Maroon Red Quotes

We've searched our database for all the quotes and captions related to Maroon Red. Here they are! All 25 of them:

Flags so red, they veered toward maroon.
Emily Henry (Funny Story)
In Bio last year, I learned that blood is actually a dark maroon when it's inside your body. It's the exposure to oxygen that turns it bright red. And there must have been a lot of oxygen in my bathroom, because that blood was bright, bright red.
Leila Sales (This Song Will Save Your Life)
She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in.
Tahereh Mafi (Furthermore (Furthermore, #1))
I see dead dead dead red and burgundy and maroon and the richest shade of your mother's favorite lipstick all smeared into the earth.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
A ship carrying blue paint and a ship carrying red paint both crashed on an island. All the sailors were marooned.
Sarina Bowen (Brooklynaire (Brooklyn, #1))
Her friends' lips were red, their teeth white, and their tongues and gums were pink. Pink, too, were the tips of their breasts. Their eyes were aquamarine blue, cherry-black, hazel and maroon.
Italo Calvino (Cosmicomics)
I see women and children starving to death, homes destroyed and buried in rubble, the countryside a burnt landscape, its only fruit the rotting flesh of casualties. I see dead dead dead red and burgundy and maroon and the richest shade of your mother’s favorite lipstick all smeared into the earth.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Good morning,” he said, as though he had answered the door. His cultured voice has a slight metallic rasp beneath it, possibly from disuse. Dr Lecter’s eyes are maroon and they reflect the light in pinpoints of red. Sometimes the points of light seem to fly like sparks to his center. His eyes held Starling whole.
Thomas Harris (Silence Of The Lambs)
My eyes close in a subconscious effort to block out the bad memories, but the effort backfires. Protests. Rallies. Screams for survival. I see women and children starving to death, homes destroyed and buried in rubble, the countryside a burnt landscape, its only fruit the rotting flesh of casualties. I see dead dead dead red and burgundy and maroon and the richest shade of your mother’s favorite lipstick all smeared into the earth. So much everything all the things dead.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.
Audrey Niffenegger (The Time Traveler's Wife)
Crayola crayons, in the familiar yellow-and-green box, labeled LIBRARY PACK. Inside were the colors of Dinsy’s world: Reference Maroon, Brown Leather, Peplum Beige, Reader’s Guide Green, World Book Red, Card Catalog Cream, Date Stamp Purple, and Palatino Black.
Ellen Klages (In the House of the Seven Librarians)
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Reds and blues; maroons and ceruleans. Greens and pinks; shamrocks and peaches. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life.
Taherah Mafi, Furthermore
A ship carrying red paint collided with another one carrying purple paint. Both crews are thought to be marooned.
Ronnie Barker
She wore jeans, red boots, a black leather jacket and a hefty splash of sweet gardenia perfume. Her hair looked like that crayon called maroon, the one that’s not purple and not red, but something in between and for some reason, I couldn’t take my eyes off her lipstick. It was the exact same color as her hair and went up and down in a perfect rounded “M” on her top lip.
Pam Muñoz Ryan (Becoming Naomi León)
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.
Grady Hendrix (How to Sell a Haunted House)
A dingy emblem on the door depicted a little boy peeing into a pot. The rest of the bar was equally drab and tasteless. Dim bulbs behind red-tasseled lamp shades barely illuminated each of a dozen maroon vinyl booths, which marched along one wall toward the murky front windows. Chipped Formica tables anchored the booths in place. Opposite the row of booths was a long, scarred wooden bar with uncomfortable-looking stools. Behind the bar, sitting on glass shelves in front of a cloudy mirror, were endless rows of bottles, each looking as forlorn as the folks for whom they waited. He caught the strong odors of liquor and tobacco smoke, and the weaker scents of cleaning chemicals and vomit. In one of the booths , two heads bobbed with the movement of mug-clenching fists. A scrawny bartender with droopy eyelids picked his teeth with a swizzle stick and chatted quietly with a woman seated at the bar. Otherwise the bar was empty.
Robert Liparulo (Germ: If You Breathe, It Will Find You)
Things can get out of hand quickly, especially with Sid around. I also decide never to wear heels again when I'm out with him. I go to Holt's in Camden Town and buy a pair of black Dr Martens. (You can get them in black, brown or maroon, the skinhead boys at school used to buy the brown ones and polish them with Kiwi Oxblood shoe polish — this gives them a deep reddish brown colour, much subtler than the flat red of the originals. They also keep them pristinely clean and polished at all times.) I wear my new boots with everything — dresses, tutus — it’s a great feeling to be able to run again. No other girl wears DMs with dresses, so I get a lot of funny looks. (Skinhead girls only wear DMs with Sta-Prest trousers. With their boring grey skirts, they west plain white or holey ecru tights and black patent brogues.) Bit I wear them all the time to clubs and pubs, it eventually catches on with other girls and I don’t look so odd.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
Maroon Monstrosity.
Maggie Bloom (Any Red-Blooded Girl (The Flora Fontain Files #1))
It looks so much like the night I tried to die. Red. Every shade of red. Bright at first and then thick crimson and rose, dulling to maroon.
K.M. Moronova (The Fabric of Our Souls)
Sampat lies on the ground, eyes looking up to Ti Kong, the God of Heaven. The God who watches, who blesses, who curses. A streak of red drool, dark maroon, the colour of blood, pools on the grey tarmac... His heart has stopped but he doesn't know it yet.
Wan Phing Lim (Two Figures in a Car and Other Stories)
Stirring the fractious air, smiling, smiling, now reaching forward. One irrepressible hand coming to rest first of all on a jar of pickled cucumber then moving impishly along to a jar of pickled cucumber containing dill and the Russian man is very fond of dill especially in his pickled cucumber because he likes to eat pickled cucumber as an accompaniment to red salmon and red salmon and dill are natural bedfellows and it is this very jar of pickled cucumber containing dill in fact that the Russian man is settling into his basket when I enter the condiment aisle with a pen in my hand and my hair twisted back into a french plait on my way to checkout 19 where I will sit myself down upon a lopsided swivel chair and commence yet another nine-hour shift because these are the summer months and in the summer I work all the hours the devil sends so I have a sizeable wedge squirreled away for when I return to the college equidistant from the woeful library and the marooned casino slap-bang in the centre of the fastest-growing town in Europe in order to resume my studies in three subjects pertaining to the humanities come September.
Claire-Louise Bennett (Checkout 19)
So, there’s two pirate boats sailing towards each other,” said the short pirate with thick black spectacles, “and one of the boats is carrying all this blue paint. And the other pirate boat is carrying all this red paint. They crash, and you know what happened?” “What happened?” “They were marooned!
Gideon Defoe (The Pirates! In an Adventure with Scientists)
Faster. I have to run faster. Fear holds my throat shut as a tidal wave of death chases me across the sunburned field to where Tairn waits, his back turned. Wind roars around me, stealing every other sound, even my own heartbeat. Tairn’s going to die, and he doesn’t even see it coming for him. Gold flickers near the tip of his wing. Gods, no. Andarna. She’s here. She shouldn’t be here. The wave nips at my heels, transforming the ground beneath my feet into an ashen, desiccated wasteland. “There is nowhere to run, rider.” A hooded figure steps into my path out of nowhere, raising one arm. I’m yanked off my feet by an unseen force and lifted into the air, completely immobilized. The wave of death halts and the wind falls silent, as if he’s stopped time. He shifts his staff to the other hand, then pulls back the thick maroon hood of his floor-length robes with gnarled fingers, revealing the white of his scalp under his slicked-back, thinning hair. Shadows mark the gaunt hollows of his cheekbones on an eerily youthful face, and his lips are cracked and dry, just like the land behind me, but it’s his red-rimmed eyes, the distended veins spiderwebbing across his temples and cheeks, that have me fighting to open my mouth, straining to scream. Venin. “So disappointing,” he lectures, as if he’s my Sage and not the teacher of the dark wielder I killed on Tairn’s back. “All of that power at your fingertips, and yet you insist on fleeing over and over, using the same failed tactics, and expecting what?” He tilts his head to the side. “To escape?” My ribs tighten around my lungs as terror takes hold, and I force a garbled sound through my throat, but it does nothing to warn Tairn and Andarna. “There is no escaping me, rider,” he whispers, his fingers ghosting over my cheek but not quite touching. “Fight me and die, or join me and live beyond the ages, but you will never escape me, not when I’ve waited centuries for someone with your power.” “Fuck you.” It comes out as a whisper, but I mean it with every bone in my body. “Death it is.” He looks so…disappointed as he lowers his hand. Wind howls as I fall to the ground. A scream tears through my body as a wave of agony rolls over my skin and bones, leaching the very essence of my energy until— I wake, my heart pounding, my skin clammy, my fingers wrapped around my black-hilted dagger. Just a dream. Just a dream. Just a dream. …
Rebecca Yarros (Iron Flame (The Empyrean, #2))