Marriage Sentiments Quotes

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Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
At the end of the day, I just want to sit with someone I love and chat about what matters and even what doesn’t.
Crystal Woods (Write like no one is reading 2)
Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God's saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us. The merciful commitment strengthens us to see the truth about ourselves and repent. The conviction and repentance moves us to cling to and rest in God's mercy and grace.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Nostalgia has a way of blocking the reality of the past.
Shannon L. Alder
The Christian idea of marriage is based on Christ's words that a man and wife are to be regarded as a single organism - for that is what the words 'one flesh' would be in modern English. And the Christians believe that when He said this He was not expressing a sentiment but stating a fact - just as one is stating a fact when one says that a lock and its key are one mechanism, or that a violin and a bow are one musical instrument.
C.S. Lewis (Mere Christianity)
The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert, that God spoke to them; and whether they did not think at the time, that they would be misunderstood, & so be the cause of imposition. Isaiah answer'd, I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in every thing, and as I was then persuaded, & remain confirm'd; that the voice of honest indignation is the voice of God, I cared not for consequences but wrote.
William Blake (The Marriage of Heaven and Hell)
he had an idea—too sentimental to speak aloud and he knew none of his divorced friends would ever own up to it—that something must linger, a half-life of marriage, some sense memory of love even if obviously not the thing itself. He thought these people must mean something to one another, even if they didn’t like one another anymore.
Emily St. John Mandel (Station Eleven)
It is so beautiful to be loved as Laurie loves me; he isn’t sentimental, doesn’t say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don’t seem to be the same girl I was. I never knew how good and generous and tender he was till now, for he lets me read his heart, and I find it full of noble hopes and impulses and purposes, and am so proud to know it’s mine. He says he feels as if he ‘could make a prosperous voyage now with me aboard as mate, and lots of love for ballast.’ I pray he may, and try to be all he believes me, for I love my gallant captain with all my heart and soul and might, and never will desert him while God lets us be together. Oh, Mother, I never knew how much like heaven this world could be when two people love and live for one another!
Louisa May Alcott (Little Women)
... it is quite funny really when you think that probably I would have married him if he'd been at all clever about it. But instead of putting it to me as a sensible business proposition he would drag in all this talk about love the whole time, and I simply can't bear those showerings of sentimentality. Otherwise I should most likely have married him ages ago.
Nancy Mitford (Christmas Pudding (Mitford, Nancy))
[A]s people are beginning to see that the sexes form in a certain sense a continuous group, so they are beginning to see that Love and Friendship which have been so often set apart from each other as things distinct are in reality closely related and shade imperceptibly into each other. Women are beginning to demand that Marriage shall mean Friendship as well as Passion; that a comrade-like Equality shall be included in the word Love; and it is recognised that from the one extreme of a 'Platonic' friendship (generally between persons of the same sex) up to the other extreme of passionate love (generally between persons of opposite sex) no hard and fast line can at any point be drawn effectively separating the different kinds of attachment. We know, in fact, of Friendships so romantic in sentiment that they verge into love; we know of Loves so intellectual and spiritual that they hardly dwell in the sphere of Passion.
Edward Carpenter (The Intermediate Sex: A Study Of Some Transitional Types Of Men And Women)
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way. The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
Richard Yates (Revolutionary Road)
A marriage which does not constantly crucify its own selfishness and self-sufficiency, which does not ‘die to itself’ that it may point beyond itself, is not a Christian marriage. The real sin of marriage today is not adultery or lack of ‘adjustment’ or ‘mental cruelty.’ It is the idolization of the family itself, the refusal to understand marriage as directed toward the Kingdom of God. This is expressed in the sentiment that one would ‘do anything’ for his family, even steal. The family has here ceased to be for the glory of God; it has ceased to be a sacramental entrance into his presence. It is not the lack of respect for the family, it is the idolization of the family that breaks the modern family so easily, making divorce its almost natural shadow. It is the identification of marriage with happiness and the refusal to accept the cross in it. In a Christian marriage, in fact, three are married; and the united loyalty of the two toward the third, who is God, keeps the two in an active unity with each other as well as with God. Yet it is the presence of God which is the death of the marriage as something only ‘natural.’ It is the cross of Christ that brings the self-sufficiency of nature to its end. But ‘by the cross, joy entered the whole world.’ Its presence is thus the real joy of marriage. It is the joyful certitude that the marriage vow, in the perspective of the eternal Kingdom, is not taken ‘until death parts,’ but until death unites us completely.
Alexander Schmemann (For the Life of the World: Sacraments and Orthodoxy)
Franny and Leo didn’t talk about marriage, except sometimes sentimentally in bed, his hands spreading wide across her back, and even then it was only to say how quickly they would have married had it not been for the future and the past.
Ann Patchett (Commonwealth)
How could I describe our relationship even to myself without either disparaging it or insulting it with the tawdry decoration of sentimentality?
Olaf Stapledon
There's no one else. In my experience, men have one primary use." She let her gaze rove over him suggestively, and the atmosphere shifted from tense to provocative. Hidden terrace lighting played over her features, softening them, and that unrevealing dress dangled the promise of what she'd hidden under it. Then she finished the sentiment. "To move furniture.
Kat Cantrell (Marriage with Benefits)
The truth is that there are two men in Ibsen—an idealist, exalted to the verge of sentimentality, and a critic, hard, inexorable, remorseless, to the verge of cynicism. What we call his "social philosophy" is a modus vivendi arrived at between them. Both agree in repudiating "marriage for love";
Henrik Ibsen (Love's Comedy)
he had an idea—too sentimental to speak aloud and he knew none of his divorced friends would ever own up to it—that something must linger, a half-life of marriage, some sense memory of love even if obviously not the thing itself. He thought these people must mean something to one another, even if they didn’t like one another anymore. Heller
Emily St. John Mandel (Station Eleven)
The reason that marriage is so painful and yet wonderful is because it is a reflection of the gospel, which is painful and wonderful at once. The gospel is this: We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope. This is the only kind of relationship that will really transform us. Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God’s saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us. The merciful commitment strengthens us to see the truth about ourselves and repent. The conviction and repentance moves us to cling to and rest in God’s mercy and grace.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God’s saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us. The merciful commitment strengthens us to see the truth about ourselves and repent. The conviction and repentance moves us to cling to and rest in God’s mercy and grace.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Not by the Platonic device of uniting the strong and fair with the strong and fair, regardless of sentiment and morality, nor yet by his other device of combining dissimilar natures (Statesman), have mankind gradually passed from the brutality and licentiousness of primitive marriage to marriage Christian and civilized. Few
Plato (The Republic)
While marriage is many things, it is anything but sentimental. Marriage is glorious but hard. It’s a burning joy and strength, and yet it is also blood, sweat, and tears, humbling defeats and exhausting victories.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Why were you so happy to see me? You know, besides my general awesomeness." Marz pushed out of his chair, big grin on his face, and held out his hands. "I'm getting married!" Shane sighed. The expressions on the other two said they'd already been down this road. "All right. I'll bite." "I think the appropriate sentiment is 'congratulations'," Marz said, crossing his arms and feigning insult. "Just spill the brilliance of whatever this is about," Shane said. "Only because you acknowledged its brilliance." Marz sat excitement rolling off the guy. "I figured out how to solve the problem of getting us eyes and ears in the back of Confessions." "By getting married?" "By pretending to get married. And what does every pretend groom need?" Marz's grin was full of anticipation. "A bride?" Shane said. Marz rolled his eyes and waved his hands. "Okay, but what else?" Shane looked between the three of them. And then the lightbulb went on. "A bachelor party," Shane said. Marz clapped his hands. "Ding ding ding. Give the man a cigar." Yup. The idea was, in fact, brilliant. Really brilliant.
Laura Kaye (Hard as You Can (Hard Ink, #2))
Franny and Leo didn’t talk about marriage, except sometimes sentimentally in bed, his hands spreading wide across her back, and even then it was only to say how quickly they would have married had it not been for the future and the past. What
Ann Patchett (Commonwealth)
... great novels engange my sympathies and make me desire things. When I look at the "Demoiselles d'Avignon", I don't "want" anything from it. The pleasure is in seeing it as it is. But when I read books, I do experience desire: I want Isabel Archer to be happy, I want things to work out for Anna and Vronsky, I even want Jesus to be pardoned instead of Barabbas. Again it might be that I am a narrow-minded and rather vapid reader, sentimentally wishing the best for everyone (except Barabbas); but if I wished the opposite, that Isabel should make a bad marriage, that Anna should throw herself under the train, it would just be a variation on the same experience. The point is that my sympathies are engaged, I'm no longer disinterested.
Sally Rooney (Beautiful World, Where Are You)
The defenders of feeling-based marriage venerate emotions for their authenticity only because they avoid looking closely at what actually floats through most people's emotional kaleidoscopes, all the contradictory, sentimental, and hormonal forces that pull us in a hundred often crazed and inconclusive directions. We could not be fulfilled if we weren't inauthentic some of the time—inauthentic, that is, in relation to such things as our passing desires to throttle our children, poison our spouse, or end our marriage over a dispute about changing a lightbulb. A degree of repression is necessary for both the mental health of our species and the adequate functioning of a decently ordered society. We are chaotic chemical propositions. We should feel grateful for, and protected by, the knowledge that our external circumstances are often out of line with what we feel; it is a sign that we are probably on the right course.
Alain de Botton (How to Think More About Sex)
Everything can look like a failure in the middle.” A similar sentiment is expressed by marriage therapist Michele Weiner-Davis, who says that “real change, the kind that sticks, is often three steps forward and two steps back.” If failure is a necessary part of change, then the way people understand failure is critical.
Chip Heath (Switch: How to Change Things When Change Is Hard)
had an idea—too sentimental to speak aloud and he knew none of his divorced friends would ever own up to it—that something must linger, a half-life of marriage, some sense memory of love even if obviously not the thing itself. He thought these people must mean something to one another, even if they didn’t like one another anymore.
Emily St. John Mandel (Station Eleven)
... se aflau în acea perioadă în care, în căsniciile destrămate, rezultatul concesiilor făcute este o oboseală de neînvins, care face existența greu de suportat./ ... ils en étaient à cette période où, dans les unions disparates, une invincible lassitude ressort des concessions que l’on s’est faites et rend l’existence intolérable. (©BeQ)
Gustave Flaubert (Sentimental Education)
People in one of two states in a relationship. The first is what I call positive sentiment override, where positive emotion overrides irritability. It's a buffer. Their spouse will do something bad, and they'll say,'Oh, he's just in a crummy mood.'Or they can be in negative sentiment override, said that even a relatively new tool thing that a partner says get perceived as negative. In negative sentiment override state, people draw lasting conclusions about each other. If their spouse does something positive, it's a selfish person doing a positive thing. It's really hard to change their states, and those states determine whether when one party tries to repair things, the other party sees that as repair or hostile manipulation.
John Gottberg
MR. TRAVERS [jumping up]. Oh, I do wish you women wouldn’t discuss the matter in that horribly business-like way. One would think the girl was selling herself. MRS. TRAVERS. Oh, don’t be foolish, James. One must look at the practical side of these things. Marriage is a matter of sentiment to a man — very proper that it should be. A woman has to remember that she’s fixing her position for life.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
Karl Marx famously belittled religion as an “opiate for the masses,” a drug that the spread of worldwide socialism would one day make undesirable. Obama’s aside in San Francisco about “bitter” Americans clinging to belief in God out of economic frustration was nothing more than a restatement of Marx’s view of religion. Like Marx, Obama views traditional religion as a temporary opiate for the poor, confused, and jobless—a drug that will dissipate, he hopes, as the federal government assumes more God-like powers, and his new morality of abortion, subsidized contraception, and gay marriage gains adherents. “You go into some of these small towns in Pennsylvania, and like a lot of small towns in the Midwest, the jobs have been gone now for 25 years and nothing’s replaced them. And they fell through the Clinton administration, and the Bush administration, and each successive administration has said that somehow these communities are gonna regenerate and they have not,” Obama said, warming to his theme in San Francisco. “So it’s not surprising then that they get bitter, they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
Phyllis Schlafly (No Higher Power: Obama's War on Religious Freedom)
In one case, although the judge was sure that a woman’s rape accusation against her father-in-law was true, he ordered the young man to give up his sentimental desire “to grow old together” with his wife. Loyalty to parents was paramount, and therefore the son should send his wife back to her own father, who could then marry her to someone else. Sons were sometimes ordered beaten for siding with their wives against their father.
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
Nothing is shallower than the belief that a love which leads to sin is always qualitatively lower—more animal or more trivial—than one which leads to faithful, fruitful, and Christian marriage. The love which leads to cruel and perjured unions, even to suicide-pacts and murder, is not likely to be wandering lust or idle sentiment. It may well be Eros in all his splendour; heartbreakingly sincere; ready for every sacrifice except renunciation.
C.S. Lewis (The Four Loves)
Typical of the new bourgeois sexual morality was Martin Luther’s injunction to the nuns to leave the convents and get married, as marriage and the production of an abundant prole was in his view women’s fulfillment of God’s will and their ‘highest vocation.’ “Let them bear children to death,” he apparently declared. “They are created for that.”3 No sixteenth-century political or religious authority expressed this sentiment as crudely as Luther, but the restriction of women’s sexuality to marriage and procreation, together with wifely unconditional obedience, was instituted
Silvia Federici (Witches, Witch-Hunting, and Women)
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
No regrets?” he murmured to Hunt as they strode down the hall, while Shaw and St. Vincent followed at a more leisurely pace. Hunt glanced at him with a questioning smile. He was a big, dark-haired man, with the same sense of uncompromising masculinity and the same avid interest in hunting and sportsmanship that Marcus possessed. “About what?” “Being led around by the nose by your wife.” That drew a wry grin from Hunt, and he shook his head. “If my wife does lead me around, Westcliff, it’s by an altogether different body part. And no, I have no regrets whatsoever.” “I suppose there’s a certain convenience in being married,” Marcus mused aloud. “Having a woman close at hand to satisfy your needs, not to mention the fact that a wife is undoubtedly more economical than a mistress. There is, moreover, the begetting of heirs to consider…” Hunt laughed at his effort to cast the issue in a practical light. “I didn’t marry Annabelle for convenience. And although I haven’t tabulated any numbers, I can assure you that she is not cheaper than a mistress. As for the begetting of heirs, that was the farthest thing from my mind when I proposed to her.” “Then why did you?” “I would tell you, but not long ago you said that you hoped I wouldn’t start—how did you put it?—‘pollinate the air with maudlin sentiment.’” “You believe yourself to be in love with her.” “No,” Hunt countered in a relaxed manner, “I am in love with her.” Marcus lifted his shoulders in a brief shrug. “If believing that makes marriage more palatable to you, so be it.” “Good God, Westcliff…” Hunt murmured, a curious smile on his face, “haven’t you ever been in love?” “Of course. Obviously I have found that some women are preferable to others in terms of disposition and physical appearance—” “No, no, no…I’m not referring to finding someone who is ‘preferable.’ I mean completely being absorbed by a woman who fills you with desperation, longing, ecstasy…” Marcus threw him a disparaging glance. “I haven’t time for that nonsense.” Hunt annoyed him by laughing.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
After being conditioned as a child to the lovely never-never land of magic, of fairy queens and virginal maidens, of little princes and their rosebushes, of poignant bears and Eeyore-ish donkeys, of life personalized, as the pagans loved it, of the magic wand, and the faultless illustrations—the beautiful dark-haired child (who was you) winging through the midnight sky on a star-path in her mother’s box of reels—of Griselda in her feather-cloak, walking barefoot with the Cuckoo in the lantern-lit world of nodding mandarins, of Delight in her flower garden with the slim-limbed flower sprites … all this I knew, and felt, and believed. All this was my life when I was young. To go from this to the world of “grown-up” reality … To feel the sexorgans develop and call loud to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard), bread and butter, marriage, sex, compatibility, war, economics, death, and self. What a pathetic blighting of the beauty and reality of childhood. Not to be sentimental, as I sound, but why the hell are we conditioned into the smooth strawberry-and-cream Mother-Goose-world, Alice-in-Wonderland fable, only to be broken on the wheel as we grow older and become aware of ourselves as individuals with a dull responsibility in life? To learn snide and smutty meanings of words you once loved, like “fairy.” —From The Journals of Sylvia Plath
Kate Bernheimer (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
Ben stood at the parlor window, glancing neither to the right nor to the left of him lest he see three grown men looking as worried as he felt. Westhaven found the courage to speak first. “Either we’ve all developed a fascination with red tulips, or somebody had better go out there and fetch the ladies in. They’ve neither of them likely thought to bring a handkerchief.” Deene screwed up his mouth. “Declarations of love—that’s what red tulips stand for.” His Grace cracked a small smile. “You young fellows. Quaking in your boots over a few female sentimentalities. Believe I’ll go make some declarations of my own.” He set down his empty glass and left the room. “Marriage,” said Westhaven, “calls for a particular variety of courage. I’m thinking His Grace’s experience in the cavalry is likely serving him well right now.” “Come away.” Ben took each man by the arm, but neither of them moved. “Let him make his charge in private. I have some ideas for you both to consider, and if you’re with me, His Grace will fall in line that much more easily.” Westhaven smiled, looking very like his father. “Don’t bet on it. Windhams can be contrary for the sheer hell of it.” This was a joke or a warning. Ben wasn’t sure which. “The Portmaine family motto is ‘We thrive on impossible challenges.’” Deene arched a blond eyebrow. “You just manufactured that for present purposes. You’re from the North, and your family motto is probably something like ‘Thank God for friendly sheep.’” Which
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
[Funeral sermon, 02/08/1880] How is it with this young man here? Well, I wish it were otherwise; I wish he had lived a very good Saint, which, however, he did not do. We have not come here to indulge in any kind of false sentimentality. He was a drunkard; that is a truth and many of you know it. . . . His father lived up to the Gospel, and died strong in the faith; and his mother has been a very good woman, so far as I know; I have never known anything against her. This boy has caused her a great deal of trouble; and I have been sorry for him. Well, should we tell things? Yes, always; that day is not far distant when the coverings will be taken from the face of all people, and we shall all stand naked, as it were, before God--both you and I and this young man. Well this boy,--I call him a boy, he is a young man, and is a nephew of mine by marriage; and I would not want to say anything about him on that account, neither would I falsify the young man on that account; but let us tell things and understand them as they are. . . . I would say, I do not utter these things to cause any unpleasant feeling in the bosom of the family; they cannot help it. If I could have helped it, I would; if the mother could have helped it, she would; if the sister could have helped it, she would; if the friends could have helped it, they would. . . . We are now talking not to the dead, but to the living. I would say, Let us avoid these evils, they lead down to death; let us seek to live our religion, to obey the laws of God and keep his commandments. And in regard to the future, we leave that in the hands of the Almighty who doeth all things well; and we will do all we can to promote the comfort of the living and the dead.
John Taylor
Sir Thomas, poor Sir Thomas, a parent, and conscious of errors in his own conduct as a parent, was the longest to suffer. He felt that he ought not to have allowed the marriage; that his daughter’s sentiments had been sufficiently known to him to render him culpable in authorising it; that in so doing he had sacrificed the right to the expedient, and been governed by motives of selfishness and worldly wisdom. These were reflections that required some time to soften; but time will do almost everything; and though little comfort arose on Mrs. Rushworth’s side for the misery she had occasioned, comfort was to be found greater than he had supposed in his other children. Julia’s match became a less desperate business than he had considered it at first. She was humble, and wishing to be forgiven; and Mr. Yates, desirous of being really received into the family, was disposed to look up to him and be guided. He was not very solid; but there was a hope of his becoming less trifling, of his being at least tolerably domestic and quiet; and at any rate, there was comfort in finding his estate rather more, and his debts much less, than he had feared, and in being consulted and treated as the friend best worth attending to. There was comfort also in Tom, who gradually regained his health, without regaining the thoughtlessness and selfishness of his previous habits. He was the better for ever for his illness. He had suffered, and he had learned to think: two advantages that he had never known before; and the self-reproach arising from the deplorable event in Wimpole Street, to which he felt himself accessory by all the dangerous intimacy of his unjustifiable theatre, made an impression on his mind which, at the age of six-and-twenty, with no want of sense or good companions, was durable in its happy effects. He became what he ought to be: useful to his father, steady and quiet, and not living merely for himself.
Jane Austen (Mansfield Park)
The intellectual life may be kept clean and healthful if man will live the life of nature and not import into his mind difficulties which are none of his. No man need be perplexed in his speculations. Not less conspicuous is the preponderance of nature over will in all practical life. There is less intention in history than we ascribe to it. We impute deep-laid far-sighted plans to Cæsar and Napoleon; but the best of their power was in nature, not in them. Our life might be much easier and simpler than we make it; that the world might be a happier place than it is; that there is no need of struggle, convulsions, and despairs, of the wringing of the hands and the gnashing of the teeth; that we miscreate our own evil. A little consideration of what takes place around us every day would show us that a higher law than that of our will regulates events; that our painful labors are unnecessary and fruitless; that only in our easy, simple, spontaneous action are we strong, and by contenting ourselves with obedience we become divine. No man can learn what he has not preparation for learning, however near to his eyes is the object. Not in nature but in man is all the beauty and worth he sees. The world is very empty, and is indebted to this gilding, exalting soul for all its pride. He may see what he maketh. Our dreams are the sequel of our waking knowledge. The visions of the night bear some proportion to the visions of the day. Hideous dreams are exaggerations of the sins of the day. We see our evil affections embodied in bad physiognomies. The same reality pervades all teaching. The man may teach by doing, and not otherwise. If he can communicate himself he can teach, but not you words. He teaches who gives, and he learns who receives. There is no teaching until the pupil is brought into the same state or principle in which you are; a transfusion takes place; he is you and you are he; then is a teaching, and by no unfriendly chance or bad company can he never quite lose the benefit. The effect of every action is measured by the depth of the sentiment from which it proceeds. The great man knew not that he was great. It look a century or two for that fact to appear. What he did, he did because he must; it was the most natural thing in the world, and grew out of the circumstances of the moment. But now, every thing he did, even to the lifting of his finger or the eating of bread, looks large, all-related, and is called an institution. We are full of these superstitions of sense, the worship of magnitude. We call the poet inactive, because he is not a president, a merchant, or a porter. We adore an institution, and do not see that it is founded on a thought which we have. But real action is in silent moments. The epochs of our life are not in the visible facts of our choice of a calling, our marriage, our acquisition of an office, and the like, but in a silent thought by the wayside as we walk; in a thought which revises our entire manner of life and says,—‘Thus hast thou done, but it were better thus.
Ralph Waldo Emerson
– Je crois que je comprends pourquoi vous aimez voler dans cette région, ajouta-t-elle. On se sent comme un oiseau. Il lui jeta un regard surpris. – C'est vrai ; vous avez raison, c'est pour cela que j'aime voler. Mais je suis encore plus proche de l'oiseau quand je fais de la chute libre. – Vous voulez dire du parachute ? – Pas tout à fait. Vous ne vous contentez pas de sauter d'un avion et de tirer sur un cordon. Les premières centaines de mètres se font sans le parachute. Pendant que vous tombez, vous vous mouvez en tous sens. On dirait un ballet dans le ciel. C'est une sensation indescriptible. On se sent libre. – Ce doit être très dangereux, remarqua-t-elle. – Oui, très... On joue avec la mort. On peut même être fasciné par ce sentiment intense de liberté au point d'oublier de tirer sur le cordon et d'ouvrir le parachute. – Cela vous est-il arrivé ? – Plusieurs fois. J'ai attendu jusqu'au dernier instant, pour voir ce qu'il se passerait si je ne faisais rien ; mais à chaque fois j'ai reculé devant la mort.
Flora Kidd (Marriage in Mexico)
What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.
Margaret Atwood (Spotty-Handed Villainesses)
In Mrs. Dimble’s hands the task of airing the little house and making the bed for Ivy Maggs and her jailbird husband became something between a game and a ritual. It woke in Jane vague memories of helping at Christmas or Easter decorations in church when she had been a small child. But it also suggested to her literary memory all sorts of things out of sixteenth-century epithalamiums: age-old superstitions, jokes, and sentimentalities about bridal beds and marriage bowers, with omens at the threshold and fairies upon the hearth. It was an atmosphere extraordinarily alien to that in which she had grown up. A few weeks ago she would have disliked it. Was there not something absurd about that stiff, twinkling archaic world—the mixture of prudery and sensuality, the stylised ardours of the groom and the conventional bashfulness of the bride, the religious sanction, the permitted salacities of Fescennine song, and the suggestion that everyone except the principals might be expected to be rather tipsy? How had the human race ever come to imprison in such a ceremony the most unceremonious thing in the world? But she was no longer sure of her reaction.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
In 1924, riding a wave of anti-Asian sentiment, the US government halted almost all immigration from Asia. Within a few years, California, along with several other states, banned marriages between white people and those of Asian descent. With the onset of World War II, the FBI began the Custodial Detention Index—a list of “enemy aliens,” based on demographic data, who might prove a threat to national security, but also included American citizens—second- and third-generation Japanese Americans. This list was later used to facilitate the internment of Japanese Americans. In 1940, President Franklin D. Roosevelt signed the Alien Registration Act, which compelled Japanese immigrants over the age of fourteen to be registered and fingerprinted, and to take a loyalty oath to our government. Japanese Americans were subject to curfews, their bank accounts often frozen and insurance policies canceled. On December 7, 1941, the Japanese attacked a US military base at Pearl Harbor, Hawaii. More than 2,400 Americans were killed. The following day, America declared war on Japan. On February 19, 1942, FDR signed Executive Order 9066, permitting the US secretary of war and military commanders to “prescribe military areas” on American soil that allowed the exclusion of any and all persons. This paved the way for the forced internment of nearly 120,000 Japanese Americans, without trial or cause. The ten “relocation centers” were all in remote, virtually uninhabitable desert areas. Internees lived in horrible, unsanitary conditions that included forced labor. On December 17, 1944, FDR announced the end of Japanese American internment. But many internees had no home to return to, having lost their livelihoods and property. Each internee was given twenty-five dollars and a train ticket to the place they used to live. Not one Japanese American was found guilty of treason or acts of sedition during World War II.
Samira Ahmed (Internment)
Birth and death belong equally to life, and hold the balance as mutual conditions of each other, or, if the expression be preferred, as poles of the whole phenomenon of life. The wisest of all mythologies, the Indian, expresses this by giving to the very god who symbolizes —destruction and death (just as Brahma, the most sinful and lowest god of the Trimurti, symbolizes generation, origination, and Vishnu preservation), by giving, I say, to Shiva as an attribute not only the necklace of skulls, but also the lingam, that symbol of generation which appears as the counterpart of death. In this way it is intimated that generation and death are essential correlatives which reciprocally neutralize and eliminate each other. It was precisely the same sentiment that prompted the Greeks and Romans to adorn the costly sarcophagi, just as we still see them, with feasts, dances, marriages, hunts, fights between wild beasts, bacchanalia, that is with presentations of life’s most powerful urge. This they present to us not only through such diversions and merriments, but even in sensual groups, to the point of showing us the sexual intercourse between satyrs and goats. The object was obviously to indicate with the greatest emphasis from the death of the mourned individual the immortal life of nature, and thus to intimate, although without abstract knowledge, that the whole of nature is the phenomenon, and also the fulfilment, of the will-to-live. Now man is nature herself, and indeed nature at the highest grade of her self-consciousness, but nature is only the objectified will-to-live; the person who has grasped and retained this point of view may certainly and justly console himself for his own death and for that of his friends by looking back on the immortal life of nature, which he himself is. Consequently, Shiva with the lingam is to be understood in this way, and so are those ancient sarcophagi that with their pictures of glowing life exclaim to the lamenting beholder: Natura non contristatur (Nature is not grieved.).
Arthur Schopenhauer
I glanced across the room at Thaddeus seated at a long table within a group of shop keepers, and I contemplated him strongly. My heart leaped in my chest at the mere sight of him. I felt myself overcome. The acts of kindness and sweet attention and gratifying moments of passion afforded me by this man since the day of our marriage were purely pleasing. To be loved was a desirous affair! It was the aim of every beating heart! I nearly cast aside my concerns and allowed myself to be consumed by these agreeable sentiments except for one thing: I could not forget how stripped of power and dignity I had felt that very morning. Thaddeus had essentially commanded me to sit and stay like a dog. And I had heeded my master without so much as a growl! This was not me. No one stayed me. I watched those at the table grow more intensely involved in the details of a trade agreement I cared nothing about. Such business bartering was always selfishly motivated. When it appeared that my husband’s attention was engrossed on a point of aggressive negotiation, I excused myself from the weaving party and slipped out the back door. I turned down the alleyway and hurried to a crumbling chimney flue that was easy enough to climb. Almost immediately, a fit of anxiety gripped at my chest, and I felt as if a war was being waged in my gut—a battle between my desire to protect what harmony existed in my marriage and the selfish want to reclaim an ounce of the independence I had lost. This painful struggle nearly persuaded me to reconsider my childish act of defiance. Why was I stupidly jeopardizing my marriage? For what purpose? To stand upon a rooftop in sheer rebellion? Was I really that needy? That proud? I could hear my husband’s command echoing in my mind—no kind persuasion, but a strict order to keep my feet on the ground. I understood his cautious reasoning, and I didn’t doubt he was acting out of concern for my safety, but I was not some fragile, incapable, defenseless creature in need of a controlling overseer. What irked me most was how my natural defenses had failed me. And the only way I could see to restore my confidence was to prove I had not lost the courage and ability to make my own choices and carry them out. Perhaps this act of defiance was childish, but it was remedial as well.
Richelle E. Goodrich (The Tarishe Curse)
The gospel is this: We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope. This is the only kind of relationship that will really transform us. Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God’s saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
I’ll pay you two thousand dollars if you stall.” Mitch blinked, surprised to hear the words that had just come out of his mouth. “What?” Tommy asked, his own surprise clear in his tone. “I will pay you two grand to stall the repair,” he repeated, ignoring the little voice in his head telling him this was wrong. If there was another way, he’d take it, but every other option had variables. And he couldn’t risk variables. “And how long am I supposed to do that?” Mitch calculated how much time he could get away with while not raising Maddie’s suspicions. The small-town thing would only get him so far before it became unbelievable. “Can you make it the end of the week?” If he pushed it until Friday, maybe he could convince her to stay through the weekend instead of making her way back home. That gave him about a week. One week, then he’d let the chips fall where they may. “So let me get this straight, you’re going to pay me two thousand dollars to let the car sit in my garage for a week?” “Plus the cost of the repair,” Mitch added, knowing Maddie would insist on paying for the car herself. “I’ll bring her in this morning, and you tell her the repair will be three to four hundred but will take until Friday to fix. I’ll pay you two thousand dollars on the side.” “You’ve got a real hard-on for this girl.” Tommy laughed, repeating Charlie’s sentiment from last night. “Never mind that. And for fuck’s sake, don’t tell your wife.” It was only right to point out that Tommy was the pussy-whipped one, not him. “Now, that’s going to cost you a little more,” Tommy said in a thoughtful tone. Mitch narrowed his eyes. “You’re telling me two grand isn’t enough?” “It’s plenty for me, but Mary Beth’s silence will cost you something extra.” Ah, hell. He was about to get hustled and there wasn’t a damn thing he could do about it. “Don’t tell her and we won’t have a problem.” Tommy made disapproving sounds, and Mitch could practically see the big, blond ex-captain of the football team rocking back and forth on his chair. “Now, you know I can’t. A good marriage is built on honesty.” Mitch’s grip tightened on his mug, and he silently cursed. “You don’t give a shit that your wife carries your balls in her purse, do you?” Tommy’s chuckle was pure evil. “It’s a small price to pay for matrimonial bliss.” Mitch tried to think of a way out, but for the life of him he couldn’t see one. Between lack of sleep and deprived blood flow, his normally agile mind failed. “And this is nonnegotiable?” “Well, I’m reasonable.” Tommy’s voice took on the tone of a resigned man. “But, you know Mary Beth, and she does like her gossip.” Everyone in town would know about the plot by noon, and as much as Mitch wanted to delude himself, he didn’t think Maddie would stay locked in the house for a week. “Fine.” Mitch ground out through clenched teeth. “I’ll look at your nephew’s case. But I’m not making any promises.” Mary
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Daisy has a unique spirit,” Westcliff said. “A warm and romantic nature. If she is forced into a loveless marriage, she will be devastated. She deserves a husband who will cherish her for everything she is, and who will protect her from the harsher realities of the world. A husband who will allow her to dream.” It was surprising to hear such sentiment from Westcliff, who was universally known as a pragmatic and level-headed man. “What is your question, my lord?” Matthew asked. “Will you give me your word that you will not marry my sister-in-law?” Matthew held the earl’s cold black gaze. It would not be wise to cross a man like Westcliff, who was not accustomed to being denied. But Matthew had endured years of Thomas Bowman’s thunder and bluster, standing up to him when other men would flee in fear of his wrath. Although Bowman could be a ruthless, sarcastic bully there was nothing he respected more than a man who was willing to go toe-to-toe with him. And so it had quickly become Matthew’s lot in the company to be the bearer of bad tidings and deliver the hard truths that everyone else was afraid to give him. That had been Matthew’s training, which was why Westcliff’s attempt at domination had no effect on him. “I’m afraid not, my lord,” Matthew said politely. Simon Hunt dropped his cigar. “You won’t give me your word?” Westcliff asked in disbelief. “No.” Matthew bent swiftly to retrieve the fallen cigar and returned it to Hunt, who regarded him with a glint of warning in his eyes as if he were silently trying to prevent him from jumping off a cliff. “Why not?” Westcliff demanded. “Because you don’t want to lose your position with Bowman?” “No, he can’t afford to lose me right now.” Matthew smiled slightly in an attempt to rob the words of arrogance. “I know more about production, administration, and marketing than anyone else at Bowman’s…and I’ve earned the old man’s trust. So I won’t be dismissed even if I refuse to marry his daughter.” “Then it will be quite simple for you to put the entire matter to rest,” the earl said. “I want your word, Swift. Now.” A lesser man would have been intimidated by Westcliff’s authoritative demand. “I might consider it,” Matthew countered coolly, “if you offered the right incentive. For example, if you promise to endorse me as the head of the entire division and guarantee the position for at least, say…three years.” Westcliff gave him an incredulous glance. The tense silence was broken as Simon Hunt roared with laughter. “By God, he has brass ballocks,” he exclaimed. “Mark my words, Westcliff, I’m going to hire him for Consolidated.” “I’m not cheap,” Matthew said, which caused Hunt to laugh so hard that he nearly dropped his cigar again. Even Westcliff smiled, albeit reluctantly. “Damn it,” he muttered. “I’m not going to endorse you so readily—not with so much at stake. Not until I am convinced you’re the right man for the position.” “Then it seems we’re at an impasse.” Matthew made his expression friendly. “For now.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Taking the Right Decision in any situation only requires TWO major ingredients: Critical Thinking and Grace. Critical Thinking is like 'Works' and Grace is like 'Faith'. So if "Faith without Works is dead," then same, I believe, goes for Works without Faith. Like the two sides of a coin, one without the other just won't make any sense. And if the coin ever has a third side, it will never be 'Emotions' or 'Sentiments' because they both have zero IQ.
Olaotan Fawehinmi (The Soldier Within)
Helen obligingly presented us with a copy of the new form of marriage service, with all the vulgar bits left out--which was asking for trouble. Peter very funny about it--said he knew all about the "procreation of children," in theory though not in practice, but that the "increase of mankind" by any other method sounded too advanced for him, and that, if he ever did indulge in such dangerous amusements, he would, with his wife's permission, stick to the old-fashioned procedure. He also said that, as for the "gift of continence," he wouldn't have it as a gift, and had no objection to admitting as much. At this point, Helen got up and left the house, leaving P. and Harriet to wrangle over the word "obey." P. said he would consider it a breach of manners to give orders to his wife, but H. said, Oh, no--he'd give orders fast enough if the place was on fire or a tree falling down and he wanted her to stand clear. P. said, in that case they ought both to say "obey," but it would be too much jam for the reporters. Left them to fight it out. When I came back, found Peter had consented to be obeyed on condition he might "endow" and not "share" his worldly goods. Shocking victory of sentiment over principle.
Dorothy L. Sayers (Busman's Honeymoon)
Her husband never left her side and he seemed to suffer in his way as greatly as she did, and his tender diligence was so at odds with the man he had seen swaggering about The Unicorn in his silver-laced coat and high hat. It was a revelation, and Felix wondered again at the business and meaning of marriage; of husband and wives and how they were linked by something profounder that the mere vagaries of sentimental love and hot-blooded lust. This connection, so strange and deep between them, was something he did not understand. He wondered if he would ever manage to make such a contract. He did not think he could bear to stand by and see someone he loved suffer as this woman was suffering.
Harriet Smart (The Northminster Mysteries Books 1-3 (The Northminster Mysteries, #1-3))
sentimentality in the matter of marriage is the last thing that people like us can afford. Marriage is too important a business to be clouded by it.
Harriet Smart (The Northminster Mysteries Books 1-3 (The Northminster Mysteries, #1-3))
He and his father were made of similar stuff: words were more often thought than spoken. And now his father was gone, his mammy was far away and his marriage might be dissolving to dust. He had no-one to talk to. He took out the phone and found Evie’s number. He could text her and ask where she was. He could ring, but she’d know right away in his voice that something was wrong. He put his fingers through his hair. What was love? Was it just physical passion or romantic sentiment, or was it just a habit to keep the loneliness away? He would walk back to the bed and breakfast, slide his cold bones next to a slumbering Maura. Tomorrow they would have to sort it all out, the Panda, Evie, their marriage. Brendan pulled himself to his feet, put his hands in his pockets and turned in the direction of the shadows.
Judy Leigh (A Grand Old Time)
The struggle to name anti-black sentiment and anti-queer sentiment in the early 2000s was a very isolating experience. Further, naming the way that assimilationist politics were framing the LGBTQIA movement in their fight for marriage equality over against homeless queer youth and discrimination was also part and parcel of my work of naming the ways we all capitulate to the logic of the norm, an ever-expansive fold that flattens out differences and demands that we all acquiesce to the dominant culture.
Robyn Henderson-Espinoza (Activist Theology)
Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God’s saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice.               “Tad proposed to me at the Oriental Club,” I declared nonchalantly.               “I know,” came Andy’s reply.               Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.
Young (Turpitude (A Harem Boy's Saga Book 4))
At one point when I was in the middle of the first season, I asked myself why I would want to watch a conservative Democrat destroy teachers’ unions and have joyless sex with a woman who looks like a very young teenager. I still had not answered the question when Claire pushed things to the next level in a scene so intensely creepy that it might count as the most revolting thing I have ever witnessed on television. A longtime member of the couple’s Secret Service security detail is dying of cancer, and Claire goes to visit him alone. On his deathbed, he reveals that he was always secretly in love with her and thought that Frank wasn’t good enough for her. Her response is almost incomprehensible in its cruelty—she mocks and taunts him for thinking he could ever attain a woman like her, and then puts her hand down his pants and begins to give him a handjob, all the while saying, in true perverse style, “This is what you wanted, right?” Surely Claire doesn’t have to emotionally destroy a man who is dying of cancer—and yet perhaps in a way she does, because she uses it as a way of convincing herself that Frank really is the right man for her. Not only could an average, hardworking, sentimental man never satisfy her, but she would destroy him. By contrast, Frank not only can take her abuse, but actively thrives on it, as she does on his. Few images of marriage as a true partnership of equals are as convincing as this constant power struggle between two perverse creeps. Claire is not the first wife in the “high-quality TV drama” genre to administer a humiliating handjob. In fact, she is not even the first wife to administer a humiliating handjob to a man who is dying of cancer. That distinction belongs to Skyler White of Breaking Bad, who does the honors in the show’s pilot. It is intended as a birthday treat for her husband Walt, who is presumably sexually deprived due to his wife’s advanced pregnancy, and so in contrast to Claire’s, it would count as a generous gesture if not for the fact that Skyler continues to work on her laptop the entire time, barely even acknowledging Walt’s presence in the room. In her own way, Skyler is performing her dominance just as much as Claire was with her cancer patient, but Skyler’s detachment from the act makes it somehow even creepier than Claire’s.
Adam Kotsko (Creepiness)
Marry me," he said. Her eyes widened. "What?" She nearly fell off the horse. "Marry me, Kate," he repeated. He swallowed hard. "I need you in my life. Please. Say you'll be my duchess." "Rohan..." He took a step closer. "I know I said some boorish, stupid things that day in the music room. You were right. I was scared. I didn't know how it could be between us, but I see it now. And that night on your father's ship, I acted like a brute, telling you to prove your love by sleeping with me. It was wrong." She shook her head. "You needed me." "I did. I still do. I always will. I don't know what I'll do if you say no." He lowered his head. "I know you've reason to be wary. That I can be a thoroughgoing bastard sometimes. I've had too many women in the past, but, God, I don't want that anymore. And it is true, I, er, kill people now and then, but just to safeguard England. And if you can live with that---" He shook his head with a tempestuous fire in his eyes. "On my word, I will be true to you, and I will love you until the end of time." Kate had lost the power of speech. Indeed, she could barely breathe. Tears rushed into her eyes. Lord Byron himself could not have uttered more romantic sentiments. "There can be no other for me, Kate, but you." The Beast walked over and stared hard into the depths of her eyes; sitting on the pony's back, she was on eye level with him for once, and the whole tumult of his soul was there in his eyes, discovering love for the first time, setting his heart free at last. "You... make me feel things I've never experienced before. You've been so patient, and I've been such a fool." "No, you haven't," she breathed, wonder-struck by him. Was this just a dream? "Stay with me always," he implored her in a confidential whisper. "And love me... as I love you." "You---love me?" she echoed, her chin trembling in the most embarrassing fashion. "With all my heart," he vowed in a soft but fierce tone, looking as deeply moved as she. He touched her hair, tucking a windblown lock of it behind her ear. "Kate, you and I were meant to be together. I'm still superstitious enough to know when I have found my destiny. It's you. You're the one who broke the curse.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Most couples wait too long to go (to marriage counseling). There's an average six-year delay between the first cracks in a marriage and actually getting help... When entropy decays the happiness of a marriage over time, it's not just a linear downward progression for everyone. Often, there's a phase change (like water to ice)... In marriage this goes by the appropriately intimidating term negative sentiment override. Idealization hasn't faded-- it has flipped. If love is positive delusion, NSO is utter disillusionment. You are biased against, not toward, your partner. The facts haven't necessarily changed, just your interpretation of them. Rather than attributing problems to context, attributions now lie in someone's poor character traits.
Eric Barker (Plays Well with Others: The Surprising Science Behind Why Everything You Know About Relationships Is (Mostly) Wrong)
tensions have escalated throughout the nation. Lynchings by the Ku Klux Klan are continuing, as are race wars and massacres of colored people in cities like Tulsa, Oklahoma; Rosewood, Florida; and even my beloved Washington, DC, as Mama predicted long ago. The most terrifying part of all of this is that the federal and state governments have endorsed these mounting racist sentiments by rejecting anti-lynching bills like the Dyer Act, despite President Harding’s support, and by adopting despicable legislation like Virginia’s Racial Integrity Act, which prohibits interracial marriage and defines “white” as one with no trace of blood other than Caucasian. No, in this environment, I can take no unnecessary risks.
Marie Benedict (The Personal Librarian)
Author and Texas-based entrepreneur David Thomas Roberts expressed the sentiments of the vast majority of Texans when he wrote: “Our income and our labors are taxed and redistributed to those who won’t work, to inefficient and corrupt governmental agencies, to programs that might violate our faith and to morally despicable foreign governments―of which many hate us despite the money we give them.” “This marriage has run its course,” agrees author Paul Vandevelder in a 2012 op-ed for the Los Angeles Times. “Too many niggling little things built up over time, driving us all crazy. So let’s just stop. It’s time to divvy up the china and draft a property settlement.” The
Daniel Miller (Texit: Why and How Texas Will Leave The Union)
The sentiment of love, akin to a plant nurtured with devotion, blossoms in a caring environment but withers in the absence of attention.
Dr. Lucas D. Shallua
The loss of faith in marriage explains why my generation may be so zealous about making sure their marriages are so equal: A modern couple's desire to keep their arrangement strictly balanced, at all levels, is actually a way of protecting each partner's self-interest in the event that the marriage dissolves. The compromises a couple is willing to make for each other, the responsibilities the partners are willing to shoulder for their family, are bearable only if they can be assured that their marriage is going to last and that the society around them considers an enduring marriage important - indeed, worthwhile and admirable. A man stays in a marriage not simply because he loves his wife and children, but because he could not respect himself - or expect others to respect him - if he casually up and left, or had an affair, or brought harm to those who so deeply loved and trusted him. Likewise for a woman. She stays in a marriage and takes risks like leaving her job when the babies are born not because she finds changing diapers so intrinsically interesting or doing the laundry so fulfilling but because she feels it is right for her family. If a couple is uncertain that their marriage will last - or even that it's important for it to last - and each partner does not respect the sacrifices the other is making, then it will be difficult for them to make any compromises at all. They will cling to their individuality out of self-protection, constantly thinking about their own long-term self-interest, unable to think or act in terms of what is good for the family as a whole. A couple who enters marriage with this attitude is doomed, no matter what hopeful sentiments they may express for each other at the altar.
Danielle Crittenden
...it is interesting to consider a book published in 1965, called The Significant Americans, written by John F. Cuber and Peggy B. Harroff. Their book is described as 'a study of sexual behavior among the affluent.' In this study, the authors contrast two types of marriage which they encountered: 'utilitarian marriage,' characterized by an absence of mutual involvement or passion, held together by social, financial, and family considerations, made tolerable by long separations, immersion in “community activities,' and sexual infidelity; and 'intrinsic marriage,' characterized by passionate emotional and sexual involvement, a policy of sharing life experiences to the fullest extent possible, and an attitude of regarding the relationship as more interesting, more exciting, more fulfilling than any other aspect of social existence (in other words, romantic love). Partners in an 'intrinsic marriage' tend, according to the authors, to be very selfish with their time, in that they are reluctant to engage in social, political, community, or other activities that would cause them to be separated unless they are convinced there are very good reasons for doing so; they are clearly not looking for excuses to escape from each other. While this type of relationship tends to provoke some degree of envy from those who exist in a 'utilitarian marriage,' according to the authors, it also provokes a good deal of resentment and hostility. The authors quote such hostile sentiments as 'these immature people' must somehow 'be brought into line.' They quote a man trained in psychology as declaring, 'Sooner or later you’ve just got to act your age. People who stay to themselves so much must have some psychological problems—if they don’t, they’ll soon develop them.
Nathaniel Branden (The Psychology of Romantic Love)
We would have a poor idea of marriage and of human affection if we were to think that love and joy come to an end when faced with such difficulties. It is precisely then that our true sentiments come to the surface. Then the tenderness of a person's gift of himself takes root and shows itself in a true and profound affection that is stronger than death.
Scott Hahn (Ordinary Work, Extraordinary Grace: My Spiritual Journey in Opus Dei)
There was a silence, and then Tuppence burst out: ‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’ ‘Same here,’ agreed Tommy with feeling. ‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’ There was a pause. ‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply. ‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’ ‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’ ‘What about the general?’ inquired Tommy. ‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’ ‘I’m like you. I don’t know any.’ ‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’ ‘Do you suggest that I should do that to a similarly garbed female?’ ‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’ ‘You overrate my manly charms,’ murmured Tommy. ‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’ ‘We’ve tried that, and failed,’ Tommy reminded her. ‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’ ‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’ ‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’ ‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’ ‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’ ‘There wouldn’t be the least difference if you were caught!’ ‘Perhaps not. But I shouldn’t be caught. I’m so clever.’ ‘Modesty always was your besetting sin,’ remarked Tommy. ‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’ ‘Form a company for the stealing of diamond necklaces?’ ‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’ ‘Don’t know. Never did any.’ ‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’ ‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’ ‘It’s all very well to laugh, but I feel there might be something in it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
While she was generally resistant to emotionalism and sentimental religious flatulence,101 Palmer both experienced and attempted to describe many unitive moments and visions of intense spiritual ecstasy. In doing so she used language that is the native tongue of many Catholic mystics. Images of mystical marriage to Christ, being lost in oceanic love, being filled with the fire of the Spirit, becoming one with the will of God—this is the language of John of the Cross, Teresa of Avila, Catherine of Siena, and Phoebe Palmer.
Elaine A. Heath (Naked Faith: The Mystical Theology of Phoebe Palmer (Princeton Theological Monograph Series Book 108))
Marriage forces him to live with more ornament as well as sentiment, as it protects him, also, from the extremities of his own nature - from a frigid parsimony or a luxuriant sloth, from squalor, and from excessive sleeping, drinking, smoking, or freethinking.
Alice Munro
The reason marriage is so painful and wonderful is because it is a reflection of the gospel, which is painful and wonderful at once. The gospel is this: We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope. This is the only kind of relationship that will really transform us. Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God's saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us. The merciful commitment strengthens us to see the truth about ourselves and repent. The conviction and repentance moves us to cling to ad rest in God's mercy and grace.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
[83:6.7] Monogamy is the yardstick which measures the advance of social civilization as distinguished from purely biologic evolution. Monogamy is not necessarily biologic or natural, but it is indispensable to the immediate maintenance and further development of social civilization. It contributes to a delicacy of sentiment, a refinement of moral character, and a spiritual growth which are utterly impossible in polygamy. A woman never can become an ideal mother when she is all the while compelled to engage in rivalry for her husband's affections. [83:6.8] Pair marriage favors and fosters that intimate understanding and effective co-operation which is best for parental happiness, child welfare, and social efficiency. Marriage, which began in crude coercion, is gradually evolving into a magnificent institution of self-culture, self-control, self-expression, and self-perpetuation.
Urantia Foundation (The Urantia Book)
The words were simple, the sentiment was true, and Hannah knew that marriage was supposed to last a lifetime. But hearing such grave words on this joyous occasion always reminded her of an opening line in a television murder mystery. In the next shot, the groom would kiss the bride and the whole congregation would mirror their happy smiles. Then the camera would pull back, and the music would change to a minor key. Something was about to happen, something ominous. Someone was going to die before the first commercial break, and you could almost bet that the victim would be one-half of the bridal couple, most likely the actor or actress who was lesser known and lesser paid.
Joanne Fluke (Apple Turnover Murder (Hannah Swensen, #13))
The tumbleweed told me he loved the Welsh word hiraeth, which—like many of the best words, it seemed—could not be fully translated into English. But hiraeth meant, loosely: yearning for a home that no longer exists, or maybe never existed at all. The musician said it was how he felt about me—like I was some long-lost home he hadn’t even known he had. I heard the sense of homecoming in his sentiment, more than the impossibility. But really hiraeth felt less like a description of our relationship and more like a description of the way I grieved my marriage: missing not what it had been, but what it hadn’t been—what we’d both hoped it would be.
Leslie Jamison (Splinters: Another Kind of Love Story)
His early reading took him from Flavel’s Keeping the Heart to Bunyan’s Pilgrim’s Progress, to Adam Smith’s Theory of Moral Sentiments, to Robert Owen’s A New View of Society. This last was an extreme rationalist work, maintaining, almost as B. F. Skinner would later, that since we are born empty or blank we can be taught anything at all, if given early and complete enough training. Owen claimed he could teach a tiger if he got it early enough.1 From Owen Alcott moved on to Pestalozzi, the great Swiss educator who laid the foundation for modern primary education. Fired with enthusiasm for teaching, Alcott abandoned peddling and opened the first of a series of schools. In 1828 he came to Boston to teach, heard Emerson, and married Abigail May. In 1830 he went to Germantown, Pennsylvania, where over the next three and a half years he both kept school and did his serious reading. In 1833 he discovered and was instantly converted to Platonism. He marked the day in red on his calendar, a distinction used otherwise only for his marriage, the birth of his daughters, the opening of the Civil War, and the death of Lincoln. He also read Carlyle, Coleridge’s Aids to Reflection, Proclus, Plotinus (in Thomas Taylor’s edition), Herder, Swedenborg, a life of Boehme, and two books on Kant.2
Robert D. Richardson Jr. (Emerson: The Mind on Fire)
Nevertheless, the issue of Catholic marriage deserves some additional theoretical and historical consideration to prevent ambiguity. Naturally in our case it is not the arguments of “free thinkers” that turn us against this kind of marriage. Earlier I mentioned the contamination between the sacred and the profane. It is worth recalling that marriage as a rite and sacrament involving indissolubility took shape late in the history of the Church, and not before the twelfth century. The obligatory nature of the religious rite for every union that wished to be considered more than mere concubinage was later still, declared at the Council of Trent (1563). For our purposes, this does not affect the concept of indissoluble marriage in itself, but its place, significance, and conditions have to be clarified. The consequence here, as in other cases regarding the sacraments, is that the Catholic Church finds itself facing a singular paradox: proposals intending to make the profane sacred have practically ended up making the sacred profane. The true, traditional significance of the marriage rite is outlined by Saint Paul, when he uses not the term “sacrament” but rather “mystery” to indicate it (“it is a great mystery,” taken verbatim—Ephesians 5:31-32). One can indeed allow a higher idea of marriage as a sacred and indissoluble union not in words, but in fact. A union of this type, however, is conceivable only in exceptional cases in which that absolute, almost heroic dedication of two people in life and beyond life is present in principle. This was known in more than one traditional civilization, with examples of wives who even found it natural not to outlive the death of their husbands. In speaking of making the sacred profane, I alluded to the fact that the concept of an indissoluble sacramental union, “written in the heavens” (as opposed to one on the naturalistic plane that is generically sentimental, and even at base merely social), has been applied to, or rather imposed on, every couple who must join themselves in church rather than in civil marriage, only to conform to their social environment. It is pretended that on this exterior and prosaic plane, on this plane of the Nietzschean “human, all too human,” the attributes of truly sacred marriage, of marriage as a “mystery,” can and must be valid. When divorce is not permitted in a society like the present, one can expect this hypocritical regime and the rise of grave personal and social problems. On the other hand, it should be noted that in Catholicism itself the theoretical absoluteness of the marriage rite bears a significant limitation. It is enough to remember that if the Church insists on the indissolubility of the marriage bond in space, denying divorce, it has ceased to observe it in time. The Church that does not allow one to divorce and remarry does permit widows and widowers to remarry, which amounts to a breach of faithfulness, and is at best conceivable within an openly materialistic premise; in other words, only if it is thought that when one who was indissolubly united by the supernatural power of the rite has died, he or she has ceased to exist. This inconsistency shows that Catholic religious law, far from truly having transcendent spiritual values in view, has made the sacrament into a simple, social convenience, an ingredient of the profane life, reducing it to a mere formality, or rather degrading it.
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
Thus, as I have said, in innumerable cases today’s family owes its existence merely to a force of inertia, conventions, practical convenience, and weakness of character in a regime of mediocrity and compromises. Nor can one expect external measures to bring about a change. I must repeat that familial unity could only remain firm when determined by a suprapersonal way of thinking, so as to leave mere individual matters on a secondary level. Then the marriage could even lack "happiness," the "needs of the soul" could be unsatisfied, and yet the unity would persist. In the individualistic climate of present society no higher reason demands that familial unity should persist even when the man or the woman "does not agree," and sentiment or sex leads them to new choices. Therefore, the increase of so-called failed marriages and related divorces and separations is natural in contemporary society. It is also absurd to think of any efficacy in restraining measures, since the basis of the whole is by now a change of an existential order. After this evaluation, it would almost be superfluous to specify what can be the behavior of the differentiated man today. In principle, he cannot value marriage, family, or procreation as I have just described them. All that can only be alien to him; he can recognize nothing significant to merit his attention. (Later I will return to the problem of the sexes in itself, not from the social perspective.) The contaminations in marriage between sacred and profane and its bourgeois conformism are evident to him, even in the case of religious, indissoluble, Catholic marriage. This indissolubility that is supposed to safeguard the family in the Catholic area is by now little more than a facade. In fact, the indissoluble unions are often profoundly corrupted and loosened, and in that area petty morality is not concerned in the least that the marriage is actually indissoluble; it is important only to act as if it were such. That men and women, once duly married, do more or less whatever they want, that they feign, betray, or simply put up with each other, that they remain together for simple convenience, reducing the family to what I have already described, is of little importance there. Morality is saved: One can believe that the family remains the fundamental unit of society so long as one condemns divorce and accepts that social sanction or authorization—as if it had any right—for any sexually based cohabitation that corresponds to marriage. What is more, even if we are not speaking of the "indissoluble" Catholic rite of marriage, but of a society that permits divorce, the hypocrisy persists: one worships at the altar of social conformism even when men and women separate and remarry repeatedly for the most frivolous and ridiculous motives, as typically happens in the United States, so that marriage ends up being little more than a puritanical veneer for a regime of high prostitution or legalized free love.
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
I love you,” Oak says, because he needs to say it simply, so she can’t find a way to see a lie in it. He’s smiling because she came through the woods in a rush, looking for him. Because he feels ridiculously happy. “Come have a picnic with me.” For a moment, Wren looks utterly horrified. The prince’s thoughts stagger to a stop. He feels a sharp pain in his chest and fights to keep the smile on his lips. It’s not that he expected her to return the sentiment. He expected her to laugh and perhaps be a little flattered. Enjoy the thought of having a little power over him. He had thought she liked him, even if she found him hard to forgive. He thought she had to like him some to want him. “Well,” he manages, hefting the basket with false lightness. “Luckily there’s still the picnic.” “You fall in love with the ease of someone slipping into a bath,” she tells him. “And I imagine you extricate yourself with somewhat more drama, but no less ease.” Now that was more the sort of thing he was prepared to hear. “Then I urge you to ignore my outburst.” “I want you to call off the marriage,” she says. He sucks in a breath, stung. Truly, he didn’t expect her to rub salt in so fresh a wound, although he supposes she gave him no reason to think she wouldn’t. “That seems like an excessive response to a declaration of love.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))