Material Girl Quotes

A woman who holds her head up too high, is trying to breathe from her own pollution.

I've nothing against eye make-up and lipstick. But the fact is that we’re actually living on a planet in space. For me that’s an extraordinary thought. It’s mind-boggling just to think about the existence of space at all. But there are girls who can’t see the universe for eye liner.

„One down,” I said, turning to Kale. He wasn't paying attention. His gaze was fixed on the red silk baby doll in my hand. „What is this?” he asked, rubbing the satiny material between his fingers. „Clothes” I said. „For women.” His eyes widened. „Girls wear this?” „Yeah, but usually not for long” I chuckled. Kale turned as red as the teddy. „Are you going to wear this now?” „Umm. No,” I said, blushing. He seemed a little disappointed and I stifled a laugh.

I was beginning to realize that all the food in the world, and all the running shoes, could not make me happy. The material things were worthless. I had lost my family. I wasn’t loved, I wasn’t free, and I wasn’t safe. I was alive, but everything that made life worth living was gone.

Riches, prestige, everything can be lost. But the happiness in your own heart can only be dimmed; it will always be there, as long as you live, to make you happy again.

Little girls dream about growing up and living in a big house with a gorgeous husband and a pink plastic convertible. It’s not until much later in life that you realize what really matters. Love isn't about what you have or who you know. It’s about how you earn what you have and how you treat those you love. The material things don’t matter when your heart is full of joy and contentment.

And then Serafina understood something for which the witches had no word: it was the idea of pilgrimage. She understood why these beings would wait for thousands of years and travel vast distances in order to be close to something important, and how they would feel differently for the rest of time, having been briefly in its presence. That was how these creatures looked now, these beautiful pilgrims of rarefied light, standing around the girl with the dirty-face and the tartan skirt and the boy with the wounded hand who was frowning in his sleep.

Most women sell sex; most of them just don’t take cash (nor do they each sell to more than one ‘client’ at a time).

There’s an inherent limit to the stress that any material can bear. Water has its boiling point, metals their melting points. The elements of the spirit behave the same way. Happiness can reach a pitch so great that any further happiness can’t be felt. Pain, despair, humiliation, disgust, and fear are no different. Once the vessel is full, the world can’t add to it.

Getting dumped is never really about getting dumped.' 'What is it about, then?' I ask. 'It's about every rejection you've ever experienced in your entire life. It's about the kids at school who called you names. And the parent who never came back. And the girls who wouldn't dance with you at the disco. And the school girlfriend who wanted to be single when she went to uni. And any criticism at work. When someone says they don't want to be with you, you feel the pain of every single one of those times in life where you felt like you weren't good enough. You live through all of it again.' 'I don't know how to get over it, Mum,' I say. 'At this point I'm so tired of myself. I don't know how to let go of her.' 'You don't let go once. That's your first mistake. You say goodbye over a lifetime. You might not have thought about her for ten years, then you'll hear a song or you'll walk past somewhere you once went together - something will come to the surface that you'd totally forgotten about. And you say another goodbye. You have to be prepared to let go and let go and let go a thousand times.' 'Does it get easier?' 'Much,' she says.

From an early age she had developed the art of being alone and generally preferred her own company to anyone else’s. She read books at enormous speed and judged them entirely on her ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else’s, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the dæmon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast.

ou know chicks before dicks. Never choose a guy over a friend. It's one of the most important rules of feminism.

You are an immaterial girl living in a material world.

The Young Girl knows everything as devoid of consequences, even her own suffering. Everything is funny, nothing's a big deal. Everything is cool, nothing is serious.

American women are characteristically frigid and materialistic. The man who 'has his way' with an American girl is under a material obligation to her. The woman has granted a material favour. In cases of divorce American law overwhelmingly favours the woman. American women will divorce readily enough when they see a better bargain. It is frequently the case in America that a woman will be married to one man but already 'engaged' to a future husband, the man she plans to marry after a profitable divorce.

A miscreant with coiffed, scented hair, a slender waist, the hips of a woman and the chest of a Prussian officer, with a finely tied cravat, by all girls admired. ~ [introduction of character Montparnasse]

You will always be okay! Money and material things come to you when you dare to trust in life’s ability to take you exactly where you need to go. When we live in fear we create tense vibrations that keep the things we long for at a distance. Worrying is praying for what we don’t want to happen. Focus on what you want, not what you fear!

Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.

Material and infinite are inseparable Appreciating their interconnectedness is the gateway to understanding

You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--

guess we should start by X-raying it,” Liz said slowly. “We’ll need to scan it for biohazards, of course, and—” Abby lunged forward, cutting Liz off. She didn’t hesitate as she grabbed the package and ripped. Scraps of paper and packing material flew everywhere, but no one said a thing as Abby turned the envelope upside down and dumped the contents onto the table. “Or we could do that,” Liz finished.

What if both boys and girls were raised not to link masculinity and money? What if their attitude was not “the boy has to pay,” but rather, “whoever has more should pay.” Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But

I mean, I don't even like guys with light hair, for one thing! Never mind the fact that he'd knock me into a coma every time he opened his mouth. Oh, and that he's a hateful, violent half-wit. Yeah, that's prime courtship material right there." It wasn't me. YES! Wait. Was this that Allister fellow? I drifted over and sat next to her. She looked at me and offered the com unit. "Bram, tell Pamma that there's no way I would want Michael Allister, ever." I ran this through my "girl talk" translator and said, "I could eat him, if either of you'd like. Seems like it might be the easiest thing to do.

For Black girls, to be "ghetto" represents a certain resilience to how poverty has shaped racial and gender oppression. To be "loud" it to demand to be heard. To have an "attitude" is to reject a doctrine of invisibility and maltreatment. To be flamboyant--or "fabulous"--is to revise the idea that socioeconomic isolation is equated with not having access to materially desirable things. To be a ghetto Black girl, then, is to reinvent what it means to be Black, poor, and female.

Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.

Two adolescent girls on a hot summer night--hardly the material of great literature, which tends to endow all male experience (that of those twin brothers who found themselves adrift so many years ago in the dark northern woods for instance) with universal radiance. Faithless sons, wars and typhoons, fields of blood, greed and knives: our literature's full of such stories. And yet suppose for an instant that it wasn't the complacent father but his bored daughter who was the Prime Mover; suppose that what came first wasn't an appetite for drama but the urge to awaken it. Mightn't we then permit a single summer in the lives of two bored girls to represent an essential stage in the history of the universe?

Later in the morning Miranda opened her wardrobe and found it full of clammy ghosts that hovered around her body when she put them on. The cold trickled down in the gaps between the material and her chest. Scarecrow girl. She felt proud and nauseous, chosen and moulded by hands that froze.

In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.

I watched with my eyes, tasted with my tongue, heard with my ears and felt with my fingers as my beautiful girl reached her climax. The only sense I didn’t use as she came apart was that of speech. There were no words to describe her, nor were there ones I could coherently form in the moment; she was a work of art, and I was speechless” Excerpt From: Raine, Miller. “Eyes Wide Open: The Blackstone Affair, Book 3.” Atria Books, 2013-05-13T22:00:00+00:00. iBooks. This material may be protected by copyright.

For the Langs, Madonna was totally and completely out of the question. But when Gretchen's dad was at work and her mom was taking one of her nine billion classes (Jazzercise, power walking, book club, wine club, sewing circle, women's prayer circle), Gretchen and Abby would dress up like the Material Girl and sing into the mirror. Gretchen's mom had a jewelry box devoted entirely to crosses, so it was basically like she was inviting them to do it.

She was the right girl at the right time. She had only a small repertory of Child ballads, never trained her pure soprano and annoyed some purists because she was indifferent to the origins of her material and sang everything ‘sad’.

She lay awake for many hours into the night, among her trunks and trinkets. She glanced over at the neat stacks of materials and toys and opera plumes and said, aloud, "Does it really belong to me?" Or was it the elaborate trick of an old lady convincing herself that she had a past? After all, once a time was over, it was done. You were always in the present. She may have been a girl once, but was not now. Her childhood was gone and nothing could fetch it back.

How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.

Families are like pieces of art, they can be made from many materials. Sometimes they are from birth, sometimes they are melded, sometimes they are merely time and circumstance mixing together, like eggs being scrambled in a Michigan kitchen.

My dad used to say, ‘This is what your right arm’s for, son,’” John said. “This is the time and these are the people and I’d give my right arm to be a light, a comfort, to them. I know you would, too. In whatever form it takes. Use these materials and make something great. Do it on faith, knowing you probably won’t be around to see how the story ends.

Girls like well-built boys. Women love well-paid men.

Okay, two weaknesses. I’m still supervillain material.

The Radium Luminous Materials Corporation was expanding massively, and the new site comprised several buildings, all located in the middle of a residential neighborhood.

The Young-Girl's ass is a global village.

the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.

Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. Modern man's happiness consists in the thrill of looking at the shop windows, and in buying all that he can afford to buy, either for cash or on installments. He (or she) looks at people in a similar way. For the man an attractive girl—and for the woman an attractive man—are the prizes they are after. 'Attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. During the twenties, a drinking and smoking girl, tough and sexy, was attractive; today the fashion demands more domesticity and coyness. At the end of the nineteenth and the beginning of this century, a man had to be aggressive and ambitious—today he has to be social and tolerant—in order to be an attractive 'package'. At any rate, the sense of falling in love develops usually only with regard to such human commodities as are within reach of one's own possibilities for exchange. I am out for a bargain; the object should be desirable from the standpoint of its social value, and at the same time should want me, considering my overt and hidden assets and potentialities. Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values. Often, as in buying real estate, the hidden potentialities which can be developed play a considerable role in this bargain. In a culture in which the marketing orientation prevails, and in which material success is the outstanding value, there is little reason to be surprised that human love relations follow the same pattern of exchange which governs the commodity and the labor market.

Deep down inside, the Young-Girl has the personality of a tampon: She exemplifies all of the appropriate indifference, all of the necessary coldness demanded by the conditions of metropolitan life.

That night Christine Hartmann went to bed with a book she had taken from among the many that lay strewn around the Manor. From an early age she had developed the art of being alone and generally preferred her own company to anyone else's. She read books at enormous speed and judged them entirely on their ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else's, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

Tolkien disapproved of Lewis’s Narnia books because they worked by analogy, taking an existing myth and retelling it with different names and circumstances, whereas he felt that you should make your own myth out of whole cloth. But it’s not possible to read The Silmarillion without seeing how Sauron’s fall mirrors Satan’s. It’s only a question of how you triangulate your relationship to your source material.

what transported me into raptures were the sweeping cloaks, the wraps, the shawls, the veils, all those yielding, magnificent, unused materials that were soft and caressing, or so sheer that I could hardly keep hold of them, or so light that they flew by me like a wind, or simply heavy with all their own weight. It was in them I saw, for the first time, truly free and infinitely variable possibilities: to be a slave girl and sold off, or to be Joan of Arc, or an old king, sorcerer; all these I now held in my hand

I cried because there are those of them who are just as intelligent as Ricky Wasserman or Arnie Greenwald or Yael Berg and just because of circumstance, they turn out so horribly. They see the young and affluent, they see their cars and their vacations and their fancy clothes, and they set their hearts on obtaining objects of material wealth. The young and rich already have these things, so they are free to devote their energies to developing their minds or having good, clean fun, or anything they want, really. And they are able to set their goals on spiritual fulfillment because they have everything they need otherwise. It's just not fair.

I can’t really talk about it, but we’ve just got the English language rights for a really prestigious Swedish author. And everybody has been clamouring to read her debut novel, which is being billed as A Hundred Years of Solitude meets Gone Girl. But there was a lot of debate amongst the team over whether to give it an English title or stick with the Swedish original, and it all wound up being sorted out very last minute and so now the book’s gone to press as I’m Out of the Office at the Moment. Please Forward Any Translation Work to My Personal Email Address.

That night Christine Hartmann went to bed with a book she had taken from among the many that lay strewn around the Manor. From an early age she had developed the art of being alone and generally preferred her own company to anyone else’s. She read books at enormous speed and judged them entirely on their ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else’s, and on the two or three occasions that she had been too upset to concentrate she had been desolate.

From the 2000s on, it started to be a relatively commonly held belief in progressive circles that it is not your biological sex nor even your ‘social role’ that makes you a woman or man – it is having a female or male gender identity that does it.

Everything I know about bombs tells me they are built to explode. But something must set them off first. There must be a trigger before the noise goes off, before the big burst of bright, choking smoke. Otherwise a girl could stay quiet for years.

Afghanistan’s secret weapon has always been her women. But, Boba, I’m just a girl. What a thing to say! As if a girl is made of lesser materials. Have you forgotten the words of Rumi? You are not a drop in the ocean. You are the entire ocean in a drop.

I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck. ‘A whole way of life lies before me. I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth. I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything. I leave the tram exhausted, like a sleepwalker, having lived a whole life.

For so many years, my husband has lauded the emotional solidity of midwesterners: stoic, humble, without affectation! But these aren’t the kinds of people who provide good memoir material. Imagine the jacket copy: People behaved mostly well and then they died.

She’s a kid. Nothing to be afraid of. You’ve faced scores of bloodthirsty enemy soldiers happily willing to die if it meant killing you. You can handle one little girl.”~ Cal Excerpt From: Andrews, Keira. “Semper Fi.” iBooks. This material may be protected by copyright.

The all-consuming selves we take for granted today are “merely empty receptacles of desire.” Infinitely plastic and decentered, the modern citizen of the republic of consumption lives on slippery terrain, journeying to nowhere in particular. So too, nothing could be more corrosive of the kinds of social sympathy and connectedness that constitute the emotional substructure of collective resistance and rebellion. Instead, consumer culture cultivates a politics of style and identity focused on the rights and inner psychic freedom of the individual, one not comfortable with an older ethos of social rather than individual liberation. On the contrary, it tends to infantilize, encouraging insatiable cravings for more and more novel forms of a faux self-expression. The individuality it promises is a kind of perpetual tease, nowadays generating, for example, an ever-expanding galaxy of internet apps leaving in their wake a residue of chronic anticipation. Hibernating inside this “material girl” quest for more stuff and self-improvement is a sacramental quest for transcendence, reveries of what might be, a “transubstantiation of goods, using products and gear to create a magical realm in which all is harmony, happiness, and contentment… in which their best and most admirable self will emerge at last.” The privatization of utopia! Still, what else is there?

Were it not for the cabarets, would not the Government be overturned every Tuesday? Happily, by Tuesday, this people is glutted, sleeps off its pleasure, is penniless, and returns to its labor, to dry bread, stimulated by a need of material procreation, which has become a habit to it. None

People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can’t answer the real question. All I can tell them is, It’s easy. And it is easy to slip into a parallel universe. There are so many of them: worlds of the insane, the criminal, the crippled, the dying, perhaps of the dead as well. These worlds exist alongside this world and resemble it, but are not in it.… …In the parallel universe the laws of physics are suspended. What goes up does not necessarily come down, a body at rest does not tend to stay at rest; and not every action can be counted on to provoke an equal and opposite reaction. Time, too, is different. It may run in circles, flow backward, skip about from now to then. The very arrangement of molecules is fluid: Tables can be clocks; faces, flowers. These are facts you find out later, though. Another odd feature of the parallel universe is that although it is invisible from this side, once you are in it you can easily see the world you came from. Sometimes the world you came from looks huge and menacing, quivering like a vast pile of jelly; at other times it is miniaturized and alluring, a-spin and shining in its orbit. Either way, it can’t be discounted. Every window on Alcatraz has a view of San Francisco.

Right here, right now? This is precious. This is life. You’re alive. Somehow, all of the genetic material of all those thousands of ancestors came together in the perfect combination to make you, exactly as you are. That’s magical—it’s the greatest kind of magic I know. Our very existence.” My

How do I play an active role in crafting my children’s inheritance while I’m still very much here? I want to be aware of what I’m living and creating in the moment. And I want to leave them with behaviors, traditions, funny habits, and a sense of curiosity that outweighs any material inheritance.

Are we to deny our daughters the works of Oscar Wilde, Charles Dickens, John Steinbeck or Shakespeare?....Where is the equality in banning girls from enjoying wonderful works of literature?....What kind of society defines suitable reading material by sex? This is indefensible censorship encouraging ignorance and bias. [About Caitlin Moran's statement.]

And at half past nine in the evening at that restaurant table in Portugal,” Mary continued, “someone gave me a piece of marzipan and it all came back. And I thought: am I really going to spend the rest of my life without ever feeling that again? I thought: I want to go to China. It’s full of treasures and strangeness and mystery and joy. I thought, Will anyone be better off if I go straight back to the hotel and say my prayers and confess to the priest and promise never to fall into temptation again? Will anyone be the better for making me miserable? “And the answer came back—no. No one will. There’s no one to fret, no one to condemn, no one to bless me for being a good girl, no one to punish me for being wicked. Heaven was empty. I didn’t know whether God had died, or whether there never had been a God at all. Either way I felt free and lonely and I didn’t know whether I was happy or unhappy, but something very strange had happened. And all that huge change came about as I had the marzipan in my mouth, before I’d even swallowed it. A taste—a memory—a landslide...

Jess and Flora met in a cafe. Unfortunately, their part of town was completely lacking in style, and the only place open on Sundays was a little religious charity place that sold snacks made by poor people in Africa. 'God!' growled Jess, trying to free her teeth from a cereal bar made of tree bark, gravel, and superglue. 'Is this actually food or some kind of building material?

No, I’m not shy." I folded my arms across my shell-covered chest. The press of the hard material against my sensitive nipples caused my core to tighten. “But I usually have to buy a girl a couple of drinks in order to be treated to a show like that.” She turned to look at me, the fringe on her dress swaying with her movement. A thin eyebrow arched, her cherry lips pulled into a dazzling smile. “Well.” The intensity locked in her bright eyes as her green gaze moved from my head to my toes and back again made my entire body tingle. “I guess you owe me a drink, Meghan.

I know what you’re thinking, Miss Gladstone.” She doubted it. “You’re incredulous. How could a woman of your standing possibly ascend to such a rank? I can’t deny you’ll find yourself outclassed and un-befriended among the ladies of the peerage, but you will no doubt be consoled with the material advantages. A lavish home, generous lines of credit at all the best shops, a large settlement in the event of my death. You may pay calls, go shopping. Engage in some charitable work, if you must. Your days will be yours to do whatever you wish.” His voice darkened. “Your nights, however, will belong to me.

And perhaps most awkwardly, they have been left unable properly to explain why, internationally, half the population in a given culture might be disproportionately subject to specific experiences like rape, sexual slavery, female genital mutilation, honour killing, female infanticide, banishment to menstrual huts, surrogacy tourism or death by stoning for the act of adultery. Clue: it’s not possession of a female gender identity.

The director started the music again and the girls moved into their routine. About two minutes in, Logan got up and started doing the dance in front of the stage. He got every step right—further testament to just how many times he’d actually seen this rehearsed—and he got the girls smiling and laughing as they went through the steps. When they got to the part that had tripped Chloe up earlier, Logan moved through it perfectly…and Chloe followed him. She didn’t miss a step and when the routine ended, the director clapped. And Chloe beamed. At Logan.” Excerpt From Taking It Easy: Boys of the Big Easy book two Erin Nicholas This material may be protected by copyright.

Like Michelangelo spending eight months in the mountains of Carrara, selecting the most perfect blocks of marble for the tomb of Pope Julius II, Françoise, who attached extreme importance to the inherent quality of the materials out of which her masterpieces were to be wrought, had been down to Les Halles in person more than once to choose the finest slabs of rump steak, the best shin of beef and calf’s foot. She threw herself so strenuously into this pursuit that my mother, seeing our old servant turn red in the face, feared that, as the sculptor of the Medici tombs had sickened in the quarries at Pietrasanta, she might make herself ill from overwork. (p. In the Shadow of Young Girls in Flower, 17)

The contents of this letter threw Elizabeth into a flutter of spirits in which it was difficult to determine whether pleasure or pain bore the greatest share. The vague and unsettled suspicions which uncertainty had produced of what Mr. Darcy might have been doing to forward her sister's match which she had feared to encourage as an exertion of goodness too great to be probable and at the same time dreaded to be just from the pain of obligation were proved beyond their greatest extent to be true He had followed them purposely to town he had taken on himself all the trouble and mortification attendant on such a research in which supplication had been necessary to a woman whom he must abominate and despise and where he was reduced to meet frequently meet reason with persuade and finally bribe the man whom he always most wished to avoid and whose very name it was punishment to him to pronounce. He had done all this for a girl whom he could neither regard nor esteem. Her heart did whisper that he had done it for her. But it was a hope shortly checked by other considerations and she soon felt that even her vanity was insufficient when required to depend on his affection for her—for a woman who had already refused him—as able to overcome a sentiment so natural as abhorrence against relationship with Wickham. Brother-in-law of Wickham Every kind of pride must revolt from the connection. He had to be sure done much. She was ashamed to think how much. But he had given a reason for his interference which asked no extraordinary stretch of belief. It was reasonable that he should feel he had been wrong he had liberality and he had the means of exercising it and though she would not place herself as his principal inducement she could perhaps believe that remaining partiality for her might assist his endeavours in a cause where her peace of mind must be materially concerned. It was painful exceedingly painful to know that they were under obligations to a person who could never receive a return. They owed the restoration of Lydia her character every thing to him. Oh how heartily did she grieve over every ungracious sensation she had ever encouraged every saucy speech she had ever directed towards him. For herself she was humbled but she was proud of him. Proud that in a cause of compassion and honour he had been able to get the better of himself. She read over her aunt's commendation of him again and again. It was hardly enough but it pleased her. She was even sensible of some pleasure though mixed with regret on finding how steadfastly both she and her uncle had been persuaded that affection and confidence subsisted between Mr. Darcy and herself.

Butler makes the general assumption that anything at all humans can meaningfully think about is socially constructed, ‘all the way down’ as it were. This means she thinks there are no material facts before language – that is, prior to culturally specific linguistic and social constructions of them. Linguistic categories, including scientific and biological ones, aren’t a means of reflecting existing divisions in the world, but a means of creating things that otherwise wouldn’t have existed.

Thistle,” I said to the waiting air. The goblin girl materialized before me. “What do you want now, Goblin Queen?” she sneered. “Where is Der Erlkönig?” I asked. “In the chapel. As is his wont these days.” “Lead me to him.” Thistle raised an eyebrow, or she would have, had she had eyebrows at all. “You are braver than I reckoned, mortal, to interrupt His Majesty during his devotions.” I shrugged. “I believe in God’s unending forgiveness.” “It’s not your God’s forgiveness you’d be needing.

It's about every rejection you've ever experienced in your entire life. It's about the kids at school who called you names. And the parent who never came back. And the girls who wouldn't dance with you at the disco. And the school girlfriend who wanted to be single when she went to uni. And any criticism at work. When someone says they don't want to be with you, you feel the pain of every single one of those times in life where you felt like you weren't good enough. You live through all of it again.

That done, I sank into an uneasy sleep wherein I dreamed of an assembly line of pale, bloodless girls walking down an endless dark street and moaning softly for help. Somewhere, toward the edge of my inner vision, a shadowy figure pursued them with long, beckoning arms. Goddamn booze! Somewhere in the midst of this ghoulish girl parade Cairncross materialized and hung a garland of garlic around my neck, glaring at me with his good eye and intoning, 'Go and sin no more.' Vincenzo appeared at Cairncross' side and together they laughed insanely, then vanished in a puff of sulphurous smoke. I made several high-minded resolutions, muttered half-heard but sincere-sounding prayers to all the recently deposed saints, thrashed and rolled clean off the bed. I might just as well have stayed up.

When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.

My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I

Here, there was something almost intimate about kneeling. Spirits gathered in warm places. Or rather, warmth was a sign they were near. They were unseen as of yet. You had to draw them forth—but they wouldn’t come to the beck of just anyone. You needed someone like Yumi. You needed a girl who could call to the spirits. There were many viable methods, but they shared a common theme: creativity. Most self-aware Invested beings—be they called fay, seon, or spirit—respond to this fundamental aspect of human nature in one way or another. Something from nothing. Creation. Beauty from raw materials. Art. Order from chaos. Organization.

I think that the media and its influencers send out a negative message to young girls these days, when it comes to the relationship between power and money. The message that young girls receive these days, from watching reality t.v. shows and such, is that the more money you spend, the more powerful you are. But I'd like young girls everywhere to know that it's not about the money that you spend; but what it's really about is the money that you have! Financial power lies in actually having money and your intelligence is determined by how you spend it. And it's not even about buying only what you need, because we should have the things that we want, too, not only the things that we need! But it's more about knowing the value of material things because without the knowledge of the value, things aren't going to make you happy, because there's always something more that you can buy! So you've got to know how to buy what's really going to make you happy and not just buy things for the sake of spending.

He said that a killer comes to hunting humans gradually. The appetite builds from a young boy’s undifferentiated anger and morbidity of mind to a search for ever more violent pornography, the visual and written material that Ted believed had shaped and focused his fantasy world. Then comes the window peeping, followed eventually by crudely conceived and unsuccessful assaults. In Ted’s case, these gave way, over time, to a sophisticated taste for the chase and its aftermath: the selection of what he called “worthy” victims, pretty and intelligent young daughters and sisters of the middle class, nice girls whom Ted desired to possess, he said, “as one would possess a potted plant, or a Porsche.

Trans people are trans people. We should get over it. They deserve to be safe, to be visible throughout society without shame or stigma, and to have exactly the life opportunities non-trans people do. Their transness makes no difference to any of this. What trans people don’t deserve, however, is to be publicly misrepresented in philosophical terms that make no sense; nor to have their everyday struggles instrumentalised in the name of political initiatives most didn’t ask for, and which alienate other groups by rigidly encroaching on their hard-won rights. Nor do trans people deserve to be terrified by activist propaganda into thinking themselves more vulnerable to violence than they actually are.

In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.

So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness. "Shut up and be quiet," Stefan snapped. "That's just a tad redundant, FYI." "Shut up!" he hissed near her ear. Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger. "You really do give a lot of orders," she told him. He tightened his grip. "I'm the one with the gun." "Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something." "You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance. Stefan was confused, and Maddie couldn't blame him. So she turned back and shrugged. "Maybe. But I don't think you're a bad guy." He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer. "I. Have. The. Gun," he reminded her. Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious. Stefan stuttered for a moment, then fell silent.

It is standard for academics to subject their work to rigorous critique by peers: papers get torn to shreds in seminars and referee reports, and experiments pored over to look for potentially confounding variables. And for good reason: history is littered with bad theories and empty theoretical concepts, from inner demons to bodily humours to phlogiston. There’s no reason to think there isn’t room for similar error here – in fact, there is extra reason to think there is, inasmuch as some (though not all) trans people so clearly desperately want gender identity theory to work, which might be affecting their neutrality. Many trans people assume – wrongly, as I will eventually argue – that the existence and recognition of their political and legal rights depends upon gender identity theory’s correctness.

Because radium can be mixed with other elements to make them glow in the dark, clock makers used it to create fluorescent numbers on watch faces and hired young women to perform the delicate task of painting them. In the watch factories of New Jersey, Connecticut, and Illinois, the Radium Girls were trained to lick the tips of their brushes into a fine point before dipping them into pots of radium paint. When the jaws and skeletons of the first girls began to rot and disintegrate, their employers suggested they were suffering from syphilis. A successful lawsuit revealed that their managers had understood the risks of working with radium and get done everything they could to conceal the truth from their employees. It was the first time the public learned the hazards of ingesting radioactive material. The

Be men to be proud of. Actions speak louder than words, boys. When you do wrong, and believe me, you will do more wrong than right some days, you own up to it. Completely. You can’t take back the stone once it’s thrown. The reality is, you can never really right the wrong once it’s done. It will live on forever in one’s memory. You can atone for it. You can work hard to assure you never make the same mistake twice. But there is a time for freedoms and a time for life responsibilities. Be the man to handle his responsibilities. Be the man to take responsibility for his shortcomings and failures. Take pride in being humble enough to admit when you are wrong and when you have failed....“People will think many things of you. Some true, some complete lies. Their opinions don’t matter. The half-truths, the lies, the many things people will think of you throughout this life should never hold weight. It is what you see in the mirror looking back at you that should tell you the character and the man in which you are. Look in the mirror, boys, and be men to be proud of.” Excerpt From: Camaron, Chelsea. “Merciless Ride: A Hellions Novel.” Whiskey Girls Publishing, 0101-01-01T00:00:00+00:00. iBooks. This material may be protected by copyright.

I hate your kind." "Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?" Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first." The old gaijin laughs. "That would have been exciting." "We would have beaten you. Just like the cheshires." "You may yet." He shrugs. "You do not fear cibiscosis or blister rust." "No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont." He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals." Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?" The old man exchanges a glance with his ladyboy. "Can you do it?" Emiko presses. He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented." Emiko slumps. The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world." Emiko feels her heart pounding. "You can do this, truly?" "Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.

NORA [looking earnestly and a little doubtfully at him]. Surely if you let one woman cry on you like that you'd never let another touch you. BROADBENT [conscientiously]. One should not. One OUGHT not, my dear girl. But the honest truth is, if a chap is at all a pleasant sort of chap, his chest becomes a fortification that has to stand many assaults: at least it is so in England. NORA [curtly, much disgusted]. Then you'd better marry an Englishwoman. BROADBENT [making a wry face]. No, no: the Englishwoman is too prosaic for my taste, too material, too much of the animated beefsteak about her. The ideal is what I like. Now Larry's taste is just the opposite: he likes em solid and bouncing and rather keen about him. It's a very convenient difference; for we've never been in love with the same woman. NORA. An d'ye mean to tell me to me face that you've ever been in love before? BROADBENT. Lord! yes. NORA. I'm not your first love? BROADBENT. First love is only a little foolishness and a lot of curiosity: no really self-respecting woman would take advantage of it. No, my dear Nora: I've done with all that long ago. Love affairs always end in rows. We're not going to have any rows: we're going to have a solid four-square home: man and wife: comfort and common sense--and plenty of affection, eh [he puts his arm round her with confident proprietorship]? NORA [coldly, trying to get away]. I don't want any other woman's leavings. BROADBENT [holding her]. Nobody asked you to, ma'am. I never asked any woman to marry me before. NORA [severely]. Then why didn't you if you're an honorable man? BROADBENT. Well, to tell you the truth, they were mostly married already. But never mind! there was nothing wrong. Come! Don't take a mean advantage of me. After all, you must have had a fancy or two yourself, eh?

Clarisse’s friends were all laughing, and I was trying to find the strength I’d used to fight the Minotaur, but it just wasn’t there. “Like he’s ‘Big Three’ material,” Clarisse said as she pushed me toward one of the toilets. “Yeah, right. Minotaur probably fell over laughing, he was so stupid looking.” Her friends snickered. Annabeth stood in the corner, watching through her fingers. Clarisse bent me over on my knees and started pushing my head toward the toilet bowl. It reeked like rusted pipes and, well, like what goes into toilets. I strained to keep my head up. I was looking at the scummy water, thinking, I will not go into that. I won’t. Then something happened. I felt a tug in the pit of my stomach. I heard the plumbing rumble, the pipes shudder. Clarisse’s grip on my hair loosened. Water shot out of the toilet, making an arc straight over my head, and the next thing I knew, I was sprawled on the bathroom tiles with Clarisse screaming behind me. I turned just as water blasted out of the toilet again, hitting Clarisse straight in the face so hard it pushed her down onto her butt. The water stayed on her like the spray from a fire hose, pushing her backward into a shower stall. She struggled, gasping, and her friends started coming toward her. But then the other toilets exploded, too, and six more streams of toilet water blasted them back. The showers acted up, too, and together all the fixtures sprayed the camouflage girls right out of the bathroom, spinning them around like pieces of garbage being washed away. As soon as they were out the door, I felt the tug in my gut lessen, and the water shut off as quickly as it had started. The entire bathroom was flooded. Annabeth hadn’t been spared. She was dripping wet, but she hadn’t been pushed out the door. She was standing in exactly the same place, staring at me in shock.

Readers acquainted with the recent literature on human sexuality will be familiar with what we call the standard narrative of human sexual evolution, hereafter shortened to the standard narrative. It goes something like this: 1. Boy Meets girl, 2. Boy and girl assess one and others mate value, from perspectives based upon their differing reproductive agendas/capacities. He looks for signs of youth, fertility, health, absence of previous sexual experience and likelihood of future sexual fidelity. In other words, his assessment is skewed toward finding a fertile, healthy young mate with many childbearing years ahead and no current children to drain his resources. She looks for signs of wealth (or at least prospects of future wealth), social status, physical health and likelihood that he will stick around to protect and provide for their children. Her guy must be willing and able to provide materially for her (especially during pregnancy and breastfeeding) and their children, known as "male parental investment". 3. Boy gets girl. Assuming they meet one and others criteria, they mate, forming a long term pair bond, "the fundamental condition of the human species" as famed author Desmond Morris put it. Once the pair bond is formed, she will be sensitive to indications that he is considering leaving, vigilant towards signs of infidelity involving intimacy with other women that would threaten her access to his resources and protection while keeping an eye out (around ovulation especially) for a quick fling with a man genetically superior to her husband. He will be sensitive to signs of her sexual infidelities which would reduce his all important paternity certainty while taking advantage of short term sexual opportunities with other women as his sperm are easily produced and plentiful. Researchers claim to have confirmed these basic patterns in studies conducted around the world over several decades. Their results seem to support the standard narrative of human sexual evolution, which appears to make a lot of sense, but they don't, and it doesn't.

The 40th anniversary edition of the classic Newbery Medal-winning title by beloved author Katherine Paterson, with brand-new bonus materials including an author's note by Katherine herself and a foreword by New York Times bestselling author Kate DiCamillo. Jess Aarons has been practicing all summer so he can be the fastest runner in the fifth grade. And he almost is, until the new girl in school, Leslie Burke, outpaces him. The two become fast friends and spend most days in the woods behind Leslie's house, where they invent an enchanted land called Terabithia. One morning, Leslie goes to Terabithia without Jess and a tragedy occurs. It will take the love of his family and the strength that Leslie has given him for Jess to be able to deal with his grief. Bridge to Terabithia was also named an ALA Notable Children’s Book and has become a touchstone of children’s literature, as have many of Katherine Paterson’s other novels, including The Great Gilly Hopkins and Jacob Have I Loved. Full Read Online Open Here >> telegra[.]ph/Free-PDF-Bridge-to-Terabithia-Free-Download-09-17

I don’t get it, man. That dude has zero game, then suddenly he up and jets with a hottie? Meanwhile I can’t buy a date.” “Makes no sense.” Hi, face serious. I pressed a fist to my lips, considering. “What’d the girl look like?” “Hot.” Ben shifted his weight. I heard Hi chuckle behind me. I choked back my mounting frustration. “Could you be more specific?” “Oh, right.” Cole rubbed his oily chin and squinted at the ceiling. “She had, like, nice hair. It was sorta . . . black? Or maybe brown. Not blonde, for sure. And she was kinda tall. But not really. Oh, and I think she wore a T-shirt. Could be wrong, though.” I stared at the useless witness before me. What a moron. “Can you remember anything else, Cole?” Catching his eye, I tried to urge the memory from his brain by force of will. “Anything at all?” For a moment, Cole’s face screwed up in thought, then it bloomed with contentment. “He said I could have his mattress. Solid dude, that Jordan.” Hi snapped on his seat belt. “Not everyone is college material.” Shelton shook his head. “I’m surprised that guy remembers to breathe.

But here he was pledged to defend, on the part of his betrothed's cousin, conduct that, on his own wife's part, would justify him in calling down on her all the thunders of Church and State..... What could he and she really know of each other, since it was his duty, as a "decent" fellow, to conceal his past from her, and hers, as a marriageable girl, to have no past to conceal? What if, for some one of the subtler reasons that would tell with both of them , they should tire of each other, misunderstanding or irritate each other? He reviewed his friends' marriages - the supposedly happy ones -and saw none that answered, even remotely, to the passionate and tender comradeship which he pictured as his permanent relation with May Welland. He perceived that such a picture presupposed, on her part, the experience, the versatility, the freedom of judgment, which she had been carefully trained not to possess; and with a shiver of foreboding he saw his marriage becoming what most of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other.

Masculinity is not about being the biggest, the fastest, the strongest, the one who sleeps with the most girls, and the one who has the most money. The one who has the most accomplishments is not the most masculine. In fact, it is often the men who covet these things most who are covering and compensating for the greatest insecurities. Let us revere the one who loves others deeply, loves himself deeply, and has a dream that he is inspired to live with and by and through. He is a man. He does not stand unmoved or untouched in the face of truly moving experiences. He does not judge the totality of his life or anyone else’s life by the totals on the scoreboard as the clock ticks down to zero. He does not use money as a proxy for emotional connection nor material possessions as the measure of his self-worth. He does not define his manhood by the number of women he has conquered. He does not always fight fire with fire; sometimes he doesn’t need to fight at all. He does not meet seriousness with silliness when it is seriousness that is required. He does not take risks for risks’ sake, because he does not hide from his frailty, his mortality, or his humanity. He does not pretend to know everything about anything, nor is he afraid to admit when he knows nothing about something. And perhaps most important of all, he does not walk around thinking he’s The Man. No, the masculine man goes through a journey, a process of self-discovery, and figures out what he needs to do to acquire the tools, knowledge, wisdom, grace, love, passion, and joy to pursue his destiny. His destiny is his dreams. Those may evolve over time, but in their pursuit, he is not breaking down anyone else or hurting anyone else. He is not at war with other people, conquering them. He is the one joining forces, searching for the win-win. He is the one who is lifting others up, inspiring others through his journey and his own process (in which he is finding ways to create value along the way). He is the hero of his own journey. And in so being, he is looking for every way to have the best relationships possible with his family, friends, his romantic partner, his colleagues, or his customers. He’s finding ways to be the best possible version of himself. Masculinity is about discovering yourself and owning what you find. It’s about being kind to others, and pursuing your dreams with all the passion and energy you can muster. It’s about doing something that is meaningful to you that brings value to others. That’s how you build a legacy.

He said we had to find a way to reach Muslims who “didn’t think it was such a great thing to have a McDonald’s down the street and American pop culture on their television.” All people, he said, want to maintain their identity in the modern world. “We should acknowledge that not everything we see is positive—there’s a mindless violence, a crude sexuality, a lack of reverence for life, a glorification of materialism.” That said, he wanted to make several statements of belief in human progress—that countries succeed when they are tolerant of different religious beliefs; that governments that give voice to their people and respect the rule of law are more stable and satisfying; and that countries where women are empowered are more successful. “When I was a kid in Indonesia,” he said, “I remember seeing girls swimming outside all the time. No one covered their hair. That was before the Saudis started building madrassas.” This was a theme he’d come back to again and again. He told a story about how his mother once worked in Pakistan. She was riding on an elevator. Her hair was uncovered and her ankles were showing. Yet even though she was older, “this guy in the elevator with her couldn’t stand to be in that type of space with a woman who was uncovered. By the time the door opened he was sweating.” He paused for effect. “When men are that repressed, they do some crazy shit.

Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.

Before he went away, he had heard all about the self-made girl, and there was something in the picture that strongly impressed him. She was possible doutbless only in America; American life had smoothed the way for her. She was not fast, nor emancipated, nor crude, nor loud, and there wasn’t in her, of necessity at least, a grain of the stuff of which the adventuress is made. She was simply very successful, and her success was entirely personal. She hadn’t been born with the silver spoon of social opportunity, she had grasped it by honest exertion. You knew her by many different signs, but chiefly, infallibly, by the appearance of her parents. It was her parents who told her story; you always saw how little her parents could have made her. Her attitude with regard to them might vary in different ways. As the great fact on her own side was that she had lifted herself from a lower social plane, done it all herself, and done it by the simple lever of her personality, it was naturally to be expected that she would leave the authors of her mere material being in the shade. (…) But the general characteristic of the self-made girl was that, though it was frequently understood that she was privately devoted to her kindred, she never attempted to impose them on society, and it was striking that, though in some of her manifestations a bore, she was at her worst less of a bore than they. They were almost always solemn and portentous, and they were for the most part of a deathly respectability. She wasn’t necessarily snobbish, unless it was snobbish to want the best. She didn’t cringe, she didn’t make herself smaller than she was, she took on the contrary a stand of her own and attracted things to herself. Naturally she was possible only in America, only in a country where whole ranges of competition and comparison were absent.

Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.

Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.

It seems that in the kingdom of Heaven, the cosmic lottery works in reverse; in the kingdom of Heaven, all of our notions of the lucky and the unlucky, the blessed and the cursed, the haves and the have-nots, are turned upside down. In the kingdom of Heaven, the last will be first and the first will be last. In India, I realised that while the poor and oppressed certainly deserve my compassion and help, they do not need my pity. Widows and orphans and lepers and untouchables enjoy special access to the Gospel that I do not have. They benefit immediately from the Good News that freedom is found not in retribution but in forgiveness, that real power belongs not to the strong but to the merciful, that joy comes not from wealth but from generosity. The rest of us have to get used to the idea that we cannot purchase love or fight for peace or find happiness in high positions. Those of us who have never suffered are at a disadvantage because Jesus invites His followers to fellowship in His suffering. In fact, the first thing Jesus did in His sermon on the mount was to mess with our assumptions about the cosmic lottery. In Luke’s account, Jesus says, "Blessed are you who are poor for yours is the Kingdom of God. Blessed are you who hunger now, for you will be satisfied. Blessed are you who weep now, for you will laugh. But woe to you who are rich, for you have already received your comfort. Woe to you who are well-fed now, for you will go hungry. Woe to you who laugh now, for you will mourn and weep.” (Luke 6:20-21; 24-25) It seems that the kingdom of God is made up of the least of these. To be present among them is to encounter what the Celtic saints called “thin spaces”, places or moments in time in which the veil separating heaven and earth, the spiritual and the material, becomes almost transparent. I’d like to think that I’m a part of this kingdom, even though my stuff and my comforts sometimes thicken the veil. Love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control – these are God things, and they are available to all, regardless of status or standing. Everything else is just extra, and extra can be a distraction. Extra lulls us into the complacency and tricks us into believing that we need more than we need. Extra makes it harder to distinguish between God things and just things.

Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.

Dear Jon, A real Dear Jon let­ter, how per­fect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one para­graph in and I’ve al­ready fucked this. I’m writ­ing this be­cause I can’t say any of this to you face-to-face. I’ve spent the last few months ques­tion­ing a lot of my friend­ships and won­der­ing what their pur­pose is, if not to work through big emo­tional things to­gether. But I now re­al­ize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the lit­eral sense, but I know you all would have done any­thing to fix me other than lis­ten­ing to me talk and al­low­ing me to be sad with­out so­lu­tions. And now I am writ­ing this let­ter rather than pick­ing up the phone and talk­ing to you be­cause, de­spite every thing I know, I just don’t want to, and I don’t think you want me to ei­ther. I lost my mind when Jen broke up with me. I’m pretty sure it’s been the sub­ject of a few of your What­sApp con­ver­sa­tions and more power to you, be­cause I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt. If you do a high-fat, high-pro­tein, low-carb diet and join a gym, it will be a good dis­trac­tion for a while and you will lose fat and gain mus­cle, but you will run out of steam and eat nor­mally again and put all the weight back on. So maybe don’t bother. Drunk­en­ness is an­other idea. I was in black­out for most of the first two months and I think that’s fine, it got me through the evenings (and the oc­ca­sional af­ter­noon). You’ll have to do a lot of it on your own, though, be­cause no one is free to meet up any more. I think that’s fine for a bit. It was for me un­til some­one walked past me drink­ing from a whisky minia­ture while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only per­son I’ve ever told this story. None of your mates will be ex­cited that you’re sin­gle again. I’m prob­a­bly your only sin­gle mate and even I’m not that ex­cited. Gen­er­ally the ex­pe­ri­ence of be­ing sin­gle at thirty-five will feel dif­fer­ent to any other time you’ve been sin­gle and that’s no bad thing. When your ex moves on, you might be­come ob­sessed with the bloke in a way that is al­most sex­ual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do some­times. If you open up to me or one of the other boys, it will feel good in the mo­ment and then you’ll get an emo­tional hang­over the next day. You’ll wish you could take it all back. You may even feel like we’ve en­joyed see­ing you so low. Or that we feel smug be­cause we’re win­ning at some­thing and you’re los­ing. Re­member that none of us feel that. You may be­come ob­sessed with work­ing out why ex­actly she broke up with you and you are likely to go fully, fully nuts in your bid to find a sat­is­fy­ing an­swer. I can save you a lot of time by let­ting you know that you may well never work it out. And even if you did work it out, what’s the pur­pose of it? Soon enough, some girl is go­ing to be crazy about you for some un­de­fin­able rea­son and you’re not go­ing to be in­ter­ested in her for some un­de­fin­able rea­son. It’s all so ran­dom and un­fair – the peo­ple we want to be with don’t want to be with us and the peo­ple who want to be with us are not the peo­ple we want to be with. Re­ally, the thing that’s go­ing to hurt a lot is the fact that some­one doesn’t want to be with you any more. Feel­ing the ab­sence of some­one’s com­pany and the ab­sence of their love are two dif­fer­ent things. I wish I’d known that ear­lier. I wish I’d known that it isn’t any­body’s job to stay in a re­la­tion­ship they don’t want to be in just so some­one else doesn’t feel bad about them­selves. Any­way. That’s all. You’re go­ing to be okay, mate. Andy