Masquerade Quotes

Remember, you cannot be both young and wise. Young people who pretend to be wise to the ways of the world are mostly just cynics. Cynicism masquerades as wisdom, but it is the farthest thing from it. Because cynics don’t learn anything. Because cynicism is a self-imposed blindness, a rejection of the world because we are afraid it will hurt us or disappoint us. Cynics always say no. But saying “yes” begins things. Saying “yes” is how things grow. Saying “yes” leads to knowledge. “Yes” is for young people. So for as long as you have the strength to, say “yes'.

I still can't believe," Michael said, sotto voce, "that you came to the Vampires' Masquerade Ball dressed as a vampire.

White for light. White for love. White for forever.

Cynicism masquerades as wisdom, but it is the farthest thing from it. Because cynics don’t learn anything. Because cynicism is a self-imposed blindness, a rejection of the world because we are afraid it will hurt us or disappoint us.

Never trust a shiny surface. They hide a multitude of flaws.

It wasn't so much that I was afraid of the place itself, but I was afraid of the creatures who masqueraded as people.

During times of war, hatred becomes quite respectable, even though it has to masquerade often under the guise of patriotism.

Here too it’s masquerade, I find: As everywhere, the dance of mind. I grasped a lovely masked procession, And caught things from a horror show… I’d gladly settle for a false impression, If it would last a little longer, though.

The crucial point in life is: are we living our 'own' life or simply a life for 'other' people. Are we not playing a role on behalf of some social groups and masquerading for fear of being excluded? ( "Quest for the real moment" )

Memories are their own descendents masquerading as the ancestors of the present.

In a world where happiness has become a social duty and sadness a public offense, life opens unrepentantly into a kaleidoscopic masquerade and a muddling carousel of faking. ("Even if the world goes down, my mobile will save me" )

A brain with no heart and no reasoning ... well, nothing is more meaningless.

We are effectively destroying ourselves by violence masquerading as love.

Within a system which denies the existence of basic human rights, fear tends to be the order of the day. Fear of imprisonment, fear of torture, fear of death, fear of losing friends, family, property or means of livelihood, fear of poverty, fear of isolation, fear of failure. A most insidious form of fear is that which masquerades as common sense or even wisdom, condemning as foolish, reckless, insignificant or futile the small, daily acts of courage which help to preserve man's self-respect and inherent human dignity. It is not easy for a people conditioned by fear under the iron rule of the principle that might is right to free themselves from the enervating miasma of fear. Yet even under the most crushing state machinery courage rises up again and again, for fear is not the natural state of civilized man.

One should not seek those who do not wish to be found.

Politics, n. Strife of interests masquerading as a contest of principles.

And, after all, what is a lie? 'Tis but the truth in masquerade.

Nebulous words covering a broad spectrum of intriguing maneuverings allow lobbyists to impersonate innocuous "strategic analysts" and masquerade as benefactors of the people. Therefore, foresight and clarity must always be our brothers-at-arms. ("Finally things had lost their weightiness")

Yeah, I was at the Masquerade of the Damned.

Like a Columbus of the heart, mind and soul I have hurled myself off the shores of my own fears and limiting beliefs to venture far out into the uncharted territories of my inner truth, in search of what it means to be genuine and at peace with who I really am. I have abandoned the masquerade of living up to the expectations of others and explored the new horizons of what it means to be truly and completely me, in all my amazing imperfection and most splendid insecurity.

All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.

This is the truth. You will know because it hurts.

Resistance is weakness and fear masquerading as strength. What the ego sees as weakness is your Being in its purity, innocence, and power. What it sees as strength is weakness.

Our civilized world is nothing but a great masquerade. You encounter knights, parsons, soldiers, doctors, lawyers, priests, philosophers and a thousand more: but they are not what they appear - they are merely masks... Usually, as I say, there is nothing but industrialists, businessmen and speculators concealed behind all these masks.

Do you think there's such a thing as a ghost who masquerades as a person? Do you believe that there are people whose bodies are still alive here on earth but whose souls are already in hell?

Freedom granted by your rulers is just a chain with a little slack.

Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.

The near enemy of love is attachment. Attachment masquerades as love. It says, “I will love this person (because I need something from them).” Or, “I’ll love you if you’ll love me back. I’ll love you, but only if you will be the way I want.” This isn’t the fullness of love. Instead there is attachment—there is clinging and fear. True love allows, honors, and appreciates; attachment grasps, demands, needs, and aims to possess.

Friendship is as selfish as any other relationship, perhaps more so because it masquerades as something noble. I am more comfortable with those who approach me with blades drawn.

POLITICS, n. A strife of interests masquerading as a contest of principles. The conduct of public affairs for private advantage.

Maybe I couldn’t make it. Maybe I don’t have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I don’t know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe I’m sick of the masquerade. I’m sick of pretending eternal youth. I’m sick of belying my own intelligence, my own will, my own sex. I’m sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; I’m sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. I’m sick of the Powder Room. I’m sick of pretending that some fatuous male’s self-important pronouncements are the objects of my undivided attention, I’m sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.

Your error is fundamental to the human psyche: you have allowed yourself to believe that others are mechanisms, static and solvable, whereas you are an agent.

Krista asks,"What is it about society that disappoints you so much?" Elliot thinks, "Oh I don't know, is it that we collectively thought Steve Jobs was a great man even when we knew he made billions off the backs of children? Or maybe it's that it feels like all our heroes are counterfeit; the world itself's just one big hoax. Spamming each other with our burning commentary of bullshit masquerading as insight, our social media faking as intimacy. Or is it that we voted for this? Not with our rigged elections, but with our things, our property, our money. I'm not saying anything new. We all know why we do this, not because Hunger Games books makes us happy but because we wanna be sedated. Because it's painful not to pretend, because we're cowards. Fuck Society." "Mr. Robot" season 1 episode 1, 'ohellofriend.mov

A teacher had once told them that men were either beasts, gentlemen, or beasts masquerading as gentlemen. Might there be a fourth category — gentlemen masquerading as beasts?

Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?

Just humor me for a few more minutes at least... You are hands-down, the most gorgeous woman here tonight. Or probably anywhere, for that matter. When you leave, at least I’ll be able to say I got a whole dance with you.” - Jonathan di Luca

Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.

Her fury had nothing else to eat and so it began to eat her.

A mind is like a puzzle; you must unlock it to read its hidden secrets.

Prisons are full of sociopaths and psychopaths, but when questioned, the imprisoned sociopath will honestly admit that they will commit any number of crimes to help a friend. A friend will help you move; a true friend will help you move a body. A friend will bail you out of jail; a true friend will be sitting beside you. Who wouldn’t want to have a true friend? But they sound a lot like a sociopath.

The discouragement masquerades as the impossibility.

It's not what the Masquerade does to you that you should you fear, she wanted to tell Ake. It's what the Masquerade convinces you to do to yourself.

It’s all connected with the belief human love is conditional. But human love isn’t conditional. No love is conditional. If love is conditional, it’s just some sort of manipulation masquerading as love.

Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.

When we realize that words can destroy something good, wonderful, and dear, and that by keeping silent we can avoid causing the least damage or harm, it’s easy to stay silent.

Edward Gibbon, in his classic work on the fall of the Roman Empire, describes the Roman era's declension as a place where "bizarreness masqueraded as creativity.

Just as the airplane graveyard was Heaven disguised as Hell, harvest camp is Hell masquerading Heaven.

We somehow must become what we are not, sacrificing what we are, to inherit the masquerade of what we will be.

She had always loved the stars. But in the desert of winter it was impossible to forget that they were cold, and distant, and did not care.

I feel liquefied, like a cucumber forgotten in the crisper drawer, and I want to hold myself at arm's length and carry me to the trash. Who is this sack of slush masquerading as me? It's intolerable.

I don't know how it is...but you seem to think me something wonderful, and indeed, I am not.

Call me crazy, but there is something terribly wrong with this city.

How uninteresting interesting things can become.

The rose fell into his lap, and he looked up, startled. Mimi grinned. "Hey handsom" Mimi sent. "What's up?" Jack replied, without speaking. "Just thinking of you." Jack's smile deepened, and he threw the rose back at her so that it landed in her lap. Mimi tucked it behind her ear and fluttered her eyelashes appreciatively.

If you believe something will make the world better, then it's always worth a try, even if you fail.

Masks reveal. They don’t conceal. Masks reveal your cravings, your passion, your deepest most secret desires.

I will write your name in the ruin of them. I will paint you across history in the color of their blood.

That lovely things exist is a lovely thought.

Good-bye, she thinks. Good-bye, kuye lam. I will write your name in the ruin of them. I will paint you across history in the color of their blood.

I keep order in a world full of chaos. I am perceived as evil, but true evil? The type that people fear - it masquerades as something far more worse than darkness." ~ Luca Nicolosi, Elect by Rachel Van Dyken

“You’ll have to excuse my shock. When the most gorgeous woman I’ve ever seen tells me she’s a virgin… I think I’ve just hit the lottery...” - Jonathan di Luca

I can’t help but ask, “Do you know where you are?” She turns to me with a foreboding glare. “Do you?

Pay no attention to the terrors that visit you in the night. The psyche is at its lowest ebb then, unable to defend itself. The desolation that envelops you feels like truth, but isn't. It's just mental fatigue masquerading as insight.

To become—in Jung’s terms—individuated, to live as a released individual, one has to know how and when to put on and to put off the masks of one’s various life roles. ‘When in Rome, do as the Romans do,’ and when at home, do not keep on the mask of the role you play in the Senate chamber. But this, finally, is not easy, since some of the masks cut deep. They include judgment and moral values. They include one’s pride, ambition, and achievement. They include one’s infatuations. It is a common thing to be overly impressed by and attached to masks, either some mask of one’s own or the mana-masks of others. The work of individuation, however, demands that one should not be compulsively affected in this way. The aim of individuation requires that one should find and then learn to live out of one’s own center, in control of one’s for and against. And this cannot be achieved by enacting and responding to any general masquerade of fixed roles.

From what I've witness, honesty didn't really make anyone happy. The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell.

She ascends from the ocean in a way that is nothing short of celestial. The water follows her in a throne, elevating her to the height of my ship. Ocean-soaked hair runs down the length of her body, and she retains the otherworldly glow that always seems to illuminate her moony skin. Only now she is something more than just a siren, or a girl masquerading as a pirate. She is a goddess.

The devil uses it against you, but he dresses it up as a friend. He masquerades it as something that you make peace with, not realizing that behind the curtain, it could be the worst enemy, ever, in your walk with the Lord. It’s time to bring that devil into repentance too.

There is a stillness between us, a period of restlessness that ties my stomach in a hangman’s noose. It is this same lack in noise that lives, there! in the darkness of the grave, how it frightens me beyond all things.

Listening to music, I always have exactly the same feeling: something’s missing. Never will I learn the cause of this gentle sadness, never will I wish to investigate it.

She put a hand up to her scars, whispering, "Your love comes with a heavy price tag.

Every moment is an edict spoken by its past. The past is the real tyranny.

The absolute truth is a wicked sort of rush. It's far more amusing than any lie. Both have the potential to empower and to hurt, but the truth is emotionally superior. Few people could fault you for it, not when you got ethics on your side. The truth is morally unassailable. But is has no pity. It is merciless.

On the road to success there is absolutely no room for criticism of self or others. Insecurity and fear masquerade as jealousy and judgment. Finding faults in others wastes time as we attempt to remove the bricks from other people’s foundations – time that could be better spent building our own. And worrying about what other people think about us also wastes the time that could be better spent expanding upon what we have built.

Do you know the difference between neurotics and psychotics?” He answered before I could speak, “Neurotics build castles in the sky; psychotics move into them.” And

Did Bach ever eat pancakes at midnight?

From what I’d witnessed, honesty didn’t really make anyone happy. The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell.

I'd like to die listening to a piece of music. I imagine this as so easy, so natural, but naturally it's quite impossible. Notes stab too softly. The wounds they leave behind may smart, but they don't fester. Melancholy and pain trickle out instead of blood. When the notes cease, all is peaceful within me again.

She accepts the world as it is and the world accepts her thus. She is not mastered. What is done to her cannot confine what she will do.

Do you know the difference between neurotics and psychotics?” “Neurotics build castles in the sky; psychotics move into them.

A mask you ask? Optional I find! Masks lend appeal of a mysterious kind.

There was no one to tell Scarlett that her own personality, frighteningly vital though it was, was more attractive than any masquerade she might adopt. Had she been told, she would have been pleased but unbelieving. And the civilization of which she was a part would have been unbelieving too, for at no time, before or since, had so low a premium been placed on feminine naturalness.

I believe in the complexity of the human story and that there’s no way you can tell that story in one way and say, This is it. Always there will be someone who can tell it differently depending on where they are standing; the same person telling the story will tell it differently. I think of that masquerade in Igbo festivals that dances in the public arena. The Igbo people say, If you want to see it well, you must not stand in one place. The masquerade is moving through this big arena. Dancing. If you’re rooted to a spot, you miss a lot of the grace. So you keep moving, and this is the way I think the world’s stories should be told—from many different perspectives.

When most people looked at Josie Tyrell, they only saw a certain collection of bones, a selection of forms filling space. But Michael saw past the mouth and the eyes, the architecture of the body, her fleshly masquerade. Other boys were happy enough to enjoy the show, they just wanted to be entertained in the body's shadow theater. But Michael had to come backstage. He went down into the mines, into the dark, and brought up the gold, your new self, a better self. But what good was it if he was just going to leave her behind?

A friend will help you move; a true friend will help you move a body. A friend will bail you out of jail; a true friend will be sitting beside you. Who

The mask in which you choose to disguise yourself uncovers who you subconsciously are or want to be. Masks reveal in the eyes the face that lies hidden as if the mask is a dark glass mirroring your soul.

Even though this was going to be the biggest act I had ever put on, I intended to play it as I always had—pure improvisation, all on impulse, with little more known than I would be playing the part of a countess.

Don’t be afraid to be a fool. Remember, you cannot be both young and wise. Young people who pretend to be wise to the ways of the world are mostly just cynics. Cynicism masquerades as wisdom, but it is the farthest thing from it. Because cynics don’t learn anything. Because cynicism is a self-imposed blindness, a rejection of the world because we are afraid it will hurt us or disappoint us. Cynics always say no. But saying yes begins things. Saying yes is how things grow. Saying yes leads to knowledge. “Yes” is for young people. So for as long as you have the strength to, say yes.

I have committed a terrible crime,” she said, voice firm, controlled, machined to a polish. “So terrible that I feel I can do anything, commit any sin, betray any trust, because no matter what ruin I make of myself, it cannot be worse than what I have already done.

Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.

The Hierarchic Qualm: The sword kills. But the arm moves the sword. Is the arm to blame for murder? No. The mind moves the arm. Is the mind to blame? No. The mind has sworn an oath to duty, and that duty moves the mind, as written by the Throne. So it is that a servant of the Throne is blameless.

Money is only one kind of power. Faith is power, too. Love is power. Slaughter and madness are both roads to power. Certainly, symbols are power – you wear one wherever you go, that purse you carry. And you wear others when you decide to dress yourself, how to look at men and women, how to carry your body and direct your gaze. And all these symbols can raise people to labour or war.

for she is my love, and other women are but big bodies of flame. who in the world would have thot of her like that? when most people looked they only saw a certain collection of bones, a selection of forms filling space. but he saw past the mouth and the eyes. the archetecture of the body, her fleshy masquerade. other boys were happy enuf to enjoy the show, they just wanted to be entertained by the bodys shadow theater but he had to come backstage. he went down into the mines. into the dark, brot up the gold. your new self, a better self. but wat good was it if he was jus gonna leave her behind. his poets lady, his silver lilly. he was a boy who knew things, things that looked one way but proved to be another.

We invoke the words of Jefferson and Lincoln because they say something about our legacy and our traditions. We do this because we recognize our links to the past--at least when they flatter us. But black history does not flatter American democracy; it chastens it. The popular mocking of reparations as a harebrained scheme authored by wild-eyed lefties and intellectually unserious black nationalists is fear masquerading as laughter. Black nationalists have always perceived something unmentionable about America that integrationists dare not acknowledge --that white supremacy is not merely the work of hotheaded demagogues, or a matter of false consciousness, but a force so fundamental to America that it is difficult to imagine the country without it.

Young ladies take their notions of our sex from the novels written by their own, and compared with the monstrosities that masquerade for men in the pages of that nightmare literature, Phytagoras' plucked bird and Frankenstein's demon were fair average specimens of humanity. In these so-called books, the chief lover, or Greek god, as he is admiringly referred to -by the way, they do not say which "Greek god" it is that the gentleman bears such a striking likeness to; it might be hump-backed Vulcan, or double-faced Janus, or even driveling Silenus. He resembles the whole family of them, however, in being a blackguard, and perhaps this is what is meant.

The social prestige of wine at table and at the club must be destroyed through lofty example and polite ridicule; forces which are not always available, and for whose successful operation much time will be required. But the outstanding fact remains, that the world has come to regard liquor in a new and clearer light. Our next generation of poets will contain but few Anacreons, for the thinking element of mankind has robbed the flowing bowl of its fancied virtues and fictitious beauties. The grape, so long permitted to masquerade as the inspirer of wit and art, is now revealed as the mother of ruin and death. The wolf at last stands divested of its sheep’s clothing.

And he looked at her with open eyes, the bone of his heavy brow a bastion above, the flesh of his face wealthy below, and in those eyes she glimpsed an imperium, a mechanism of rule building itself from the work of so many million hands. Remorseless not out of cruelty or hate but because it was too vast and too set on its destiny to care for the small tragedies of its growth.

For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)

Time is so subjective, its measure totally dependent upon the means by which we mark its passage. When we follow the conventional milestones, meting out our lives with birthdays and graduations and anniversaries and funerals, we are left with voids along the way-vast stretches of empty space lost forever, never to be filled. As time grows short, the significance of each moment increases, until finally every heartbeat is of monumental importance. Or so it seems at first. I have discovered, almost too late, that time is not just arbitrary, but of no great consequence after all. She has taught me that a touch is a lifetime, a kiss forever, and that passion will transcend the limitations of fragile existence to span eternity. I no longer worry about the beat of my heart-I need only the memory of her to live on. My soul, my very being, pulses with wonder at the places within me that she has filled, with gratitude for the wounds she has healed, and with everlasting devotion for the love she has given. In her arms, I found passion and peace and a place to rest. No matter where I travel or what road I take to reach my detestation, I will always have the comfort of her hand in my and the soft whisper of her voice reminding me that I do not need to be afraid. This, this has always been my secret desire, and now I need search no further. I am Loved, and I am content,

A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.

this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!”   ~~~~~~