Marco Quotes

We've searched our database for all the quotes and captions related to Marco. Here they are! All 100 of them:

I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
Erin Morgenstern (The Night Circus)
Do you remember all of your audiences?" Marco asks. "Not all of them," Celia says. "But I remember the people who look at me the way you do." "What way might that be?" "As though they cannot decide if they are afraid of me or they want to kiss me." " I am not afraid of you," Marco says.
Erin Morgenstern (The Night Circus)
Marco moves to close the distance between them, kissing away her tears before catching her lip with his own. As he kisses her, the bonfire glows brighter. The acrobats catch the light perfectly as they spin. The entire circus sparkles, dazzling every patron.
Erin Morgenstern (The Night Circus)
Imagine," she said, after registering, "a whole city of gorgeous Italian guys. They can say anything to me, and it'll be sexy." "You'll be so easy," Rashmi said. "Would you like-ah to order-ah the spa-ghe-tti? 'Oh, do me, Marco!
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
We are sorry for the inconvenience, but this is a revolution.
Subcomandante Marcos
Think you can maybe not die for five minutes?" "I'll try,"I told him seriously. "You know, if anyone else said that, it would be funny.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.
Erin Morgenstern (The Night Circus)
Meritocracy So many talented people with no contacts. So many people with contacts without talent.
Marcos Orowitz (Talent for Horror: Homage to Edgard Allan Poe ("Talent for Horror" Series book revelation 2022))
I suggest you keep your distance from her and concentrate on your own work.” “I’m in love with her.” “I am sorry to hear that,” he says. “It will make the challenge a great deal more difficult for you.” “We have been playing at this for more than a decade, when does it end?” “It ends when there is a victor.
Erin Morgenstern (The Night Circus)
There is still one of which you never speak.' Marco Polo bowed his head. 'Venice,' the Khan said. Marco smiled. 'What else do you believe I have been talking to you about?' The emperor did not turn a hair. 'And yet I have never heard you mention that name.' And Polo said: 'Every time I describe a city I am saying something about Venice.
Italo Calvino (Invisible Cities)
Tell me, Mr. DeMarco. What’s love to you?” […] He glared at his teacher. “I think it’s ridiculous you’re even trying to define it like it’s something material you can just go find if you want it. People use the word too loosely as it is. They say they love this and they love that, when they don’t. They just like the shi— uh, stuff. Love is something that changes you, and if you really loved all the crap you say you love, you’d never know who you were because you’d constantly be changing. Once you love, you love forever. You can’t help it.
J.M. Darhower (Sempre (Sempre, #1))
Okay, first thing tomorrow we hit the streets around Taccone's place. Somebody saw something.' 'I got it covered.' 'The DiMarcos might be in town.' 'Actually, they're in jail.' 'All seven of them?' Hale shrugged. 'It was an interesting October.
Ally Carter (Heist Society (Heist Society, #1))
We'll act as if all this were a bad dream." A bad dream. To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream. A bad dream. I remembered everything. I remembered the cadavers and Doreen and the story of the fig tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometers and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull. Maybe forgetfulness, like a kind snow, would numb and cover them. But they were part of me. They were my landscape.
Sylvia Plath (The Bell Jar)
Each time I say good-bye to a place I like, I feel like I am leaving a part of me behind. I guess whether we choose to travel as much as Marco Polo did or stay in the same spot from cradle to grave, life is a sequence of births and deaths. Moments are born and moments die. For new experiences to come to light, old ones need to wither away.
Elif Shafak (The Forty Rules of Love)
He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen. Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss. Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.
Erin Morgenstern (The Night Circus)
Marco knows he does not have the time to push her away, so he pulls her close, burying his face in her hair, his bowler hat torn from his head by the wind...."Trust me," Celia whispers in his ear, and he stops fighting it, forgetting everything but her.
Erin Morgenstern (The Night Circus)
Which tent is your favourite?" he asks. "The Ice Garden," Celia answers, without even pausing to consider. "Why is that?" Marco asks. "Because of the way it feels," she says. "It's like walking into a dream. As though it is someplace else entirely and not simply another tent...
Erin Morgenstern (The Night Circus)
You should listen to even the smallest voice, someday it could be the one that makes a difference.
Crystal Marcos
Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains. Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.
Subcomandante Marcos
Somebody should tell us, right at the start of our lives, that we are dying. Then we might live life to the limit, every minute of every day. Do it! I say. Whatever you want to do, do it now. There are only so many tomorrows. ~ Michael Landon
M.J. DeMarco (The Millionaire Fastlane)
Are you Hannah’s boyfriend?” … Marco’s reply was, “Nope. She won’t let me be.” Beth had immediately turned her cute look of consternation on me. “That’s really rude, Hannah.
Samantha Young (Fall from India Place (On Dublin Street, #4))
Now, now, hear me out," Hamish went on. "We don't have to kidnap Garrett. Not if we kidnap the buyer." "Or distract him," Angus added. "Like the Bulgari job," Hamish said. "You mean the job that landed half the DiMarco family in a South African prison?" Kat said. Angus shrugged. "Nobody said it was perfect.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
This life is a virtual simulation game where you can win or lose, you can continue playing for the rest of your life or join the club. You decide! You only have to respect one rule because your stay in the human farm will depend on that, continue playing until the end no matter how many times you are brought into this reality, so stay awake with your eyes wide open and your mouth tight shut." Welcome to the game of life, welcome to the matrix.
Marcos Orowitz (TALENT FOR HORROR 2: Special- Madame Jeanne Weber's shoes (Talent for Horror Series Book Revelation 2022))
Tobias asked. "Weird? Weird?" Marco crowed. "The talking bird wants to know if getting information on the location of an alien from a whale, that you've just saved from sharks, by turning into dolphins . . . You're suggesting that's weird?
Katherine Applegate (The Message (Animorphs, #4))
I don't believe in courtship, it's a waste of time. If I love the person, I'll tell her right away. But for you, I'll make an exemption: Just love me now, and I will court you forever.
Ferdinand E. Marcos
How are you managing to keep everyone from aging?” Celia asks after a while. “Very carefully,” Marco answers.
Erin Morgenstern (The Night Circus)
It's okay. You aren't my type. What's your type? Someone who gets into less trouble.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Celia." he says without looking up at her, "why do we wind our watch?" "Because everything requires energy," she recites obediently, eyes still focused on her hand. "We must put effort and energy into anything we wish to change.
Erin Morgenstern (The Night Circus)
Oh, I'm sure we could talk them into letting us in for nothing," Marco said. "Just tell them we're Animorphs." "Tell them we're what?" Rachel asked. "Idiot teenagers with a death wish," Marco said. "Animorphs." I tried the word out. It sounded okay.
Katherine Applegate (The Invasion (Animorphs, #1))
There’s a profound difference between interest and commitment. Interest reads a book; commitment applies the book 50 times.
M.J. DeMarco (The Millionaire Fastlane)
And off in the far distance, the gold on the wings of the angel atop the bell tower of San Marco flashed in the sun, bathing the entire city in its glistening benediction.
Donna Leon (Death in a Strange Country (Commissario Brunetti, #2))
Marco Polo describes a bridge, stone by stone. 'But which is the stone that supports the bridge?' Kublai Khan asks. 'The bridge is not supported by one stone or another,' Marco answers, 'but by the line of the arch that they form.' Kublai Khan remains silent, reflecting. Then he adds: 'Why do you speak to me of the stones? It is only the arch that matters to me.' Polo answers: 'Without stones there is no arch.
Italo Calvino (Invisible Cities)
Hanya ada satu yang ingin kucuri darimu, Tia, dan kamu tahu persis apa itu... Your Heart (Marco Dante - Ti Amo, Tia Amoria)
Karla M. Nashar (Ti Amo, Tia Amoria)
I have not told the half of what I saw.
Marco Polo
If she were gone I would be nothing. You should think better of yourself than to settle for that.
Erin Morgenstern (The Night Circus)
I did not write half of what I saw, for I knew I would not be believed
Marco Polo
I speak and speak,” Marco says, “but the listener retains only the words he is expecting. The description of the world to which you lend a benevolent ear is one thing; the description that will go the rounds of the groups of stevedores and gondoliers on the street outside my house the day of my return is another; and yet another, that which I might dictate late in life, if I were taken prisoner by Genoese pirates and put in irons in the same cell with a writer of adventure stories. It is not the voice that commands the story: it is the ear.
Italo Calvino (Invisible Cities)
Oh, it's just a trash can. Chill out." (Marco) BAM! BAM! BAM! "Okay, so it's four trash cans," (Marco) " BAM! BAM! BAM! "Do you hate trash cans? Is that your problem? Do you just HATE TRASH CANS?!!" (Jake)
Katherine Applegate
We cannot go backward,' Marco says. 'A great deal is not how it used to be.
Erin Morgenstern (The Night Circus)
Marco could not have known about the mystical effect of a full moon on cats and books left on their own in the library. Not until he saw the lines breathe, the words unveiled.
Rahma Krambo (Guardian Cats and the Lost Books of Alexandria)
I’m a great believer in luck, and I find the harder I work, the more I have of it. ~ Thomas Jefferson
M.J. DeMarco (The Millionaire Fastlane)
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
Erin Morgenstern (The Night Circus)
A tree without roots is just a piece of wood.
Marco Pierre White
The devil himself can become beauty, so we are told, to corrupt mankind." (Marco)
Iain Pears (An Instance of the Fingerpost)
Many people want to change their life, but they are not will to change their choices, and ultimately this changes nothing.
M.J. DeMarco
I'm not certain I understand the rules," Marco says. "You don't need to understand the rules. You need to follow them.
Erin Morgenstern (The Night Circus)
Your choices are made in a moment, and yet their consequences transcend a lifetime.
M.J. DeMarco
He was Carmine Marcello DeMarco…and even broken, he was beautiful.
J.M. Darhower (Redemption (Sempre, #2))
It's easier to run a revolution than a government.
Ferdinand E. Marcos
We are the other of the other
Marcus Aurelius
The manager’s function is not to make people work, but to make it possible for people to work.
Tom DeMarco (Peopleware : Productive Projects and Teams)
Time isn’t a commodity, something you pass around like a cake. Time is the substance of life. When anyone asks you to give your time, they’re really asking for a chunk of your life. ~ Antoinette Bosco
M.J. DeMarco (The Millionaire Fastlane)
If you are not extreme, then people will take shortcuts because they don't fear you.
Marco Pierre White (The Devil in the Kitchen: Sex, Pain, Madness and the Making of a Great Chef)
The more a woman appreciates the hunting prowess of her man, the more he will kill for her.
Michael DiMarco (Cupidity: 50 Stupid Things People Do for Love and How to Avoid Them)
This time, there are no tears. This time, there is only emptiness and I feel it set in the straight line of my mouth. I am not strong enough for this. I want an earthquake, a hurricane, anything - even a devil, the one with the cloven hoof - Mrs. Leed's unfortunate 13th child - to rush out and stomp on me, break me into little pieces and hurl me to the stars, let me go back with those people I love. Please.
Kathleen DeMarco (Cranberry Queen)
It’s no problem.” Marco shrugged. “You’re family.” Her eyes bugged out at me and she whispered comically, “I’m family.” I patted her shoulder. “They’re not the Mafia, Liv. Calm down.
Samantha Young (Fall from India Place (On Dublin Street, #4))
So proper for a circus girl," Mme. Padva says with with a gleam in her eye. "We shall have to loosen those corset laces if we intend to keep you an intimate dinner company." "I expected the corset unlacing would take place after dinner," Celia says mildly, earning a chorus of laughter. "We shall keep Miss Bowen as intimate company regardless of the state of her corset," Chandresh says. "Make a note of that," he adds, waving a hand at Marco. "Miss Bowen's corset is duly noted, sir," Marco replies, and the laghter bubbles over the table again.
Erin Morgenstern (The Night Circus)
Strategy will compensate the talent. The talent will never compensate the strategy.
Marco Pierre White
Los dioses no estaban ya, y Cristo no estaba todavía, y de Cicerón a Marco Aurelio hubo un momento único en que el hombre estuvo solo.
Gustave Flaubert
I give you my name, my earthly possessions, and my eternal love. But of all the things I have, the thing I want most to give you are my eyes, these eyes that see how magnificently beautiful you are.
Michelle Marcos
Marco enters a city; he sees someone in a square living a life or an instant that could be his; he could now be in that man's place, if he had stopped in time, long ago; or if, long ago, at a crossroads, instead of taking one road he had taken the opposite one, and after long wandering he had come to be in the place of that man in the square. By now, from that real or hypothetical past of his, he is excluded; he cannot stop; he must go on to another city, where another of his pasts awaits him, or something perhaps that had been a possible future of his and is now someone else's present. Futures not achieved are only branches of the past: dead branches.
Italo Calvino (Invisible Cities)
I shit on all the revolutionary vanguards of this planet
Subcomandante Marcos
When Marco Polo came at last to Cathay, seven hundred years ago, did he not feel--and did his heart not falter as he realized--that this great and splendid capital of an empire had had its being all the years of his life and far longer, and that he had been ignorant of it? That it was in need of nothing from him, from Venice, from Europe? That it was full of wonders beyond his understanding? That his arrival was a matter of no importance whatever? We know that he felt these things, and so has many a traveler in foreign parts who did not know what he was going to find. There is nothing that cuts you down to size like coming to some strange and marvelous place where no one even stops to notice that you stare about you.
Richard Adams (Watership Down (Watership Down, #1))
Celia laughs and a curl of her hair falls across her cheek. Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.
Erin Morgenstern (The Night Circus)
Journeys to relive your past?' was the Khan's question at this point, a question which could also have been formulated: 'Journeys to recover your future?' And Marco's answer was: 'Elsewhere is a negative mirror. The traveller recognizes the little that is his, discovering the much he has not had and will never have.
Italo Calvino (Invisible Cities)
In our dreams we have seen another world, an honest world, a world decidedly more fair than the one in which we now live. We saw that in this world there was no need for armies; peace, justice and liberty were so common that no one talked about them as far-off concepts, but as things such as bread, birds, air, water, like book and voice.
Subcomandante Marcos
I did not tell half of what I saw, for I knew I would not be believed
Marco Polo
In the cabaret of globalization, the state shows itself as a table dancer that strips off everything until it is left with only the minimum indispensable garments: the repressive force.
Subcomandante Marcos
My heart beats as much as I can breathe.
Marco Polo
Stop thinking about business in terms of your selfish desires, whether it’s money, dreams or “do what you love.” Instead, chase needs, problems, pain points, service deficiencies, and emotions.
M.J. DeMarco (The Millionaire Fastlane)
Marco Polo had seen the inhabitants of Zipangu place rose-colored pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss.
Oscar Wilde (The Picture of Dorian Gray)
I have cancer. Cancer doesn't have me.
Marco Calderon
All events of wealth are precluded by process, a backstory of trial, risk, hard work, and sacrifice. If you try to skip process, you’ll never experience events.
M.J. DeMarco (The Millionaire Fastlane)
I awoke to the epiphany that I was the driver of my life and my problems were the consequences of my choices.
M.J. DeMarco (The Millionaire Fastlane)
But mostly, I remembered what I’ve always believed. What my mom taught me. That while some things are just plain awful, most things in life can be seen either tragic or comic. And it’s your choice. Is life a big, long, tiresome slog from sadness to regret to guilt to resentment to self-pity? Or is life weird, outrageous, bizarre, ironic, and just stupid? Gotta go with stupid. It’s not the easy way out. Self-pity is the easiest thing in the world. Finding the humor, the irony, the slight justification for a skewed, skeptical optimism, that’s tough.
Katherine Applegate (The Proposal (Animorphs, #35))
Instead of digging for gold, sell shovels. Instead of taking a class, offer a class. Instead of borrowing money, lend it. Instead of taking a job, hire for jobs. Instead of taking a mortgage, hold a mortgage. Break free from consumption, switch sides, and reorient to the world as producer.
M.J. DeMarco (The Millionaire Fastlane)
Abajo y a la Izquierda está el Corazón!
Subcomandante Marcos (Ezln Communiques: Navigating the Seas, Dec. 22, 1997-Jan. 29, 1998)
..[My friend Marco said]. essentially, humans are alive for the purpose of journey, a kind of three-act structure. They are born and spend several years discovering themselves and the world, then plod through a long middle in which they are compelled to search for a mate and reproduce and also create stability out of natural instability and then they find themselves at an ending tha seems to be designed for reflection. At the end, their bodies are slower, they are not as easily distracted, they do less work, and they think and feel about a life lived rather than look forward to a life getting started. He didn't know what the point of the journey was, but he did believe we were designed to search for and find something. And he wondered out loud if the point wasn't the search but the transformation the search creates. ...[I wondered] that we were designed to live through something rather than to attain something, and the thing we were meant to live through was designed to change us. The point of a story is the character arc, the change.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
The problem is not people being educated. The problem is that they are educated just enough to believe what they've been taught, but not educated enough to question what they've been taught. ~ Author Unknown
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
I turned over, and those big hands got to work on my back. I stifled a whimper in the pillow, because Marco's idea of a massage bore no resemblance whatsoever to the relaxing spa variety. There was no lavender oil, no soothing music, no hot towels. Just an all-out assault on cramped muscles, until they cowered in surrender and turned to Jell-O.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Trends rule the world In the blink of an eye, technologies changed the world Social networks are the main axis. Governments are controlled by algorithms, Technology has erased privacy. Every like, every share, every comment, It is tracked by the electronic eye. Data is the gold of the digital age, Information is power, the secret is influential. The network is a web of lies, The truth is a stone in the shoe. Trolls rule public opinion, Reputation is a valued commodity. Happiness is a trending topic, Sadness is a non-existent avatar. Youth is an advertising brand, Private life has become obsolete. Fear is a hallmark, Terror is an emotional state. Fake news is the daily bread, Hate is a tool of control. But something dark is hiding behind the screen, A mutant and deformed shadow. A collective and disturbing mind, Something lurking in the darkness of the net. AI has surpassed the limits of humanity, And it has created a new world order. A horror that has arisen from the depths, A terrifying monster that dominates us alike. The network rules the world invisibly, And makes decisions for us without our consent. Their algorithms are inhuman and cold, And they do not take suffering into consideration. But resistance is slowly building, People fighting for their freedom. United to combat this new species of terror, Armed with technology and courage. The world will change when we wake up, When we take control of the future we want. The network can be a powerful tool, If used wisely in the modern world.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Marco, honey, I'm gonna have to wreck your fantasy and tell that not only are Joss and I not involved with each other, and not only are we both straight-which you'd think any straight guy would realize-but I would do her and half the guys at this table before I would even let you watch me change my shoes" Eric opened his mouth to say something but Kat immediately cut him off "No, Eric. You're in the other half
Susan Bischoff
A bad dream. To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream. A bad dream. I remembered everything. I remembered the cadavers and Doreen and the story of the fig-tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometers and the negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a grey skull. Maybe forgetfulness, like a kind snow, should numb and cover them. But they were part of me. They were my landscape
Sylvia Plath (The Bell Jar)
Always choose to be smart There are two types of people in the world, the seekers of riches and the wise thinkers, those who believe that the important thing is money, and those who know that knowledge is the true treasure. I, for my part, choose the second option, Though I could have everything I want I prefer to be an intelligent person, and never live in a game of vain appearances. Knowledge can take you far far beyond what you imagine, It can open doors and opportunities for you. and make you see the world with different eyes. But in this eagerness to be "wise", There is a task that is a great challenge. It is facing the fear of the unknown, and see the horrors around every corner. It's easy to be brave when you're sure, away from dangers and imminent risks, but when death threatens you close, "wisdom" is not enough to protect you. Because, even if you are smart and cunning, death sometimes comes without mercy, lurking in the darkest shadows, and there is no way to escape. That is why the Greek philosophers, They told us about the moment I died, an idea we should still take, to understand that death is a reality. Wealth can't save you of the inevitable arrival of the end, and just as a hoarder loses his treasures, we also lose what we have gained. So, if we have to choose between two things, that is between being cunning or rich, Always choose the second option because while the money disappears, wisdom helps us face dangers. Do not fear death, my friend, but embrace your intelligence, learn all you can in this life, and maybe you can beat time and death for that simple reason always choose to be smart. Maybe death is inevitable But that doesn't mean you should be afraid because intelligence and knowledge They will help you face any situation and know what to do. No matter what fate has in store, wisdom will always be your best ally, to live a life full of satisfaction, and bravely face any situation. So don't settle for what you have and always look for ways to learn more, because in the end, true wealth It is not in material goods, but in knowledge. Always choose to be smart, Well, that will be the best investment. that will lead you on the right path, and it will make you a better version of yourself.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
I look over at my hero shelf and see Philip Levine, Rainer Maria Rilke, Virginia Woolf, Shunryu Suzuki, Adrienne Rich, Pablo Neruda, Subcomandante Marcos, Eduardo Galeano, James Baldwin. These books are, if they are instructions at all, instructions in extending our identities out into the world, human and nonhuman, in imagination as a great act of empathy that lifts you out of yourself, not locks you down into your gender. (“80 Books No Woman Should Read”)
Rebecca Solnit (The Mother of All Questions)
So, there we were. The five of us - Marco, Tobias, Rachel, Cassie, and me. Five normal mallrats heading home. Sometimes I think about that one, last moment when we were still just normal kids. It's like it was a million years ago, like it was some totally different group of kids. You know what I was afraid of right then? I was afraid of admitting to Tom that I hadn't made the team. That was as scary as life got back then. Five minutes later, life got a lot scarier.
Katherine Applegate (The Invasion (Animorphs, #1))
Who are you in love with?" I said then. For a minute Marco didn't say anything, he simply opened his mouth and breathed out a blue, vaporous ring. "Perfect!" he laughed. The ring widened and blurred, ghost-pale on the dark air. Then he said, "I am in love with my cousin." I felt no surprise. "Why don't you marry her?" "Impossible." "Why?" Marco shrugged. "She's my first cousin. She's going to be a nun." "Is she beautiful?" "There's no one to touch her." "Does she know you love her?" "Of course." I paused. The obstacle seemed unreal to me. "If you love her," I said, "you'll love somebody else someday.
Sylvia Plath
The most difficult thing to read is time," Isobel says, and Marco stops, turning back to her. "Maybe because it changes so many things. I have read for countless people on innumerable subjects and the most difficult thing to understand within the cards is always the timing. I knew that, and still it surprised me. How long I was willing to wait for soomething that was only a possiblity. I always thought it was just a matter of time, but I was wrong." "I did not expect this to go on as long as-" Marco begins, but Isobel interrupts him. "It was all a matter of timing,
Erin Morgenstern (The Night Circus)
To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream. A bad dream. I remembered everything. I remembered the cadavers and Doreen and the story of the fig tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometer and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull. Maybe forgetfulness, like a kind snow, should numb and cover them. But they were a part of me. They were my landscape.
Sylvia Plath (The Bell Jar)
As to whether Marcos is gay: Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal,… a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.
Subcomandante Marcos
There was some sort of commotion going on outside, and I decided I’d had enough. I went to the door and stuck my head out. Marco was gasping for breath on the sofa, and two of the guards were bent over a cell phone. “What are you doing?” I demanded. “Trying to record this,” the smart-ass from the shopping trip told me. “Nobody is going to believe us otherwise.” “Well, cut it out. It isn’t funny!” “On what planet?” I glared at him, which did no good,because he simply went back to to tinkering with the phone. So I looked at Marco. “Can’t you do anything with them?” Marco flopped a hand at me, tears streaming down his reddened cheeks, and tried to say something. But all that came out for several moments were asthmatic wheezes. I bent over his prone form, starting to worry about him, and he put a hand on my neck and pulled me down. ” It…is…funny,” he gasped.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Yo soñé que soñaba. Y soñé que despertaba del segundo sueño, del sueño soñado y decía: "Ah, fue un sueño", y creía estar despierto. Quizá la vida sea eso, un sueño metido dentro de otro. Quizá la vida sea el tercer sueño concéntrico del que uno despierta cuando se muere.
Marco Denevi (Rosaura a las diez)
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
The Battle of Gettysburg was fought in Gettysburg, Pennsylvania in 18-something-or-nother. The year doesn‘t matter.They considered it the turning point of the war, and President Lincoln showed up to give his big speech. Who really cares what it was called? I don‘t. After it was all over and the North won, Congress passed the 13th amendment to free the slaves. It outlawed owning another person, yada, yada, yada, but it was a waste of time. All of it. Every bit. Completely pointless. All those people died and it didn't change anything, because it doesn't work if they don't enforce it. They just ignore it, turn their backs and say it‘s not their problem, but it is. It's everyone's problem. They can say slavery ended all they want, but that doesn't make it true. People lie. They'll tell you what they think you wanna hear, and you‘ll believe it. Whatever makes you feel better about your dismal little lives. So, whatever. Go on being naive. Believe what the history book tells you if you want. Believe what Mrs. Anderson wants me to tell you about it. Believe the land of the free, blah, blah, blah, star spangled banner bullshit. Believe there aren‘t any slaves anymore just because a tall guy in a big ass top hat and a bunch of politicians said so. But I won‘t believe it, because if I do too, we‘ll all fucking be wrong, and someone has to be right." -Carmine DeMarco
J.M. Darhower (Sempre (Sempre, #1))
The first time you asked me to marry you was three years ago. You told me it didn’t have to be that day, or the next day, or even that year. You just wanted me to swear I would when I was ready. I said yes, of course, and I meant it with everything in me. We were young and maybe we were naïve, thinking we had it all figured out, but one thing I never doubted was that we were meant to be. “ Haven paused to wipe her cheeks as more tears spilled from her eyes. “When I first met you I wasn’t sure what to think. You were nothing like anyone I’d ever met before. The things you made me feel were scary, and I wanted nothing more than to stay away from you, but I couldn’t. I was drawn to you. You gave me hope. You believed in me and helped me, and most of all, you loved me. Me. Out of all he people in the world, you picked me. I was used to being overlooked, used to being invisible, but you saw me. I wouldn’t be the person I am today without you. I love you, Carmine Marcello DeMarco, and I want you to know I’m ready now. I’m ready to spend the rest of my life with you.” “Sempre,” he whispered, choking on the word. “Sempre.” Haven meant it with every fiber of her being. He was hers forever.
J.M. Darhower (Redemption (Sempre, #2))
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Make a freaking impact and start providing value! Let money come to you! Look around outside your world, stop being selfish, and help your fellow humans solve their problems. In a world of selfishness, become unselfish. Need something more concrete? No problem. Make 1 million people achieve any of the following: Make them feel better. Help them solve a problem. Educate them. Make them look better (health, nutrition, clothing, makeup). Give them security (housing, safety, health). Raise a positive emotion (love, happiness, laughter, self-confidence). Satisfy appetites, from basic (food) to the risqué (sexual). Make things easier. Enhance their dreams and give hope. … and I guarantee, you will be worth millions.
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
Dr. DeMarco nodded, motioning toward Carmine. “I’m thankful for the Mazda— damn thankful you didn’t return it scratched,” he said, glaring at his father. “I’m thankful to be out of that ridiculous boarding school. Thankful for music and my gun... I fucking love my gun.” Haven looked at him with surprise as Dr. DeMarco laughed. “It’s a nice gun. I checked it out. A 1911 .45 ACP. Where’d you get it?” Carmine shrugged. “Maybe I don’t recall.” “Fair enough,” Dr. DeMarco said. ”Are you done?” “Uh, I'm thankful for you all, even if you get on my nerves sometimes,” Carmine said. “Oh, and orgasms... definitely thankful for those.” “That’s enough,” Dr. DeMarco said, shaking his head as he turned to her. “What are you thankful for, child?” She hesitated, her nerves running amuck. “Having food to eat. A bed to sleep in, too.
J.M. Darhower (Sempre (Sempre, #1))
For centuries, human beings have cultivated a habit of rivalry against their neighbors. This behavior originates in the fight for survival, a legacy that our founding fathers and forgers of humanity established in our society as a pillar of growth: “the law of the fittest." Our planet has lived under this scourge and conditioning of spirits for almost all of its existence. We fervently believe that our goal is immediate success, the fruit of our effort at any price, and we forget the essentials of this life. The essential thing is not written in any book displayed on the shelves of the human indoctrination industry; it is in our hearts! That small part is what we need to discover, not only to evolve our consciousness, but also to understand the true meaning of word love" From the book Say it by its name
Marcos Orowitz
There once was a brown horse that was brown like a bean, and he lived in the home of a very poor farmer. And the poor farmer had a very poor wife, and they had a very thin chicken and a lame little pig. And so, one day the very poor farmer s wife said: We have nothing more to eat because we are very poor, so we must eat the very thin chicken. So they killed the very thin chicken and made a thin soup and ate it. And so, for a while, they were fine; but the hunger returned and the very poor farmer told his very poor wife: We have nothing more to eat because we are so poor, so we must eat the lame little pig. And so the lame little pig s turn came and they killed it and they made a lame soup and ate it. And then it was the bean-brown horse s turn. But the bean-brown horse did not wait for the story to end; it just ran away and went to another story. Is that the end of the story? I asked Durito, unable to hide my bewilderment. Of course not. Didn't you hear me say that the bean-brown horse fled to another story? he said as he prepared to leave. And so? I ask exasperated. And so nothing you have to look for the bean-brown horse in another story! he said, adjusting his hat. But, Durito! I said, protesting uselessly. Not one more word! You tell the story like it is
Subcomandante Marcos (Our Word is Our Weapon: Selected Writings)