Mare Horse Quotes

We've searched our database for all the quotes and captions related to Mare Horse. Here they are! All 100 of them:

Kate smirked. "What?" "Your horse looks pink." "So?" "If you paste some stars on her butt you'll be riding My Little Pony." "Bugger off." I patted the mare's neck. "Don't listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way." "Strawberry Shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you." I looked at her from under half-lowered eyelids. "I can shoot you right here, on this road, and nobody will ever find your body.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
After the front legs emerged, what looked like a quartered and bloodied cut of steak followed.  This piece of steak had rich and dark fur, wet with the mare’s internal membranes that covered the whole body, but it did not have the look of a horse at all.  And yet from the steak’s center came this pulsating heartbeat, as though its pace-setting qualities tried in vain to pull away or escape from its thoroughbred side.
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
With his back to us, Sean tugs the halter from the mare's head. She kicks out, but he steps out of the way as if it were nothing at all. With a shake of her mane, she leaps mightily into the water. For a moment she struggles over the waves, and then she is swimming. Just a wild black horse in a deep blue sea full of the ashes of other dead boys.
Maggie Stiefvater (The Scorpio Races)
A few minutes later, she was once again riding her own horse. Deciding to take the lead, she nudged the mare into a trot, and as she passed Brodick and Ramsey, she called out, "You used trickery." "Yes, I did," he admitted. "Are you angry with me?" She laughed again. "I don't get angry. I get even." Unbeknownst to her, she had just recited the Buchanan creed.
Julie Garwood (Ransom (Highlands' Lairds, #2))
Women," Mat declared as he rode Pips down the dusty, little-used road, "are like mules." He frowned. "Wait. No. Goats. Women are like goats. Except every flaming one thinks she's a horse instead, and a prize racing mare to boot. Do you understand me, Talmanes?" "Pure poetry, Mat," Talmanes said, tamping the tabac down into his pipe.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.
Cormac McCarthy (All the Pretty Horses)
Horses are of a breed unique to Fantasyland. They are capable of galloping full-tilt all day without a rest. Sometimes they do not require food or water. They never cast shoes, go lame or put their hooves down holes, except when the Management deems it necessary, as when the forces of the Dark Lord are only half an hour behind. They never otherwise stumble. Nor do they ever make life difficult for Tourists by biting or kicking their riders or one another. They never resist being mounted or blow out so that their girths slip, or do any of the other things that make horses so chancy in this world. For instance, they never shy and seldom whinny or demand sugar at inopportune moments. But for some reason you cannot hold a conversation while riding them. If you want to say anything to another Tourist (or vice versa), both of you will have to rein to a stop and stand staring out over a valley while you talk. Apart from this inexplicable quirk, horses can be used just like bicycles, and usually are. Much research into how these exemplary animals come to exist has resulted in the following: no mare ever comes into season on the Tour and no stallion ever shows an interest in a mare; and few horses are described as geldings. It therefore seems probable that they breed by pollination. This theory seems to account for everything, since it is clear that the creatures do behave more like vegetables than mammals. Nomads appears to have a monopoly on horse-breeding. They alone possess the secret of how to pollinate them.
Diana Wynne Jones (The Tough Guide to Fantasyland)
For the love of the Six, don't call me that. Just Mare. Yes, like a horse. Stupid, I know, but I can't stand Amaranthine. What a ridiculously overlong and pretentious collections of syllables.
Audrey Coulthurst (Of Fire and Stars (Of Fire and Stars, #1))
Those horses must have been Spanish jennets, born of mares mated with a zephyr; for they went as swiftly as the wind, and the moon, which had risen at our departure to give us light, rolled through the sky like a wheel detached from its carriage...
Théophile Gautier (Clarimonde)
The horse could not do without Manhattan. It drew him like a magnet, like a vacuum, like oats, or a mare, or an open, never-ending, tree-lined road.
Mark Helprin (Winter's Tale)
No commentary, Nora. Please,” he said as he pushed an arm inside the mare. “I won’t say a single word,” she pledged as she took the horse’s head in her lap. “Except that this reminds me of my last date with Griffin.
Tiffany Reisz (The Prince (The Original Sinners, #3))
The wind blustered in from the sea, setting the horses’ manes streaming sideways, and the gulls wheeled mewing against the blue-and-grey tumble of the sky; and Aquila, riding a little aside from the rest as usual, caught for a moment from the wind and the gulls and the wet sand and the living, leaping power of the young red mare under him, something of the joy of simply being alive that he had taken for granted in the old days.
Rosemary Sutcliff (The Lantern Bearers)
But doesn't every precious era feel like fiction once it's gone? After a while, certain vestigial sayings are all that remain. Decades after the invention of the automobile, for instance, we continue to warn each other not to 'put the cart before the horse'. So, too, we do still have 'day'dreams and 'night'mares, and the early-morning clock hours are still known colloquially (if increasing mysteriously) as 'the crack of dawn'. Similarly, even as they grew apart, my parents never stopped calling each other 'sweetheart'.
Karen Thompson Walker (The Age of Miracles)
Until recently, I believed all horses were alike. They’ve been giant, four-footed animals with ugly dispositions and alarmingly large teeth for so long that it’s a bit startling to notice how different they are from each other. Mara’s mare, for instance, is a chestnut bay except for a wide white blaze down her nose that makes her seem perpetually surprised. My huge plodding mount is a dark brown near to black creature, with the most unruly mane I’ve ever seen. Her shaggy forelock covers her right eye and reaches almost to her mouth. Mara’s mare head-butts her in the chest. Grinning, Mara plants a kiss between her wide, dumb eyes, then murmurs something. “Have you named her?” I ask. “Yes! Her name is Jasmine.” I grimace. “But jasmine is such a sweet, pretty flower.” Mara laughs. “Have you named yours?” “Her name is Horse.” She rolls her eyes. “If you want to get along with your mount you have to learn each others’ languages. That means starting with a good name.” “All right.” I pretend to consider. “What about Imbecile? Or Poops A Lot?
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
The crumpled butcherpaper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium and herds of deer were moving north in the last of the twilight, harried over the plain by wolves who were themselves the color of the desert floor. Glanton sat his horse and looked long out upon this scene. Sparse on the mesa the dry weeds lashed in the wind like the earth's long echo of lance and spear in old encounters forever unrecorded. All the sky seemed troubled and night came quickly over the evening land and small gray birds flew crying softly after the fled sun. He chucked up the horse. He passed and so passed all into the problematical destruction of darkness.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Unicorn. Old french, unicorne. Latin ūnicornis. Literally one horned. Unus one and cornu a horn. A fabulous animal resembling a horse with one horn. Visible only to those who search and trust and generally mistaken for a white mare. Unicorn.
The Wise Butterfly
If you’ve spent any time around horses, you know a stallion can be a major problem. They’re strong, very strong, and they’ve got a mind of their own. Stallions typically don’t like to be bridled, and they can get downright aggressive—especially if there are mares around. A stallion is hard to tame. If you want a safer, quieter animal, there’s an easy solution: castrate him. A gelding is much more compliant. You can lead him around by the nose; he’ll do what he’s told without putting up a fuss. There’s only one problem: Geldings don’t give life. They can’t come through for you the way a stallion can. A stallion is dangerous all right, but if you want the life he offers, you have to have the danger too. They go together.
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
You, too, are a fool, earthborn, to trust in demon-kind and to ride on a mare of smoke and night. What demons love they slay in the end, and the gifts of demons are snares. Go nowhere on a horse that fades, for your dreams will betray you.
Tanith Lee (Night's Master (Tales from the Flat Earth #1))
Another leading senator that I degraded was Caligula’s horse Incitatus who was to have become Consul three years later. I wrote to the Senate that I had no complaints to make against the private morals of this senator or his capacity for the tasks that had hitherto been assigned to him, but that he no longer had the necessary financial qualifications. For I had cut the pension awarded him by Caligula to the daily rations of a cavalry horse, dismissed his grooms and put him into an ordinary stable where the manger was of wood, not ivory, and the walls were whitewashed, not covered with frescoes. I did not, however, separate him from his wife, the mare Penelope: that would have been unjust.
Robert Graves (Claudius the God: And His Wife Messalina)
You know, for a while there we kept horses for the boys, and we had a mare that had broken down. Couldn't ride it... You could feed it and brush it and water it and all. Sometimes, I've thought that's what most marriages get to. A horse you still care a little about but cannot any longer ride.
Tom McNeal (To Be Sung Underwater)
Well then," he said, 'I hope you are good-tempered; I do not like any one next door who bites." Just then a horse's head looked over from the stall beyond; the ears were laid back, and the eye looked rather ill-tempered. This was a tall chestnut mare, with a long handsome neck; she looked across to me and said, "So it is you have turned me out of my box; it is a very strange thing for a colt like you to come and turn a lady out of her own home.
Anna Sewell (Black Beauty)
The Listeners 'Is there anybody there?' said the Traveller, Knocking on the moonlit door; And his horse in the silence champed the grasses Of the forest's ferny floor. And a bird flew up out of the turret, Above the Traveller's head: And he smote upon the door again a second time; 'Is there anybody there?' he said. But no one descended to the Traveller; No head from the leaf-fringed sill Leaned over and looked into his grey eyes, Where he stood perplexed and still. But only a host of phantom listeners That dwelt in the lone house then Stood listening in the quiet of the moonlight To that voice from the world of men: Stood thronging the faint moonbeams on the dark stair, That goes down to the empty hall, Hearkening in an air stirred and shaken By the lonely Traveller's call. And he felt in his heart their strangeness, Their stillness answering his cry, While his horse moved, cropping the dark turf, 'Neath the starred and leafy sky; For he suddenly smote on the door, even Louder, and lifted his head:-- 'Tell them I came, and no one answered, That I kept my word,' he said. Never the least stir made the listeners, Though every word he spake Fell echoing through the shadowiness of the still house From the one man left awake: Ay, they heard his foot upon the stirrup, And the sound of iron on stone, And how the silence surged softly backward, When the plunging hoofs were gone.
Walter de la Mare
Mares had the capability to slow birthing so that the foal would have the dark hours to find its feet and be ready to run from a predator by dawn.
Geraldine Brooks (Horse)
When they had arranged their blankets the boy lowered the lamp and stepped into the yard and pulled the door shut behind, leaving them in profound and absolute darkness. No one moved. In that cold stable the shutting of the door may have evoked in some hearts other hostels and not of their choosing. The mare sniffed uneasily and the young colt stepped about. Then one by one they began to divest themselves of their outer clothes, the hide slickers and raw wool serapes and vests, and one by one they propagated about themselves a great crackling of sparks and each man was seen to wear a shroud of palest fire. Their arms aloft pulling at their clothes were luminous and each obscure soul was enveloped in audible shapes of light as if it had always been so. The mare at the far end of the stable snorted and shied at this luminosity in beings so endarkened and the little horse turned and hid his face in the web of his dam's flank.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
She stalked off into the trees, wishing she could just saddle her horse and ride home. She was a good horse, a chestnut mare with a white blaze on her forehead. She could gallop off and never see any of them, unless she wanted to. Only then she'd have no one to scout ahead of her, or watch behind, or stand guard while she napped, and when the gold cloaks caught her, she's be all alone. It was safer to stay with Yoren and the others.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
strawberry roan, a black and brown skewbald and a motley assortment of buckskins and bays. At the rear of the herd was a grey mare and a chestnut skewbald with a white face, both of them with foals running at their feet.
Stacy Gregg (Destiny and the Wild Horses (Pony Club Secrets, Book 3))
And I learned this long ago, that sweet freedom can be found in the middle of a meadow, upon the back of a faithful mare. Careless and wild we both shall be, on our ride across familiar fields, with steps that blend into the earth below.
Erin Forbes
They had wanted to go to the barn and brush the horses. If they brushed the horses and mucked out a few of the stalls then usually Ned would let them take turns riding the mare for the afternoon. But Albie was driving them crazy. What was he doing that was so intolerable? Standing here in front of him now, Franny couldn't remember. Or maybe he wasn't doing anything wrong. Maybe it was just that someone had to watch him around the horses and none of them wanted to do it. He wasn't the monster they told him he was, in fact there wasn't anything so awful about him. It was only that he was a little kid.
Ann Patchett (Commonwealth)
Now when I go out, the wind pulls me into the grave. I go out to part the hair of a child I left behind, and he pushes his face into my cuffs, to smell the wind. If I carry my father with me, it is the way a horse carries autumn in its mane. If I remember my brother, it is as if a buck had knelt down in a room I was in. I kneel, and the wind kneels down in me. What is it to have a history, a flock buried in the blindness of winter? Try crawling with two violins into the hallway of your father’s hearse. It is filled with sparrows. Sometimes I go to the field and the field is bare. There is the wind, which entrusts me; there is a woman walking with a pail of milk, a man who tilts his bread in the sun; there is the black heart of a mare in the milk—or is it the wind, the way it goes? I don’t know about the wind, about the way it goes. All I know is that sometimes someone will pick up the black violin of his childhood and start playing—that it sits there on his shoulder like a thin gray falcon asleep in its blinders, and that we carry each other this way because it is the way we would like to be carried: sometimes with mercy, sometimes without.
Joseph Fasano (Fugue for Other Hands)
Demeter was also a moon goddess. And all through mythology there is a connection between horse and moon and sea. The she-horse is given a sea-name, “mare”; the moon swings the tides, the waves have white manes, the dripping horses stamp on the beach, and their hooves leave moon-shaped marks.
Bernard Evslin (Heroes, Gods and Monsters of the Greek Myths)
Their arms aloft pulling at their clothes were luminous and each obscure soul was enveloped in audible shapes of light as if it had always been so. The mare at the far end of the stable snorted and shied at this luminosity in beings so endarkened and the little horse turned and hid his face in the web of his dam’s flank.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Two female horses, retired mares, separated by a sliding barn door, nose each other. Neither of them will get pregnant again, their job is to just be a horse.
Ada Limon (The Hurting Kind: Poems)
Also on the property is a stable for eight horses, though only three are currently in residence: Bree, Hwin, and Puzzle—one mare and two stallions.
Dean Koontz (After Death)
In the stock market, as with horse racing, money makes the mare go. Monetary conditions exert an enormous influence on stock prices.
Martin Zweig
I put into my girdle all the money I had and certain choice jewels and provided myself also with food, and saddled the mare with my own hands and rode away in the second watch of the night.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3) (Publication Order, #5))
A landscape glittered behind her voice. There were icicles in it and savage fields of ice, great storms boiling over a flat countryside striped with white rails - a chessboard beneath a storm. Horses were stretched forever at the gallop. Tiny men in silk were brave beyond bearing and sat on the horses like embryos with their knees in their mouths. The gorgeous names of horses were cried from mouth to mouth and circulated in a steam of fame. Lottery, The Hermit, the great mare Sceptre; the glorious ancestress Pocahontas, whose blood ran down like time into her flying children; Easter Hero, the Lamb, that pony stallion.
Enid Bagnold (National Velvet)
Miris dipped her head and inflicted a small, but painful, nip on the stranger's left arm. A startled yelp replaced his laughter. Then, it rang out again. "By all the gods, you even have your lovely mare trained to keep horse thieves in line!
Cheryl Landmark (Pool of Souls)
As he climbed onto the mare, Thorn's disapproval washed over him. - It does not seem right to see you ride one of those hornless deer animals. - Horses. They're called horses, and you know that. - But it sounds more insulting to call them hornless deer.
Christopher Paolini (Murtagh (The Inheritance Cycle, #5))
Horse What does the horse give you That I cannot give you? I watch you when you are alone, When you ride into the field behind the dairy, Your hands buried in the mare's Dark mane. Then I know what lies behind your silence: Scorn, hatred of me, of marriage. Still, You want me to touch you; you cry out As brides cry, but when I look at you I see There are no children in your body. Then what is there? Nothing, I think. Only haste To die before I die. In a dream, I watched you ride the horse Over the dry fields and then Dismount: you two walked together; In the dark, you had no shadows. But I felt them coming toward me Since at night they go anywhere, They are their own masters. Look at me. You think I don't understand? What is the animal If not passage out of this life?
Louise Glück (The Triumph of Achilles)
The horse was a pure-bred Arab. She came, bright and dancing, flaunting into the ring, her tail held high over her quarters, her silken mane flowing over the crest of her neck. Her head was fine-boned and delicate, with the concave line of the true Arab horse. Her dark, lustrous eyes were fringed with long lashes and the nostrils wrinkling her velvet muzzle were huge black pits. She moved around the ring like a bright flame, her pricked ears delicate as flower petals. Her legs were clean and unblemished and her small hooves were polished ivory. After the dull ache of the rosinbacks, she was all light and fire. Jinny sat entranced, hardly breathing, and then her breath burst out of her in a throbbing gasp. She loved the chestnut mare. As if all their long day's travelling had only been for this. As if she had come all the way from Stopton only for this, to see this sudden gift of perfection.
Patricia Leitch (For Love of a Horse (Jinny, #1))
Age didn’t seem to matter; nor did physical condition, though everything crazy you do when you’re young, every bar fight, every rough horse ridden and thrown from, every torturous twist the military does to your body comes back with a kind of staggering vengeance when you get old. Creaking bones, small and large traveling pains, bad vision . . . And none of it seemed to matter even remotely; the pain became a kind of wonderful recognition that I was still alive, another obstacle to beat or, as the Marines put it, “Pain is weakness leaving the body.” Bushwa, of course, but it was and is that way for me
Gary Paulsen (This Side of Wild: Mutts, Mares, and Laughing Dinosaurs)
The word nightmare is not a reference to a mare (female horse) seen at night, but to a terrifying dream – one in which the dreamer experiences helplessness, anxiety, fear, and possibly sorrow. The symbolism is that of a horse trotting through your dream in some uncontrollable fashion wreaking all kinds of havoc.
John W Lord
Morozko halted and faced the horse, narrow-eyed. I am not blind, continued the mare. Even to things that go on two feet. You made that jewel so that you would not fade. But now it is doing too much. It is making you alive. It is making you want what you cannot have, and feel what you ought not to understand, and you are beguiled and afraid. Better to leave her to her fate, but you cannot. Morozko pressed his lips together. The trees sighed overhead. All at once his anger seemed to leave him. “I do not want to fade,” he said unwillingly. “But I do not want to be alive. How can a death-god be alive?” He paused, and something changed in his voice. “I could have let her die, and taken the sapphire from her and tried again, found another to remember. There are others of that bloodline.” The mare’s ears went forward and back. “I did not,” he said abruptly. “I cannot. Yet every time I go near her, the bond tightens. What immortal ever knew what it was like to number his days? Yet I can feel the hours passing when she is near.” The mare nosed again at the deep snow. Morozko resumed his pacing. Let her go, then, said the mare, quietly, from behind him. Let her find her own fate. You cannot love and be immortal. Do not let it come to that. You are not a man.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
Charlie Rose is too much of a ladies' man for my liking. He thinks a lot of himself with his bluer-than-blue eyes and charming smile. I'm sure in his day he's enchanted more women than we have horses." Nell gave the mare a quick hug and kissed her neck. "Sorry again, Georgia." With a lighthearted chuckle, she stepped through the gate. And came face-to-face with Charlie.
Caroline Fyffe (West Winds of Wyoming (Prairie Hearts, #3))
Some say ‘a dog’ or ‘a horse’ as if every one of them is like every other. I’ve heard a man call a mare he had owned for seven years ‘it’ as if he were speaking of a chair. I’ve never understood that. One does not have to be Witted to know the companionship of a beast, and to know that the friendship of an animal is every bit as rich and complicated as that of a man or woman.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Not used to be being bested, are you?" "No," he said bluntly. "Poseidon could outrun your mare, and you know it. But I'm not about to risk galloping over a field I don't know. There could have been rabbit holes." "Of course.Rabbit holes.I understand." He frowned,about to defend his actions further, when he noted a twinkle in her gaze. The little minx was taunting him. For some reason, that improved his mood, and he said with a smile, "Sophia, my love, don't tempt a sinner. I am not afraid of you or your horse, and you damn well know it." "I'm sure you have a reason for not wishing to race," she returned in a demure voice, though her eyes sparkled with laughter. "I am just not certain you have a just cause." "I have both. The reason for not racing you is the potential harm to the animals; and the just cause is that I wish to keep you alone for as long as possible. And that will be more difficult to do once we reach the house." Her brows rose, a faint color touching her cheeks. "Oh." His lips twitched. "That's all you can say now? After all that posturing? You are a tease,my lady." "I don't consider myself so." "No woman does, and yet most are.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
For his son-in-law the Pope suffered no further spasms of morality. Rather, judging from Burchard’s diary, the last inhibitions, if any, dropped away. Two months after Alfonso’s death, the Pope presided over a banquet given by Cesare in the Vatican, famous in the annals of pornography as the Ballet of the Chestnuts. Soberly recorded by Burchard, fifty courtesans danced after dinner with the guests, “at first clothed, then naked.” Chestnuts were then scattered among candelabra placed on the floor, “which the courtesans, crawling on hands and knees among the candelabra, picked up, while the Pope, Cesare and his sister Lucrezia looked on.” Coupling of guests and courtesans followed, with prizes in the form of fine silken tunics and cloaks offered “for those who could perform the act most often with the courtesans.” A month later Burchard records a scene in which mares and stallions were driven into a courtyard of the Vatican and equine coupling encouraged while from a balcony the Pope and Lucrezia “watched with loud laughter and much pleasure.” Later they watched again while Cesare shot down a mass of unarmed criminals driven like the horses into the same courtyard.
Barbara W. Tuchman (The March of Folly: From Troy to Vietnam)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
And that one,” Ansel said, pointing to the next stall, “is named Kasida—it means ‘drinker of the wind’ in the desert dialect.” Kasida’s name was fitting. The slender mare was a dapple gray, with a sea-foam white mane and thundercloud coat. She huffed and stomped her forelegs, staring at Celaena with eyes that seemed older than the earth itself. Celaena suddenly understood why the Asterion horses were worth their weight in gold.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Moving on was always the end plan. New York,he remembered, was a fair distance away.It should be far enough. As for tonight, he was going to have a shot of whiskey in his tea to help smooth out the edges. Then by God, he was going to sleep if he had to bash himself over the head to accpmplish it. And he wasn't going to give Keeley another thought. The knock on the door had him cursing under his breath.Though she'd been doing well,his first worry was that the mare with bronchitis had taken a bad turn.He was already reaching for the boots he'd shed when he called out. "Come in,it's open.Is it Lucy then?" "No,it's Keeley." One brow lifted, she stood framed in the door. "But if you're expecting Lucy,I can go." The boots dangled from his fingertips, and those fingertips had gone numb. "Lucy's a horse," he managed to say. "She doesn't often come knocking on my door.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare. "Lay down, Lady. Please . . . it's awful cold tonight. Please lay down." The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest. "They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside." He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered. The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them.
Lorraine Heath (Sweet Lullaby)
Wyatt. I've just received a letter from Mrs. Samantha Sawyer Rodriguez. She's Ezra's niece and has inherited his ranch." ... "She lives in Argentina." ... She's a widow with one son." ... "She's moving out here." ... "Going to breed horses and take in orphan boys to raise up as God-fearing citizens." "You say this Rodriguez woman is goin' to raise horses?" ... "Horses from Argentina?" "A stallion and five mares. Falabellas. Must be some South American breed.
Debra Holland (Starry Montana Sky (Montana Sky, #2))
So I’m there, surrounded by all these young and old girls who are obviously in season and I don’t know what to do.” The trained psychologist cleared his throat, his brows raised. “Girls… in season?” he questioned dubiously. “Yeah… and they’re all backing up to me and I just know that if I let them fall pregnant the boss’ll kill me, but I’m stuck.” “Umm… what exactly are we talking about?” “My dream: me holding the teaser and all the clients’ expensive mares-” “Oh! So these are horses. Tell me, what’s a teaser?
Christine Meunier (Horse Country: A World of Horses)
Seeing the confounded look on the young soldier's face, Constance offered some advice. "You can try and follow, but you'll never catch her. And even if you did,you would then have to explain just why you thought her welfare more important than that of her sisters, which trust me,you don't want to have to defend. So if I were you,I would do as instructed and see to the safety of the group. For one thing is for certain, that doesn't include her ladyship anymore." Then she marched over to her horse,made a quick silent prayer,and struggled back onto the mare's back,cursing all the while.
Michele Sinclair (The Christmas Knight)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
My co-founder, Ali Schultz, taught me the wisdom of horses. Horses, with their supernatural ability to use their limbic nervous systems to discern truth and congruency, do not base their choice of the leader of their herd on strength or intellectual wisdom. Nor is their choice based on which member might keep the herd safe from a predator wolf. They choose the one who feels the group best and who cares the most. They choose the horse—usually a mare—who is most capable of holding that care in a way that calms the whole group. They’re marked by the attunement to the inner and outer needs of those they have the honor to serve and lead.
Jerry Colonna (Reboot: Leadership and the Art of Growing Up)
Each day of the week, Kalist indulges himself in a different, secret ritual. On Mondays, he wears cologne. On Tuesdays, he eats meat for lunch. On Wednesdays, he places a bet after work. On Thursdays, he smokes one cigarette (but claims he’s not a smoker). On Fridays, he treats himself to his favourite pastime: horse practice – he grew up with horses and likes to try and emulate their distinctive whinnies, snorts, neighs, snuffles, sighs, grunts, fluttering nostrils, the occasional aggressive outburst and the especially beautiful nicker of a mare to her foal. And, on Saturdays, lest we forget, Maxwell D. Kalist drinks wine from a chalice.
Carla H. Krueger (From the Horse’s Mouth)
What are you smiling about?" Rider asked. Willow glanced at him and flushed. "That must have been some daydream you were having." If you only knew, Willow thought. "Come on, Freckles, it's time you get back to the ranch. I have work to do." His big work-roughened hand swallowed hers as he helped her to her feet. Against her will, her body responded to its warmth. She snatched her hand away, garnering a searching expression in his dark brown eyes. She quickly excused her reaction with a flirty smile. "I promised not to touch you, remember?" "Yes,but I dont't recall promising not to touch you." He wiggled his brows in a comical imitation of an evil villain in a bad play. She laughed and shook her head. "Help me mount Sugar before I decide to wipe that grin off your face." "And how do you propose to do that?" he asked, retrieving the horses and returning to he side. He bent down, cupped his hands, and boosted her into the mare's saddle. "You weren't planning on slapping my face again, I hope," he said, reaching for Sultan's reins. "Oh,no, nothing like that." She batted her lashes coquettishly, the affect intensified by the naughty twinkle in her eyes. "You better stop looking at me like that, or I'll have to follow Sultan's example and break down your door tonight." "I don't think Juan would be too happy about making me two new doors. It wasn't easy explaining what happened to the first one!
Charlotte McPherren (Song of the Willow)
This confirms what we have said about rta as the source of libido where the god dwells and whence he is brought forth in the sacred ceremonies. Agni is the positive manifestation of the latent libido; he is accomplisher or fulfiller of rta, its “charioteer”; he harnesses the two long-maned red mares of rta.100 He even holds rta like a horse, by the bridle.101 He brings the gods to mankind, their power and blessing; they represent definite psychological states in which the vital feelings and energies flow with greater freedom and joy. Nietzsche has captured this state in his verses: You with your fiery lances Shatter the ice-bound soul of me, Till with high hope it advances Rushing and roaring into the sea.102
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
There I was, with a mare I knew I could do anything with—but the owners! Mary Pat had never even seen a jumping saddle. Her father had no conception of what goes into the making of a show jumper. But there is a lot of heart in that family, apparently a hereditary condition, for Mary Pat started surprising me. She was the first student I ever had who actually did what I told her to do. Older trainers had warned me that there would be such students, but I hadn’t believed them until now. Watching Mary Pat and Peggy, alone in the California desert, I thought of the diary of one nineteenth-century traveler who had said of southern California, “The mountains cut the land off from sympathy with the East.” I sometimes felt that God was whispering things into the landscape, in the breathing of that child and that horse.
Vicki Hearne (Animal Happiness: Moving Exploration of Animals and Their Emotions - From Cats and Dogs to Orangutans and Tortoises)
An old farmer used a horse to till his fields. One day, the horse ran away, and when the farmer’s neighbors sympathized with the old man over his bad luck, the farmer shrugged his shoulders and replied, “Bad luck? Good luck? Who knows?” A week later, the horse returned with a herd of wild mares, and this time the neighbors congratulated the farmer on his good luck. His reply was, “Good luck? Bad luck? Who knows?” Then, when the farmer’s son was attempting to tame one of the wild horses, he fell and broke his leg. Everyone agreed this was very bad luck. But the farmer’s only reaction was, “Bad luck? Good luck? Who knows?” A week later, the army marched into the village and drafted all the young men they could find. When they saw the farmer’s son with his broken leg, they let him stay behind. Good luck? Bad luck? As
Marci Shimoff (Happy for No Reason: 7 Steps to Being Happy from the Inside Out)
Edward shifted from one foot to the other, then headed to one of the younger knights from Carrick, leading his horse and their father’s white mare. ‘Sir Duncan, will you hold the horses?’ ‘That’s your task, Master Edward,’ chided the knight. John de Warenne had ascended the platform beside Bishop Bek and was addressing the assembly. There were more men than benches and those who hadn’t found a place had crowded in behind. Robert could no longer see his father and grandfather. He glanced round as Edward spoke again. ‘Please, Duncan.’ ‘Why?’ Edward paused. ‘If you do, I won’t tell my father you once tried to kiss Isabel.’ The knight laughed. ‘Your sister? I’ve never even spoken to her.’ ‘My father doesn’t know that.’ ‘You’re jesting,’ said the knight, but his smile had disappeared. Edward didn’t respond. The young knight’s face tightened, but he held out his hand to take the reins. ‘Wherever you’re going, you had better be back here before the earl.
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
I am going to faint.” “You shall not.” Deene moved behind her and wrapped his arms around her, a bulwark against the roaring in her ears and the constriction in her chest. “Breathe, Evie. It’s just one more horse.” Oh, but not just any horse. Eve knew those gorgeous brown eyes, the deep chest, the little snip of pink skin on the end of the mare’s big, velvety nose. “She’s white now, no longer gray. This is my Sweetness, isn’t it? Tell me this is my dearest… oh, Husband. What have you done?” “I can send her back, if you’d rather not… I didn’t want to upset you, Evie. But you’d asked, and I thought perhaps you’d worried…” “Hush.” She turned in his arms to put her hand over his mouth, but then craned her neck to keep the mare in her sight. “Oh, hush. She will never leave my care again, never. You must promise me, Lucas. Right now, swear to me she is mine to keep.” “She is yours to keep, always. I swear it, vow it, and promise it. It’s in the settlements, it’s in the bill of sale, it’s in my last will and testament. She will always be yours to keep.” That
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
There’s an old Taoist parable about a farmer whose horse ran away. “How unlucky!” his brother tells him. The farmer shrugs. “Good thing, bad thing, who knows,” he says. A week later, the wayward horse finds its way home, and with it is a beautiful wild mare. “That’s amazing!” his brother says, admiring the new horse with no small envy. Again, the farmer is unmoved. “Good thing, bad thing, who knows,” he says. A few days later, the farmer’s son climbs up on the mare, hoping to tame the wild beast, but the horse bucks and rears, and the boy, hurled to the ground, breaks a leg. “How unlucky!” his brother says, with a tinge of satisfaction. “Good thing, bad thing, who knows,” the farmer replies again. The next day, the young men of the village are called into military service, but because the son’s leg is broken, he is excused from the draft. His brother tells the farmer that this, surely, is the best news of all. “Good thing, bad thing, who knows,” the farmer says. The farmer in this story didn’t get lost in “what if” but instead focused on “what is.” During my monk training, we were taught, “Don’t judge the moment.
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Everyday)
The King Horse was so near that I could see the lashes of his dark eyes. His forelock fell between them like a white waterfall between shining stones. His teeth were as big as the ivory plates upon a war helm; but his lip, when he licked the salt out of my palm, felt softer than my mother’s breast. When the salt was finished, he brushed my cheek with his, and snuffed at my hair. Then he trotted back to his hillock, whisking his long tail. His feet, with which as I learned later he had killed a mountain lion, sounded neat on the meadow, like a dancer’s. Now I found myself snatched from all sides, and hustled from the pasture. It surprised me to see the Horse Master as pale as a sick man. He heaved me on his mount in silence, and hardly spoke all the way home. After so much to-do, I feared my grandfather himself would beat me. He gave me a long look as I came near; but all he said was, “Theseus, you went to the horse field as Peiros’ guest. It was unmannerly to give him trouble. A nursing mare might have bitten your arm off. I forbid you to go again.” This happened when I was six years old; and the Horse Feast fell next year.
Mary Renault (The King Must Die (Theseus, #1))
When I heard the language of men uttered by my mare," continued Aravis, "I said to myself, the fear of death has disordered my reason and subjected me to delusions. And I became full of shame for none of my lineage ought to fear death more than the biting of a gnat. Therefore I addressed myself a second time to the stabbing, but Hwin came near to me and put her head in between me and the dagger and discoursed to me most excellent reasons and rebuked me as a mother rebukes her daughter. And now my wonder was so great that I forgot about killing myself and about Ahoshta and said, 'O my mare, how have you learned to speak like one of the daughters of men?' And Hwin told me what is known to all this company, that in Narnia there are beasts that talk, and how she herself was stolen from thence when she was a little foal. She told me also of the woods and waters of Narnia and the castles and the great ships, till I said, 'In the name of Tash and Azaroth and Zardeenah, Lady of the Night, I have a great wish to be in that country of Narnia,' 'O my mistress,' answered the mare, 'if you were in Narnia you would be happy, for in that land no maiden is forced to marry against her will.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
They looked at my stomach and between my legs. They never said nothing to me. Only one looked at me. Looked at my face, I mean. I looked right back at him. He dropped his eyes and turned red. He knowed, I reckon, that maybe I weren't no horse foaling. But them others. They didn't know. They went on. I seed them talking to them white women: 'How you feel? Gonna have twins?' Just shucking them, of course, but nice talk. Nice friendly talk. I got edgy, and when them pains got harder, I was glad. Glad to have something else to think about. I moaned something awful. The pains wasn't as bad as I let on, but I had to let them people know having a baby was more than a bowel movement. I hurt just like them white women. Just 'cause I wasn't hooping and hollering before didn't mean I wasn't feeling pain. What'd they think? That just 'cause I knowed how to have a baby with no fuss that my behind wasn't pulling and aching like theirs? Besides, that doctor don't know what he talking about. He must never seed no mare foal. Who say they don't have no pain? Just 'cause she don't cry? 'Cause she can't say it, they think it ain't there? If they looks in her eyes and see them eyeballs lolling back, see the sorrowful look, they'd know.
Toni Morrison (The Bluest Eye)
Get off your horse, Jack." "Why don't you just ride outta here, missy, and I'll forget this ever happened." Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy." Still grinning his contempt, he did as he asked. "That's good. Now, real slow like, take your gunbelt off and toss it my way." "Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet. "Now,strip them britches off, underwear, too," she ordered. "You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view. "My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?" If looks could kill, Willow would have been dead and buried ten times over, then and there. "Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation. He wheeled around, gaining a modicum of privacy while he complied. "You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?" "You're gonna pay for this,you little slut!" "Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on." He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands. "Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too." Cursing, he again turned around and obeyed. "Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned." Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant. "Step away from your horse and start walking toward the ranch, Scofield." "You're out of your mind!" "Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady." "You? A lady? Ha!" Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
Charlotte McPherren (Song of the Willow)
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
He got out a tube and since she’d yet to put the sweater on, squeezed ointment onto his fingers and began to gently rub it on her abraded skin. She recognized the scent. “That’s for horses.” “So?” She laughed and let him fuss. “Does this make me your mare now?” “No, you’re too young and delicate of bone for that. You’re still a filly.” “Are you going to train me, Donnelly?” “Oh, you’re out of my league, Miss Grant.” He glanced up, cocked a brow when he saw her grinning at him. “And what amuses you?” “You can’t help it can you? You have to tend.” “I put the marks on you,” he muttered as he smoothed on the ointment. “It follows I should see to them.” She lifted a hand to toy with the ends of his damp, gold-tipped hair. “I like being seen to by a man with a tough mind and a soft heart.” That soft heart sighed a little, ached a little. But he spoke lightly. “It’s no hardship running my fingers over skin like yours.” With his eyes on hers, he used the pad of his thumb to spread ointment over the gentle swell of her breast. “Particularly since you don’t seem to have a qualm about standing here half naked and letting me.” “Should I blush and flutter?” “You’re not the fluttering sort. I like that about you.” Satisified, he capped the tube, then tugged the sweater over her head himself. “But I can’t have such a fine piece of God’s work catching a chill. There you are.” He lifted her hair out of the neck. “You don’t have a hair dryer.” “There’s air everywhere in here.” She laughed and dragged her fingers through her damp curls. “It’ll have to do.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Monks, there are these two kinds of search: the noble search and the ignoble search. And what is the ignoble search? Here someone being himself subject to birth seeks what is also subject to birth; being himself subject to aging, he seeks what is also subject to aging; being himself subject to sickness, he seeks what is also subject to sickness; being himself subject to death, he seeks what is also subject to death; being himself subject to sorrow, he seeks what is also subject to sorrow; being himself subject to defilement, he seeks what is also subject to defilement. 6–11. “And what may be said to be subject to birth, aging, sickness, and death; to sorrow and defilement? Wife and children, men and women slaves, goats and sheep, fowl and pigs, elephants, cattle, horses, and mares, gold and silver: these acquisitions are subject to birth, aging, sickness, and death; to sorrow and defilement; and one who is tied to these things, infatuated with them, and utterly absorbed in them, being himself subject to birth ... to sorrow and defilement, seeks what it also subject to birth ... to sorrow and defilement.10 12. “And what is the noble search? Here someone being himself subject to birth, having understood the danger in what is subject to birth, seeks the unborn supreme security from bondage, Nibbāna; being himself subject to aging, having understood the danger in what is subject to aging, he seeks the unaging supreme security from bondage, Nibbāna; being himself subject to sickness, having understood the danger in what is subject to sickness, he seeks the unailing supreme security from bondage, Nibbāna; being himself subject to death, having understood the danger in what is subject to death, he seeks the deathless supreme security from bondage, Nibbāna; being himself subject to sorrow, having understood the danger in what is subject to sorrow, he seeks the sorrowless supreme security from bondage, Nibbāna; being himself subject to defilement, having understood the danger in what is subject to defilement, he seeks the undefiled supreme security from bondage, Nibbāna. This is the noble search.
Bhikkhu Bodhi (In the Buddha's Words: An Anthology of Discourses from the Pali Canon (Teachings of the Buddha))
Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.” Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!
Fyodor Dostoevsky (Crime and Punishment)
Follow my lead," De murmured. "We will head for the hills to the west, as far from this battle as our horses can take us." He freed one of the horses from the chariot and guided it to Luce. The horse was stunning, black as coal, with a diamond-shaped white patch on its chest.De helped Luce into the saddle and held up the king's halberd in one hand and a crossbow in the other.Luce had never fired or even touched a crossbow in her life,and Lu Xin had only used one once,to scare a lynx away from her baby sister's crib.But the weapon felt light in Luce's hand,and she knew if it came down to it,she could fire it. De smiled at her choice and whistled for his horse. A beautiful brindle mare trotted over.He hopped onto its back. "De! What are you doing?" an alarmed voice called from the line of the horses. "You were to kill the king! Not mount him on one of our horses!" "Yes! Kill the king!" a chorus of angry voices called. "The king is dead!" Luce shouted, silencing the soldiers. The feminine voice behind the helmet brought gasps from all of them. They stood frozen, uncertain whether to raise their weapons. De drew his horse close to Luce's. He took her hands in his.They were warmer and stronger and more reassuring than anything she'd ever felt. "Whatever happens,I love you.Our love is worth everything to me." "And to me," Luce whispered back. De let out a battle cry,and their horses took off at a breakneck pace. The crossbow nearly slipped out of Luce's grasp as she lurched forward to clutch the reins. Then the rebel soldiers began to shout. "Traitors!" "Lu Xin!" De's voice rose above the shrillest cry,the heaviest horse's hoof. "Go!" He raised his arm high, pointing toward the hills.
Lauren Kate (Passion (Fallen, #3))
A horse broke through beside her, nearly knocking the mare over. At first Marian thought the horse unmounted, possibly Gisbourne’s, running from the boar, because she saw no rider—and then she did see him and realized he was clad in the colors of the forest, nearly invisible, almost indistinguishable against the emerald, olive, and jade. It was the shock of white-blond hair that betrayed his identity, and the grimness of his features.
Jennifer Roberson (Lady of the Forest)
They say dogs are man’s best friend,” he said. “But horses are man’s best slave.
Mary Gaitskill (The Mare)
You should know better than to mount another's war-horse, I said with a smirk, Or perhaps he took offense to being called a mare.
Jessica Leake (Beyond a Darkened Shore)
Where in tarnation did Dayna and Cheyenne ride off to?” he shouted at Temo. Temo came out of a stall with an empty feed bucket. “I think they rode over to the Lucky Star ranch, Señor.” He spoke politely to the older man. Sam Regis grew red in the face. “How many times have I told Dayna I don’t want her hangin’ around Ted Starr’s spread,” he yelled. “And I especially don’t want my purebred mares anyplace near that worthless Spanish stallion of his.” “Si, Señor,” Temo agreed, but this time there was a smile on his handsome face that Sam couldn’t see in the darkening barn. The idea of calling Diego worthless was a joke to Temo. There never was a finer horse; a true throwback to the brave stallions brought by the Spanish explorers and bred for years to withstand the worst the desert could throw at them. In Temo’s opinion, Diego was worth a hundred of Señor Regis’s horses.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
Corrigan shouted, “I got you now, you bastard!”, as his index finger began to pull back the trigger, but then stopped when a loud crack sounded behind him and a .44 pounded into the middle of his back at the same moment, knocking him forward and jerking his finger against the trigger, sending the shot high into the air. He never knew where the shot came from and would never have a chance to ask as he slumped back over his horse’s neck, then slid off to the side and tumbled to the ground. Conn had seen the distant muzzle flare and knew whose Winchester had created it, in awe of Sam’s ability yet again. He slowly rose to his feet, holstered his Colt, then picked up his damaged Winchester and began to limp to the last shooter, the one who had almost killed him. He was reasonably sure it was Steve Corrigan after hearing the shouted threat but wanted to be sure. But before he reached the dead shooter, Sam trotted up close on the black mare and asked anxiously, “Are you all right, Conn?” “Only because you arrived when you did, Sam. He had me in his sights. I was a dead man.” Sam dismounted in her usual
C.J. Petit (Conn Jackson)
It had taken Cyrus a while to come out of his shell. One of those “aw shucks, ma’am” kind of cowboys, he was so darned shy she thought she was going to have to throw herself on the floor at his boots for him to notice her. But once he had opened up a little, they’d started talking, joking around, getting to know each other. Before he left, they’d gone for a horseback ride through the snowy foothills up into the towering pines of the forest. It had been Cyrus’s idea. They’d ridden up into one of the four mountain ranges that surrounded the town of Gilt Edge – and the Cahill Ranch. It was when they’d stopped to admire the view from the mountaintop that overlooked the small western town that AJ had hoped Cyrus would kiss her. He sure looked as if he’d wanted to as they’d walked their horses to the edge of the overlook. The sun warming them while the breeze whispered through the boughs of the nearby snow-laden pines, it was one of those priceless Montana January days between snowstorms. That’s why Cyrus had said they should take advantage of the beautiful day before he left for Denver. Standing on a bared-off spot on the edge of the mountain, he’d reached over and taken her hand in his. “Beautiful,” he’d said. For a moment she thought he was talking about the view, but when she met his gaze she’d seen that he’d meant her. Her heart had begun to pound. This was it. This was what she’d been hoping for. He drew her closer. His mouth was just a breath away from hers – when his mare nudged him with her nose. She could laugh about it now. But if she hadn’t grabbed Cyrus he would have fallen down the mountainside. “She’s just jealous,” Cyrus had said of his horse as he’d rubbed the beast’s neck after getting his footing under himself again. But the moment had been lost. They’d saddled up and ridden back to Cahill Ranch. AJ still wanted that kiss more than anything.
B.J. Daniels (Wrangler's Rescue (The Montana Cahills, #7))
Halt, Princess!” one of the horse-riders called. To hell with that. She tapped her heel against Sterling’s ribs and the lean mare shot off like a thunderbolt. When
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
The dam, a gray mare, had a rare marking called “the bloody shoulder.” According to Arabian lore, a mare with this distinctive patch of reddish hair would give birth to horses that would win glory in battle. At
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
Somewhat revived by the water she had been forced to consume, Loretta sat astride the mare, suffering the confines of Hunter’s arm around her waist and the familiarity of his hand on her midriff. His broad chest served as a prop for her back; soon she leaned against him, letting her body undulate with his in rhythm with the horse’s gait. After about forty minutes of silence, he bent his head close to hers. “Mah-tao-yo. My arm is strong, no?” He hugged her close to demonstrate. “A strong arm to lean upon, a shield against all that might harm you? You will trust this Comanche. Drink and eat. It is a good place where we go.” Loretta made a fist in the leather of her shirt and squeezed until her knuckles hurt. She didn’t want to die. It would be so easy, so horribly easy, to believe him. “You will be warm with me in my lodge? I have many buffalo robes. And plenty food. Meat, yes? And my strong arm will protect you, forever into the horizon. There is nothing to fear.” He pressed his hand more firmly against her midriff. “My tongue does not make lies. It is the truth I speak, not penende taquoip, the honey talk, but a promise. I have spoken the words, and they are carried away on the wind to whisper to me always. You will trust? When I go away from you on raids and hunting trips, my brother’s strong arm will be yours. No harm will come to you.
Catherine Anderson (Comanche Moon (Comanche, #1))
Somewhat revived by the water she had been forced to consume, Loretta sat astride the mare, suffering the confines of Hunter’s arm around her waist and the familiarity of his hand on her midriff. His broad chest served as a prop for her back; soon she leaned against him, letting her body undulate with his in rhythm with the horse’s gait. After about forty minutes of silence, he bent his head close to hers. “Mah-tao-yo. My arm is strong, no?” He hugged her close to demonstrate. “A strong arm to lean upon, a shield against all that might harm you? You will trust this Comanche. Drink and eat. It is a good place where we go.
Catherine Anderson (Comanche Moon (Comanche, #1))
Well, there was a Chinese farmer whose stallion ran away one day across the border to where a group of nomads lived. When the people from the farmer’s village tell him that he must be cursed, he says, ‘Who’s to say it’s not a blessing?’ So then, about a month later the stallion returns with a mare beside it. All of his friends comment on his good fortune that he now has two horses rather than just one, but he says, ‘Who’s to say it’s not a curse?’ Well, his son goes riding all the time on that new mare, and one day he falls and breaks his leg so badly that he can’t walk anymore without a cane. Then when the people try to sympathize with the farmer, he says, ‘Who’s to say it’s not a blessing?’ So time goes by and war breaks out with the people from beyond the border, and all the men from the farmer’s village who’re able to fight go into battle, but since the boy has this disability he can’t go. Most of the men die in that war but the boy survives and is able to care for his father even into his old age. And so, curses and blessings—who’s to say which is which?
Steven James (Curse (Blur Trilogy #3))
On the plain below, the prince turned his mare around to join the tail end of his fighting force; but first his eyes rested on Fire’s form. He could not have appreciated her features from that distance, and with the light of the sun glaring into his face. He could not have ascertained much more than that she was Archer’s friend, dressed like a boy for riding but female, with covered hair. Still, Fire’s face burned. He knew who she was, she was sure of it. His backward glare as he swung away was evidence, and so was his ferocity as he spurred his horse forward. So was his mind, closed to her, and cold. This was why she had avoided meeting Nash and Brigan before this. It was only natural that the sons of King Nax should despise her. She burned hot with the shame of her father’s legacy.
Kristin Cashore (Fire)
Lady,” he said in greeting. “Lord Prince,” she said quietly. He leaned there for a moment, gaze tilted upward, and Fire wondered if this was to be the extent of their conversation. “Your horse is named Small,” he said finally, startling her with the randomness of it. “Yes.” “Mine is named Big.” And now Fire was smiling. “The black mare? Is she very big?” “Not to my eyes,” Brigan said, “but I did not name her.” Fire remembered the source of Small’s name. Indeed, she could never forget the man Cansrel had abused for her sake. “An animal smuggler gave Small his name. A brutish man called Cutter. He thought any horse that didn’t respond well to flogging was small-minded.” “Ah. Cutter,” Brigan said, as if he knew the man; which, after all, should not be surprising, as Cansrel and Nax had probably shared suppliers. “Well, I’ve seen what your horse is capable of. Obviously he’s not small-minded.
Kristin Cashore (Fire)
My mother, Woman with Many Robes, asks if you want to eat?” Loretta gave an emphatic shake of her head, pressing closer to his chest. In a toss-up, she chose to stay with Hunter. He leaned forward so he could look into her eyes. “You will not be afraid. My mother will crack heads. Your good friend, eh? You will trust.” Loretta scanned the wall of leather-clad bodies and, for the first time, hugged her captor’s arm more closely around her. The dark depths of his eyes shifted, warming on hers. A ghost of a smile flitted across his harsh mouth, and his fingertips tightened their hold on her ribs. Looking up, he said something in Comanche. The woman nodded and turned to shoo the onlookers out of the way, her spoon tapping a hollow tattoo on slow-moving heads. Hunter chuckled, his chest vibrating against Loretta’s shoulder blades as he steered the mare along the path his mother cleared. The crowd formed walls on each side of them, hanging back only when Hunter drew up before a lodge. When he began to dismount, Loretta clutched his wrist, terrified he might abandon her. “Yo-oh-hobt pa-pi! Yo-oh-hobt pa-pi!” a small girl cried, dancing around the mare’s legs, her button eyes gleaming, her plump brown bottom jiggling so hard that she was about to lose her breechcloth. “Ein mah-heepicut?” Hunter pried Loretta’s frantic fingers from his arm and slid off the horse. Smiling at the child, he leaned over and retied her breechcloth thong. “Huh, yes.” Glancing up at Loretta, he said, “She is a yellow-hair, and she is mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
As I recall,” he said as his fingertip skimmed the tops of her breasts, “I enjoy the sounds a woman makes when I pleasure her.” “Ye’d not enjoy these sounds.” She slapped his hand away. “And if ye take me, there’d be no pleasure.” “As a maid, ye canna know that,” he said, lifting one of the long locks of her chestnut hair to his lips and inhaling her scent. “And I dinna think ye’ll scream, not in the way ye mean, in any case.” “Ye’d have to tie me up and force yourself on me, because I’d fight ye, tooth and claw,” she said with assurance. “Now there’s a thought,” he said. “I’ve heard some lassies enjoy being tied up.” He could picture her in his mind, bound tight, her breasts bared, her legs splayed with her soft core wet and ready. She’d be helpless before him. He’d make her beg for release. He stood and walked to his horse to retrieve a length of rope. “Shall we give it a try?” “No!” she said, scrabbling away. “Please, no.” “Dinna fret, Elspeth. I’ll no’ force ye,” he crooned softly, as if she were a frightened mare.
Connie Mason (Sins of the Highlander)
Yo-oh-hobt pa-pi! Yo-oh-hobt pa-pi!” a small girl cried, dancing around the mare’s legs, her button eyes gleaming, her plump brown bottom jiggling so hard that she was about to lose her breechcloth. “Ein mah-heepicut?” Hunter pried Loretta’s frantic fingers from his arm and slid off the horse. Smiling at the child, he leaned over and retied her breechcloth thong. “Huh, yes.” Glancing up at Loretta, he said, “She is a yellow-hair, and she is mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
I've ever seen in one place and that's the gospel! Just the same, you might not believe this but I have a pretty easy time thinkin' about sellin' the young ones… ever' time I get hungry!" "Yeah" he replied; "Lucky thing for us there's plenty of mares. I've seen you eat. We'll be needing plenty of colts to sell! The fact that they ride as good as they look don't hurt any when we go to selling either. You've done good shaping up this bunch." "Yes sir it's a hell of a good bunch" I agreed. "We still got a lot of work to do though. This place is sittin' out on the backside of beyond. Most everyone in these parts raises up their own. We've got the best horses anywhere around but that ain't good
Brian Gore (The Horsemen (Jeb Taylor #3))
According to an Arab saying, there are three types of service that aren’t demeaning: service performed for one’s household, taking care of one’s mare, and waiting on a guest.
Ibrahim Nasrallah (Time of White Horses)
We will never have to tell our horse that we are sad, happy, confident, angry, or relaxed. He already knows – long before we do.
Marjike de Jong
Women,” Mat declared as he rode Pips down the dusty, little-used road, “are like mules.” He frowned. “Wait. No. Goats. Women are like goats. Except every flaming one thinks she’s a horse instead, and a prize racing mare to boot. Do you understand me, Talmanes?
Brandon Sanderson (The Gathering Storm (The Wheel of Time, #12))
This is my army," Sal yelled loud enough for her soldiers to hear. "These are my men. This is my country! You know the histories as well as I do. We were here first, so you must not have heard me. Get your asses off my damned iliri soil. I will only say it one more time, and next, it will be to your Emperor as I stick my white iliri arm down his pathetic, divine throat. Is that clear enough for you to understand?" The men didn't bother to reply. They simply turned their horses and raced back to their lines. Sal and Jase shoved their helms back on as they rode, allowing the mares to canter easily across the muddy field. "Ayati, I love you when you're angry", Jase said in her head, and Sal laughed, glancing at him once more. "Just wait, killer, because I'm about to get really pissed", she teased.
Auryn Hadley (Defiance (Rise of the Iliri, #3))
All around them, ember mares rushed alongside Lament. They had never intended to trample her but to join her. The graceful rhythm of their muscular bodies, the thunder in their hooves as they ran...they mesmerized Emeline. Moving as one, they reminded her of a cresting wave. A sea of fire. And beyond their blazing splendor, all was black. Night had fallen in the woods. In the steady rhythm of Lament's gait, Emeline heard assurances she'd been too frightened to hear before. I have you, Lament's hooves pounded out. I am steady and true. I won't let you fall.
Kristen Ciccarelli (Edgewood)
Look it, Jack. While I appreciate the sentiment, we’re already pressed for time. You know our fundraiser’s just around the corner and getting her ready for sale’ll be a huge time zapper for us. And in the end, she’ll just be uprooted again.” “Let’s talk about this later. For now, let’s just get her settled in, fed and watered.” Mrs. M huffed slowly and rubbed her temple with the heel of her hand, as if already feeling the exhaustion of the job just by looking at the mare. “Okay, you girls, walk ’em both to the back barn and put ’em in the two empty stalls. Water them and throw them some hay. We’ll look at ’em later. When you’re done, can you finish cleaning the stalls in the main barn?” “Yes, ma’am.” Without even really thinking it through, a sense of urgency forced me to say, “Um, Mrs. M? If you wouldn’t mind, can I take her on as a project horse? You said she’d be a huge time zapper for you, time that you don’t have. I can take care of her, clean her up, as well as train her to ride and follow commands. Problem solved. Pretty please?” She sighed with her lips scrunched, hopefully seriously considering it. Even though I knew that was gonna be a monstrous job, I was so quick to volunteer because I honestly felt like I was the only one who truly got this horse and saw her potential. Everyone else just saw a headache and a big mess. She was counting on me, and I couldn’t let her down. “Maybe she’ll end up being an excellent addition to the program. You think?” “Oh, I really don’t think we can use her here, sweetie,” she mewed like I was so dumb and silly for even suggesting it.
Courtney Vail (Angels Club (One Kid, One Horse, Can Change the World))
The thought of foals being taken away from their mothers, ripped without warning from everything familiar and loved, then starved, clubbed, or sold for meat, tore her heart to shreds. Tears filled her eyes as she imagined Blue and the nurse mare, scared and confused and frantic, wondering why someone had taken their babies. She could almost feel the horrible, heavy pain in their chests, the terror and helplessness in their minds. It didn't matter that they were animals. Mares still possessed the maternal instinct. She had seen it with her own eyes when Bonnie Blue looked back at her newborn filly. It was love at first sight. Her mother had never looked at her that way, but Julia had studied enough interactions between mothers and daughters to recognize unconditional love when she saw it.
Ellen Marie Wiseman (The Life She Was Given)
NO WAY was a HORSE at this teensy shop in the mall!
Crystal Mare (All I Want For Christmas Is You: Melanie's Gift)