Mattress Business Quotes

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Then Drago began the deliberate, precise, business-like process of killing.  A knee-buckling burst of fire and flash laid waste to men and material within seconds.  A Panhard vehicle to Silva’s left simply disappeared in an explosion that spraying metal parts willy-nilly in every direction in a spread so thorough that Drago thought they were under fire, and he yelled at his men to respond.  Another blast destroyed a six-wheeled reconnaissance vehicle, but it didn’t break it apart; it simply expanded as if swollen or bloated, like an air mattress or inflatable toy, though it still had weight and quickly collapsed over its own suspension.  Some trucks were overturned; a Jeep flipped end-over-end.  None were left unscathed.  In short order, what had been ten or twelve vehicles were reduced to a single steaming and smoking pile of metal.
John Payton Foden (Magenta)
Love was lazy as hell. Love laid around in bed, warm from the sheets and the sunlight pouring into the room. Love was too lazy to get up to close the blinds. Love was too comfortable to get up and go pee. Love took too many naps, it watched TV, but not really, because it was too busy kissing and napping. Love was also funny, which somehow made the bed more comfortable, the laughter warming the sheets, softening the mattress and the lovers’ skin.
Adi Alsaid (Never Always Sometimes)
There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld cities. At least, there’s a saying that there’s a saying that all roads lead to Ankh-Morpork. And it’s wrong. All roads lead away from Ankh-Morpork, but sometimes people just walk along them the wrong way. Poets long ago gave up trying to describe the city. Now the more cunning ones try to excuse it. They say, well, maybe it is smelly, maybe it is overcrowded, maybe it is a bit like Hell would be if they shut the fires off and stabled a herd of incontinent cows there for a year, but you must admit that it is full of sheer, vibrant, dynamic life. And this is true, even though it is poets that are saying it. But people who aren't poets say, so what? Mattresses tend to be full of life too, and no one writes odes to them. Citizens hate living there and, if they have to move away on business or adventure or, more usually, until some statute of limitations runs out, can’t wait to get back so they can enjoy hating living there some more. They put stickers on the backs of their carts saying "Anhk-Morpork—Loathe It or Leave It.
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
The books were in no particular order, and Lundy found the process of sorting them remarkably soothing, involving, as it did, a strange sort of scavenger hunt through the entire shack. Books had been used to prop up tables and level out shelves; they were piled on surfaces where books had no business being and tucked under the edge of the thin mattress of the Archivist's bed. In the case of books that had become load-bearing, Lundy used her school ruler to carefully note their heights and went searching for rocks or pieces of scrap wood that would do the job as well, if not better. In the case of books left too near to water or exposed to the air, she rolled her eyes and whisked them away to literary safety.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat up, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Brian asked, “How did you learn to think so big at CAA?” I reminded him that Airbnb had consistently thought big: it hadn’t been at all content with its original business of renting out air mattresses on floors. Then I added that one way to conceptualize how to think in business is a martial-arts precept: “If you aim at the target, you lose all your power. You have to hit through the target to really smash it.” To get where you want to go, you have to set out to go even further.
Michael Ovitz (Who Is Michael Ovitz?)
He pointed out that the mattress in the master boudoir was handspring with each spring wrapped in cashmere It’s like sleeping on air, Miss Williams, he said as he showed her the suite’s ‘menu of pillows’ on a silver-embossed card As if she was the kind of woman who’d amputate her aspirations to become one of his decorative appendages She had to politely extricate herself from his intentions without jeopardizing the business
Bernardine Evaristo (Girl, Woman, Other)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
We got lots of secrets, Will. You Apollo guys can't have all the fun. Our campers have been excavating the tunnel system under Cabin Nine for almost a century. We still haven't found the end. Anyway, Leo, if you don't mind sleeping in a dead man's bed, it's yours-Jake Suddenly Leo didn't feel like kicking back. He sat u, careful not to touch any of the buttons. The counselor who died-this was his bed-Leo Yeah. Charles Beckendorf-Jake Leo imagined saw blades coming through the mattress, or maybe a grenade sewn inside the pillows. He didn't, like, die IN this bed, did he-Leo No. In the Titan War, last summer-Jake The Titan War, which has NOTHING to do with this very fine bed-Leo "The Titans," Will said, like Leo was an idiot. The big powerful guys that ruled the world before the gods. They tried to make a comeback last summer. Their leader, Kronos, built a new palace on top of Mount Tam in California. Their armies came to New York and almost destoyed Mount Olympus. A lot of demigods died trying to stop them-Will I'm guessing this wasn't on the news-Leo It seemed like a fair question, but Will shook his head in disbelief. You didn't hear about Mount St. Helens erupting, or the freak storms across the country, or that building collapsing in St Louis-Will Leo shrugged. Last summer, he'd been on the run from another foster home. Then a truancy officer caught him in New Mexico, and the court sentenced him to the nearest correction facility-the Wilderness School. Guess I was busy-Leo Doesn't matter. You were lucky to miss it. The thing is, Beckendorf was one of the first casualties, and ever since then-Jake Your cabin's been cursed-Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I laugh hard enough to shake the mattress, but the poor man doesn’t even notice. He’s too busy grabbing a condom from the nightstand drawer. Too busy stroking his cock as he sheathes himself. Too busy guiding that huge dick to my entrance and falling forward onto one elbow. The penetration is swift. One second I’m achingly empty, the next I’m deliciously full. Blake moans against my neck and drives his hips forward. Then he retreats, a slow, torturous withdrawal until only his tip is inside me, an unbearable tease. My inner muscles clamp tight, trying to draw him in again, but he stays in that position for a moment, his gaze locking with mine.
Sarina Bowen (Good Boy (WAGs, #1))
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
So you saved the Bureau,” Cara says, turning to me. “You seem to get involved in a lot of conflict. I suppose we should all be grateful that you are steady in a crisis.” “I didn’t save the Bureau. I have no interest in saving the Bureau,” I retort. “I kept a weapon out of some dangerous hands, that’s all.” I wait a beat. “Did you just compliment me?” “I am capable of recognizing another person’s strengths,” Cara replies, and she smiles. “Additionally, I think our issues are now resolved, both on a logical and an emotional level.” She clears her throat a little, and I wonder if it’s finally acknowledging that she has emotions that makes her uncomfortable, or something else. “It sounds like you know something about the Bureau that has made you angry. I wonder if you could tell me what it is.” Christina rests her head on the edge of Uriah’s mattress, her slender body collapsing sideways. I say wryly, “I wonder. We may never know.” “Hmm.” The crease between Cara’s eyebrows appears when she frowns, making her look so much like Will that I have to look away. “Maybe I should say please.” “Fine. You know Jeanine’s simulation serum? Well, it wasn’t hers.” I sigh. “Come on. I’ll show you. It’ll be easier that way.” It would be just as easy to tell her what I saw in that old storage room, nestled deep in the Bureau laboratories. But the truth is, I just want to keep myself busy, so I don’t think about Uriah. Or Tobias.
Veronica Roth (Allegiant (Divergent, #3))
After I left Uriah’s side last night, I wandered the compound without any sense of direction. I should have been thinking of my friend, teetering between this world and whatever comes next, but instead I thought of what I said to Tobias. And how I felt when I looked at him, like something was breaking. I didn’t tell him it was the end of our relationship. I meant to, but when I was looking at him, the words were impossible to say. I feel tears welling up again, as they have every hour or so since yesterday, and I push them away, swallow them down. “So you saved the Bureau,” Cara says, turning to me. “You seem to get involved in a lot of conflict. I suppose we should all be grateful that you are steady in a crisis.” “I didn’t save the Bureau. I have no interest in saving the Bureau,” I retort. “I kept a weapon out of some dangerous hands, that’s all.” I wait a beat. “Did you just compliment me?” “I am capable of recognizing another person’s strengths,” Cara replies, and she smiles. “Additionally, I think our issues are now resolved, both on a logical and an emotional level.” She clears her throat a little, and I wonder if it’s finally acknowledging that she has emotions that makes her uncomfortable, or something else. “It sounds like you know something about the Bureau that has made you angry. I wonder if you could tell me what it is.” Christina rests her head on the edge of Uriah’s mattress, her slender body collapsing sideways. I say wryly, “I wonder. We may never know.” “Hmm.” The crease between Cara’s eyebrows appears when she frowns, making her look so much like Will that I have to look away. “Maybe I should say please.” “Fine. You know Jeanine’s simulation serum? Well, it wasn’t hers.” I sigh. “Come on. I’ll show you. It’ll be easier that way.” It would be just as easy to tell her what I saw in that old storage room, nestled deep in the Bureau laboratories. But the truth is, I just want to keep myself busy, so I don’t think about Uriah. Or Tobias.
Veronica Roth (Allegiant (Divergent, #3))
Editing is the most obvious way of manipulating vision. And yet, the camera sometimes sees what you don’t - a person in the background, for example, or an object moving in the wind. I like these accidents. My first full-length film, Esperanza, was about a woman I befriended on the Lower East Side when I was a film student at NYU. Esperanza had hoarded nearly all the portable objects she had touched every day for thirty years: the Chock Full O’Nuts paper coffee cups, copies of the Daily News, magazines, gum wrappers, price tags, receipts, rubber bands, plastic bags from the 99-cent store where she did most of her shopping, piles of clothes, torn towels, and bric-a-brac she had found in the street. Esperanza’s apartment consisted of floor-to-ceiling stacks of stuff. At first sight, the crowded apartment appeared to be pure chaos, but Esperanza explained to me that her piles were not random. Her paper cups had their own corner. These crenellated towers of yellowing, disintegrating waxed cardboard stood next to piles of newspapers … One evening, however, while I was watching the footage from a day’s filming, I found myself scrutinizing a pile of rags beside Esperanza’s mattress. I noticed that there were objects carefully tucked in among the fraying bits of coloured cloth: rows of pencils, stones, matchbooks, business cards. It was this sighting that led to the “explanation.” She was keenly aware that the world at large disapproved of her “lifestyle,” and that there was little room left for her in the apartment, but when I asked her about the objects among the rags, she said that she wanted to “keep them safe and sound.” The rags were beds for the things. “Both the beds and the ones that lay down on them,” she told me, “are nice and comfy.” It turned out that Esperanza felt for each and every thing she saved, as if the tags and town sweaters and dishes and postcards and newspapers and toys and rags were imbued with thoughts and feelings. After she saw the film, my mother said that Esperanza appeared to believe in a form of “panpsychism.” Mother said that this meant that mind is a fundamental feature of the universe and exists in everything, from stones to people. She said Spinoza subscribed to this view, and “it was a perfectly legitimate philosophical position.” Esperanza didn’t know anything about Spinoza … My mother believed and I believe in really looking hard at things because, after a while, what you see isn’t at all what you thought you were seeing just a short time before. looking at any person or object carefully means that it will become increasingly strange, and you will see more and more. I wanted my film about this lonely woman to break down visual and cultural cliches, to be an intimate portrait, not a piece of leering voyeurism about woman’s horrible accumulations.
Siri Hustvedt (The Blazing World)
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The serum wears off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to…smell flowers, or whatever you wanted to do while you were on that stuff.” “I’ll kill them,” I say. “I will kill them.” “Don’t bother. We’re leaving soon anyway,” he says, closing the door behind him. He takes the hard drive from his back pocket. “I thought we could hide this behind your dresser.” “That’s where it was before.” “Yeah, and that’s why Peter won’t look for it here again.” Tobias pulls the dresser away from the wall with one hand and wedges the hard drive behind it with the other. “Why couldn’t I fight the peace serum?” I say. “If my brain is weird enough to resist the simulation serum, why not this one?” “I don’t know, really,” he says. He drops down next to me on the bed, jostling the mattress. “Maybe in order to fight off a serum, you have to want to.” “Well, obviously I wanted to,” I say, frustrated, but without conviction. Did I want to? Or was it nice to forget about anger, forget about pain, forget about everything for a few hours? “Sometimes,” he says, sliding his arm across my shoulders, “people just want to be happy, even if it’s not real.” He’s right. Even now, this peace between us comes from not talking about things--about Will, or my parents, or me almost shooting him in the head, or Marcus. But I do not dare to disturb it with the truth, because I am too busy clinging to it for support. “You might be right,” I say quietly. “Are you conceding?” he says, his mouth falling open with mock surprise. “Seems like that serum did you some good after all…” I shove him as hard as I can. “Take that back. Take it back now.” “Okay, okay!” He puts up his hands. “It’s just…I’m not very nice either, you know. That’s why I like you so--” “Out!” I shout, pointing at the door. Laughing at himself, Tobias kisses my cheek and leaves the room.
Veronica Roth (Insurgent (Divergent, #2))
I’m not the trophy fuck you brag about to your boys. I’m more like the guilty jerk off material you stash underneath the mattress when you’re done. You don’t want more than business with me.
Love Belvin (Love's Inconvenient Truth)
applies even to businesses that you might think of as boring or commodity-based. Michael Hanna (the mattress guy) talked with me about selling a mattress to a family with an infant and then seeing them return two years later with their three-year-old, who now needed to upgrade to her first bed. This kind of story, which Michael tries to communicate frequently,
Chris Guillebeau (The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future)
decadence—as a case study in what it looks like when an extraordinarily rich society can’t find enough new ideas that justify investing all its stockpiled wealth, and ends up choosing between hoarding cash in mattresses or playing a kind of let’s-pretend instead. In a decadent economy, the supposed cutting edge of capitalism is increasingly defined by let’s-pretendism—by technologies that have almost arrived, business models that are on their way to profitability, by runways that go on and go on without ever achieving liftoff. Do people on your coast think all this is real? When the tech executive asked me that, I told him that we did—that the promise of Silicon Valley was as much an article of faith for those of us watching from the outside as for its insiders; that we both envied the world of digital and hoped that it would remain the great exception to economic disappointment, the place where even in the long, sluggish recovery from the crash of 2008, the promise of American innovation was still alive. And I would probably say the same thing now, despite the stories I’ve just told—because notwithstanding Billy McFarland and Elizabeth Holmes, notwithstanding the peculiar trajectory of Uber, many Silicon Valley institutions deserve their success, many tech companies have real customers and real revenue and a solid structure underneath, and the Internet economy is as real as twenty-first-century growth and innovation gets. But what this tells us, unfortunately, is that twenty-first-century growth and innovation are not at all what we were promised they would be.
Ross Douthat (The Decadent Society: How We Became the Victims of Our Own Success)
Examples:         1.    No more sleepless nights, tossing and turning on a mattress that doesn’t work for you.         2.    Most people don’t realize how much time they’re wasting in their email inbox every day. We have a solution.         3.    We meet people all the time who are wasting their money because they don’t know how to invest it.         4.    Are you tired of paying money for marketing that doesn’t get results?
Donald Miller (Marketing Made Simple: A Step-by-Step StoryBrand Guide for Any Business (Made Simple Series))
A changing space. As we saw with Michael’s example in Chapter 1, car dealerships were going out of business, and he was able to rent his first temporary mattress space on the cheap. Not everyone would have thought of locating a mattress shop in a former car dealership, but Michael grabbed the opportunity.
Chris Guillebeau (The $100 Startup: Fire Your Boss, Do What You Love and Work Better to Live More)
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
But the flock of Silicon Valley unicorns had grown so large that Benioff himself had become nervous. The kind of rapid expansion that venture capital made possible wasn’t sustainable without discipline. In the middle of the decade, Benioff had issued a warning: “There’s going to be a lot of dead unicorns.” Neumann had begun pitching WeWork as a new breed of SaaS business: “space as a service.” The idea was that companies of all sizes would no longer handle their own real estate portfolios but would instead turn over the management of their physical space to WeWork, transforming the company into something like a real estate cloud—a “platform.” This was a goal shared by every ambitious start-up of the decade, no matter how specious the claim. Facebook, Uber, and Airbnb identified as platforms, as did Beyond Meat, the pea-protein burger maker (“plant-based-product platforms”); Peloton, the indoor exercise bike company (“the largest interactive fitness platform in the world”); and Casper, the mattress company (a “platform built for better sleep”). It was no longer good enough for companies to simply be what they were.
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
There was a mattress in the small front yard and the smell of rotting food. The house looked like it needed some work, even in the forgiving glow of the streetlights. He’d done business over the years with the people-smuggling rackets and he couldn’t believe this was what the immigrants were all so desperate to reach.
Kevin Wignall (The Hunter's Prayer)
I recalled one example, when First Boston had loaned $450 million—40 percent of its equity capital—to just one firm, Ohio Mattress, in a disastrous deal Wall Street wits had christened “the burning bed.” Profits at First Boston were so pathetic that the firm had to sell a stake in its derivatives business just to pay bonuses. Meanwhile, it was rumored that Allen Wheat, the firm’s new chief executive officer, had received compensation of $30 million, although reports later indicated his compensation was a mere $9 million. The firm had been tagged Wheat First Securities, a reference to a small-time, relatively impoverished brokerage firm. It was no surprise that top salesmen were fleeing in droves. I, too, wanted out.
Frank Partnoy (FIASCO: Blood in the Water on Wall Street)
When presented as a solution, consumers more readily evaluate whether a product or service satisfies what they need or want. They evaluate if it will “fit” and solve something in their life. People hate to be sold, but they expect to be marketed to. So don’t sell the mattress, market the sleep.
Jeff Swystun (Why Marketing Works: 7 Time-Tested, Brand-Building Principles)
But then the friends are saying good night, shaking my hand, smiling. Off into the night they go and James and I are left alone again. I realize one of us has to make a move or we are never getting any sleep tonight. I move over to the mattress and lie down. I let my sarong slip off to the side. I let my bikini bottom show. He’s busy, moving buckets from one side of the room to the other, shaking some dirt off the bottom of one, moving another just so. I’m wondering if this is some kind of Masai feng shui, or if he’s avoiding joining me. I don’t press him; I let him go on with whatever he is doing. A nervous man is a wonderful thing. It gives a woman all the power, but it only lasts so long, so I try to enjoy it, this moment of feigned control and confidence on my part.
Kenneth Cain (Emergency Sex (And Other Desperate Measures): True Stories from a War Zone)
The tent camp in the Jordan Valley on the approach to Jericho had perhaps 20,000 inhabitants. . . . I looked at their filthy habitations—brush for mattresses, a torn blanket or two, a larder empty except for a pinch of meal, a pat or two of lard. The camp was talking about an Arab businessman from Haifa. The day before, he had taken his two sons from the tent, shot them through the head, and turned the gun on himself. . . . The Jews had taken his home and business, and refused to allow his return, even to liquidate. He was penniless and couldn’t stand watching his children’s bellies bloat. The tent camp in Ramallah was even worse. Icy winds off the Judean hills whipped through the torn flaps. The widow from Ramle wore an old flour sack, and her legs were blue with cold. Her five children emitted a monotonous wail; she was on the move perpetually, swabbing their runny noses. Her husband, a Ramle carpenter, had been killed in the war. . . . Agonized, she asked me what happened to her home. I could have told her it was probably occupied by a [Jewish] family from Bulgaria or Poland, but stalled with a don’t know answer.23
Eric Gartman (Return to Zion: The History of Modern Israel)
You have to act the Good Samaritan every day, if need be. It may mean the loss of many nights’ sleep, great interference with your pleasures, interruptions to your business. It may mean sharing your money and your home, counseling frantic wives and relatives, innumerable trips to police courts, sanitariums, hospitals, jails and asylums. Your telephone may jangle at any time of the day or night. Your wife may sometimes say she is neglected. A drunk may smash the furniture in your home, or burn a mattress. You may have to fight with him if he is violent. Sometimes you will have to call a doctor and administer sedatives under his direction. Another time you may have to send for the police or an ambulance.
Alcoholics Anonymous (Alcoholics Anonymous: The Official "Big Book" from Alcoholic Anonymous)
Marcus woke again to find Sanga lying asleep on his bed, and he quietly climbed off his own mattress, standing still for a moment to allow the slight feeling of dizziness to pass. Walking quietly on bare feet, he made his way up the corridor to the latrine, then went in search of his wife. Felicia was delighted to see him on his feet, despite her immediate concern for his well-being, which were quickly dispelled when he waved her away and turned a full circle with his arms out. ‘Well, you seem to be spry enough that I think we can assume the effects of the mandrake have completely worn off. You won’t be able to speak or eat solid food for some time yet though.’ ‘And that’s why I brought this for him.’ They turned to find the tribune standing in the doorway with a smile on his face, a small iron pot dangling from one hand. ‘There’s a food shop at the end of the street whose proprietress was only too happy to lend me the pot in the likelihood of getting your business for the next few weeks. Pass me a cup and I’ll pour you some.’ Marcus found his glass drinking tube and took a sip at the soup, nodding his thanks to the tribune. Scaurus sat in silence until the cup was empty, watching as the hungry centurion consumed the soup as quickly as its temperature would allow. ‘That’s better, eh? There’s more in the pot for when I’m gone. I’d imagine you’ll be spending another night in here just to be sure you’re over the worst of it, but that ought to keep you going until morning. And now, Centurion, to business? First Spear Frontinius tells me that you passed a message requesting a conversation with me, although from the look of things most of the speaking will be done by me.’ Marcus nodded, reaching for his tablet and writing several lines of text. He handed the wooden case to Scaurus, who read the words and stared back at his centurion with his eyebrows raised in astonishment. ‘Really? You’re sure of this?’ After thinking for a moment, Marcus held out his hand and took the tablet back. He smoothed the wax and wrote another statement. Scaurus looked grimly at the text, shaking his head. ‘You got that close to him?’ Marcus wrote in the tablet again. Scaurus read the text aloud, a wry smile on his face. ‘“Take a tent party with you.” A tent party? I’ll need a damned century if he’s as dangerous as you say. And the nastiest, most bad-tempered officer in the First Cohort. Do any names spring to mind, Centurion?
Anthony Riches (The Leopard Sword (Empire, #4))
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
Are you sure it’s going to fit? You told me to get a double.” “I did?” She glanced at the platform. “I meant a full. That’s a little narrower, isn’t it?” “I don’t know. I hope they’re the same. Measure twice, move once.” Doubt flickered across Kenzie’s expression. “That’s not how the saying goes.” “It’ll do for now.” “Let’s just try it.” She curled her fingers around a handle and dragged it onward. Linc reached for the other one and helped her flip it down. It hollowed in the middle and hung over the edge. “I’m guessing I got suckered,” he said with annoyance. He looked at the label sewn into the side. “It isn’t a national brand--the measurement sure isn’t standard. The damn thing is about three inches wider than the platform.” “The length is correct,” Kenzie said helpfully. Linc lifted it back up again and leaned it against the opposite wall. “Yeah. Great.” “Sorry,” she offered. He bent over and ran a hand along the platform’s edge, pushing gently on the long wooden bar that kept the mattress in place. It gave at one corner. “Stapled. Not exactly quality construction.” He thumped at it with a closed fist to pry it loose and di the same thing at the other end, straightening with the bar in his hand. He handed it to her. “This can go in the closet. You get to explain to Norm.” “He won’t care. You’re a genius.” Linc hoisted the mattress and flipped it down again. “If you say so.” He grinned. “At least the bed’s flat.” Kenzie rested the bar in a corner and got busy stripping off the plastic while he watched. The luxurious satin top gleamed softly--he’d spent what she’d given him. When she was done, she had an armful of plastic that she stuffed into a bag on top of the crumpled rock-star posters. With a sigh of happiness she sat down on her new bed. “Thanks so much. You really came through.” “I like protecting you from lecherous mattress salesmen. You don’t need to thank me,” he joked. “How about a kiss instead?” Linc was taken aback. He opened his mouth, too surprised for a second to say yes. No never entered his mind.
Janet Dailey (Honor (Bannon Brothers, #2))
Come here,” Cam said in a sleep-darkened voice, drawing back the bed linens. A laugh stirred in her throat. “Absolutely not. There is too much to be done. Everyone is busy except you.” “I intend to be busy. As soon as you come here. Monisha, don’t make me chase you this early.” Amelia gave him a severe glance as she obeyed. “It’s not early. In fact, if you don’t wash and dress quickly, we’ll be late to the flower show.” “How can you be late for flowers?” Cam shook his head and smiled, as he always did when she said something he considered to be gadjo nonsense. His gaze was hot and slumberous. “Come closer.” “Later.” She gave a helpless gasp of laughter as he reached out with astonishing dexterity, snaring her wrist in his hand. “Cam, no.” “A good Romany wife never refuses her husband,” he teased. “The maid—” she said breathlessly as she was pulled across the mattress, and clasped against all that warm golden skin. “She can wait.
Lisa Kleypas (The Hathaways Complete Series: Mine Till Midnight, Seduce Me at Sunrise, Tempt Me at Twilight, Married by Morning, and Love in the Afternoon)
Come here,” Cam said in a sleep-darkened voice, drawing back the bed linens. A laugh stirred in her throat. “Absolutely not. There is too much to be done. Everyone is busy except you.” “I intend to be busy. As soon as you come here. Monisha, don’t make me chase you this early.” Amelia gave him a severe glance as she obeyed. “It’s not early. In fact, if you don’t wash and dress quickly, we’ll be late to the flower show.” “How can you be late for flowers?” Cam shook his head and smiled, as he always did when she said something he considered to be gadjo nonsense. His gaze was hot and slumberous. “Come closer.” “Later.” She gave a helpless gasp of laughter as he reached out with astonishing dexterity, snaring her wrist in his hand. “Cam, no.” “A good Romany wife never refuses her husband,” he teased. “The maid—” she said breathlessly as she was pulled across the mattress, and clasped against all that warm golden skin. “She can wait.” He unbuttoned her robe, his hand slipping past the lace, fingertips exploring the sensitive curves of her breasts. Amelia’s giggles died away. He knew so much about her—too much—and he never hesitated to take ruthless advantage. She closed her eyes as she reached up to the nape of his neck. The clean, silky locks of his hair slipped through her fingers like liquid. Cam kissed her tender throat, while one of his knees nudged between hers. “It’s either now,” he murmured, “or behind the rhododendrons at the flower show. Your choice.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Angels sleeps in her cell, her room which should be gay with cushions or theatre programmes or comic pottery, but isn't. The distant clocks have been chiming and ringing all night to pass the time. She lies on her stomach, to hide or protect time, one arm hanging over the edge of the bed, her head wrenched sideways. Everything about her now is unformed. Her intelligence has stopped working. She is herself and, as she flounders, flies, sinks from one dream to another, unrecognizable. What does myself look like? I mean, who am I? You are an examination result, dear. Perhaps, in time, a scholarship. Perhaps an Honors Degree. Try harder. But myself - I mean myself? Perhaps you could find yourself in the Guides, or in the New Testament somewhere. If not, we can provide various substitutes, such as Joan of Arc, Florence Nightingale, Nurse Cavell. It's really none of our business, but we do keep a few heroines handy, just in case. But how shall I deal with myself? What shall I do with myself all my life? You may look in the answer book. You must control yourself, discipline yourself, sacrifice yourself, respect yourself. If necessary you may defend yourself and able yourself, and to have confidence in yourself while effacing yourself is not entirely bad. You must never, however, love yourself or pity yourself, praise yourself or allow yourself to have either will or opinion. Never indulge yourself, never be conscious of yourself, never forget yourself and above all, never be centered in yourself. We hope this is understood? But if there is no one else to love, pity or praise? If no one else is conscious of me, remembers me, if I am no one's centre? That, dear, is what God is for. As Our Lord says, "Are not five sparrows sold for two farthings and not one of them is forgotten before God?" To forget yourself in one sense is desirable, whereas, as we have said, to forget yourself in another sense is not. Now if we rewrite those subjoined sentences, strengthening them by omission of caveats, trite quotations, indirect assertions and vulgarisms everything, we feel certain, will seem a great deal clearer; or, alternatively, more clear. She twists her head, hitting the mattress with a vague, feeble gesture. "But I'll never get there," she says, stating a proved fact. "I'll never get there." The clocks repeat themselves. She turns on her back and, still asleep, rubs her stomach with the unhappy, worried expression of a child who has eaten a sour apple.
Penelope Mortimer
There are seven main factors influencing your sleep quality. To improve it, maintain a consistent sleep schedule, make your bedroom relatively cool, and make your sleep area as dark and quiet as possible. Get a new mattress if you've been sleeping on the same mattress for more than 10 years. Avoid blue light before sleep. If you can’t stop your racing mind, get out of bed and write down all your thoughts. Avoid caffeine 7 to 8 hours before going to sleep. Don’t eat heavy meals two to three hours before going to sleep.
Martin Meadows (How to Relax: Stop Being Busy, Take a Break and Get Better Results While Doing Less)
My own job in Kenya was to help the refugees who had settled in the sprawling slums of Nairobi start their own businesses so they could support themselves and their families. Much of the work consisted of visiting the refugees in their small shacks, which often contained nothing more than a mattress, a kerosene lantern, a cooking pot, some boxes, and a few plastic pails to hold water and food. This kind of poverty—in which human beings are unable to satisfy their basic needs—is not something to which Jesuits, or anyone, aspires. Dehumanizing poverty is something that many Jesuits spend their entire lives combating, whether through direct work with the poor or advocacy on their behalf. The Jesuit goal of voluntary poverty in imitation of Christ is different from the involuntary poverty that is a scourge for billions across the globe. But the two are inextricably connected: living simply means that one needs less and takes less from the world, and is therefore more able to give to those who live in poverty. Living simply can aid the poor.
James Martin (The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life)
Eviction movers, flanked by armed marshals and watched by the family, do a quick business. They take everything—the shower curtain, the mattresses on the floor, the meat cuts in the freezer and bread in the cupboard—and either lock it away in storage (usually to be hauled to the dump after missed payments) or pile it high on the curb. People start over as best they can.[7]
Matthew Desmond (Poverty, by America)