Maroon Five Quotes

We've searched our database for all the quotes and captions related to Maroon Five. Here they are! All 9 of them:

Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.
Audrey Niffenegger (The Time Traveler's Wife)
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.
Grady Hendrix (How to Sell a Haunted House)
If I had to hold up the most heavily guarded bank in Europe and I could choose my partners in crime, I’d take a gang of five poets, no question about it. Five real poets, Apollonian or Dionysian, but always real, ready to live and die like poets. No one in the world is as brave as a poet. No one in the world faces disaster with more dignity and understanding. They may seem weak, these readers of Guido Cavalcanti and Arnaut Daniel, these readers of the deserter Archilochus who picked his way across a field of bones. And they work in the void of the word, like astronauts marooned on dead-end planets, in deserts where there are no readers or publishers, just grammatical constructions or stupid songs sung not by men but by ghosts. In the guild of writers they’re the greatest and least sought-after jewel. When some deluded kid decides at sixteen or seventeen to be a poet, it’s a guaranteed family tragedy. Gay Jew, half black, half Bolshevik: the Siberia of the poet’s exile tends to bring shame on his family too. Readers of Baudelaire don’t have it easy in high school, or with their schoolmates, much less with their teachers. But their fragility is deceptive. So is their humor and the fickleness of their declarations of love. Behind these shadowy fronts are probably the toughest people in the world, and definitely the bravest. Not for nothing are they descended from Orpheus, who set the stroke for the Argonauts and who descended into hell and came up again, less alive than before his feat, but still alive. If I had to hold up the most heavily fortified bank in America, I’d take a gang of poets. The attempt would probably end in disaster, but it would be beautiful.
Roberto Bolaño (Between Parentheses: Essays, Articles and Speeches, 1998-2003)
The War broke out, and our city and country became a part of Hitler's Imperium. For five and a half years we lived in a dimension completely different from that which any literature or experience could have led us to know. What we beheld surpassed the most daring and the most macabre imagination. Descriptions of horrors known to us of old now made us smile at their naivete. German rule in Eu­rope was ruthless, but nowhere so ruthless as in the East, for the East was populated by races which, according to the doctrines of National Socialism, were either to be utterly eradicated or else used for heavy physical labor. The events we were forced to partici­pate in resulted from the effort to put these doctrines into practice. Still we lived; and since we were writers, we tried to write. True, from time to time one of us dropped out, shipped off to a concentration camp or shot. There was no help for this. We were like people marooned on a dissolving floe of ice; we dared not think of the moment when it would melt away.
Czesław Miłosz (The Captive Mind)
One More Night’ by Maroon Five.
Elle Thorpe (Dangerous Little Secrets (Saint View High, #2))
She was checking the ingredients—an interesting potpourri of words she’d need to look up—when she felt, actually felt, someone’s eyes on her. Still holding the box at eye level, she slowly shifted her gaze. Down the corridor, near the bologna and salami display, a man stood and openly stared at her. There was no one else in the aisle. He was average height, maybe five-ten or so. A razor hadn’t glided across his face in at least two days. He wore blue jeans, a maroon T-shirt, and a shiny black Members Only windbreaker. His baseball cap had a Nike swoosh on it. Grace had never seen the man before. He stared at her for another moment before he spoke. His voice was barely a whisper. “Mrs. Lamb,” the man said to her. “Room 17.” For
Harlan Coben (Just One Look)
This I need to be told?” she’d snapped. As if, sitting in this kitchen where she felt the disapproving presence of his dead mother, she could forget where he’d grown up. Cole was the youngest of six children, with five sisters who’d traveled no farther than the bottom of the hollow, where Dad Widener had deeded each daughter an acre on which to build a house when she married, meanwhile saving back the remainder of the sixty-acre farm for his only son, Cole. The family cemetery was up behind the orchard. The Wideners’ destiny was to occupy this same plot of land for their lives and eternity, evidently. To them the word town meant Egg Fork, a nearby hamlet of a few thousand souls, nine churches, and a Kroger’s. Whereas Lusa was a dire outsider from the other side of the mountains, from Lexington—a place in the preposterous distance. And now she was marooned behind five sisters-in-law who flanked her gravel right-of-way to the mailbox.
Barbara Kingsolver (Prodigal Summer)
She thrust the pink box she was holding into Mr. Rutherford’s hands before she opened up her reticule and pulled out a fistful of coins. Counting them out very precisely, she stopped counting when she reached three dollars, sixty-two cents. Handing Mr. Rutherford the coins, she then took back the pink box, completely ignoring the scowl Mr. Rutherford was now sending her. “This is not the amount of money I quoted you for the skates, Miss . . . ?” “Miss Griswold,” Permilia supplied as she opened up the box and began rummaging through the thin paper that covered her skates. Mr. Rutherford’s brows drew together. “Surely you’re not related to Mr. George Griswold, are you?” “He’s my father,” Permilia returned before she frowned and lifted out what appeared to be some type of printed form, one that had a small pencil attached to it with a maroon ribbon. “What is this?” Mr. Rutherford returned the frown, looking as if he wanted to discuss something besides the form Permilia was now waving his way, but he finally relented—although he did so with a somewhat heavy sigh. “It’s a survey, and I would be ever so grateful if you and Miss Radcliff would take a few moments to fill it out, returning it after you’re done to a member of my staff, many of whom can be found offering hot chocolate for a mere five cents at a stand we’ve erected by the side of the lake. I’m trying to determine which styles of skates my customers prefer, and after I’m armed with that information, I’ll be better prepared to stock my store next year with the best possible products.” “Far be it from me to point out the obvious, Mr. Rutherford, but one has to wonder about your audacity,” Permilia said. “It’s confounding to me that you’re so successful in business, especially since not only are you overcharging your customers for the skates today, you also expect those very customers to extend you a service by taking time out of their day to fill out a survey for you. And then, to top matters off nicely, instead of extending those customers a free cup of hot chocolate for their time and effort, you’re charging them for that as well.” “I’m a businessman, Miss Griswold—as is your father, if I need remind you. I’m sure he’d understand exactly what my strategy is here today, as well as agree with that strategy.” Permilia stuck her nose into the air. “You may very well be right, Mr. Rutherford, but . . .” She thrust the box back into his hands. “Since I’m unwilling to pay more than I’ve already given you for these skates, I’ll take my money back, if you please.” “Don’t be ridiculous,” Mr. Rutherford said, thrusting the box right back at Permilia. “Now, if the two of you will excuse me, I have other customers to attend to.” With that, he sent Wilhelmina a nod, scowled at Permilia, and strode through the snow back to his cash register.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
I turned on the radio and scrolled through the stations until I found a new song by Maroon Five that I really liked. Susan reached over, turned it up louder, and began singing with Adam Levine. “He’s so hot,” she said, as the song ended. “I need to buy one of his CDs.” “Yeah, I love his voice.
Kristen Middleton (Venom (Venom #1))