Master Of The Senate Quotes

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Power concedes nothing without a demand. It never did and never will”;
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
If you do everything, you’ll win,
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The most important thing a man has to tell you is what he’s not telling you,” he said. “The most important thing he has to say is what he’s trying not to say.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
When the dogs returned, the Senator gave them treats from his pocket, and Jun Do understood that in communism, you'd threaten a dog into compliance, while in capitalism, obedience is obtained through bribes.
Adam Johnson (The Orphan Master's Son)
People who sneer at a half a loaf of bread have never been hungry." George Reedy
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He not only had the gift of “reading” men and women, of seeing into their hearts, he also had the gift of putting himself in their place, of not just seeing what they felt but of feeling what they felt, almost as if what had happened to them had happened to him, too.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Decades of the seniority rule had conferred influence in the Senate not on men who broke new ground but on men who were careful not to.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
And he worked himself, worked himself. He had made up his mind to be President, and he was demonic in his drive.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Congress has a deep, vested interest in its own inefficiency.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Abraham Lincoln struck off the chains of black Americans, but it was Lyndon Johnson who led them into voting booths, closed democracy’s sacred curtain behind them, placed their hands upon the lever that gave them a hold on their own destiny, made them, at last and forever, a true part of American political life.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Not every man in the Senate is some kind of masterful schemer, exerting all his energies to acquire more power and influence at the expense of all others.” “No,” Isana agreed. “Some of them are incompetent schemers.
Jim Butcher (First Lord's Fury (Codex Alera, #6))
When you come into the presence of a leader of men, you know you have come into the presence of fire; that it is best not incautiously to touch that man; that there is something that makes it dangerous to cross him. —WOODROW WILSON
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Old men want to feel that the experience which has come with their years is valuable, that their advice is valuable, that they possess a sagacity that could be obtained only through experience— a sagacity that could be of use to young men if only young men would ask.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Sam Rayburn on LBJ's recuperation from his heart attack: "It would kill him if he relaxed.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
a safe and humble backbencher’s niche in the Senate was the inheritance of a Julius these days,
Colleen McCullough (The First Man in Rome (Masters of Rome, #1))
Luther King gave people “the feeling that they could be bigger and stronger and more courageous than they thought they could be,” Bayard Rustin said—in part because of the powerful new weapon, non-violent resistance, that had been forged on the Montgomery battlefield.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Let the workers in these plants get the same wages -- all the workers, all presidents, all executives, all directors, all managers, all bankers -- yes, and all generals and all admirals and all officers and all politicians and all government office holders -- everyone in the nation be restricted to a total monthly income not to exceed that paid to the soldier in the trenches!   Let all these kings and tycoons and masters of business and all those workers in industry and all our senators and governors and majors pay half of their monthly $30 wage to their families and pay war risk insurance and buy Liberty Bonds.   Why shouldn't they?   They aren't running any risk of being killed or of having their bodies mangled or their minds shattered. They aren't sleeping in muddy trenches. They aren't hungry. The soldiers are!   Give capital and industry and labor thirty days to think it over and you will find, by that time, there will be no war. That will smash the war racket -- that and nothing else.   Maybe
Smedley D. Butler (War Is A Racket!: And Other Essential Reading)
To a staff member who, after talking with a senator, said he “thought” he knew which way the senator was going to vote, he snarled, “What the fuck good is thinking to me? Thinking isn’t good enough. Thinking is never good enough. I need to know!” Often, he didn’t know.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Charity begins at home.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
(LBJ) had what a journalist calls “a genius for analogy”— made the point unforgettably, in dialect, in the rhythmic cadences of a great storyteller. Master of the senate
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Are you afraid?” an interviewer asked him after the bombing, and there was a pause, and then Martin Luther King said, very firmly, “No, I’m not. My attitude is that this is a great cause, a great issue that we’re confronted with, and that the consequences for my personal life are not particularly important. It is the triumph of a cause that I am concerned about, and I have always felt that ultimately along the way of life an individual must stand up and be counted, and be willing to face the consequences, whatever they are, and if he is filled with fear, he cannot do it.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Lyndon Johnson’s sentences were the sentences of a man with a remarkable gift for words, not long words but evocative, of a man with a remarkable gift for images, homey images of a vividness that infused the sentences with drama.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
How lovely!" C-3PO exclaimed. "His daughter is the child of Master Anakin and Senator Amidala," he explained to R2-D2. "I can hardly wait to tell her all about her parents! I'm sure she will be very proud -" "Oh, and the protocol droid?" Senator Organa said thoughtfully. "Have its mind wiped.
Matthew Woodring Stover (Star Wars™ - Episode III - Die Rache der Sith: Roman nach dem Drehbuch und der Geschichte von George Lucas)
In the twentieth century, with its eighteen American presidents, Lyndon Baines Johnson was the greatest champion that black Americans and Mexican-Americans and indeed all Americans of color had in the White House, the greatest champion they had in all the halls of government. With the single exception of Lincoln, he was the greatest champion with a white skin that they had in the history of the Republic. He was to become the lawmaker for the poor and the downtrodden and the oppressed. He was to be the bearer of at least a measure of social justice to those to whom social justice had so long been denied, the restorer of at least a measure of dignity to those who so desperately needed to be given some dignity, the redeemer of the promises made to them by America. He was to be the President who, above all Presidents save Lincoln, codified compassion, the President who wrote mercy and justice into the statute books by which America was governed.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He is not the leader of great causes, but the broker of little ones.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Once Lyndon replied that “My doctor says Scotch keeps my arteries open.” “They don’t have to be that wide open,” she said with a smile.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
its size, the House was an environment in which, as one observer put it, members “could be dealt with only in bodies and droves.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
But these are sad times, the 'prentices wanting to be masters, and every little tradesman wanting to be a Senator, and every dirty little urchin thinking he can give impudence to his betters!
Hope Mirrlees (Lud-in-the-Mist)
When the dogs returned, the Senator gave them treats from his pocket, and Jun Do understood that in communism, you’d threaten a dog into compliance, while in capitalism, obedience is obtained through bribes
Adam Johnson (The Orphan Master's Son)
Richard Russell adored his wife. After they had been married for almost forty years, he sent her a note saying, “With a sense of love and gratitude that is overpowering, I can only say God bless you, idol of my heart.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Power corrupts—that has been said and written so often that it has become a cliché. But what is never said, but is just as true, is that power reveals. When a man is climbing, trying to persuade others to give him power, he must conceal those traits that might make others reluctant to give it to him, that might even make them refuse to give it to him. Once the man has power, it is no longer necessary for him to hide those traits. In
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
At Boston University, where the Reverend King had been studying for his Ph.D., the faculty, impressed by him, had urged him to become an academic, but, although attracted by that prospect, he rejected it in favor of a southern pastorship; “That’s where I’m needed,” he told his wife, Coretta. He was to discount his role in the Montgomery boycott. “I just happened to be there,” he was to say. “There comes a time when time itself is ready for a change.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Then Lyndon Johnson came to Jim Rowe’s office again, to plead with him, crying real tears as he sat doubled over, his face in his hands. “He wept. ‘I’m going to die. You’re an old friend. I thought you were my friend and you don’t care that I’m going to die. It’s just selfish of you, typically selfish.’ ” Finally Rowe said, “ ‘Oh, goddamn it, all right’ ”—and then “as soon as Lyndon got what he wanted,” Rowe was forcibly reminded why he had been determined not to join his staff. The moment the words were out of Rowe’s mouth, Johnson straightened up, and his tone changed instantly from one of pleading to one of cold command. “Just remember,” he said. “I make the decisions. You don’t.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Freedom is never given to anybody, for the oppressor has you in domination because he plans to keep you there.” And he went beyond Douglass to espouse a doctrine of passive, non-violent resistance. “Hate begets hate, violence begets violence; toughness begets a greater toughness,” King said. “Our aim must never be to defeat or humiliate the white man, but to win his friendship and understanding.… This is a nonviolent protest. We are depending on moral and spiritual forces.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —SENATOR GEORGE VEST, 1870 Each
Dean Koontz (Watchers)
and he learned that when Johnson gave an assignment, no excuses were accepted. “He used to say, ‘I want only can do people.’ That was one of his favorite expressions. ‘I only want can do people around. I don’t want anybody who tells me that they can’t do something.’ 
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
I begrudge making a career out of clothes, but Lyndon likes bright colors and dramatic styles that do the most for one’s figure, and I try to please him,” she was to say. “I’ve really tried to learn the art of clothes, because you don’t sell for what you’re worth unless you look well.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Webster was the only Senator who had his own drinking room inside the Capitol, and he carried among his possessions an exquisitely painted miniature of a woman’s glowing breasts—a self-portrait by the painter Sarah Goodridge, who presented the gift when Webster was newly widowed, and between his first and second wives.
Ilyon Woo (Master Slave Husband Wife: An Epic Journey from Slavery to Freedom)
This man who in the pursuit of his aims could be so utterly ruthless—who would let nothing stand in his way; who, in the pursuit, deceived, and betrayed and cheated—would be deceiving and betraying and cheating on behalf of something other than himself: specifically, on behalf of the sixteen million Americans whose skins were dark. All through Lyndon Johnson’s political life—as
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —SENATOR GEORGE VEST, 1870
Dean Koontz (Watchers)
O Fabricius! What would your great soul have thought, if to your own misfortune you had been called back to life and had seen the pompous face of this Rome saved by your efforts and which your honourable name had distinguished more than all its conquests? 'Gods,' you would have said, 'what has happened to those thatched roofs and those rustic dwelling places where, back then, moderation and virtue lived? What fatal splendour has succeeded Roman simplicity? What is this strange language? What are these effeminate customs? What do these statues signify, these paintings, these buildings? You mad people, what have you done? You, masters of nations, have you turned yourself into the slaves of the frivolous men you conquered? Are you now governed by rhetoricians? Was it to enrich architects, painters, sculptors, and comic actors that you soaked Greece and Asia with your blood? Are the spoils of Carthage trophies for a flute player? Romans, hurry up and tear down these amphitheatres, break up these marbles, burn these paintings, chase out these slaves who are subjugating you, whose fatal arts are corrupting you. Let other hands distinguish themselves with vain talents. The only talent worthy of Rome is that of conquering the world and making virtue reign there. When Cineas took our Senate for an assembly of kings, he was not dazzled by vain pomp or by affected elegance. He did not hear there this frivolous eloquence, the study and charm of futile men. What then did Cineas see that was so majestic? O citizens! He saw a spectacle which your riches or your arts could never produce, the most beautiful sight which has ever appeared under heaven, an assembly of two hundred virtuous men, worthy of commanding in Rome and governing the earth.
Jean-Jacques Rousseau (Discourse on the Sciences and Arts and Polemics)
The dignity and energy of the Roman character, conspicuous in war and in politics, were not easily tamed and adjusted to the arts of industry and literature. The degenerate and pliant Greeks, on the contrary, excelled in the handicraft and polite professions. We learn from the vigorous invective of Juvenal that they were the most useful and capable of servants, whether as pimps or professors of rhetoric. Obsequious, dextrous and ready, the versatile Greeks monopolized the business of teaching, publishing and manufacturing in the Roman Empire, allowing their masters ample leisure for the service of the State, in the Senate or on the field.
The Richmond Enquirer 1850s
At about the end of the eighteen minutes and twenty miles, I said: “But suppose I don't find anything before election day?” The Boss said, “To hell with election day. I can deliver Masters prepaid, special handling. But if it takes ten years, you find it.” We clocked off five miles more, and I said, “But suppose there isn't anything to find.” And the Boss said, “There is always something.” And I said, “Maybe not on the Judge.” And he said, “Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.” Two miles more, and he said, “And make it stick.” And that was all a good while ago. And Masters is dead now, as dead as a mackerel, but the Boss was right and he went to the Senate. And Callahan is not dead but he has wished he were, no doubt, for he used up his luck a long time back and being dead was not part of it. And Adam Stanton is dead now, too, who used to go fishing with me and who lay on the sand in the hot sunshine with me and with Anne Stanton. And Judge Irwin is dead, who leaned toward me among the stems of the tall gray marsh grass, in the gray damp wintry dawn, and said, “You ought to have led that duck more, Jack. You got to lead a duck, son.” And the Boss is dead, who said to me, “And make it stick.” Little Jackie made it stick, all right.
Robert Penn Warren (All the King's Men)
At about the end of the eighteen minutes and twenty miles, I said: “But suppose I don't find anything before election day?” The Boss said, “To hell with election day. I can deliver Masters prepaid, special handling. But if it takes ten years, you find it.” We clocked off five miles more, and I said, “But suppose there isn't anything to find.” And the Boss said, “There is always something.” And I said, "“Maybe not on the Judge.” And he said, “Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.” Two miles more, and he said, “And make it stick.” And that was all a good while ago. And Masters is dead now, as dead as a mackerel, but the Boss was right and he went to the Senate. And Callahan is not dead but he has wished he were, no doubt, for he used up his luck a long time back and being dead was not part of it. And Adam Stanton is dead now, too, who used to go fishing with me and who lay on the sand in the hot sunshine with me and with Anne Stanton. And Judge Irwin is dead, who leaned toward me among the stems of the tall gray marsh grass, in the gray damp wintry dawn, and said, “You ought to have led that duck more, Jack. You got to lead a duck, son.” And the Boss is dead, who said to me, “And make it stick.” Little Jackie made it stick, all right.
Robert Penn Warren (All the King's Men)
TRIBUTE TO A DOG The one absolutely unselfish friend that man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog. A man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground, where the wintry winds blow and the snow drives fiercely, if only he may be near his master’s side. He will kiss the hand that has no food to offer; he will lick the wounds and sores that come in encounter with the roughness of the world. He guards the sleep of his pauper master as if he were a prince. When all other friends desert, he remains. When riches take wing and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. —Senator George Vest, 1870
Dean Koontz (Watchers: A thriller of both heart-stopping terror and emotional power)
he saw that at its center were Coretta and Yoki, unharmed. And then, having made sure of that, Martin Luther King became very calm, with what Branch calls “the remote calm of a commander.” Stepping back out on the porch, he held up his hand for silence. Everything was all right, he told the crowd. “Don’t get panicky. Don’t do anything panicky. Don’t get your weapons. If you have weapons, take them home. He who lives by the sword will perish by the sword. Remember that is what Jesus said. We are not advocating violence. We want to love our enemies. I want you to love our enemies. Be good to them. This is what we must live by. We must meet hate with love.” The crowd was silent now, as King continued speaking. He himself might die, he said, but that wouldn’t matter. “If I am stopped, this movement will not stop. If I am stopped, our work will not stop. For what we are doing is right. What we are doing is just.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Senator Lieberman took it as a call to arms. "After watching these society. violent video games," he said, "I personally believe it is irresponsible for some in the video game industry to produce them. I wish we could ban them." This wasn't the first time that America's political and moral estab lishment had tried to save youth from their own burgeoning culture. Shortly after the Civil War, religious leaders assailed pulp novels as "Satan's efficient agents to advance his kingdom by destroying the young. rupter "In the twenties, motion pictures were viewed as the new cors/ of children, inspiring sensational media-effects research that would be cited for decades. In the fifties, Elvis was shown only from the waist up on television; AD magazine's publisher, William Gaines. was brought before Congress. In the seventies, Dungeons and Dragons with all its demons and sorcery, became associated with Satanist particularly after a player enacting the game disappeared under the steam tunnels of a Michigan university. In the eighties, heavy metal artists like Judas Priest and Ozzy Osbourne were sued for allegedly invoking young listeners to commit suicide. In the nineties, video games were the new rock 'n' roll-dangerous and uncontrolled.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
While these tactics were aggressive and crude, they confirmed that our legislation had touched a nerve. I wasn’t the only one who recognized this. Many other victims of human rights abuses in Russia saw the same thing. After the bill was introduced they came to Washington or wrote letters to the Magnitsky Act’s cosponsors with the same basic message: “You have found the Achilles’ heel of the Putin regime.” Then, one by one, they would ask, “Can you add the people who killed my brother to the Magnitsky Act?” “Can you add the people who tortured my mother?” “How about the people who kidnapped my husband?” And on and on. The senators quickly realized that they’d stumbled onto something much bigger than one horrific case. They had inadvertently discovered a new method for fighting human rights abuses in authoritarian regimes in the twenty-first century: targeted visa sanctions and asset freezes. After a dozen or so of these visits and letters, Senator Cardin and his cosponsors conferred and decided to expand the law, adding sixty-five words to the Magnitsky Act. Those new words said that in addition to sanctioning Sergei’s tormentors, the Magnitsky Act would sanction all other gross human rights abusers in Russia. With those extra sixty-five words, my personal fight for justice had become everyone’s fight. The revised bill was officially introduced on May 19, 2011, less than a month after we posted the Olga Stepanova YouTube video. Following its introduction, a small army of Russian activists descended on Capitol Hill, pushing for the bill’s passage. They pressed every senator who would talk to them to sign on. There was Garry Kasparov, the famous chess grand master and human rights activist; there was Alexei Navalny, the most popular Russian opposition leader; and there was Evgenia Chirikova, a well-known Russian environmental activist. I didn’t have to recruit any of these people. They just showed up by themselves. This uncoordinated initiative worked beautifully. The number of Senate cosponsors grew quickly, with three or four new senators signing on every month. It was an easy sell. There wasn’t a pro-Russian-torture-and-murder lobby in Washington to oppose it. No senator, whether the most liberal Democrat or the most conservative Republican, would lose a single vote for banning Russian torturers and murderers from coming to America. The Magnitsky Act was gathering so much momentum that it appeared it might be unstoppable. From the day that Kyle Scott at the State Department stonewalled me, I knew that the administration was dead set against this, but now they were in a tough spot. If they openly opposed the law, it would look as if they were siding with the Russians. However, if they publicly supported it, it would threaten Obama’s “reset” with Russia. They needed to come up with some other solution. On July 20, 2011, the State Department showed its cards. They sent a memo to the Senate entitled “Administration Comments on S.1039 Sergei Magnitsky Rule of Law.” Though not meant to be made public, within a day it was leaked.
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice)
The Hayes-Tilden deadlock and the fate of Radical Republican administrations in South Carolina, Florida, and Louisiana eventually were resolved in Washington with Senator John B. Gordon playing a large role. Gordon apparently helped forge a “bargain” under which the South agreed to certification of the election of Hayes on an understanding that the new President would evacuate the last Federal occupation troops from South Carolina, Florida, and Louisiana. This would remove Federal protection from those states’ Reconstruction administrations, giving Gordon’s friend Hampton the disputed South Carolina governorship and another Democrat, F. T. Nicholls, the governorship of Louisiana. This compromise completed the so-called “shotgun” political enterprise for which the Ku Klux Klan had been organized a decade before. The extended campaign of terror, led first by the Klan and then by myriad imitations or offshoots, swept the last troops of Federal occupation from the South, leaving the Southern Democratic power structure free to impose upon the region the white-supremacist program it desired. The New York Times had been proved essentially correct; even though Tilden had not been declared victorious over Hayes, the white South had nevertheless won its long struggle to begin the return of blacks to a status tantamount to their antebellum chains. In an economic sense, their new “freedom” would become worse than slavery, for with all Federal interference removed they soon would be allowed to vote only Democratic if at all—and this time there was no master charged with responsibility for providing them at least rudimentary shelter, food, and clothing.
Jack Hurst (Nathan Bedford Forrest: A Biography)
The division of Europe into a number of independent states, connected, however, with each other by the general resemblance of religion, language, and manners, is productive of the most beneficial consequences to the liberty of mankind. A modern tyrant, who should find no resistance either in his own breast, or in his people, would soon experience a gentle restraint from the example of his equals, the dread of present censure, the advice of his allies, and the apprehension of his enemies. The object of his displeasure, escaping from the narrow limits of his dominions, would easily obtain, in a happier climate, a secure refuge, a new fortune adequate to his merit, the freedom of complaint, and perhaps the means of revenge. But the empire of the Romans filled the world, and when the empire fell into the hands of a single person, the world became a safe and dreary prison for his enemies. The slave of Imperial despotism, whether he was condemned to drag his gilded chain in rome and the senate, or to were out a life of exile on the barren rock of Seriphus, or the frozen bank of the Danube, expected his fate in silent despair. To resist was fatal, and it was impossible to fly. On every side he was encompassed with a vast extent of sea and land, which he could never hope to traverse without being discovered, seized, and restored to his irritated master. Beyond the frontiers, his anxious view could discover nothing, except the ocean, inhospitable deserts, hostile tribes of barbarians, of fierce manners and unknown language, or dependent kings, who would gladly purchase the emperor's protection by the sacrifice of an obnoxious fugitive. "Wherever you are," said Cicero to the exiled Marcellus, "remember that you are equally within the power of the conqueror.
Edward Gibbon (Decline and Fall of the Roman Empire)
First, it is the duty of black men to judge the South discriminatingly. The present generation of Southerners are not responsible for the past, and they should not be blindly hated or blamed for it. Furthermore, to no class is the indiscriminate endorsement of the recent course of the South toward Negroes more nauseating than to the best thought of the South. The South is not “solid’; it is a land in the ferment of social change, wherein forces of all kinds are fighting for supremacy; and to praise the ill the South is today perpetrating is just as wrong as to condemn the good. Discriminating and broad-minded criticism is what the South needs,—needs it for the sake of her own white sons and daughters, and for the insurance of robust, healthy mental and moral development. Today even the attitude of the Southern whites toward the blacks is not, as so many assume, in all cases the same; the ignorant Southerner hates the Negro, the workingmen fear his competition, the money-makers wish to use him as a laborer, some of the educated see a menace in his upward development, while others—usually the sons of the masters—wish to help him to rise. National opinion has enabled this last class to maintain the Negro common schools, and to protect the Negro partially in property, life, and limb. Through the pressure of the money-makers, the Negro is in danger of being reduced to semi-slavery, especially in the country districts; the workingmen, and those of the educated who fear the Negro, have united to disfranchise him, and some have urged his deportation; while the passions of the ignorant are easily aroused to lynch and abuse any black man. To praise this intricate whirl of thought and prejudice is nonsense; to inveigh indiscriminately against “the South” is unjust; but to use the same breath in praising Governor Aycock, exposing Senator Morgan, arguing with Mr. Thomas Nelson Page, and denouncing Senator Ben Tillman, is not only sane, but the imperative duty of thinking black men.
W.E.B. Du Bois (The Souls of Black Folk)
We of the South,
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Union and Liberty, now and forever, one and inseparable!
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The work of the Underground Railroad was rightly covert in a state (NJ) where an elected senator claimed that the difficulty in the state was "not about surrendering fugitive slaves to their legal masters but rather how to get rid of those worthless slaves which the South suffer to escape into our territory, and remain there to the annoyance of our people." Tensions between blacks and whites were palpable, even in a "tolerant" community in the "free" North.
Dennis Rizzo (Parallel Communities: The Underground Railroad in South Jersey (American Heritage))
the Founders’ armor had resisted every attempt by others to force them open; the Senate had been designed as the “firm” body; it had become too firm—too firm to allow the reforms the Republic needed. Never had the dam been more firm than during the last decade, the decade since the conservative coalition had learned its strength. During that decade, despite the mandate of three presidential elections, it had stood across and blocked the rising demand for social justice, had stood so solidly that it seemed too strong ever to be breached. In January, 1949, when Lyndon Johnson arrived in it, it was still standing.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The popular culture has also lowered the threshold on public shaming rituals. It is not only suppressing certain speech on college campuses, but making public denunciation of certain classes of people into a form of popular entertainment. The masters of the funny cheap shot are comedians Jon Stewart and Stephen Colbert, who routinely and cleverly skewer conservatives as stupid bigots. After the Supreme Court ruling on same-sex marriage, for example, Stewart asked what was wrong with opponents of same-sex marriage, as if a view held for thousands of years, even not very long ago by both Barack Obama and Hillary Clinton, were incomprehensible. The use of humor is a cultural trick. It provides a cultural permission slip to be nasty because, or so the assumption goes, the enemies of "the people" are so unattractive that they deserve whatever Stewart or Colbert throws at them. When Stewart compares Senator Ted Cruz to the Harry Potter character Voldemort, he knows we will then think of Cruz as the book's author describes Voldemort, "a raging psychopath, devoid of the normal human responses to other people's suffering". It may seem futile to complain about the crudeness of American mass culture. It has been around for decades, and it is not about to change anytime soon. The thin line that exists these days between politics and entertainment (witness the rise of Donald Trump) is undoubtedly coarsening our politics. It is becoming more culturally acceptable to split the world into us-versus-them schemata and to indulge in all sorts of antisocial and illiberal fantasies about crushing one's enemies. Only a few decades ago most liberals had a different idea of tolerance. Most would explain it with some variation of Evelyn Beatrice Hall's line about Voltaire's philosophy of free speech: "I disapprove of what you say, but I will defend to the death your right to say it". That is no longer the case. It is now deemed necessary, indeed even noble, to be intolerant in the cause of tolerance. Any remark or viewpoint that liberals believe is critical of minorities is by definition intolerant. A liberal critique of conservatives or religious people, on the other hand, is, again by definition, incapable of being intolerant. It is a willful double standard. For liberals, intolerance is a one-way street leading straight to conservatism.
Kim R. Holmes (The Closing of the Liberal Mind: How Groupthink and Intolerance Define the Left)
His mistress, although High Priestess of Rome, had been summoned by the Senate no differently than a slave being summoned by her master. And the Senate itself ? Was that not just a gathering of Caesar’s wealthier slaves in good togas?
Debra May Macleod (Empire of Iron: A Novel of the Vestal Virgins (The Vesta Shadows Trilogy Book 3))
Democratic senator Stephen Douglas of Illinois masterminded the legislation. Douglas saw the need to organize the territories and knew that he needed Southern support. Responding to pressure from Democratic senators James Mason and Robert M. T. Hunter of Virginia, Andrew Butler of South Carolina, and David Aitchison of Missouri, Douglas crafted the measure and included an “explicit repeal of the ban on slavery north of 36° 30’.”1 The repeal of the ban on slavery in new territories created a firestorm. Northern opponents, including Salmon Chase, condemned it as “an atrocious plot” of slave power to “convert free territory” into a “dreary region of despotism, inhabited by masters and slaves.”2 Chase and his allies published the “Appeal of the Independent Democrats” who “condemned this ‘gross violation of a sacred pledge’” and promised to “call the people to come to the rescue of the country from the domination of slavery.”3 Chase closed by warning that “the dearest interests of freedom and the Union are in imminent peril and called for religious and political organization to defeat the bill.
Steven Dundas
Johnson’s voting record—a record twenty years long, dating back to his arrival in the House of Representatives in 1937 and continuing up to that very day—was consistent with the accent and the word. During those twenty years, he had never supported civil rights legislation—any civil rights legislation. In Senate and House alike, his record was an unbroken one of votes against every civil rights bill that had ever come to a vote: against voting rights bills; against bills that would have struck at job discrimination and at segregation in other areas of American life; even against bills that would have protected blacks from lynching.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
With Johnson, you never quite knew if he was out to lift your heart or your wallet. Roy Wilkins
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Woe to you, egotistical hypocrites! You are full of greed and self-indulgence. Everything you do is done for appearances: You make pompous speeches and grandstand before these TV cameras. You demand the place of honor at banquets and the most important seats wherever you go. You love to be greeted in your districts and have everyone call you “Senator” or “Congressman.” On the outside you appear to people as righteous, but on the inside you are full of hypocrisy and wickedness! You say you want to clean up Washington, but as soon as you get here you become twice as much a son of hell as the one you replaced! Woe to you, makers of the law, you hypocrites! You do not practice what you preach. You put heavy burdens on the citizens, but then opt out of your own laws! Woe to you, federal fools! You take an oath to support and defend the Constitution, but then you nullify the Constitution by allowing judges to make up their own laws. Woe to you, blind hypocrites! You say that if you had lived in the days of the Founding Fathers, you never would have taken part with them in slavery. You say you never would have agreed that slaves were the property of their masters but would have insisted that they were human beings with unalienable rights. But you testify against yourselves because today you say that unborn children are the property of their mothers and have no rights at all! Upon you will come all the righteous blood that has been shed in this country. You snakes! You brood of vipers! You have left this great chamber desolate! How will you escape being condemned to hell!
Norman L. Geisler (I Don't Have Enough Faith to Be an Atheist)
The air of compromise is rarely appreciated fully by men of principle. C. Vann Woodward
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
That speech (Daniel Webster's) “raised the idea of Union above contract or expediency and enshrined it in the American heart.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Debates educated a nation. That educative function had atrophied during decades of making decisions behind closed doors.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The breath of life of the Senate is, of course, continuity,
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Recalling his mother’s endless drudgery, (Senator) Richard (Russell) Jr. was to say that he was ten years old before he saw his mother asleep; previously, he had “thought that mothers never had to sleep.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He could be as memorable an orator as his father, particularly when he was speaking on that topic that had captured his imagination;
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Senators came to realize that he understood not only their bills but the reasons they had introduced them;
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The convention was deadlocked now, and in a deadlocked convention, who was in a better position to get the nomination than him? Nobody! he said. And he would get the nomination, he told Rayburn, if only you would take the lead, really get in there and fight for me. Some of the other congressional leaders who overheard the conversation had never before seen Lyndon Johnson “working” Mr. Sam, and they were astonished at his pleading and whining. Rayburn, grumpy anyway because he hated flying, didn’t say much in reply, aside from an occasional, noncommittal grunt; he sat silent, his broad bald head lowered between his shoulders, puffing on a cigarette. When Rayburn didn’t agree to do what Johnson wanted, Johnson escalated his pleas. “Johnson gave him a real sales job,” says House Democratic Whip Carl Albert of Oklahoma, who sat across the aisle from the two Texans. “He told Mr. Rayburn, ‘I have supported you all these years, and I need your help. I have a chance here.…’ ” Rayburn sat silent, a block of granite in his seat. “It was an embarrassing ride for everyone on the plane,” listening to Johnson’s acting “like a spoiled child,” one of Rayburn’s biographers was to write. “But there was silent applause for Rayburn,” who during the two-hour flight said hardly a word.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
After he returned from Washington, Johnson came into Rowe’s room and said, “I agree with everything you said.” Perhaps he did agree—intellectually. But he didn’t take the advice. He couldn’t. He was beyond listening to warnings, as was demonstrated the next day, when the convention opened.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
It was as a result of his courage that two white men were on trial for killing a Negro, a trial in which, whatever the result, “there is a kind of majesty. And we owe that sight to Mose Wright, who was condemned to bow all his life, and had enough left to raise his head and look the enemy in those terrible eyes when he was sixty-four.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He told them a story—“the little baby in the cradle,” as a student would call it. “He would tell us that one day we might say the baby would be a teacher. Maybe the next day we’d say the baby would be a doctor. And one day we might say the baby—any baby—might grow up to be President of the United States.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
I swore then and there,” Lyndon Johnson was to say, “that if I ever had a chance to help those underprivileged kids I was going to do it.” It was at Cotulla, Lyndon Johnson was to say, “that my dream began of an America … where race, religion, language and color didn’t count against you.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He could follow someone’s mind around, and get where it was going before the other fellow knew where it was going.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
The belief that “a political system created in a much simpler economic era still affords the people effective control through their votes over the complex industrial state which has come into being” is a popular delusion.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Jim Rowe and George Reedy had made him understand the growing importance in liberal intellectual circles of thirty-nine-year-old Arthur M. Schlesinger Jr., a noted Harvard historian with a gift for incisive phrasemaking,
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Rowe was later to hear Johnson recounting the conversation to Richard Russell. “He said, ‘Well, you know, Dick, I was really making some progress with Adlai. I took my knife and held it right against him. All of a sudden I felt some steel in my ribs and I looked around and Finnegan had a knife in my ribs.’ He laughed, and Russell said, ‘Finnegan is a pro,’ and that was it.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Emmett Till’s murder” instilled in Anne Moody, a fourteen-year-old black girl from Alabama, “the fear of being killed just because I was black.” It was the senselessness of the murder of the fourteen-year-old boy that she couldn’t get out of her mind, she was to say. “I didn’t know what one had to do or not do as a Negro not to be killed. Probably just being a Negro period was enough, I thought.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
While Lyndon Johnson was not, as his two assistants knew, a reader of books, he was, they knew, a reader of men— a great reader of men.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Her encouragement and reassurance were constant and extravagant. Once, not seeing her at a public function, he demanded, with something of his old snarl, “Where’s Lady Bird?” and she replied, “Right behind you, darling. Where I’ve always been.” At a conference at which he became agitated, she slipped him a note. “Don’t let anybody upset you. You’ll do the right thing. You’re a good man.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Johnson told the doctors that “he enjoyed nothing but whiskey, sunshine and sex.” Reedy found the moment “poignant,” he was to recall. “Without realizing what he was doing, he had outlined succinctly the tragedy of his life. The only way he could get away from himself was sensation: sun, booze, sex.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Johnson, who had been reading a newspaper in the back seat, “suddenly … lowered the newspaper and leaned forward,” and said, “ ‘Chief, does it bother you when people don’t call you by name?’ ” Parker was to recall that “I answered cautiously but honestly, ‘Well, sir, I do wonder. My name is Robert Parker.’ ” And that was evidently not an answer acceptable to Johnson. “Johnson slammed the paper onto the seat as if he was slapping my face. He leaned close to my ear. ‘Let me tell you one thing, nigger,’ he shouted. ‘As long as you are black, and you’re gonna be black till the day you die, no one’s gonna call you by your goddamn name. So no matter what you are called, nigger, you just let it roll off your back like water, and you’ll make it. Just pretend you’re a goddamn piece of furniture.’ 
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Gradually, however, I was forced to abandon the effort to persuade them to come my way, and then I achieved results only by appealing over the heads of the Senate and House leaders to the people, who were the masters of both of us.
Theodore Roosevelt (Theodore Roosevelt: An Autobiography)
But this belief demonstrated only that Lyndon Johnson simply had not grasped that there was another world, a world in which Douglas and Lehman were not crazies but heroes, in which principles mattered far more than they did in the Senate. In addition, Lyndon Johnson had not fully appreciated that it didn’t matter what he did for the liberals in Social Security and housing so long as he was not on their side on the “great issue.” He should have appreciated this.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Emerging from the caucus, Johnson told reporters that he had no plans to release his delegates; “My name will stay as long as the American people are interested.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
sine qua non
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
He took the trolley instead of the bus because it was smoother and he could read on it.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Anyone who held that belief, as Richard Rovere was to explain in The New Yorker, “forgot the wisdom of history, which is that members of the United States Senate almost invariably come to grief when they try to win Presidential nominations for themselves or to manipulate national conventions for any purpose whatsoever. For many reasons—patronage is one, and control of delegations is another—the big men at conventions are governors and municipal leaders.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
In that August of 1957, however, the cloakroom was often crowded, with senators talking earnestly on sofas and standing in animated little groups, and sometimes the glances between various groups were not comradely at all—sometimes, in fact, they glinted with a barely concealed hostility, and the narrow room simmered with tension, for the main issue before the Senate that summer was civil rights, a proposed law intended to make voting easier for millions of black Americans
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Clementa Carlos Pinckney rose from his seat in the South Carolina state senate chamber, in the capital city of Columbia. An unusual politician, Pinckney held master’s degrees in both public administration and divinity. In addition to representing the 45th senatorial district of South Carolina, which is comprised of parts of seven Lowcountry counties,61 Pinckney was an ordained minister of the African Methodist Episcopal Church. Having delivered many eulogies, he was adept at helping audiences wring meaning from death, and the eulogy he gave after the passing of Walter Scott was similarly affecting.
Marc Lamont Hill (Nobody: Casualties of America's War on the Vulnerable, from Ferguson to Flint and Beyond)
CHAPTER LXXIX THE LAST DAYS OF MARY MASTERS
Anthony Trollope (The American Senator)
First of all, we must be very careful what we allow into our conscious experience. For me, one of the ways I practice this is by not watching the noise (news). I know who the president is, I know who are senators are, and who my local representative is. I have no idea what the new movies are, which actor or actress has recently overdosed, who got married and who split up, who embezzled money from their company, where there have been fires or what crimes have been committed. I also don’t read the newspapers for the same reason.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
de Tocqueville, after his tour of the United States in 1831, was to comment that “The Senate contains within a small space a large proportion of the celebrated men of America. Scarcely an individual is to be seen in it who has not had an active and illustrious career: the Senate is composed of eloquent advocates, distinguished generals, wise magistrates, and statesmen of note, whose arguments would do honor to the most remarkable parliamentary debates of Europe.” De Tocqueville was not the only foreign observer deeply impressed. The Victorian historian Sir Henry Maine said that the Senate was “the only thoroughly successful institution which has been established since the tide of modern democracy began to run.” Prime Minister William Gladstone called it “the most remarkable of all the inventions of modern politics.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
(Lyndon) Johnson created his own theater.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Russell answered, “Well, no—well, it certainly has permitted me to have more hours to work … but I would not recommend it to anyone. If I had my life to do over again, I would certainly get married.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
And, of course, the sentences would often be strung together in stories, many of them set in the Hill Country. They were about drunks, and about preachers—there was one about the preacher who at a rural revival meeting was baptizing converts in a creek near Johnson City and became overenthusiastic. One teenage boy was immersed for quite a long time, and when his head was lifted out of the water, one of the congregation called out from the creek bank, “Do you believe?” The boy said, “I believe,” and the preacher promptly put his head under again. Again, when he emerged, someone shouted out, “Do you believe?” and again the boy said, gasping this time, “I believe.” Down he went again, and this time, when the preacher lifted his head up, someone shouted, “What do you believe?” “I believe this son of a bitch is trying to drown me,” the boy said.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
he thought, “My own R. B. Russell, Jr.—I was crazy with happiness.” He said then what he was to repeat many times: “That is me living all over again.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
Senator Harding, who declared in his inaugural address that “We seek no part in directing the destinies of the world.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
I, sir, take a different view of the whole matter. I look upon Ohio and South Carolina to be parts of one whole—parts of the same country—and that country is my country.… I come here not to consider that I will do this for one distinct part of it, and that for another, but … to legislate for the whole.” And finally Webster turned to a higher idea: the idea—in and of itself—of Union, permanent and enduring.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
MR. CALHOUN.   Never, never. MR. WEBSTER.   What he means he is very apt to say. MR. CALHOUN.   Always, always. MR. WEBSTER.   And I honor him for it.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))