Mating Season Quotes

We've searched our database for all the quotes and captions related to Mating Season. Here they are! All 100 of them:

Anyway, I was the one in real danger. I got cornered by a pack of wild sorority girls in the food court. Apparently it's mating season.
Rachel Vincent (Stray (Shifters, #1))
The male frog in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs—it's been documented—discover if they position themselves in empty drainpipes, the pipe acts as a voice amplifier and the small frog appears much larger than it really is." So?" So that's what art is for the artist, an empty drainpipe. An amplifier. A stab at getting laid.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
It was about time they got together. They were circling each other like deepwater sharks in mating season.
S.G. Blaise (The Last Lumenian (The Last Lumenian, #1))
Way to make me feel excluded, bitches.” “Darcy,” we all say at once, all in the same disapproving tone. “What?” She shrugs from the door. “I thought we now just sprinkled the word generously in conversation. For seasoning.
Ali Hazelwood (Check & Mate)
In your walks about London you will sometimes see bent, haggard figures that look as if they had recently been caught in some powerful machinery. They are those fellows who got mixed up with Catsmeat when he was meaning well.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
Men can imagine their own deaths, they can see them coming, and the mere though of impending death acts like an aphrodisiac. A dog or rabbit doesn't behave like that. Take birds -- in a lean season they cut down on the eggs, or they won't mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever. As a species were doomed by hope, then? You could call it hope. That, or desperation. But we're doomed without hope, as well, said Jimmy. Only as individuals, said Crake cheerfully.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever.
Rebecca Makkai (The Borrower)
The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars. At dawn and at evening we hear the coyotes howling with excitement - mating season. And lots of fresh rabbit meat hopping about to feed the young ones with.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
This is going to hurt, but you will have to watch other couples be happier, richer and louder than you. Wait. No obstacle can withstand patience. Wait. You may not think so now, but there will come a time when you will be tempted to run away. Would that be right? Would that be fair? As every matriarch discovers, entire seasons will pass without reward. As your mate's peculiarities add up, what do you do? Wait!
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
You can't press your suit and another fellow's trousers simultaneously.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
With shrieks of adoration it flung itself on human breasts, 'to crush you, to suck your life away. I cannot drag my own weight over the crust of the earth so you must carry me on your back so that in time you will be crippled with my weight.' These words are in every heart in the mating season.
Leonora Carrington (The Stone Door)
Soul mates meet in a place where time stands still. You recall where you were when the call came in. The vivid colors of the day. The season. The way the sun was streaming in or how the rain fell upon the glass. That’s how you know it was your destiny. You can remember the smallest details of your meeting. And you thought it wouldn’t matter.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves-for they are a little vain, knowing themselves to be the most beautiful creatures in all the world, and magic besides. They mate very rarely, and no place is more enchanted than one where a unicorn has been born. The last time she had seen another unicorn the young virgins who still came seeking her now and then had called to her in a different tongue; but then, she had no idea of months and years and centuries, or even of seasons. It was always spring in her forest, because she lived there, and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Women and men should not marry, for love is like the seasons—it comes and goes. YANG ERCHE NAMU (Mosuo woman)
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
According to Adam One, the Fall of Man was multidimensional. The ancestral primates fell out of the trees; then they fell from vegetarianism into meat-eating. Then they fell from instinct into reason, and thus into technology; from simple signals into complex grammar, and thus into humanity; from firelessness into fire, and thence into weaponry; and from seasonal mating into an incessant sexual twitching. Then they fell from a joyous life in the moment into the anxious contemplation of the vanished past and the distant future.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
About the only good thing about being sex-starved and hornier than the blue wildebeest in mating season she'd once had to write an essay on, was the vast improvement on her pen-pal repertoire. Phone sex? Pah! Any schmuck could talk dirty and get off on it. The art of airmail sex, however, presented a much greater challenge and one she'd excelled at, if Mark's responses were anything to go by. It was a wonder the planes didn't catch fire.
Allie A. Burrow (Serviced: Volume 1)
The only occupant of the more posh saloon bar was a godlike man in a bowler hat with grave, finely chiselled features and a head that stuck out at the back, indicating great brain power. To cut a long story short, Jeeves.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
There is something frank and joyous and young in the open face of the country. It gives itself ungrudgingly to the moods of the season, holding nothing back. Like the plains of Lombardy, it seems to rise a little to meet the sun. The air and the earth are curiously mated and intermingled, as if the one were the breath of the other. You feel in the atmosphere the same tonic, puissant quality that is in the tilth, the same strength and resoluteness.
Willa Cather (O Pioneers!)
On the cue 'five aunts' I had given at the knees a trifle, for the thought of being confronted with such a solid gaggle of aunts, even if those of another, was an unnerving one. Reminding myself that in this life it is not aunts that matter, but the courage that one brings to them, I pulled myself together.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
I am strong and skilled in battle, and I know how to defend what’s mine.” - Koll in Mating Season
Allie Ritch
...I spent the whole morning coiled up in front of the fire, with my hands over it, eating nothing, motionless, just listening to the first rain of the season, softly falling. I was thinking of nothing. Rolled up in a ball, like a mole in damp soil, my brain was resting. I could hear the slight movements, murmurings and nibblings of the earth, and the rain falling and the seeds swelling. I could feel the sky and the earth copulating as in primitive times when they mated like a man and woman and had children. I could hear the sea before me, all along the shore, roaring like a wild beast and lapping with its tongue to slake its thirst.
Nikos Kazantzakis (Zorba the Greek)
You probably think that being a guest in your aunt's house I would hesitate to butter you all over the front lawn and dance on the fragments in hobnailed boots, but you are mistaken. It would be a genuine pleasure. By an odd coincidence I brought a pair of hobnailed boots with me!' So saying, and recognising a good exit line when he saw one, he strode out, and after an interval of tense meditation I followed him. (Spode to Wooster)
P.G. Wodehouse (Jeeves and Wooster Omnibus: The Mating Season / The Code of the Woosters / Right Ho, Jeeves (Jeeves, #9, 7, & 6))
I had seen enough of Western courtship rituals to know European families did little to identify, research and arrange suitable marriages. Instead, to catch the attention of potential partners, Western males had to resort to shows of strength, aggression and virility, rather like wild boars in the mating season, and Western females had to decorate themselves and their homes, like bower birds.
Ovidia Yu (The Frangipani Tree Mystery (Crown Colony, #1))
A tall, drooping man, looking as if he has been stuffed in a hurry by an incompetent taxidermist.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
But what is the love life of newts, if you boil it right down? Didn't you tell me once that they just waggled their tails at one another in the mating season?' 'Quite correct.' I shrugged my shoulders. 'Well all right, if they like it. But it's not my idea of molten passion.
P.G. Wodehouse
For wolves, as for dogs, life is a briefer thing than for men, if you measure it by counting days and how many turns of a season one sees. But in two years, a cub wolf does all a man does in a score. He comes to the full of his strength and size, he learns all that is needful for him to be a hunter or a mate or a leader. The candle of his life burns briefer and brighter than a man’s. In a decade of years, he does all that a man does in five or six times that many. A year passes for a wolf as a decade does for a man. Time is no miser when one lives always in the now.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
She placed her fingertips on her forehead as if trying to gather her thoughts on how to handle this unexpected scenario. "Do not run from a bear. Make yourself a large target and yell to scare the bear away. Bears are easily frightened unless it's mating season." "Oh, wouldn't it be just my horrible luck to fall on a horny bear?
Vonnie Davis (Bearing It All (Highlander's Beloved, #3))
But dragons are one thing and aunts are another.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
I turned to Caeden. “Holy hell, what happened while we were gone? Is it mating season for wolves?” Caeden’s blue eyes were wide. “Apparently so.
Micalea Smeltzer
Hey, get a load of those two! It must be mating season or something...
Rachel Renée Russell (Tales from a Not-So-Fabulous Life (Dork Diaries, #1))
The male frog, in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs - it's been documented - discover that if they position themselves in empty drainpipes, the pipe acts as a voice amplifier, and the small frog appears much larger than it really is." "So?" "So that's what art is, for the artist," said Crake. "An empty drainpipe. An amplifier. A stab at getting laid." "Your analogy falls down when it comes to female artists," said Jimmy. "They're not in it to get laid. They'd gain no biological advantage from amplifying themselves, since potential mates would be deterred rather than attracted by this sort of amplification. Men aren't frogs, they don't want women who are ten times bigger than them." "Female artists are biologically confused," said Crake.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
The explains why basal levels of testosterone have little to do with subsequent aggression, and why increases in testosterone due to puberty, sexual stimulation, or the start of mating season don’t increase aggression either.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
In the circles in which I move it is pretty generally recognized that I am a resilient sort of bimbo, and in circumstances where others might crack beneath the strain, may frequently be seen rising on stepping-stones of my dead self to higher things.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
I was losing the old pep and…unless the clouds changed their act and started dishing out at an early date a considerably more substantial slab of silver lining than they were coming across with at the moment, I should soon be definitely down among the wines and spirits.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
The second most frequently asked question is, “What can we learn of moral value from the ants?” Here again I will answer definitively. Nothing. Nothing at all can be learned from ants that our species should even consider imitating. For one thing, all working ants are female. Males are bred and appear in the nest only once a year, and then only briefly. They are unappealing, pitiful creatures with wings, huge eyes, small brain, and genitalia that make up a large portion of their rear body segment. They do no work while in the nest and have only one function in life: to inseminate the virgin queens during the nuptial season when all fly out to mate. They are built for their one superorganismic role only: robot flying sexual missiles. Upon mating or doing their best to mate (it is often a big fight for a male just to get to a virgin queen), they are not admitted back home, but instead are programmed to die within hours, usually as victims of predators. Now for the moral lesson: although like almost all well-educated Americans I am a devoted promoter of gender equality, I consider sex practiced the ant way a bit extreme.
Edward O. Wilson (The Meaning of Human Existence)
…Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.’ ‘How do you account for that?’ said Jimmy. ‘Imagination,’ said Crake, ‘Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds - in a lean season they cut down on the eggs, or they don’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.’ ‘As a species we’re doomed by hope then?’ ‘You could call it hope. That, or desperation.’ ‘But we’re doomed without hope, as well,’ said Jimmy. ‘Only as individuals,’ said Crake cheerfully. ‘Well, it sucks.’ ‘Jimmy, grow up.’ Crake wasn’t the first person who ever said that to Jimmy.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Jasper was by then totally lost. Why, he wondered, do Normals get so worked up about who’s having sex with whom? Surely, people who want to sleep with each other will do so, until one or both no longer want it. Then it ends. Like the end of the mating season in the animal kingdom. If everyone just accepted that, there would be no more heartache.
David Mitchell (Utopia Avenue)
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It was all too plainly her opinion that, if let loose in drawing rooms, I would immediately proceed to create an atmosphere reminiscent of a waterfront saloon when the Fleet is in.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
Shifting into his other form and running into the depths of the swamp as a bear seemed like a good option, but it also involved dropping his pants. And Jillian could end up seeing him naked, which would compound the dragon jealousy issue. Could he dive into the water? Sure . . . if it wasn’t tail end of mating season for the local gators, who were not particularly choosy. He did not want to tangle with an amorous bull gator on top of everything else.
Molly Harper (Love and Other Wild Things (Mystic Bayou, #2))
Ducks mate for life, Clara knew. That’s why duck hunting season was particularly cruel. Every now and then in the fall you’d see a lone duck, quacking. Calling. Waiting for its spouse. And for the rest of its life it would wait.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
I remember once when he and I arrived at a country house where the going threatened to be sticky, Jeeves, as we alighted, murmured in my ear the words 'Childe Roland to the Dark Tower came, sir', and at the time I could make nothing of the crack. Subsequent inquiry, however, revealed that this Roland was one of those knights of the Middle Ages who spent their time wandering to and fro, and that on fetching up one evening at a dump known as the Dark Tower he had scratched the chin a bit dubiously, not liking the look of things.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
It calls for sophisticated handling. We shall have to think this over." "I've been thinking it over for hours." "Yes, but you've got one of those cheap substitute brains which are never any good. It will be different when a man like me starts giving it the cream of his intellect.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
But I say, really, you know, I am an old friend of the family. Why, by Jove, now I remember, there's a photograph of me in the drawing-room. Well, I mean, that shows you!" "If there is," said the policeman. "I've never seen it," said the parlourmaid. I absolutely hated this girl. "You would have seen it if you had done your dusting more conscientiously," I said severely. And I meant it to sting, by Jove! "It is not a parlourmaid's place to dust the drawing-room," she sniffed haughtily. "No," I said bitterly. "It seems to be a parlourmaid's place to lurk about and hang about and - er - waste her time fooling about in the garden with policemen who ought to be busy about their duties elsewhere." "It's a parlourmaid's place to open the front door to visitors. Them that don't come in through windows." I perceived that I was getting the loser's end of the thing.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
Have you figured it out yet?” “What?” I say. “What it means to be alive?” “Nah mate…” “I guess the secret lies in being alive, eh?” “What about insanity?” “Isn’t insanity the same as being alive? I mean after all... can’t be insane without being alive and can’t be truly alive without being at least a little bit insane.
Ryan Gelpke (2017: Our Summer of Reunions: Braai Seasons with Howl Gang (Howl Gang Legend) (German Edition))
According to Adam One, the Fall of Man was multidimensional. The ancestral primates fell out of the trees; then they fell from vegetarianism into meat-eating. Then they fell from instinct into reason, and thus into technology; from simple signals into complex grammar, and thus into humanity; from firelessness into fire, and thence into weaponry; and from seasonal mating into an incessant sexual twitching. Then they fell from a joyous life in the moment into the anxious contemplation of the vanished past and the distant future. The Fall was ongoing, but its trajectory led ever downward. Sucked into the well of knowledge, you could only plummet, learning more and more, but not getting any happier.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
Experienced builders and performers can attract up to thirty-three females to fuck per season if they put on a good enough show, have built up enough good blue in their bower, and have the contrast with the yellow straw down right. Less experienced builders sometimes don’t attract any females at all. Each female mates only once. She incubates the eggs alone.
Maggie Nelson (Bluets)
From short story Succubus: Sent by Lucifer to draw power from a human’s life source, a demon ascends to Earth as a succubus. Watching the strong mortal man sleep incites the succubus into taking extra time for personal pleasure. But no one’s counting on a surprise visit by Lucifer that could forever change the demon’s purpose, and that of Heaven, Hell and Earth.
Lexi Sylver (Mating Season: Erotic Short Stories)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t act like that. Take birds - in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Now in her hands, the final copy- every brushstroke, every carefully thought-out color, every word of the natural histories, printed in a book. There were also drawings of the creatures who live inside- how they eat, how they move, how they mate- because people forget about creatures who live in shells. She touched the pages and remembered each shell and the story of finding it, where it lay on the beach, the season, the sunrise. A family album.
Delia Owens (Where the Crawdads Sing)
when male whales sing, those who have the most complex songs are the ones who get the females. On the contrary, in the elephant world, a musth male will mate with anyone he can; it’s the female who sings, and it’s out of biological necessity. A female elephant is in estrus for only six days, and the only available males may be miles away. Pheromones don’t work at those distances, so she has to do something else to attract potential mates. It has been proven that whale songs are passed down from generation to generation, that they exist in all the oceans of the world. I have always wondered if the same holds true for elephants. If the calves of elephants learn the estrus song from their older female relatives during mating season, so that when it’s their own turn, they know how to sing to attract the strongest, fiercest males. If, by doing this, the daughters learn from their mothers’ mistakes.
Jodi Picoult (Leaving Time)
Let us believe, let us believe in the dawn of the cold season. Let us believe in the ruin of imaginary gardens, in idle inverted scythes, in confined seeds. Look how it snows… Perhaps the truth was those two young hands, those young hands buried beneath snow– and in the coming year when spring mates with sky behind the window, fountains of green saplings will erupt– saplings that bloom, beloved, my truest friend. Let us believe in the dawn of the cold season…
Forugh Farrokhzad
When we’d all settled down from that first night, Julie found a bag on the porch, which we thought must have been left by the same three girls who had brought me to them. Just like the clues on my skin, I’d only been left with two worldly possessions. The first was a wad of cash that I immediately handed to Ben and Julie as compensation for giving me a home. Most of it went to pay for Akinli’s medical bills, which was fine with me. I didn’t know if there was a word bigger than soul mates, something that meant the feeling of being so connected that it was hard to tell where one person ended and the other began. If there was, that word belonged to Akinli and me. The second thing was a bottle of water. It was so peculiar, this water, a blue that was both dark and brilliant, too thick to see through but still carrying light. No matter the season, it was always cold, and there were tiny shells in it that never settled. Sometimes I slept with it, even though it was cold enough to wake me up if I rolled on it the wrong way. It was the only clue I had to tell me who I had been before the night I was left on the porch, and I loved it second only to Akinli. Somehow, I knew that this love was important, as if treasuring the water meant I treasured myself. And I did. I loved my recovering body, I loved my blue-eyed soul mate, I loved my adopted family. I held the water to my chest, and I loved.
Kiera Cass (The Siren)
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It was also then that the women of Ak&‌ccedil;ah started a new custom. Underneath their garments they wrapped cloth bands around their waists to squeeze them tight. They were so awed by Zekiye's thin waist that, for a while, they ignored Atiye when she reminded them that this waist-thinning method wouldn't work unless they had started very young. But the women kept their waistbands on until the sheep-mating season to see what would happeend. Then they all began to wheeze. They found that in their zeal for having thin waists they had afflicted themselves with shortness of breath, coughing, flushes and sweating. A few had sores on their hands, faces and other parts of their bodies. Three women had problems with their eyes and speech. And when their waists started to swell up like logs, they all took off the cloth bands. "We're well past the age of waist-thinning," they said. All the same, they considered it their duty as mothers to raise their daughters to be as slender as Zekiye. They took lessons in the art of waist-thinning from Atiye and soon discovered that plastic bags were more effective than cloth bands. Thereafter, whenever they had girl babies, they would wash them with three bowls of water as soon as the umbilical cord was cut and then wrap plastic bags around their waists, blowing prayers on them all the while.
Latife Tekin (Sevgili Arsız Ölüm)
For the next quarter moon,” Bramblestar began, “no cat is to talk to Spotfur.” Spotfur lifted her head sharply and stared at the ThunderClan leader. Bristlefrost felt cold. Was this a normal way to punish Clanmates? She glanced at Graystripe. He’d know, surely. But the old warrior looked as surprised as she felt. Bramblestar’s gaze moved to Lionblaze. “You are banished from the camp for a quarter moon.” Cinderheart stepped forward. “You can’t do that. . . .” She stared at Bramblestar. “He’s a ThunderClan warrior. We protect each other!” Bramblestar looked coolly at Lionblaze’s mate. “He has broken the warrior code, and questioned me for trying to uphold it. I will not let any cat undermine me or my Clan like that.” He returned his gaze to Lionblaze, who was staring at him in amazement. “You’re a seasoned warrior. You should know better.” Lionblaze’s gaze cleared. He blinked in disbelief but didn’t speak.
Erin Hunter (The Silent Thaw (Warriors: The Broken Code, #2))
Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Of course he’d marched his outrage off to Crake. He’d whammed the furniture: those were his furniture-whamming days. What Crake had to say was this: “Jimmy, look at it realistically. You can’t couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words – and up to a point, of course – the less we eat, the more we fuck.” “How do you account for that?” said Jimmy. “Imagination,” said Crake. “Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds – in a lean season they cut down on the eggs, or they won’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.” “As a species we’re doomed by hope, then?” “You could call it hope. That, or desperation.” “But we’re doomed without hope, as well,” said Jimmy. “Only as individuals,” said Crake cheerfully. “Well, it sucks.” “Jimmy, grow up.” Crake wasn’t the first person who’d ever said that to Jimmy.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
Correlation and causality. Why is it that throughout the animal kingdom and in every human culture, males account for most aggression and violence? Well, what about testosterone and some related hormones, collectively called androgens, a term that unless otherwise noted, I will use simplistically as synonymous with testosterone. In nearly all species, males have more circulating testosterone than do females, who secrete small amounts of androgens from the adrenal glands. Moreover, male aggression is most prevalent when testosterone levels are highest; adolescence and during mating season in seasonal breeders. Thus, testosterone and aggression are linked. Furthermore, there are particularly high levels of testosterone receptors in the amygdala, in the way station by which it projects to the rest of the brain, the bed nucleus of the stria terminalis, and in its major targets, the hypothalamus, the central gray of the mid-brain, and the frontal cortex. But these are merely correlative data. Showing that testosterone causes aggression requires a subtraction plus a replacement experiment. Subtraction, castrate a male: do levels of aggression decrease? Yes, including in humans. This shows that something coming from the testes causes aggression. Is it testosterone? Replacement: give that castrated individual replacement testosterone. Do pre-castration levels of aggression return? Yes, including in humans, thus testosterone causes aggression. Time to see how wrong that is. The first hint of a complication comes after castration. When average levels of aggression plummet in every species, but crucially, not to zero, well, maybe the castration wasn't perfect, you missed some bits of testes, or maybe enough of the minor adrenal androgens are secreted to maintain the aggression. But no, even when testosterone and androgens are completely eliminated, some aggression remains, thus some male aggression is testosterone independent. This point is driven home by castration of some sexual offenders, a legal procedure in a few states. This is accomplished with chemical castration, administration of drugs that either inhibit testosterone production or block testosterone receptors. Castration decreases sexual urges in the subset of sex offenders with intense, obsessive, and pathological urges. But otherwise, castration doesn't decrease recidivism rates as stated in one meta-analysis. Hostile rapists and those who commit sex crimes motivated by power or anger are not amenable to treatment with the anti-androgenic drugs. This leads to a hugely informative point. The more experience the male had being aggressive prior to castration, the more aggression continues afterward. In otherwise, the less his being aggressive in the future requires testosterone and the more it's a function of social learning.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
A variation on lifetime monogamy is serial-monogamy, which refers to forming a pair-bond long enough to raise a few offspring (typically, for one breeding season) and then forming a new pairbond later. Evolutionary psychologists such as Buss (2005) have argued that serial monogamy is the typical mating pattern among humans, with strict life-long monogamy enforced in some cultures through religious norms. Not surprisingly, the typical human pair-bond lasts roughly 5 years, about the same length of time that women in traditional cultures need to raise one child through pregnancy, breast-feeding, and toddler-hood (Fisher, 2004; Jankowiak & Fisher, 1992). Temporary pairbonding is probably an adaptation to keep fathers close to home, where they can offer protection and resources to their partner and vulnerable offspring.
Jon A. Sefcek
Once a non-adaptive preference arises, it may turn into an adaptive preference through one of two processes: Fisher’s runaway process and conversion into a fitness indicator. Fisher (1930) realized that a genetic positive-feedback loop could develop between aesthetic preferences and sexual ornaments. Suppose that peahens vary in the strength of their preference for long peacock tails, and peacocks vary in the length of their tails, and both of these traits are genetically heritable. The peahens that are choosiest about tail length will tend to mate with the longest-tailed males. Their offspring will tend to inherit both the genes for longer-tail preferences and the genes for longer tails. These two traits will become genetically correlated—appearing together more often than expected by chance, if random mating were happening. Now, if most peahens favor longer over shorter tails, the longer-tailed male offspring will attract more mates and sire more peachicks. These peachicks in turn will inherit their grandmother’s tail-length obsession. Thus, the genes for longer-tail preferences and the genes for longer tails will both spread through the population as consequence of their genetic correlation. (The reasoning here looks a bit circular, but then all positive-feedback processes look a bit circular). Population genetics models show that Fisher’s runaway process can drive aesthetic preferences and sexual ornaments to extreme forms (Pomiankowski, Iwasa, & Nee, 1991). Fisher’s runaway process resembles the spread of fads and fashions: advertising creates demand (like a sexual preference), manufacturing fulfills the demand (like a sexual ornament), and a frenzy of consumption ensues (like runaway evolution) until next season’s fashion tastes switch to a new preference.
Jon A. Sefcek
Men no longer looked at them. Heads did not turn; there were no anticipatory smiles when they appeared. They had given up on the security of knowing that men thought they were forces to be reckoned with, if only on the level of lust. Now they had become real forces. They were, for better or worse, real people.
Rona Jaffe (The Room-Mating Season (Mira))
When we got down we found all hands looking aloft, and there, directly over where we had been standing, upon the main top-gallant-mast-head, was a ball of light, which the sailors name a corposant (corpus sancti), and which the mate had called out to us to look at. They were all watching it carefully, for sailors have a notion that if the corposant rises in the rigging, it is a sign of fair weather, but if it comes lower down, there will be a storm. Unfortunately, as an omen, it came down, and showed itself on the top-gallant yard-arm. We were off the yard in good season, for it is held a fatal sign to have the pale light of the corposant thrown upon one’s face. As it was, the English lad did not feel comfortably at having had it so near him, and directly over his head. In a few minutes it disappeared, and showed itself again on the fore top-gallant yard; and after playing about for some time, disappeared again, when the man on the forecastle pointed to it upon the flying-jib-boom-end. But our attention was drawn from watching this, by the falling of some drops of rain and by a perceptible increase of the darkness, which seemed suddenly to add a new shade of blackness to the night.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Twice already I have mentioned that strayed chicks fall a prey to "hooligan" cocks. These hang about the rookery often in little bands. At the beginning of the season there are very few of them, but later they increase greatly, do much damage, and cause a great deal of annoyance to the peaceful inhabitants. The few to be found at first probably are cocks who have not succeeded in finding mates, and consequently are "at a loose end." Later on, as their numbers are so greatly increased, they must be widowers, whose mates have lost their lives in one way or another. Many of the colonies, especially those nearer the water, are plagued by little knots of "hooligans," who hang about their outskirts, and should a chick go astray it stands a good chance of losing its life at their hands. The crimes which they commit are such as to find no place in this book, but it is interesting indeed to note that, when nature intends them to find employment, these birds, like men degenerate in idleness.
George Levick
lemurs are polygynous (one male mates with several females in a breeding season). MoFos were also sometimes polygynous, but most tended to have just one wife, which they called monotony.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Ducks penises explode outward, have spikes on them, shapeshift, fall off after every mating season, and can grow back longer if there are more males around
Rekha Devi (Amazing Animal Facts)
There is a species of wasp living all over the world – Africa, Americas, Southeast Asia and Australia – which grows up to 2 inch (5 cm) long. Its prey are mostly tarantulas. By the end of the mating season, this nightmare-fuel wasp attacks a tarantula from behind with its venomous stinger. The venom usually only paralyzes the spider, rather than killing it instantly, which is when the wasps vicious plan continues. The wasp then digs a hole in the ground, placing the dying, paralyzed tarantula into it, before laying eggs on the spider's body. The idea here is that the tarantula's meat remains as fresh as possible by the time the young wasplings hatch – which is why the venom does not kill it too soon.
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
Because I'd burn the world to ash if it brought us together. If that makes me a villain, than I don't give a fuck.." Shade growled, "It makes you mine.
Lana Pecherczyk (A Symphony of Savage Hearts (Season of the Vampire, #3; Fae Guardians, #6))
The man loves the industry, but when he sings, it’s like an elk in mating season. Not even the punk rock kids can like that.
Grace McGinty (The Daymakers)
Was she flaunting her rear like a baboon in heat during mating season? Absolutely. But desperate times called for desperate measures.
Beatrice Bradshaw (Love on the Scottish Spring Isle (Escape to Scotland, #2))
No matter the season, the sight of the dunes rolling into the ocean always awakened Abby's senses and filled her with awe for the cycle of life. She thought of how the horseshoe crabs emerged from Cape Cod Bay each spring to mate and deposit their eggs; how juvenile sea turtles knew to travel to these waters where crabs and jellyfish were plentiful; how monarch butterflies - each of which lived up to only six weeks - managed to transfer knowledge intergenerationally to complete their year-long migration to and from Mexico.
Adrienne Brodeur (Little Monsters)
And would you look at that. The queen coming back to her tom. Must be mating season.
Elsie Silver (Reckless (Chestnut Springs, #4))
When a male red deer calls out during mating season, it actually moves its larynx all the way toward its breastbone, producing a deep, throaty, and frankly intimidating sound. (It also pumps its penis up and down while it’s making its calls—red deer aren’t subtle.)
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
Night after night, Strachey would sit by the fire, waiting and watching and hoping.24 Perhaps it was at this time that he began his long report on the shipwreck or perhaps he simply gazed seaward and thought of what the uncertain future might hold. September turned to October and October to November, however, with no sight of Ravens or of any rescue vessel from Jamestown. His fate and the fate of his mates was never determined. Almost certainly, they were lost in a sudden storm—after all, it was still hurricane season—that sent their tiny vessel to the bottom.25
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
entrance of the park,” I say.
Laurie Horowitz (The Mating Season)
Later, when she got sick, B.J. came to Boston to visit her in the hospital, and he did something I will always be profoundly grateful for. He did for her what he had done for me when I was a nervous, homesick, heartbroken New York transplant hired on my first writing job on season 1 of The Office. He made her laugh. And that is why B.J. and I are soul mates, and the reason is … because in terms of the soul, we like to … That doesn’t make any sense. We’re soup snakes. B.J. and I are soup snakes.
Mindy Kaling (Why Not Me?)
You’re going to wear a groove in the boards and make Calum throw you overboard if you don’t stop your pacing, Jon,” said Baltsaros, looking down at Jon. Jon laughed, but he felt completely frantic with worry. Tom had said that he would come give them their answer early this morning, but it was now noon, and there was no sign of him. “It’s not like we have to leave immediately, Jon,” said the captain. “If Tom’s not ready today, maybe he’ll be ready tomorrow. He can be extremely proud, like his mother. I did him wrong, Jon… And an afternoon spent playing on bedsheets won’t make it all better. We can afford to wait a day or two.” Jon nodded. He hoped it was the case. He’d already made two trips back to the mainland to see if he could find Tom on his own, with no avail. They could also put off the trip for this season if Tom was unwilling to join them. Jon was sure he could convince— “Bloody fuckin’ hells, Da! What in gods have ye done to my fuckin’ boat?” Jon started and looked over his shoulder. The ocean-eyed, burly youth swung himself up over the edge of the raised gunwale like nothing was amiss and landed on silent feet on the deck next to Jon. After dropping his bag with a thump and ruffling Jon’s hair affectionately as he passed by him, Tom swaggered to the stairs of the quarterdeck and looked up, feet splayed and hands on his hips. The captain, his relief and amusement obvious for a mere second, brought his stark brows down in a fierce scowl. “Your boat?” the captain repeated loudly. “She’ll be yours over my dead body.” Baltsaros allowed himself a small smile, and Tom grinned wide. “Whip these boys into shape, if you remember how,” said Baltsaros as he lifted his head to look over the gathering crowd. “First mate on deck!” shouted the captain.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
There are times when you think the sun rises and sets on the man you love and other times when you're almost indifferent. Love is like life, it has seasons. The beauty of love is knowing that you'll both be there for each other at the changing of each season, no matter what. Knowing that you can bare your soul to your mate and regardless of what he sees, he won't run away. Love isn't about looking at each other and being blinded to each other's faults, but rather seeing each other's faults and loving each other anyway.
Lynne Constantine (Circle Dance)
Scientists eradicated the screwworm fly from the United States in the 1950s. Capitalizing on the fact that the female screwworm fly mates only once, scientists released millions of sterile male flies in areas where the screwworm fly was a problem. This made sterile males far outnumber normal males, so female flies usually mated with the sterile ones and produced eggs that didn’t hatch. Several years of this sterile breeding eliminated the screwworm fly from the United States, but it still lives in South and Central America and occasionally travels into the United States with cattle imported from these areas. Wounds left by husbandry practices, such as branding, dehorning, and castration, expose animals to the screwworm fly.Therefore, these procedures should be done during the winter or dry season, when the number of screwworm flies is lowest14 Clinical Parasitology
Anonymous
According to Adam One, the Fall of Man was multidimensional. The ancestral primates fell out of the trees; then they fell from vegetarianism into meat-eating. Then they fell from instinct into reason, and thus into technology; from simple signals into complex grammar, and thus into humanity; from firelessness into fire, and thence into weaponry; and from seasonal mating into an incessant sexual twitching.
Anonymous
Raptors like these falcons were solitary by nature; they didn’t even like each other except in the mating season, much less humans. All you could teach them was that doing what humans wanted would get them more of what they wanted, which was to kill, eat, mate and sleep.
S.M. Stirling (The Golden Princess (Emberverse, #11))
Mai found me in our apartment hours after the magistrates dismissed me. I was curled up on our old brocade couch wearing Eeyore pajamas with a melting pint of Ben & Jerry’s Chocolate Therapy on my lap. She walked through the door as episode fourteen in season eight of Supernatural ended, just in time to catch me wiping drool off my chin from watching Dean slide on his Clark Kent-style glasses. Life didn’t get better than this. How had I forgotten Netflix was my soul mate?
Hailey Edwards (Lie Down with Dogs (Black Dog, #2))
Bucks, doe — thank God everything boils down to money, I always say." "During mating season the doe constructs a bed for herself, and then she urinates all around the outside of it. That's how she gets her mate." "So that's it," murmured Odette. "I was always peeing in the bed.
Lorrie Moore (Like Life)
Thirty-seven udvars, sir. To have enough fuel to return to Nova Baikonur, we must turn back at thirty-five udvars.” “Two udvars?! We’re only two udvars short?
Marina Maddix (Captured by the Alien Savage (Galactic Mating Season, #1))
The only thing that tames the kar chhlok is finding one’s amavar, their one true mate. Once that happens, there’s no longer any need to attend Mot Ruom. But among the six of us, only Werizan has claimed a mate and there are no female Baiks this far out in the universe.
Marina Maddix (Captured by the Alien Savage (Galactic Mating Season, #1))
We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here. As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
He would tell me—as often as possible—that he’d named me Ember because when I was born, I had lit up his world for a second before he saw my mark. That’s when the light in his life snuffed out forever. ‘Like an ember leftover from a fire: Weak and insignificant.’ That’s what he’d say to me as he kicked the shit out of me.” Liam cupped my face in his hands, using his thumbs to brush away my tears. “You know, one tiny ember can smolder undetected before growing into a powerful, raging inferno destroying everything in its path. They are not insignificant or weak. They should never be ignored,” he said before touching his lips to mine.
Kimberly Quay (Summer Cursed (Season Shifters #1))
Now in her hands, the final copy - every brushstroke, every carefully thought-out color, every word of the natural histories, printed in a book. There were also drawings of the creatures who live inside-how they eat, how they move, how they mate-because people forget about creatures who live in shells. She touched the pages and remembered each shell and the story of finding it, where it lay on the beach, the season, the sunrise. A family album.
Delia Owens (Where the Crawdads Sing)
I sit with the ponderosa pine, next to Big Stump. As the angle and quality of light vary through the day and through the seasons, the hue and luminance of the colors change, animated by the touch of the Sun. Before the volcanic flow, this redwood was seventy meters tall and more than seven hundred years old. Now it is fragmented stone column three meters tall and ten meters around. For such a long dead creature, the stump is an acoustically lively character. In the summer violet-green swallows wheel around the exposed trunk, chattering as they ambush insects. Mountain bluebirds gather on the stump to feed their squalling youngsters, to purr at mates, and to snap their bills at rivals. A hummingbird buzzes face first against the stump, investigating a streak of flower like orange in the rock. Fewer animal sounds enliven winter’s air. The wail of ponderosa needles dominates, interspersed with the kok-kok of passing ravens. Wind bends spent grass stems to the ground, as they move, their sharp tips etch curved lines on the snow’s surface, the scratch of a pen on rough paper. Snows falls in clumps from pine needles, a hiss, then a muffled blow.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
IN THE WILD, the father owl hunts relentlessly. He has to provide approximately six mice per baby per night. The usual brood is five babies. The father also has to feed his mate, who never leaves the nest and eats about three mice per day. And he must feed himself about four mice a day. This adds up to some thirty-seven full-grown mice every night during nesting season.
Stacey O'Brien (Wesley the Owl: The Remarkable Love Story of an Owl and His Girl)
It’s better than mating season combined with a trip to the tool ship—” “Aren’t those the same thing?” Torina asked. Icky snorted. “One has less lubricant. And no interest if you pay it off in time.
J.N. Chaney (Path of Tyrants (Backyard Starship, #13))
Tara felt secure whenever he would wrap his fingers around hers. He was standing right by her like a western grebe during mating season.
Soroosh Shahrivar (Tajrish)
Just like the seasons, may your love be constantly renewed. Whether it burns bright with the passion of summer, cools under the gentle breeze of autumn, or rests in the stillness of winter, let it always bloom again with the thawing of spring. With one voice, we bless you.
Regine Abel (I Married a Dryad (Prime Mating Agency, #8))