Mardi Gras Beads Quotes

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That didn’t sound like them slinging beads at us. Think if I whip my shirt off, they’ll go blind and leave?” Nick
Sherrilyn Kenyon (Invision (Chronicles of Nick, #7))
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
Here, just a minute.” He touched a drop of marsh water onto the slide, covered it with another, and focused the eyepiece. He stood. “Have a look.” Kya leaned over gently, as if to kiss a baby. The microscope’s light reflected in her dark pupils, and she drew in a breath as a Mardi Gras of costumed players pirouetted and careened into view. Unimaginable headdresses adorned astonishing bodies so eager for more life, they frolicked as though caught in a circus tent, not a single bead of water. She put her hand on her heart. “I had no idea there were so many and so beautiful,” she said, still looking. He identified some odd species, then stepped back, watching her. She feels the pulse of life, he thought, because there are no layers between her and her planet.
Delia Owens (Where the Crawdads Sing)
Pride isn’t just for a parade one day a year. It is not a miniature rainbow flag or rubber bracelet with a corporate logo on it given freely on that day, like beads tossed during Mardi Gras. Pride is foremost our gay self-esteem, but it is also our bond with everyone in the LGBTQ community, everywhere. Pride is our unique way of letting everyone know that we are here, that we belong in this world. If we can say we are gay, we must not do so just to make our own lives better, easier, more transparent, and authentic. We do so to clear a path for those who can’t come out—for all the people who live in places where their freedom is not a given or who don’t feel safe in their own families—to make inroads in the straight world for them. Each time we come out, we send up a flare of hope and direction, showing the way.
Richie Jackson (Gay Like Me: A Father Writes to His Son)
During the Mardi Gras carnival in New Orleans, drunk and drugged and sleepless for sex-driven nights and days, I saw leering clowns on gaudy floats tossing cheap necklaces to grasping hands that clutched and grabbed and tore them, spilling beads; and revelers crawled on littered streets, wrestling for them, bleeding for them on sidewalks; and beads fell on spattered blood like dirty tears—and I saw costumed revelers turn into angels, angels into demons, demons into clowning angels; and in a flashing moment the night split open into a deeper, darker chasm out of which soared demonic clowning angels laughing.
John Rechy (After the Blue Hour)
Kya leaned over gently, as if to kiss a baby. The microscope's light reflected in her dark pupils, and she drew in a breath as a Mardi Gras of costumed players pirouetted and careened into view. Unimaginable headdresses adorned astonishing bodies so eager for more life, they frolicked as though caught in a circus tent, not a single bead of water.
Delia Owens (Where the Crawdads Sing)
You're kidding, right?" Shane asked. "You don't need caffeine. You need sleep." He held out the last cup, and Claire realized she'd been wrong; there was someone else in the shadows. Deeper in the shadows even than Oliver had been. Myrnin. He looked completely different to her now, and not just because he wasn't crazy anymore. He'd remembered how to dress himself, for one thing; gone were the costume coats and Mardi Gras beads and flip-flops. He had on a gray knit shirt, black pants, and a jacket that looked a bit out of period, but not as much as before. All clean. He even had shoes on. "Yes, you must sleep," he agreed, as he accepted the cup and tried the coffee. "I've gone to far too much trouble to train up another apprentice at this late date. We have work to do, Claire. Good, hard work. Some of it may even earn you accolades, once you leave Morganville." She smiled slowly. "You'll never let me leave." Myrnin's dark eyes fixed on hers. "Maybe I will," he said. "But you must give me at least a few more years, my friend. I have a great deal to learn from you, and I am a very slow learner.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
Stairs!” Parks yells, pointing. “Get up the stairs.” They do. To the sound of crazed church bells as the windows shatter. Parks is bringing up the rear, throwing grenades over his back like strings of beads at a fucking Mardi Gras parade. And the grenades are going off behind them one after another, barking concussions overlapping in hideous counterpoint. Shrapnel smacks Parks’ flak jacket and his unprotected legs. The
M.R. Carey (The Girl With All the Gifts)
Back to 1992 and seeing this oaf saunter down the White House hallway with his beaded necklace. Mr. Mardi Gras had only just begun having his tall, young sidekick slap Gay Pride stickers on the walls and furniture, yes, the priceless historical furniture and walls of the White House. “Sir! Sir!” Careers were on the line, so I needed backup. The duo pivoted toward me and got the fracas they wanted, a pointless quarrel with those whose job it was to protect them. “I don’t care what’s on the stickers! Do not disrespect, disregard, or vandalize the White House! This isn’t your dorm room. It’s a living monument to the greatest leaders this country’s ever had!” “Oh no, this is our house now!” they squawked. They accused us of homophobia. We focused on decorum, protocol—and vandalism. I never expected such behavior from anyone capable of even potentially being appointed to work in the White House. Imagine that after clearing every background check they’d demonstrate such willful, unthinkable incompetence, unprofessionalism, and contempt.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
Every time Amazons swarmed beneath them, demanding their surrender, Hazel made a crate of jewelry explode, burying their enemies in a Niagara Falls of gold and silver. When they got to the bottom of the ladder, they found a scene that looked like Mardi Gras Armageddon—Amazons trapped up to their necks in bead necklaces, several more upside down in a mountain of amethyst earrings, and a battle forklift buried in silver charm bracelets.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!
Theresa Caputo (There's More to Life Than This)
The fact that there were more adults than children at her party didn't seem to faze Dixie. "That child is like a dandelion," Lettie said. "She could grow through concrete." Dixie's birthday party had a combination Mardi Gras/funeral wake feel to it. Mr. Bennett and Digger looped and twirled pink crepe paper streamers all around the white graveside tent until it looked like a candy-cane castle. Leo Stinson scrubbed one of his ponies and gave pony rides. Red McHenry, the florist's son, made a unicorn's horn out of flower foam wrapped with gold foil, and strapped it to the horse's head. "Had no idea that horse was white," Leo said, as they stood back and admired their work. Angela, wearing an old, satin, off-the-shoulder hoop gown she'd found in the attic, greeted each guest with strings of beads, while Dixie, wearing peach-colored fairy wings, passed out velvet jester hats. Charlotte, who never quite grasped the concept of eating while sitting on the ground, had her driver bring a rocking chair from the front porch. Mr. Nalls set the chair beside Eli's statue where Charlotte barked orders like a general. "Don't put the food table under the oak tree!" she commanded, waving her arm. "We'll have acorns in the potato salad!" Lettie kept the glasses full and between KyAnn Merriweather and Dot Wyatt there was enough food to have fed Eli's entire regiment. Potato salad, coleslaw, deviled eggs, bread and butter pickles, green beans, fried corn, spiced pears, apple dumplings, and one of every animal species, pork barbecue, fried chicken, beef ribs, and cold country ham as far as the eye could see.
Paula Wall (The Rock Orchard)
For possibly the first time in his life. Okay, that wasn't one hundred percent true. They were naked breasts. But as he handed yet another woman a strand of beads, Josh was already pushing past her. A nearly identical
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
What the fuck? He looked up at the balcony where a group of drunk frat boys were throwing beads down to the street. Another one went whizzing past his ear. Jesus, they weren’t supposed to wind up to throw the things. And did he look like he had tits?
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
Mobile’s reputation as the birthplace of Mardi Gras in North America does not rest solely on the fact that a few half-starved French colonists observed the pre-Lenten feasts here 300 years ago… In 1852, a group of Mobile "Cowbellians" moved to New Orleans and formed the Krewe of Comus, which is now that larger city’s oldest and most secretive Carnival society. …All of Mobile’s parading societies throw Moon Pies along with beads and doubloons, providing sugary nourishment to the revelers lining the streets. The crowd is very regional, mostly coastal Alabamians. Everyone seems to know each other, and they are always honored and often extra hospitable when they learn that you traveled a long way just to visit *their* Carnival. Late into the evening, silk-gowned debutantes with their white-tie and tail clad escorts who’ve grown weary of their formal balls blend easily with the street crowds…
Gary Bridgman (Lonely Planet Louisiana & the Deep South)