Matched Trilogy Quotes

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She was bored. She loved, had capacity to love, for love, to give and accept love. Only she tried twice and failed twice to find somebody not just strong enough to deserve it, earn it, match it, but even brave enough to accept it.
William Faulkner (The Town (The Snopes Trilogy, #2))
All right. And...can someone see about having the roof fixed?" Matching grins broke out on Tolya's and Tamar's faces. "Can't we leave it that way for just a few days?" "No," I laughed. "I don't want the whole thing craving in on us. Talk to the Fabrikators. They should know what to do." I ran my thumb over the raised ridge of flesh that ran the length of my palm. "But don't let them make it too perfect," I added. Scars made good reminders.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
How do I look in the dark?” Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.” Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I smiled up at him, but knew mine was no match for the warmth his held.
Claudette Melanson (Rising Tide: Dark Innocence (The Maura DeLuca Trilogy, #1))
It was a mistake to speak one's mind at any time, unless it perfectly matched your political purpose; and it never did.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
We are a match made in Hell. He may be Satan, but I'm Lillith.
Stylo Fantome (Degradation (The Kane Trilogy, #1))
A struck match sounds like a kiss in the dark, sometimes.
Robert Jackson Bennett (Foundryside (The Founders Trilogy, #1))
writing it down on paper or on a computer where you can see it is because the brain, unlikely as it may sound, is no place for serious thinking. Any time you have serious thinking to do, the first step is to get the whole shootin’ match out of your head and set it up someplace where you can walk around it and see it from all sides. Attack, switch sides and counter-attack. You can’t do that while it’s still in your head. Writing it out allows you to act as your own teacher, your own critic, your own opponent. By externalizing your thoughts, you can become your own guru; judging yourself, giving feedback, providing a more objective and elevated perspective.
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
I call his name. He calls mine. I’m intoxicated by the sound, by the cadence, by the beat. His heart matches, in firm rhythm. We’re so very alive, And together.
Courtney Cole (Verum (The Nocte Trilogy, #2))
It was a little thing, a baby tree, but still it tangled with things around it and required care to move. And when she pulled it out, it's roots still clung to Earth from it's old home.
Ally Condie (Matched (Matched, #1))
A struck match sounds like a kiss in the dark, sometimes. She remembered thinking that, watching the flame crack to life and then flutter down to the pools of alcohol running across the floor. No one had made it out. And as she’d sat and watched, she’d realized—master or slave, all screams sounded alike.
Robert Jackson Bennett (Foundryside (The Founders Trilogy, #1))
There’s no grace to battle, no need for style. You only need to move faster and hit harder than your opponents. Dueling is more like a dance—you respect your partner, you understand them. It’s as much a chess match as a physical sport.
Laura Sebastian (Lady Smoke (Ash Princess Trilogy, #2))
Without us, the world is just things, Cathy. It's our seeing that fills them with meaning. To pay attention is a painter's scared duty. That's what real prayer is. real meditation: to hold your attention to the world like a match, until it catches with the fire of meaning.
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
My heart started beating faster, and I felt my face flush with anticipation. He pulled away, just enough to look me in the eyes. I stared back into his, allowing him access to my soul, hoping he could see how desperately I needed him. I didn’t hold back at all. Before I could even react his lips were on mine. The heat that I had felt when he kissed my cheek, was like a lit match compared to the forest fire I felt now. Every inch of my body was deliciously ignited.
Theresa M. Jones (Power (The Descendant Trilogy #1))
Subjective storytelling is now almost as common in the news media as it is in feature films, TV dramas, novels or theater shows. Journalists at their worst are self-centered storytellers who either knowingly or unknowingly bend truths into stories that match their personal beliefs or those of their employers.
Lance Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
How are you holding up?" "I'm good.And still untouched," she added. "Are you alone in that bed?" "Except for the six members of the all-girl Swedish volleyball team.Helga's got a hell of a spike.Aren't you going to ask what I'm wearing?" "Black Speedos,sweat,and a big smile." "How'd you guess?So,what are you wearing?" Slowly,she ran a tongue around her teeth. "Oh,just this little..very little..white lace teddy." "And stiletto heels." "Naturally.With a pair of sheer hose.They have little pink roses around the tops. It matches the one I'm tucking between my breasts right now. I should add I've just gotten out of the tub.I'm still a little..wet." "Jesus.You're too good at this.I'm hanging up." Her response was a long, throaty laugh."I'm going to love driving the Jag.let me know when to expect the shipment." When the phone clicked in her ear,she laughed again,turned, and found herself nearly face to face wth Kate. "how long have you been standing there?" "Long enough to be confused.Were you just having [hone sex with Josh? Our Josh?" Carelessly,Margo brushed her hair behind her ear. "It was more foreplay really.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Security means the state of being free from danger or threat. Danger means the possibility of suffering harm or injury. The possibility of something unwelcome or unpleasant happening. There are times I have to stress as I express the correct, precise, real and honest definitions; so that the deceptive, politically motivated folks who destructively branded me as “threat to danger” would realise their double denial duplicity, dishonesty and hypocrisy. Have you at least questioned the personal motives and faulty malicious and intentional misjudgment or at least be honestly curious to discern the motive of a cunning person who warns you against another as a danger, a threat or a risk to life or security? Did the political harridan mean political threat to her political coalition or a danger to reveal the harridan's creative deception matched with her political ambitious power links? ~ Angelica Hopes, K.H. Trilogy
Angelica Hopes
We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Face each day with radiant, nurturing love, confidence, a bright vision and creativity with enduring determination and strength matched with a breathing courage as you happily embrace your responsibility and growth in many areas of life. Combine your energy and joy, your passion and vision in creating a brighter day.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
I love you, Allison. My love for you continues to grow every day. I love you so much more than I can even explain. And when I thought I might lose you, when you called to me and felt such fear, I decided I would never again try to distance myself from you. I will be here when you need me for whatever you need me for. You are my world.” Normally, a woman waits for the man to kiss her, especially after the kiss we just shared. But at his declaration, I just couldn’t help myself. I lifted myself onto my tip toes and threw my arms around his neck, pulling his face closer to mine. I kissed him with everything I had, letting my love for him flow through me and into him. Before I could even react his lips were on mine. The heat that I had felt when he kissed my cheek, was like a lit match compared to the forest fire I felt now. Every inch of my body was deliciously ignited.
Theresa M. Jones (Power (The Descendant Trilogy #1))
Vero collapsed in a chair, overtaken with delicious giggles. The child had bought underwear to match a plastic frog. An act of perfect silliness.
Debora Geary (Witches Under Way (WitchLight Trilogy, #2))
For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.
Ally Condie (The Matched Trilogy: The Complete Collection)
Gram and Gramps never spoke of them either. I guess that bridge got burned, too. Hell, Gram probably poured the gasoline and lit the match herself!
AnnaLisa Grant (The Lake (The Lake Trilogy, #1))
You should go update your Match.com profile with that information. The ladies will be lining up outside, because nothing screams romance like being held captive in a cage.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
Was not love its own shock? A match to that of death? Did it not take the eyes first? Such reverberations as to weaken the bravest man or woman – its trembling echoes never left a mortal soul.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
Tealah. Ironic that her bright teal hair matches her name. I’d never seen the young woman who conducted the interviews for the previous Trials, but I’ve heard enough about her unique appearance to identify her.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
West had woken up something inside of me. I never felt more alive than I did when I was with West. West pushed me to be more. More human and yet more cybernetic at the same time. West could go anywhere with me. He could nearly match me step for step on scouting duties, could hunt with me. But I still didnt fully trust him. West kept too many secrets, had lied to me too many times. And he almost seemed to like to make me angry.
Keary Taylor (Eden (The Eden Trilogy, #1))
Anarchists live in fear and long for death, because they despair of seeing in others the very virtues they lack in themselves. In this manner, they take pleasure in sowing destruction, if only to match their inner landscape of ruin.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy, #1))
What did you do to your hair? I don’t like it as much.” His brow knitted. “How do you like it?” “I prefer the curls.” He looked as if she’d told him she preferred him with three eyes. “You used to make fun of them. You told me that if Bo Peep had a child with one of her sheep it would have hair like mine.” She burst out laughing—and gasped at the pain that shot through her scalp. “You are not making it up, are you? Did I really say that?” “Sometimes you called me Goldilocks.” She had to remind herself not to laugh again. “And you married me? I sound like a very odious sort of girl.” “I was a very odious sort of boy, so you might say we were evenly matched.” She didn’t know enough to comment upon that, but when he was near, she was… happier.
Sherry Thomas (Tempting the Bride (Fitzhugh Trilogy, #3))
We were convinced of the inherent madness of codified inequity. All cooperation involves some measure of surrender. And coercion. But the alternative, being anarchy, is itself no worthy virtue. It is but an excuse for selfish aggression, and all that seeks justification from taking that stance is, each and every time, cold-hearted. Anarchists live in fear and long for death, because they despair of seeing in others the very virtues they lack in themselves. In this manner, they take pleasure in sowing destruction, if only to match their inner landscape of ruin. [...] We rejected civilization, but so too we rejected anarchy for its petty belligerence and the weakness of thought it announced. By these decisions, we made ourselves lost and bereft of purpose.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy, #1))
In his heart, he was aware of just how vulnerable he was, and that Othman knew that. He had dared to believe he was different, that a new, stronger self had awakened within him, but it was newborn and fragile. This man, this creature was more than a match for him.
Storm Constantine (Stalking Tender Prey (The Grigori Trilogy, #1))
She most definitely had an instinct for passion, an instinct that matched his own, that had nearly caused him to lose his head. Well, now he knew her skin was petal smooth; he knew the rich wine of her mouth; he knew the feel of that delicate, puckered nipple rubbed against his cheek---
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
You've changed, Fitz.' 'It's been eight years. Everyone changes.' 'I haven't changed.' The insight came to him like a match flaring. 'I can see how you've tried to remain the same. But no, you have changed, too. Once you thrilled to new horizons. Now all you want is to live in a monument to the way things might have been.
Sherry Thomas (Ravishing the Heiress (Fitzhugh Trilogy, #2))
Rise flexibly, courageously and perseveringly upon the challenges and trials in our life. Beneath the depth of fresh wounds, heavy cross and years of scars, is our wise silent mind, a beating faithful heart with understanding and patience matched with a humble soul who walks with hope towards charity, kindness, peace and harmony.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
But then, poets are almost always wrong about facts. That’s because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple natural instinct are exalted and terrified by it. No: that’s wrong. It’s because you dont dare to hope, you are afraid to hope. Not afraid of the extent of hope of which you are capable, but that you—the frail web of bone and flesh snaring that fragile temeritous boundless aspirant sleepless with dream and hope—cannot match it; as Ratliff would say, Knowing always you wont never be man enough to do the harm and damage you would do if you were just man enough.—and, he might add, or maybe I do it for him, thank God for it. Ay, thank God for it or thank anything else for it that will give you any peace after it’s too late; peace in which to coddle that frail web and its unsleeping ensnared anguish both on your knee and whisper to it: There, there, it’s all right; I know you are brave.
William Faulkner (The Town (The Snopes Trilogy, #2))
Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.” Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing. Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Again, enthusiastic would incorrectly label me as a warmonger or battle junkie,” Ortiz said. “I am a warrior and a soldier. If there’s to be a knock-down drag-out match for our right to exist, then yes… I want to be at the tip of the spear. “Can none of you see it? Win or lose, we’re living in legendary times. Our actions will determine the fate of our entire species, and the choices we make, or don’t make, will ring through history for centuries. So no, I am not enthusiastic, but I am willing to accept the challenge that’s been given us. What is the point of being alive if only to exist and consume? The universe has asked if we are worthy. How will we answer that question? That’s all I’m saying.
Joshua Dalzelle (Call to Arms (Black Fleet Trilogy, #2))
After that, Kestrel sought him out. She used the excuse of those lessons he had given her. She said that she wanted more. She acquired a number of menial skills, like how to blacken boots. Arin was easy to find. Although raids on the countryside continued, he increasingly relied on lieutenants to lead the sorties. He spent more time at home. “I don’t know what he thinks he’s doing,” Sarsine said. “He’s giving officers under his command the chance to prove their worth,” Kestrel said. “He’s showing his trust in them and letting them build their confidence. It’s sound military strategy.” Sarsine gave her a hard look. “He’s delegating,” Kestrel said. “He’s shirking. And for what, I’m sure you know.” This struck a bright match of pleasure within Kestrel.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Would you like to hold my sword?" He asked the question with a gleam in his eyes. Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley." Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?" She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree." Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger.
Kimberly Kinrade (Forbidden Life (Forbidden, #3))
The first non-absolute number is the number of people for whom the table is reserved. This will vary during the course of the first three telephone calls to the restaurant, and then bear no apparent relation to the number of people who actually turn up, or to the number of people who subsequently join them after the show/match/party/gig, or to the number of people who leave when they see who else has turned up.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy: The Complete Trilogy in Five Parts)
You have to be determined on your quest for the fulfilment you need, and while you struggle, living and searching, carry a determined face, heart and spirit more than your inner perseverance. When you're earnestly searching for a job or something valuable in thriving on this life, let determination be your mindset. Have that creativity, resourceful spirit, inquisitive behaviour and resilience matching your gut to succeed in your search.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A small group of horsemen were approaching the house, their pace slow enough to match Javelin, whose rider slumped over his neck. Surely the Herrani wouldn’t cheer if Arin was dead, or dying? Fool, Kestrel told herself. Dead men can’t ride. A storm of feeling confused her, and Kestrel didn’t know if her emotions were what they ought to be, because she didn’t know what she felt. She couldn’t even think. Then the horses stopped. Arin slipped off Javelin, and there was a scuffle among the Herrani as each fought to get to him first. People supported him, nudged shoulders under his arms. Arin’s face was white with pain and blackened with patches of dirt and bruises. His torn clothes were stained crimson. Bright, bloody flags. One foot was bare. He tipped his head back, caught Kestrel’s gaze, and smiled. Kestrel shut the window and shut her heart, for what she felt when she saw Arin limp up the path wasn’t anything she had expected. She shouldn’t feel this, not this: A stark, shattering relief.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over. “Play your tiles,” Arin said roughly. Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions. Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud. Four vipers. “I win,” he said, and swept the matches into his hand. Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.” He gave her a humorless smile. “I did warn you.” “Yes. You did.” He stood. “I think I’ll take my leave while I have the advantage.” “Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise. He dropped her hand. “I have things to do.” “Like what?” She tried for a lighthearted tone. He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled. “I’ll walk you out,” she said. “Do you think I will lose my way? Or steal something as I go?” She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth. They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano. She stopped. “What is your interest in that room?” The look he gave her was cutting. “I have no interest in the music room.” Her eyes narrowed as she watched him walk away.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I began to think that you wouldn’t play someone you couldn’t beat,” said Arin. Kestrel looked up from her piano to see him standing by the doors she had left open, then glanced at the Bite and Sting set lying on a table by the garden windows. “Not at all,” said Kestrel. “I have been busy.” His gaze flicked to the piano. “So I’ve heard.” Kestrel moved to sit at the table and said, “I’m intrigued by your choice of room.” He hesitated, and she thought he was ready to deny any responsibility of choice, to pretend that a ghost had left that tile on the piano. Then he shut the doors behind him. The room, though large, felt suddenly small. Arin crossed the room to join her at the table. He said, “I didn’t like playing in your suite.” She decided not to take offense. She had asked him to be honest. Kestrel mixed the tiles, but when she set a box of matches on the table, he said, “Let’s play for something else.” Kestrel didn’t move her hand from the box’s lid. Again she wondered what he could offer her, what he could gamble, and she could think of nothing. Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.” “Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound. Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win. She didn’t.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
Even though this duel has broken no rules, it’s not ben clean,” she said. “You began a brawl. Society will murmur its disapproval even before Ronan and Jess destroy your reputation.” “Society will disapprove of me?” Irex sneered. “Your reputation is not so lily white. Slave-lover.” Kestrel wobbled on her feet. It took her a moment to speak, and when she did, she wasn’t sure that what she said was true. “Whatever people say about me, my father will be your enemy.” Irex’s face was still sharp with hate, but he said, “Very well. You can live.” His voice became hesitant. “Did you tell the general about Faris?” Kestrel thought of her letter to her father. It had been simple. I have challenged Lord Irex to a duel, it had said. It will take place on his grounds today, two hours before sunset. Please come. “No. That would have defeated my purpose.” Irex gave Kestrel a look, one that she had seen before on the faces of her opponents in Bite and Sting. “Purpose?” he said warily. Kestrel felt triumph surge through her, stronger even than the pain in her knee. “I want my father to believe that I’ve legitimately won this duel. You are about to lose. You’ll throw the match, and give me a clear victory.” She smiled. “I want first blood, Irex. My father is watching. Make this look good.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The Nazis were tedious in their self-righteousness and triumphalism. They were like a winning soccer team at the after-match party, getting drunker and more boring and refusing to go home. He was sick of them. Some people might say that the USSR was similar, with its secret police, its rigid orthodoxy, and its puritan attitudes to such pleasures as abstract painting and fashion. They were wrong. Communism was a work in progress, with mistakes being made on the road to a fair society. The NKVD with its torture chambers was an aberration, a cancer in the body of Communism. One day it would be surgically removed. But probably not in wartime.
Ken Follett (Winter of the World (The Century Trilogy #2))
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I can't believe this." Temper still high, she planted her hands on her hips. "For weeks, I have imagined you making love to me.I even tried to seduce you." So he had been right about that. "Now-when we are in the middle of the Duke of Sheffield's ball-you decide you want me." "I've never stopped wanting you,Grace." She started to back away. "You made me look like a fool." Ethan stalked to her, matching her step for step. Now that his mind was made up,he intended to have her and soon. "You didn't look the least like a fool. You looked like a woman whose husband desired her." Her back came up against the door."You...you are still the pirate you were aboard your ship!" "That's right.And I intend to plunder the treasure I acquired the day we were wed.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.” She could have pressed the issue, but his distraction was a less interesting mystery compared to one growing in her mind. She didn’t think Arin was who he appeared to be. He had the body of someone born into hard work, yet he knew how to play a Valorian game, and play it well. He spoke her language like someone who had studied it carefully. He knew--or pretended to know--the habits of a Herrani lady and the order of her rooms. He had been relaxed and adept around her stallion, and while that might not mean anything--he had not ridden Javelin--Kestrel knew that horsemanship among the Herrani before the war had been a mark of high class. Kestrel though that Arin was someone who had fallen far.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
 "Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but…"  "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?"  "Amazing, isn't it? In the right harness, those puppies just rise."  "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage."  "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing."  "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl." ....Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so… different."  "I have tits," she stated and rose. "Margo gave them to me."  
Nora Roberts (Holding the Dream (Dream Trilogy, #2))
Arin said, “If I win, I will ask a question, and you will answer.” She felt a nervous flutter. “I could lie. People lie.” “I’m willing to risk it.” “If those are your stakes, then I assume my prize would be the same.” “If you win.” She still could not quite agree. “Questions and answers are highly irregular stakes in Bite and Sting,” she said irritably. “Whereas matches make the perfect ante, and are so exciting to win and lose.” “Fine.” Kestrel tossed the box to the carpet, where it landed with a muffled sound. Arin didn’t look satisfied or amused or anything at all. He simply drew his hand. She did the same. They played in intent concentration, and Kestrel was determined to win. She didn’t. “I want to know,” Arin said, “why you are not already a soldier.” Kestrel couldn’t have said what she had thought he would ask, but this was not it, and the question recalled years of arguments she would rather forget. She was curt. “I’m seventeen. I’m not yet required by law to enlist or marry.” He settled back in his chair, toying with one of his winning pieces. He tapped a thin side against the table, spun the tile in his fingers, and tapped another side. “That’s not a full answer.” “I don’t think we specified how short or long these answers should be. Let’s play again.” “If you win, will you be satisfied with the kind of answer you have given me?” Slowly, she said, “The military is my father’s life. Not mine. I’m not even a skilled fighter.” “Really?” His surprise seemed genuine. “Oh, I pass muster. I can defend myself as well as most Valorians, but I’m not good at combat. I know what it’s like to be good at something.” Arin glanced again at the piano. “There is also my music,” Kestrel acknowledged. “A piano is not very portable. I could hardly take it with me if I were sent into battle.” “Playing music is for slaves,” Arin said. “Like cooking or cleaning.” Kestrel heard anger in his words, buried like bedrock under the careless ripple of his voice. “It wasn’t always like that.” Arin was silent, and even though Kestrel had initially tried to answer his question in the briefest of ways, she felt compelled to explain the final reason behind her resistance to the general. “Also…I don’t want to kill.” Arin frowned at this, so Kestrel laughed to make light of the conversation. “I drive my father mad. Yet don’t all daughters? So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.” He stopped spinning the tile in his fingers. “You’ll marry, then.” “Yes. But at least I will have six months of peace first.” Arin dropped the tile to the table. “Let’s play again.” This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
We can withstand a siege for some time,” Arin said. “The city walls are strong. They’re Valorian-built.” “Which means that we will know how to bring them down.” Arin swirled his glass, watching the water’s clear spin. “Care to bet? I have matches. I hear they make very fine stakes.” There was the quirk of a smile. “We aren’t playing at Bite and Sting.” “But if we were, and I kept raising the stakes higher to the point where you couldn’t bear to lose, what would you do? Maybe you’d give up the game. Herran’s only hope of winning against the empire is to become too painful to retake. To mire the Valorians in an unending siege when they’d rather be fighting the east. To force them to conquer the countryside again, piece by piece, spending money and lives. Someday, the empire will decide we’re not worth the fight.” Kestrel shook her head. “Herran will always be worth it.” Arin looked at her, his hands resting on the table. He, too, had no knife. Kestrel knew that this was to make it less obvious that she wasn’t to be trusted with one. Instead, it became more. “You’re missing a button,” he said abruptly. “What?” He reached across the table and touched the cloth at her wrist, on the spot of an open seam. His fingertip brushed the frayed thread. Kestrel forgot that she had been troubled. She had been thinking about knives, she remembered, and now they were talking about buttons, but what one had to do with the other, she couldn’t say. “Why don’t you mend it?” he said. She recovered herself. “That is a silly question.” “Kestrel, do you not know how to sew a button?” She refused to answer. “Wait here,” he said. Arin returned with a sewing kit and button. He threaded a needle, bit it between his teeth, and took her wrist with both hands. Her blood turned to wine. “This is how you do it,” he said. He took the needle from his mouth and pierced it through the cloth.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The light dimmed. The sky through the windows turned emerald. It was the first green storm of the season, and as Kestrel heard the wind pummel the house, she knew that Arin was wrong. He had wanted to punish her for months now. Hadn’t she bought him? Didn’t she own him? This was his revenge. That was all. The rain drove nails against the windowpanes. The room grew almost black. Kestrel heard Arin’s voice again in her mind and felt suddenly broken. Even if she didn’t doubt her feelings for Enai, there had been truth in his words. She didn’t notice him return. This storm was loud, the room was dark. She sucked in her breath when she realized he stood next to her. For the first time, it occurred to her to be afraid of him. But he merely struck a match and touched it to the wick of a lamp. He was soaked with rain. His skin glittered with it. When she looked at him, he flinched. “Kestrel.” He sighed. He rubbed a hand through his wet hair. “I shouldn’t have said what I did.” “You meant it.” “Yes, but--” Arin looked weary and confused. “I would have been angry if you did not weep for her.” He held out the hand that rested at his side in the shadows, and for an uncertain moment Kestrel thought he would touch her. But he was only offering something on his uplifted palm. “This was in her cottage,” he said. It was a braid of Kestrel’s hair. She took it carefully; even so, her smallest finger brushed his wet palm. His hand instantly fell. She considered the braid, turning the bright ring in her fingers. She knew that it didn’t choose sides between her truth and Arin’s. It wasn’t proof of Enai’s love. Yet it was a comfort. “I should go,” Arin said, though he didn’t move. Kestrel looked at his face glowing in the lamplight. She became aware that she was close enough to him that her bare foot rested on the damp edge of carpet where Arin stood, seeping rainwater. A shiver traveled up her skin. Kestrel stepped back. “Yes,” she said. “You should.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Ethan's gaze returned to the swell of her breast above the top of her gown. "Cord once mentioned a room here at Sheffield House on the second floor, rather out of the way,I understand, and rarely used.I don't think anyone would miss us if we disappeared for a while, do you?" Her pulse quickened. She couldn't look away from the smoky heat in his eyes or the sensual curve of his lips. They were equally matched, she thought, and perfectly mated,her mind slipping ahead to what would happen in that room. "No,I don't believe they would miss us in the least." His look burned hotter. He glanced at the crush of people surrounding them, spoke just loudly enough for them to hear. "Come,my love.It's a bit warm in here.Why don't we take a stroll in the garden?" Grace bit back a smile. "That is a very good notion,my lord.I believe the night is clear enough for us to see the stars.The Great Bear and the Little Lion should be visible tonight and I am ever so eager to see them." Ethan's smile held a trace of amusement that disappeared beneath a look of sensual heat.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
Ethan! What on earth are you doing?" "Excuse us,please.It is very warm in here and my wife has begun to feel a little faint." With a smile fixed on his face,giving a series of the same brief explanation,he carried her through the crush,out the front door of the mansion,along the gravel drive to where his carriage was parked. "Home,Jennings," he said to the coachman as a footman opened the door. "And don't spare the horses." Setting her swiftly on the carriage seat, he climbed in and took a place beside her. "Are you insane?" Grace stared at him with disbelief as the matched pair of grays stepped into their traces and the coach jolted forward. "We can't just leave. We're the guests of honor! What will people think?" "They will thank that I am ravenous for my wife's lovely body,and I am." "But-" "Another word,Grace, and I swear I will take you right here." Her eyes widened for an instant, then she sat back on the seat of the carriage, careful to keep facing forward, casting him only an occasional sideways glance. If his body hadn't been throbbing with such urgent need,he might have smiled.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder. He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms. He checked her. “This isn’t the time.” She flushed. “General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.” Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said. Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away. Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.” “I know.” He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.” The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military. “I want you to be at the front of the crowd,” Kestrel said. “I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.” Kestrel nodded, though she had no intention of taking his advice. She walked through the throngs of people to meet Irex.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Was it a convent you escaped from, Miss Turner?” He turned the boat with a deft pull on one oar. “Escaped?” Her heart knocked against her hidden purse. “I’m a governess, I told you. I’m not running away, from a convent or anywhere else. Why would you ask that?” He chuckled. “Because you’re staring at me as though you’ve never seen a man before.” Sophia’s cheeks burned. She was staring. Worse, now she found herself powerless to turn away. What with the murky shadows of the tavern and the confusion of the quay, not to mention her own discomposure, she hadn’t taken a good, clear look at his eyes until this moment. They defied her mental palette utterly. The pupils were ringed with a thin line of blue. Darker than Prussian, yet lighter than indigo. Perhaps matching that dearest of pigments-the one even her father’s generous allowance did not permit-ultramarine. Yet within that blue circumference shifted a changing sea of color-green one moment, gray the next…in the shadow of a half-blink, hinting at blue. He laughed again, and flinty sparks of amusement lit them. Yes, she was still staring. Forcing her gaze to the side, she saw their rowboat nearing the scraped hull of a ship. She cleared her throat and tasted brine. “Forgive me, Mr. Grayson. I’m only trying to make you out. I understood you to be the ship’s captain.” “Well,” he said, grasping a rope thrown down to him and securing it to the boat, “now you know I’m not.” “Might I have the pleasure, then, of knowing the captain’s name?” “Certainly,” he said, securing a second rope. “It’s Captain Grayson.” She heard the smirk in his voice, even before she swiveled her head to confirm it. Was he teasing her?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
ANOTHER GALAXY, ANOTHER TIME. The Old Republic was the Republic of legend, greater than distance or time. No need to note where it was or whence it came, only to know that … it was the Republic. Once, under the wise rule of the Senate and the protection of the Jedi Knights, the Republic throve and grew. But as often happens when wealth and power pass beyond the admirable and attain the awesome, then appear those evil ones who have greed to match. So it was with the Republic at its height. Like the greatest of trees, able to withstand any external attack, the Republic rotted from within though the danger was not visible from outside. Aided and abetted by restless, power-hungry individuals within the government, and the massive organs of commerce, the ambitious Senator Palpatine caused himself to be elected President of the Republic. He promised to reunite the disaffected among the people and to restore the remembered glory of the Republic. Once secure in office he declared himself Emperor, shutting himself away from the populace. Soon he was controlled by the very assistants and boot-lickers he had appointed to high office, and the cries of the people for justice did not reach his ears. Having exterminated through treachery and deception the Jedi Knights, guardians of justice in the galaxy, the Imperial governors and bureaucrats prepared to institute a reign of terror among the disheartened worlds of the galaxy. Many used the Imperial forces and the name of the increasingly isolated Emperor to further their own personal ambitions. But a small number of systems rebelled at these new outrages. Declaring themselves opposed to the New Order they began the great battle to restore the Old Republic. From the beginning they were vastly outnumbered by the systems held in thrall by the Emperor. In those first dark days it seemed certain the bright flame of resistance would be extinguished before it could cast the light of new truth across a galaxy of oppressed and beaten peoples … From the First Saga Journal of the Whills
George Lucas (Star Wars: Trilogy - Episodes IV, V & VI)
The first time he’d cut off ears because he was there and it was being done, but that was it. He wasn’t one of those who once they were in all that lawlessness couldn’t wait to get going, the ones who weren’t too well put together or were pretty aggressive to start off with and only needed the slightest opportunity to go ape-shit. One guy in his unit, guy they called Big Man, he wasn’t there one or two days when he’d slashed some pregnant woman’s belly open. Farley was himself only beginning to get good at it at the end of his first tour. But the second time, in this unit where there are a lot of other guys who’d also come back and who hadn’t come back just to kill time or to make a couple extra bucks, this second time, in with these guys who are always looking to be put out in front, ape-shit guys who recognize the horror but know it is the very best moment of their lives, he is ape-shit too. In a firefight, running from danger, blasting with guns, you can’t not be frightened, but you can go berserk and get the rush, and so the second time he goes berserk. The second time he fucking wreaks havoc. Living right out there on the edge, full throttle, the excitement and the fear, and there’s nothing in civilian life that can match it. Door gunning. They’re losing helicopters and they need door gunners. They ask at some point for door gunners and he jumps at it, he volunteers. Up there above the action, and everything looks small from above, and he just guns down huge. Whatever moves. Death and destruction, that is what door gunning is all about. With the added attraction that you don’t have to be down in the jungle the whole time. But then he comes home and it’s not better than the first time, it’s worse. Not like the guys in World War II: they had the ship, they got to relax, someone took care of them, asked them how they were. There’s no transition. One day he’s door gunning in Vietnam, seeing choppers explode, in midair seeing his buddies explode, down so low he smells skin cooking, hears the cries, sees whole villages going up in flames, and the next day he’s back in the Berkshires. And now he really doesn’t belong, and, besides, he’s got fears now about things going over his head. He doesn’t want to be around other people, he can’t laugh or joke, he feels that he is no longer a part of their world, that he has seen and done things so outside what these people know about that he cannot connect to them and they cannot connect to him. They told him he could go home? How could he go home?
Philip Roth (The Human Stain (The American Trilogy, #3))
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
It was a mistake to speak one's mind at any time, unless it perfectly matched your political purpose; and it never did. Best to strip all statements of real content, this was the basic law of diplomacy.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
He was also the big man Harmon had beaten in his first combatives match in the competition. Big Nick didn’t hold a grudge about his loss, and Harmon appreciated that, though he may hold a grudge forever now, since he had been promoted to officer. The thought made Harmon smile.
Kevin Steverson (Salvage Fleet (The Salvage Title Trilogy #2))
Aiko suddenly appeared by Scarlett’s side. Her skirt and blouse were silver this time, with eyes and lips painted to match. Like a teardrop the moon had cried.
Stephanie Garber (The Caraval Complete Trilogy (Caraval, #1-3))
Is it faith in me that moves you? You may trust my love, but do not trust my strength. For I think I have met my match.” “I will go with you.” “But if I am defeated, if my power or my life is spent, I cannot guide you back; you cannot return alone.” “I will return with you.
Ursula K. Le Guin (The Farthest Shore (The Earthsea Trilogy, Volume 3))
Would it be worth it to have the mutation if I knew she loved me? I wonder. If I could trade places with him right now, would I do it?
Ally Condie (The Matched Trilogy: The Complete Collection)
something beautiful. My hands are stained red
Ally Condie (The Matched Trilogy: The Complete Collection)
the strong feeling beginning to be manifested to Wade was not the fun of matching wits and luck with his antagonists, nor a desire to accumulate money--for his recklessness disproved that--but the liberation of the gambling passion.
Zane Grey (To The Last Man (Annotated): A Zane Grey Western Trilogy (Zane Grey Classic American Westerns Book 14))
Do you know they even sell socks that don’t match on purpose?  It was more fun to mix them up myself, though.” Vero’s heart throbbed with hurt for the woman who was only discovering the joys of personally stamping your wardrobe at thirty-two years old.
Debora Geary (Witches Under Way (WitchLight Trilogy, #2))
There must have been a similar falling out with Luke, too, because as far as I know he didn’t talk to anyone in the family either. Dad never spoke of Luke, and never explained why he and his brother didn’t talk. I guess just because you’re family doesn’t mean you have to be friends. Gram and Gramps never spoke of them either. I guess that bridge got burned, too. Hell, Gram probably poured the gasoline and lit the match herself! But I like them. I don’t care what happened between Luke and my dad or grandparents. That was their business, not mine. All I know is that my gut tells me I’m headed into a life with a real family and I’m not going to do anything to mess that up. When
AnnaLisa Grant (The Lake (The Lake Trilogy, #1))
She called my name, the name she gave me. Pleading for me. I felt the anguish in her voice. I saw her heavy tears. The hurt with every beat of her heart matched mine. Dragged from her, I cried out, fighting against Heaven, and lost. I left her with tears blinding me that I couldn’t blink away.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
Sometimes there’s no shame in running away from our problems. Especially when your problems have sharp fangs and claws to match.
Kat Kruger (The Night Has Teeth (The Magdeburg Trilogy, #1))
it, and that somehow matched the thick socks on
Nora Roberts (Shadow Spell (The Cousins O'Dwyer Trilogy, #2))
I closed my eyes again - the sun felt so good against my face - and I continued to eat the ice cream. This time I imagined my white Cadillac was my faithful white horse, Storm. He had a fancy black leather saddle with silver studs and matching reins. I was dressed in all black except for my white hat, which was on at a slight angle, letting it be known I wasn’t an hombre to be trifled with. My silver spurs jingled-jangled the tune from the ice cream truck as I walked because they had been blessed by a Yaqui shaman. The tune cast a spell of fear into the hearts of banditos and love into the hearts of senoritas. A silver plated six-shooter was on my hip in a black tooled holster with notches on its mother of pearl handle from desperados who had to be taken out. The desperados gave me no choice, mostly drug lords from Mexican cartels. The villages along the border celebrated their demise once a year with a big fiesta. Mariachi singers sang my praises with lyrics about the gringo with green eyes who couldn’t be killed.
Robert Hobkirk (Tommy in the Wilderness (Tommy Trilogy Book 2))
The creation myths of the various peoples and religions of the world pale when compared to the glory of the big band. The three-billion-year history of life's evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past, #1-3))
When you live and breathe horror, then your dreams, they can kind of match up with that, can’t they? It’s not called nightmare fuel for nothing.
Stephen Graham Jones (Don't Fear the Reaper (The Indian Lake Trilogy, #2))
The reason for writing it down on paper or on a computer where you can see it is because the brain, unlikely as it may sound, is no place for serious thinking. Any time you have serious thinking to do, the first step is to get the whole shootin’ match out of your head and set it up someplace where you can walk around it and see it from all sides. Attack, switch sides and counter-attack. You can’t do that while it’s still in your head.
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
Umm five, no six, flashlights. Four sleeping bags. Four mylar blankets. Forty N95 masks. Two hundred surgical gloves. Two binoculars. Four butane torch lighters. Six packs of waterproof matches. Two flints. Six road flares. Two hatchets. Five permanent markers. Two gas masks. Two multitools. Six fishhooks with line. Two rolls of duct tape. Two first-aid kits. Two envelopes of cash.” “Should be ten thousand dollars
Todd Knight (The Posh Prepper (The Posh Prepper Trilogy, Book 1))
Get help!” Palpatine said urgently from behind them. “You’re no match for him. He’s a Sith Lord.” And where do you think we can get help from, Chancellor? Obi-Wan gave Palpatine a reassuring smile. “Our specialty is Sith Lords, Chancellor.
Patricia C. Wrede (Star Wars: Prequel Trilogy: Collecting The Phantom Menace, Attack of the Clones, and Revenge of the Sith (Disney Junior Novel (eBook)))
I pride myself on low animal cunning, but I’ll freely admit it’s no match for high artificial cunning.
Ken MacLeod (Beyond the Hallowed Sky (Lightspeed Trilogy #1))
Othman knew he was powerful, and often subjugated people and spirits weaker than himself, but his was a lazy sense of power. He balked at confronting entities that might be a match for him.
Storm Constantine (Stalking Tender Prey (The Grigori Trilogy, #1))
We’re a pair of matching socks. We go everywhere and do everything together, then spend our nights knotted up.
Meredith Allard (The Loving Husband Trilogy: The Complete Box Set (Loving Husband, #1-3))
Aleksandr’s match with the big Mongolian known only as ‘Genghis’ had been going for over eight minutes. No prior fighter had lasted more than two minutes. They circled each other like two Bengal tigers that had both happened upon the same prey after weeks of starvation.
C.G. Faulkner (White Room: A Cold War Thriller (The Jeff Fortner Trilogy Book 3))
He is, however, picturesque. The colors of the Coors Light can are an almost perfect match for the streaks of silver-white in his beard, the blue of his shirt, and the red of the baseball cap, now hanging from one rail of his rocking chair. He looks like something that Norman Rockwell might have painted if he woke up in a really pissy mood.
Rysa Walker (The Delphi Resistance (The Delphi Trilogy, #2))
The First World War legitimized violence to a degree that not even Bismarck’s wars of unification in 1864-70 had been able to do. Before the war, Germans even of widely differing and bitterly opposed political beliefs had been able to discuss their differences without resorting to violence.152 After 1918, however, things were entirely different. The changed climate could already be observed in parliamentary proceedings. These had remained relatively decorous under the Empire, but after 1918 they degenerated all too often into unseemly shouting matches, with each side showing open contempt for the other, and the chair unable to keep order. Far worse, however, was the situation on the streets, where all sides organized armed squads of thugs, fights and brawls became commonplace, and beatings-up and assassinations were widely used. Those who carried out these acts of violence were not only former soldiers, but also included men in their late teens and twenties who had been too young to fight in the war themselves and for whom civil violence became a way of legitimizing themselves in the face of the powerful myth of the older generation of front-soldiers.153 Not untypical was the experience of the young Raimund Pretzel, child of a well-to-do senior civil servant, who remembered later that he and his schoolfriends played war games all the time from 1914 to 1918, followed battle reports with avid interest, and with his entire generation ‘experienced war as a great, thrilling, enthralling game between nations, which provided far more excitement and emotional satisfaction than anything peace could offer; and that’, he added in the 1930s,‘has now become the underlying vision of Nazism.’154 War, armed conflict, violence and death were often for them abstract concepts, killing something they had read about and had processed in their adolescent minds under the influence of a propaganda that presented it as a heroic, necessary, patriotic act.155
Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
I am a warrior and a soldier. If there’s to be a knock-down drag-out match for our right to exist, then yes... I want to be at the tip of the spear.
Joshua Dalzelle (Call to Arms (Black Fleet Trilogy, #2))
Clever feller,” a leather-skinned officer muttered before spitting out a slug of tobacco juice. He had a few marks of rank on his dark-blue United States Army uniform and was obviously the man in charge.  His matching cavalry hat had a few dirt streaks on it, but the distinct golden tassel still stood out proudly.  The week-old stubble on his face was a patchwork of gray and light brown.  He scratched his neck while considering the next move.
Ernest Dempsey (The Secret of the Stones (Sean Wyatt, #1; Lost Chambers Trilogy, #1))
I wrote a book once.” Holden hesitated. He didn’t want to get suckered into reading something amateur and then having to lie about how much he liked it. “What was it about?” “Lots of things. A collection of stories.” Livira made no attempt at a sales pitch. “But she was saying…” Holden struggled to remember. “You wrote yourself into your own story? No wait – she told me ‘You’re not the author of your own story.’” “Very few people are the author of their own story. Perhaps we’re all characters someone else is writing. Maybe in this world there are characters in books who exist in their own world and consider themselves as real as the people who wrote them. And maybe they’re writing books that have us in. It could be that if you had a mechanism that could leaf through the pages of the multiverse, it would be able to take you to a world and a time and a location that matched the contents of any book you put into it.
Mark Lawrence (Missing Pages The Library Trilogy, #1.4-1.5-1.6))
I met my best friend of nearly fifteen years, Inaya, in Golden Hour Books.  Her Golden Hour Books. My best friend had made her dream a reality and was the proud owner of the cutest damn bookstore I’d ever seen. “Almost finished,” she said, her fingers flying over her laptop keys. Her hands were adorned with delicate gold rings that shone brightly against her deep brown skin, the rings bejeweled with little bees and flowers that matched the cute floral patches stitched on her pink jacket. She was the brightest ray of sunshine I’d seen since passing San Francisco, and I felt warmer just being in her presence.
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
McCracken. Needling him the whole match. Elbows right in the ribs. Rabbit-punching at the corners. Spitting. Pulling hair. This cunt’s the Scotland captain tae. Butter widnae fucken melt, eh?
David F. Ross (The Weekenders (The Raskine House Trilogy, #1))