“
Whatever happens”—his grip tightens a little—“I wish you all the best, Benjamin De Backer.” He says it with a smile. “You deserve it.
”
”
Mason Deaver (I Wish You All the Best (I Wish You All the Best, #1))
“
Normal people say, I can’t imagine feeling so bad I’d genuinely want to die. I do not try and explain that it isn’t that you want to die. It is that you know you are not supposed to be alive, feeling a tiredness that powders your bones, a tiredness with so much fear. The unnatural fact of living is something you must eventually fix.
”
”
Meg Mason (Sorrow and Bliss)
“
Don’t ignore the problems,” he says. “Learn from them. But also, don’t knock what you get right. Every success deserves a celebration.
”
”
Mason Deaver (I Wish You All the Best)
“
At any given moment, you have the power to say: This is not how the story is going to end.
”
”
Christine Mason Miller
“
I am not saying you haven't suffered, Martha. But I am saying, grow up. You're not the only one.
”
”
Meg Mason (Sorrow and Bliss)
“
Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?'
'Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.'
'Sounds to me like a euphemism for "freaky cult." '
'Freaky, you say?'
'Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'
Langdon scanned the class. 'Does that sound freaky to anyone else?'
'Yes!' they all chimed in.
Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'
Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'
Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'
The class looked horrified.
Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'
The classroom remained silent.
Langdon winked. 'Open your minds, my friends. We all fear what we do not understand.
”
”
Dan Brown (The Lost Symbol (Robert Langdon, #3))
“
I don’t know, it is a very quiet rebellion. […] I don’t get angry. I sit quietly in the corner and say 'no'.
”
”
Bobbie Ann Mason
“
I-I’m not making advances,” she told him as she flattened herself against his chest. “You’re just an available s-source of heat.”
“So you say,” St. Vincent replied lazily, tucking the quilt more tightly around them both.
“However, during the past quarter hour you’ve been fondling parts of my anatomy that no one’s ever dared to touch before.”
“I v-very much doubt that.” She burrowed even further into the depths of his coat, and added in a muffled voice, “You’ve probably been h-handled more than a hamper at Fortnum and Mason.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
The first rule for happiness is to avoid lengthy thinking on the past.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
You’re related to her?” I hear Mason say through the door. Then he laughs loudly. He has a great laugh. “Your name is Guy Love?” He barks out a laugh, louder this time. “Ironic, isn’t it?
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Don't ever say that, Fennrys," she said. "I don't ever want to hear you say that you don't deserve or you aren't worthy. You do. You are.
”
”
Lesley Livingston (Starling (Starling, #1))
“
Listen, I know everything you're saying is true. Ellie does need a good man. She needs someone steady. Someone who can offer her a life full of love and security.Unfortunately, she wants me.
- Mason
”
”
Kathy Love (Wanting What You Get (Stepp Sisters Trilogy, #2))
“
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of.
"What's wrong?" asked Dimitri.
"Do you see him?" I whispered.
Dimitri followed my gaze. "See who?"
"Mason."
Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him.
"Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts.
But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it.
"What?" I asked. "What is it?"
A look of frustration crossed his face. He pointed off behind me, the dropped his hand.
"Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him.
I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible.
"They're...coming....
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Having found the book which has a message for us, let us not be guilty of the folly of saying we have read it. We might as well say we have breakfasted, as if breakfasting on one day should last us for every day! The book that helps us deserves many readings, for assimilation comes by slow degrees.
”
”
Charlotte M. Mason (Ourselves)
“
Mia, I told you how I feel. I'm an asshole and I don't say or show how I feel very often, so how about you just fucking enjoy it." -Christopher Mason
”
”
Sadie Grubor (Falling Stars (Falling Stars, #1))
“
Beautiful flowers for my beautiful girl. Cheesy as hell, right? But I know one day you’ll let me say the real words to you. —Jess
”
”
S.D. Hendrickson (The Mason List)
“
Inspiration is for amateurs,” Close says. “The rest of us just show up and get to work.
”
”
Mason Currey (Daily Rituals: How Artists Work)
“
If I’m Romeo and she’s Juliet, maybe this is the fate I put on us that very first day. Love forbidden, but in our story, we’re forbidden by fate. Maybe I was the placeholder, as Mason wondered. Maybe I’m not the man of her dreams but the understudy who did the noble work. Who befriended a broken girl. Who showed her what it meant to matter to a man, how it felt to be loved. She knows now that she’s worth the world and deserves even more.
”
”
Meagan Brandy (Say You Swear (Boys of Avix, #1))
“
Uncle Vernon rounded on Harry. “And you?”
“I’ll be in my bedroom, making no noise and pretending I’m not there,” said Harry tonelessly.
“Exactly,” said Uncle Vernon nastily. At eight-fifteen—”
“I’ll announce dinner,” said Aunt Petunia.
“And, Dudley, you’ll say —”
“May I take you through to the dining room, Mrs. Mason?” said Dudley.
“And you?” said Uncle Vernon viciously to Harry.
“I’ll be in my room, making no noise and pretending I’m not there,” said Harry dully.
“Precisely. Now, we should aim to get in a few good compliments at dinner.
“How about — ‘We had to write an essay about our hero at school, Mr. Mason, and I wrote about you.’”
This was too much for both Aunt Petunia and Harry. Aunt Petunia burst into tears while Harry ducked under the table so they wouldn’t see him laughing.
“And you, boy?”
Harry fought to keep his face straight as he emerged. “I’ll be in my room, making no noise and pretending I’m not there,” he said.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Look at her, Noah.” Mason’s whisper is desperate. “Just… fucking look at her. It’s written all over her, and she doesn’t even know it. She’s yours, man. Don’t let her lose what she always wanted and finally found.
”
”
Meagan Brandy (Say You Swear (Boys of Avix, #1))
“
If you wait for perfect conditions, you will never get anything done.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
Frank, saying, Who cares what happens before we’re born and after we die? The question is, what do we do in the meantime?
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
Never worry about how much money, ability, or equipment you are starting with; just begin with a million dollars’ worth of determination.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
I love you...and I’m sorry it took losing you to figure that out.”
His anger deflated. “Did you say you love me?”
She nodded and tears dripped from her eyes.
He put a hand to his chest. “Are you sure, because my fucking heart can’t take this.
”
”
Dana Mason (Dangerous Embrace (Embrace, #1))
“
He hesitated, looking at her. The old Ellie was gone. Replaced by a woman who was detached and cold.
He didn’t know what to say, how to reach her. There was a wall around her, and he’d laid the foundation for her to build it.
”
”
Kathy Love (Wanting What You Get (Stepp Sisters Trilogy, #2))
“
And perhaps it is not too beautiful a thing to believe in this redeemed world, that, as the babe turns to his mother though he has no power to say her name, as the flowers turn to the sun, so the hearts of the children turn to their Saviour and God with unconscious delight and trust. Nursery
”
”
Charlotte M. Mason (The Original Home School Series)
“
Mason knew what it was like to say things you didn’t mean, to just have them vomit out, and then feel that crushing ache when you realized you could never pull them back.
”
”
Dan Krokos (The Planet Thieves (The Planet Thieves, #1))
“
You two are like a married couple."
Uh...I pointed to my head. "Heavy meds here. Say that again."
She rolled her eyes. "You heard me just fine. So did you," she threw to Mason.
”
”
Tijan (Fallen Crest Public (Fallen Crest High, #3))
“
I don't know what she's trying to say, but I can feel her struggle to get it out. "I love Skittles.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Faith is like a toothbrush. Everyone should have one and use it daily, but you shouldn’t try to use someone else’s.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
The world is a book where those who do not take risks read only one page.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
The devil smiles when we make plans. He laughs when we get too busy. but he trembles when we pray.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
I miss you,” he says. “I still miss you, sweetheart. Every day is like the first day I lost you.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
I reached out and petted the length of it with two fingers as if timidly greeting a live, rabid animal.
Sweat beaded on Mason's brow. He looked tortured, but he appeared to love every second of his suffering. "You are such a comedian. You know that's not what I meant by touch it. It's not a freaking dog."
"Um, no. I'd say this thing is more the size of a bull.
”
”
Linda Kage (Price of a Kiss (Forbidden Men, #1))
“
Let God dominate your day.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
Right is right even if everyone is against it, and wrong is wrong even if everyone is for it.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Mason, I’m ruined. I can never give you what you deserve. I’m incapable of loving someone like—like you want. I will never be able to do it right. I will never deserve to be loved.”
My breathing is erratic. I shove myself to my knees and grasp her arms, pulling her toward me once again. “Sometimes never is a distorted perception. I love you, Hope. And I’m not the only one. I know you care about me. I see it in your eyes. I feel it. Everybody needs love. Everybody. And some people need it more than others. You’re a liar if you say you don’t. I’ll do that for you. I’ll love you. All you have to do is let me.”
The wind whispers against my back as if giving me a nudge toward her and I take it as a sign. I propel myself into her, pushing my bare skin to hers. I need to feel her. I need her to feel me.
This is real.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
It is right to be content with what you have, but never with what you are. Happiness will never come to those who fail to appreciate what they already have. Don’t make the mistake of looking too far ahead and missing the things close by.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
There are things, crimes in a marriage, that are so great you cannot apologize for them. Instead, watching television on the sofa, eating the dinner he made while you showered after the hospital, you say, Patrick? Yes. I like this sauce.
”
”
Meg Mason (Sorrow and Bliss)
“
Don’t belong so completely to others that you do not belong to yourself. The fact is that we’re all in this together—by ourselves.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
Been thinking of my grandfather, whose wayward brilliance skipped my father’s generation. Once, he showed me an aquatint of a certain Siamese temple. Don’t recall its name, but ever since a disciple of the Buddha preached on the spot centuries ago, every bandit king, tyrant, and monarch of that kingdom has enhanced it with marble towers, scented arboretums, gold-leafed domes, lavished murals on its vaulted ceilings, set emeralds into the eyes of its statuettes. When the temple finally equals its counterpart in the Pure Land, so the story goes, that day humanity shall have fulfilled its purpose, and Time itself shall come to an end.
To men like Ayrs, it occurs to me, this temple is civilization. The masses, slaves, peasants, and foot soldiers exist in the cracks of its flagstones, ignorant even of their ignorance. Not so the great statesmen, scientists, artists, and most of all, the composers of the age, any age, who are civilization’s architects, masons, and priests. Ayrs sees our role is to make civilization ever more resplendent. My employer’s profoundest, or only, wish is to create a minaret that inheritors of Progress a thousand years from now will point to and say, “Look, there is Vyvyan Ayrs!”
How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner.
”
”
David Mitchell (Cloud Atlas)
“
Normal people say, I can't imagine feeling so bad I'd genuinely want to die. I do not try and explain that it isn't that you want to die. It is that you know you are not supposed to be alive, feeling tiredness that powders your bones, a tiredness with so much fear. The unnatural fact of living is something you must eventually fix.
”
”
Meg Mason (Sorrow and Bliss)
“
The more I consider this mighty tail, the more do I deplore my inability to express it. At times there are gestures in it, which, though they would well grace the hand of man, remain wholly inexplicable. In an extensive herd, so remarkable, occasionally, are these mystic gestures, that I have heard hunters who have declared them akin to Free-Mason signs and symbols; that the whale, indeed, by these methods intelligently conversed with the world. Nor are there wanting other motions of the whale in his general body, full of strangeness, and unaccountable to his most experienced assailant. Dissect him how I may, then, I but go skin deep; I know him not, and never will. But if I know not even the tail of this whale, how understand his head? much more, how comprehend his face, when face he has none? Thou shalt see my back parts, my tail, he seems to say, but my face shall not be seen. But I cannot completely make out his back parts; and hint what he will about his face, I say again he has no face.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
She’d given it away once; she never would again. Life took things from you: mothers, friends, sometimes even choices. But that wasn’t the same as giving parts of yourself away. It was her voice to use: to say no and yes and “I love you” with, to sing with, even to hold silent.
”
”
Jennifer Mason-Black (Devil and the Bluebird)
“
If the directions say to do it, we do it," said Maggie. "That's what everyone says. If you don't listen to the Monkey, he doesn't meet with you."
"Let's hope the directions don't tell us to shoot a man in Reno just to watch him die," I muttered, and pulled out onto the street.
”
”
Mira Grant (Blackout (Newsflesh, #3))
“
He tells her that, when Nola first died, he thought he’d die himself, of the sorrow. He says he’d read that grief has a catabolic effect and he thought for sure it would take him right out, this immense and gnawing pain, that it would eat him alive from the inside out. But it didn’t. It took a long time for him to shift things around so that he could still love and honor Nola but also love and honor life, but it happened. And it will happen to her.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
We forget how ready people are to help. You can talk all you want about the evil spirit of man. But I don’t think it’s true. I think most of us are just dying to be good. And one way we can do that is to forgive the bad in others as well as in ourselves. I don’t say don’t hold people accountable. Help them be accountable. But to say those words to yourself or another? ‘I forgive you’? Most powerful words in the world.
”
”
Elizabeth Berg (The Confession Club (Mason, #3))
“
I think the kind of love that comes after romantic love is the best, richest love of all. At some point, I think we all want someone we can look ugly around, reveal our vulnerabilities to, and, most important, trust. And as a former nurse, I found that when people are at their most vulnerable, at their “ugliest,” is when they’re the most beautiful. In this novel, I think true love is saying, “I see you wholly and I love you anyway.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
Auburn Mason Reed,” I say out loud.
What are the chances?
I smile and run my thumb over the letters in her middle name. “We have the same middle name.”
I look back up at Adam, and he’s lowering his bed again with a faint smile on his face. “That could be fate, you know.”
I shake my head, dismissing his comment. “I’m pretty sure she’s your fate. Not mine.”
His voice is strained, and it takes a tremendous amount of effort for him to roll onto his side. He closes his eyes and says, “Hopefully she has more than one fate, Owen.
”
”
Colleen Hoover (Confess)
“
You are my flesh and blood and I have always doted on you, but right now I would have to say you deserve a haughty, ruined chit for your own and she deserves you.
”
”
Mary Balogh (A Matter of Class)
“
Cornel West says: “If your success is defined as being well adjusted to injustice and well adapted to indifference, then we don’t want successful leaders.
”
”
Eric Mason (Woke Church: An Urgent Call for Christians in America to Confront Racism and Injustice)
“
Laughter is like changing a baby’s diaper—it solves a problem and makes things more acceptable for a while.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
Silence, and then, "How old are you?" Maddy asks, and Arthur tells her eighty-five. Then he asks her how old she is.
"Eighteen," she says. "Almost."
Eighteen. The word is a poem.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
The mystical teachings do not erase sorrow. They say, here is your life. What will you do with it?
”
”
Elizabeth Berg (The Confession Club (Mason, #3))
“
I saw Diana shake her head, “Jonathon, we’re here for you. Stop being a butt head.”
We all started laughing. I was bent over at the waist with tears running out of my eyes.
Mason said, “Did you seriously just say ‘butt head’?”
Diana blushed, “Well, he was being a butt head.
”
”
Micalea Smeltzer (Forbidden (Fallen, #2))
“
Once more he became silent, staring before him with sombre eyes. Following his gaze, I saw that he was looking at an enlarged photograph of my Uncle Tom in some sort of Masonic uniform which stood on the mantlepiece. I've tried to reason with Aunt Dahlia about this photograph for years, placing before her two alternative suggestions: (a) To burn the beastly thing; or (b) if she must preserve it, to shove me in another room when I come to stay. But she declines to accede. She says it's good for me. A useful discipline, she maintains, teaching me that there is a darker side to life and that we were not put into this world for pleasure only.
”
”
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
“
He shared his favorite place with me. The admission burned in my chest—a painful combination of friendship and the Masons always giving something to me. I wasn’t sure what to say back to him. “You don’t have to share everything with me.” “I know, but I want to.” His sincere blue eyes spoke more than the words.
”
”
S.D. Hendrickson (The Mason List)
“
In the Forest,’ comments Mr. Crawfford, ‘ev’ryone comes ‘round in a Circle sooner or later. One day, your foot comes down in your own shit. There, as the Indians say, is the first Step upon the Trail to Wisdom.
”
”
Thomas Pynchon
“
He entered the city asked a blind man if he had ever heard the name Enkidu, and the old man shrugged and shook his head, then turned away, as if to say, ‘It is impossible to keep the names of friends whom we have lost
”
”
Herbert Mason
“
And you don’t even need to say anything. I’m screwed up. I don’t know how any of this works anymore than you do. But I do believe you’re worth every second it would take to figure it out,” Mason said, a smile taking over his features.
”
”
Holly Hood (Run)
“
The great educator Charlotte Mason says that when we put children in direct contact with great ideas and get out of the way, "Teachers shall teach less and scholars shall learn more." Any homeschooling parent who has observed her own children for any length of time will know this to be true. Real learning happens when our children wrestle directly with great ideas- not as a result of our repackaging those great ideas, but when they interact with the ideas themselves.
”
”
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
“
Never worry about how much money, ability, or equipment you are starting with; just begin with a million dollars’ worth of determination. Remember: It’s not what you have; it’s what you do with what you have that makes all the difference.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
Debbie Nathan’s thesis is that Shirley Mason was a vulnerable hysteric and was manipulated by her therapist into iatrogenic DID and false memories of child abuse. Nathan says that this is generally true of DID, except for perhaps a small number of genuine cases. One problem with this thesis is that it is based on a stereotypically male chauvinist view of women as impressionable hysterics who do not know, and are not in control of, their own minds or histories; this demeaning view of women is presented as a feminist thesis.
”
”
Colin A. Ross
“
In the beginning, I told strangers I couldn't have children because I thought it would stop them from continuing beyond their initial inquiry. It is better to say you don't wnat them. Then they know straightaway that there is something wrong with you, just not in a medical sense.
”
”
Meg Mason (Sorrow and Bliss)
“
“Maurency seems to be undergoing a remarkable and somewhat undesirable transformation.”
“What?”
“He’s changed hair color, put on some muscle and now seems to be cracking skulls rather than saying his prayers.”
Mason rose and rounded the table.
“In short, it looks like Linnet’s ideal hero might be turning into you.”
[...]
“He looks improved, but I still don’t like him.”
“He’s you, you fool,” responded Oswald scathingly.
”
”
Alice Coldbreath (Her Bastard Bridegroom (Vawdrey Brothers, #1))
“
It hurt when you pulled away from me this year. We were already separated. You moved in with David and my mom moved back. Mason left me too. It wasn’t just you. I needed you this year. I don’t let people in, Sam, but I let you in. We both let you in. It fucking hurt. That’s all I’m saying.
”
”
Tijan
“
I snatched up the papers and reminded him that it had been his idea. “But yes, thank God you didn’t manage to get me pregnant, Jonathan. A baby I didn’t want in the first place turning out to have a genetic predilection for cocaine and white jeans.” I left before he could say anything else.
”
”
Meg Mason (Sorrow and Bliss)
“
We’re roommates.” Immediately, he backpedals. “I-I mean, not just roommates, obviously…”
“No, we’re much more than that,” Lyssa supplies, nodding at my son encouragingly. This is like watching a bad sitcom. They’re both terrible liars.
“We’re like, all the things,” Mason says finally.
Lyssa smiles brightly. “All of them!”
And then they high five.
Christ.
”
”
Jessa Kane (The Loner's Lady)
“
But anything other than a yes or no question was beyond us, apparently. He opened up his mouth as though he would say something. He looked like he was trying hard, like Adrian had with the plant. But no sound came out. “I’m sorry,” I whispered. “I’m sorry I don’t understand . . . and . . . I’m sorry for everything else.” Mason gave me one last wistful look and then vanished.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Tell us about de Sade. You take him seriously as a thinker? A. You must. He is important. He represents the line from the Enlightenment philosophers who extol human reason and free will, in its cynical vein. He asks, If we are free to follow our passions, who can prevent us from following our desire to hurt others, to kill, to rape, to torture? Those are, he says, human passions; they are natural. Voltaire, Rousseau, Diderot, the freethinkers, lead, according to one view, to the guillotine and the Sadeian boudoir. Mr. Mason has understood this. He has shown it.
”
”
A.S. Byatt (Babel Tower (Vintage International))
“
He hesitates, then turns and starts up her walk. Gives her a friendly smile, to boot. He wishes she wouldn’t wear a wig, or at least not one that sits so crookedly on her head. It’s a distraction. Sometimes he has to restrain himself from reaching over and giving it a little tug, then smacking her knee in a friendly way and saying, “There you go!” But why risk humiliating her?
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
Letters sometimes required thinking over and Miss Mason would say,—“I will give you the answer to that tomorrow”; and tomorrow the answer would be ready without any reminder, and the letter would be answered in detail and without any further reference to its pages. She constantly said,—“Always remember that persons matter more than things. Don’t say anything that will leave a sting.
”
”
Parents' National Educational Union (In Memoriam: A Tribute to Charlotte Mason)
“
Do More… Do more than exist—live. Do more than hear—listen. Do more than agree—cooperate. Do more than talk—communicate. Do more than grow—bloom. Do more than spend—invest. Do more than think—create. Do more than work—excel. Do more than share—give. Do more than decide—discern. Do more than consider—commit. Do more than forgive—forget. Do more than help—serve. Do more than coexist—reconcile. Do more than sing—worship. Do more than think—plan. Do more than dream—do. Do more than see—perceive. Do more than read—apply. Do more than receive—reciprocate. Do more than choose—focus. Do more than wish—believe. Do more than advise—help. Do more than speak—impart. Do more than encourage—inspire. Do more than add—multiply. Do more than change—improve. Do more than reach—stretch. Do more than ponder—pray. Do more than just live—live for Jesus.
”
”
John Mason (You Can Do It--Even if Others Say You Can't)
“
hard for me to hear the constant refrain of “just preach the gospel.” When the topic is abortion, nobody says, “just preach the gospel.” We preach against abortion as if it’s a gospel issue. When the topic is sex trafficking, no one says “just preach the gospel.” We develop a battalion to go and get people out of sex trafficking. And we should because these are crucial issues. But so is racial justice!
”
”
Eric Mason (Woke Church: An Urgent Call for Christians in America to Confront Racism and Injustice)
“
Our aim in education is to give a full life. We owe it to them to initiate an immense number of interests. Life should be all living, and not merely a tedious passing of time; not all doing or all feeling or all thinking - the strain would be too great - but, all living; that is to say, we should be in touch wherever we go, whatever we hear, whatever we see, with some manner of vital interest. ~ Charlotte Mason
”
”
Emily Cook (A Literary Education: Adapting Charlotte Mason for Modern Secular Homeschooling)
“
There was also more practical inquiry. How should I make a living? How do I get my relatives out of my house? Could you help me postpone payment of this loan? The dervishes had jobs in the workday world: mason, weaver, bookbinder, grocer, hatmaker, tailor, carpenter. They were craftsmen and -women, not renunciates of everyday life, but affirmative makers and ecstatics. Some people call them sufis, or mystics. I say they're on the way of the heart.
”
”
Coleman Barks (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
Sometimes,” he said, “life does seem to be unfair. Do you know the story of Elijah and the Rabbi Jachanan?”
“No,” said the Wart.
He sat down resignedly upon the most comfortable part of the floor, perceiving that he was in for something like the parable of the looking-glass.
“This rabbi,” said Merlyn, “went on a journey with the prophet Elijah. They walked all day, and at nightfall they came to the humble cottage of a poor man, whose only treasure was a cow. The poor man ran out of his cottage, and his wife ran too, to welcome the strangers for the night and to offer them all the simple hospitality which they were able to give in straitened circumstances. Elijah and the Rabbi were entertained with plenty of the cow’s milk, sustained by home-made bread and butter, and they were put to sleep in the best bed while their kindly hosts lay down before the kitchen fire. But in the morning the poor man’s cow was dead.”
“Go on.”
“They walked all the next day, and came that evening to the house of a very wealthy merchant, whose hospitality they craved. The merchant was cold and proud and rich, and all that he would do for the prophet and his companion was to lodge them in a cowshed and feed them on bread and water. In the morning, however, Elijah thanked him very much for what he had done, and sent for a mason to repair one of his walls, which happened to be falling down, as a return for his kindness.
“The Rabbi Jachanan, unable to keep silence any longer, begged the holy man to explain the meaning of his dealings with human beings.
“ ‘In regard to the poor man who received us so hospitably,’ replied the prophet, ‘it was decreed that his wife was to die that night, but in reward for his goodness God took the cow instead of the wife. I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall himself he would have discovered the treasure. Say not therefore to the Lord: What doest thou? But say in thy heart: Must not the Lord of all the earth do right?’
”
”
T.H. White
“
What will you do when you figure it out?” Kitty asks me, her mouth full of cookie.
“Yeah, what’s the point of all this?” Peter says. “I mean, who cares if a chocolate chip cookie is eight percent better? It’s still a chocolate chip cookie.”
“I’ll take pleasure in the knowledge that I am in possession of the perfect chocolate chip cookie recipe. I will pass it down to the next generation of Song girls.”
“Or boys,” Kitty says.
“Or boys,” I agree. To her I say, “Now go upstairs and get a big Mason jar for me to put these cookies in. And a ribbon.”
Peter asks, “Will you bring some to school tomorrow?”
“We’ll see,” I say, because I want to see him make that pouty face I love so much. He makes the face, and I reach up to pat his cheeks. “You’re such a baby.”
“You love it,” he says, snagging another cookie.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Given what the stigmatized individual may well face upon entering a mixed social situation, he may anticipatorily respond by defensive cowering. This may be illustrated from an early study of some German unemployed during the Depression, the words being those of a 43-year-old mason: How hard and humiliating it is to bear the name of an unemployed man. When I go out, I cast down my eyes because I feel myself wholly inferior. When I go along the street, it seems to me that I can’t be compared with an average citizen, that everybody is pointing at me with his finger. I instinctively avoid meeting anyone. Former acquaintances and friends of better times are no longer so cordial. They greet me indifferently when we meet. They no longer offer me a cigarette and their eyes seem to say, “You are not worth it, you don’t work.”37
”
”
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
“
I have to tell you about these things from the past, because they are so important. The really important things usually lie in the distant past. And until you know about them, if you'll forgive my saying so, you will always to some extent a mere newcomer in my life.
When I was at High School my favourite pastime was walking. Or rather, loitering. If we are talking about my adolescence, it's the more accurate word. Systematically, one by one, I explored all the districts of Pest. I relished the special atmosphere of every quarter and every street. Even now I can still find the same delight in houses that I did then. In this respect I've never grown up. Houses have so much to say to me. For me, they are what Nature used to be to the poets - or rather, what the poets thought of as Nature.
But best of all I loved the Castle Hill District of Buda. I never tired of its ancient streets. Even in those days old things attracted me more than new ones. For me the deepest truth was found only in things suffused with the lives of many generations, which hold the past as permanently as mason Kelemen's wife buried in the high tower of Deva.
”
”
Antal Szerb
“
You are beautiful, Layla."
Layla gave a tiny shake of her head. "I didn't feel beautiful when I saw the women Jonas had brought to our bed. Don't get me wrong. I have no desire to be that thin. I like my curves. But it was like he was saying there was something wrong with me, and it made me even angrier because he was right." She attacked the burger like it was a Scooby Snack. Did she really not see her own beauty? Evan had been falling all over himself to get her into bed, and the dudes with the mason jars weren't the only ones who'd been checking her out in the bar.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
He says, "Nola once told me she wished people could be stars in the sky and look down on those that they loved. I always wished that could be so. Let's you and I pretend it's true, even if it isn't, would that be okay with you?"
Madly nods, her throat tight.
"And after I die, why, you look up in the sky for two stars, real close together. That will be Nola and me. Those stars will be so close together, it'll look like they are one, but they'll be two. Me, and then just to my right, Nola. Look up at us sometimes."
"I will," Maddy says, "I promise. But you're not going anywhere yet.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
“
Dixon, our, um, Lives? are in Danger?” “Hardly enough to interrupt a perfectly good—” Here he is silenc’d by an immense Thunder-Bolt from directly overhead, as their frail Prism is bleach’d in unholy Light. “— Saturday Night for, is it I ask you . . . ?” his Head emerging at last from beneath a Blanket, “Mason? Say, Mason,— are thee . . . ?” Mason, now outside, pushes aside the Tent-flap with his head, but does not enter. “Dixon. I will now seek Shelter beneath that Waggon out there, d’ye see it? If you wish to join me, there’s room.” “Bit too much Iron there for me, thanks all the same.
”
”
Thomas Pynchon (Mason & Dixon)
“
Patricia! Baby! Why don’t you pick up your phone?” he cries. “I called you eight hundred times. Listen, I’m telling you, baby, I never cheated on you . . .” “I know that,” Patricia says calmly. “You know . . .” He stares at her. “If you know that . . . then why . . . in the fuck . . . did you key my CAR!?” he shouts. “BECAUSE YOU LEFT MY GRANDMOTHER AT THE AIRPORT!” Patricia bellows back at him. “You said you were going to pick her up while I was at work! She waited THREE HOURS, MASON! That woman is eighty-seven years old! She saw the Hindenburg explode. Actually, she heard it—BECAUSE THERE WAS NO FUCKING TV!” Mason is standing there frozen, with a guilty grimace on his face. He definitely forgot all about Patricia’s grandma until right this very moment. “Okay, okay,” he says, holding up his hands. “I might have fallen asleep—” “ASLEEP?” “But you didn’t have to key my car, baby! It’s a classic!” “Nana’s a classic, Mason! NANA!
”
”
Sophie Lark (Savage Lover (Brutal Birthright, #3))
“
One should not grow attached to other people, Doctor,” said Margarete, when he came to the door, and he didn’t know if she was speaking for him or for herself. Her eyes were red, and he wanted to comfort her, but he couldn’t think of what to say. He had thought he was inured to death by then, even prided himself on the calmness with which he absorbed the news of the most recent passing. He who had once stared in shock at the frozen soldier without a jaw. But the great Rzedzian’s body seemed horribly small, the stiffening fingers too familiar, and the way his lip drew back over his teeth reminded him of the corpse of an animal.
”
”
Daniel Mason (The Winter Soldier)
“
Mason prefers to switch over to Tea, when it is Dixon’s turn to begin shaking his head. “Can’t understand how anyone abides that stuff.” “How so?” Mason unable not to react. “Well, it’s disgusting, isn’t it? Half-rotted Leaves, scalded with boiling Water and then left to lie, and soak, and bloat?” “Disgusting? this is Tea, Friend, Cha,— what all tasteful London drinks,— that,” pollicating the Coffee-Pot, “is what’s disgusting.” “Au contraire,” Dixon replies, “Coffee is an art, where precision is all,— Water-Temperature, mean particle diameter, ratio of Coffee to Water or as we say, CTW, and dozens more Variables I’d mention, were they not so clearly out of thy technical Grasp,— ” “How is it,” Mason pretending amiable curiosity, “that of each Pot of Coffee, only the first Cup is ever worth drinking,— and that, by the time I get to it, someone else has already drunk it?” Dixon shrugs. “You must improve your Speed . . . ? As to the other, why aye, only the first Cup’s any good, owing to Coffee’s Sacramental nature, the Sacrament being Penance, entirely absent from thy sunlit World of Tay,— whereby the remainder of the Pot, often dozens of cups deep, represents the Price for enjoying that first perfect Cup.” “Folly,” gapes Mason. “Why, ev’ry cup of Tea is perfect . . . ?” “For what? curing hides?
”
”
Thomas Pynchon (Mason & Dixon)
“
West Country novelist Thomas Hardy almost did not survive his birth in 1840 because everyone thought he was stillborn. He did not appear to be breathing and was put to one side for dead. The nurse attending the birth only by chance noticed a slight movement that showed the baby was in fact alive. He lived to be 87 and gave the world 18 novels, including some of the most widely read in English literature. When he did die, there was controversy over where he should be laid to rest. Public opinion felt him too famous to lie anywhere other than in Poets’ Corner in Westminster Abbey, the national shrine. He, however, had left clear instructions to be buried in Stinsford, near his birthplace and next to his parents, grandparents, first wife and sister. A compromise was brokered. His ashes were interred in the Abbey. His heart would be buried in his beloved home county. The plan agreed, his heart was taken to his sister’s house ready for burial. Shortly before, as it lay ready on the kitchen table, the family cat grabbed it and disappeared with it into the woods. Although, simultaneously with the national funeral in Westminster Abbey, a burial ceremony took place on 16 January 1928, at Stinsford, there is uncertainty to this day as to what was in the casket: some say it was buried empty; others that it contained the captured cat which had consumed the heart.
”
”
Phil Mason (Napoleon's Hemorrhoids: ... and Other Small Events That Changed History)
“
I’m going to need you to do something besides the deer in headlights look. You’re giving everyone the impression that I brought you here at gunpoint.”
I rolled my eyes. “You’re sweet.”
“Seriously. Looking even moderately enthused will do.”
“Yeah, duly noted. How could I say no to such a sweet and sensitive boyfriend?”
Mason smirked… “I didn’t realize sweet and sensitive was what you wanted.”
“I think that’s what most girlfriends want, but I understand that you wouldn’t know that,” I replied, averting my eyes as Mason watched me gather my hair over one shoulder.
“Duly noted. If that’s what works with you, then here.” One step forward and Mason was suddenly inches from me. The breath hitched in my throat as he locked his gaze on mine. Shit.
”
”
Stella Rhys (Ex Games)
“
WE THE PEOPLE PULL THE CORD . . . there is no one who understands; there is no one who seeks God. Romans 3:11 The Founding Fathers didn’t think too highly of human nature, so they created three branches of government to keep power-hungry officials in check. They also slipped another “check” on these politicians into the Constitution. Remember learning how the Constitution can be amended through Congress? Well, even better, there’s a lesser-known way to change it when necessary, without Congress or the president stopping “We the People.” Our Founders knew government could grow so drunk on its own power that it wouldn’t ever voluntarily restrict itself, so constitutionalist George Mason allowed for a “Convention of States” in Article V to give the power back to the people. My friend Mark Levin describes this: “By giving the state legislatures the ultimate say on major federal laws, on major federal regulations, on major Supreme Court decisions, should 3/5 of state legislatures act to override them within a two year period, it doesn’t much matter what Washington does or doesn’t do. It matters what you do . . . the goal is to limit the entrenchment of Washington’s ruling class.” Keep educating the people, Mark!
”
”
Sarah Palin (Sweet Freedom: A Devotional)
“
There is one other wall, of course. One we never speak of. One we never see, One which separates memory from madness. In a place no one offers flowers. THE WALL WITHIN. We permit no visitors. Mine looks like any of a million nameless, brick walls— it stands in the tear-down ghetto of my soul; that part of me which reason avoids for fear of dirtying its clothes and from atop which my sorrow and my rage hurl bottles and invectives at the rolled-up windows of my passing youth. Do you know the wall I mean? —Steve Mason, U.S. Army captain (Vietnam), poet Excerpted from the poem “The Wall Within” by Steve Mason, a decorated Vietnam combat veteran considered the unofficial poet laureate of the Vietnam War. “The Wall Within” was read at the 1984 dedication of the Vietnam Veterans Memorial in Washington, DC, and was entered in its entirety into the Congressional Record.
”
”
Kevin Sites (The Things They Cannot Say: Stories Soldiers Won't Tell You About What They've Seen, Done or Failed to Do in War)
“
It is the impossibility of living by any other means that compels our farm labourers to till the soil whose fruits they will not eat, and our masons to construct buildings in which they will not live. It is want that drags them to those markets where they await masters who will do them the kindness of buying them. It is want that compels them to go down on their knees to the rich man in order to get from him permission to enrich him ... What effective gain has the suppression of slavery brought him? ... He is free, you say. Ah. That is his misfortune. The slave was precious to his master because of the money he had cost him. But the handicraftsman costs nothing to the rich voluptuary who employs him ... These men, it is said, have no master – they have one, and the most terrible, the most imperious of masters, that is need. It is this that reduces them to the most cruel dependence
”
”
Simon linguet
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
something in. I wonder what the heck he’s doing. It was almost like he was waiting for me. I don't say anything, not wanting to be rude. Maybe he lives in the building. He’s not a tall man, maybe five-eleven, which doesn’t seem so big after having Mason in my space. Mason’s more than a few inches over six foot. But what this man doesn’t have in height, he has in muscles. He looks like someone who used to wrestle, I think absently. His gray hair streaks over his once-solid black hair. If I had to guess, I’d say he’s in his early fifties. The elevator dings, and he follows me on, hitting the button for both of us. When I step out, he follows me out the building and down the street. I start walking faster, unsure what the heck is going on. “Miss Myers.” When he says my name, I stop and turn, and he almost runs into me. “I’m your security. No need to be scared of me.” “Security?” “Seems you like to wander. I’m here to make sure you don’t wander into trouble.” “I don’t wander,” I fire back. He raises his eyebrows and smiles. “Just doing my job, ma’am.” His easy smile forces me to release the tension in my shoulders. Sometimes things would get a little scary when I walked home to my old apartment. It wasn’t in the nicest neighborhood. Heck, sometimes I didn’t even feel safe in my apartment.
”
”
Alexa Riley (Paid For)
“
So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning.
I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face.
"Mason?" I asked, going back to my food.
Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase."
"He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago.
"I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled.
I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha.
Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything."
"Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered.
Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends."
Because we were.
Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?"
Gordo shook his head.
"Gaby, do you think I'm blind?" he asked.
"Not blind, just dumb.” I smiled.
He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you."
In love.
With me?
I leaned forward and tried to sniff his breath. “Are you still drunk?”
But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms."
Gordo and I burst out laughing.
"Is that a good thing?" I asked him.
Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too."
The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?
”
”
Mariana Zapata (Rhythm, Chord & Malykhin)
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
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Thomas Pynchon (Mason & Dixon)
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My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
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Henry David Thoreau (Walden)
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O Come, O Come, Emmanuel “T hey shall call his name Immanuel” (which means, God with us)” (Matthew 1:23 ESV). This is perhaps our oldest Christmas carol. Historians say its roots go back to the 8th century. In its earliest form, it was a “plain song” or a chant and the monks sang it a cappella. It was sung or chanted in Latin during the seven days leading up to Christmas. Translated into English by John Mason Neale in 1851, we sing it to the tune “Veni, Emmanuel,” a 15th-century melody. Many churches sing it early in the Advent season because of its plaintive tone of expectant waiting. Traditionally Advent centers on the Old Testament preparation for the coming of the Messiah who will establish his kingdom on the earth. When the words form a prayer that Christ will come and “ransom captive Israel,” we ought to remember the long years of Babylonian captivity. Each verse of this carol features a different Old Testament name or title of the coming Messiah: “O come, O come, Emmanuel.” “O come, Thou Wisdom from on high.” “O come, Thou Rod of Jesse.” “O come, Thou Day-spring.” “O come, Thou Key of David.” “O come, Thou Lord of Might.” “O come, Desire of Nations.” This carol assumes a high level of biblical literacy. That fact might argue against singing it today because so many churchgoers don’t have any idea what “Day-spring” means or they think Jesse refers to a wrestler or maybe to a reality TV star. But that argument works both ways. We ought to sing this carol and we ought to use it as a teaching tool. Sing it—and explain it! We can see the Jewish roots of this carol in the refrain: Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel. But Israel’s Messiah is also our Savior and Lord. What Israel was waiting for turns out to be the long-expected Jesus. So this carol rightly belongs to us as well. The first verse suggests the longing of the Jewish people waiting for Messiah to come: O come, O come, Emmanuel And ransom captive Israel That mourns in lonely exile here Until the Son of God appears The second verse pictures Christ redeeming us from hell and death: O come, Thou Rod of Jesse, free Thine own from Satan’s tyranny From depths of Hell Thy people save And give them victory o’er the grave This verse reminds us only Christ can take us home to heaven: O come, Thou Key of David, come, And open wide our heavenly home; Make safe the way that leads on high, And close the path to misery. Rejoice! Rejoice! Emmanuel Shall come to thee, O Israel. Let’s listen as Selah captures the Jewish flavor of this carol. Lord, we pray today for all those lost in the darkness of sin. We pray for those who feel there is no hope. May the light of Jesus shine in their hearts today. Amen.
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Ray Pritchard (Joy to the World! An Advent Devotional Journey through the Songs of Christmas)
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Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.
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V.F. Mason (Lachlan's Protégé (Dark Protégés #1))