Marvel Villain Quotes

We've searched our database for all the quotes and captions related to Marvel Villain. Here they are! All 21 of them:

Let's lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are.
Stan Lee
He spread his arms wide, as if he could embrace the city below. "There are so many things to marvel at. How could anyone want to hurt it? How can people wake up every morning and not think -- The sun is still there! And I'm still here! This is incredible!
Marissa Meyer (Archenemies (Renegades, #2))
There are times when the marvels of scientific advancement expedite our processes, making our lives easier. Modern technology provides machines that can think three or five or seven steps ahead of the human mind, machines that offer elegant solutions, a selection of contingency plans, Bs and Cs and Ds in case A isn't to your liking. And then there are times when a screwdriver and a bit of elbow grease are all that's necessary to get the job done.
Victoria E. Schwab (Vicious (Villains, #1))
If this were a Marvel movie, this would be my villain origin story. I would devote the rest of my life to rooting out fuckboys, exposing their crimes against womankind, and then like murdering them or whatever, until some guy in spandex knocks a building on me
Elise Bryant (One True Loves (Happily Ever Afters, #2))
That is marriage, in the end: two of you, being you, warring against the worst parts of you, making space for the best to grow, and learning to see that some parts of your spouse are not your favorite, and letting those parts be anyway. Hating those parts is no grounds for divorce. The only thing worth divorcing, in most cases, is the hatred itself, and your inborn desire to shape the world to your will like some kind of Marvel villain.
Harrison Scott Key (How to Stay Married: The Most Insane Love Story Ever Told)
I’m supposed to be a super hero, but can I really be if I’m seen as a villain because of the color of my skin?
Brittney Morris (Marvel’s Spider-Man: Miles Morales – Wings of Fury)
This was one of the most marvelous mysteries about Sage—that she so readily handed out praise but it was always so specific. Like she found her favorite part of every person she came across and then presented it to them.
Hannah Nicole Maehrer (Apprentice to the Villain (Assistant to the Villain, #2))
Marvel and DC comics dealt with fantastical characters but at least they sent them on recognisable journeys, providing them with origin stories, personal tragedies (the villain Magneto was revealed to be a Holocaust survivor), love affairs, psychological issues, political awakenings and all the rest of it.
Anthony Horowitz (The Word is Murder (Hawthorne & Horowitz #1))
He could track his thoughts better now, marveled at the way they circled round to solutions that bypassed caution and favored the immediate, the violent, the rash, the way a crippled man favors his good leg. Victor's mind has always been drawn to those solutions, but he had been impeded by an understanding of right and wrong, or at least what he knew others saw as right and wrong. But now, this ... this was simple. Elegant.
Victoria E. Schwab (Vicious (Villains, #1))
The point of the Nights is that if you spend time with each other - if we really listen in the parlors of our minds and look at each other as we were meant to be seen - then we would fall in love. We would marvel at how beautifully we were made. We would never think to be villain kings, and we would never kill each other. Just the opposite. The stories aren't the thing. The thing is the story of the story. The spending of the time. The falling in love.
Daniel Nayeri (Everything Sad Is Untrue)
And what about your companions? What about Legolas and me?’ cried Gimli, unable to contain himself longer. ‘You rascals, you woolly-footed and wool-pated truants! A fine hunt you have led us! Two hundred leagues, through fen and forest, battle and death, to rescue you! And here we find you feasting and idling – and smoking! Smoking! Where did you come by the weed, you villains? Hammer and tongs! I am so torn between rage and joy, that if I do not burst, it will be a marvel!’ ‘You speak for me, Gimli,’ laughed Legolas. ‘Though I would sooner learn how they came by the wine.’ ‘One thing you have not found in your hunting, and that’s brighter wits,’ said Pippin, opening an eye. ‘Here you find us sitting on a field of victory, amid the plunder of armies, and you wonder how we came by a few well-earned comforts!’ ‘Well-earned?’ said Gimli. ‘I cannot believe that!’ The Riders laughed. ‘It cannot be doubted that we witness the meeting of dear friends,’ said Théoden.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...
Liz Braswell (Straight On Till Morning)
You implied that the Panther was a token Negro. When we became aware of the lack of Negroes in our magazines, and decided to introduce them in our stories, don’t you think it would have looked rather foolish to suddenly have fifteen colored personalities appear and barnstorm through the books? As it is, we have T’Challa (the Panther), Joe Robertson and his son, Willie Lincoln, Sam Wilson (The Falcon), Gabe Jones, Dr. Noah Black (Centurius), and even a super-villain—The Man-Ape. In short, we think that we have approached a decent start with these characters.
Sean Howe (Marvel Comics: The Untold Story)
After considering making the Mandarin, a mustache-twirling Asian villain from the comics, Iron Man’s first foe, the new studio instead decided on Obadiah Stain, played by Jeff Bridges. He was less fantastical, had a more personal connection to Downey’s character, “and saved us $10 to $20 million we would have had to spend going to China,” noted Maisel. The first twenty minutes of the movie take place in a cave, and there are surprisingly few scenes of Iron Man flying or doing battle in his combat armor, which kept the budget down. Nonetheless, Perlmutter kept as close an eye on the script as he did on office supplies. When a convoy attack at the beginning of the movie was supposed to include ten Humvees, the frugal executive said, “No, too many, too expensive, we can do it with three.” Another scene, in which Iron Man saves villagers from a group of terrorists, was going to cost $1 million, and Perlmutter wouldn’t authorize the money until the last minute, figuring it could be trashed if costs rose elsewhere. All of this backseat driving by Perlmutter, who became Marvel’s CEO in 2005, drove Arad insane.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
Her eyes sparkled. 'Oh, you are delicious. You let me torture that innocent girl to keep this one safe? You lovely thing! You actually made a human worm love you. Marvellous.' She clapped her hands, and Tamlin merely looked away from her, the only reaction I'd seen from him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Tuesday Man by Stewart Stafford He was only a superhero on Tuesdays, And the rest of the time was his own, Tuesday was the villains' day of rest, Then crime sprees just like Al Capone. He tried to make his Tuesdays longer, By pulling some gruelling all-nighters, But he knew that to be more effective, He'd have to be a 7-day crime-fighter. So, he rearranged his calendar totally, To take the fight to all the baddies, He was on-call from then on, 24/7, Or relaxed playing golf with his caddy. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
I’m no white knight. I’m not a good guy. If you’re the Marvel girlfriend, then I’m the villain disguised as the comic relief. I will do anything not to end up like my dad or most of the men in the Palisades.
Julia Wolf (Burn it Down (The Savage Crew, #3))
The point of the Nights is that if you spend time with each other—if we really listen in the parlors of our minds and look at each other as we were meant to be seen—then we would fall in love. We would marvel at how beautifully we were made. We would never think to be villain kings, and we would never kill each other. Just the opposite. The stories aren’t the thing. The thing is the story of the story. The spending of the time. The falling in love.
Daniel Nayeri (Everything Sad Is Untrue (a true story))
But racism is most outrageously to the fore in ‘Ashraf and Anjab’, in which the sadistically villainous Anjab is described by Harun al-Rashid as follows: ‘This man is black as a negro … with red eyes, a nose like a clay pot and lips like kidneys’, and his mother is no better looking for she ‘was black as pitch with a snub nose, red eyes and an unpleasant smell’. In ‘Sa‘id Son of Hatim’ the monk Simeon predicts that the shrine of the Ka’ba will be destroyed by drunken and singing blacks. As Bernard Lewis’s Race and Slavery in the Middle East put it when discussing the role of blacks in The Thousand and One Nights, it ‘reveals a familiar pattern of sexual fantasy, social and occupational discrimination, and an unthinking identification of lighter with better and darker with worse’.9
Malcolm C. Lyons (Tales of the Marvellous and News of the Strange)
Avengers Endgame done, Spider-Man Far From Home theory says Tony Stark made the spider that bit Peter Parker A new fan theory says that it will be revealed in the upcoming Marvel movie Spider-Man: Far From Home that Tony Stark created the spider that bit a teenage Peter Parker and gave him his superpowers. Tony died at the end of Avengers: Endgame, and shared a fatherly relationship with Peter in the Marvel Cinematic Universe. If this theory were to be proven true, it would give new meaning to their father-son relationship. It has previously been reported that Far From Home, a sequel to 2017’s Spider-Man: Homecoming, will reveal a major secret about Tony. A trailer revealed that Tony has left behind a secret lab for Peter. The theory, posted on Reddit, suggests that Tony worked with Norman Osborne to create the spider that bit Peter, which is why he knew his identity in Captain America: Civil War, and shared such a close bond with him. This will also allow Marvel to introduce Norman into the MCU. A fan had previously ‘leaked’ that Marvel is considering making Norman Osborne (who goes on to become the Green Goblin) a major new villain in the overarching story of the MCU. Another theory suggests that Tony was behind Uncle Ben’s death, which happens before we’re introduced to this version of Peter in the films. A version of this theory previously stated suggests that Uncle Ben died during the Battle of New York, which could indirectly mean that Tony was responsible for it. Far From Home is directed by Jon Watts, and stars Samuel L Jackson, Cobie Smulders and Jake Gyllenhaal in supporting roles, in addition to Tom Holland as Peter. The embargo on reviews will lift on Wednesday - two weeks ahead of release - which suggests that Marvel is positive about the quality of the film.
TonyStark
However, like Elasti-Girl and Batgirl, many of the DC’s female characters got better treatment than the heroines featured in Marvel Comics. Scanning a comic book rack in the ’60s, the covers would tell two different stories about the women starring within those pages. Wonder Woman and Supergirl starred in comic books that featured their names on the covers. These heroines were often seen performing great feats of strength like battling monsters or stopping missiles with their bare hands. Batgirl’s name might be featured prominently on a cover of Detective Comics. The Doom Patrol’s Elasti-Girl was shown in the thick of battle fighting side by side with her male compatriots. On the Marvel Comics covers, Invisible Girl, Wasp, and Marvel Girl were shown struggling in the clutches of a villain, or watching helplessly from the background as their male teammates took care of business.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)