Mark Meadows Quotes

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In a span of months she had present for birth and for death, the wondrous first breath and the horrible last. But wasn't it an honor to be there at the end of life as well as the beginning? To mark the extraordinariness of a lifetime, to bear witness to its completion?
Rae Meadows (Mothers and Daughters)
The bitch is going to burn, too. Mark my fucking words.
H.D. Carlton (Ti ritroverò, Adeline (Il gatto e il topo #2))
--and in fact, we humans need conflict just like we need language, to help us define who we are.
Mark Stephen Meadows (Tea Time with Terrorists: A Motorcycle Journey into the Heart of Sri Lanka's Civil War)
They could then see the faint summer fogs in layers, woolly, level, and apparently no thicker than counterpanes, spread about the meadows in detached remnants of small extent. On the gray moisture of the grass were marks where the cows had lain through the night—dark-green islands of dry herbage the size of their carcasses, in the general sea of dew. From each island proceeded a serpentine trail, by which the cow had rambled away to feed after getting up, at the end of which trail they found her;
Thomas Hardy (Tess of the D'Urbervilles)
A solitary bird, hollow it flew Through a haze of months marked by the moon Come to a meadow, shiny with dew Where hollow bones sang, and deep inside grew The secret hum of a daisy in June
Tracy Holczer (The Secret Hum of a Daisy)
Then in the darkness and purity of the meadows he began to feel that the world had many secrets, that they were shattering even to glimpse or sense, and that they were not necessarily unpleasant. In certain states of light he could see, he could begin to sense, things most miraculous indeed. Although it seemed self-serving, he concluded nonetheless, after a lifetime of adhering to the diffuse principles of a science he did not know, that there was life after death, that the dead rose into a mischievous world of pure light, that something most mysterious lay beyond the the enfolding darkness, something wonderful.
Mark Helprin (A Dove Of The East: And Other Stories)
--And yet this great wink of eternity, Of rimless floods, unfettered leewardings, Samite sheeted and processioned where Her undinal vast belly moonward bends, Laughing the wrapt inflections of our love; Take this Sea, whose diapason knells On scrolls of silver snowy sentences, The sceptred terror of whose sessions rends As her demeanors motion well or ill, All but the pieties of lovers’ hands. And onward, as bells off San Salvador Salute the crocus lustres of the stars, In these poinsettia meadows of her tides,-- Adagios of islands, O my Prodigal, Complete the dark confessions her veins spell. Mark how her turning shoulders wind the hours, And hasten while her penniless rich palms Pass superscription of bent foam and wave,-- Hasten, while they are true,--sleep, death, desire, Close round one instant in one floating flower. Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise.
Hart Crane
things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
[After Nalena realizes Nok can read her thoughts] [Garrett] leans towards me until his face is almost touching the skin of my cheek. 'You're thinking, oh crap, aren't you?" he says. I swallow. Nod. Gulp. "Yeah."... [Nok] looks at me one more time, his face as open and inviting as a meadow. He says with a shrug, "You. Fine." Then he turns on his heels and leaves. "Oh...did you see that?" Mark pipes up. "Nok's got a crush on Nali. You got two whole words out of him!
Misty Provencher (Keystone (Cornerstone, #2))
Around them the stubbled land was marked off by plaques and signs that explained to visitors what had happened here on a long-ago July day not unlike this one. But Peter already knew all they said and more. He looked around at the people with their noses tucked in brochures and guidebooks, and those trailing, sheeplike, after tour guides and park employees. He was used to feeling somewhat out of place most everywhere he went--at school or the barbershop, even at home, but here, where he knew everything, all the names and dates and facts, he somehow seemed to fit, and the knowledge of this welled up inside him. It was like he'd been born a blue flower in a field full of red ones and had only now been plunked down in a meadow so blue it might as well have been the ocean.
Jennifer E. Smith (You Are Here)
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...
Virginia Woolf (The Mark on the Wall)
None of them was impressed with Gravel, who at present was their commander. He had, in their eyes, failed them. He had sent Meadows and Downs out on missions that were foredoomed. It wasn’t all his fault, because he was getting pushed around from above, and he had complained about it bitterly and consistently. But part of being a leader was being able to push up as well as down. You didn’t ask men to risk everything on a mission that you did not believe in yourself. Gravel had been doing this now for several days. The men knew when they were being misused. This was the real deal, not some classroom exercise. These were blood decisions. They were the most important ones a military commander is asked to make. If you knew more because of where you were and what you saw, then you stood your ground. You didn’t just protest; if need be, you refused. You put your judgment on the line. This might destroy your career—hell, it would certainly destroy your career—but you accepted that, because whatever happened to you, your career, your reputation, these were minor things by comparison. Lives were at stake. A real leader knew his responsibility was not first and foremost to himself; it was to his men, and the mission. What mattered in combat, what really mattered, was not only understanding why you asked men to risk their lives, but making them understand. Men would willingly risk their lives, but they needed to know that it counted. And they needed to know they had a chance. If the commander believed those things himself, he could convince his men. The problem here was that neither the young company commanders nor Gravel held that belief.
Mark Bowden (Huế 1968: A Turning Point of the American War in Vietnam)
little Em’ly and I made a cloak of an old wrapper, and sat under it for the rest of the journey. Ah, how I loved her! What happiness (I thought) if we were married, and were going away anywhere to live among the trees and in the fields, never growing older, never growing wiser, children ever, rambling hand in hand through sunshine and among flowery meadows, laying down our heads on moss at night, in a sweet sleep of purity and peace, and buried by the birds when we were dead! Some such picture, with no real world in it, bright with the light of our innocence, and vague as the stars afar off, was in my mind all the way.
Mark Twain (50 Masterpieces you have to read before you die, vol 2)
Most humans, it seems, still put up fences around their acts and thoughts – even when these are piles of shit – for they have no other way of delimiting them. Contrast Paleolithic cave paintings, in which animals and magical markings are overlayed with no differentiation or sense of framing. But when some of us have worked in natural settings, say in a meadow, woods, or mountain range, our cultural training has been so deeply ingrained that we have simply carried a mental rectangle with us to drop around whatever we were doing. This made us feel at home. (Even aerial navigation is plotted geometrically, thus giving the air a "shape".)
Allan Kaprow (Essays on the Blurring of Art and Life)
The baby girl who lifted the flaps of Rod Campbell's Dear Zoo becomes the toddler charmed by Ludwig Behmelman's Madeline who turns into the sixth grader listening open-mouthed to Mark Halperin's A Kingdom Far and Clear who grows up to be the young woman swept away by Leo Tolstoy and the beautiful, ill-fated heroine of Anna Karenina. Each book makes straight the path for the next, opening out into sunlit literary meadows where, over time, young people will encounter beautiful writing and characters and scenes that may have been known, loved, and remembered by generations long since past. For the child, or teenager, or anyone else for that matter, getting these tickets to arcadia is a matter of simplicity. All they have to do is listen.
Meghan Cox Gurdon (The Enchanted Hour: The Miraculous Power of Reading Aloud in the Age of Distraction)
The intriguing history of American applied toponymy includes a few notoriously unpopular sweeping decisions a year after President Benjamin Harrison created the Board on Geographic Names in 1890. Harrison acted at the behest of several government agencies, including the U.S. Geological Survey and the U.S. Coast and Geodetic Survey, which was responsible for mapping the nation's coastline, harbors, and coastal waterways. Troubled by inconsistencies in spelling, board members voted to replace centre with center, drop the ugh from names ending in orough, and shorten the suffix burgh to burg. Overnight, Centreview (in Mississippi) became Centerview, Isleborough (in Maine) became Isleboro, and Pittsburgh (in Pennsylvania) lost its final h and a lot of civic pride. The city was chartered in 1816 as Pittsburg, but the Post Office Department added the extra letter sometime later. Although both spellings were used locally and the shorter version had been the official name, many Pittsburghers complained bitterly about the cost of reprinting stationery and repainting signs. Making the spelling consistent with Harrisburg, they argued, was hardly a good reason for truncating the Iron City's moniker--although Harrisburg was the state capital, it was a smaller and economically less important place. Local officials protested that the board had exceeded its authority. The twenty-year crusade to restore the final h bore fruit in 1911, when the board reversed itself--but only for Pittsburgh. In 1916 the board reaffirmed its blanket change of centre, borough, and burgh as well as its right to make exceptions for Pittsburgh and other places with an entrenched local usage.
Mark Monmonier (From Squaw Tit to Whorehouse Meadow: How Maps Name, Claim, and Inflame)
He was tall and broad-shouldered, wore a dark overcoat and black boots, a bowler hat. He had a dark-pointed beard and gold-rimmed eyeglasses.” “Take away the overcoat, the beard and the eyeglasses, and there wouldn’t be much to know him by,” grumbled the inspector. “He could alter his appearance easily enough in five minutes if he wanted to—which he would do if he’s the swell pickpocket you suggest.” I had not intended to suggest anything of the kind. But from this moment I gave the inspector up as hopeless. “Nothing more you can tell us about him?” he demanded, as I rose to depart. “Yes,” I said. I seized my opportunity to fire a parting shot. “His head was markedly brachycephalic. He will not find it so easy to alter that.” I observed with pleasure that Inspector Meadows’s pen wavered. It was clear that he did not know how to spell brachycephalic.
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
But the creator of things,------1890 nature herself, was the first example of sowing seed and the start of grafting, for berries and acorns fell down from trees and, in due season, produced underneath a crowd of seedlings. Then from nature, too, they got the idea of setting young shoots into branches and planting new saplings in the ground through all their fields. After that, they kept trying various ways of tilling pleasant fields and saw that with tender care------1900 and gentle cultivation earth would tame wild fruits. Day by day, men forced the forests to move further up the mountains, yielding------[1370] lower parts to farming, so they could have meadows, lakes, streams, grain fields, and rich vineyards on hills and plains, and dark bands of olives could run between, marking the divisions, spreading over hillocks, plains, and valleys, just as you now see all land divided with various fine things—men make it shine------1910 by arranging sweet orchard trees in rows, and, with fertile shrubs planted all around, keep them fenced in.
Lucretius (On the Nature of Things)
Welcome joy and welcome sorrow Come today and come tomorrow. I do love both of you together. I love to mark sad faces in fair weather. And hear a merry laugh amid the thunder. Fair and foul i love together. Meadows sweet where flames burn under. Infant playing with a skull. Serpents in red roses hissing. Cleopatra regal- dressed.
sagala ibrahim
The British burned much of what had been categorized and reduced Aluvihara’s libraries—many of the primary (most “pure”) teachings of the Buddha—to ashes. In talking with one of the administrators about it, I asked how much was left, and as a response he raised the palms of his hands and shrugged. I discovered later that some few texts were reclaimed, and then hidden, but the vast majority were lost.25 Which was the British intent. Doing so softened up the Sri Lankan cultural memory and, therefore, reasons for resistance to the British invasion. But this fact isn’t mentioned in the guidebooks, at least not the ones published in the United Kingdom. We English speakers, after all, have our own traditions to protect. The
Mark Stephen Meadows (Tea Time with Terrorists: A Motorcycle Journey into the Heart of Sri Lanka's Civil War)
The secret of life is to have no fear.” —Fela
Mark Stephen Meadows (Tea Time with Terrorists: A Motorcycle Journey into the Heart of Sri Lanka's Civil War)
Yet Lewis never lost sight of his Irish roots. The sights, sounds, and fragrances—not, on the whole, the people—of his native Ireland evoked nostalgia for the later Lewis, just as they subtly but powerfully moulded his descriptive prose. In a letter of 1915, Lewis fondly recalls his memories of Belfast: “the distant murmuring of the ‘yards,’” the broad sweep of Belfast Lough, the Cave Hill Mountain, and the little glens, meadows, and hills around the city.[16] Yet there is more to Lewis’s Ireland than its “soft hills.” Its culture was marked by a passion for storytelling, evident both in its mythology and its historical narratives, and in its love of language.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
LOOKING FOR THE KINGDOM The north shore of Kauai is one of the most beautiful places on earth, and the pastures above the cliffs overlooking Anini Beach are some of the last open lands in that paradise. From those verdant meadows you can look out on the whales and dolphins playing in the Pacific, watch the breakers roll in and crash over the reef below. It is an enchanting place that casts an Eden-like spell on even the most cynical tourist. A friend of ours has been advocating for the protection of those gorgeous meadows; he took us there last winter to see a view that may soon be available only to the very rich. The pastures have already been marked out for small five-acre “ranchettes,” each plot going for several million; add to that the home required by the development and the bill will run more than $20 million. “The young rich have discovered Kauai,” our friend told us. “Zuckerberg has a home here; so do the guys from Apple and Google. This is the place to be.” We stood there watching the gulls and frigate birds soaring on the warm updrafts, drinking in the beauty only money can apparently buy. It had been raining; a rainbow appeared over the lush cliffs to our right. The untouched beauty of the place feels like it has been held in time since the islands were formed; unblemished beauty. Forgetting what the promise means, my heart began to ache again for life as it was meant to be, and I started to scramble internally trying to figure out how we could grab our own little slice of Eden. “They are looking for the kingdom,” Stasi said. “They are trying to buy the kingdom.” And with that, the spell was broken. Suddenly the emptiness of it all became clear—not the longing for heaven on earth, but the grasping to buy it, to arrange for our piece of it apart from the palingenesia. Now, most of the human race doesn’t have the kind of money that allows them to purchase paradise—we sure don’t—but that doesn’t stop our ravenous hunger or desperate searching
John Eldredge (All Things New: Heaven, Earth, and the Restoration of Everything You Love)
Angle of Repose by Wallace Stegner; Some Horses: Essays by Thomas McGuane; Legends of the Fall by Jim Harrison; Lonesome Dove by Larry McMurtry; The Border Trilogy by Cormac McCarthy; The Wild Marsh: Four Seasons at Home in Montana by Rick Bass; The Solace of Open Spaces by Gretel Ehrlich; She Had Some Horses: Poems by Joy Harjo; The Meadow by James Galvin; The Whistling Season by Ivan Doig; The Last Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn by Nathaniel Philbrick; The Cave Painters: Probing the Mysteries of the World’s First Artists by Gregory Curtis; From the Heart of the Crow Country: The Crow Indians’ Own Stories by Joseph Medicine Crow; The Basque History of the World: The Story of a Nation by Mark
Malcolm Brooks (Painted Horses: A Novel)
Oh, home is not a complicated word.” Hagno sounded completely sincere. “I thought it was, but now you have unbound us from this place. My sisters have gone to seek new homes…a mountain stream, perhaps, or a lake in a meadow. I will follow them. I cannot wait to see the forests and grasslands again, and the clear running water.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The last day of March was the first at work for Mark Meadows as Trump’s fourth chief of staff, tied for the most a president had had in a single term. Meadows, as a leader of the conservative House Freedom Caucus, had been one of Trump’s most committed champions on Capitol Hill. As chief of staff, Meadows was intent on pleasing Trump in a way none of his predecessors had been, hoping to establish himself not only as the White House’s internal manager but Trump’s most important adviser. Meadows became the latest chief to try to show Trump he could root out press leaks just as Trump wanted, going at it with distinct vigor.
Maggie Haberman (Confidence Man: The Making of Donald Trump and the Breaking of America)
Ah, I had no idea the ladies are marking certain gentleman targets as their territory." —Jake Hunter, "Sparrow’s Hope" by Lisa M. Prysock.
Lisa M. Prysock (Sparrow's Hope (Montana Meadows, #2))
Each night my father counts backward from 100 like a shepherd climbing down meadow by meadow the Alps. Since his stroke he does this, he says, so his mind holds still, so it freezes, a suspect, hands on the wallpaper. That way it is there with his cane the next morning. When your mind runs away, well, it stashes parts of your real life forever, the names of lakes, the pretty faces of girls. When that happens, you count on nothing, a patch of sun on a green carpet, new snow on a roof framed by curtains. You call the woman “Nurse” and wonder why she cries. It is still a life, that chair between the cashews and windows. Then one day Bang! Doesn’t your mind come waltzing home, made up clown-style, sloshing memories like confetti in a pail? And don’t you take your life in your hands, counting out good times, counting out bad, marking time backward so it’s understood? Whatever you’re missing, he says, it’s what you don’t miss. Listen, he says, that sound in the old high ceilings of the house, not ice in the eaves, no man’s voice, no echo either... Only the wind, counting toward zero.
Richard Blessing
The tracks led along the stream, down the meadow, past the fir copse until the two children came in sight of the sea. Kitty pulled up. The paw-prints had stopped at the beach. She glanced to the cliffs at each side of the sandy bay, past the farthest point of the headlands toward Bird Island. She dismounted and went forward, leading Dapple to the smugglers’ path, the track which zig-zagged down the cliff to the cover. Although the incoming tide had obviously washed away some paw-prints, Kitty could still see some plainly marked in the sand which the waves had not yet reached.
Judith M. Berrisford (Skipper: the Dog from the Sea)
Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.
Javid Ahmad Tak (They Loved in 2075!)
I threw out my hands, not giving him any warning as I cast a forceful gust of air to try and knock him onto his back. He was so fast to react that he blocked it before it even got close to holding him down. I cursed as he launched himself at me, trying to scramble away but I wasn’t fast enough. I didn’t even really try to fight him off as he threw his weight down, pinning me to the ground with his entire body. “You're supposed to use magic,” I said breathlessly, his throat bobbing as his mouth hovered an inch from mine. The scent of cinnamon rolled over me and fire reached deep into my belly, making me consider leaning in for a kiss. We’d made a solid decision to stay away from each other and look where we’d ended up already? Great effort. “Maybe brute force is just as efficient sometimes,” he said in a rumbling tone which delved into my chest and sent a hungry shudder through me. “You said no physical contact,” I whispered as his muscles hardened, keeping me caged beneath him. I was losing my mind. I should have tried to fight him off, but I didn't want him to go anywhere. And from the intense look he was giving me, I could tell how close he was to crossing this line again himself. “What if I’m having second thoughts?” he growled. “You're fickle,” I pointed out. “And confusing.” “I don't mean to be.” He dipped his head so his mouth was by my ear and goosebumps rose to meet the heat of his breath. “I can't think straight around you,” he said heavily, his hand clawing into the earth beside my head. “I could have lost you in that battle, or I could have died without ever knowing how this might have played out…” My throat thickened and I almost gave in to the craving rising in me. But there was too much at stake for the sake of lust. It was stupid. He could lose his job and be 'power-shamed' and I could lose my place at the Academy. “I owe you my life,” he breathed and my heart nearly detonated as he pressed his lips to my cheek. “Thank you.” “The rest of Solaria aren’t feeling so grateful,” I said as he drew away, leaving a burning mark on my skin. “Not after that Vulpecula guy printed that article.” “Fuck what he said,” Orion growled then he frowned as he realised he shouldn’t have said it. ... "I need a new Liaison,” I said through the gnawing lump in my throat. He nodded stiffly, looking boyish and broken for a moment as he hung his head. A magnetic energy hung in the air, trying to force me toward him. It was so powerful I had to consciously take another step back to try and shake it away. “This has to stop,” I said firmly then turned away and marched off through the meadow, not daring to look back even though my heart pounded painfully in my chest. As I made it into the woods I started running, racing in the direction of Aer House, needing to hide away until I smothered this desperate longing in my heart. I was panting by the time I reached my room, hurrying inside and twisting the lock. I sank down against the door, knocking my head back against the wood as my pounding heart started to slow. My Atlas pinged and I took it out of my bag, my gut fraying as I found a private message waiting for me from Orion. Lance: What if I don't want it to stop? (darcy)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
My family had written stories about places in ranch history. We used the slanting penmanship of fence lines scribbling their way across dunes, the sweeping cursive of cut hay in the meadow below the barn, and the well-placed punctuation of windmills and water holes over the range.
Mark E. Miller (A Sometimes Paradise: Reflections on Life in a Wyoming Ranch Family)
We have traveled a long way in search of a witch to help us. Villagers are sick and need potions. Witches near our home are missing. Please do not be afraid. We will return in the morning. The South Meadow Villagers.
Mark Mulle (Steve's New Neighbors: The Wither Skeleton King (Book 4): Finding a Cure (An Unofficial Minecraft Diary Book for Kids Ages 9 - 12 (Preteen))
Who could tell,” continues Procopius, “of the beauty of the columns and marbles with which the church is adorned? One would think that one had come upon a meadow full of flowers in bloom. Who would not admire the purple tints of some and the green of others, the glowing red and glittering white, and those too which nature, like a painter, has marked with the strongest contrasts of color?” Unfortunately, since the capture of Constantinople by the Turks in 1453, much of this wonderful coloring and ornamentation has been covered with Mohammedan whitewash.
Lynn Thorndike (The History of Medieval Europe)