“
Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Though there were moments of beauty, Mariam knew for the most part that life had been unkind to her.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Look at me, Mariam.'
Reluctantly, Mariam did.
Nana said, 'Learn this now and learn it well, my daughter: Like a compass needle that points north, a man's accusing finger always finds a woman. Always. You remember that, Mariam.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But she sees now that it doesn't matter. Mariam is never very far.... Mariam is in her own heart, where she shines with the bursting radiance of a thousand suns.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation.
The little girl looks up. Puts the doll down. Smiles.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Mariam always held her breath as she watched him go. She held her breath and, in her head, counted seconds. She pretended that for each second that she didn't breathe God would grant her another day with Jalil.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Though there had been moments of beauty in it, Mariam knew that life for most part has been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
I’ll die if you go. The Jinn will come, and I’ll have one of my fits. You’ll see, I’ll swallow my tongue and die. Don’t leave me, Mariam jo. Please stay. I’ll die if you go.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
I’m all you have in this world Mariam, and when I’m gone you’ll have nothing. You ARE nothing!
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
But Mariam hardly noticed, hardly cared...the future did not matter. And the past held only this wisdom: that Love was a damaging mistake and its accomplice, Hope, a treacherous illusion.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clangor of her laugh, to sit with her once more for a pot of chai and leftover halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much , to be old and play with Aziza's children.
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad , Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
At times, he didn't understand the meaning of the Koran's words. But he said he liked the enhancing sounds the Arabic words made as they rolled off his tongue. He said they comforted him, eased his heart. "They'll comfort you to . Mariam jo," he said. "You can summon then in your time of your need, and they won't fail you. God's words will never betray you, my girl.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Mariam saw now the sacrifices a mother made. Decency was but one.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
...Mariam is in Laila's own heart, where she shines with the bursting radiance of a thousand suns.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Hope is a discipline.
”
”
Mariame Kaba
“
Writing is the emotional morphine.
”
”
Mariam H.
“
To be now a sensible man, by and by a fool, and presently a
beast!
”
”
William Shakespeare (Othello and The Tragedy of Mariam)
“
Трудно отказаться от мечты. Легче усложнить путь к ней, чем поверить, что задуманному не осуществиться.
”
”
Mariam Petrosyan (Дом, в котором...)
“
I believe the role of the writer is to tell society what it pretends it does not know.
”
”
Mariam Khan (It's Not About the Burqa)
“
When you say, “What would we do without prisons?” what you are really saying is: “What would we do without civil death, exploitation, and state-sanctioned violence?
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
... I have dreams of you too, Mariam jo. I miss you. I miss the sound of your voice, your laughter. I miss reading to you, and all those times we fished together. Do you remember all those times we fished together? You were a good daughter, Mariam jo, and I cannot ever think of you without feeling shame and regret. Regret… When it comes to you, Mariam jo, I have oceans of it. I regret that I did not see you the day you came to Herat. I regret that I did not open the door and take you in. I regret that I did not make you a daughter to me, that I let you live in that place for all those years. And for what? Fear of losing face? Of staining my so-called good name? How little those things matter to me now after all the loss, all the terrible things I have seen in this cursed war. But now, of course, it is too late. Perhaps that is just punishment for those who have been heartless, to understand only when nothing can be undone. Now all I can do is say that you were a good daughter, Mariam jo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me, Mariam jo. Forgive me, forgive me. Forgive me...
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Никогда — это слишком долгое слово.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Самая неприятная тишина там, где много людей молчат.
”
”
Mariam Petrosyan (Дом, в котором...)
“
These are feminists who would say, in the words of former political prisoner Susan Saxe, “My feminism does not drive me into the arms of the state, but even further from it.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
There is not a single era in United States history in which the police were not a force of violence against Black people.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety...
"Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair... "What have I got to give you?"
But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows.
At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar."
"Titanic City" was born.
It's the song, they said.
No, the sea. The luxury. The ship.
It's the sex, they whispered.
Leo, said Aziza sheepishly. It's all about Leo.
"Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
She understood then what Nana meant, that a harami was an unwanted thing; that she, Mariam, was an illegitimate person who would never have legitimate claim to the things other people had, things such as love, family, home, acceptance.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Но еще Седой говорил: слова, которые сказаны, что-то означают, даже если ты ничего не имел в виду.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Laila imagines she sees little Mariam there in the hut as a woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but SHAPED by by the turbulence that washes over her.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
For an hour or two every Thursday, when Jalil came to see her, all smiles and gifts and endearments, Mariam felt deserving of all the beauty and bounty that life had to give. And, for this, Mariam loved Jalil.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Свобода в тебе самом.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Музыка — прекрасный способ стирания мыслей, плохих и не очень, самый лучший и самый давний.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Move thy tongue,
For silence is a sign of discontent.
”
”
Elizabeth Cary (The Tragedy of Mariam)
“
White supremacy does not thrive in spite of the menacing infrastructure of US criminalization and militarism—it thrives because of it.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
Yes, think about yourself, reflect on your practice, okay. But then you need to test it in the world; you’ve got to be with people. That’s important. And I hate people! So I say that as somebody who actually is really antisocial.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she would die this way. Now so bad. This was a legitimate end to a life of legitimate beginnings.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Mariam saw now the sacrifices a mother made. Decency was but one...Mariam wished she's been a better daughter to Nana. She wished she's understood then what she understood now about motherhood.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
When a woman is ‘too much’, she is essentially uncontrollable and unashamed. That makes her dangerous.
”
”
Mariam Khan (It's Not About the Burqa: Muslim Women on Faith, Feminism, Sexuality and Race)
“
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Mariam's final thoughts were a few words from the Koran, which she muttered under her breath.
He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver.
"Kneel," the Talib said.
O my Lord! Forgive and have mercy, for you are the best of the merciful ones.
"Kneel here, hamshira. And look down."
One last time, Mariam did as she was told.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
My father told us:
The worst sin is Feeling Sorry for Yourself.
”
”
Mariam Cheshire
“
Я дерево. Когда меня срубят, разведите костер из моих ветвей.
”
”
Mariam Petrosyan (Дом, в котором...)
“
This is going to take forever."
"I wouldn't mind spending forever with you," Zaid winked.
”
”
Aishabella Sheikh (Converting The Bad Boy)
“
Collectivity: because “everything worthwhile is done with others” (Moussa Kaba).
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
Like a compass needle that points north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
There, the future did not matter. And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Importantly, we must reject all talk about policing and the overall criminal punishment system being “broken” or “not working.” By rhetorically constructing the criminal punishment system as “broken,” reform is reaffirmed and abolition is painted as unrealistic and unworkable.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
If once I loved you, greater is your debt;
For certain 'tis you deserved it not,
And undeserved love we soon forget...
”
”
Elizabeth Cary (The Tragedy of Mariam)
“
There is nothing more horrible than knowing what awaits us tomorrow,
”
”
Mariam Petrosyan (The Gray House)
“
"It almost felt like the dolphin of my heart’s desire playing in the ocean of my life." - on writing
”
”
Mariam Kobras (The Distant Shore (Stone, #1))
“
a system that never addresses the why behind a harm never actually contains the harm itself. Cages confine people, not the conditions that facilitated their harms or the mentalities that perpetuate violence.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
Они как содержимое этой урны. Тебе не нравится ее запах, а мне не нравится запах мертвых слов. Ты ведь не стал бы вытряхивать на меня все эти вонючие окурки и плевки? Но ты засыпаешь меня гнилыми словами-пустышками, ни на секунду не задумываясь, приятно мне это или нет. Ты вообще об этом не думаешь.
”
”
Mariam Petrosyan (Дом, в котором...)
“
All right,” he said. “Let’s forget about that you, the one living in the mirror.” “Are you saying he is not me?” “He is. But not quite. He is you seen through the lens of your image of yourself. We all look worse in the mirror than we actually are, didn’t you know that?
”
”
Mariam Petrosyan (The Gray House)
“
Только редко высказывающиеся люди умеют произносить такие убийственные в своей простоте фразы.
”
”
Mariam Petrosyan (Дом, в котором...)
“
В роднике твоих глаз и виселица, и висельник, и веревка. (Пауль Целан. "Хвала твоим далям")
”
”
Mariam Petrosyan (Дом, в котором...)
“
If any of this ended in an explosion, I hoped it would be one that made us burn brighter, stronger than ever before.
”
”
Sheba Karim (Mariam Sharma Hits the Road)
“
Much easier to complicate the road to it than to accept that it could never be achieved.
”
”
Mariam Petrosyan (The Gray House)
“
And then it turned out that the House was alive, that it too could love.
”
”
Mariam Petrosyan (The Gray House)
“
He was smiling at her like she was something special. Did I agree with this smile? Maybe.
”
”
Aishabella Sheikh (Converting The Bad Boy)
“
I am drinking the clouds and the frozen rain. The soot of the streets and the sparrow's footsteps.
”
”
Mariam Petrosyan (The Gray House)
“
Titanic city" was born.
It's the song, they said.
No, the sea, the luxury, the ship.
It's the sex, they whispered.
Leo, said Aziza sheepishly. It's all about Leo.
"Everybody wants Jack," Laila said to Mariam. That's what it is. Everybody wants Jack to rescue them from disaster.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Some people may ask, “Does this mean that I can never call the cops if my life is in serious danger?” Abolition does not center that question. Instead, abolition challenges us to ask “Why do we have no other well-resourced options?” and pushes us to creatively consider how we can grow, build, and try other avenues to reduce harm.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
I haven't seen you in a while,
but today I was told you prayed for me.
And I prayed for the olive oil
when it slipped
from your hands
onto my scalp,
aching strands of hair
in the drought of being without you.
”
”
Mariam Dogar (Our Ancestors Did Not Breathe This Air)
“
We are not asking for permission any more. We are taking up space. We've listened to a lot of people talking about who Muslim women are without actually hearing Muslim women. So now, we are speaking. And now, it's your turn to listen.
”
”
Mariam Khan (It's Not About the Burqa)
“
What does it mean for a rich person to extract money that should be going to the country’s tax base and then decide for themselves how to donate it to the public again? When it’s really our money? When they aren’t accountable to the public?
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
you're never alone when you are reading books. Reading awake your mind,enlighten your life and enrich your knowledge.
”
”
Mariam Jackson
“
— Это вопрос свободы, — говорит он. — О которой можно спорить бесконечно с перерывами на чай, сон и празднование юбилеев.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Всякий раз, потакая своим желаниям, теряешь волю и становишься их рабом.
”
”
Mariam Petrosyan (Дом, в котором...)
“
I am a tree. When I am cut down, make a fire with my branches.
”
”
Mariam Petrosyan (The Gray House)
“
We are the ones we have been waiting for.
”
”
Mariam Khan (It's Not About the Burqa: Muslim Women on Faith, Feminism, Sexuality and Race)
“
There are people who live their lives as if running some kind of experiment,
”
”
Mariam Petrosyan (The Gray House)
“
10)Thinking through the end of the police and imagining alternatives.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
Больше всего мне в них импонируют законы Кармы. «Тот, кто в этой жизни обидел осла, в следующей сам станет ослом». Не говоря уже о коровах. Очень справедливая система. Вот только чем глубже вникаешь, тем интереснее: кого же в прошлой жизни обидел ты?
”
”
Mariam Petrosyan (Дом, в котором...)
“
Life -that complicated thing. One day, it took you to the perfection of happiness, with every meaning it might embrace. The other, it drove you to the limits of despair. The balance, however, was what made life either a paradise on earth, or a living hell.
”
”
Mariam H. (Rosie)
“
People like me who want to abolish prisons and police, however, have a vision of a different society, built on cooperation instead of individualism, on mutual aid instead of self-preservation. What would the country look like if it had billions of extra dollars to spend on housing, food, and education for all? This change in society wouldn’t happen immediately, but the protests show that many people are ready to embrace a different vision of safety and justice. When the streets calm and people suggest once again that we hire more Black police officers or create more civilian review boards, I hope that we remember all the times those efforts have failed.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
A human being basically could not live alone. I had always thought of one’s soul as an imperfect creature; God had created it that way to allow the need to exist –the need to have relationships with other people in order to always run after the one obsession that had humanity seeking it on regular basis –perfection. Whether that relationship was between family members, friends, co-workers or even a romantic relationship, it was always people’s way to achieve flawlessness since they couldn’t accomplish it on their own.
”
”
Mariam H. (Rosie)
“
Mariam saw now the sacrifices a mother made. Decency was but one. She thought ruefully of Nana, of the sacrifices that she too had made. Nana, who could have given her away, or tossed her in a ditch somewhere and run. But she hadn't. Instead, Nana had endured the shame of bearing a harami, had shaped her life around the thankless task of raising Mariam and, in her own way, of loving her. And, in the end, Mariam had chosen Jalil over her. As she fought her way with impudent resolve to the front of the melee, Mariam wished she had been a better daughter to Nana. She wished she'd understood then what she understood now about motherhood.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Do you really believe what you just said? Or are you trying to make me feel better?”
“I’m trying to make myself feel better, why? But as Ancient used to say, when words have been spoken they always have a meaning, even if you didn’t mean it when you spoke them.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Do you sometimes experience an irrational fear of the future?” This is question number sixty-one. They told us that all questions on the test were significant. That each added important detail to the psychological profile. In our case they could’ve very well started and ended the test with this one.
”
”
Mariam Petrosyan (The Gray House)
“
My own uselessness is devouring me. Soon there will be only bones left. A familiar feeling, one I’ve had too often ever since Wolf died. Then it turned out that I could get used to living with it. Now I’ll have to drag myself through all of that again. Endlessly repeating to myself that it could have been worse.
”
”
Mariam Petrosyan (The Gray House)
“
That does not mean, however, there should be no consequences. It means real consequences. Consequences that really matter. It means transforming the conditions that exist in the first place for this to even have happened. It is really critical for people to think about the difference between punishment and consequences. Punishment often is actually not the same as transformation. Even though it feels good to wear the “kill the rapists” T-shirt, that isn’t the thing that is actually going to get us the world we want to live in.
”
”
Mariame Kaba (We Do This 'til We Free Us: Abolitionist Organizing and Transforming Justice)
“
5)Crowding out the police in our communities. 6)Disarming the police. 7)Creating abolitionist messages that penetrate the public consciousness to disrupt the idea that cops = safety. 8)Building community-based interventions that address harms without relying on police. 9)Evaluating any reforms based on these criteria.
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Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
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On the way to abolition, we can take a number of intermediate steps to shrink the police force and to restructure our relationships with each other. These include: 1)Organizing for dramatic decreases of police budgets and redirecting those funds to other social goods (defunding the police). 2)Ending cash bail. 3)Overturning police bills of rights. 4)Abolishing police unions.
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Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
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– Он видит что-то вроде молодого Боуи. Только красивее. Будь я похож на Боуи, я бы…
– … стонал, что похож на престарелую Марлен Дитрих и мечтал походить на Тайсона, – подсказал Сфинкс. – Цитирую дословно, так что не считай это преувеличением. То, что видит в зеркале Лорд, вовсе не похоже на то, что, глядя на него, видишь ты. И это лишь один пример того, как странно иногда ведут себя отражения.
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Mariam Petrosyan (Курильщик (Дом, в котором..., #1))
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I have engaged in enough women’s rights activism to know that the belief “sons are better than daughters'' is a huge problem in some parts of the world. For those who have little knowledge of Islam, there is the impression that women’s oppression stems from islamic teachings. This is simply not the case. In fact, muslim imams preach about the value of daughters often siting that a daughter opens the gates of paradise for their father. Indeed, the person the most beloved to the Prophet Mohammed, peace be upon him, was his youngest daughter, Fatima. Islamic teachings are clear that a father has to fulfill his duty to raise and care for his daughters, and that the obligations go beyond providing financial support. He must provide a safe, peaceful, and loving home environment that is conducive to his daughter’s overall spiritual and moral development.
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Mariam Khan (It's Not About the Burqa)
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Чем дольше ты где-то, тем больше вокруг всякого такого, что стоило бы выбросить, но когда ты переберешься на новое место, ты возьмешь с собой все что угодно, кроме этого самого мусора, а значит, он больше принадлежит месту, чем людям, потому что не переезжает никогда, и в любом новом месте человек найдет клочки кого-то другого, а его клочки останутся тому, кто придет на его прежнее место обитания, и так происходит всегда и везде.
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Mariam Petrosyan (Пустые гнезда (Дом, в котором..., #3))
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When a person turns into a patient he relinquishes his identity. The individuality sloughs off, and the only thing that’s left is an animal shell over a compound of fear, hope, pain and sleep. There is no trace of humanity in there. The human floats somewhere outside of the boundaries of the patient, waiting patiently for the possibility of a resurrection. And there is nothing worse for a spirit than to be reduced to a mere body.
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Mariam Petrosyan (The Gray House)
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After reading Kaba’s analysis, it is clear that the criminal punishment system, not abolition, depends on a superficial view of violence, a facile view of good and evil based on the victim-perpetrator binary. Simple stories of the perfect victim and the monstrous perpetrator bend reality to fit the pretexts for state violence, helping us to pretend that the physical, emotional, social, and civic injuries of prison are somehow justice.
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Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
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Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces,she could not help but wish for more of it. She wished she could see Laila again , wished to hear the clangor of her laugh,...
Mariam wished for so much in those final moments. Yet as she closed her eyes , it was not regret any longer but a sensation of abundant peace that wshed over her. She thought of her entry into this world , the harami child of a lowly villager , an unintended thing , a pitiable , regrettable accident. A weed , And yet she was leaving the wolrd as a woman who had loved and been loved back. She was leaving it as a friend , a companion , a guardian. A mother. A person of consequence at last. No. It was no so bad , Mariam thought , that she should die this way. Not so bad.
This was a legitimate end to a life of illegitimate beginnings.
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Khaled Hosseini (A Thousand Splendid Suns)
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Жизнь подчинялась своим, никем не придуманным законам, одним из которых был кофе и те, кто его пил. Сначала тебе разрешают пить кофе. Потом перестают следить за тем, в котором часу ты ложишься спать. Курить никто не разрешает, но не разрешать можно по-разному. Поэтому старшие курят почти все, а из младших только один. Курящие и пьющие кофе старшие становятся очень нервными-и вот им уже разрешают превратить лекционный зал в кафе, не спать по ночам и не завтракать. А начинается все с кофе.
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Mariam Petrosyan (Шакалиный восьмидневник (Дом, в котором..., #2))
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Когда-то давно в статье о Могильнике я расковырял слово «пациент». Препарировал его, разложил на микрочастицы. И пришел к выводу, что пациент не может быть человеком. Что это два совершенно разных понятия. Делаясь пациентом, человек утрачивает свое «я». Стирается личность, остается животная оболочка, смесь страха и надежды, боли и сна. Человеком там и не пахнет. Человек где-то за пределами пациента дожидается возможного воскрешения. А для духа нет страшнее, чем стать просто телом. Поэтому Могильник. Место, где отмирает дух.
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Mariam Petrosyan (Дом, в котором...)
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Reading his autobiography many years later, I was astonished to find that Edward since boyhood had—not unlike Isaiah Berlin—often felt himself ungainly and ill-favored and awkward in bearing. He had always seemed to me quite the reverse: a touch dandyish perhaps but—as the saying goes—perfectly secure in his masculinity. On one occasion, after lunch in Georgetown, he took me with him to a renowned local tobacconist and asked to do something I had never witnessed before: 'try on' a pipe. In case you ever wish to do this, here is the form: a solemn assistant produces a plastic envelope and fits it over the amber or ivory mouthpiece. You then clamp your teeth down to feel if the 'fit' and weight are easy to your jaw. If not, then repeat with various stems until your browsing is complete. In those days I could have inhaled ten cigarettes and drunk three Tanqueray martinis in the time spent on such flaneur flippancy, but I admired the commitment to smoking nonetheless. Taking coffee with him once in a shopping mall in Stanford, I saw him suddenly register something over my shoulder. It was a ladies' dress shop. He excused himself and dashed in, to emerge soon after with some fashionable and costly looking bags. 'Mariam,' he said as if by way of explanation, 'has never worn anything that I have not bought for her.' On another occasion in Manhattan, after acting as a magnificent, encyclopedic guide around the gorgeous Andalusia (Al-Andalus) exhibition at the Museum of Modern Art, he was giving lunch to Carol and to me when she noticed that her purse had been lost or stolen. At once, he was at her service, not only suggesting shops in the vicinity where a replacement might be found, but also offering to be her guide and advisor until she had selected a suitable new sac à main. I could no more have proposed myself for such an expedition than suggested myself as a cosmonaut, so what this says about my own heterosexual confidence I leave to others.
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Christopher Hitchens (Hitch 22: A Memoir)
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I lay there wrapped up in my corner of the blanket. I was content. I became a part of something big, something of many arms and legs, something warm and chatty. I was probably its tail or paw, or maybe even a bone. Any movement made my head spin, but still I couldn’t remember the last time when I’d felt so comfortable. If, that morning, someone had told me that I was going to be spending the night like this, mellow and happy, drinking and listening to stories, would I have believed it? Probably not. Stories. Fairy tales. In the dark, complete with harmless dragons, basilisks, and stupid, stupid snowmen...
I almost cried from all the empathy for my packmates that was now flooding me, but managed to stop myself. Those would have been the wrong tears, drunken and maudlin.
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Mariam Petrosyan (Дом, в котором...)
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Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children.
Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad,
Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Mariam's final thoughts were a few words from the Koran, which she muttered under her breath.
He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver.
"Kneel," the Talib said
O my Lord! Forgive and have mercy, for you are the best of the merciful ones.
"Kneel here, hamshira and look down."
One last time, Mariam did as she was told.
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Khaled Hosseini (A Thousand Splendid Suns)
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I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
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Mariam Petrosyan (Дом, в котором...)