Maurice Richard Quotes

The man who enters Cosmic Consciousness is really a new creature, and all his surroundings “become new” - take on a new face and meaning.

Maurice Nicoll says all history is a living today. We are not enjoying one spark of life in a huge, dead waste. We are, instead, existing at one point “in a vast process of the living who still think and feel but are invisible to us.

There I go again. I want. I don't want. If I could love You, I could love Henry. God was made man. He was Henry with his astigmatism, Richard with his spots, not only Maurice. If I could love a leper's sores, couldn't I love the boringness of Henry? But I'd turn from the leper if he were here, I suppose, as I shut myself away from Henry. I want the dramatic always. I imagine I'm ready for the pain of your nails... Dear God, I'm no use. I'm still the same bitch and fake. Clear me out of the way.

I am in a strait betwixt the two, having the desire to depart and be with Christ; for it is very far better: yet to abide in the flesh is more needful for your sake

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But I soon found that I was seeing the aura of the flowers. A wonderful light shone out from every little petal and flower, and the whole was a blaze of splendor.

And being asked by the Pharisees when the kingdom of God cometh he answered them and said: The kingdom of God Cometh not with observation; neither shall they say, Lo, here! or there, for lo, the kingdom of God is within you [16: 17:20-1].

You said you didn't love her enough. How did you know in the end that you didn't?" ... "Because when she went away I didn't miss her. Because I could stand having her out of my sight; because I didn't want to touch her every time I saw her; because I didn't have the urge to buy her flowers every time I passed a flower stall; because I didn't look for her around every corner; because she wasn't in my head every time I looked up from a market report; because she didn't make me feel stoned - and didn't make me feel glad I wasn't; she didn't fire up my imagination; she didn't make me forget the gloom of the past, as the song goes. Because she didn't make me almost wish she'd disappear so I could find her.

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Jesus quickly decided, as these men all decide, that the power must be used for the benefit of the race.

Then the realization of grandeur of the human soul, immediately followed by the rapture of the realization of God. He glances back and sees how futile his life and ambitions have so far been. Then realizes his present reconcilement with the cosmos and that the rest of his life must be continual joy.

Into that strange scene came my future mentors in the hamburger business, the McDonald brothers, Maurice and Richard, a pair of transplanted New Englanders. Maurice had moved out to California in about 1926 and got a job handling props in one of the movie studios. Richard joined him after he was graduated from West High School in Manchester, New Hampshire, in 1927. Mac and Dick worked together in the studio, moving scenery, setting up lights, driving trucks, and so forth until 1932, when they decided to go into business for themselves. They bought a run-down movie theater in Glendora. It provided a very sparse living,

Maurice Richard c'est tout le Québec qui est debout. Qui fait peur et qui vit.

Fear wearing black.' Definition of cool. Maybe it's also the definition of courage. Would she be courageous?”.

Comment ne pas voir que la planète est profondément déréglée, quand fleurissent les tulipes à une période de l'année où Maurice Richard jouait encore au hockey sur les patinoires extérieures d'Ahuntsic? Comment ne pas réaliser que tout s'en va chez le diable? La fin du monde sera une enfilade de journées magnifiques.

Not everyone that saith unto me Lord, Lord, shall enter into the kingdom of heaven, but he that doeth the will of my Father which is in heaven [14:7:23].

He said unto them, Verily I say unto you: There is no man that hath left house, or wife or brethren, or parents, or children, for the kingdom of God's sake, who shall not receive manifold more in this time, and in the world to come eternal life [16: 18: 29-30].

How can a man be born when he is old? Can he enter a second time into his mother's womb and be born? Jesus answered: Verily, verily I say unto thee, except a man be born of water and the spirit, he cannot enter into the kingdom of God [17:3:3-5].

The British philosopher Richard Wollheim put all this another way. Death, he wrote, is the great enemy not merely because it deprives us of all the future things we might do, and all the pleasures we might experience. It takes away the ability to experience anything at all, ever. It puts an end to our being a Heideggerian

THE HALL OF FANTASY, horror-supernatural dramatic anthology. BROADCAST HISTORY: Aug. 22, 1952–Sept. 28, 1953, Mutual. 30m, Fridays at 9:30 until Sept. 26, 1952; returned Jan. 5, 1953, Mondays at 8:30. CAST: Chicago radio performers including Harry Elders, Eloise Kummer, Carl Grayson, and Maurice Copeland. WRITER-CREATOR-PRODUCER-DIRECTOR: Richard Thorne, who also played many of the character roles. DIRECTOR: Leroy Olliger; also, Glenn Ransom. MUSIC: Harold Turner. In this series of dark fantasy, man struggled against the unknown and often lost. The supernatural was portrayed as a force that could be dangerous, awesome, sometimes devastating, and always frightening. Situations ranged from a killer fog to the walking dead. There were often shock endings, with the vampire’s teeth sinking into the hero’s throat,

CHARLES MAURICE DE TALLEYRAND-PÉRIGORD was one of the most extraordinary and amoral men in an extraordinary and amoral time.

Introduction copyright © 2025 by Stephen King Volume copyright © 2025 by Daring Greatly Corporation, Inc. and Brian Keene Room 24 copyright © 2025 by Caroline Kepnes The Tripps copyright © 2025 by Wrath James White Bright Light City copyright © 2025 by Meg Gardiner Every Dog Has Its Day copyright © 2025 by Bryan Smith Lockdown copyright © 2025 by Bev Vincent In a Pig’s Eye copyright © 2025 by Joe R. Lansdale Lenora copyright © 2025 by Jonathan Janz The Hope Boat copyright © 2025 by Gabino Iglesias Wrong Fucking Place, Wrong Fucking Time copyright © 2025 by C. Robert Cargill Prey Instinct copyright © 2025 by Hailey Piper Grace copyright © 2025 by Tim Lebbon Moving Day copyright © 2025 by Richard Chizmar La Mala Hora copyright © 2025 by Alex Segura The African Painted Dog copyright © 2025 by Catriona Ward Till Human Voices Wake Us, and We Drown copyright © 2025 by Poppy Z. Brite Kovach’s Last Case copyright © 2025 by Michael Koryta Make Your Own Way copyright © 2025 by Alma Katsu I Love the Dead copyright © 2025 by Josh Malerman Milagros copyright © 2025 by Cynthia Pelayo The Legion of Swine copyright © 2025 by S. A. Cosby Keep the Devil Down copyright © by Rio Youers Across the Pond copyright © 2025 by V. Castro The Boat Man copyright © 2025 by Tananarive Due and Steven Barnes The Story I Tell Is the Story of Some of Us copyright © 2025 by Paul Tremblay The Mosque at the End of the World copyright © 2025 by Usman T. Malik Abagail’s Gethsemane copyright © 2025 by Wayne Brady and Maurice Broaddus He’s a Righteous Man copyright © 2025 by Ronald Malfi Awaiting Orders in Flaggston copyright © 2025 by Somer Canon Grand Junction copyright © 2025 by Chuck Wendig Hunted to Extinction copyright © 2025 by Premee Mohamed Came the Last Night of Sadness copyright © 2025 by Catherynne M. Valente The Devil’s Children copyright © 2025 by Sarah Langan The Unfortunate Convalescence of the SuperLawyer copyright © 2025 by Nat Cassidy Walk on Gilded Splinters copyright © 2025 by David J. Schow