Marsh Girl Quotes

Had someone crept up to the cottage with the sunken thatched roof that night, had they peered through the slits in the shutters, they would have seen in the dimly lit interior a grey-bearded old man and an ashen-haired girl sitting by the fireplace. They would have noticed that the two of them were staring silently into the glowing, ruby coals. But no one could have seen it. For the cottage with the sunken, moss-grown thatched roof was well hidden among the fog and the mist, in a boundless swamp in the Pereplut Marshes where no one dared to venture.

From the Marsh Girl Tate read the words, then turned away, staring

To the Feather Boy Thank you From the Marsh Girl

muttering, gossiping. The Marsh Girl put up for murder; it didn’t

Tom Milton heard of this, he came out of retirement and requested to represent her pro bono. Like everyone else, he had heard stories about the Marsh Girl,

We called her the Marsh Girl; now scientific institutions recognize her as the Marsh Expert.

but the law would never believe the Marsh Girl over Chase Andrews. She wasn’t sure what the two fishermen had seen, but they’d never defend her. They’d say she had it coming because, before Chase left her,

If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.

Marsh Girl. Even male birds woo the females for a while, flashing brilliant feathers, building bowers, staging magnificent dances and love songs. Yes, Chase had laid out a banquet, but she was worth more than fried chicken. And “Dixie” didn’t count as a love song.

The voices got louder. “Here we come, Marsh Girl!” “Hey—ya in thar? Miss Missin’ Link!” “Show us yo’ teeth! Show us yo’ swamp grass!” Peals of laughter. She ducked lower behind the half wall of the porch as the footsteps moved closer. The flames flickered madly, then went out altogether as five boys, maybe thirteen or fourteen years old, ran across the yard. All talking stopped as they galloped full speed to the porch and tagged the door with their palms, making slapping sounds. Every smack a stab in the turkey hen’s heart.

but the law would never believe the Marsh Girl over Chase Andrews. She wasn’t sure what the two fishermen had seen, but they’d never defend her. They’d say she had it coming because, before Chase left her, she’d been seen smooching with him for years, behaving unladylike. Actin’ the ho, they’d say.

Erika answered her phone. ‘DCI Foster. How are you?’ asked Marsh, sounding insincere and panicky. ‘I now know how a chicken feels seconds before death,’ she quipped.

In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: ... she's gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I'll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the marsh's big sweep. He imagined his own sister lost out there. His dad was right- poems made you feel something.

In college I had a feminist botany professor who said that the properties of herbs have been documented largely by men, but the knowledge has been passed down in an oral tradition among women, one generation to the next. Even when girls were deemed unworthy of literacy, the rhymes they heard their mothers recite, like I borage give courage, or Nettle out, dock in, dock remove the nettle sting, made them bearers of a rich knowledge. The woman in a village who knew about herbs was called the Wise Woman.

Beverly Marsh’s stepfather—a gent who bore, in temperament at least, a remarkable resemblance to Eddie and Dorsey Corcoran’s stepfather—lifted a high-stepping kick into the girl’s derrière and told her “to get out there and dry those goddam dishes like your mummer told you,

details from her biology books and had seen more creatures copulating—and it wasn’t merely “rubbing their bottoms together” like Jodie had said—than most people ever would. But this was too abrupt—picnic, then mate the Marsh Girl. Even male birds woo the females for a while, flashing brilliant feathers, building bowers, staging magnificent dances and love songs. Yes, Chase had laid out a banquet, but she was worth more than fried chicken. And “Dixie” didn’t count as a love song. She should’ve known it would be like this. Only time male mammals hover is when they’re in the rut.

There, too, she would sit for hours gazing seawards. No tiniest speck of sail that crossed the waters could escape her watchful eyes, and as she watched she dreamed that some day one of these distant sails should bear down towards her, and one should come, in whose hand she would lay her own, and they two would flee to the far East. But as the changeless years went by and brought him not, the girl grew sullen, and a sense of wrong possessed her, for the older she grew, the clearer became her consciousness of a world beyond her, and the greater her longing to seek it. ("The Serpent's Head")

Our princess moaned and wept. Her tears fell on the elder-stump, and it was quite moved, for it was the Marsh King himself, who lives in the quagmire. I saw the stump turn itself, so it wasn’t only a trunk, for it put out long, muddy boughs like arms. Then the unhappy girl was frightened, ans sprang aside into the quivering marsh, which will not bear me, much less her. In at once she sank, and down with her went the elder-stump - it was he who pulled her down. Then a few big black bubbles, and no trace of her left. She is engulfed in the marsh, and will never return to Egypt with her flower…

Mariana’s mind went back to that poor girl, murdered by the marsh—whoever she was. Even if she wasn’t Zoe’s friend Tara, she was someone’s friend, someone’s daughter. That was the horror of it. We all secretly hope that tragedy will only ever happen to other people. But Mariana knew, sooner or later, it happens to you.

When the front door was closed behind her, Erika walked back to her car, away from the homely warmth of Marsh’s life. She bent her head and bit her lip, determined not to cry. That life, with the cosy husband and kids, had been within her grasp. She’d even delayed it a few times, much to Mark’s distress. Now it was gone forever.

Orion never appreciated the wild places for what they are. Wild things need to be left free to preserve what makes them special. He saw everything in the world around him as a trophy to collect. As something to possess. Even me. I am wild, untamed, unattached, unfettered. To love me is to appreciate that. And I am fortunate indeed to have many who love me. Sometimes, to best tell your own story, you need it to be told by another. I am the protector of women and the friend of young girls. The helper of childbirth, she who soothes. I am the caretaker of the wild places, the mountains, marshes, the pastures and wetlands. I am Artemis, goddess of the wild hunt.

then they walked back to the wicker picnic basket and sat on a plaid blanket eating cold fried chicken, salt-cured ham and biscuits, and potato salad. Sweet and dill pickles. Slices of four-layer cake with half-inch-thick caramel icing. All homemade, wrapped in wax paper. He opened two bottles of Royal Crown Cola and poured them into Dixie cups—her first drink of soda pop in her life. The generous spread was incredible to her, with the neatly arranged cloth napkins, plastic plates and forks. Even minuscule pewter salt and pepper shakers. His mother must have packed it, she thought, not knowing he was meeting the Marsh Girl. They talked softly of sea things—pelicans

AUTUMN WAS COMING; the evergreens might not have noticed, but the sycamores did. They flashed thousands of golden leaves across slate-gray skies. Late one afternoon, after the lesson, Tate lingering when he should have left, he and Kya sat on a log in the woods. She finally asked the question she’d wanted to ask for months. “Tate, I appreciate your teaching me to read and all those things you gave me. But why’d you do it? Don’t you have a girlfriend or somebody like that?” “Nah—well, sometimes I do. I had one, but not now. I like being out here in the quiet and I like the way you’re so interested in the marsh, Kya. Most people don’t pay it any attention except to fish. They think it’s wasteland that should be drained and developed. People don’t understand that most sea creatures—including the very ones they eat—need the marsh.” He didn’t mention how he felt sorry for her being alone, that he knew how the kids had treated her for years; how the villagers called her the Marsh Girl and made up stories about her. Sneaking out to her shack, running through the dark and tagging it, had become a regular tradition, an initiation for boys becoming men. What did that say about men? Some of them were already making bets about who would be the first to get her cherry. Things that infuriated and worried him. But that wasn’t the main reason he’d left feathers for Kya in the forest, or why he kept coming to see her. The other words Tate didn’t say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn’t come close to sorting it out himself, but he’d never been hit by a stronger wave. A power of emotions as painful as pleasurable.

Last night, dancing alone on the lagoon shore, swaying about with the moon and mayflies, she'd imagined she was ready. Thought she knew all about mating from watching doves. No one had ever told her about sex, and her only experience with foreplay had been with Tate. But she knew the details from her biology books and had seen more creatures copulating- and it wasn't merely "rubbing their bottoms together" like Jodie had said- than most people ever would. But this was too abrupt- picnic, then mate the Marsh Girl. Even male birds woo the females for a while, flashing brilliant feathers, building bowers, staging magnificent dances and love songs. Yes, Chase had laid out a banquet, but she was worth more than fried chicken. And "Dixie" didn't count as a love song. She should've known it would be like this. Only time male mammals hover is when they're in the rut.

A sharp twist of grief pulled at my heart. I sucked in a deep breath of marsh air, briny and moist, trying to clear my head. I loved who I’d become. I did. Almost as much as I hated the old me. But not, I suddenly realized, all of the old me. I missed the girl who’d known these secret alleyways into the marshes and who could recognize the sounds of the different bird and open an oyster faster than anyone she knew. But I’d gotten rid of her along with the rest of me, and the grief I felt was raw and open.

Before we leave, Ruth tells Adlai, "Loni's my wild child, you know." She hugs me goodbye, puts her lips close to my ear, and whispers, "Rock-a-bye, my baby girl." We get back in Adlai's truck and I stare into the middle distance. Way too much is traveling through my brain. Adlai leans over, and when I turn, he kisses me softly on the mouth. He tastes like salt and spearmint and something elemental, like a smooth stone. When we drive on, my mother's words echo--- baby girl--- and I see the impression of a cockleshell, my newborn ear, on her young arm.

Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell. Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.

Now, son, I don’t pay much mind to idle talk, never have done. But there’s a regular riptide of gossip saying you’ve got something going with that girl in the marsh.” Tate threw up his hands. “Now hold on, hold on,” Scupper continued. “I don’t believe all the stories about her; she’s probably nice. But take a care, son. You don’t want to go starting a family too early. You get my meaning, don’t you?” Keeping his voice low, Tate hissed, “First you say you don’t believe those stories about her, then you say I shouldn’t start a family, showing you do believe she’s that kind of girl. Well, let me tell you something, she’s not. She’s more pure and innocent than any of those girls you’d have me go to the dance with. Oh man, some of the girls in this town, well, let’s just say they hunt in packs, take no prisoners. And yes, I’ve been going out to see Kya some. You know why? I’m teaching her how to read because people in this town are so mean to her she couldn’t even go to school.” “That’s fine, Tate. That’s good of you. But please understand it’s my job to say things like this. It may not be pleasant and all for us to talk about, but parents have to warn their kids about things. That’s my job, so don’t get huffy about it.” “I know,” Tate mumbled while buttering a biscuit. Feeling very huffy. “Come on now. Let’s get another helping, then some of that pecan pie.” After the pie came, Scupper said, “Well, since we’ve talked about things we never mention, I might as well say something else on my mind.” Tate rolled his eyes at his pie. Scupper continued. “I want you to know, son, how proud I am of you. All on your own, you’ve studied the marsh life, done real well at school, applied for college to get a degree in science. And got accepted. I’m just not the kind to speak on such things much. But I’m mighty proud of you, son. All right?” “Yeah. All right.” Later in his room, Tate recited from his favorite poem: “Oh when shall I see the dusky Lake, And the white canoe of my dear?” •

On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara. We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way. Within two hundred feet, half of the girls were looking pretty beat. I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit. They all agreed and we continued up steadily. Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea. But things didn’t quite go to plan. The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic. Then the tears started. Nightmare. I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop. The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others. Now I was really smitten. A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance. I had a sneaking feeling that I had met the girl of my dreams.

Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.

But ladies and gentlemen, did we exclude Miss Clark because she was different, or was she different because we excluded her? If we had taken her in as one of our own - I think that is what she would be today. If we had fed, clothed, and loved her, invited her into our churches and homes, we wouldn't be prejudiced against her. And I believe she would not be sitting here today accused of a crime. It is time, at last, for us to be fair to the Marsh Girl.

He gave me the birds, and he gave me the swamp. At some point he stopped trying to teach me the finer points of fishing. He saw what I liked about the place and supplied a way to describe it. "Pond chicken," he'd say, at the movement of something purple in the reeds, or "Kingfisher," when a small rocket flew past and ahead of us, close to the water. Once, in the same tone of voice, he said, "Swamp girl." I turned, quick, to see. "That's you, Loni Mae." He looked at me sideways and laughed. Shafts of sunlight shone through the Spanish moss above him. "Or no. I got a better name for you. The Marsh Queen.

She couldn't tell anybody. Jumpin' would insist they call in the sheriff, but the law would never believe the Marsh Girl over Chase Andrews. She wasn't sure what the two fisherman had seen, but they'd never defend her. They'd say she had it coming because, before Chase left her, she'd been seen smooching with him for years, behaving unladylike. Actin' the ho, they'd say.

I pace along the edge of the marsh, too afraid to follow her, not for the first time. This is it, this is the geographical limit of how far I’ll go for Ossie. We are learning latitude and longitude in school, and it makes my face burn that I can graph the coordinates of my own love and courage with such damning precision.

While most of the town were settling down to their dinners that evening, Hannah, a raven-haired servant girl, hurried across the marketplace and up the path to the ordinary, where she knocked on the door. Candlelight gleamed through the cracks in the closed shutter after a second knock; the door opened and she slipped inside. Tears started down her cheeks as soon as she tried to speak. “What is it?” said the widow Jennison, keeper of the establish¬ment. “What on earth is wrong?” “Tobias is in trouble.” Hannah sat at one of the trestle tables. Sniffing back her tears, she told the story of her lover’s misadventure. They’d been planning for several months to break away from their servitude and look for a better situation in the West Indies. He’d taken to theft to raise money for the trip, but his master, the tallow chandler Aaron Tuck, discovered his transgressions, and Tobias went into hiding. “There’s men a-lookin’ for him now,” Hannah said as tears came to her eyes again. “We can’t stay here another week. People are sayin’ dreadful things about us that just ain’t true.” “Where is Tobias now?” Nancy asked. “On the neck somewheres. I’m supposed to meet him at midnight.” The widow touched her friend’s hand. She herself had been in trouble years before, so she understood the errors to which the girl’s turbulent feelings were likely to bring her. “Yes, life must seem a prison to you. I can see why you want to leave.” “We’ve gut to leave!” Hannah said. “Just tonight they arrested Marthy Hubbard. Mr. Ridley may want to use us for an example, too.” Nancy went to the cupboard for a pitcher of cider. “I don’t like what’s happened to Martha either. I’ll help you, but you’ll have to promise to be patient and not make things worse.” “What do you mean?” Hannah looked around the dusky room with a frightened glance. Experience had taught her that her elders often resorted to compromise when they meant to help. “I’m going to talk with Governor Willoughby. Now don’t fret, child. He’ll be more sympathetic than you think. Besides, you don’t have any choice but to wait unless you want to live in the woods. There won’t be a ship headed south till next month.” Hannah frowned and took a quick swallow of cider. The two friends talked for a while longer by the light of an iron betty lamp, then Hannah went outside to look for Tobias. But all her hopes went for naught. The constable’s men found him just before midnight on the slender strip of marsh and pasture that connected the Botolph peninsula to the mainland. Now happy that they would get to bed at a decent hour, the men in the search party brought Tobias to the guard-house on the edge of town, where he sat till dawn on a slat bench, dozing or clutching his head in his hands.

It was easy to understand how the local legends had grown that sometimes, on an autumn night, once could hear the muffled beat of horses' hoofs as smugglers brought their kegs and bales from Sizewell Gap to hide them in the marshes or carry them inland across the desolate Westleton heathlands. Easy, too, on such a night to hear from the sea the faint bells of long-drowned churches, St. Leonard's, St. John's, St. Peter's and All Saints clanging their dirges for the souls of dead men. And now there might be new legends to keep the countryman indoors on the autumn nights. The October legends. One of a naked woman, pale under the moon, walking through the waves to her death: one of a dead and handless man drifting out on the tide.

Her mind was as empty as her bank account. She might as well get a T-shirt saying PRIME SUSPECT.

Here, with her dead husband’s body at her feet. Clio had thought that slipping a disc while doing up her bra would go down in history as her worst birthday ever, but it appeared that life always had new treats in store.

She couldn’t see anyone, but as she didn’t have her glasses on this didn’t mean much. She had taken the wrong bottle in the shower yesterday and accidentally exfoliated her hair.

she gave a little pull and then in a swoosh of water and blood the baby slithered out onto the bed and its cry filled the room. ‘It’s here!’ Royston, a piece of wood in his hand, stood staring in awe. He dropped the wood and fell to the floor beside the bed, kissing Daisy’s face in rapture. ‘What is it?’ Daisy asked tiredly. ‘A girl,’ Millie said over the baby’s wailing. She wiped the baby’s tiny face, cleaning away the gunky birth mess.

I wonder whether Atheleen or Scarlett used to stay up late into the night, listening for the scrape of something unseen against their walls, or wake up breathless from nightmares about this place - the house, the lake. They seem to bleed into one another, two limbs of the same failing body.

They get that toughness from me and I’m proud they don’t show their emotions like some other young girls do. Showing weakness is never good. People don’t respect you if you’re timid.

The tall, stately pines that grew in drier soils soon gave way to the curving, dripping beauty of the cypress that thrived in the swamp. The ground sloped downward, giving a body the subtle sense of being pulled into the bottomlands that waited patiently just around the corners, where the dark heart of the marsh beat with a symphony of life. Stinging, singing, ancient, and deadly life, where the alligators were king, the snakes and snapping turtles were barons, and the woodpeckers were court jesters jangling their bells from the tops of the trees.

His brother was a minister, too," said Christine Marsh. "He was in the Glen when I was a girl. We had a concert in the hall one night and as he was one of the speakers he was sitting on the platform. He was as nervous as his brother and he kept fidgeting his chair further and further back and all at once he went, chair and all, clean over the edge on the bank of flowers and house-plants we had arranged around the base. All that could be seen of him was his feet sticking up above the platform. Somehow, it always spoiled his preaching for me after that. His feet were so big.

The illustrations are by Marsh Davies. Two of them—the "Serving Boy" and 'Priestess Queen"—are based on the actual archeological finds from the ancient city of Mohenjo-Daro in the Indus Valley (although obviously without bits of iPad attached). We don't know much about the culture of Mohenjo-Daro—there are some findings that suggest that they may have been fairly egalitarian in some interesting ways. But despite the lack of context, the archeologists who unearthed them called the soapstone head illustrated here "Priest King," while they named the bronze female figure here "Dancing Girl." They're still called by those names. Sometimes I think the whole of this book could be communicated with just this set of facts and illustrations.

The kids all turned to look at the Mystery Girl and saw Mimi's and Papa's bottoms as they leaned into the plane looking for the lost necklace. "Uh, I guess you'll meet the front of them later," Grant said.

Later I'd read that hell is falling into the place "where the fear is." The anxiety that Jesus will return and you'll be left behind and suffer eternal damnation creates a special kind of anticipatory fear. It is one that endures long after the doctrine has collapsed into doubt or disbelief. My devotion to the suffering Jesus had bled into the bliss of a deep, warm thigh. The more my gratitude swelled for the blood shed for me at Calvary, the greater my howling desire for a girl's soft summery body. Faith was fire, and fire was sex, and sex was death... as the seasons go round and round.