember what I should say. I interpret this dream to be telling me to be continuously grateful, no matter what, in my waking life, and also to remember that there are a hundred thousand ways to praise. These white-bird sentences begin in nonexistence, where creation makes entity from nonentity. What flows through us as praise comes from where Moses and Jesus are standing with the other friends of God. Another night in the state between waking and sleep I saw a gazelle coming toward me with an open mouth. It put my whole head in its mouth and turned its lips in arcs around my forehead and chin and the sides of my head. The gazelle-maw got larger and larger. It could have swallowed my whole body. About to lose consciousness, I began to chant, No power but yours, no power but yours.... The strange malevolence that was trying to devour me went away. Peace came. Now I know how epileptics feel. In another dream I was eating salty food. My gums became brackish. I woke with a salt taste in my mouth. Events happen here that no one records. Universes overlap. We are led in ways we will never understand. It should not surprise anyone when the angel Gabriel comes and take Muhammad away in an instant. Someone asked, If the commands of God are preeminent, then what choice do we really have in life? Between the words preeminent and commands lies a great mystery. The divine essence is not like anything, nor can we examine it or its effects. Try to trace to a source just one thing that has ever come to you. Now imagine you are blind from birth and that you have never seen this world or recognized any of its meanings.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
The immeasurable depth of the sea beneath your feet; the immeasurable depth of heavens above your head. A gust of wind hardly moved the sail. The dark masses of water shifted like a great slithering beast under the boat, rocking it softly, gently.
Witold Makowiecki (Out of the Lion's Maw (Fleeing Carthage, #1))
Your short understanding, your clipped mind, your hollow heart, will make more of mankind than it has the power to become. Make of a man what you will, yet he cannot be more than this I say to you, with the leave of all pure women: a human is conceived in sin, nourished with impure, unspeakable feculence in the maternal body, born naked and smeared like a beehive; a mass of refuse, a churn of filth, a dish for worms, a stinkhouse, a repulsive washtub, a rancid carcass, a mildewed crate, a bottomless sack, a perforated pocket, a bellows, a rapacious maw, a reeking flagon of urine, a malodorous pail, a deceptive marionette-show, a loamy robber’s den, an insatiably slaking trough, a painted delusion. Let recognise who will: every human created to completion has nine holes in his body; out of all these there flows such repellent filth that nothing could be more impure. You would never see human beauty, if you had the eyes of a lynx, and your gaze could penetrate to the innards; you would shudder at the sight. Strip the dressmaker’s colouring from the loveliest of ladies, and you will see a shameful puppet, a hastily withering flower, a sparkle of little durance and a soon decomposing clod of earth! Show me a handful of beauty of all the belles who lived a hundred years ago, excluding those painted on the wall, and you shall have the Kaiser’s crown! Let love flow away, let grief flow away! Let the Rhine run its course like other waters, you wise lad from Assville!
Johannes von Saaz (Death and the Ploughman)
MAN, GIFTED ABOVE HIS KIN Terrible in its beauty You have made, my God, this clawed, mawed world where even plants reach out with hooks and gape for prey. Bright, singing wings Bear beaks that snap in air, or fold to pounce and tear the cringing flesh below. One thousand fathoms down, cold in its dark domain, life stalks itself to feed on succulence of pain. Sucking the tender teat, Toothless and untaloned, man, gifted above his kin, refines the shape of fangs and rends the web of life with many-weaponed hand
John Allen Adams (I Walk Toward the Sound of My Days: Poems of John Allen Adams)
Can I step away from this digital maw? Will my voice still matter if no one can hear it? Ca silence feel more pressing and important than a ping? Instead of imagining the next text, the next tweet, the next Instagram post, the next flash of what my cousin did over spring break or what my neighbour ate for breakfast, what if I could imagine living in this moment, without wanting more? The questions whether or not your stuff sparks joy. The question is: Can you spark joy all by yourself? Do you remember how that feels?
Heather Havrilesky (What If This Were Enough?: Essays)
That head upon which the upper sun now gleams, has moved amid this world's foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor's side, where sleepless mothers would give their lives to lay them down. Thou saw'st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw'st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed—while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby Dick)
There came to him an image of man's whole life upon the earth. It seemed to him that all man's life was like a tiny spurt of flame that blazed out briefly in an illimitable and terrifying darkness, and that all man's grandeur, tragic dignity, his heroic glory, came from the brevity of this flame. He knew his life was little and would be extinguished, and that only darkness was immense and everlasting. And he knew that he would die with defiance on his lips, and that the shout of his denial would ring with the last pulsing of his heart into the maw of an all-engulfing night.
Thomas Wolfe (You Can't Go Home Again)
I don’t know why the publishers in New York don’t take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas.
Gary Reilly (Ticket To Hollywood (Asphalt Warrior, #2))
I wanted to have a family again, to be folded into something I believed was safe from destruction. Right alongside my longing for them, I felt something as hot as hate for each of them now. I imagined a big machine like the one that had mawed up this forest mawing up our forty acres in the Minnesota woods. I wished with all my heart that it really would. I would be free then, it seemed. Because we had not been safe from destruction after my mom died, total destruction would come now as a relief. The loss of my family and home were my own private clear-cut. What remained was only ugly evidence of a thing that was no more.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I would like to hear a description of the…the princess.” Velerad leapt up from his chair. “The princess looks like a striga!” he yelled. “Like the most strigish striga I have heard of! Her Royal Highness, the cursed royal bastard, is four cubits high, shaped like a barrel of beer, has a maw which stretches from ear to ear and is full of dagger-like teeth, has red eyes and a red mop of hair! Her paws, with claws like a wild cat's, hang down to the ground! I’m surprised we've yet to send her likeness to friendly courts! The princess, plague choke her, is already fourteen. Time to think of giving her hand to a prince in marriage!” “Hold
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
The sixteenth-century artist Albrecht Dürer famously depicted Melancholy as a downcast angel surrounded by symbols of creativity, knowledge, and yearning: a polyhedron, an hourglass, a ladder ascending to the sky. The nineteenth-century poet Charles Baudelaire could “scarcely conceive of a type of beauty” in which there is no melancholy. This romantic vision of melancholia has waxed and waned over time; most recently, it’s waned. In an influential 1918 essay, Sigmund Freud dismissed melancholy as narcissism, and ever since, it’s disappeared into the maw of psychopathology. Mainstream psychology sees it as synonymous with clinical depression.[*1]
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
    Whom thus the Sin-born Monster answerd soon.   To mee, who with eternal Famin pine,   Alike is Hell, or Paradise, or Heaven,   There best, where most with ravin I may meet;   Which here, though plenteous, all too little seems   To stuff this Maw, this vast unhide-bound Corps.     To whom th' incestuous Mother thus repli'd.   Thou therefore on these Herbs, and Fruits, & Flours   Feed first, on each Beast next, and Fish, and Fowle,   No homely morsels, and whatever thing   The Sithe of Time mowes down, devour unspar'd,   Till I in Man residing through the Race,   His thoughts, his looks, words, actions all infect,   And season him thy last and sweetest prey.
John Milton (Paradise Lost)
but Ben could see the clown’s face clearly. It was deeply lined, the skin a parchment map of wrinkles, tattered cheeks, arid flesh. The skin of its forehead was split but bloodless. Dead lips grinned back from a maw in which teeth leaned like tombstones. Its gums were pitted and black. Ben could see no eyes, but something glittered far back in the charcoal pits of those puckered sockets, something like the cold jewels in the eyes of Egyptian scarab beetles. And although the wind was the wrong way, it seemed to him that he could smell cinnamon and spice, rotting cerements treated with weird drugs, sand, blood so old it had dried to flakes and grains of rust . . .
Stephen King (It)
Nelson, do you remember the spring day when we climbed the barn gable so we could see the seagulls that mysteriously blew into our clay hills-- swept from an ocean neither of us had ever seen though it was scarcely a hundred miles away, each bird a genuine miracle high above the green barley? The time we saw that panther in the sycamore tree and Maw said it was the sign of war? Nelson, I am sixty-three years old, the same age that both Maw and Daddy were when they died. I have written this in testimony. With this book, I presume to be done now with such remembrance. But somehow I suspect it will go on, this peering down old wells, this excavation of memory and its shades.
Joe Bageant (Rainbow Pie)
He was thinking about men like his Uncle Ted, a Cornishman to his bones, who lived and would die in St. Mawes, part of the fabric of the place, remembered as long as there were locals, beaming out of fading photographs of the Life Boat on pub walls. When Ted died—and Strike hoped it would be twenty, thirty years hence—they would mourn him as the unknown Barrovian Grammar boy was being mourned: with drink, with tears, but in celebration that he had been given to them. What had dark, hulking Brockbank, child rapist, and fox-haired Laing, wife-torturer, left behind in the towns of their birth? Shudders of relief that they had gone, fear that they had returned, a trail of broken people and bad memories.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
Through the archway, and up the hill, I feel it surging, and drop to my knees. A string of black smoke wafts out of my mouth, as a long slender form starts to crawl out of my gaping maw. My eyes water as it slides and pulls and slowly works its way out of me, trying not to bite down, struggling to breathe. And in the glow of the moon the serpent finally weaves its muscled form out of me, a diamond pattern running down its length, crisscrossed threads of silver, a flicker of its tongue, and an angry hiss permeating the night. As it slithers into the underbrush—ten feet, twenty feet, thirty feet long—the last of it to disappear are three razor sharp needles sticking out of its tail. (End of Chapter Two.)
Richard Thomas (Incarnate: A Novel)
Mr. Gresham had been Prime Minister of England, as representative of the Liberal party in politics. There had come to be a split among those who should have been his followers on the terribly vexed question of the Ballot. Then Mr. Daubeny for twelve months had sat upon the throne distributing the good things of the Crown amidst Conservative birdlings, with beaks wide open and craving maws, who certainly for some years previous had not received their share of State honours or State emoluments. And Mr. Daubeny was still so sitting, to the infinite dismay of the Liberals, every man of whom felt that his party was entitled by numerical strength to keep the management of the Government within its own hands.
Anthony Trollope (Complete Works of Anthony Trollope)
I stare at my freakish eyeball, gaze into the distorted pupil until it expands and fills the mirror, fills my brain and I’m rushing through vacuum. Wide awake and so far at such speed I flatten into a subatomic contrail. That grand cosmic maw, that eater of galaxies, possesses sufficient gravitational force to rend the fabric of space and time, to obliterate reality, and in I go, bursting into trillions of minute particles, quadrillions of whining fleas, consumed. Nanoseconds later, I understand everything there is to understand. Reduced to my “essential saltes” as it were, I’m the prime mover seed that gets sown after the heat death of the universe when the Ouroboros swallows itself and the cycle begins anew with a big bang.
Laird Barron (The Beautiful Thing That Awaits Us All)
Perhaps I had always known they would disappear one day, and so I had kept them at a distance, laughed at their jokes and listened to their plans but never really trusted their existence. I had learned how to protect myself. When the police took my father, I had been a dumb boy, unable to understand how a man-- that willful, brilliant man-- could cease to exist at the snap of an unseen bureaucrat's fingers, as if he were nothing but cigarette smoke exhaled by a bored sentry in a watchtower in Siberia, a sentry who wondered if his girlfriend back home was cheating on him, who stared over the wintry woods, unaware of the great blue maw of the sky above him that waited to swallow the curling smoke and the sentry and everything on the ground below.
David Benioff (City of Thieves)
Drizzt revealed a small pouch hanging on a fine silver chain around his neck. “A few baubles,” he explained. “I need no riches and doubt that I would be able to carry much out of here, anyway! A few baubles will suffice.” He sifted through the portion of the pile he had just freed from the ice, uncovering a gem-encrusted sword pommel, its black adamantite hilt masterfully sculpted into the likeness of the toothed maw of a hunting cat. The lure of the intricate workmanship pulled at Drizzt, and with trembling fingers he slid the rest of the weapon out from under the gold. A scimitar. Its curving blade was of silver, and diamond-edged. Drizzt raised it before him, marveling at its lightness and perfect balance. “A few baubles…and this,” he corrected.
R.A. Salvatore (The Crystal Shard (The Icewind Dale, #1; The Legend of Drizzt, #4))
Faith and troth now, master," quoth Sancho, "you did ill to talk of death, Heaven bless us, it is no child's play; you have e'en spoiled my dinner; the very thought of raw bones and lanthorn jaws make me sick. Death eats up all things, both the young lamb and old sheep; and I have heard our parson say, death values a prince no more than a clown; all is fish that comes to his net; he throws at all, and sweeps stakes; he is no mower that takes a nap at noon-day, but drives on, fair weather or foul, and cuts down the green grass as well as the ripe corn: he is neither squeamish nor queasy-stomached, for he swallows without chewing, and crams down all things into his ungracious maw; and though you can see no belly he has, he has a confounded dropsy, and thirsts after men's lives, which he guzzles down like mother's milk.
Miguel de Cervantes Saavedra (Don Quixote)
Don't be lit me Mungo. It's not too late for you. But it was already too late. It had always been too late. When they were younger, Mungo and Hamish had been playing in the bathroom. They had filled the scalloped sink and they were slamming Action Men together in an underwater battle. Hamish was resting his weight on the lip of the sink, and Mungo couldn't see, so he jumped up and did the same. There had been the tiniest fracture in the porcelain - Mo-Maw had dropped a glass ashtray into it one time - and now the weight of their play breached it and the water poured everywhere. Just before the sink split, Mungo put his hand over the crack and tried to hold back the water - it worked, and then it failed, and he was soaked and bloody from the chipped porcelain. He tried all afternoon, but there was no way to put the crack back together.
Douglas Stuart (Young Mungo)
The Escalation Game is not an exotic brainteaser. Real life presents us with quandaries in which we are, as the saying goes, in for a penny, in for a pound. They include long-running labor strikes, dueling lawsuits, and literal wars of attrition, in which each nation feeds men and matériel into the maw of the war machine hoping the other side will exhaust itself first. The common rationale is “We fight so that our boys will not have died in vain,” a textbook example of the sunk-cost fallacy but also a tactic in the pathetic quest for a Pyrrhic victory. Many of the bloodiest wars in history were wars of attrition, showing once again how the infuriating logic of game theory may explain some of the tragedies of the human condition. Though persisting with a certain probability may be the least bad option once one is trapped in an Escalation Game, the truly rational strategy is not to play in the first place.
Steven Pinker (Rationality)
Lying in the hotel bed, Hector conceded that, all through ’93, ’94, and ’95, an ever-widening river of good data, mixed with a steady ambient wash of self-importance, had anesthetized his grief. He’d needed that. But now a maw of emptiness and rage was opening beneath him. Idly, he rubbed his bare, trimmed chest beneath the sheets. He’d faithfully hit the gym through these past years of high-level consultancy, grunting out his misery over barbells and machines. His chest was broad and he wished beyond anything that the arm caressing it at this moment was Ricky’s, not his own. But that sunny, silly cutie, like a blond sliver of sunshine on the timeline that Hector envisioned as his life, had missed the drawbridge, along with Issy and Korie and a baleful lot of others. It had all happened in the very, very worst years of sickness and death, Clinton’s first term, overwhelming loss mingled confusingly with tidings of the coming respite.
Tim Murphy (Christodora)
Unlike the rain-slicked streets of Oblakgrad, Dírorth was a stir of activity. The streets were lined with vendors selling greasy meat pies to passersby. The clogging crowd of Humans cramped together as they pushed past one another, rushing from one errand to the next. The shouting of a thousand voices melted together into a perpetual buzz, like a great swarm of bees hovering over the street. And yet a strange silence hung over the city. It filled in the background, inhabiting dark corners where the din of the crowd could not squelch it. It had a strange omnipresence, like something that you are subconsciously aware of, but do not consciously see with your eyes. It was a silence ignored, hidden by the façade of hectic traffic. You wouldn’t really notice it, not unless you were looking for it. Not unless you actually stopped to listen. If the city folk had stopped, frozen, if they had stilled themselves for a moment, the silence would have gaped wide open like a dark, hungry maw. But they ignored it. For the past century, they had covered that silence with the commotion of everyday life, refusing to let it control them. To define them. They did not hear it. They would not hear it. I myself did not hear it for years and years, not until the day that I actually stopped to listen. Can you hear it, now? Can you hear it in the words your reading, the words I say to you? Listen. Hear its empty resonance across the cobbles. Feel it in the dust beneath Notak’s boot, damp with last night’s rain. Smell it on the ragged clothes of the peasants, hidden in the folds of dirty fabric. See it in their eyes, latent beneath the gloss of the everyday. Taste it in the clamor of the streets, clamor born out of a unconscious urge to fill the quiet with something, anything to drive it away, anything to stave off the silence that reeked with defeat. It was the echo of a hundred years of slavery. It was the song of a people, waiting for God.
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
— and then you’re in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it’s the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it’s you, the Substance has devoured or replaced and become you, and the puke-, drool-and Substance-crusted T-shirt you’ve both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest’s center and center-less eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you’ve been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It’s your enemy and your worst personal nightmare and the trouble It’s gotten you into is undeniable and you still can’t stop. Doing the Substance now is like attending Black Mass but you still can’t stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it’s more like someplace very high and unsupported: you’re on the edge of something tall and leaning way out forward….
David Foster Wallace
It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding “African slavery.” That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
It seemed to him that here began that slow, and somehow desperately painful recognition that the enchanted world of wealth and love and beauty, of living fulfillment and of fruitful power, which he had visioned as a child in all his dreams about the fabled rich along the Hudson river - did not exist; and that he must look for that grand life in ways stranger, darker, and more painful in their labyrinthine complications than any he had ever dreamed of as a child; and that, like Moses, he must strike water from the common stone of life, and like Samson, take honey from the savage lion's maw of the great world, find all the joy of living that he had lusted for in the blind swarm, the brutal stupefaction of the streets; goodness and truth in the mean hearts of common men; and beauty in the only place where it can ever be found - inextricably meshed, inwrought, and interwoven in that great web of horror, pain and sweat and bitter anguish, that great woven fabric of blind cruelty, hatred, filth and lust and tyranny and injustice, of joy, of faith, of love, of courage and devotion - that makes up life, and that resumes the world.
Thomas Wolfe (Thomas Wolfe: Of Time and the River, You Can't Go Home Again & Look Homeward, Angel: Enriched edition.)
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
Herman Melville (Moby Dick)
Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed — while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou has seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby Dick)
Speak, thou vast and venerable head," muttered Ahab, "which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world's foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor's side, where sleepless mothers would give their lives to lay them down. Thou saw'st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw'st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed— while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!
Herman Melville (Moby Dick: or, the White Whale)
Matthias was in the dark. And it wasn’t the kind of dark that came with a room that didn’t have any lights on or when you were walking around at night in the country. This was not even the kind you got when you shut your eyes and wrapped your head in a blanket. This was the one that seeped in through your skin and filled the spaces between your molecules, the one that polluted your flesh into a permanent state of rotting, the one that wiped clean your past and your future, suspending you in a choking, adhesive solution of sorrow and despair. He was not alone in this horrible prison. As he writhed in the weightless void, others did the same, their voices mixing with his own as pleas escaped from cracked lips and the endless begging for mercy rose and fell like the breathing of a great beast. From time to time, he was chosen for special attention, clawed monsters with fanged maws latching on, yanking and pulling. The wounds they imparted always healed as quickly as they were wrought, providing an ever-fresh canvas for their masticating artwork. Time had no meaning; nor did age. And he knew he was never getting out. This was his due. This was his eternal payment for the way he had lived his life: He had earned this place in Hell through his sins upon the earth, and yet still, he argued the unfairness to the others he was trapped with. Tough debate, though. There was little on the good side to support his bid for freedom; more to the point, nobody was listening.
J.R. Ward (Rapture (Fallen Angels, #4))
Upon these the hungry eyes of the prowling monster were now fixed; but only for a moment: for in the next he was charging down among them with a velocity that caused the water to spray upwards against his dorsal fin, while the rushing sound made by his body could be heard afar off over the ocean, “Look, Will’m!” cried Ben, anxious that his protégé should not miss seeing the curious spectacle. “Look, lad! yonder’s a sight worth seein’. Shiver my timbers, if he han’t got a brace o’ ’em on his toastin’ fork!” While Ben was speaking, the sword-fish had charged into the middle of the frightened flock. There was a momentary plashing,—as several of the albacores leaped up out of the water and fell back again,—there was a surging and bubbling over a few yards of surface, which hindered a clearer view of what was passing; and then outside reappeared the sword-fish, with his long weapon projected above the water, and a brace of the beautiful albacores impaled upon its point! The wretched creatures were struggling to free themselves from their painful position; but their struggles were not for long. They were terminated almost on the instant,—by the sword-fish giving a quick jerk of his head, and tossing, first one and then the other of his victims high into the air! As they came down again, it was to fall, not upon the water, but into the throat of the voracious tyrant; who, although toothless and without any means of masticating, made shorter work of it by introducing them untoothed, and at a single gulp, into his capacious maw!
Walter Scott (The Greatest Sea Novels and Tales of All Time)
Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
We put him to the test that afternoon after the Kid woke up. I piled every weapon we had into the wagon and trucked the arsenal halfway across the San Simon Valley. One by one I fired off a round from each of the borrowed weapons and wrote down the order in which I had sent the reports. When I returned at midafternoon, we compared my notes to the Kid’s. Jack had not once failed to identify gun make and model, caliber, and brand of ammunition. He was even able to tell whether I had fired off a report with my right or left hand. Lord knows how he did that. I, of course, had to see it for myself. We sent Pate off to the South Pass of the Dragoons and he commenced to fire off rounds at dusk. BAM! came the first report, aborning to us from the distant mountains and then quickly disintegrating into the maw of the desert sky. “Remington forty-four,” Jack said. “Eighteen sixty-nine model.” He sat on a rock with his hands splayed over his stumpy knees and his head cocked for the next selection. POW! Jack pursed his lips. “Colt’s Lightning . . . forty-one caliber . . . iv’ry grips.” BOOM! At this report Jack chuckled. “Well, first off . . . forty-five caliber Peacemaker, seven-and-a-half-inch barrel,” he announced proudly. Then he smiled. “That ol’ dodger Pate . . . he’s a slick one, tryin’ to pull one on me.” “What do you mean?” I asked. “Along with the Colt he let go with a derringer, thirty-two caliber. Sounded like it ain’t been cleaned in a while.” I sat down next to Jack and draped my arm over his rounded shoulders. “Jack, I believe you’ve given credence to the saying that every man on this earth serves a role.” Jack gave me a look. “ ‘Serves a roll?’ Are we in the restaurant business again?
Mark Warren (The Westering Trail Travesties, Five Little Known Tales of the Old West That Probably Ought to A' Stayed That Way)
I understood slavery as bad and I had a vague sense that it had once been integral to the country and that the dispute over it had somehow contributed to the civil war. But even that partial sense ran contrary to the way the civil war was presented in the popular culture, as a violent misunderstanding, an honorable dual between wayward brothers instead of what it was. A spectacular chapter in a long war that was declared when the first Africans were brought chained to American shores. When it comes to the civil war, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments, are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature, or that The Birth of a Nation is the most revered touchstone of all American film. Both emerged from a need for palliatives and painkillers, an escape from the truth of those five short years in which seven hundred fifty thousand American soldiers were killed, more than all American soldiers kill in all other American wars combined, in a war declared for the cause of expanding African slavery. That war was inaugurated, not reluctantly, but lustily by men who believe property in humans to be the cornerstone of civilization, to be an edict of god, and so delivered their own children to his maw. And when that war was done the now defeated god lived on honored through the human sacrifice of lynching and racist programs. The history breaks the myth. And so, the history is ignored and fictions are weaved in to our art and politics that dress villainy in martyrdom, and transform banditry into chivalry. And so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
At that moment, remarkably, there was a man in the expansive reactor hall of Unit 4 who witnessed all this.121 Night Shift Chief of the Reactor Shop Valeriy Perevozchenko saw the top of the reactor - a 15-meter-wide disk comprised of 2000 individual metal covers which cap safety valves - begin to jump up and down. He ran. The reactor’s uranium fuel was increasing power exponentially, reaching some 3,000°C, while pressure rose at a rate of 15 atmospheres per second. At precisely 01:23:58, a mere 18 seconds after Akimov pressed the SCRAM button, steam pressure overwhelmed Chernobyl’s incapacitated fourth reactor. A steam explosion blew the 450-ton, 3-meter-thick upper biological shield clear off the reactor before it crashed back down, coming to rest at a steep angle in the raging maw it left behind. The core was exposed.122 A split second later, steam and inrushing air reacted with the fuel’s ruined zirconium cladding to create a volatile mixture of hydrogen and oxygen, which triggered a second, far more powerful explosion.123 Fifty tons of vaporised nuclear fuel were thrown into the atmosphere, destined to be carried away in a poisonous cloud that would spread across most of Europe. The mighty explosion ejected a further 700 tons of radioactive material - mostly graphite - from the periphery of the core, scattering it across an area of a few square kilometers. This included the roofs of the turbine hall, Unit 3, and the ventilation stack it shared with Unit 4, all of which erupted into flames. The reactor fuel’s extreme temperature, combined with air rushing into the gaping hole, ignited the core’s remaining graphite and generated an inferno that burned for weeks. Most lights, windows and electrical systems throughout the severely damaged Unit 4 were blown out, leaving only a smattering of emergency lighting to provide illumination.124
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Biblia pamoja na historia vinatwambia kuwa mitume kumi na wawili wa Yesu Kristo waliamua kufa kinyama kama mfalme wao alivyokufa, kwa sababu walikataa kukana imani yao juu ya Yesu Kristo. Mathayo alikufa kwa ajili ya Ukristo nchini Ethiopia kwa jeraha lililotokana na kisu kikali, Marko akavutwa na farasi katika mitaa ya Alexandria nchini Misri mpaka akafa, kwa sababu alikataa kukana jina la Yesu Kristo. Luka alinyongwa nchini Ugiriki kwa sababu ya kuhubiri Injili ya Yesu Kristo katika nchi ambapo watu hawakumtambua Yesu. Yohana alichemshwa katika pipa la mafuta ya moto katika kipindi cha mateso makubwa ya Wakristo nchini Roma, lakini kimiujiza akaponea chupuchupu, kabla ya kufungwa katika gereza la kisiwa cha Patmo (Ugiriki) ambapo ndipo alipoandika kitabu cha Ufunuo. Mtume Yohana baadaye aliachiwa huru na kurudi Uturuki, ambapo alimtumikia Bwana kama Askofu wa Edessa. Alikufa kwa uzee, akiwa mtume pekee aliyekufa kwa amani. Petro alisulubiwa kichwa chini miguu juu katika msalaba wa umbo la X kulingana na desturi za kikanisa za kipindi hicho, kwa sababu aliwaambia maadui zake ya kuwa alijisikia vibaya kufa kama alivyokufa mfalme wake Yesu Kristo. Yakobo ndugu yake na Yesu (Yakobo Mkubwa), kiongozi wa kanisa mjini Yerusalemu, alirushwa kutoka juu ya mnara wa kusini-mashariki wa hekalu aliloliongoza la Hekalu Takatifu (zaidi ya futi mia moja kwenda chini) na baadaye kupigwa kwa virungu mpaka akafa, alipokataa kukana imani yake juu ya Yesu Kristo. Yakobo mwana wa Zebedayo (Yakobo Mdogo) alikuwa mvuvi kabla Yesu Kristo hajamwita kuwa mchungaji wa Injili yake. Kama kiongozi wa kanisa hatimaye, Yakobo aliuwawa kwa kukatwa kichwa mjini Yerusalemu. Afisa wa Kirumi aliyemlinda Yakobo alishangaa sana jinsi Yakobo alivyolinda imani yake siku kesi yake iliposomwa. Baadaye afisa huyo alimsogelea Yakobo katika eneo la mauti. Nafsi yake ilipomsuta, alijitoa hatiani mbele ya hakimu kwa kumkubali Yesu Kristo kama kiongozi wa maisha yake; halafu akapiga magoti pembeni kwa Yakobo, ili na yeye akatwe kichwa kama mfuasi wa Yesu Kristo. Bartholomayo, ambaye pia alijulikana kama Nathanali, alikuwa mmisionari huko Asia. Alimshuhudia Yesu mfalme wa wafalme katika Uturuki ya leo. Bartholomayo aliteswa kwa sababu ya mahubiri yake huko Armenia, ambako inasemekana aliuwawa kwa kuchapwa bakora mbele ya halaiki ya watu iliyomdhihaki. Andrea alisulubiwa katika msalaba wa X huko Patras nchini Ugiriki. Baada ya kuchapwa bakora kinyama na walinzi saba, alifungwa mwili mzima kwenye msalaba ili ateseke zaidi. Wafuasi wake waliokuwepo katika eneo la tukio waliripoti ya kuwa, alipokuwa akipelekwa msalabani, Andrea aliusalimia msalaba huo kwa maneno yafuatayo: "Nimekuwa nikitamani sana na nimekuwa nikiitegemea sana saa hii ya furaha. Msalaba uliwekwa wakfu na Mwenyezi Mungu baada ya mwili wa Yesu Kristo kuning’inizwa juu yake." Aliendelea kuwahubiria maadui zake kwa siku mbili zaidi, akiwa msalabani, mpaka akaishiwa na nguvu na kuaga dunia. Tomaso alichomwa mkuki nchini India katika mojawapo ya safari zake za kimisionari akiwa na lengo la kuanzisha kanisa la Yesu Kristo katika bara la India. Mathiya alichaguliwa na mitume kuchukua nafasi ya Yuda Iskarioti, baada ya kifo cha Yuda katika dimbwi la damu nchini India. Taarifa kuhusiana na maisha na kifo cha Mathiya zinachanganya na hazijulikani sawasawa. Lakini ipo imani kwamba Mathiya alipigwa mawe na Wayahudi huko Yerusalemu, kisha akauwawa kwa kukatwa kichwa. Yuda Tadei, ndugu yake na Yesu, aliuwawa kwa mishale alipokataa kukana imani yake juu ya Yesu Kristo. Mitume walikuwa na imani kubwa kwa sababu walishuhudia ufufuo wa Yesu Kristo, na miujiza mingine. Biblia ni kiwanda cha imani. Tunapaswa kuiamini Biblia kama mitume walivyomwamini Yesu Kristo, kwa sababu Biblia iliandikwa na mitume.
Enock Maregesi
We killed them all when we came here. The people came and burned their land The forests where they used to feed We burned the trees that gave them shade And burned to bush, to scrub, to heath We made it easier to hunt. We changed the land, and they were gone. Today our beasts and dreams are small As species fall to time and us But back before the black folk came Before the white folk’s fleet arrived Before we built our cities here Before the casual genocide, This was the land where nightmares loped And hopped and ran and crawled and slid. And then we did the things we did, And thus we died the things we died. We have not seen Diprotodon A wombat bigger than a room Or run from Dromornithidae Gigantic demon ducks of doom All motor legs and ripping beaks A flock of geese from hell’s dark maw We’ve lost carnivorous kangaroo A bouncy furrier T Rex And Thylacoleo Carnifex the rat-king-devil-lion-thing the dropbear fantasy made flesh. Quinkana, the land crocodile Five metres long and fast as fright Wonambi, the enormous snake Who waited by the water-holes and took the ones who came to drink who were not watchful, clever, bright. Our Thylacines were tiger-wolves until we drove them off the map Then Megalania: seven meters of venomous enormous lizard... and more, and more. The ones whose bones we’ve never seen. The megafauna haunt our dreams. This was their land before mankind Just fifty thousand years ago. Time is a beast that eats and eats gives nothing back but ash and bones And one day someone else will come to excavate a heap of stones And wonder, What were people like? Their teeth weren’t sharp. Their feet were slow. They walked Australia long ago before Time took them into tales We’re transients. The land remains. Until its outlines wash away. While night falls down like dropbears don’t to swallow up Australia Day.
Neil Gaiman
You will not touch us now.' 'I have every right to kill trespassers on my lands.' The words were guttural, nearly impossible to understand. As if Tamlin had not spoken in a long while. 'Are these still your lands?' Nesta asked coolly, stepping out from behind Cassian. 'Last I heard, you don't bother to rule them anymore.' Eris remained utterly still. He'd been caught meeting with them, she realised. If Tamlin told anyone- Nesta said, 'I suggest you keep your maw shut about this.' Tamlin bristled, hackles rising. 'You're exactly as nasty as your sister said you were.' Nesta laughed. 'I'd hate to disappoint.' She held his emerald stare, knowing silver flames flickered in her eyes. 'I went into the Cauldron because of you,' she said softly, and could have sworn thunder grumbled in the distance. Cassian and Eris faded away into nothing. There was only Tamlin, only this beast, and what he had done to her and her family. 'Elain went into the Cauldron because of you,' Nesta went on. Her fingertips heated, and she knew if she looked down, she'd find silver embers flaring there. 'I don't care how much you apologise or try to atone for it or claim you didn't know the King of Hybern would do such a thing or that you begged him not to do it. You colluded with him. Because you thought Feyre was your property.' Nesta pointed at Tamlin. The ground shook. Cassian swore behind her. Tamlin shrank away from her outstretched finger, claws digging into the earth. 'Put the finger down, you witch.' Nesta smiled. 'I'm glad you remember what happened to the last person I pointed at.' She lowered her arm. 'We're going now.' She stepped back to where Cassian was already waiting, arms open. He wrapped them around her waist. Nesta glanced to Eris, who gave her a shallow, approving nod, then vanished. Nesta said to Tamlin before they shot into the skies, 'Tell anyone you saw us, High Lord, and I'll rip your head from your body.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
It happens.” He turned again to the garden. “To the brain, I mean. It’s the drink, naturally. And the hepatic function. But there is clearly something else occurring, too. Certainly in other men I’ve seen it. There is something in certain abilities that is never far from—far from—” He looked out at the lake. “I cannot really know.” “No, please go on.” “Far from terror, perhaps. It is not such a rare phenomenon, you see. I used to encounter it around the maths division when I was at university, and I have seen it here, even, in my little country practice. It seems to be quite primal. At its crudest, it is a bona fide paranoia. Plenty in the field are gone before the age of twenty. I’ve seen that, too. Perhaps it is a harbinger. I believe it to be physiological.” He looked down. “I sometimes imagine it as God’s revenge.” “Against mathematicians?” “One must bear in mind that they might be considered spies.” He was smiling now. “By the Deity, you mean?” “Indeed. Your dad’s cantankerous nature, by the way—you know that this is his liver, too, don’t you? And of course the drink plays a part in it—but it is also the man himself. The emotions are ablaze in him.” He set down the bucket. “For people like you and me—well, we are shielded by all our damping circuitry. We maintain a cushion against the world, if you will. A comfort against the ravage. But I believe it is not so for him.” He regarded me. “Think of what life must be like for a mind like your father’s. I mean, human existence is bounded by tragedy, is it not? And shot through with it, as well. I was born in Lahore, so I know this in a particular way. But your father, too—he knows it just as particularly, in his own way. I have learned to keep such thoughts somewhat at bay. And so have you. But for him, there is no ignoring it. There is no joy in God’s creation. No pleasure in sunlight or water. No pleasure in a good meal. There is no pleasure in the company of friends. There is nothing. Nothing that might assuage the maw. He
Ethan Canin (A Doubter's Almanac)
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.
Edmund Spenser (The Faerie Queene)
And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.
Edmund Spenser (The Faerie Queene)
This is the wandring wood, this Errours den, This is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, each one Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. Their dam vpstart, out of her den effraide, And rushed forth, hurling her hideous taile About her cursed head, whose folds displaid Were stretcht now forth at length without entraile. For light she hated as the deadly bale, Ay wont in desert darknesse to remaine, Where plaine none might her see, nor she see any plaine. Which when the valiant Elfe perceiu’ed, he lept As Lyon fierce vpon the flying pray, And with his trenchand blade her boldly kept From turning backe, and forced her to stay: Therewith enrag’d she loudly gan to bray, And turning fierce, her speckled taile aduaunst, Threatning her angry sting, him to dismay: Who nought aghast, his mightie hand enhaunst: The stroke down from her head vnto her shoulder glaunst. Much daunted with that dint, her sence was dazd, Yet kindling rage, her selfe she gathered round, And all attonce her beastly body raizd With doubled forces high aboue the ground: Tho wrapping vp her wrethed sterne arownd, Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. (...) That welnigh choked with the deadly stinke, His forces faile, ne can no longer fight. Whose corage when the feend perceiu’d to shrinke, She poured forth out of her hellish sinke Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. (...) Thus ill bestedd, and fearefull more of shame, Then of the certaine perill he stood in, Halfe furious vnto his foe he came, Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse.
Edmund Spenser
Caves are classic convergence zones where cross-species viral jumps occur. Bats and their guano, sheltering mammals, human hunters all passing in and out of a confined, humid, temperature-neutral space. Diseases love to make the first big leap from animal to human in caverns. Did you know the first major Ebola outbreak was ultimately traced back to a single cave in central Africa?
Taylor Zajonc (The Maw)
It’s a lie, it’s a lie, I’m screaming inside. I think of paralyzing venoms and morphine dreams. You’re only seeing what will keep you docile… But try telling him that. As Stefan sags further, a gap opens between them, and in the hostile interplay of firelight and shadow, I catch a glimpse of the network of gnashing maws at the chaotic center of Jaeger’s being.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
Ōkami searched for signs of the girl he loved, hidden behind the gaping dragon’s maw of Hattori Kenshin’s chin guard. Signs of her ingenuity. Signs of her quiet brilliance. The slightest suggestion of any similarity.
Renée Ahdieh (Ōkami (Flame in the Mist, #1.25))
Shut out of the European market by Napoleon’s Continental Blockade, English merchants turned with an eager eye towards the South American trade. According to a contemporary account, the exportations consequent on the first opening of the trade to Buenos Ayres, Brazil, and the Caraccas were most extraordinary. Speculation was then carried beyond the boundaries within which even gambling is usually confined, and was pushed to an extent and into channels that could hardly have been deemed practicable. We are informed by Mr. Mawe, an intelligent traveller, resident at Rio Janeiro, at the period in question, that more Manchester goods were sent out in the course of a few weeks, than had been consumed in the twenty years preceding … Elegant services of cut-glass and china were offered to persons whose most splendid drinking-vessels consisted of a horn, or the shell of a cocoa nut … and some speculators actually went so far as to send out [ice] skates to Rio Janeiro.34 The story that ice skates had been shipped south of the Equator entered City legend. When Bagehot alluded to this episode nearly half a century later his readers would have understood the reference.
Edward Chancellor (The Price of Time: The Real Story of Interest)
She had snatched defeat from the jaws of victory. And so easily too! She had jumped right into that gaping maw. She had solved the case—she had done the impossible thing—and now, she was a freezing reject in a hallway, the world crashed, her limbs numb with sadness.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
Where there is life, there is hope . . . as long as man’s heart beats, as long as a man’s flesh quivers, I do not allow that a being gifted with thought and will can allow himself to despair.
Taylor Zajonc (The Maw)
We make our decisions with the same primitive processes as every other upright ape—anger, sexual fixation, self-involvement, no ability to separate fact from opinion or superstition. Our collective decisions will ripple for millennia, and yet our leadership cannot think past the next election cycle, the next fiscal quarter.
Taylor Zajonc (The Maw)
I knew from a lifetime of experience the difference between staring and looking. A look: a skimming of the eyes, as unthreatening as a mouse dashing across a meadow, your gaze lingering just long enough to absorb information before moving along to the next interesting thing. A stare, though...it was a fiery arrow loosed with a deadly precision. The eyes could gape wide as maws, ready to swallow whatever thing held their attention. If I had collected those stares over the years - harsh, serrated stares at my face, my form my feathers - I'd have enough weapons to arm a revolution" -Avita
Lindsay Eagar (The Family Fortuna)
Spring-Heeled Jack Is In The Lane by Stewart Stafford Go indoors, children, before dark falls, A fiend comes hideous and inhumane, Tell your mother not to answer the door, For Spring-Heeled Jack is in the lane. Is it spectre, beast or demon? A trick of light to fool the brain? Blue flames spew from hellish maw, Spring-Heeled Jack growls in the lane. No one can unsee its monstrous face, Nor its claws of steel that bloodstain, Its haunting cackle freezes victims, Spring-Heeled Jack leaps from the lane. © Stewart Stafford, 2024. All rights reserved.
Stewart Stafford
So if you like Chico’s clothes, wear Chico’s clothes. If you’ve always shopped at Anthropologie, shop at Anthropologie. We are not MAWs in any other decade but this one, and if Mick Jagger can still be siring offspring into his seventies, I can wear my scuffed cowboy boots well into mine.
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
Together, my mate and the High Lord of Day unleashed themselves upon Hybern. Until they paused. Until a slim, short male walked out of the ranks toward them—one of Hybern’s commanders, no doubt. Rhys’s snarl shook the earth. But it was Helion, glowing with white light, who stepped forward to face the male, claws sinking deep into the mud. The commander didn’t so much as wear a sword. Only fine gray clothes and a vaguely amused expression on his face. Amethyst light swirled around him. Helion growled at Rhys—an order. And my mate nodded, gore dripping from his maw, before he lunged back into the fray. Leaving the commander and Helion Spell-Cleaver to go head-to-head. Spell to spell.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The Impossible Banquet by Stewart Stafford Awakened by a stinging sun, Radiant wings of flame and gold, I breathe in dawn’s virgin hopes, With icy shards of doubting cold. Am I not my parents' child? Lost my way on a freedom roam, Invitation to a tempting feast, Over family, love, and home. Trapped within the world's crosshairs, Locked down with time to burn, Casting runestones, but too late, For visible escape, I yearn. An obsessive lady by my side, A judge of karma infernal, She took my life with her own hand, Bequeathing a wound eternal. Tomorrow’s hopes are now a ghost, No merciful release to illuminate, I wish to scrub away the past, A vain rebirth to change my fate. But I’m caught in the Reaper's maw, I weep for you who procrastinate, Sold my soul on Devil's Bridge, Then dragged through a fiery gate. Hope, community, society crash, Towering feats of grotesquery, You may not grieve for me who's gone, Time's cruel critic is all you see. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
maw of Death, the light drew him on, faster and faster, more hurried than any other step he had taken. His fingers were quick upon the strings,
Adam Alexander Haviaras (A Song for the Underworld: The Story of Orpheus and Eurydice (Mythologia))
Blood everywhere. Everywhere. And the thing halfway down the alley … not Vanir. Not one she’d encountered before. A demon? Some feral thing with smooth, near-translucent gray skin. It crawled on four long, spindly limbs, but looked vaguely humanoid. And it was feasting on someone else. On—on a malakh. Blood covered the angel’s face, soaking his hair and veiling the swollen, battered features beneath. His white wings were splayed and snapped, his powerful body arced in agony as the beast ripped at his chest with a maw of clear, crystalline fangs that easily dug through skin and bone— She did not think, did not feel. She moved, fast like Randall had taught her, brutal like he’d made her learn to be. She slammed the table leg into the creature’s head so hard that bone and wood cracked. It
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
A.P. had to go out into those Appalachian hills and scare up twenty or thirty new songs a year to feed the hungry maws of their record company and their fans.
Mark Zwonitzer (Will You Miss Me When I'm Gone? The Carter Family and Their Legacy in American Music)
The old man is lecturing me on rigging, his maw a senseless, wet noisemaker. He yammers on and on, a blathering display of trucker-mouth diarrhea.
Michael Patrick F. Smith (The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown)
Anxiety was like being on a treadmill while being chased by a lion. I was constantly spinning my wheels but getting nowhere but closer to the carnivore’s maw.
Kat Blackthorne (Ghost (The Halloween Boys, #1))
black eyes and that black maw of a mouth ringed with red. Noveen. All these years she had been down there in the double dark – under the stair and in the tin box – waiting to spill her secrets, and her lipstick had stayed fresh all
Stephen King (Duma Key)
Then it was over and he was in his bedroom and the wet thing that lay beside him opened a painted maw. The death rattle that came from the Karina-thing raised to a crescendo. He felt himself falling backward into darkness as it reached out for him with sticky hands.
Andrew Van Wey (Forsaken)
This was my first visit to Walt Disney’s Magical Money Maw, and I initially had a typically cynical Chicagoan’s reaction. This place was an amusement park posing as a Disney movie come to life, with college kids in big-headed cartoon-character costumes mingling like monsters among children whose reactions veered between disappointment and terror. Here, the creator (not God but the beaming mustached one on TV) served up turn-of-the-century childhood memories painted with a pastel brush, inviting visitors into a fanciful American past sprinkled with pixie dust to banish actual memories of an era awash in financial failures, railroad strikes, immigrant tenements, racist lynchings, and social protest, right and left.
Max Allan Collins (The Big Bundle)
Jesus, Euan. I see I have to spell it out for you. Just because yer maw was a cow who left you doesn’t mean that every woman is. And just because you split up with your teenage girlfriend doesn’t mean you can never have another relationship again. Stubborn numpty.
Beatrice Bradshaw (Love on the Scottish Spring Isle (Escape to Scotland, #2))
I wanted to talk to Karen or Leif or Eddie. I wanted to have a family again, to be folded into something I believed was safe from destruction. Right alongside my longing for them, I felt something as hot as hate for each of them now. I imagined a big machine like the one that had mawed up this forest mawing up our forty acres in the Minnesota woods. I wished with all my heart that it really would. I would be free then, it seemed. Because we had not been safe from destruction after my mom died, total destruction would come now as a relief. The loss of my family and home were my own private clear-cut. What remained was only ugly evidence of a thing that was no more.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Our whole year swallowed, As if by a massive maw. What else could stomach Our hearts, huge with hurt, Everyone & everything hell
Amanda Gorman (Call Us What We Carry)