Matte Lips Quotes

We've searched our database for all the quotes and captions related to Matte Lips. Here they are! All 100 of them:

After Kellan begged me for a final kiss, Griffin murmured, “Your wedding day is Thanksgiving. That’s convenient.” He pointed at Kellan. “You probably won’t forget your anniversary.” He looked over at Anna. “We shoulda done that. I already forgot ours.” Anna smirked at Griffin while Kellan’s lip twitched. “Uh, it won’t always be on Thanksgiving, Griff.” He looked horribly confused. “Huh? Yeah, it will.” “Kellan bit his lip. I could tell he was trying really hard not to laugh, since laughing hurt. “Thanksgiving isn’t on the same day every year. It moves around.” Griffin glared at Kellan. “Don’t even try fucking with me, Kell.” He tapped his finger to his head. “I’m on to you.” I heard Matt and Evan snigger with Justin and Denny. My dad stared at the ceiling as he shook his head. I couldn’t contain my giggle; poor Kellan had to take long, slow exhales so he didn’t laugh with everyone else. “Griff, I’m not . . .
S.C. Stephens (Reckless (Thoughtless, #3))
One day, if you get into a position of power, tell people this: just because you can, it doesn’t mean you should. There is a power and a beauty in unproved conjectures, unkissed lips and unpicked flowers.
Matt Haig (The Humans)
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
Judith McNaught (Paradise (Paradise, #1))
Matt?" "Yeah?" A barely there sigh escaped her lips. "I really want to sleep with you, but..." "Damn," he said. "That was a great sentence right up to the 'but'." -Amy and Matt
Jill Shalvis (At Last (Lucky Harbor, #5))
You are my everything,” Julie said. “You are challenging, and difficult, and guarded. I love those things about you. You are fascinating, and complex, and brilliant, and funny. I love those things about you, too. I am in love with your selflessness and your ability to sacrifice too much. I am in love with the parts of you that fear and that hurt and that push people away. I am love in with your vulnerability and your strength. I am in love with your capacity to love harder and with more loyalty than I ever imagined anyone could. I am in love with the choices you’ve made, even the mistakes, because they brought us to where we are right now. More than those things, I am very simply in love with you and everything that you are. Your past, your present, and your future.” She touched her fingers to him, tracing his lips and then moving across his jaw and over his cheek. “I think about you all the time, and I can’t get you out of my head. I am listening to my heart, finally, without doubting anything. And I will never stop.” And then she kissed him. Long and hard and endlessly, only eventually slowing. “Now open your eyes and look at me. I feel everything that you feel, Matt. I always have, and I know that now. And it is time to stop hurting.
Jessica Park (Flat-Out Matt (Flat-Out Love, #1.5))
She was luminous. Her red hair had been braided a dozen ways, all swirled together in a high shaggy twist. Her eyelids were shimmering green, her lips crimson and matte. She wore black vintage ankle-high motorcycle boots. She was lethal.
Lauren Kate (Unforgiven (Fallen, #5))
It doesn't matter, Cat. Really. I wouldn't have even entered the science fair this year if Mr. Fizer didn't require it." "But you knew that's the only thing his class was about - that's the whole point of it. WHy did you even take it in the first place?" Matt brought his lips against my ear. "Because I knew you'd be in there.
Robin Brande (Fat Cat)
Spoken names should be banned. Rose looked like Ross, Matt looked like Pat, Ian looked like nothing at all. Everyone should have a sign name.
Emma Viskic (Resurrection Bay (Caleb Zelic, #1))
Just because you can, it doesn’t mean you should. There is a power and a beauty in unproved conjectures, unkissed lips and unpicked flowers.
Matt Haig (The Humans)
When we can’t hold back, or set boundaries, on what comes from our lips, our words are in charge—not us. But we are still responsible for those words. Our words do not come from somewhere outside of us, as if we were a ventriloquist’s dummy. They are the product of our hearts. Our saying, “I didn’t mean that,” is probably better translated, “I didn’t want you to know I thought that about you.” We need to take responsibility for our words. “But I tell you that men will have to give account on the day of judgment for every careless word they have spoken” (Matt. 12:36).
Henry Cloud (Boundaries: When To Say Yes, How to Say No)
Always remember: Victory begins with the name of Jesus on our lips; but it will not be consummated until the nature of Jesus is in our hearts. It is not enough to have your "house ... swept, and put in order" (Matt. 12:44); your thought-life must be occupied by the Person of Christ. But as you persist in yielding yourself to Christ, He will remove Satan's armor from your mind. He will show you what you need to bring down. You will see that the weapons of your warfare are mighty, to the pulling down of strongholds!
Francis Frangipane (The Three Battlegrounds: An In-Depth View of the Three Arenas of Spiritual Warfare: The Mind, the Church and the Heavenly Places (Newly Revised))
Disannulling Ungodly Covenants I break and disannul all ungodly covenants, oaths, and pledges I have made with my lips in the name of Jesus. I renounce and break all ungodly oaths made by my ancestors to idols, demons, false religions, or ungodly organizations in the name of Jesus (Matt. 5:33).
John Eckhardt (Prayers That Rout Demons: Prayers for Defeating Demons and Overthrowing the Powers of Darkness)
You take my breath. Did you know that?" Matt bit his lip and shook his head. Kiernan leaned back enough to look into his eyes. "You're a beautiful man, Matthew Bennett," he said, voice soft but intense as he stroked him more firmly. "And someone should tell you that, every day for the rest of your life.
Diana Copland
Brighton dabbed the side of her lip, and when he pulled his shirt away, it was smeared with crimson. Son of a mother fluffin’ biscuit eater. Matt, that dick-faced weasel-turd had made her bleed with his uninvited kiss.
T.S. Joyce (Timberman Werebear (Saw Bears, #3))
I can't stop thinking about what he felt like against my body, against my lips. I can't remember anything else, anything before that. And I realize in this moment that I've finally done it. That horrible, awful thing I swore I would never do. The frosting. The cigarettes. The blue glass triangle. The shooting stars. The taste of his mouth on mine in the hall closet. Gone. All I can think about is Sam. Matt is – erased. My whole body is warm and buzzing. Sam is smiling next to me, because of me. And I've never felt so lonely in all my life.
Sarah Ockler
Jesus. That low, teasing tone is like a punch straight to the chest. Or the babymaker. Both, really. “I’m just not a big fan of blood.” His lips are still at my ear, and he lowers his volume so that Matt won’t hear. “I promise not to get you dirty. Unless you ask real nice.” I don’t even . . . I can’t . . . Oh my God. I plant my elbow in his side and use it to pry myself a little space. “You’re incorrigible.” “You’re gonna have to use smaller words with me, Pickle. Or better yet, no words at all.
Cora Carmack (All Broke Down (Rusk University, #2))
Come on get higher, Loosen my lips ... Faith and desire and the swing of your hips Just pull me down hard, and drown me in love ..
Matt Nathanson
Just because you can, doesn't mean you should. There is a power and a beauty in unproved conjectures, unkissed lips, and unpicked flowers.
Matt Haig (The Humans)
And we kiss,” Matt says softly. Suddenly his lips are on mine.
Becky Albertalli (Kate in Waiting)
Unclean lips are caused by an unclean heart (Matt. 12:34–35). Isaiah cried out to be cleansed inwardly (Ps. 51:10), and God met his need.
Warren W. Wiersbe (Be Comforted (Isaiah): Feeling Secure in the Arms of God)
Our president may lie, but he will lie effectively and spectacularly, with all the epic stagecraft and lighting and special effects available to the White House publicity apparatus. He is never a hack, never a half-assed, off-the-cuff, squirming, my-dog-ate-my-homework sort of liar. Or at least he wasn't until George W. Bush came around. 'They hate our freedoms' was possibly the dumbest, most insulting piece of bullshit ever to escape the lips of an American president. As an explanation for the appalling tragedy of 9/11... it was insufficient even as a calculated effort to snow an uneducated public.
Matt Taibbi (The Great Derangement: A Terrifying True Story of War, Politics, and Religion at the Twilight of the American Empire)
Baby, I'll never leave you. I promise ..." Matt tried to talk, but Crystal May shushed him, laying a finger across his lips. She looked at him, her blue eyes wet with tears and shining like priceless diamonds. "I love you, Matt. I want to live with you and work with you and feel your babies growing inside of me. I want you to laugh with me and cry with me and discipline me whenever you feel like it's right. And honey, you best believe I want to marry you. But first there's something I have to do for myself.
Carol Storm (Crystal and Gold)
And pray tell, how did you gather such information?” Matt pressed his lips tightly together at Evelyn’s choice of words. The trouble with raising a daughter who consumed far more literature than most girls her age was that she ended up with an extensive and unusual vocabulary.
Hannah Foster (Something Sweet Someone Sweet)
She leaned towards me and kissed me on the lips. It was just a peck, but a peck on the lips was not just a peck. 'What was that for?' I asked. I could just about see her smile in the moonlight. It wasn't a flirtatious smile. It was a plain, matter-of-fact one. 'For you to have something else to occupy your mind.
Matt Haig (How to Stop Time)
We navigate the produce stands, plucking palms full of cherries from every pile we pass, chewing them and spitting the seeds on the ground. We eat tiny tomatoes with taut skins that snap under gentle pressure, releasing the rabid energy of the Sardinian sun trapped inside. We crack asparagus like twigs and watch the stalks weep chlorophyll tears. We attack anything and everything that grows on trees- oranges, plums, apricots, peaches- leaving pits and peels, seeds and skins in our wake. Downstairs in the seafood section, the heart of the market, the pace quickens. Roberto turns the market into a roving raw seafood bar, passing me pieces of marine life at every stand: brawny, tight-lipped mussels; juicy clams on the half shell with a shocking burst of sweetness; tiny raw shrimp with beads of blue coral clinging to their bodies like gaudy jewelry. We place dominoes of ruby tuna flesh on our tongues like communion wafers, the final act in this sacred procession.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
We are told that we are sinning (by emitting CO2), that we have original sin (human greed), which has banished us from Eden (the pre-industrial world), for which we must confess (by condemning irresponsible consumerism), atone (by paying carbon taxes), repent (insisting that politicians pay lip service to climate-change alarm), and seek salvation (sustainability). The wealthy can buy indulgences (carbon offsets) so as to keep flying their private jets, but none must depart from faith (in carbon dioxide) as set out in scripture (the reports of the Intergovernmental Panel on Climate Change). It is the duty of all to condemn heretics (the ‘deniers’), venerate saints (Al Gore), heed the prophets (of the IPCC). If we do not, then surely Judgement Day will find us out (with irreversible tipping points), when we will feel the fires of hell (future heatwaves) and experience divine wrath (worsening storms). Fortunately, God has sent us a sign of the sacrifice we must make – I have sometimes been struck by the way a wind farm looks like Golgotha.
Matt Ridley (The Evolution of Everything: How New Ideas Emerge)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Matt said, “I need to go. I have other appointments today.” Without a single ounce of hesitation, he cupped Priss’s shoulders, drew her forward, and gave her a smacking kiss right on her slightly parted lips. It was a toss-up who was more surprised, Priss or Trace. Priss blinked rapidly, Trace snarled and Chris laughed at them both. “I enjoyed working with you, Priss. You were more than entertaining, and a font of information on all things kinky.” Trace narrowed his eyes. Was Matt trying to rile him? All things kinky? Just what the hell had they discussed? “What does that mean, Matt?” “She schooled us on the porn marketplace. Very informative.” After a meaningful glance at Trace, he turned back to Priss. “I hope to see you again.” She went still, unsure what to say. Trace filled in the silence. “Did you want to bill me, or get paid now?” “I almost hate to charge, it was all so fascinating.” Trace growled. “But you will.” Grinning, Matt said, “Yes.” As he turned away, he added, “I’ll get something in the mail to Dare. He can pass it along to you. I certainly trust you.” Matt’s emphasis meant that Priss didn’t trust him—not that Trace needed a reminder of that.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Mankind is a self-domesticated animal; a mammal; an ape; a social ape; an ape in which the male takes the iniative in courtship and females usually leave the society of their birth; an ape in which men are predators, women herbivorous foragers; an ape in which males are relatively hierarchical, females relatively egalitarian; an ape in which males contribute unusually large amounts of investment in the upbringing of their offspring by provisioning their mates and their children with food, protection, and company; an ape in which monogamous pair bonds are the rule but many males have affairs and occasional males achieve polygamy; an ape in which females mated to low-ranking males often cuckold their husbands in order to gain access to the genes of higher-ranking males; an ape that has been subject to unusually intense mutual sexual selection so that many of the features of the female body (lips, breasts, waists) and the mind of both sexes (songs, competitive ambition, status seeking) are designed for use in competition for mates; an ape that has developed an extraordinary range of new instincts to learn by association, to communicate by speech, and to pass on traditions. But still an ape.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
It's the goats," he said, his voice low. "The what?" Fen said. "The, uh, goats. Thor ... in the myths ... Thor has goats." Fen pressed his lips together, but after only a moment, he sputtered a laugh. Baldwin joined in. Even Laurie seemed to be trying to hold one back. Matt's cheeks heated. "Seriously? Goats?" Fen said. "That is awesome." "They're magical goats," Matt said. "Magical ..." Fen couldn't even manage the rest without choking on his laughter. "Do not mock the son of Thor," Hildar said. "The goats are very important. It is an aspect of the great god. Oku-Thor." "Oku-Thor?" Fen said. "Lord of the Goats," Hildar said. All three burst out laughing, even Laurie. Matt tried to explain that wasn't the real translation - it meant "Driver Thor", referring to the goat cart he drove, not the actual goats, but no one was listening to him. The damage was done.
K.L. Armstrong (Odin's Ravens (The Blackwell Pages, #2))
I wish you’d told me this before.” “It wouldn’t have changed anything.” “Maybe not. But talking about wounds can help heal them.” “You don’t talk about yours,” she pointed out. He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.” “I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.” “No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.” She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.” “You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.” “And you’ll make sure I never get pregnant.” His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.” She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness. He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.” “Colby might come back…” He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.” She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!” His mouth covered the painful words, stilling them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I’m glad you’re coming on the road trip.” Matt took a step back, putting space between them. “Why?” He searched her face, his gaze lingering briefly on her lips. “Because now I don’t have to wait two weeks to kiss you again.” His words, along with the raw heat in his eyes, ignited a sudden, fierce longing inside of her that almost knocked her off of her feet. Stunned by its onslaught, she pressed her palms to the car for support and took a deep breath to regain her equilibrium. “You’re presuming I want you to kiss me again,” she said in her haughtiest tone. A smile teased the corner of his mouth. “I think you want me to do a lot more than that.” “You’re wrong.” Actually, he was right, but there was no way in hell she was going to admit that to him. No way in hell. “Am I?” Matt fished his keys from his front pocket and flashed a cocky grin. “I guess we’ll find out.
Alison Packard (The Winning Season (Feeling the Heat, #2))
Okay, so Hildar said that Glaemir only has some of his people with him, forty or so, and I already told the ... goats to meet us there." Matt paused sort of awkwardly. "Hildar gave me directions that the goats could follow, so they're on the move." "The goats are on the move," Baldwin said in a low voice before cracking up. The twins smiled at him. Fen rolled his eyes, but like everything Baldwin did, Fen thought it was fine. Even Owen's lips curled in a small grin.
K.L. Armstrong (Odin's Ravens (The Blackwell Pages, #2))
The situation was unraveling, and he didn’t like what he was seeing here. This was bullshit politics. He trusted his boss but the man seemed to be blind to the danger surrounding the woman in the next room—or uncaring. “What about protective custody?” “For the daughter of the most notorious spy in US history?” Frazer’s lips twisted angrily. “Because she broke into the Russian Ambassador’s residence and tried to conduct illegal surveillance? Do you see that request being approved?” “If we let her go she’s dead,” Matt stated baldly. He
Toni Anderson (Cold Light of Day (Cold Justice, #3))
Not only did Jesus save Mary; He gave her a job to do. Everyone whom the Lord cleans He commissions. After Isaiah had his lips cleaned with a coal from God’s altar, the Lord commissioned him to go and preach (Isa. 6:1-9). Basically, Jesus said to Mary, “Don’t just cling to Me; go and tell others.” If we love Jesus as Mary loved Jesus, we are compelled to tell others. We can’t keep Him to ourselves. The man from whom Jesus purged an army of demons wanted to just stay at His side. “Now the man from whom the demons had departed begged Him that he might be with Him. But Jesus sent him away, saying, ‘Return to your own house, and tell what great things God has done for you’ ” (Luke 8:38, 39). Like Mary and this man, the church is saved for the purpose of telling others. Salvation involves coming and going. We come to Jesus at His great invitation, then we go for Jesus -181- with the Great Commission. “Come to Me, all you who labor and are heavy laden, and I will give you rest” (Matt. 11:28). “Go therefore and make disciples of all the nations” (Matt. 28:19). “Now therefore come, that we may go and tell the king’s household” (2 Kings 7:9, KJV). We should not go for Jesus until we first come to Jesus. God uses people to reach people. He could preach the gospel much more efficiently through angels. However, witnessing is part of our sanctification process. Mary is never identified as having an exceptional gift of communication, but the Lord chose her to communicate the good news of His resurrection. This should encourage each of us to come to Jesus that we might go for Jesus and become witnesses of His resurrection.
Doug Batchelor (At Jesus Feet)
What to eat? You've crossed a dozen time zones to get here and you want to make every meal count. Do you start at an izakaya, a Japanese pub, and eat raw fish and grilled chicken parts and fried tofu, all washed down with a river of cold sake? Do you seek out the familiar nourishment of noodles- ramen, udon, soba- and let the warmth and beauty of this cuisine slip gloriously past your lips? Or maybe you wade into the vast unknown, throw yourself entirely into the world of unfamiliar flavors: a bowl of salt-roasted eel, a mound of sticky fermented soybeans, a nine-course kaiseki feast.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I reached into my bag and pulled out the macaroons, holding them between us. “Here. These are for you.” He glanced at the white bakery box, his frown even more severe than before. He didn’t take the box. “What’s in there?” The look of suspicion made me smile in spite of myself. “Cookies.” “Where’d you get them?” “I made them.” His expression cleared and he snatched the box from my hands. “You did? What kind?” “Macaroons.” “Coconut!” He’d ripped open the box with impressive speed, his eyes widening with what looked like elation. “Come to me,” he said reverently to the cookies. “I hate coconut,” Derek said conversationally, coming to stand next to me. “She didn’t bring them for you, did she?” Matt said, his head doing an unexpected, sassy bobbing movement. I rolled my lips between my teeth, breathing through my nose while my eyes bounced between the two men. “Maybe she will, next time.” Derek grinned at me. “I like chocolate.” Matt’s eyes cut to mine. “Are you making a mental note? You look like you’re making a mental note. Don’t. Don’t make a mental note. Don’t bring him cookies.” “Gentlemen.” I pasted on my best professional smile. “I will be happy to bring cookies, to you both, but first I need to see what you’ve been working on.” “Fine.
Penny Reid (Dating-ish (Knitting in the City, #6))
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
I saw you the second I walked into the bar that night. I saw you and felt you were different.” His lips had moved so close to hers that if she edged forward a bit, his mouth would be on hers. “I’m actually not different,” she said, hating that her voice sounded all breathy and nervous. “I’m similar to lots of people. I can even list off a bunch of people who look like me. And these boots aren’t really kick-ass boots. I bought them because they were on the clearance rack.” A smile tugged at the corner of his mouth before his lips touched hers, and all her carefully constructed reasons as to why she’d never get involved with a man like Matt burned to ashes.
Victoria James (Falling for the P.I. (Still Harbor, #1))
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?
Diana Palmer (Paper Rose (Hutton & Co. #2))
I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.
Sarah Ockler (Twenty Boy Summer)
He had in his head a scrapbook of the tastes that had impacted him the most during his travels: goat cheese and olive oil in California, the tropical fruits and chilies of South America, everything that had touched his lips in Japan. When Angelo and Paolo talk about their travels, they turn to the memories- the parties, the people, the crazy times had, always with the metronome of mozzarella beating in the background. But what followed Vito were the flavors- the dishes, the ingredients, and techniques unknown to most of Italy. "When I came back from Japan, there were six kilos of matcha, two kilos of coconut powder, and twelve bottles of Nikka whiskey in my bag. In Rome they stopped me and opened the bag. They thought they had caught me with cocaine. I told the guy to open up the bag and taste." Vito didn't drink Nikka (he and his brothers rarely drink alcohol); instead, he emptied all twelve bottles into a wooden bucket, where he now soaks blue cheese made from sheep's milk to make what he calls formaggio clandestino. He stirs up a spoon of high-grade matcha powder into Dicecca's fresh goat yogurt and sells it in clear plastic tubs, anxious for anyone- a loyal client, a stranger, a disheveled writer- to taste something new.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Each and every day, we encounter people who are not us. We pass by a vagrant on the street, we notice a new face in our usual milieu, we open the door and discover a stranger standing there, we hear the story on the lips of a victim with whom we are unfamiliar. Each and every day, we are presented with countless invitations, some of these are accepted, we welcome, we greet, we open our arms, and some are declined, we shut the door, we lock the gate, we build a wall.
Matt Rosen
On the way to Washington Square she thought to herself that some kid would probably fall off the slide and cut his lip. Later, in the park, Matt fell from the swing and cut his lip. Cassandra held a Kleenex to the cut, fought back her own tears. What's the matter with me? What more do I want? God, let me just see the good things. She forced herself to look around, out of herself, and, in fact, the cherry blossoms were in bloom.They had been coming out little by little, but it was that day they were lovely. Then, as if because she saw the trees, the fountain turned on. Look, Mama! Matt cried and began to run. All the children and their mothers ran to the sparkling fountain. The postman walked right by it as usual. He seemed not to notice that it was on, got wet by the spray. One/two. One/two.
Lucia Berlin
Signs of Hokkaido's muscular dairy industry tattoo the terrain everywhere: packs of Holsteins chew cud unblinkingly in the sunlight, ice cream shops proffer hyperseason flavors to hungry leaf gazers, and giant silos offer advice to the calcium deficient: "Drink Hokkaido Milk!" Even better than drinking the island's milk is drinking its yogurt, which you can do at Milk Kobo, a converted red barn with cows and tractors and generous views of Mount Yotei, which locals call Ezo Fuji. Kobo sells all manner of dairy products, but you're here for the drinkable yogurt, which has a light current of sweetness and a deep lactic tang, a product so good that the second it hits my lips, I give up water for the week.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
chuckle in response turned quickly into a nicotine-heavy, wet, cough that seemed to erupt from deep within the man. He didn’t seem to be able to stop, once he had started, the cough going on and on until, breathless and with an unhealthy blue tinge to lips and fingers, he said, ‘Sorry, gotta give up the fags, they’ll be the death of me.’               Matt
Valerie Keogh (Deadly Sleep (Hudson and Connolly, #1))
Matt’s hand brushed Maude’s warm cheek, he cupped her chin in his hand and leaned in, his hair brushing her tilted forehead. He stopped inches away from her lips. She gazed, trusting, into his gleaming eyes. Could he hear the erratic beat of her heart? Their lips met in a delicate caress, her lips brushing his. When he untied her hair she offered her lips without reserve and wrapped her arms around his neck, their bodies and souls interweaved. Too long they’d waited for this moment, but with this kiss, their fates were sealed. The pain, the misunderstandings, the unspoken feelings, all evaporated under the pearly dawn’s bright light. And
Anna Adams (A French Princess in Versailles (The French Girl #3))
In the evening, she took a sleeping pill. As the months passed, she became much kinder to me than she had been, but her new solicitude had an impersonal quality, as if she were tending a homeless man on the street rather than her husband. She stopped sleeping in Matt's bed and returned to ours, but I rarely joined her, choosing instead to sleep in my chair. One night in February, I woke up to find Erica covering me with a blanket. Rather than opening my eyes, I pretended that I was still asleep. When she put her lips to my head, I imagined pulling her toward me and kissing her neck and shoulders, but I didn't do it. At the time, I was like a man encased in a heavy suit of armor, and inside that corporeal fortress I lived with a single-minded wish: I will not be comforted. As perverse as it was, this desire felt like a lifeline, the only shred of truth left to me. I feel quite sure that Erica knew what I felt, and in March she announced a change.
Siri Hustvedt (What I Loved)
As Mofidi was an IRGC officer, he was not treated like the other families and sent a bill for the bullet that took his son’s life later that evening. A part of Mofidi died in that prison, but another was born. He could no longer stand by and provide lip service to a madman and his regime. Mofidi resolved then that he would make them suffer, that he would show the world their evil—even if it cost him his life—if only to see his boy again
Matt Fulton (Active Measures: Part I (Active Measures Series #1))
Fuck.” I unzip my jeans and pull out my dick. Spitting on my hand, I slowly start to stroke it, imagining I have one hand in her hair that’s shoving her mouth on my cock. She steps in what I know is her shower, and I see water spraying onto her body. Closing my eyes, I pick up the pace with my hand and see her on her knees inside the shower. Her pretty blue eyes look up at me while her parted lips just beg to be fucked. “Whatever my girl wants,” I pant, my hips bucking in the driver’s seat. I wrap my hands into her wet, dark hair and slide my cock inside her hot, wet mouth and begin to fuck it. “Blake.” I moan, my hand picking up the pace as I imagine her pretty blue eyes crying while I fuck that pretty face. My balls tighten, and my breath quickens seconds before I come in my hand. “Fuck,” I hiss, reaching up, I remove my shirt and use it to clean up my mess. Looking up at her window, I see the light to her bathroom turn off, then the one to her bedroom. Taking a deep breath, I lean my head against the headrest, trying to calm my racing heart. “Soon, Blake. Soon.” I won’t have to use my hand or imagination. I’ll have her mouth, pussy, and ass to use. I will fucking own her. JUNIOR YEAR I exit the room and start walking down the hallway to my bedroom. Shoving the door open, I slam it shut to find Matt sitting on the side of my bed. “Get the fuck out.” I walk past him toward my adjoining bathroom. He jumps to his feet. “What in the fuck did you tell Lincoln?” Spinning around, I shove his chest. “I didn’t say shit!” He stumbles back and then shakes his head, giving a rough laugh. “You should have my back.” “And you should have known not to fucking touch her,” I shout back. “If you would have let me fuck her …” “You mean rape her?” I correct him. “Fuck, Matt! What in the hell were you thinking?” Abstinence is part of our oath, until our senior year when we are granted a chosen. If I had told Lincoln that he was going to rape the woman, he’d for sure be stripped of his Lord title. Matt
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
Not only lips, and mouth, and tongue, but mind, and affections; not only knee, and hand, and eye, but heart, and conscience, and memory, must be pressed to attend upon God in worship.Jesus replied, “You must love the Lord your God with all your heart, all your soul, and all your mind.” Matt 22/37
Prasanth Jonathan
Our Purposeful Potter The LORD is good and oh so worthy of praises. Hallowed to Him. In us He commands strands of hair to grow to varying lengths. Our eyelashes and eyebrows have never outgrown the length of hair on other parts of our body. What a marvelous God? To protect our delicate medulla oblongata and cranium He makes a thick skull and topped it off with a protective thick matte of wooly hair strands. Then, He darkens our tone to match His very own, protecting us from the beams of His brightest star. The width of our nostrils He purposefully made wider so we can inhale more of His air. Our lips He intentionally designs big for big smooches. Muah. Oh what else can God do to show His love? What else is there for Him to do? God loves you very much and so does Yeshua.
Maisie Aletha Smikle
I really don't have a set style, but I tend to favor the more relaxed look. The red matte lip is my religion and you can catch me in a dope sweatshirt, a hot bag, some dunks or new balances any given day.
Shana Digital
neatly folded impossibly blue pitch black bright white deep blue racing heart sharp gaze rakish grin roaring fire easy grace tight squeeze clenched fists shaking hands watery eyes weak knees pursed lips infectious grin chiseled features leafy suburb manicured lawn rustling leaves bitter cold
Matt Bell (Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts)
I thought you might be dead when that bomb went off. Do you think it would have hurt me less, because of your scars?” “It’s not like that—” I protest. She’s having none of it. “It’s exactly like that. You think you’re worth less than me. These don’t make you worth less than any other man. If anything, they show how much better you are than most people. You’re one of the best people I’ve ever met. And maybe I’m selfish, but that’s why I want you, all for myself.” “It’s not just the scars. It’s…” I lick my lips. I’m not good with words. “You’re so good. And pretty. And delicate. That’s not an insult,” I backtrack. “I just mean—when you’ve served, all civilians seem delicate. And soft. The things I remember, the places I’ve been… they’ve made me hard. The shit I’ve seen feels too dark and dirty for someone so normal. I’m not as bad as Matt, but I still have nightmares. I still have the memories. It feels like there’s this part of me that I have to keep away from you. It’s too dark. And you don’t need that in your life.” “Oh, Glen,” she says softly. A warm hand touches my face. “You know everything you just said is complete bullshit, right? I’m not good, or pure, or delicate, and you’re not damaged, or dirty, or hard. You’ve been through hell. And you’re right; I will never truly understand all the places that you’ve been.” She runs her hand down the side of my face. “But that doesn’t mean we can’t be together. It doesn’t mean I can’t love you.” “Okay,” I tell her. “Okay. I believe you. I—love you, too.
Lily Gold (Triple-Duty Bodyguards)
Travis took a deep breath. He turned to Matt and put his hand behind Matt’s neck, pulling his face to his own. Their lips met and Travis relaxed into the kiss. He hadn’t realized how much he had needed to kiss Matt all night. Their faces pressed together, their tongues met and slipped against one another, and Travis felt the familiar crunch of the facial hair around Matt’s mouth pressing into him. Inside him, the hot ember burned brighter and hotter, its warmth spreading out through his entire body. Travis pulled back, his face only an inch away from Matt’s. He could see the orange firelight dancing in Matt’s eyes. He ran his hand along the back of Matt’s head. Matt grinned and said, “I love you, Trav.” Travis nodded and said, “I love you, too, Matty.
J.F. Smith (Latakia)
I can’t say I particularly like Matty Reed. But you, Matt? I like being with you.”… “That’s good, Viv,” he said. “Because I like being with you. And I want…” He leaned in a little closer, “I need…” His lips were mere inches from hers…
Samantha Chase (One More Kiss (Band on the Run #1))
Suppose a man falls among thieves, or wild beasts; is shipwrecked at sea by a sudden gale; is killed by a falling house or tree. Suppose another man wandering through the desert finds help in his straits; having been tossed by the waves, reaches harbor; miraculously escapes death by a finger’s breadth. Carnal reason ascribes all such happenings, whether prosperous or adverse, to fortune. But anyone who has been taught by Christ’s lips that all the hairs of his head are numbered [Matt. 10:30] will look farther afield for a cause, and will consider that all events are governed by God’s secret plan.
John Calvin (Institutes of the Christian Religion, 2 Vols (Library of Christian Classics))
And you shouldn’t have called me your boyfriend.” He looks down at me as he opens the door of the restaurant for me. “I’m sorry,” I start. “I shouldn’t have said that. I just wanted her to go away.” And I wanted to stake my claim, even though I had no right to one. He looks down at me beneath the street light. “You shouldn’t have said it because you gave me hope,” he says. I can’t speak. I can’t utter out a sound. “Come home with me,” he says. I shake my head. He sighs heavily. “You know how this is going to end.” “I shouldn’t.” I really, really shouldn’t. “Fine,” he says, and then he bends at the waist and tosses me over his shoulder, just like the night before. Only this time, his hand is on my ass, under my skirt, instead of holding the backs of my legs. It’s hot pressed against my panties. I can’t say a word to him because he wouldn’t hear me. So, I just hang there, all the way to his building and up the four flights of stairs. He opens the door and walks inside. His brothers are there, and they look up. Sam and Pete snicker, and Paul shoots them a look. Matthew is on the sofa, and he shakes his head. Logan puts me down. Apparently, I’m not a sideshow attraction tonight. “Hi,” I say tentatively to them all. “Hi,” they call back. They don’t get up and rush over to me, not even when he sets me on my feet. “You’re back,” Matthew says as he walks to the fridge. He looks better tonight. Not quite as green. Sam walks to the kitchen, and Paul snaps at him when he reaches for a beer. He takes a soda, instead, grumbling to himself. Logan signs something to them. Pete tells him the name of the movie they’re watching, and it’s one I haven’t heard of. Logan points to the TV and then to me asking me if I’ve seen it. I shake my head. He sets my bag and my guitar on the floor and laces his fingers with mine. He tugs me gently toward the couch. Logan bumps Sam’s and Pete’s knees until they scoot over. There’s barely enough space for him, much less for me. “I’m going to go take a shower,” I say. But he sits down and pulls me into his side, his arm around my shoulders. Matt gives me a look I don’t understand. He doesn’t seem completely pleased by my being there. Did I do something to offend him? But Logan looks down at me and smiles, and then he places his lips against my forehead. Matt gets up and goes to his room but not before shooting me a glance that I couldn’t help but take as a warning.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
See what your shopping trip did to me?” I ask playfully. She takes my hand in hers and turns my arm over, appraising it closely. Her hands are soft, and her fingernails are manicured to perfection. She drags her forefinger across my wrist. “I’m so sorry, Matt. Look at you: you’re wounded!” She laughs loudly. It sounds so pretty coming out of her lips. It’s unfettered and not at all restrained. I fucking love it, particularly when she tips her head back and then she gets to laughing so hard she snorts. But that just makes her laugh even louder. “What can I do to make it up to you?” she asks. I hold my wrist up and stick out my bottom lip. “Kiss it and make it better?” I suggest. She lifts my wrist up high and presses her lips to my skin. I’m afraid I’m going to melt into a big, old, sweaty ball of funk right there on her carpet, but as soon as her lips touch me, she blows a quick raspberry into my skin. It makes me laugh, and I grab for her, pulling her to me.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Sky pulls her arm back, right as I turn back to walk to the couch, and suddenly the controller flies out of her hand and smacks directly into my nose. “Ugh!” I grunt out. Sky puts her hand over her mouth and gasps. But then she runs toward me when she sees the blood dripping down my face. I walk into the kitchen because I don’t want to get blood on the carpet. “Oh thit,” I swear, when I see that the kids didn’t follow us. She sits me down in a chair and puts a towel under my nose. “That hurts wike a mudder fudder.” I sound like I’m all stopped up with a cold, but the blood is still dripping, so I pinch my nose closed. “I’m so sorry,” she says as she drops down in front of me. She rests her forearms on my thighs. I can smell the pizza she just ate on her breath, and I really, really want to kiss her, but I have blood all over my face and hands. “I’m so sorry,” she says again. “I didn’t know it would fly out of my hand like that.” “You hab ta wap it awound your wist,” I say. “I have to wrap it around my wrist?” she repeats. “To keep it fwom fwying.” “Crap,” she says again. “I am so sorry.” She already said that. She gets up and goes to get a wet towel. She cleans my hands and wipes gently beneath my nose. My nose hurts like a son of a bitch. I jerk my head back, but she just follows, probing and prodding. “I think the bleeding has stopped,” she says. But I let her continue to fuss over me, just because I like it. “Do you want some ice?” she asks. Yeah, but I need it for my dick and not for my nose. “Pwease,” I say. Her face is only inches from mine. But then she goes to the fridge. She comes back with a small bag of ice. She’d probably get offended if I shoved it in my pants, so I lay it against my nose, instead. I brace my chin with one hand and hold the ice with the other. “I really didn’t mean to hit you,” she says. She looks so worried that I have to let her off the hook. Hell, I lived with four brothers. I have had more nosebleeds than I could ever begin to count. “I’ll wiv,” I say. She leans close and kisses my cheek. I want to turn my head and press my lips to hers, but I don’t. “You in lub wif me yet?” I ask. She laughs and turns her head away, closing her eyes. Her giggle is so damn cute. She winces. “I gwess dats a no,” I say. I lift my shirt and wipe the edge of my nose, since she took my wet towel. When I do, her eyes go to my frog prince, and she leans forward and presses her lips to him. She looks up at me, her blue eyes wide, as she holds her lips there for a second. Then she makes a loud smacking noise and pops back up, grinning. “There. All better?” Fuck no. We’re just getting started. Seth sticks his head into the room. He smirks at me and shakes his head. “Dude,” he says. He laughs. “That’s the saddest thing I’ve ever seen.” I throw down the ice. “Dat’s it. I’m going to kick your ath at bow’ing, Seth. You are going down.” I follow him into the other room, take a controller, and try to pretend like she didn’t just rock my world.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
The door suddenly opens, and Sky sticks her head out. She bumps into my chest, and I steady her by grabbing her elbows. I try to wipe the grin off my face, but it’s almost impossible. “Did you need something else?” I ask over a laugh. “You’re still here,” she says against my chest. The heat of her breath does funny things to my insides. And the rest of me. “I wanted to ask you something,” she says, her voice all breathy. She leans a shoulder in the doorway and looks up at me, her eyes so blue and clear that I could fall into them and stay there. She bites her lower lip between her teeth and then says in one big rush, “You mentioned when we were walking into the restaurant that you didn’t take my hand just because it was trembling. I was wondering…um…why else you might do that.” I reach up and tug the length of leather that was holding my hair back and let it fall around my face. Then I make a big production of tying it back up, but I really just want to buy myself some time to figure out how to answer her. I grin. “I did mention that wasn’t the only reason, didn’t I?” I ask, still stalling. She nods, still worrying that lower lip. Her cheeks are rosy, and her eyes are bright. I don’t know the right way to respond, so instead I bend down and kiss her cheek. I linger, letting her breath blow across my shoulder as I take in the scent of her. It’s clean and girly, with a hint of citrus, and so damn breathtaking that I can barely stop sniffing her. I take one last inhale and whisper, “I did it because I like you.” She shivers lightly, and I see the hair on her arms stand up. I force myself to walk away. It takes everything I have in me not to turn around and look at her again. But I don’t. I keep walking.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I motion toward Mellie and crouch down. She climbs onto my back and holds on tightly. I stand up and swing her around the way I would my niece, and she squeals and laughs. I still have pizzas in one hand, so I set them on top of the car. “Do me,” Joey cries, clinging to my leg. I scoop Joey up too and spin them both in circles. Sky laughs. “I think they like you,” she says quietly. There’s a look of longing on her face. I jostle them both. “Yeah, they like me.” They both squeal as I spin them around again. “I mean, really,” I tease. “What’s not to like?” I arch my brow at her, joking with her like I would with a woman I might be interested in. But there hasn’t been one of those in a long time. Her face colors, and she’s so damn pretty. But she doesn’t say anything. Her eyes travel, though, from the top of my head to the tips of my feet, staying in some places longer than others. Is that interest I see in her eyes? She licks her lips and looks away. “Careful,” I warn quietly. She shakes her head, like she wants me to shut up. So I do. For now.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I take his face in my hands and look into his eyes. “I like you a lot,” I whisper. “Not in love with me yet, though?” he whispers back, but his hands wrap around my hip and lock beside me, holding me close to him. “Not yet,” I say. He rubs his nose against mine in gentle little sweeps up and down, his eyes closed. My lips are so close to his that I can almost taste him.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Sorry.” I’m surprised and glad she doesn’t recognize it. I run my thumb back and forth over a crusty bit on the shoulder strap as a five-second version of the cake fight flashes behind my eyes like a movie stuck on quick search. Don’t cry over spilt frosting, Anna. “I just – I like this one.” “What for?” she asks. Just tell her. “It’s from the – it’s just the–” I bite my lower lip. Tell her. “Anna? What’s wrong?” Oh, it’s nothing, really. Just that it’s from the first time your brother kissed me and made me promise not to tell you. And I was in love with him forever, and he was supposed to tell you about it in California, and we were all going to live happily ever after. I still write him letters in the journal he gave me, which he doesn’t answer, since he’s dead and all. But other than that? Honestly, it’s nothing. “Anna?” She watches me with her sideways face again. “Huh? Oh, sorry. Nothing. I’m fine. I – I’ll get rid of it later.
Sarah Ockler (Twenty Boy Summer)
Vanni had the kids on the bed with her. She was lying on her back with Matt curled up against her on one side and Hannah on the other, both of them sleeping with their mouths open. Vanni was sound asleep, but there was the smallest smile on her lips. She had her arms around them, holding them close, one of Marianne’s afghans pulled over them. And Paul fell in love all over again.
Robyn Carr (Forbidden Falls)
His brothers rush at me. Sam and Pete, the youngest brothers in the family, get to me first. The twins attack me from both sides, squishing me between them like I’m the filling of a sandwich. They squeeze me, and they press their lips against each of my cheeks. “If you lick me,” I warn. Sam already has his tongue out, but he sucks it back in really quickly and grins at me. “Welcome home,” Sam says. He steps back, and Pete’s arms fall around me. He squeezes me tightly, clutching my head against his chest as his hands tumble through my hair. “Would you cut it out?” I grouse, trying to flatten my hair back down. Pete laughs and steps to the side. “Welcome home,” Paul says before wrapping me up in his arms. He really is a big guy, even bigger than Logan, and I think he could wrap around me twice. “Thanks,” I murmur against his chest. I can barely breathe, but it’s worth it. Then there’s Matt. He leans against the kitchen counter with his arms crossed in front of his chest. He doesn’t smile. His eyes are wet, and he blinks really quickly. “Come here, big guy,” I say, making a come hither motion with my fingers. He pushes off the counter and starts toward me. “I’m going to kiss your girl, Logan,” he warns. Logan’s eyebrows shoot up, but he doesn’t complain. He smiles and shrugs his shoulders. Matt stops in front of me and tips my face up to his. He looks directly into my eyes and holds my gaze. “Thank you,” he says. I gulp past the lump that’s suddenly in my throat and try to sound flippant. “For what?” I ask with a breezy wave. He won’t let me look away though. He holds my face between his palms and stares into my eyes. “For saving my fucking life,” he says. “Thank you.” He leans down and kisses me on the cheek with a loud smack. “Oh, I didn’t do anything,” I start. He looks down at me, and his gaze is so serious that my insides quiver. “Yes, you did,” he says. “I’ll never forget it.” He looks over at Logan. “I’m not the only one you saved,” he whispers to me. That lump in my throat grows ten times its size. “You ever need anything at all, you come to me, all right? I’d do anything for you.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I know you love her, and, hell, I love her too. And Matt would throw you off a bridge if he thought he could have her.” Paul chuckles and a grin he doesn’t want tips his lips. “Ew,” Matt complains. “I don’t like her like that.” He points a finger in my face. “But I will throw you off a bridge if you hurt her.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I see my door open, and Emily stalks out. She’s wearing my shirt, and it comes down to her knees. She stomps into the kitchen, and I see her lips moving, but I can’t catch a word. She goes to the drawer, takes a handful of condoms and carries them back to the room, mumbling to herself the whole way. When she gets to the door, she holds them out like a prize and says, “Do you think this is enough?” Then she goes into the bedroom and slams the door behind her. “Well, I’ll be damned,” Paul says. He drops back heavily against the couch. “I didn’t mean for her to hear me. “Why is that she always hears me when I don’t want her to hear me? Fuck,” he breathes. Matt’s doubled over with laughter. “That was the funniest thing I’ve ever seen.” He points at Paul. “She’s so pissed.” He shoves my shoulder. “You’ll be lucky if you get laid at all.” He laughs like hell. I can’t figure out what’s so funny. They probably just ruined my night. “You are not amusing,” I say. But a grin tugs at my lips, too. Damn, she was pissed. But she just solved my problem. “Now we have condoms. A lifetime supply. Are you happy?
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
He can’t stay here.” I’m putting my foot down. I won’t allow this to happen. “I’ll leave, Dad. I swear to God, if you try to make me do this, I’ll disappear again.” Dad sits back, looking smug. “You know, I got a call from Matt’s doctor the other day.” Dad stares direct at Logan. “They said your brother is ready for phase two of the treatment. And they asked if I would be providing the funds.” Logan’s arm falls from around my waist, and he lumbers to his feet very slowly. He looks down at me and presses a finger to my lips. His finger trembles. “Mr. Madison,” he says. He nods at my dad, and then at my mom. “Mrs. Madison. It was wonderful to meet you. I will say good-bye now.” He starts toward the door. “And as far as the treatment is concerned, if Emily’s freedom is the price, you can take your money and shove it up your ass.” He stops at the door. I’m latched onto his arm like a Velcro monkey. “Please don’t walk out,” I beg. “Not like this. I can fix this.” He peels me off of his arm. “I know you can.” He kisses my forehead, his lips lingering there as he breathes in deeply, his eyes closed. Then he pushes me back from him. “I need to go,” he says. His voice is hoarse. “I’ll talk to you later.” “I’m going to deal with this, and then I’ll come find you. I promise.” He nods. Then he steps out the door and closes it softly behind him. There’s a thud on the other side of the wall and I know Logan waited until he got outside to smash something.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
Her smile was so wry she could’ve used both lips to make a Reuben.
Matt Abraham (The Coconut Swindle (Black Cape Case Files, #2))
He’d be glad you were there, standing in for him.” “I was just telling him about it and I thought, shit, I don’t even know how much of him is in there.” “None,” Jack said. “He’s moved on.” Paul hit his chest with a fist. “I still have him here.” “Of course. Everyone who loved him has him there. I think that’s the point.” “I shouldn’t have been the one tonight. It should’ve been him. She misses him so much.” “Look, we all have different paths, Paul. His led him there, yours led you here.” Paul sniffed and wiped at his face. “The house is about done,” he said. “Vanni will be up and around in no time and I can’t hang around here anymore. I have to get back. To Grants Pass.” “Yeah,” Jack said. “But you’ll be back pretty soon. You have strong ties here.” “I don’t know about that….” “Give her time, Paul. It’s still a little raw, but that’s going to change.” “What are you talking about?” he asked, looking at him in the dark. “Oh, Jesus, I wondered. You don’t remember. You got a little drunk and—No, you got a lot drunk and kind of let it slip about how you saw her first.” “No. I couldn’t have.” “Take it easy. Just to me. You had the discretion to pass out before you told anyone else. So listen to me for once, okay? Because this is important. You already know this, but right now you think you’re the only man who’s ever been in this position. I married a widow. Remember? It wasn’t easy. It wasn’t quick—getting over that long, ugly hump of wondering where I fit in. It was goddamn humbling, if you want the truth. But, Paul, it was worth every sleepless night I invested. It’s just that it takes whatever time it takes.” Paul thought a minute. He fixed his lips tight, as if he were struggling. “I have to get back to Grants Pass.” “But you come back here before long,” Jack said. “Come back regular. I’m telling you, if you don’t, you’ll regret it.” “But I can’t stay much longer, Jack. It’s eating me up. I gotta get out of here. He was my best friend, and he’s dead, and I helped his baby into the world, and—” “And you want his woman. I know this is a rough patch, Paul, but if you’re the kind of guy who cuts and runs, oh man, you’re going to hate yourself.” Paul hung his head. “Come on,” Jack said. “People want to say good-night. They want to pat you on the back one more time.” “Can’t you just leave me out here?” “Nah,” he said, turning Paul away from the grave with a hand behind his neck. “The general wants to tell you—Matt picked a name. They’ve made a few adjustments on account of his death—adjustments that were Vanessa’s idea. Matt wanted to name him Paul. But they’ve settled on Matthew Paul. I think you should drink to it. And think to it.
Robyn Carr (Whispering Rock (Virgin River, #3))
Take a break for a second.” I gingerly sit down next to him. He scoots closer until his hip touches mine. I scoot away from him, but he scoots even closer. I look up, and I can’t keep from grinning at him. “You’re in my space,” I warn. “I like being in your space. I kind of want to be all up in your space,” he says, his voice teasing and playful. But then he pats his shoulder. “God didn’t give me broad shoulders just to hold up my T-shirts.” He uses his hand to push my head onto his shoulder. He’s quiet for a moment, but then he says, “Let me take some of your burden, Sky. Tell me what’s wrong.” He sits quietly and just breathes. He doesn’t say anything more. I sit there and take in the scent of him. It’s woodsy and manly and clean. It’s Matt, and I like it. I don’t want to cry anymore. I want to climb into his lap and kiss him. “Oh God,” I moan. “Nope. I’m just Matt,” he says with a chuckle. I punch his shoulder playfully. He pretends to fall to the side, but he pops right back up, getting even more in my space. “Is this about your boyfriend?” he asks quietly. I shake my head. I had almost forgotten about Phillip. “No,” I start. But I can’t get the words together. “Never mind.” He sits quietly, and then he starts to whistle. He’s not letting me off without an explanation. “It’s just that I never had a family.” There. I said it. Now he can pity me. “So when Seth was worried, not just about his sisters but about me too, it made me feel a little emotional.” I shrug. It sounds even more stupid now that it’s out of my mouth. “That’s all. I know it’s stupid.” He doesn’t say anything. He just nods. “I just am having a hard time finding my place in this situation. But I think I’m finding it, and it feels good.” He arches his brow. “So, that was a good cry?” he asks. “That was a very good cry.” A grin tugs at the corners of my lips even though I’m still feeling really emotional. “Okay,” he says with a nod. He pats his shoulder. “You want to cry on me some more? I kind of like having you touch me.” He grins and opens his arms in invitation. “I’m really good at hugs, too.” I bite my lower lip, trying not to grin. “I’ll pretend it’s a chore if it’ll make you feel better. I’ll even groan out loud.” This time I laugh. I can’t help it. He’s so damn sweet. “Is that a no?” he asks, deadpan. “I’m not usually this emotional,” I say. He shrugs. “All women say that. It usually precedes an episode of batshit craziness.” “Are you calling me crazy?” He shakes his head vehemently. “Definitely not.” He smiles. “There are a lot of words I would call you. Crazy isn’t one of them.” Now I’m intrigued. “Do tell.” “You’re fucking gorgeous as hell,” he says. His eyes drag up and down my body. Heat creeps up my cheeks. “And you’re smart. And loyal. And you’ve bitten off more than you can chew by taking on three kids that aren’t even yours.” I like that he thinks I’m smart. And loyal. “And you’re not mine.” He gets to his feet and reaches down to take my hand. “So we had better get out of the stairwell before I do something stupid like kiss you.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
You want to kiss me?” I ask. “More than anything,” he says quickly. I grin and look away from him. “Good.” I open the door to the stairwell and walk through it. “What’s that supposed to mean?” he asks my retreating back. “Nothing,” I toss over my shoulder. My heart feels a lot lighter than it did a few minutes ago, probably because there are about a million butterflies fluttering around in my gut. My belly flips when I meet his gaze. “I’m glad you want to kiss me, is all.” I shrug again. “So can I?” he asks softly. He’s following me to the street and toward my car now. I beep the locks so I can open the door. I start to pull bags out and load him up. “Can you what?” I ask. He grins. “You know what.” I drop my voice down to a whisper. “You might have to spell it out for me, Matt.” “I W-A-N-T T-O K-I-S-S Y-O-U,” he spells out, laughing. I laugh, too. “Good,” I say again. I get out the last of the bags. He’s carrying most of them, so my load is pretty light. I step up onto my tiptoes and kiss him really quickly on the cheek. “Thanks for helping with the bags. And for the pizza. And for rushing over when Seth called you. I’m sorry if he ruined your night.” “You can make it up to me,” he says. He puckers his lips. I can’t keep the smile from my face. “You coming up?” I ask. He holds up the bags like he has no other choice. “Run while you can, Mr. Reed,” I say, and I try to take a bag from him. “I don’t think so,” he says.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I don’t know what to do with myself all alone with Matt, so I start to load the dishwasher with today’s dishes. Matt picks up plates and cups from the table and helps me. “Careful, or I’ll get used to having you around,” I warn playfully. He looks directly into my eyes. “Good. That’s what I’m going for.” My breath hitches, and I have to turn away so that I’m not facing him. I lay my hands flat on the counter and take a breath. But then I feel Matt’s length behind me. His palms lie flat on the counter beside mine, his arms bracketing my body. I can feel him from the top of my head to the heels of my feet, he’s that close. “You in love with me yet?” he whispers quietly. A grin steals across my face, and I’m so glad he can’t see it. “Nope,” I say past the lump in my throat. He brushes the hair from the back of my neck and presses his lips there. I’m suddenly glad he’s behind me, because my knees might just give out. His lips are soft and warm, but insistent. He kisses the side of my neck, and I tilt my head because it feels so damn good. “Someday, you’re going to want to marry me,” he murmurs. “You’re awfully sure of yourself.” My voice quavers only a little. I’m quite proud of that. “Mmm hmm,” he murmurs, and his lips gently slide up the side of my neck.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
And I think I fell in love with you. I’m not one hundred percent sure, but I know I like you a lot and I want to have you around. And now that I’m getting used to you, you’re going to break my heart because I kind of need you, Matt. I kind of need for you to love me, too.” I roll her to her back and settle between her thighs. I balance myself on my elbows by her head so I can play with the wet hair on her forehead, brushing it gently to the side. “Done,” I say. Her eyes jerk up to mine. “Done?” she echoes. I nod and kiss the tip of her nose. “I want to eat, sleep, and breathe you, woman,” I say. I drag my nose up and down the side of hers. She shivers in my arms. I kiss her quickly, and she scowls. “Needing me and wanting me are not the same as loving me,” she says, chewing on her lower lip. Her eyebrows furrow, and I kiss the crease between them, then smooth it with my thumb. “Are you in love with me yet?” I ask. “Are you in love with me yet?” she asks me. “Yeah,” I say softly. “I am.” “Me, too,” she chirps.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
He leans down next to my head from behind the couch like he’s going to whisper in my ear. But I put up my hand and push against his nose with the flat of my palm. “Oh!” Pete cries. He jumps to his feet. “That counts! That so counts!” He points at me and then to Paul’s nose. “She just hit you in the fucking nose, man,” he shouts. He high-fives Sam, who’s grinning like an idiot. He rubs his nose. “She didn’t hit me in the nose.” “Trust me,” I say, “if I hit him, he would know it.” He shoots me a glare. Paul leans toward me again. “You could tell me what I did wrong,” he says quietly, while his brothers are still placing bets and catcalling about my little shove to his nose. I lean closer to him and sniff. I expect to smell sex on him, but I just smell fresh, clean male. Fresh, clean, hot-as-hell man. Hmm. “What did I do?” he asks. He leans his elbows on the couch, hanging over my shoulder. I can feel his warm breath on the side of my neck, and a shiver runs up my spine. “Nothing,” I say. “Nothing is always something in girl code,” he says. He smells like Michelob Light and Paul. “What girl code is this of which you speak?” I ask. “The one where you’re right and I’m wrong no matter how we look at it.” He grins. “Talk to me, Friday.” He leans closer, and his lips touch the shell of my ear. “What did I do wrong?” I grunt and cross my arms. “That’s it, then,” he says. “You forced me to do it.” He stands up, stretches, and cracks his knuckles. “Forced you to do what?” I ask. “To take matters into my own hands,” he says. He reaches down and scoops me up in his arms. “Paul!” I screech. “Put me down! Right now!” But all I can really do is grab his neck because he’s moving faster than I thought possible. “The drawer!” his brothers all cry at once. They’re laughing like hell and high-fiving one another. “Fuck the drawer,” he says. “What drawer?” I ask. I am so confused. “The drawer!” they yell, all pointing toward it. He stops and looks back at them. “We’re just going to talk. Where the fuck do you think I’m going to put it?” he asks. “On my tongue?” Pete looks at Sam and shrugs. “I’ve heard dumber ideas,” he says. “Seems like overkill to me,” Sam replies. He shrugs, too. Paul shakes his head and bumps his door open with his shoulder. “That’s what they all say,” Matt calls. “Get a condom out of the drawer!” “You have a condom drawer?” I ask. “In the kitchen, yes.” I must look dumbfounded because he goes on to explain. “I raised four teenaged boys. I had to be creative about getting condoms in their hands. And on their dicks.” Paul sets me down gently on his bed. Then he turns around and closes and locks his door behind us. “Let me out of here,” I grit out. I scurry across the bed like a crab. “Not until you talk to me.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I bend my head and kiss her quickly, but her lips follow mine when I start to pull back. Her mouth is soft and warm and wet, and the kiss shoots straight to my center. My brothers start their catcalling, and I finally have to lift my head. I flip them the bird, and she steps back from me, her cheeks all rosy and pretty. She waves at my brothers. It’s a jerky, quick move, and then she buries her face in my shirt. She’s so fucking beautiful that she steals my breath, and her blushing is absolutely adorable.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
So just over a year ago, there was this guy. I really liked him. I mean really – since I was a kid.” “Did Frankie know him?” “The three of us were best friends. We basically grew up together.” “Complicated.” “Very. So anyway, last year on my birthday, he finally kissed me.” Sam stays quiet, focused on his feet taking off and landing against the sand. It feels strange to tell him about this for so many reasons, but the words are coming too fast for me to stop, even if I want to. “We started hanging out all the time – even more than before. Every night. Only we didn’t know how to tell Frankie, because we didn’t want her to freak or feel left out or whatever.” “Makes sense,” Sam says. “He thought it would be better if he told her himself, so I promised him that I wouldn’t say anything. But before he could talk to her about it, he–” I almost choke on the word, holding my hand against Sam’s arm to stop our forward motion along the shore. “What did he do?” Sam asks. “He just – he – I’m sorry. Wait.” The words of this story have passed a thousand times from my hand to the pages of my journal, but never from my lips to the ears of another living soul. I take a few deep breaths before I’m able to meet Sam’s eyes and say it. “He died, Sam.
Sarah Ockler (Twenty Boy Summer)
Why didn’t you tell me he was here?” He has one leg on the couch and the other on the floor, so I get on my knees between his spread legs and lean down over him, holding myself up with my hands flat on his chest. Matt doesn’t allow that but for a second, though. He pulls me to his chest and holds me close to him. His body rises and falls beneath me, steady and solid. “I would have told you he was here if you had given me time.” I laugh against him. “Don’t you dare laugh,” he says. “This is serious. Your dad is going to hate me from now on.” “I don’t care what he thinks,” I say. I scoot myself a little higher, getting my lips closer to his. “That was, like, the worst kiss of all time,” I whisper dramatically. “I know,” he whispers back. His hands land on my waist, and he lifts me, bringing my mouth even closer to his. He lifts the edge of my pajama top, and his warm hands touch my naked skin. “I’m never going to kiss you again. Because that one was too awful.” “Terrible,” I say quietly, looking at his lips. “But I think we should try again.” Matt hooks an arm behind me and flips us over. He looks down at me. “You think this is funny?” he asks. But he’s grinning, so I’m not worried. “Hilarious,” I breathe. “Don’t you?” His face lowers until his lips hover over mine. “You’re so fucking amazing that you make my heart hurt sometimes,” he says.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I didn’t think you were coming back until later,” he says. He eyes me up and down but not in a creepy way. “Who’s your friend?” he asks. He sticks out a hand to shake, and I take it. “I’m Paul,” he says. He’s huge, and he has even more tattoos than Pete does. There’s another guy behind him. He’s thin and has long, blond hair, and it’s held back with a rubber band at the nape of his neck. “Matt,” he says as he sticks out his hand to shake. Then I notice a guy and a girl sitting on the couch. She’s the blonde I saw at the prison, and she eyes me with the gaze of an antiques dealer, as if she’s looking for all my imperfections. “Emily,” she says with a little wave. “Logan,” she says, as she pats Logan on the chest. He extends his hand, and I take it. But there’s one more, and my breath catches in my throat when he steps out from behind Logan. He looks so much like Pete. He has to be Sam. I look from Pete to Sam and back. “I’m the pretty one,” Sam says. He reaches out like he wants to hug me, but I recoil. I can’t help it. I’ve come a long way, but not that far. “It’s nice to meet you,” he says with a nod. I extend my hand, and instead of shaking it, he lifts it to his lips. His short little moustache tickles the back of my hand. I twist my fingers out of his grip, and Pete glares at him. “Keep your fucking hands off my girl,” he growls. But then he opens his arms, and Sam falls into them. They hug the way men do, with lots of backslapping and murmured words. “I’m glad you’re here,” Pete says. “You called. I came. Like a good big brother.” “Eight minutes,” Pete growls playfully. He drops an arm around my shoulders. “He was born eight minutes before me and he thinks he’s the shit because he’s older.” He coughs into his fist. “Excuse me. I am the shit.” He grins. He looks so much like Pete that it’s almost disturbing. “I think you’re both shits,” Paul says as he goes to fridge and gets a beer.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Oh, it’s on now,” he growls and spins around, bending at the waist so he can toss Emily over his shoulder. Emily protests, smacking his back, but she’s suddenly serious, if the look on her face is any indication. “Put me down, Matt,” she cries. Logan jumps to his feet, and he yells for Matt to put her down, too. Matt’s still laughing, though, and he has no idea how serious they are. “Matt!” Paul yells. The room goes quiet, and Matt spins around with Emily still over his shoulder to face Paul. “Put her down before you hurt her,” he says calmly but forcefully. Logan takes Emily from Matt and lowers her to her feet. “Sorry,” Emily says sheepishly. “What’s wrong?” Matt asks. He’s suddenly serious, despite the icing that’s all over his face. Reagan is wearing some, too, and they all look ridiculous. “Did I hurt you?” he asks Emily. Emily hangs her head a little and then looks up at Logan like she’s asking for permission. She signs and talks to him at the same time. “Should we tell them?” she asks. But she’s grinning. Logan smiles, too, and nods. Emily takes a deep breath. “You’re not sick, are you?” Matt asks, and I can see the love he has for both his brothers’ girls in his eyes. And, honestly, it makes me love him even more. Emily shakes her head. She jerks a thumb toward Logan. “Your brother knocked me up,” she says. The room goes silent. Completely silent. You could have heard a pin drop. “What?” Matt asks, looking from Logan to Emily and back. He has icing all over himself, yet he’s suddenly so serious. He points to Emily’s belly. “You’re pregnant?” he whispers. Emily laughs and nods. “We’re pregnant!” she cries. “So no more tossing her over any shoulders,” Logan warns, glaring at all his brothers. They’re getting to their feet, one by one. Suddenly, Matt jerks Emily toward him and wraps his arms around her. “I’m so happy for you,” I hear him say softly as he swings her around. She giggles and holds him close to her, patting his back. Matt sets her back from him and looks down at her belly. “You’re going to be the best mom ever, Em,” he says. “I hope so,” she says quietly, laying a hand on her belly. The rest of the brothers come forward to congratulate them, and they rub Logan’s head and jab him in the side, while Emily gets lots of soft hugs. “Maybe she’ll be born perfect like her dad,” she says. She worries her lower lip. “Or fucking gifted like you,” Matt says vehemently. Emily sniffs and smiles at him, a watery grin. “There’s just one thing I want to know,” Matt says. He wraps an arm around Emily’s shoulders and looks down at her. I flinch when I see what he’s about to do, but she does kind of deserve it. His hand inches toward the countertop and he snags a cupcake. “Is the baby going to like chocolate or vanilla?” He brings it up and crams it into Emily’s startled face. She sucks in a jerky breath. “Booyah!” Matt cries, and he runs away from Emily.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
The doors open, and I pull back. She wipes my lips with her thumb. I take my handkerchief out and swipe my face. “All good?” I ask. I wipe the corner of her mouth where I smudged her. “Me?” she asks. “Beautiful,” I say. I take her hand and lead her out of the building. She’s so fucking beautiful that I want the whole world to see her. And what makes it even better is she’s mine.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I’ve eaten about half the carton when a knock sounds on my door. I startle. I don’t go to the door. No one I know would come here. My phone bleeps. Matt: Answer your door. Me: No. Go away. My heart starts to trip. He’s here. Shit. I uncurl my feet from under me and perch my bottom on the edge of the couch. He’ll go away if I wait long enough. He knocks again, and I jerk, dropping my spoon to the floor. I get up and toss it in the sink as I walk past. It clatters loudly. I walk over to the door, press my ear against it, and listen. I don’t hear anything. Matt: I’m not leaving. Me: How did you find me? Matt: Your father felt sorry for me. Me: Traitor. I hear a chuckle through the door. Matt: He loves you. Me: What did you tell him? Matt: I told him that I’m an idiot. I wait. Matt: He agreed. A grin tugs at my lips. Matt: You’re laughing, right? I don’t respond. Matt: Please tell me you’re not crying. Me: Not anymore. You should go home, Matt. Matt: You first. I hear Matt speak softly through the crack in the door. “You should go home, Sky.” I sink down onto my bottom and lay the back of my head against the door. “I can’t go home,” I say. “Why not?” he asks, his voice soft, and I think he is sitting down now, too, just on the other side of the door. “Because you’ll go there.” He chuckles. “I’m here.” I sigh heavily. “Go home, Matt. My feelings are hurt, and I don’t want to see you right now.” “It wasn’t what you thought it was. I thought you knew who she was, and you obviously didn’t. I never meant to hurt you.” “You still love her, Matt,” I say. “No,” he protests. “I don’t. And I made that very clear when you forced me to dance with her tonight.” “You wrote her a fucking letter when you were dying,” I say. “Ugh!” he cries. “That letter will haunt me until the day I die.” “Only because it tells how you really feel.” He chuckles. “It does tell how I really felt when I wrote it.” I bang the back of my head against the door. I want to stop talking about it. “I want you to read it,” he says. “I don’t want to read it.” “Yes, you do.” I hear a rustle, and an envelope slides under my door. It has the word April written across the front. I push it back to him. He laughs and shoves it through again. “I need to tell you something,” he says. “What?” I ask. I don’t touch the letter. I just let it lie there on my carpet. “Seth and Mellie and Joey, they depend on you. They don’t deserve for you to leave them.” That hits me like he just kicked me in the chest. “I didn’t leave them.” “You’re here so you can avoid me, and they’re there.” I don’t say anything because he’s right. I did leave them. “I’ll go away if you’ll go home,” he says. “I won’t like it, but I love you, and I love them enough to give up for tonight so you can go back to them. They need you. And you need them.” Tears burn my eyes, and I blink them back. “Matt,” I say. “Will you read the letter?” he asks. “Maybe,” I grouse. He chuckles, and I hear a sniffle from his side. “Will you call me when you’re ready?” “Maybe,” I say again. “Go home to the kids, Sky. I promise to give you some space. Read the letter, though. It might help.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I pace for twenty minutes, until Paul barks at me. “You’re going to wear a hole in the carpet.” “Who gives a shit?” But I sit on the couch next to his chair. “What do you think they’re talking about?” Paul asks, grinning like an idiot. “No idea.” “I bet they’re discussing the length of your dick,” he taunts. “Shut up.” “Or all the ways you never learned to use your tongue.” “Fuck you.” I have a lot of skill with my tongue. “The way you shave your balls.” “Asshole.” But a grin tugs at my lips. He laughs out loud and shoves my shoulder. “Quit worrying.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
You took on all that responsibility without blinking an eye, just because those kids needed you. And I fell in love with you a little bit because of that. Because if you could love three kids you’d never met, you could maybe love me a little, too.” He beckons me forward. “You got room in your heart for me, Sky?” he asks. “I did warn you that I was going to make you fall in love with me.” I crawl across the bed until my chest touches his. I straddle his hips and look down into his beautiful face. “You win. I can’t live without you.” I kiss him. His lips are warm and soft and feel so right under mine. “I hope you’re ready for a big family.” “I’m ready for anything you give me.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I love you,” I tell him, and I climb up to lie on his chest. I turn my head so that my ear is directly over his heart. It’s steady and strong and…mine. “Will you love me forever?” I ask. I lift my head to look into his face. “And a day,” he affirms. “Matt,” I start. I don’t know how to say what I want to say. “You mentioned that it would take a miracle for you to get me pregnant.” “Yeah,” he says quietly. “What if I said that I believe in miracles?” “I’d say you’re wishing for things you can’t have.” He doesn’t stop touching me, so he’s not mad or sad. He’s just resigned to it. “But—” I start. He puts a finger over my lips. “But nothing, Sky,” he says. “You’re my fucking miracle. Not a baby. I don’t need a baby to make me whole. I just need you.” He laughs. “And I get your kids as a bonus. What more could I ask for?” “Matt, could you move in with me?” I ask. I hold my breath as I wait for the answer. “What about Seth?” he asks. “We could have a talk with Seth.” “I’ll talk to him when we go home in the morning.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
At the dinner table, my mom and dad were tense; Matt was annoyed; and Sam was clueless, since he’d just arrived home from practice. Jake was taking a break from the wailing to give us all the silent treatment, and he sat at the table with his arms folded, his lips clamped shut against dinner, and his red-rimmed eyes downcast. I just wanted to shovel down my chicken fajita and then get the heck out of there.
Coco Simon (Emma: Sugar and Spice and Everything Nice (Cupcake Diaries))
Perhaps the most puzzling aspect of innovation is how unpopular it is, for all the lip service we pay to it.
Matt Ridley (How Innovation Works: And Why It Flourishes in Freedom)
climb down this tree, I’m going to land right in his mouth! This is not what I was planning. The dog is licking its lips in anticipation of its next meal, me. No way. Not happening. I manage to scramble back up to the middle of the roof to reassess. I pick up my water pistol and have
Matt T. Berry (War (The Mis-Adventures of Alex #1))
Turning my head away from his bourbon-heavy scent, I twisted his cummerbund around and undid the cheap buckle. His breath grew shorter as he cupped and massaged the generous D cups, his touch rudimentary but acceptable. “Tonight?” he gasped hopefully. I considered the request. It had been weeks since we’d last had sex, the quick event occurring after Matt had, from out of nowhere, put an offer on the Atherton house. Granted, it was a horrible home. Ugly and with a choppy floor plan that was badly out of style, but still. For my cheap husband, it was a huge and unexpected step in the right direction for our social standing and my happiness. “Yes.” I moved closer, as if in enjoyment of his touch. Matt had been a sexual disappointment early on, one that required me to take care of my own needs. Most recently, I had done so with the explosive but short-lived Ned Plymouth dalliance. I’d had high hopes for that pairing, and I frowned as I placed the cummerbund on the counter, thinking of the lost potential with my former boss. Matt grunted, his mouth now sucking at my nipples with loud and frantic wet smacks of his lips. I undid his pants and pulled down on the zipper. “Let’s go to the bed.” I injected some husk into my voice, as if I were eager, and not just to get it over with. On my back, with him above me, I thought of William Winthorpe. There was something dark and delicious about him, a temptation that had existed as soon as he’d introduced himself at my interview. William. There had been a tug in his tone, a tightening of the cord between us. It’s a pleasure to meet you. Gruff and sexual.
A.R. Torre (Every Last Secret)
Just because you can, it doesn’t mean you should. There is a power and a beauty in unproved conjectures, unkissed lips, and unpicked flowers.
Matt Haig (The Humans)
confines of the institutional church there are people who are true believers, but there are also unbelievers inside the visible, institutional church. They’re in the church, but they’re not in Christ because they’ve made a false profession of faith. Jesus said of some of His contemporaries, “This people honors me with their lips, but their hearts are far from me” (Matt. 15:8). Jesus recognized that there were people within Israel who were not true believers. Paul said something similar: “Not all who are descended from Israel belong to Israel” (Rom. 9:6). These Jews went through the rituals and were part of the visible community. They were participating in all of the activities, but they were still aliens and strangers to the things of God. In the New Testament, the metaphor that Jesus uses with respect
R.C. Sproul (What Is the Church? (Crucial Questions))
My mind knows right from wrong, but my body craves the wrong. And as little as I know about Ryat, I do know that I can trust him. My body reacts to his touch, his lips, his dominating demeanor. All I ever wanted Matt to do was take control. I would be stupid not to use Ryat when he’s offering me that very chance.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
I don't need to do a quick self-assessment to know that I read as super-duper straight. And, let's be real, a basic bitch. My hair is long past my shoulders, styled and sleek and very conventional. She's seen me in two dresses (and on the news, a million more dresses). My makeup is fairly heavy, not caked on, but I'm used to applying TV layers. I wear a lot of eyeliner. I have a variety of liquid matte lipsticks and berry lip glosses. I talk like a valley girl and drive a Honda Civic (at least it's not a white Jetta).
Taleen Voskuni (Sorry, Bro)
replied, her lips falling into a frown. “The man
Matt Lincoln (Patient Zero (Coastal Fury #33))
between her thighs. Her clit pulsed with an insistent ache. Moving helplessly on the bed, she licked her lips and her eyes drifted closed. Then his fingertips slid up over her chest, her throat, to her mouth. One fingertip touched her bottom lip and she opened her eyes to look at him. Their eyes met in a collision of sparks. Watching her with hot focus, he placed his hand over her mouth, palm flat, holding it there so gently, and she groaned. Slowly he brushed the pads of fingers over her bottom lip. Holy hell and shit fire, this was unbelievably hot and sexy. She was dying with need for him, her entire body throbbing. “Matt…” “Yeah, baby?” “You’re making me crazy.” “Yeah?” “Um…yeah.” “Good.” Still he watched his fingers play with her mouth, his index finger touching her bottom lip then slipping into her mouth. She lifted her head seekingly then dropped it back to the pillow as he brushed his fingertips up and down over her lips. He once more bent his head to take a nipple into his mouth, drawing hard on it, and sensation shot through her, her body shivering with tortured need. Her hips moved restlessly, knees bent, Matt kneeling between
Kelly Jamieson (Heller Brothers Hockey (Heller Brothers #1-5))
Prayer, when done right, comes from feeling or ‘the heart.’ It never comes from thought or the words on someone’s lips. A fearful heart, asking for salvation, will receive more to fear. A confident, but humble heart, asking for anything, will receive that thing instantly. And most people are not too confident about instantly, so time (delay) becomes part of the delivery.
Matt Clayton (Egyptian Mythology: A Fascinating Guide to Understanding the Gods, Goddesses, Monsters, and Mortals)
A visitor at a school for the deaf was writing questions on the board for the children. Soon he wrote this sentence: “Why has God made me able to hear and speak, and made you deaf?” The shocking sentence hit the children like a cruel slap on the face. They sat paralyzed, pondering the dreadful word “Why?” And then a little girl arose. With her lip trembling and her eyes swimming with tears, she walked straight to the board. Picking up the chalk, she wrote with a steady hand these precious words: “Yes, Father, for this was your good pleasure” (Matt. 11:26). What a reply! It reaches up and claims an eternal truth upon which the most mature believer, and even the youngest child of God, may securely rest—the truth that God is your Father.
Mrs. Charles E. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
God is looking for righteousness over ritual. He wants our lives and our hearts and our actions. Jesus warned us that, “These people draw near to Me with their mouth, And honor Me with their lips, But their heart is far from Me” (Matt. 15: 8).
Kerry L. Skinner (The Joy of Repentance)