“
Almost dead yesterday, maybe dead tomorrow, but alive, gloriously alive, today.
”
”
Robert Jordan
“
Isabelle and Jace had left the topic of dead Shadowhunters behind and had moved on to something Jace apparently found even more horrifying__Isabelle's date with Simon.
"I can't believe he took you to an actual restaurant." Jace was on his feet now, putting away the floor mats and training gear while Isabelle leaned against the wall and played with her new gloves. "I assumed his idea of a date would be making you watch him play World of Warcraft with his nerd friends."
"I," Clary pointed out, "am one of his nerd friends, thank you.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
I'm a gambler, a farmboy, and I'm here to take command of your bloody army!
--Mat Cauthon
”
”
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
“
Yes, I'm alive," Mat said. "I'm usually pretty good at staying alive. I've only failed one time that I can remember, and it hardly counts.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Perhaps you are thinking: 'But a tank costs several million dollars, not including floor mats. I don't have that kind of money.'
Don't be silly. You're a consumer, right? You have credit cards, right?
Perhaps you are thinking: 'Yes, but how am I going to pay the credit-card company?'
Don't be silly. You have a tank, right?
”
”
Dave Barry
“
SHUT UP. Both of you. You're coming with me." To me he said, "Put some pants on."
"Fuck you. This is my house. I make the rules. You take your clothes off. John, get the Twister mat.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
Maybe you need to get a grip on your libido, Barrons!"
Fuck you, Ms. Lane!"
You just try. I‘ll kick the shit out of you!"
You think you could?"
Bring it on."
He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched.
I‘ll bring it on, Ms. Lane. But remember you asked for it. So don‘t even think about trying to tap out on the mat and quit the fight."
You hear anybody crying ‗Uncle‘ here, Barrons? I don‘t."
Fine."
Fine.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
By the way, I saved Moiraine. Chew on that as you try to decide which of the two of us is winning."
-Mat
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
His voice rose under the black smoke before the burning wreckage of the island; and infected by that emotion, the other little boys began to shake and sob too. And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
The cat sat on the mat is not a story. The cat sat on the other cat’s mat is a story.
”
”
John le Carré
“
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
”
”
Maya Angelou
“
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat...I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
”
”
Sylvia Plath (The Bell Jar)
“
Oh gods, just stop flirting and fuck already,” Ridoc says. Every head slowly turns in his direction. “I said that out loud, didn’t I?” he asks me in a hushed whisper. “Oh yeah, you did,” I reply, patting him on his back. “Garrick’s going to blow you off the mat.” “Now that I might enjoy, depending on the method he chooses—” Ridoc winces. “I’m going to stop talking now.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
Truth is not a transparent process. What we see are shadows behind mat glass, a vaporous representation of reality. Truth is not as such, what we think it is. Truth is a prism with many sides, that only let us guess. In fact , truth is perhaps not true. Maybe it is just a lie. Taking our truth for “the” truth could lead to many erroneous interpretations.
”
”
Erik Pevernagie
“
I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her –after fabulous, insane exertions that left me limp and azure-barred–I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever–for all the world a little patient still in the confusion of a drug after a major operation)–and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again–and 'oh, no,' Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure–all would be shattered.
”
”
Vladimir Nabokov (Lolita)
“
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
There is some delight in ale and wine
And some in girls with ankles fine
But my delight, yes always mine
Is to dance with Jak O’ the Shadows
We will toss the dice however they fall
And snuggle the girls be they short or tall
Then follow Lord Mat whenever he calls
To dance with Jak O’ the Shadows.
”
”
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
“
The Empress will follow where you go," she said.
"So she will," Mat said. "As I'll follow where she goes, I suppose. I hope that doesn't lead us in too many circles.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
I dreamed I saw my maternal grandmother sitting by the bank of a swimming pool, that was also a river. In real life, she had been a victim of Alzheimer’s disease, and had regressed, before her death, to a semi-conscious state. In the dream, as well, she had lost her capacity for self-control. Her genital region was exposed, dimly; it had the appearance of a thick mat of hair. She was stroking herself, absent-mindedly. She walked over to me, with a handful of pubic hair, compacted into something resembling a large artist’s paint-brush. She pushed this at my face. I raised my arm, several times, to deflect her hand; finally, unwilling to hurt her, or interfere with her any farther, I let her have her way. She stroked my face with the brush, gently, and said, like a child, “isn’t it soft?” I looked at her ruined face and said, “yes, Grandma, it’s soft.
”
”
Jordan B. Peterson (Maps of Meaning: The Architecture of Belief)
“
Only half a page left now. Shall I fill it with 'I love you, I love you'-- like father's page of cats on the mat? No. Even a broken heart doesn't warrant a waste of good paper.
”
”
Dodie Smith
“
A beautiful battle is one you don't have to fight
”
”
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
“
Ask, and it shall be given you, seek, and ye shall find, knock, and it shall be opened unto you. (Mat. 7:7).
”
”
Florence Scovel Shinn (The Game of Life and How To Play It)
“
Burn you, Nerim, that's a leg not a bloody side of beef!"
"As my lord says," Nerim murmured. "My lord's leg is not a side of beef. Thank you, my lord, for instructing me.
”
”
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
“
Both of them?" Mat spluttered. "Light! Two! Oh, burn me! He's the luckiest man in the world or the biggest fool since creation!
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
Kekayaan tidak dinilai daripada banyaknya harta tetapi kaya jiwa.
”
”
Nik Abdul Aziz Nik Mat (Tundukkan Hati: Rahsia Keikhlasan Hidup Di Dunia Fana)
“
I have not had one word from her
Frankly I wish I were dead
When she left, she wept
a great deal; she said to me, "This parting must be
endured, Sappho. I go unwillingly."
I said, "Go, and be happy
but remember (you know
well) whom you leave shackled by love
"If you forget me, think
of our gifts to Aphrodite
and all the loveliness that we shared
"all the violet tiaras,
braided rosebuds, dill and
crocus twined around your young neck
"myrrh poured on your head
and on soft mats girls with
all that they most wished for beside them
"while no voices chanted
choruses without ours,
no woodlot bloomed in spring without song...
”
”
Sappho
“
All my life, longings lived inside me, rising up like nocturnes to wail and sing through the night. That my husband bent his heart to mine on our thin straw mat and listened was the kindness I most loved in him. What he heard was my life begging to be born.
”
”
Sue Monk Kidd (The Book of Longings)
“
You're not asking me to guess the mind of Matrim Cauthon, are you?" Elayne asked. "I'm convinced that Mat only acts simple so that people will let him get away with more.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
I don't know. They could put up a warning sign or something. Hello. Welcome to Hindstrap. We will murder you in the night and eat your bloody face if you stay past sunset. Try the pies. Martna Maily makes them fresh daily.
”
”
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
“
Being alone is best. I mean, it's true, isn't it? In the end you'll be absolutely alone; therefore, being alone is natural. If you accept that, nothing bad can happen. That's why I shut myself away in my six-mat one-room apartment.
”
”
Tatsuhiko Takimoto (Welcome to the N.H.K.)
“
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat.
”
”
Sylvia Plath (The Bell Jar)
“
He doesn't know what to make of me," Mat said softly.
"How very uncommon. I can't think of anyone else who has reacted that way to you, Mat.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
In the late hours of the night, befriend the prayer mat.
”
”
Muhammad Tahir-ul-Qadri (Imam Bukhari and the Love of the Prophet)
“
Now Miss LaRoux’s getting my ass kicked on the sparring mats as well. Is there any part of my life that girl can’t mess with?
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
There’s a word Trevor once told me about, one he learned from Buford, who served in the navy in Hawaii during the Korean War: kipuka. The piece of land that’s spared after a lava flow runs down the slope of a hill—an island formed from what survives the smallest apocalypse. Before the lava descended, scorching the moss along the hill, that piece of land was insignificant, just another scrap in an endless mass of green. Only by enduring does it earn its name. Lying on the mat with you, I cannot help but want us to be our own kipuka, our own aftermath, visible. But I know better.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
It's like these fellows who name their swords 'Skullbane' or 'Souldrinker' or somesuch." Tric tied his saltlocks into a matted knot atop his head. "Tossers, all."
"If I were going to name my blade," Mia said thoughtfully, "I'd call it 'Fluffy.'"
Tric snorted with laughter. "Fluffy?"
"Byss, yes," the girl nodded. "Think of the terror you'd instill. Being bested by a foe wielding a sword called Souldrinker... that you could live with. Imagine the shame of having the piss smacked out of you by a blade called Fluffy.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
“
There is lace in every living thing: the bare branches of winter, the patterns of clouds, the surface of water as it ripples in the breeze.... Even a wild dog's matted fur shows a lacy pattern if you look at it closely enough.
”
”
Brunonia Barry (The Lace Reader (Salem, #1))
“
How do I look?”
She was wearing a pair of tiny jean shorts and a bright pink T-shirt. Her blond hair was matted on one side and there were dirt smudges all over her arms, legs, and face.
Gabriel hesitated. “Like a Barbie doll that got run over by a garbage truck.”
“Wow. Really, Gabriel?
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
p.s. In case you don't know what "Do what needs to be done" means, it means that I want you to go bloody slaughter as many of the Sharan channelers as you can. I'll bet you a full Tar Valon mark-it's only been shaved on the sides a little-that you can't kill twenty.-MC
missive from Mat to Galad
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
The Soul selects her own Society—
Then—shuts the Door—
To her divine Majority—
Present no more—
Unmoved—she notes the Chariots—pausing—
At her low Gate—
Unmoved—an Emperor be kneeling
Upon her Mat—
I've known her—from an ample nation—
Choose One—
Then—close the Valves of her attention—
Like Stone—
”
”
Emily Dickinson (Selected Poems)
“
You a low down dog is what’s wrong. It’s time to leave you and enter into the creation. And your dead body just the welcome mat I need.
”
”
Alice Walker
“
We hear a great deal about the rudeness of the ris-
ing generation. I am an oldster myself and might be
expected to take the oldsters' side, but in fact I have
been far more impressed by the bad manners of par-
ents to children than by those of children to parents.
Who has not been the embarrassed guest at family
meals where the father or mother treated their
grown-up offspring with an incivility which, offered
to any other young people, would simply have termi-
nated the acquaintance? Dogmatic assertions on mat-
ters which the children understand and their elders
don't, ruthless interruptions, flat contradictions,
ridicule of things the young take seriously some-
times of their religion insulting references to their
friends, all provide an easy answer to the question
"Why are they always out? Why do they like every
house better than their home?" Who does not prefer
civility to barbarism?
”
”
C.S. Lewis (The Four Loves)
“
You are the strongest person I’ve ever known, Castor Achilleos, and it wasn’t because of how fast you ran or how hard you hit. It was because even when you got knocked flat on your back, you fought your way back up. You have to do it again now. Whatever you’re feeling, you have to leave it on the mat and get back up.
”
”
Alexandra Bracken (Lore)
“
Maybe there would be a Tinker city someday, too. They would buy up all of the colored dye, and everyone else in the world would ave to wear brown.'
-Mat
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Oh, thank heavens! Someone remembered the bath mat," Enoch deadpanned. "We are saved.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Peculiar Children, #2))
“
You should never relax your hold.” Then he flipped me off his shoulder. I hit the mat with a loud grunt. “Aw, did you just fall?” “No.” I rolled onto my back, wincing. “I attacked the floor.
”
”
Jennifer L. Armentrout (Pure (Covenant, #2))
“
I love words," Mat said. "There are some deliciously pretty words out there. 'Smile.' That's always sounded like a pretty word to me. Don't you think? Or, perhaps, the words 'I promise not to kill Egwene right now for trying to touch me, the Empress, may I live forever, because we really bloody need her for the next couple of weeks or so.'" He eyeed Fortuona pointedly.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Mat - Red and Jayne's Matt, Frankie's Matt, my Matt - died of a broken heart.
”
”
Sarah Ockler (Twenty Boy Summer)
“
When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
and pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beer mats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
”
”
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
“
On the way out to the car, Philip turns to me.
“How could you be so stupid?
I shrug, stung in spite of myself.
“I thought I grew out of it.”
Philip pulls out his key fob and presses the remote to unlock his Mercedes. I slide into the passenger side, brushing coffee cups off the seat and onto the floor mat, where crumpled printouts from MapQuest soak up any spilled liquid.
“I hope you mean sleepwalking,” Philip says, “since you obviously didn’t grow out of stupid.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
[...] provability is a weaker notion than truth
”
”
Douglas R. Hofstadter (Gödel, Escher, Bach: An Eternal Golden Braid)
“
Mat snorted. “I don’t want to be any bloody hero.
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
Tuon's eyes snapped open, and despite the dim light, she focused directly on Mat. She saw the knife in his hand, ready to throw.
Then she looked over her shoulder.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
You are as eloquent as ever, Mat," Egwene said dryly. "Do you still have your pet fox?"
"I do," Mat said. "He's snuggled up nice and warm.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
No matter how much I try and hide this, bit by bit, I start to fall apart.
”
”
Chuck Palahniuk (Survivor)
“
You will serve the Cyrstal Throne well. It would be a shame to see you assassinated too early. I will make certain that the first I send after you are newly trained, so that you may stop them with ease."
-General Galgan to Mat
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Women," Mat declared as he rode Pips down the dusty, little-used road, "are like mules." He frowned. "Wait. No. Goats. Women are like goats. Except every flaming one thinks she's a horse instead, and a prize racing mare to boot. Do you understand me, Talmanes?"
"Pure poetry, Mat," Talmanes said, tamping the tabac down into his pipe.
”
”
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
“
Doormatitis: door-mat-i-tis noun; low self-worth. A learned behavior where the infected person allows others to walk all over them, blame them, treat them terribly, always giving the boundary crossers the benefit of the doubt. They make excuses for them, They will give in to guilt and intimidation and give the boundary crossers what they want again and again.
”
”
P.A. Speers (Type 1 Sociopath - When Difficult People Are More Than Just Difficult People)
“
The Light willing, we will see one another again," Rand said. He held out his hand to Perrin. "Watch out for Mat. I'm honestly not sure what he's going to do, but I have a feeling it will be highly dangerous for all involved."
"Not like us," Perrin said, clasping Rand's forearm. "You and I, we're much better at keeping to the safe paths.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
She couldn’t have done it. It wasn’t possible. Something sticky covered her lips. She rubbed at it and pulled her hands away. Something dark, congealed and clinging, covered them. It wasn’t only on her hands either. It was on her breasts as well. And her belly. It had left streaks down her legs. And matted the hair around her sex.
”
”
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
“
The only rules he wanted to remember were "never kiss a girl whose brothers have knife scars" and "never gamble without knowning a back way out
”
”
Robert Jordan
“
Shuggie heard the nurse say to a male attendant that she thought for sure Agnes was a working girl. “She is not,” said Shuggie, quite proudly. “My mother has never worked a day in her life. She’s far too good-looking for that.” The matted mink coat gave her an air of superiority, and her black strappy heels clacked out a slurred beat on the long marble hallway.
”
”
Douglas Stuart (Shuggie Bain)
“
You ride to battle?" Karede asked.
"I was thinking more of a saunter," Mat said. He shook his head. "I need a feel for what Demandred is doing...I'm going out there, Karede, and putting you fellows between me and the Trollocs sounds delightful. Are you coming?
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Sene sovya caba'donde ain dovienya
”
”
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
“
It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of climbing roses which were so thick that they were matted together.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
Has anyone ever told you that you should wear a hat? It would fit the missing eye quite well.'
-Kathana to Mat
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
I’ve learned to fall like the BJJ player, to protect the body through controlling the distribution of force by slapping the mat with hands open. With hands open. Hands open. Open. O Pen.
”
”
Cameron Conaway (Caged: Memoirs of a Cage-Fighting Poet)
“
Where d'you get the knife?" He wished he had one.
"He gave it to me." There was a crumpled shape in the shadows by the wall, the matting all around soaked with dark blood. "This way.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
”
”
Richard Adams (Watership Down (Watership Down, #1))
“
Far be in from me to dictate how you should assuage your guilt. Do you have a lot of it?"
She bit his good shoulder. "You're about to find out."
She toppled them both off the bench and onto the mat. "Well, ouch. I take it guilt doesn't bring out your gentler side.
”
”
J.D. Robb (Memory in Death (In Death, #22))
“
His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said.
"That can be arranged."
"Please, Jean-Claude, no sexual innuendo until after I'm clean."
"Of course, MA PETITE. It was crude of me tonight. My apologies."
I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them.
"If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?"
He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away.
I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.
”
”
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
“
I do not wear a welcome mat on my chest just so people can walk all over it fumbling with the keys to the locks they keep building for the doors I keep opening hoping someone will see the rainforest growing in my living room.
”
”
Andrea Gibson
“
Observation #8: Boys are icky.
Do not even get me started on the state of the bathroom. I'm thinking of calling in a haz-mat team. Seriously.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
I’m amazed this guy manages to get out of bed in the morning without working himself into a panic attack over the chance that he might trip on the bath mat and stab himself through the eye socket with his toothbrush and be left with a permanent twitch that’ll ruin his chances of landing an airplane safely if the pilot has a heart attack and doom hundreds to a fiery death.
”
”
Tana French (The Trespasser (Dublin Murder Squad #6))
“
I don't know who started the myth that sheep are fluffy and white. They were more the color of an old mop and just as matted with dirt.
”
”
Connie Willis (Bellwether)
“
Actually, I figured out how to lose bloody ages ago.
-Mat
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
It’s very, very simple. You sit, either in a chair or on a prayer stool or mat, and allow your heart to open toward that invisible but always present Origin of all that exists.
”
”
Cynthia Bourgeault (Centering Prayer and Inner Awakening)
“
And when I first did judo with them, they were much stronger and always dragged me off the mats and threw me down on the surrounding concrete floor or on the wooden veranda outside. I got so scared that I would actually shake before each practice. But I just kept going back until I became so mean no one wanted to practice with me.
”
”
L.M. Weeks (Bottled Lightning)
“
Your Royal Bloody Pain in My Back,
We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen.
So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important.
--Mat
p.s. Salutation means greeting.
p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done.
p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
”
”
Robert Jordan
“
The moon had spread over everything a thin layer of silver - over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself.
”
”
Joseph Conrad (Heart of Darkness)
“
A man's daughter is his heart. Just with feet, walking out in the world.
”
”
Mat Johnson (Loving Day)
“
In Oregon, a far larger honey mushroom (Armillaria ostoyae) mycelial mat found on a mountaintop covers more than 2,400 acres and is possibly more than 2,200 years old
”
”
Paul Stamets (Mycelium Running: How Mushrooms Can Help Save the World)
“
You've given me value, Duncan. In my heart I know I matter to you.
”
”
Julie Garwood (Honor's Splendour)
“
The flow of the river is ceaseless; and its water is never the same.
The foam that floats in the pools
Now gathering, now vanishing
Never lasts long. So it is with man
and all his dwelling places on this earth.
”
”
Kamo no Chōmei (Notebook of a Ten-Square Rush Mat Sized World (Ho-jo-ki))
“
Adam was crouched in front of it, staring unflinchingly into the headlights’ brilliance. His fingers were spread on the asphalt and his feet braced like a runner waiting for the starting shot. Three tarot cards splayed before him. He’d taken one of the floor mats out of the car to crouch on to keep from dirtying his uniform trousers. If you combined these two things – the unfathomable and the practical – you were most of the way to understanding Adam Parrish.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Thanks for treating me like, you know, a person through all this shit. I know that isn't always easy. (Stark)
You do have a habit of pissing on other people's welcome mats. But, when a gentleman gives you a booty call to a massacre, it's easy to forgive. Ciao. (Candy)
”
”
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
“
Do you think I like sending out agents to do my dirty work? Do you think I get my thrills living vicariously? Do you think I don't know hurt? Do you think I don't know hurt? You don't know hurt, sister! I can't get off the mat to take down Lynx on my own-- but you can, and by God, you will--
”
”
Chuck Dixon (Black Canary/Oracle: Birds of Prey 1)
“
You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.”
We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders.
God, but he was beautiful.
I narrowed my gaze.
Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something.
“Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
Those foxes were wild, though. Wild, frightened, ready to run. Claws and teeth and matted fur. Sometimes that was Ayla. Most times it was not.
”
”
Nina Varela (Crier's War (Crier's War, #1))
“
Oh, well," Mat said idly, "she's just the Dragon Reborn's woman."
(about Min)
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Yoga isn’t just about showing up on the mat. It’s about showing up in your life, in your day; it’s about opening your heart while standing firm and strong and believing in yourself.
”
”
Kathryn E. Livingston
“
The Fomorians skittered backward, away from me, looking justifiably confused. I mean, really, how many human women actually run to them? And I was a human woman covered in swamp yuck, with wild red hair sticking out in matted hunks and arms flailing like a demented Bride of Frankenstein. I'd run from me.
”
”
P.C. Cast (Divine By Mistake (Partholon, #1))
“
And in the middle of them, with filthy body, matted hair and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
Some people collect stamps or beer mats; Mum collected waifs and strays, cats, dogs, frogs, people, and as she believed, a whole host of "little people." Had she been confronted that night with a lion,she'd have made the same comment "The poor thing.
”
”
Fynn (Mister God, This is Anna)
“
Pada ketika aku mengeluh tidak ada kasut, masih ada manusia yang tersenyum walaupun tidak ada kaki.
”
”
Bahruddin Bekri (Edisi Patah Hati (Diari Mat Despatch #4))
“
Sleep erases all differences: then and now; dead and living. I am past hunger, past vanity, past caring. This morning I caught sight of my face in the bathroom mirror. I am paperskinned, gauned, yellow, ring-eyed, hait matted. I look dead. I want nothing.
”
”
Audrey Niffenegger
“
I have lived for four centures," he said. "Perhaps I am still a youth, in that all of us are, compared to the timeless age of the Wheel itself. That said, I am one of the oldest people in existence."
Moiraine smiled. "Very nice. Does that work on the others?"
He hesitated. Then, oddly, he found himself grinning. "It worked pretty well on Cadsuane."
Moiraine sniffed. "That one...Well, knowing her, I doubt you fooled her as well as you assume. You may have the memories of a man four centuries old, Rand al'Thor, but that does not make you ancient. Otherwise, Matrim Cauthon would be the patriarch of us all."
"Mat? Why Mat?"
"It is nothing," Moiraine said. "Something I am not supposed to know. You are still a die-eyed sheepherder at heart.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten.
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.
”
”
Sylvia Plath (The Bell Jar)
“
Bahagia itu bukan kerana kita ketawa dan gembira, tetapi bahagia itu adalah melihat orang yang kita sayang ketawa dan ceria walaupun kita sendiri berada dalam derita
”
”
Bahruddin Bekri (Lelaki Baik (Diari Mat Despatch #2))
“
This is Mat's secret weapon, his passport, his get-out-of-jail-free card: Mat makes things that are beautiful.
”
”
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
“
Mat had tried to make her say she saw a hat floating around Mat's head. That would persuade Tuon to stop trying to get rid of his, would it not?
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
I practically saw her panties melt and her vagina throw out a welcome mat.
”
”
Jay Crownover (Better When He's Bold (Welcome to the Point, #2))
“
She tends the fire
Burning his letters. They turn black
like thin mourning dresses.
Yellow names, leaping; above them
a blonde woman's hair on her bare shoulders.
Red hollow glowing beneath. Illusion of passion.
Like fragile layers of widow weeds, matted bluish,
shiny, worn and buttons, yes, cheap buttons
and words. Her fingers touch the smooth skin
on her breasts. She tends the fire.
”
”
Ursula Hegi
“
No!” Lancelot’s helmet is gone now. I can see the scruff on his chin now, the dark blond hair matted in sweat against his forehead. “I can’t lose you; I won’t lose her….”
“You’ll lose us both if you don’t let me try,” Merlin says.
”
”
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
“
The real payoff of a yoga practice, I came to see, is not a perfect handstand or a deeper forward bend—it is the newly born self that each day steps off the yoga mat and back into life.
”
”
Rolf Gates (Meditations from the mat)
“
You're a wrestler, right, Jake?" Dad asked, passing Jake more saag. My parents were in an Indian food phase. The evening's entree consisted of limp spinach. God forbid we'd throw a few burgers on the grill and just have a barbecue when guests came over.
Jake gave the bright green, mushy contents a wary glance but accepted the bowl. "Yeah. I wrestle. I'm captain this year."
"How Greco-Roman of you," Lucius said dryly, lifting a glob of spinach and letting it drip, slowly, from his fork. "Grappling about on mats.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
Sacred space is not just an external place. It is an internal place as well.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
To put it lightly, I don’t enjoy showering. Being clean, yes. The act of being in the shower, also yes. But everything about having to brush out my tangled hair beforehand, stepping out onto a ratty bath mat or tile floors, getting dry, combing my hair out again—I hate all of that, which means I’m a three-shower-a-week person to Alex’s one to two showers a day.
”
”
Emily Henry (People We Meet on Vacation)
“
He domesticated and developed the native wild flowers. He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.
”
”
Willa Cather (Death Comes for the Archbishop)
“
It is a great moment in every freak's life when he or she finds out that at least they are not the only one.
”
”
Mat Johnson (Pym)
“
The fact that you’re unsure probably means you need food that much more,” he said, which sounded like the weirdest logic I’d ever heard. “At least in my experience.”
I wondered how much “experience” he had in these matters. I really didn’t know what he did in his free time. Maybe there was more Russian vodka being consumed than I knew about. I always just figured when he wasn’t working, he and Rose were off grappling on training mats, or whatever passed between those two as foreplay.
“You sure you don’t want to go home and cuddle up with Rose?” I asked.
”
”
Richelle Mead (Silver Shadows (Bloodlines, #5))
“
However, displayed right alongside all the Confederate flag paraphernalia is a bunch of American flag merch – American flag place mats, patriotic “body crystals,” flag stickers you attach to your skin. Personally, I’m small-minded and literal enough that I see the two symbols as contradictory, especially in a time of war. But I fear that the consumer who buys a Confederate flag coffee cup, which she will then put on her American flag place mat, is the sort of sophisticated thinker who is open-minded enough that she is capable of hating blacks and Arabs at the same time.
”
”
Sarah Vowell (Assassination Vacation)
“
I've been keeping an eye on Henry throughout the fight. I glanced at him just as he stepped onto the mat.
"Alpha," he called. "I chal—"
He never got the whole word out—because I drew my foster father's SIG and shot him in the throat before he could.
For a split second everyone stared at him, as if they couldn't figure out where all that blood had come from.
"Stop the bleeding." I said. Though I made no move to do it myself. The rat could die for all I cared. "That was a lead bullet. He'll be fine." But he wouldn't be talking—or challenging Adam—for a while. "When he's stable put him in the holding cell where he can't do any more harm."
Adam looked at me. "Trust you to bring a gun into a fist fight." He said with every evidence of admiration. Then he looked at his pack. Our pack. "What she said." He told them.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
I carried my pint to a corner table and sat just looking at it for a moment: the head of foam, the tiny bubbles ascending through clear gold, the droplets condensing on the sides of the glass, then running down to form a wet circle on the beer mat. Reputations are ruined, marriages destroyed, lifes works forsaken for the beauty of such a sight. There are seven thousand pubs in London.
”
”
Poppy Z. Brite
“
Dear Angel Juan,
You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went.
Was the journey too far, Angel Juan? Did we go too far?
”
”
Francesca Lia Block (Missing Angel Juan (Weetzie Bat, #4))
“
It's OK to have boundaries. You can tell someone "no" without having bad feelings toward them. You also never need to explain your boundaries once laid. A wise friend often states that "no" is a complete sentence.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
Who can tell?
Your living is an organized hell.
The mansion of your mind just an oversized cell.
The pressure, everything is done to a measure.
In the sea of competition sunk like a treasure.
Like a feather falling slow spiraling to the floor.
Strung up like a broken violin to your course.
Opportunity is knocking at your door,
But you never left a welcome mat (It doesn't matter anymore.).
Or anyhow, but you're too late to turn back.
Fate pushing you into the wall like a thumbtack.
Ain't no comebacks in this game of life.
Roll the dice again,
Roll it once, never twice.
Keep on going, and taste the stars.
Keep on growing, and raise the bar.
You're living life for the As down to the Zs,
After one drop you got a fountain to seize.
Wanna break from the world, but the world wanna break you,
The weight makes your backbone curl up and make you.
”
”
Tablo
“
I nudged myself closer to the ledge and closed my eyes and thought 'Oh what a life this is, why do we have to be born in the first place, and only so we can have our poor gentle flesh laid out to such impossible horrors as huge mountains and rock and empty space,' and with horror I remembered the famous Zen saying, 'When you get to the top of a mountain, keep climbing.' The saying made my hair stand on end; it had been such cute poetry sitting on Alvah's straw mats.
”
”
Jack Kerouac (The Dharma Bums)
“
Granddad is on his mat, meditating. He says, "You have to live in the present, Lucky." "But it's impossible to forget." "I didn't say you had to forget it. Never forget it. But stop living there. Live here, in the present. Think forward to your future." "My future is three more years of Nader McMillan." "Yes, but from now on you're the one in control.
”
”
A.S. King (Everybody Sees the Ants)
“
Such precious, precious water, Lord, water from our own well; this water that is our covenant with You, with this soil, with the life You granted us. We are born and baptized in this water, we grow full of pride, we sin, we are broken, we suffer, but with water we are cleansed of our transgressions, we are forgiven, and we are born again, day after day till the end of our days. Her mat takes her weight kindly, eases
”
”
Abraham Verghese (The Covenant of Water)
“
His fingers bent forward at the topmost joint pushing down against the tips of my nails, and his thumb rested lightly against the mole on my index finger. i thought of mosques and churches and prayer mats. Hands clasped together; one hand resting atop the other; fingers interlocked to mime a steeple. What sacred power is invested in hands?
This is not to say I was having pious thoughts.
”
”
Kamila Shamsie (Salt and Saffron)
“
Think of speech as a magickal tool, because it is.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
The innocent died along with the guilty. And if you did nothing, then only the innocent died.
”
”
Robert Jordan (Crossroads of Twilight (The Wheel of Time, #10))
“
What we do internally affects the world around us and the world around us affects our inner world. With this notion, nothing is separate, and our inner and outer worlds are intricately tied to one another.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
Rand, maybe that's the answer they give to everybody. Those snake people, I mean. Got to Rhuidean. Maybe we don't have to be here at all.' He did not believe it, but with that fog staring him in the face. ...
Rand turned his head to look at him, not speaking. Finally he said, 'They never mentioned Rhuidean to me, Mat.'
'Oh, burn me,' he muttered.
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
Ilmu itu tumpang menumpang, murid menumpang ilmu guru, guru juga turut menumpang kebijaksanaan muridnya. Itulah dia 'taawun' iaitu saling mengambil manfaat antara satu sama lain.
”
”
Nik Abdul Aziz Nik Mat
“
Sorry about Bender," Lula said, letting the Trans Am idle at the curb. "Maybe we could tell Vinnie he died. We could say we were all set to bring Bender in, and he died. Bang. Dead as a doorknob."
"Better yet, why don't we just go back and kill him," I said. I opened the door to leave, caught my toe in the floor mat, and fell out of the car, face first. I rolled onto my back and stared up at the stars. "I'm fine," I said to Lula. "Maybe I'll sleep here tonight.
”
”
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
“
We should ask our commanders..." Elayne trailed off. "If there are any we trust not to be under Compulsion."
"There's only one," Mat said grimly, meeting her eyes. "And he's telling you we are finished if we continue as we have. The earlier plan was a good enough one, but after what we lost today...Elayne, we're dead unless we choose one place to stand, gather together, and fight."
One last toss of the dice.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
These?" Mat said, gesturing to his coat and shirt. "I really have no idea. They were just down there. I'm completely baffled." He had been very pleased to learn that Seanchan guards-for all their stoic expressions and too-straight backs-responded to bribes like other people.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
They could put up a warning sign or something. Hello. Welcome to Hinderstap. We will murder you in the night and eat your bloody face if you stay past sunset. Try the pies. Martna Baily makes them fresh daily.
”
”
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
“
We can’t go back, Mat. The Wheel has turned, for better or worse. And it will keep on turning, as lights die and forests dim, storms call and skies break. Turn it will. The Wheel is not hope, and the Wheel does not care, the Wheel simply is. But so long as it turns, folk may hope, folk may care. For with light that fades, another will eventually grow, and each storm that rages must eventually die. As long as the Wheel turns.
”
”
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
“
Trust what is not known to your Mind.
Trust what is known to your Heart.
”
”
Tony Samara
“
I noticed Wahid's boys, all three thin with dirt-caked faces and short-cropped brown hair under their skull caps, stealing furative glances at my digital wristwatch.
...I unsnapped the wristwatch and gave it to the youngest of the three boys. He muttered a sheepish "Tashakor."
"It tells you the time in any city in the world," I told him. The boys, nodding politely passing the watch between them, taking turns trying it on. But they lost interest and, soon the watch sat abandoned on the straw mat.
...I understood now why the boys hadn't shown any interest in the watch. They hadn't been staring at the watch at all. They'd been staring at my food.
”
”
Khaled Hosseini (The Kite Runner)
“
I’ve never let myself trust love because I’ve never let myself trust pain. What if pain—like love—is just a place brave people visit? What if both require presence, staying on your mat, and being still? If this is true, then maybe instead of resisting the pain, I need to resist the easy buttons. Maybe my reliance on numbing is keeping me from the two things I was born for: learning and loving. I could go on hitting easy buttons until I die and feel no pain, but the cost of that decision could be that I’ll never learn, love, or be truly alive.
”
”
Glennon Doyle Melton (Love Warrior)
“
The psychic witch lives in a state of enchantment, seeing all things as magickal and understanding that the universe is composed of endless possibilities and potential. The psychic witch sees a door where others see a wall.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
Questions have the power to inspire, illuminate, stimulate, create, or destroy. If we want to take on the great mysteries and grow as individuals, witches, and psychics—we must ask questions.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
One Kashmiri morning in the early spring of 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer-mat, transformed into rubies. Lurching back until he knelt with his head once more upright, he found that the tears which had sprung to his eyes had solidified, too; and at that moment, as he brushed diamonds contemptuously from his lashes, he resolved never again to kiss earth for any god or man. This decision, however, made a hole in him, a vacancy in a vital inner chamber, leaving him vulnerable to women and history. Unaware of this at first, despite his recently completed medical training, he stood up, rolled the prayer-mat into a thick cheroot, and holding it under his right arm surveyed the valley through clear, diamond-free eyes.
”
”
Salman Rushdie (Midnight’s Children)
“
Genuine trust involves allowing another to matter and have an impact in our lives. For that reason, many who hate and do battle with God trust Him more deeply than those whose complacent faith permits an abstract and motionless stance before Him. Those who trust God most are those whose faith permits them to risk wrestling with Him over the deepest questions of life. Good hearts are captured in a divine wrestling match; fearful, doubting hearts stay clear of the mat.
”
”
Dan B. Allender (The Wounded Heart: Hope for Adult Victims of Childhood Sexual Abuse with Bonus Content)
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that’s wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
Let me put it another way. Most people are what they sense and if all you see day after day is a mat on a floor that belongs to the rats and four walls with tiny piles of plaster at the bottom, and all you eat is starch, and all you hear is continuous music, you smell garbage and piss which drips through the walls continually, and all the people you know live like you, it's not horrible, it's just... Who they are.
”
”
Kathy Acker (Blood and Guts in High School)
“
The white cat Sal-al was lying on the straw matting in the empty conservatory. She looked at us with a wicked, conceited expression as if all her appetites had just been satisfied. She was beautiful. Vesta and I both said, "I wish I were a cat!" Before we got to the last word we smiled at each other in annoyance, not liking the idea that most human beings think very much alike.
”
”
Denton Welch (Maiden Voyage)
“
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
”
”
Judith Guest
“
And so we begin the game that cannot be won,” Thom said, sliding the knife back into its sheath. “Courage to strengthen,” Noal whispered, stepping forward, holding up a lantern with a flickering flame. “Fire to blind. Music to dazzle. Iron to bind.” “And Matrim Cauthon,” Mat added. “To bloody even the odds.” He stepped through the doorway. Light
”
”
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
“
There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something."
Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.
”
”
Kele Moon (Star Crossed (Battered Hearts, #2))
“
It just gets really heavy sometimes.” He looks away. “Too heavy. Even for me. And some days I
don’t want to laugh,” he says. “I don’t want to be funny. I don’t want to give a shit about anything.
Some days I just want to sit on my ass and cry. All day long.” His hands stop moving against the mats.
“Is that crazy?” he asks quietly, still not meeting my gaze.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
I have found that, in the African American oral tradition, if the words are enunciated eloquently enough, no one examines the meaning for definitive truth.
”
”
Mat Johnson (Loving Day)
“
The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.
”
”
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
“
Ái chà Bố bật cười. Thì ra là vậy. Bố thấy đẹp lắm Nó làm nụ cười của con khác với những đứa bạn. Ðáng lý con phải tự hào vì nó. Mỗi đứa trẻ có một điều kỳ lạ riêng. Có người có một đôi mắt rất kỳ lạ. Có người có một cái mũi kỳ lạ. Có người lại là một ngón tay. Con hãy quan sát đi rồi con sẽ thấy. Con sẽ biết rất nhiều điều bí mật về những người xung quanh mình.
”
”
Nguyễn Ngọc Thuần (Vừa Nhắm Mắt Vừa Mở Cửa Sổ)
“
You own me,” he said, water sputtering against his lips as his head bobbed at the surface. “You have lock and key, deed to the house, the welcome mat, all that shit. It’s all yours, baby.”
“I’ll have to take good care of my property, then.”
“And I’ll have to behave on and off the premises. I may be a little rowdy, but...I’ll use my manners.”
I sent him a small splash. “No swearing, invading personal space, or forgetting your pleases and thank-yous.”
A glimmer twinkled in his irises, and for a moment, it looked as if he was the one about to drown. “Damn straight,” he pulled me against him abruptly, nose to nose. “Now please get over here and fucking kiss me.
”
”
Rachael Wade (Love and Relativity (Preservation))
“
Brush snapped. The stag shambled forth from the outer darkness. It loomed above Scobie, its fur rank and steaming. Black blood oozed from gashes along its flanks. Beneath a great jagged crown of antlers its eyes were black, its teeth yellow and broken. Scobie fell to his knees, palms raised in supplication. The stag nuzzled his matted hair and its long tongue lapped at the muddy tears and the streaks of drying blood upon the man’s upturned face. Its muzzle unhinged. The teeth closed and there was a sound like a ripe cabbage cracking apart.
”
”
Laird Barron (The Beautiful Thing That Awaits Us All)
“
Emily just knew that the grocery store clerk’s cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress.
But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard.
He’d saved her so that she could later cripple him.
Emily found that not ironic but intriguing.
Because everything, she believed, was connected.
”
”
Holly Goldberg Sloan (I'll Be There)
“
When people name cats, they usually do it in one of three categories: food, physical characteristics or mythology,” Morrison explained. “So, you name your cat Sugar, or Smudge, or Zeus. You went with mythology.” “What about people who name their cats for characters in fantasy books?” I picked up Hera’s food bowl from her mat, and got a smaller bowl for the kitten. “Gandalf. Sauron. That sort of thing.” “Covered under mythology.
”
”
John Scalzi (Starter Villain)
“
Aureliano Segundo was deep in the reading of a book. Although it had no cover and the title did not appear anywhere, the boy enjoyed the story of a woman who sat at a table and ate nothing but kernels of rice, which she picked up with a pin, and the story of the fisherman who borrowed a weight for his net from a neighbor and when he gave him a fish in payment later it had a diamond in its stomach, and the one about the lamp that fulfilled wishes and about flying carpets. Surprised, he asked Ursula if all that was true and she answered him that it was, that many years ago the gypsies had brought magic lamps and flying mats to Macondo.
"What's happening," she sighed, "is that the world is slowly coming to an end and those things don't come here any more.
”
”
Gabriel García Márquez
“
The truth of my thirties was: Stay on your mat, Glennon. The staying is making you. The truth of my forties is: I’m made. I will not stay, not ever again—in a room or conversation or relationship or institution that requires me to abandon myself. When my body tells me the truth, I’ll believe it. I trust myself now, so I will no longer suffer voluntarily or silently or for long. I’ll look at those women to my left and right who must stay, because it’s that time for them, because they have to know what love and God and freedom are not before they can know what love and God and freedom are. Because they want to know. Because they are warriors.
”
”
Glennon Doyle (Untamed)
“
Cut it out!" Phillip exploded. "Cut it out right now or I swear I'm going to pull over and knock your heads together. Oh, my God." He took one hand off the wheel to drag it down his face. "I sound like Mom. Forget it. Just forget it. Kill each other. I'll dump the bodies in the mall parking lot and drive to Mexico. I'll learn how to weave mats and sell them on the beach at Cozumel. I'll be quiet, it'll be peaceful. I'll change my name to Raoul, and no one will know I was ever related to a bunch of fools."
Seth scratched his belly and turned to Cam. "Does he always talk like that?"
"Yeah, mostly. Sometimes he's going to be Pierre and live in a garret in Paris, but it's the same thing."
"Weird," was Seth's only comment. (...) Getting new shows was turning into a new adventure.
”
”
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
“
Many women are singing together of this:
one is in a shoe factory cursing the machine,
one is at the aquarium tending a seal,
one is dull at the wheel of her Ford,
one is at the toll gate collecting,
one is tying the cord of a calf in Arizona,
one is straddling a cello in Russia,
one is shifting pots on the stove in Egypt,
one is painting her bedroom walls moon color,
one is dying but remembering a breakfast,
one is stretching on her mat in Thailand,
one is wiping the ass of her child,
one is staring out the window of a train
in the middle of Wyoming and one is
anywhere and some are everywhere and all
seem to be singing, although some can not
sing a note.
”
”
Anne Sexton (The Complete Poems)
“
This sensible, sensible girl. A girl who knew how to protect herself. Never a daredevil, never stunting without a safety mat, without spotters. A girl for whom instability was the ultimate enemy. Who’d never known divorce or slamming doors or slamming fists. A girl whose home was a peaceful sanctum, even the basement padded. A life that had to be made safe because of the risks she put her body through. She was the most dangerous thing in her own life. Her body, the only dangerous thing.
”
”
Megan Abbott (You Will Know Me)
“
I’m a sick woman, a madwoman, a ball-breaker, a man-eater; I don’t consume men gracefully with my fire-like red hair or my poisoned kiss; I crack their joints with these filthy ghoul’s claws and standing on one foot like a de-clawed cat, rake at your feeble efforts to save yourselves with my taloned hinder feet: my matted hair, my filthy skin, my big fat plaques of green bloody teeth. I don’t think my body would sell anything. I don’t think I’d be good to look at. O of all diseases self-hate is the worst and I don’t mean for the one who suffers it!
”
”
Joanna Russ (The Female Man)
“
How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul,and strive during their time on earth to be worthy of going there.
”
”
Paul Bowles (The Spider's House)
“
Under the ground seep the toxins of the population that lives above. If you have to, you will eat roots and earthworms. It is always night. Candles burn in lanterns made from tin cans. When it is nighttime up above, you can crawl out, but only for a little while. You feel ashamed of your matted hair, your torn clothes, the dirt on your face. Who would want to speak to you? They are all shiny and pretty. They have parents and house with gardens. What do you have? The earth. Whole handfuls of it. The lizard people with their slit eyes and scaly skin. Your loneliness. Your longing.
”
”
Francesca Lia Block (The Waters & the Wild)
“
Jahil adalah penyakit kanser merbahaya yang menular dalam tubuh manusia. Bahayanya jahil ini boleh membawa syirik kepada Allah. Seperti mana penyakit kanser ada pencegahnya, begitu juga jahil ada pengubatnya. Pengubat bagi penyakit jahil adalah al-Quran dan as-Sunnah.
”
”
Nik Abdul Aziz Nik Mat
“
Different sorts of survival machine appear very varied on the outside and in their internal organs. An octopus is nothing like a mouse, and both are quite different from an oak tree. Yet in their fundamental chemistry they are rather uniform, and, in particular, the replicators that they bear, the genes, are basically the same kind of molecule in all of us—from bacteria to elephants. We are all survival machines for the same kind of replicator—molecules called DNA— but there are many different ways of making a living in the world, and the replicators have built a vast range of machines to exploit them. A monkey is a machine that preserves genes up trees, a fish is a machine that preserves genes in the water; there is even a small worm that preserves genes in German beer mats. DNA works in mysterious ways.
”
”
Richard Dawkins (The Selfish Gene)
“
The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw.
”
”
Chuck Palahniuk (Diary)
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)
“
The moment I formulated this thought, everything aroud me seemed to droop heavily toward the earth. Outside in the garden, the eaves of the roof dripped rain like beads of weighted glass. Even the mats themselves seemed to press down upon the floor. I remember thinking that I was dacing to express not the pain of a young woman who has lost her supernatural lover, but the pain I myself would feel when my life was finally robbed of the one thing I cared most deeply about. I found myself thinking,too,of satsu; I danced the bitterness of our eternal separation.By the end I felt almost overcome with grief; but I certainly wasn't prepared for what I saw when I turned to look at the Chairman.He was sitting at the near corner of the table so that, as it happened, no one but me could see him. I thought he wore an expression of astonishment at first, because his eyes were so wide. But just as his mouth sometimes twitched when he tried not to smile, now I could see it twitching under the strain of a different emotion. I couldn't be sure, but I had to impression his eyes were heavy with tears. He looked toward the door, pretending to scratch the side of his nose so he cold wipe a finger in the corner of his eye; and he smoothed his eyebrows as if the were the source of his trouble. I was so shocked to see the Chairman in pain I felt almost disoriented for a moment.
”
”
Arthur Golden (Memoirs of a Geisha)
“
In the past I had often tried to escape the grown-up world of sorrow through my imagination- dreaming that a handsome young lieutenant would ride to my rescue or that a great empresario would discover my musical talents and whisk me away. I had envisioned knights in shining armor and happily ever after scenes to escape from rules or boredom or pain; including a vision of my mother walking through our front door whole and well again. Now I knew that a lifetime of escape led to a life like Aunt Bertie's. My imagination was a gift, but I had to live in the real world. My eyes had been opened this summer to poverty and crime and abuse and I needed to use my imagination not to escape, but to help people like Irina and Katya, to make my own contribution as the women in the women's pavilion had done. I couldn't do it in the same way Jane Adams and my grandmother and Aunt Mat were, but I would find my own way and my own time.
”
”
Lynn Austin (A Proper Pursuit)
“
When you deeply love someone from that space that is beyond attachment to certain projections or desires, when you love someone just deeply, totally, completely, without any games that the mind or emotions play, then that love remains eternal in the heavens forever, and that is what pulls you back to remembering that love.
”
”
Tony Samara
“
The basic principle of the new education is to be that dunces and idlers must not be made to feel inferior to intelligent and industrious pupils. That would be ‘undemocratic’. These differences between the pupils—for they are obviously and nakedly individual differences—must be disguised. This can be done on various levels. At universities, examinations must be framed so that nearly all the students get good marks. Entrance examinations must be framed so that all, or nearly all, citizens can go to universities, whether they have any power (or wish) to profit by higher education or not. At schools, the children who are too stupid or lazy to learn languages and mathematics and elementary science can be set to doing the things that children used to do in their spare time. Let them, for example, make mud-pies and call it modelling. But all the time there must be no faintest hint that they are inferior to the children who are at work. Whatever nonsense they are engaged in must have—I believe the English already use the phrase—‘parity of esteem’. An even more drastic scheme is not impossible. Children who are fit to proceed to a higher class may be artificially kept back, because the others would get a trauma—Beelzebub, what a useful word!—by being left behind. The bright pupil thus remains democratically fettered to his own age-group throughout his school career, and a boy who would be capable of tackling Aeschylus or Dante sits listening to his coaeval’s attempts to spell out A CAT SAT ON THE MAT.
”
”
C.S. Lewis (The Screwtape Letters)
“
In the deserted forest, Firestar crouched beside Spottedleaf's trembling body. Blood welled at her neck, soaking Firestar's cheek as he pressed against her. "Spottedleaf! Please don't go". Dovewing heard a sob in his mew. "You promised you'd be there to welcome me".
Spottedleaf gave a tiny shake of her head. "That was never going to happen my love. I cannot journey with you anymore. I'm so sorry".
Firestar pawed at her. "No! I still need you!"
"Let her go" A she-cat shimmered into view, her gray fur long and matted.
"Yellowfang?" Firestar looked at her, his green eyes pleading. "Don't let her disappear. Please."
"This was her destiny." Yellowfang touched her muzzle to Firestar's head. "Let her follow it."
"But she said she'd wait for me in StarClan!" Firestar's mew caught in his throat.
Spottedleaf looked up at him and opened her mouth as if she wanted to say something. A small gasp escaped her; then she fell limp. Her fur started to blur, leaving a faint outline and then nothing but bloodstained grass. Firestar's head drooped.
”
”
Erin Hunter
“
Apabila Allah SWT mencipta agama untuk panduan hamba-Nya, maka Dia tidak akan membiarkan Islam yang murni itu dalam keadaan hina-dina. Mudah bagi Allah SWT untuk membuka hati manusia supaya menerima agama-Nya, tetapi sengaja Allah SWT adakan suasana sukar sebagai gelanggang bagi Rasul-Nya dan orang-orang beriman berjuang mendapat anugerah Allah SWT.
”
”
Nik Abdul Aziz Nik Mat (Muhammad SAW, Jejak Junjungan Mulia)
“
People say that being a mother is the most important job you will ever have. And it is very important. But it is even more important, I believe, to be a wife, a good wife....I don't mean you have to be a floor mat. That's not what I mean at all. I mean, who you choose to walk with through life will be the most important decision that you will ever, ever make. You will have your children and you will love them because they are yours and because they will be wonderful. Just like you.... But who you marry is a choice. the man you choose should make you happy, encourage you in following your dreams, big ones and little ones.
”
”
Heather Gudenkauf (The Weight of Silence)
“
Valuable and ingenious he might be, thought Jack, fixing him with his glass, but false he was too, and perjured. He had voluntarily sworn to have no truck with vampires, and here, attached to his bosom, spread over it and enfolded by one arm, was a greenish hairy thing, like a mat - a loathsome great vampire of the most poisonous kind, no doubt. ‘I should never have believed it of him: his sacred oath in the morning watch and now he stuffs the ship with vampires; and God knows what is in that bag. No doubt he was tempted, but surely he might blush for his fall?’
No blush; nothing but a look of idiot delight as he came slowly up the side, hampered by his burden and comforting it in Portuguese as he came.
‘I am happy to see that you were so successful, Dr Maturin,’ he said, looking down into the launch and the canoes, loaded with glowing heaps of oranges and shaddocks, red meat, iguanas, bananas, greenstuff. ‘But I am afraid no vampires can be allowed on board.’
‘This is a sloth,’ said Stephen, smiling at him. ‘A three-toed sloth, the most affectionate, discriminating sloth you can imagine!’ The sloth turned its round head, fixed its eyes on Jack, uttered a despairing wail, and buried its face again in Stephen’s shoulder, tightening its grip to the strangling-point.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
Fifteen minutes, a myriad of cups, kleenexes and freshly-vacuumed floor mats and seat cushions later, Kay had the interior of the limousine looking ship-shape. Inching backward out of the car on her knees, she caught a glimpse of one last bit of trash she’d missed hiding under the driver’s seat. Lowering her chest to the floor, she stretched her arm under the seat as far as it would go. She grabbed the item and pulled it out and raised herself up from her crouched position. She took one look at the used condom swinging from her fingers, screamed and flung it across the top of the front seat, where it stuck to the air conditioner vents on the dash. She knelt there staring at the thin latex mess, a million scenarios racing through her mind.
”
”
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
“
And we were taught to play golf. Golf epitomizes the tame world. On a golf course nature is neutered. The grass is clean, a lawn laundry that wipes away the mud, the insect, the bramble, nettle and thistle, an Eezy-wipe lawn where nothing of life, dirty and glorious, remains. Golf turns outdoors into indoors, a prefab mat of stultified grass, processed, pesticided, herbicided, the pseudo-green of formica sterility. Here, the grass is not singing. The wind cannot blow through it. Dumb expression, greenery made stupid, it hums a bland monotone in the key of the mono-minded. No word is emptier than a golf tee. No roots, it has no known etymology, it is verbal nail polish. Worldwide, golf is an arch act of enclosure, a commons fenced and subdued for the wealthy, trampling serf and seedling. The enemy of wildness, it is a demonstration of the absolute dominion of man over wild nature.
”
”
Jay Griffiths (Wild: An Elemental Journey)
“
Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e.g., “My telling you where to find the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.
”
”
Gregory Bateson
“
Psychic ability relies on a mentally relaxed state of detachment. A flower doesn’t bloom through being pried open by force; likewise, psychic receptivity cannot be achieved through strain. Psychic receptivity comes with a state of mental passivity while simultaneously staying focused and open. We open ourselves up through relaxation. We want a focused flow, not force.
”
”
Mat Auryn (Psychic Witch: A Metaphysical Guide to Meditation, Magick & Manifestation (Mat Auryn's Psychic Witch, 1))
“
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries.
It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism.
The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
”
”
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
“
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave.
The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
”
”
Ralph Waldo Emerson
“
In many interviews he had identified himself as a man outraged by death, but that was pretty much the same old big-balls crap he'd been selling throughout his career. He was terrified of death, that was the truth, and as a result of spending his life honing his imagination, he could see it coming from at least four dozen different directions... and late at night when he couldn't sleep, he was apt to see it coming from four dozen different directions at once. Refusing to see the doctor, to have a checkup and let them peek under the hood, would not cause any of those diseases to pause in their approach or their feeding upon him--if, indeed, the feeding had already begun--but if he stayed away from the doctors and their devilish machines, he wouldn't have to know. You didn't have to deal with the monster under the bed or lurking in the corner if you never actually turned on the bedroom lights, that was the thing. And what no doctor in the world seemed to know was that, for men like Johnny Marinville, fearing was sometimes better than finding. Especially when you'd put out the welcome mat for every disease going.
”
”
Stephen King (Desperation)
“
I refuse to leave you here.'
Emerie's pained face told Nesta enough: she understood. Saw the logic.
Nesta said to Gwyn. 'It is the only way.'
Gwyn screamed. 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.'
'You need to go,' Nesta said, even as her hands began shaking. 'Now.'
'No,' Gwyn wept. 'No, I won't. I'll face it with you.'
Something deep in Nesta's chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure.
She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I'll face it with you,' Gwyn whispered, over and over again. 'Promise me we'll face it together.'
Nesta couldn't stop her tears. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn's matted hair. 'I promise.'
Gwyn sobbed, and Nesta let herself sob with her, squeezing her tightly. Letting her stroking hand come to rest on Gwyn's neck.
A pinch in the right spot, exactly on the pressure point Cassina had shown her, and it was done.
Gwyn went down. Unconscious.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
We’re here to help ease you through the labor process. The mainstream media and health organizations feed you an endless supply of fear and paranoia, but the truth is that childbirth does not have to be a painful experience. Today we will start our journey to a joyful and pleasurable labor. These three classes will help you refocus your negative feelings, drawing in serenity and pushing out fear.”
“Are we in a breathing class or signing up for a cult?” Tucker whispers.
Cult. Definitely cult.
“Partners, helpers, move into position behind the mama.”
“I already hate this woman,” I hiss as he crouches behind me.
“Because she called you mama or because she says it’s not a painful experience?”
A man a few mats down raises his hand. “Where should we put our hands?”
“Great question, Mark.”
Oh God, she remembers all our names.
“During labor, the appropriate position will be the lower back, but for today, we’re concentrating on relaxation, so please place your hands on your partner’s shoulders.”
Next to me, one expectant mother is taking copious notes, as if Stacy in the peasant skirt is the oracle of laborhood, speaking the ten commandments of birthing.
“If she says, ‘There’s nothing to fear but fear itself,’ we’re out of here,” I say a little too loudly.
The gunner and her equally serious partner turn around to glare at me. A burble of laughter threatens to escape. Can we get arrested for disturbing the peace in a breathing class
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
At schools, the children who are too stupid or lazy to learn languages, mathematics and elementary science can be set to doing the things that children used to do in their spare time. Let them, for example, make mud pies and call it modelling. But all the time there must be no faintest hint that they are inferior to the children who are at work. Whatever nonsense they are engaged in must have—I believe the English already use the phrase—"parity of esteem." An even more drastic scheme is not impossible. Children who are fit to proceed to a higher class may be artificially kept back, because the others would get a trauma—Beelzebub, what a useful word!—by being left behind. The bright pupil thus remains democratically fettered to his own age group throughout his school career, and a boy who would be capable of tackling Aeschylus or Dante sits listening to his coeval's attempts to spell out 'A Cat Sat On A Mat'.
”
”
C.S. Lewis
“
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell. See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it.
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away.
He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed.
“Get some sleep, Kelsey. We both need some.”
After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head.
Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.”
He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes.
Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Don’t be a sore loser.’
‘It’s hard to argue with a woman when she’s got her knee on my ego.’
‘Good. Now I’m going to have my way with you.’
‘Are you?’
‘Damn right. I won.’ She cocked her head and reached down to strip off his shirt. ‘Cooperate and I won’t have to hurt you. Uh-uh.’ When he reached for her, she gripped his hands and pushed them back to the mat. ‘I’m in charge here. Don’t make me get out the cuffs.’
‘Hmm. An interesting threat. Why don’t you—’ His words trailed off as her mouth came down on his, hard and hot. Instinctively, his hands flexed under hers, wanting to touch, to take. But he understood she wanted something else, something more. So he would let her find it.
‘I’m going to take you.’ She bit down on his lip, sending an edge of lust razoring through his gut. ‘Do whatever I want to you.’
His mind was already spinning, his breath clogging. ‘Be gentle with me,’ he managed, and felt warmth twine with the heat when she laughed.
‘Dream on.
”
”
J.D. Robb (Immortal in Death (In Death, #3))
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.”
His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.”
“We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.
”
”
Gene Wolfe (The Shadow of the Torturer)
“
Some pasts exist as a fog that rolls in and out of the present, formed not by air that condenses into mist but memories that condense into tiny doors that open to forgotten moments. Maybe you glance at a stranger on a crowded street who reminds you of a childhood friend or hear a song that was popular the first summer you fell in love, and in the space of that single beat of time you are flung backward to a who or when long past. And yet it is only for that one beat. Those tiny doors never remain open for long for most of us. They ensure our former times are kept as relics, and the dust upon them is wiped clean only occasionally
”
”
Billy Coffey (The Devil Walks in Mattingly)
“
The political merchandisers appeal only to the weaknesses of voters, never to their potential strength. They make no attempt to educate the masses into becoming fit for self-government; they are content merely to manipulate and exploit them. For this purpose all the resources of psychology and the social sciences are mobilized and set to work. Carefully selected samples of the electorate are given "interviews in depth." These interviews in depth reveal the unconscious fears and wishes most prevalent in a given society at the time of an election. Phrases and images aimed at allaying or, if necessary, enhancing these fears, at satisfying these wishes, at least symbolically, are then chosen by the experts, tried out on readers and audiences, changed or improved in the light of the information thus obtained. After which the political campaign is ready for the mass communicators. All that is now needed is money and a candidate who can be coached to look "sincere." Under the new dispensation, political principles and plans for specific action have come to lose most of their importance. The personality of the candidate and the way he is projected by the advertising experts are the things that really matter.
In one way or another, as vigorous he-man or kindly father, the candidate must be glamorous. He must also be an entertainer who never bores his audience. Inured to television and radio, that audience is accustomed to being distracted and does not like to be asked to concentrate or make a prolonged intellectual effort. All speeches by the entertainer-candidate must therefore be short and snappy. The great issues of the day must be dealt with in five minutes at the most -- and preferably (since the audience will be eager to pass on to something a little livelier than inflation or the H-bomb) in sixty seconds flat. The nature of oratory is such that there has always been a tendency among politicians and clergymen to over-simplify complex issues. From a pulpit or a platform even the most conscientious of speakers finds it very difficult to tell the whole truth. The methods now being used to merchandise the political candidate as though he were a deodorant positively guarantee the electorate against ever hearing the truth about anything.
”
”
Aldous Huxley
“
Mattie,” he said silently to no one in the room, “you’re a little girl. But nobody stays a little girl or a little boy long—take me, for instance. All of a sudden little girls wear lipstick, all of a sudden little boys shave and smoke. So it’s a quick business, being a kid. Today you’re ten years old, running to meet me in the snow, ready, so ready, to coast down Spring Street with me; tomorrow you’ll be twenty, with guys sitting in the living room waiting to take you out. All of a sudden you’ll have to tip porters, you’ll worry about expensive clothes, meet girls for lunch, wonder why you can’t find a guy who’s right for you. And that’s all as it should be. But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck—but only if you can do it without patronizing her. That’s the trick, baby. I could tell you a lot, Mat, but I wouldn’t be sure that I’m right. You’re a little girl, but you understand me. You’re going to be smart when you grow up. But if you can’t be smart and a swell girl, too, then I don’t want to see you grow up. Be a swell girl, Mat.
”
”
J.D. Salinger
“
I tried to imagine what it would be like if Constantin were my husband.
It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted.
This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself.
Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten.
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
”
”
Sylvia Plath (The Bell Jar)
“
What a skeletal wreck of man this is.
Translucent flesh and feeble bones,
the kind of temple where the whores and villains try to tempt the holistic domes.
Running rampid with free thought to free form, and the free and clear.
When the matters at hand are shelled out like lint at a
laundry mat to sift and focus on the bigger, better, now.
We all have a little sin that needs venting,
virtues for the rending and laws and systems and stems are ripped
from the branches of office, do you know where your post entails?
Do you serve a purpose, or purposely serve?
When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned.
For the rest of us, there is always Sunday.
The day of the week the reeks of rest, but all we do is catch our breath,
so we can wade naked in the bloody pool, and place our hand on the big, black book.
To watch the knives zigzag between our aching fingers.
A vacation is a countdown, T minus your life and
counting, time to drag your tongue across the sugar cube,
and hope you get a taste.
WHAT THE FUCK IS ALL THIS FOR?
WHAT THE HELL’S GOING ON? SHUT UP!
I can go on and on but lets move on, shall we?
Say, your me, and I’m you, and they all watch the things we do,
and like a smack of spite they threw me down the stairs,
haven’t felt like this in years.
The great magnet of malicious magnanimous refuse, let me go,
and punch me into the dead spout again.
That’s where you go when there’s no one else around,
it’s just you, and there was never anyone to begin with, now was there?
Sanctimonious pretentious dastardly bastards with their thumb on the pulse,
and a finger on the trigger.
CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT!
Government is another way to say better…than…you.
It’s like ice but no pick, a murder charge that won’t stick,
it’s like a whole other world where you can smell the food,
but you can’t touch the silverware.
Huh, what luck. Fascism you can vote for.
Humph, isn’t that sweet?
And we’re all gonna die some day, because that’s the American way,
and I’ve drunk too much, and said too little,
when your gaffer taped in the
middle, say a prayer, say a face, get your self together and see what’s happening.
SHUT UP! FUCK YOU! FUCK YOU!
I’m sorry, I could go on and on but
their times to move on so, remember: you’re a wreck, an accident.
Forget the freak, your just nature.
Keep the gun oiled, and the temple cleaned shit snort,
and blaspheme, let the heads cool, and the engine run.
Because in the end, everything we do, is just everything we’ve done.
”
”
Stone Sour (Stone Sour)
“
At childhood’s end, the houses petered out
into playing fields, the factory, allotments
kept, like mistresses, by kneeling married men,
the silent railway line, the hermit’s caravan,
till you came at last to the edge of the woods.
It was there that I first clapped eyes on the wolf.
He stood in a clearing, reading his verse out loud
in his wolfy drawl, a paperback in his hairy paw,
red wine staining his bearded jaw. What big ears
he had! What big eyes he had! What teeth!
In the interval, I made quite sure he spotted me,
sweet sixteen, never been, babe, waif, and bought me a drink,
my first. You might ask why. Here’s why. Poetry.
The wolf, I knew, would lead me deep into the woods,
away from home, to a dark tangled thorny place
lit by the eyes of owls. I crawled in his wake,
my stockings ripped to shreds, scraps of red from my blazer
snagged on twig and branch, murder clues. I lost both shoes
but got there, wolf’s lair, better beware. Lesson one that night,
breath of the wolf in my ear, was the love poem.
I clung till dawn to his thrashing fur, for
what little girl doesn’t dearly love a wolf?
Then I slid from between his heavy matted paws
and went in search of a living bird – white dove –
which flew, straight, from my hands to his hope mouth.
One bite, dead. How nice, breakfast in bed, he said,
licking his chops. As soon as he slept, I crept to the back
of the lair, where a whole wall was crimson, gold, aglow with books.
Words, words were truly alive on the tongue, in the head,
warm, beating, frantic, winged; music and blood.
But then I was young – and it took ten years
in the woods to tell that a mushroom
stoppers the mouth of a buried corpse, that birds
are the uttered thought of trees, that a greying wolf
howls the same old song at the moon, year in, year out,
season after season, same rhyme, same reason. I took an axe
to a willow to see how it wept. I took an axe to a salmon
to see how it leapt. I took an axe to the wolf
as he slept, one chop, scrotum to throat, and saw
the glistening, virgin white of my grandmother’s bones.
I filled his old belly with stones. I stitched him up.
Out of the forest I come with my flowers, singing, all alone.
Little Red-Cap
”
”
Carol Ann Duffy (The World's Wife)
“
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
”
”
Robert Jordan
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)