“
He asked, 'Croesus, who told you to attack my land and meet me as an enemy instead of a friend?'
The King replied, 'It was caused by your good fate and my bad fate. It was the fault of the Greek gods, who with their arrogance, encouraged me to march onto your lands. Nobody is mad enough to choose war whilst there is peace. During times of peace, the sons bury their fathers, but in war it is the fathers who send their sons to the grave.
”
”
Herodotus (The Histories)
“
Mad Hatter: Would you like a little more tea?
Alice: Well, I haven't had any yet, so I can't very well take more.
March Hare: Ah, you mean you can't very well take less.
Mad Hatter: Yes. You can always take more than nothing.
”
”
Lewis Carroll (Alice in Wonderland)
“
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad.
The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them.
When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication.
In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country?
The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
”
”
Paulo Coelho (Veronika Decides to Die)
“
We would not be ashamed of doing some of the things we do in private, if the number of sane human beings who do them in public were large enough.
”
”
Mokokoma Mokhonoana
“
It was a good speech, but the reaction was due to the fact that politics are madness, and even if one does not know it, a country in electoral season experiences flares of lunacy like the great storms that sometimes march across the golden surface of the sun.
”
”
Mark Helprin (Freddy and Fredericka)
“
You will lead, you will strike up the march of the future, boys will swear by your name, and thanks to your madness they will no longer need to be mad.
”
”
Thomas Mann (Doctor Faustus)
“
The problem with Ted isn’t that he’s humorless. It isn’t even his truly reprehensible far-right politics. No, the problem with Ted—and the reason so many senators have a problem with Ted—is simply that he is an absolutely toxic coworker. He’s the guy in your office who snitches to corporate about your March Madness pool and microwaves fish in the office kitchen. He is the Dwight Schrute of the Senate. In
”
”
Al Franken (Al Franken, Giant of the Senate)
“
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid.
Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge.
Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year?
It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to.
Now that part, more than ever.
It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year.
It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one.
Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
”
”
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
“
Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added, looking angrily at the March Hare. "It was the best butter," the March Hare meekly replied.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Cheshire Cat: If I were looking for a white rabbit, I'd ask the Mad Hatter.
Alice: The Mad Hatter? Oh, no no no...
Cheshire Cat: Or, you could ask the March Hare, in that direction.
Alice: Oh, thank you. I think I'll see him...
Cheshire Cat: Of course, he's mad, too.
Alice: But I don't want to go among mad people.
Cheshire Cat: Oh, you can't help that. Most everyone's mad here.
[laughs maniacally; starts to disappear]
Cheshire Cat: You may have noticed that I'm not all there myself.
”
”
Lewis Carroll
“
As I head inside, I get smacked with the scent of industrial cleanser mixed with Axe body spray. I hear the shouts of voices—mostly boys’ voices because nice girls don’t shout—and catch words like March Madness and dumb bitch and she’s so hot.
”
”
Jennifer Mathieu (Moxie)
“
Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession.
Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra.
It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.
Salve! ye dumb hearts. Let us be still and wait by the roadside.
”
”
Kate Chopin (The Awakening)
“
Love as education is one of the great powers of the world, but it hangs in a delicate suspension; it achieves its harmony as seldom as does love by the senses. Frustrated, it creates even greater havoc, for like all love it is a madness.
”
”
Thornton Wilder (The Ides of March)
“
Listen to this,” said Maddie. “Cerise Hood. Cedar Wood. Cerise Hood. Cedar Wood. Cedar, you and Cerise have to be friends or your names will get mad and just march right off you!
”
”
Shannon Hale (The Storybook of Legends (Ever After High, #1))
“
Playing off the NCAA basketball tournament’s “March Madness” theme, Mr. Lemoncello declared the first Saturday in March “Library Lunacy Day.
”
”
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
“
In comparison with the Genesis myth, the modern myth in which humanity is marching to a better future is mere superstition. As the Genesis story teaches, knowledge cannot save us from ourselves. If we know more than before, it means only that we have greater scope to enact our madness. But – as the Genesis myth also teaches – there is no way we can rid ourselves of what we know . . . The message of Genesis is that in the most vital areas of human life there can be no progress, only an unending struggle with our nature.
”
”
John Gray (The Silence of Animals: On Progress and Other Modern Myths)
“
The president’s title as proposed by the senate was the most superlatively ridiculous thing I ever heard of. It is a proof the more of the justice of the character given by Doctr. Franklin of my friend [John Adams]: ‘Always an honest man, often a great one, but sometimes absolutely mad'.
”
”
Thomas Jefferson (The Papers of Thomas Jefferson, Vol. 15: March 1789 to November 1798 (The Papers of Thomas Jefferson, 15))
“
New Rule: While you're telling me how your March Madness bracket is doing, you must also fill me in on your vacation and show me pictures of your kids. That way, I can not give a shit all at once.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
By now it's March, and it's too late to start another new year's resolution: you'll simply have to wait until December 31st again. Everybody knows you can't start something new in March. That would be ridiculous. Similar to starting a diet on a Thursday. Madness. (All diets start on a Monday, as on the Thursday before you start you have to eat everything out of your fridge and cupboards for the following Monday. It's a marvellous system.)
”
”
Miranda Hart (Is It Just Me?)
“
It was a bright spring morning, full of promise. Most travelers are familiar with this kind of weather- when the wind blows westward and warm but the ground still chills the soles of your feet, when the tree buds have begun to unfurl and scent the air with secret springtime madness- and they know those days are made for leaving.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
As I speak, blood is coursing through our bodies. As it moves away from the heart it marches to a 2/4 or 4/4 beat and it's arterial blood, reoxygenated, assertive, active, progressive, optimistic. When it reaches our extremities and turns home--the heart--well, it's nostalgic, venous blood (as in veins), it's tired, wavelike, rising and falling, fighting against gravity and inertia, and it moves to the beat of a waltz, a 3/4 beat, a little homesick now, and full of longing.
”
”
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
“
Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on.
'Would you tell me, please, which way I ought to go from here?'
'That depends a good deal on where you want to get to,' said the Cat.
'I don't much care where—' said Alice.
'Then it doesn't matter which way you go,' said the Cat.
'—so long as I get SOMEWHERE,' Alice added as an explanation.
'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.”
Alice felt that this could not be denied, so she tried another question. `What sort of people live about here?'
`In that direction,' the Cat said, waving its right paw round, `lives a Hatter: and in that direction,' waving the other paw, `lives a March Hare. Visit either you like: they're both mad.'
`But I don't want to go among mad people,' Alice remarked.
`Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.'
`How do you know I'm mad?' said Alice.
`You must be,' said the Cat, `or you wouldn't have come here.
”
”
Lewis Carroll (Alice's Adventures in Wonderland)
“
Imagine this:
Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom.
Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors.
Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers.
Imagine this:
Persephone goes adventuring with weapons hidden under her dress.
Persephone climbs into the gaping chasm.
Or, Persephone uses her hands to carve a hole down to hell.
In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips.
Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red.
In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making.
In all of them, it is widely known that the name Persephone means Bringer of Destruction.
Imagine this:
Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt.
Medusa rights the wrongs that have been done to her.
Eurydice breaks every muscle in her arms climbing out of the land of the dead.
Imagine this:
Girls are allowed to think dark thoughts, and be dark things.
Imagine this:
Instead of the dragon, it’s the princess with claws and fiery breath
who smashes her way from the confines of her castle
and swallows men whole.
”
”
theappleppielifestyle
“
Of course! Easily or not at all. People were mad to be knocking themselves out over difficulties because they thought difficulty was a sign of the right thing.
”
”
Saul Bellow (The Adventures Of Augie March)
“
it's hard to march purposefully, or in any other way, when your thighs are screaming like Richard Simmons in a candy store- good God, stop the madness.
”
”
P.C. Cast (Divine By Mistake (Partholon, #1))
“
In that direction... lives a Hatter, and in that direction... lives a March Hare. Visit either you like: they’re both mad.
”
”
Lewis Carroll (-Alice's Adventures in Wonderland)
“
Everyone was trying to forget something, but they could never seem to find the way to do it. All they ever seemed to do was make it worse. Such quiet madness, the masses led.
”
”
Chris Galford (The Hollow March)
“
And now into the space of a few hours he had crammed enough variegated lunacy to equip all the March Hares in England and leave some over for the Mad Hatters.
”
”
P.G. Wodehouse (Summer Lightning)
“
Whatever happens out there, it won’t be like the Long War. What sort of madness might that be? To wind up a battalion of living things and march them at one another, as if that might win a war?
”
”
Robert Dinsdale (The Toymakers)
“
The awful reality was that upcoming events like St. Patrick’s Day and March Madness (Memphis was in the 2009 tournament and was a regional site) offered a greater likelihood of getting a donor because the drinking causes a spike in car accidents.
”
”
Walter Isaacson (Steve Jobs)
“
I may have been pitting seemingly conflicting things he’s said—You and I won’t be having sex; The girl I liked; Really beautiful; It’ll go away—against each other in a March Madness–like bracket, trying to figure out how exactly he feels about me.
”
”
Ali Hazelwood (Love, Theoretically)
“
All I’m trying to say is, be kind to yourself. This one life is all we’ve got, and we all make mistakes along the way. Do things we oughtn’t, fail to do those we should. See those moments for what they were. Learn from them what you can. And then stand up a little taller and keep marching forward. In the end it’s how we keep going that matters. The world won’t remember our falls unless we never pick ourselves up.
”
”
J. Leigh Bralick (A Dark So Deep (The Madness Method #2))
“
Song of myself
Now I will do nothing but listen,
To accrue what I hear into this song, to let sounds contribute toward it.
I hear bravuras of birds, bustle of growing wheat, gossip of flames,
clack of sticks cooking my meals,
I hear the sound I love, the sound of the human voice,
I hear all sounds running together, combined, fused or following,
Sounds of the city and sounds out of the city, sounds of the day and night,
Talkative young ones to those that like them, the loud laugh of
work-people at their meals,
The angry base of disjointed friendship, the faint tones of the sick,
The judge with hands tight to the desk, his pallid lips pronouncing
a death-sentence,
The heave'e'yo of stevedores unlading ships by the wharves, the
refrain of the anchor-lifters,
The ring of alarm-bells, the cry of fire, the whirr of swift-streaking
engines and hose-carts with premonitory tinkles and color'd lights,
The steam-whistle, the solid roll of the train of approaching cars,
The slow march play'd at the head of the association marching two and two,
(They go to guard some corpse, the flag-tops are draped with black muslin.)
I hear the violoncello, ('tis the young man's heart's complaint,)
I hear the key'd cornet, it glides quickly in through my ears,
It shakes mad-sweet pangs through my belly and breast.
I hear the chorus, it is a grand opera,
Ah this indeed is music--this suits me.
”
”
Walt Whitman
“
Of course Tucker Crowe was in pain when he made [the record], but he couldn't just march into a recording studio and start howling. He'd have sounded mad and pathetic. He had to calm the rage, tame it and shape it so that it could be contained in the tight-fitting songs. Then he had to dress it up so that it sounded more like itself.
”
”
Nick Hornby (Juliet, Naked)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
The Women’s March on January 21, 2017 was the biggest one-day political protest in this country’s history, and it was staged by angry women.
”
”
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
“
I've had enough of it already. Shining armour. Dawn parades. Forced marches. Midnight inspections. Penalties for sloppy salutes, uncombed crests, talking after lights out. The man's mad.
”
”
David Gemmell (Legend (The Drenai Saga, #1))
“
The march took Addy past her old apartment building, the place where she had lived with Marco for two years. The top few stories had fallen, including their apartment. Marauder webs coated the rest, and the aliens were scuttling across them. It had been a difficult two years, living in that cage, watching Marco spiral into the depression and madness of shell shock. But Addy missed those days now.
”
”
Daniel Arenson (Earth Shadows (Earthrise, #5))
“
She said, The world is stretched thin, Eragon. Soon it will snap and madness will burst forth. What you feel is what we dragons feel and what the elves feel—the inexorable march of grim fate as the end of our age approaches. Weep for those who will die in the chaos that shall consume Alagaësia. And hope that we may win a brighter future by the strength of your sword and shield and my fangs and talons.
”
”
Christopher Paolini (Eldest (Inheritance, #2))
“
He saw the sickness of the world and of his own country during the years after the great war; he saw hatred and suspicion become a kind of madness that swept across the land like a swift plague; he saw young men go again to war, marching eagerly to a senseless doom, as if in the echo of a nightmare. And the pity and sadness he felt were so old, so much a part of his age, that he seemed to himself nearly untouched.
”
”
John Williams (Stoner)
“
Look around you. Your world-hosts are all in mutiny, in confusion, destitution; on the eve of fiery wreck and madness! They will not march farther for you, on the sixpence a day and supply-demand principle; they will not; nor ought they, nor can they. Ye shall reduce them to order, begin reducing them. to order, to just subordination; noble loyalty in return for noble guidance. Their souls are driven nigh mad; let yours be sane and ever saner.
”
”
Thomas Carlyle (Past and Present)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
At our annual March Madness Mario Kart Tournament---along with the twins and Javy, Maggie and Juliet---when Lou's Toadette nearly upset the top-seeded Yoshi in the second round but got blasted by a blue shell right before the finish line, and Lou started swearing and couldn't stop. Farfar couldn't stop grinning, his hands folded behind his head, the rest of us crying from laughter.
(I was in seventh grade when I realized March Madness had anything do with basketball.)
”
”
Jared Reck (Donuts and Other Proclamations of Love)
“
Because nobody anyhow can show what he is without a sense of exposure and shame, and can’t care while preoccupied with this but must appear better and stronger than anyone else, mad! And meantime feels no real strength in himself, cheats and gets cheated, relies on cheating but believes abnormally in the strength of the strong. All this time nothing genuine is allowed to appear and nobody knows what’s real. And that’s disfigured, degenerate, dark mankind—mere humanity. But
”
”
Saul Bellow (The Adventures Of Augie March)
“
When I think of the men who were my teachers, I realize that most of them were slightly mad. The men who could be regarded as good teachers were exceptional. It’s tragic to think that such people have the power to bar a young man’s way.—March 3, 1942.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
He was in the hospital from the middle of Lent till after Easter. When he was better, he remembered the dreams he had had while he was feverish and delirious. He dreamt that the whole world was condemned to a terrible new strange plague that had come to Europe from the depths of Asia. All were to be destroyed except a very few chosen. Some new sorts of microbes were attacking the bodies of men, but these microbes were endowed with intelligence and will. Men attacked by them became at once mad and furious. But never had men considered themselves so intellectual and so completely in possession of the truth as these sufferers, never had they considered their decisions, their scientific conclusions, their moral convictions so infallible. Whole villages, whole towns and peoples went mad from the infection. All were excited and did not understand one another. Each thought that he alone had the truth and was wretched looking at the others, beat himself on the breast, wept, and wrung his hands. They did not know how to judge and could not agree what to consider evil and what good; they did not know whom to blame, whom to justify. Men killed each other in a sort of senseless spite. They gathered together in armies against one another, but even on the march the armies would begin attacking each other, the ranks would be broken and the soldiers would fall on each other, stabbing and cutting, biting and devouring each other. The alarm bell was ringing all day long in the towns; men rushed together, but why they were summoned and who was summoning them no one knew. The most ordinary trades were abandoned, because everyone proposed his own ideas, his own improvements, and they could not agree. The land too was abandoned. Men met in groups, agreed on something, swore to keep together, but at once began on something quite different from what they had proposed. They accused one another, fought and killed each other. There were conflagrations and famine. All men and all things were involved in destruction. The plague spread and moved further and further. Only a few men could be saved in the whole world. They were a pure chosen people, destined to found a new race and a new life, to renew and purify the earth, but no one had seen these men, no one had heard their words and their voices.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
I leant against my Tree and looked at the wreckage of my Tea Shack. ‘The world’s gone mad,’ I said. ‘Again.’ ‘And it will right itself,’ said my Tree. ‘Again. Don’t grieve too much. It was only a photograph. You will see her before you die.’ Something in the wreckage gave way, and the roof thumped down. ‘I live here quietly, minding my own business. I don’t bother anybody. Why are men forever marching up the path to destroy my Tea Shack? Why do events have this life of their own?’ ‘That,’ answered my Tree, ‘is a very good question.
”
”
David Mitchell (Ghostwritten)
“
With a cold barren weariness that quenched the dry glow of anger, he thought, What can you do about these people? The terrible thing is, there are such a lot of them. There are so many, they expect to meet each other wherever they go.
Not wicked, he thought: that’s not the word, that’s sentimentality. These are just runts. Souls with congenitally short necks and receding brows. They don’t sin in the sight of heaven and feel despair: they only throw away lighted cigarettes on Exmoor, and go on holiday leaving the cat to starve, and drive on after accidents without stopping. A wicked man nowadays can set millions of them in motion, and when he’s gone howling mad from looking at his own face, they’ll be marching still with their mouths open and their hands hanging by their knees, on and on and on. …
”
”
Mary Renault
“
that the way you manage?' Alice asked. The Hatter shook his head mournfully. 'Not I!' he replied. 'We quarrelled last March--just before he went mad, you know--' (pointing with his tea spoon at the March Hare,) '--it was at the great concert given by the Queen of Hearts, and
”
”
Lewis Carroll (Alice's Adventures in Wonderland)
“
A bottle that reads, "Drink me." A tea party, with a dormouse, a March Hare, and of course, one Mad Hatter. A red queen, with as much a fondness for tarts as for saying, "Off with their heads!" When we think of Alice and her adventures in wonderland, we often think of these amazing (and amusing) elements. Although today, your vision of Alice in Wonderland probably includes Johnny Depp and a certain visual aesthetic by Tim Burton, it's difficult not to think of the Alice stories without thinking about the food that appears within the pages of the story.
”
”
Lewis Carroll (Alice's Adventures in Wonderland)
“
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?”
Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana?
“I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad.
“The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them.
“When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication.
“In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
“And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country?
“The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.”
Veronika laughed.
“You don’t seem crazy at all,” she said.
“But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?”
“People who have all drunk from the same well.”
“Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
”
”
Paulo Coelho (Veronika Decides to Die)
“
A person frequently writes in order to escape madness and crushing despondency by culling moral lesson and healing growth serum from personal experiences. Akin to riders on a storm, and a dog without a bone, we only come to understand our limits by enduring suffering. Only by deliberately confronting the essential facts of life does a person come to understand humanity. Without suffering the full brunt of love, sorrow, pain, illness, death, and accepting the relentless march of time a person never comes to know anything at all regarding the wonderful mystery of life.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Albion Park on a fierce spring morning. A mad March day of ice and fire. Thomas's feet beat a tattoo on the path. Every hair, every bristle on his chin stands on end. He is a small star-ship of blazing neurons- He is a librarian on his way to work, half-blind with sun and cold and memory.
”
”
Maggie Gee
“
He saw the sickness of the world and of his own country, during the years after the great war; he saw hatred and suspicion become a kind of madness that swept across the land like a swift plague; he saw young men go again to war marching eagerly to a senseless doom, as if in the echo of a nightmare. STONER
”
”
John Williams (Stoner)
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
No, No and No. I'm not desperate unlike what you think. I'm not like the madding crowd. I'm a different breed of woman. The sort of woman who's unstoppable once she's set her mind onto something. I march to the beat of my own drum like a free-spirit and I know exactly what I want out of life. So get it out of your head honey.
”
”
Anne Bancroft
“
It’s okay to be mad and sad, and it’s okay if you want to march up to that boy on Monday and punch him in the face. It’s okay if you choose to forgive him later, and it’s okay if you don’t. Just don’t let yourself fall into the trap of thinking that any of this means you aren’t enough, because you are. He’s just not ready to deserve you.
”
”
Ginger Scott (The Hail Mary (Waiting on the Sidelines, #3))
“
What sort of people live about here?
- In THAT direction lives, lives a Hatter and in THAT direction, lives a March Hare. Visit either you like: they're both mad.
- But I don't want to go among mad people.
- Oh, you can't help that, we're all mad here. I'm mad. You're mad.
- How do you know I'm mad?
- You must be, or you wouldn't have come here.
”
”
Lewis Carroll
“
When one is much alone one’s vision becomes more extensive; from the tide-wrack rubbish-heap of small bones and dry, crumpled wings, relics of lesser lives, rise images the brighter for being unconfined by the physical eye. From some feathered mummy, stained and thin, soars the spinning lapwing in the white March morning; in the surface crust of rotting weed, where the foot explodes a whirring puff of flies, the withered fins and scales hold still, intrinsically, the sway and dart of glittering shoals among the tide-swung sea-tangle; smothered by the mad parabolic energy of leaping sand-hoppers the broken antlers of a stag re-form and move again high in the bare, stony corries and the October moonlight.
”
”
Gavin Maxwell (Ring of Bright Water)
“
To fill the days up of his dateless year
Flame from Queen Helen to Queen Guenevere?
For first of all the sphery signs whereby
Love severs light from darkness, and most high,
In the white front of January there glows
The rose-red sign of Helen like a rose:
And gold-eyed as the shore-flower shelterless
Whereon the sharp-breathed sea blows bitterness,
A storm-star that the seafarers of love
Strain their wind-wearied eyes for glimpses of,
Shoots keen through February's grey frost and damp
The lamplike star of Hero for a lamp;
The star that Marlowe sang into our skies
With mouth of gold, and morning in his eyes;
And in clear March across the rough blue sea
The signal sapphire of Alcyone
Makes bright the blown bross of the wind-foot year;
And shining like a sunbeam-smitten tear
Full ere it fall, the fair next sign in sight
Burns opal-wise with April-coloured light
When air is quick with song and rain and flame,
My birth-month star that in love's heaven hath name
Iseult, a light of blossom and beam and shower,
My singing sign that makes the song-tree flower;
Next like a pale and burning pearl beyond
The rose-white sphere of flower-named Rosamond
Signs the sweet head of Maytime; and for June
Flares like an angered and storm-reddening moon
Her signal sphere, whose Carthaginian pyre
Shadowed her traitor's flying sail with fire;
Next, glittering as the wine-bright jacinth-stone,
A star south-risen that first to music shone,
The keen girl-star of golden Juliet bears
Light northward to the month whose forehead wears
Her name for flower upon it, and his trees
Mix their deep English song with Veronese;
And like an awful sovereign chrysolite
Burning, the supreme fire that blinds the night,
The hot gold head of Venus kissed by Mars,
A sun-flower among small sphered flowers of stars,
The light of Cleopatra fills and burns
The hollow of heaven whence ardent August yearns;
And fixed and shining as the sister-shed
Sweet tears for Phaethon disorbed and dead,
The pale bright autumn's amber-coloured sphere,
That through September sees the saddening year
As love sees change through sorrow, hath to name
Francesca's; and the star that watches flame
The embers of the harvest overgone
Is Thisbe's, slain of love in Babylon,
Set in the golden girdle of sweet signs
A blood-bright ruby; last save one light shines
An eastern wonder of sphery chrysopras,
The star that made men mad, Angelica's;
And latest named and lordliest, with a sound
Of swords and harps in heaven that ring it round,
Last love-light and last love-song of the year's,
Gleams like a glorious emerald Guenevere's.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
The world is stretched thin, Eragon. Soon it will snap and madness will burst forth. What you feel is what we dragons feel and what the elves feel—the inexorable march of grim fate as the end of our age approaches. Weep for those who will die in the chaos that shall consume Alagaësia. And hope that we may win a brighter future by the strength of your sword and shield and my fangs and talons.
”
”
Christopher Paolini
“
March 1st—our February 28th according to the International Date Line—the earthquake and storm had come. From Dunedin the Alert and her noisome crew had darted eagerly forth as if imperiously summoned, and on the other side of the earth poets and artists had begun to dream of a strange, dank Cyclopean city whilst a young sculptor had moulded in his sleep the form of the dreaded Cthulhu. March 23d the crew of the Emma landed on an unknown island and left six men dead; and on that date the dreams of sensitive men assumed a heightened vividness and darkened with dread of a giant monster’s malign pursuit, whilst an architect had gone mad and a sculptor had lapsed suddenly into delirium! And what of this storm of April 2nd—the date on which all dreams of the dank city ceased, and Wilcox emerged unharmed from the bondage of strange fever? What of all this—and of those hints of old Castro about the sunken, star-born Old Ones and their coming reign; their faithful cult and their mastery of dreams? Was I tottering on the brink of cosmic horrors beyond man’s power to bear? If so, they must be horrors of the mind alone, for in some way the second of April had put a stop to whatever monstrous menace had begun its siege of mankind’s soul.
”
”
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
“
When we have traversed it, and look back from Albano, its dark, undulating surface lies below us like a stagnant lake, or like a broad, dull Lethe flowing round the walls of Rome, and separating it from all the world! How often have the Legions, in triumphant march, gone glittering across that purple waste, so silent and unpeopled now! How often has the train of captives looked, with sinking hearts, upon the distant city, and beheld its population pouring out, to hail the return of their conqueror! What riot, sensuality and murder, have run mad in the vast palaces now heaps of brick and shattered marble! What glare of fires, and roar of popular tumult, and wail of pestilence and famine, have come sweeping over the wild plain where nothing is now heard but the wind, and where the solitary lizards gambol unmolested in the sun!
”
”
Charles Dickens (Pictures from Italy)
“
I still suffer hate and pain in my heart every time I see the word "Duke" on a TV screen, and that rotten Thing happened nine years ago when that Swine Christian Laettner hit that impossible last-second shot against Kentucky. I still have a Memory Block about it -- but as I recall it was in the East Regional final that is still known as "the Best basketball game ever played." Geez, it Was and remains the Worst Shock I've experienced in my Life.
”
”
Hunter S. Thompson (Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness: Modern History from the ESPN.com Sports Desk)
“
Exactly. And how did they drive people mad? They turned up the volume of the inner monologue, magnified qualities already present to great excess, made people so much themselves that they couldn’t stand it. “And how can we lose this maddening self, lose it entirely? Love? Yes, but as old Cephalus once heard Sophocles say, the least of us know that love is a cruel and terrible master. One loses oneself for the sake of the other, but in doing so becomes enslaved and miserable to the most capricious of all the gods. War? One can lose oneself in the joy of battle, in fighting for a glorious cause, but there are not a great many glorious causes for which to fight these days.” He laughed. “Though after all your Xenophon and Thucydides I dare say there are not many young people better versed in military tactics. I’m sure, if you wanted to, you’d be quite capable of marching on Hampden town and taking it over by yourselves.
”
”
Donna Tartt (The Secret History)
“
Will you come and tell me when the music ends When the musicians are swallowed in flames Every instrument blackening and crumbling to ash When the dancers stumble and sprawl their diseased limbs rotting off and twitching the skin sloughing away Will you come and tell me when the music ends When the stars we pushed into the sky loose their roars And the clouds we built into visible rage do now explode When the bright princes of privilege march past with dead smiles falling from their faces a host of deceiving masks Will you come and tell me when the music ends When reason sinks into the morass of superstition Waging a war of ten thousand armies stung to the lash When we stop looking up even as we begin our mad running into stupidity’s nothingness with heavenly choirs screaming Will you come and tell me when the music ends When the musicians are no more than black grinning sticks Every instrument wailing its frantic death cry down the road When the ones left standing have had their mouths cut off leaving holes from which a charnel wind eternally blows
”
”
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
“
On Friday, March 28, the writer Virginia Woolf, her depression worsened by the war and the destruction of both her house in Bloomsbury and her subsequent residence, composed a note to her husband, Leonard, and left it for him at their country home in East Sussex. “Dearest,” she wrote, “I feel certain that I am going mad again. I feel we can’t go through another of those terrible times. And I shan’t recover this time. I begin to hear voices, and I can’t concentrate. So I am doing what seems the best thing to do.” Her hat and cane were found on a bank of the nearby River Ouse.
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
If our democracy worked as it should, we would elect wise women and men who made laws for the good of the people and enforced those laws.
That, though, is not the way things work. Greedy, power–mad billionaires spend money so that politicians such as George W. Bush can buy elections. Corrupt corporations such as Enron defraud old ladies and commit crimes. And they get away with it. They get away with it because most of us are so afraid of losing the security of our nice, normal lives that we are not willing to risk anything about those lives. We are either afraid to fight or we don’t know how. Or we believe that bad things won’t happen to us.
And so, in the end, too many people lose their lives anyway. In Nazi Germany, millions of men who acquiesced to Hitler’s murderous rise to power wound up marching into Russia’s icy wasteland—into the Soviet Army’s machine guns and cannon—to themselves be murdered. In America after 9–11, trusting teenagers who had joined the National Guard found themselves sent to Iraq on extended and additional tours. Our enemy killed many of them because we, citizens of the richest country in the world, did not provide them with body armor.
Grieving mothers protested the wasting of their sons’ lives. Nadia McCaffrey defied Bush’s shameful ban on the filming of U.S. soldiers’ coffins returning home from Iraq. She knew, as we all did, that this tyrannical dictum of Bush dishonored our soldiers’ sacrifice. And so she invited the press to the Sacramento International Airport to photograph her son’s flag–draped coffin.
Again, I am not comparing George W. Bush to Adolph Hitler, nor America to Germany’s Third Reich. What I do believe is that each of us has the duty to keep the Bushes of the world from becoming anything like Hitler—and to keep America from invading other countries with no just cause.
We will never, though, be able to stop corrupt politicians and corporations from doing criminal things until we stop surrendering our power to them. The more we fear to oppose them—the more we want to retreat into the supposed safety of our nice gated communities or downtown lofts—the more powerful people will conspire to ruin our prosperity and wreck our lives.
”
”
David Zindell (Splendor)
“
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?”
“Because you kidnapped me.”
“That’s the stupidest thing I’ve ever heard.”
“Mr. Rogan.” My voice frosted over. “What I put into my body is my business.”
Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would.
“Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted.
You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?”
He caught up with me. “We need to talk about this.”
“There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.”
Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.”
He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.”
We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp.
“One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.”
Aha. “I’m not handling your snake.”
He grinned. “Baby, you couldn’t handle my snake.”
It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
Madness,” he exclaimed to himself, in astonishment, faltering. “Madness! What do they want? Once again, once again!” War once again, war that had so recently shattered his whole life? With a strange shudder, he looked at those young faces, staring at the black mass on the move in ranks of four, like a square strip of film running, unrolling out of a narrow alley as if out of a dark box, and every face it showed was instantly rigid with bitter determination, a threat, a weapon. Why was this threat so noisily uttered on a mild June evening, hammered home in a gently dreaming city? “What do they want? What do they want?” The question still had him by the throat. Only just now he had seen the world in bright, musical clarity, with the light of love and tenderness shining over it, he had been part of a melody of kindness and trust. And suddenly the iron steps of that marching throng were treading everything down, men girding themselves for the fray, men of a thousand different kinds, shouting with a thousand voices, yet expressing only one thing in their eyes and their onward march, hate, hate, hate.
”
”
Stefan Zweig (Journey into the Past)
“
In Downhill All the Way, Leonard remembers them returning from an evening spent with Vanessa in her studio in Fitzroy Street. (This was in 1930.)A drunk woman was being abused by two passers-by and was then accosted by a policeman who seemed to Leonard to be ‘deliberately trying to goad her into doing something which would justify an arrest’. He lost his temper, challenged the policeman in front of a small crowd, and made him let the woman go. What Leonard omitted to mention in his reminiscence was that he and Virginia had been to a fancy-dress party for Angelica’s eleventh birthday. Virginia was dressed as a (‘mad’) March Hare, with a pair of hare’s ears and paws. Roger Fry, at the party, had been a wonderfully characterful White Knight. And Leonard was ‘wearing a green baize apron and a pair of chisels as the Carpenter’. But as he tackled the policeman (‘Why dont you go for the men who began it? My name’s Woolf, and I can take my oath the woman’s not to blame’), ‘holding his apron and chisel in one hand’,114 he forgot all about his comical fancy-dress in his anger and his determination to see justice done.
”
”
Hermione Lee (Virginia Woolf)
“
I always refrained from speaking words of affection. Ever since, I was a child, I used to call my parents by their first names and never quite knew what to respond when they used to bathe me with their I love yous. I used to avoid words of love at any cost. Out of tremendous fear and out of the obligation of reciprocity, I chose my words very carefully. But these words sometimes betrayed me. They bathed in my eyes and in my gaze that caressed the wind, even in those fleeting moments when I used to look away into the horizon and especially in those moments where I did.
I refrained from engaging. I refrained from reciprocating. I refrained from running towards. I refrained from opening my arms wide open. I refrained from screaming "Stay here." Instead, I fled. I dwelled in silence. I escaped. I stared into the void. I stared within. And I ran inwards.
But when my alphabet stumbled upon your name, the lump in my throat dissipated. The weight that lays heavily on my chest vanished. You see, there are millions of children in my heart that scream: I love you. There is a marching band in my heart that chants your name. You'll never hear them but they do. And I laugh at the madness I have become.
”
”
Malak El Halabi
“
These feelings don't just go away. They linger. Hover. They are with me always. Even at my most functioning...they are there, watching me. These emotions are my roommates now, bunking up beside me at night. They do not pay any rent...they are determinded to ruin me, and yet I can never fully evict them from my brain.
I have tried -- really tried -- to chip away at my grief...But lately, I've just given up. I'm finally giving it permission to breathe and exist...
Most days now, they lie dormant in me. Sometimes it gets so quiet in my brain I think they've finally packed up and left. But every year as the calendar rounds the corner to March and the anniversary of her death approaches, anger bubbles again...I rage over the smallest of things, screaming behind the steering wheel of my car when another driver forgets to use their blinker. At first I'm perplexed, and then I remember: it's here again. And I am still mad. So mad. I can starve it, avoid it, rationalize it, manage it, talk about it in therapy, and eat it up in neat little points value. No matter how much weight I lose, I will never lose this one simple truth: I want my mom. I am so f***ing mad that she's gone. And that feeling will never, ever die.
”
”
Kate Spencer (The Dead Moms Club: A Memoir about Death, Grief, and Surviving the Mother of All Losses)
“
Emma, calm down. I had to know-"
I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?"
His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?"
I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel.
Galen laughs. "Emma, it's not Rachel's money; it's mine."
I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind.
He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how."
The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't.
Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves.
"I sell stuff to humans," he says.
I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it.
Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin.
"Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history."
Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The Birth of the Prince and the Pauper In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too. England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.
”
”
Mark Twain (The Prince and the Pauper)
“
We're foot—slog—slog—slog—sloggin’ over Africa!
Foot—foot—foot—foot—sloggin’ over Africa—
(Boots—boots—boots—boots—movin’ up and down again!)
There’s no discharge in the war!
Seven—six—eleven—five—nine-an’-twenty mile to-day—
Four—eleven—seventeen—thirty-two the day before—
(Boots—boots—boots—boots—movin’ up and down again!)
There’s no discharge in the war!
Don’t—don’t—don’t—don’t—look at what’s in front of you.
(Boots—boots—boots—boots—movin’ up an’ down again!)
Men—men—men—men—men go mad with watchin’ ’em,
And there’s no discharge in the war!
Try—try—try—try—to think o’ something different—
Oh—my—God—keep—me from goin’ lunatic!
(Boots—boots—boots—boots—movin’ up an’ down again!)
There’s no discharge in the war!
Count—count—count—count—the bullets in the bandoliers.
If—your—eyes—drop—they will get atop o’ you
(Boots—boots—boots—boots—movin’ up and down again!)
There’s no discharge in the war!
We—can—stick—out—’unger, thirst, an’ weariness,
But—not—not—not—not the chronic sight of ’em—
Boots—boots—boots—boots—movin’ up an’ down again!
An’ there’s no discharge in the war!
’Tain’t—so—bad—by—day because o’ company,
But—night—brings—long—strings—o’ forty thousand million
Boots—boots—boots—boots—movin’ up an’ down again.
There’s no discharge in the war!
I—’ave—marched—six—weeks in ’Ell an’ certify
It—is—not—fire—devils—dark or anything,
But boots—boots—boots—boots—movin’ up an’ down again,
An’ there’s no discharge in the war!
”
”
Rudyard Kipling (The Five Nations)
“
The unbelievable speed of this process has been principally caused by the fact that a handful of businesses in Silicon Valley (notably Google, Twitter and Facebook) now have the power not just to direct what most people in the world know, think and say, but have a business model which has accurately been described as relying on finding ‘customers ready to pay to modify someone else’s behaviour’.2 Yet although we are being aggravated by a tech world which is running faster than our legs are able to carry us to keep up with it, these wars are not being fought aimlessly. They are consistently being fought in a particular direction. And that direction has a purpose that is vast. The purpose – unknowing in some people, deliberate in others – is to embed a new metaphysics into our societies: a new religion, if you will. Although the foundations had been laid for several decades, it is only since the financial crash of 2008 that there has been a march into the mainstream of ideas that were previously known solely on the obscurest fringes of academia. The attractions of this new set of beliefs are obvious enough. It is not clear why a generation which can’t accumulate capital should have any great love of capitalism. And it isn’t hard to work out why a generation who believe they may never own a home could be attracted to an ideological world view which promises to sort out every inequity not just in their own lives but every inequity on earth. The interpretation of the world through the lens of ‘social justice’, ‘identity group politics’ and ‘intersectionalism’ is probably the most audacious and comprehensive effort since the end of the Cold War at creating a new ideology. To
”
”
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
“
The question revives Kropp, more particularly as he hears there’s no more beer in the canteen. “It’s not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they’d swallowed concrete.” “That’s the uniform,” I suggest. “Roughly speaking it is,” says Kat, and prepares for a long speech; “but the root of the matter lies somewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he’ll snap at it, it’s his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We sing spiritlessly, for it is all we can do to trudge along with our rifles. At once the company is turned about and has to do another hour’s drill as punishment. On the march back the order to sing is given again, and once more we start. Now what’s the use of all that? It’s simply that the company commander’s head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peacetime, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
Katz needed bootlaces, so we went to an outfitter’s, and while he was off in the footwear section I had an idle shuffle around. Pinned to a wall was a map showing the whole of the Appalachian Trail on its long march through fourteen states, but with the eastern seaboard rotated to give the AT the appearance of having a due north-south orientation, allowing the mapmaker to fit the trail into an orderly rectangle, about six inches wide and four feet high. I looked at it with a polite, almost proprietorial interest—it was the first time since leaving New Hampshire that I had considered the trail in its entirety—and then inclined closer, with bigger eyes and slightly parted lips. Of the four feet of trail map before me, reaching approximately from my knees to the top of my head, we had done the bottom two inches. I went and got Katz and brought him back with me, pulling on a pinch of shirtsleeve. “What?” he said. “What?” I showed him the map. “Yeah, what?” Katz didn’t like mysteries. “Look at the map, and then look at the part we’ve walked.” He looked, then looked again. I watched closely as the expression drained from his face. “Jesus,” he breathed at last. He turned to me, full of astonishment. “We’ve done nothing.” We went and got a cup of coffee and sat for some time in a kind of dumbfounded silence. All that we had experienced and done—all the effort and toil, the aches, the damp, the mountains, the horrible stodgy noodles, the blizzards, the dreary evenings with Mary Ellen, the endless, wearying, doggedly accumulated miles—all that came to two inches. My hair had grown more than that. One thing was obvious. We were never going to walk to Maine. In a way, it was liberating. If we couldn’t walk the whole trail, we also didn’t have to, which was a novel thought that grew more attractive the more we considered it. We had been released from our obligations. A whole dimension of drudgery—the tedious, mad, really quite pointless business of stepping over every inch of rocky ground between Georgia and Maine—had been removed. We could enjoy ourselves.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.”
“Whatever you wish,” he demurred. “I shall follow your direction.”
“Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along.
Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.”
That stopped her in her tracks. “I beg your pardon?”
“Do you know what he told me about you before he introduced us?”
Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad.
“He told me you couldn’t say enough about me.”
“Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.”
“He implied,” Anthony added, “that you could not say enough good about me.”
She shouldn’t have smiled. “That’s not true.”
He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied.
They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?”
Anthony shot her a sideways look. “You don’t have a brother, do you?”
“No, just Edwina, I’m afraid, and she’s decidedly female.”
“He did it,” Anthony explained, “purely to torture me.”
“A noble pursuit,” Kate said under her breath.
“I heard that.”
“I rather thought you would,” she added.
“And I expect,” he continued, “that he wanted to torture you as well.”
“Me?” she exclaimed. “Whyever? What could I possibly have done to him?”
“You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested.
Her brows arched. “Beloved?”
“Much-admired?” he tried.
She shook her head. “That one doesn’t wash, either.”
Anthony grinned.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
The Comte de Chagny was right; no gala performance ever equalled this one. All the great composers of the day had conducted their own works in turns. Faure and Krauss had sung; and on that evening, Christine Daaé had revealed her true self, for the first time, to the astonished and and enthusiastic audience. Gounod had conducted the Funeral March of a Marionette; Reyer, his beautiful overture to Siguar; Saint Saëns, the Danse Macabre and a Rêverie Orientale, Massenet, an unpublished Hungarian march; Guiraud, his Carnaval; Delibes, the Valse lente from Sylvia and the Pizzicati from Coppelia. Mlle. Krauss had sung the bolero in the Vespri Siciliani; and Mlle. Denise Bloch the drinking song in Lucrezia Borgia.
But the real triumph was reserved for Christine Daaé, who had begun by singing a few passages from Romeo and Juliet. It was the first time that the young artist sang in this work of Gounod, which had not been transferred to the Opera and which was revived at the the old Theatre Lyrique by Mme. Carvalho. Those who heard her say that her voice, in these passages, was seraphic; but this was nothing to the superhuman notes that she gave forth in the prison scene and the final trio in Faust, which she sang in the place of La Carlotta, who was ill. No one had ever heard or seen anything like it.
Daaé revealed a new Margarita that night, a Margarita of a splendor, a radiance hitherto unsuspected. The whole house went mad, rising to it its feet, shouting, cheering, clapping, while Christine sobbed and fainted in the arms of her fellow-singers and had to be carried to her dressing-room. A few subscribers, however, protested. Why had so great a treasure been kept from them all that time? Till then, Christine Daaé had played a good Siebel to Carlotta's rather too splendidly material Margarita. And it had needed Carlotta's incomprehensible and inexcusable absence from this gala night for the little Daaé, at a moment's warning, to show all that she could do in a part of the programme reserved for the Spanish diva! Well, what the subscribers wanted to know was, why had Debienne and Poligny applied to Daaé, when Carlotta was taken ill? Did they know of her hidden genius? And, if they knew of it, why had they kept it hidden? And why had she kept it hidden? Oddly enough, she was not known to have a professor of singing at that moment. She had often said she meant to practice alone for the future. The whole thing was a mystery.
”
”
Gaston Leroux (The Phantom of the Opera)
“
Little by little, new details about atrocities committed against Jews kept making their way into the annex. Some were doubted, others confirmed, but they still did not provide a coherent picture. On the last day of March 1944 Anne wrote again about the atrocities Jews had to fear. In concise, detached language she reports the unimaginable extent of the National Socialist madness. “Hungary is occupied by German troops. There are still 1 million Jews there, so they too will have had it now!” (March 31, 1944; ver. C). Within two months, Adolf Eichmann had half a million Hungarian Jews deported to Auschwitz. Almost all of them died in the gas chambers.
”
”
Melissa Müller (Anne Frank : The Biography)
“
As Nate Silver, author of The Signal and the Noise: Why So Many Predictions Fail—But Some Don’t, points out, “ice cream sales and forest fires are correlated because both occur more often in the summer heat. But there is no causation; you don’t light a patch of the Montana brush on fire when you buy a pint of Häagen-Dazs.” Of course, it’s no surprise that correlation isn’t the same as causality. But although most organizations know that, I don’t think they act as if there is a difference. They’re comfortable with correlation. It allows managers to sleep at night. But correlation does not reveal the one thing that matters most in innovation—the causality behind why I might purchase a particular solution. Yet few innovators frame their primary challenge around the discovery of a cause. Instead, they focus on how they can make their products better, more profitable, or differentiated from the competition. As W. Edwards Deming, the father of the quality movement that transformed manufacturing, once said: “If you do not know how to ask the right question, you discover nothing.” After decades of watching great companies fail over and over again, I’ve come to the conclusion that there is, indeed, a better question to ask: What job did you hire that product to do? For me, this is a neat idea. When we buy a product, we essentially “hire” something to get a job done. If it does the job well, when we are confronted with the same job, we hire that same product again. And if the product does a crummy job, we “fire” it and look around for something else we might hire to solve the problem. Every day stuff happens to us. Jobs arise in our lives that we need to get done. Some jobs are little (“ pass the time while waiting in line”), some are big (“ find a more fulfilling career”). Some surface unpredictably (“ dress for an out-of-town business meeting after the airline lost my suitcase”), some regularly (“ pack a healthy, tasty lunch for my daughter to take to school”). Other times we know they’re coming. When we realize we have a job to do, we reach out and pull something into our lives to get the job done. I might, for example, choose to buy the New York Times because I have a job to fill my time while waiting for a doctor’s appointment and I don’t want to read the boring magazines available in the lobby. Or perhaps because I’m a basketball fan and it’s March Madness time. It’s only when a job arises in my life that the Times can solve for me that I’ll choose to hire the paper to do it. Or perhaps I have it delivered to my door so that my neighbors think I’m informed—and nothing about their ZIP code or median household income will tell the Times that either.
”
”
Clayton M. Christensen (Competing Against Luck)
“
No one could know that this moment of triumph was to be a bittersweet coda. Kennedy thanked the march leaders—and Bull Connor—for making it all possible. Then the president turned to King, extended his hand, and whispered, “I have a dream.
”
”
S. Nassir Ghaemi (A First-Rate Madness: Uncovering the Links Between Leadership and Mental Illness)
“
Like the medieval heretics that Norm Cohn wrote about in The Pursuit of the Millennium, the Beats cultivated an extreme narcissism that bordered on self-deification and that 'liberated them from all restraints' and allowed them to experience every impulse as a 'divine command'. What Norman Podhoretz observed of Ginsberg was also true of the Beats generally: they 'conjured up a world of complete freedom from the limits imposed by [bourgeois] responsibilities'. Podhoretz added, 'It was a world that promised endless erotic possibility together with the excitements of an expanded consciousness constantly open to new dimensions of being: more adventure, more sex, more intensity, more life'. Alas, the promise was illusory. Instead of an 'expanded consciousness', the Beats purchased madness, ruination, and, for many, an early death. Their attack on bourgeois responsibility led not to greater freedom but to greater chaos. The erotic paradise they envisioned turned out to be rife with misery.
”
”
Roger Kimball (The Long March: How the Cultural Revolution of the 1960s Changed America)
“
Are you so eager for war?” the drow asked, his face barely an inch from the elf’s. “Do you long to hear the screams of the dying, lying helplessly in fields amidst rows and rows of corpses? Have you ever borne witness to that?” “Orcs!” the elf protested. Drizzt grabbed him in both hands, pulled him forward, and slammed him back against the wall. Hralien called to Drizzt, but the dark elf hardly heard it. “I have ventured outside of the Silver Marches,” Drizzt said, “have you? I have witnessed the death of once-proud Luskan, and with it, the death of a dear, dear friend, whose dreams lay shattered and broken beside the bodies of five thousand victims. I have watched the greatest cathedral in the world burn and collapse. I witnessed the hope of the goodly drow, the rise of the followers of Eilistraee. But where are they now?” “You speak in ridd—” the elf started, but Drizzt slammed him again. “Gone!” Drizzt shouted. “Gone, and gone with them the hopes of a tamed and gentle world. I have watched once safe trails revert to wilderness, and have walked a dozen-dozen communities that you will never know. They are gone now, lost to the Spellplague or worse! Where are the benevolent gods? Where is the refuge from the tumult of a world gone mad? Where are the candles to chase away the darkness?” Hralien had quietly moved around the wall and walked up beside Drizzt. He put a hand on the drow’s shoulder, but that brought no more than a brief pause in the tirade. Drizzt glanced at him before turning back to the captured elf. “They are here, those lights of hope,” Drizzt said, to both elves. “In the Silver Marches. Or they are nowhere. Do we choose peace or do we choose war? If it is battle you seek, fool elf, then get you gone from this land. You will find death aplenty, I assure you. You will find ruins where once proud cities stood. You will find fields of wind-washed bones, or perhaps the remains of a single hearth, where once an entire village thrived. “And in that hundred years of chaos, amidst the coming of darkness, few have escaped the swirl of destruction, but we have flourished. Can you say the same for Thay? Mulhorand? Sembia? You say I betray those who befriended me, yet it was the vision of one exceptional dwarf and one exceptional orc that built this island against the roiling sea.” The elf, his expression more cowed, nonetheless began to speak out again, but Drizzt pulled him forward from the wall and slammed him back even harder. “You fall to your hatred and you seek excitement and glory,” the drow said. “Because you do not know. Or is it because you do not care that your pursuits will bring utter misery to thousands in your wake?
”
”
R.A. Salvatore (The Orc King (Transitions, #1; The Legend of Drizzt, #20))
“
My horse is plodding down a path unspooling under her hooves like a ball of wool, only wider, while I think of ways to wake kings or small children or writers, all of whom seem to be constantly sleeping and dreaming of me in the seventh square on a horse with a mind of her own.
”
”
Delia Sherman (Mad Hatters and March Hares)
“
do you think MM stands for?” I asked. “March Madness?” replied Michael, who never ties his shoes. “Marilyn Monroe?” said Ryan, who will eat anything, even stuff that isn’t food. “Mickey Mouse?” said Neil, who we call the nude kid even though he wears clothes. “My Mom?” said Alexia, this girl who rides a skateboard all the time. Everybody was buzzing, which was weird because we’re not bees.
”
”
Dan Gutman (My Weirder-est School #8: Miss Aker Is a Maker!)
“
A bumblebee buzzed past, off on unknowable insect errands. Its body was fat, furry, striped in a way she could only envy. It did not sing. It did not speak. It did not stop to dance for her, or to challenge her to a game of riddles. Fear twisted in her gut, unfamiliar as a needle in a butterscotch pudding. The rules of this world, whatever they were, seemed to be consistent and cruel: they were not nonsense, no, not nonsense at all.
”
”
Ellen Datlow (Mad Hatters and March Hares)
“
Kate, you are not going in there."
Her stubborn gaze met his. "You need me in there with you, and we both know it."
"Out of the question! You listen to me, young lady," her father blustered. "That evil place took your mother from me. I'll not lose you, as well!"
"Papa, you know I have to do this. You can't stop me. This is my decision."
"It's madness!" Gerald cried, paling. "What are you trying to prove? It won't bring her back!"
"I know that, but at least then I will have some answers. This is the reason you made sure to have me educated like a son, remember? I can do this, Papa. Rohan, I'll be waiting in the boat."
"You are staying here," he replied.
Anger flashed across her face. "Haven't you two realized yet that you don't run my life? That place killed my mother! Besides, I have a right---the Alchemist is my ancestor, not yours---and also, I'm the only one who has figured out the clues."
"Kate, I don't know what sort of deviltry I may face in there. I'm sorry, but this time, considering I have no idea what I'm getting into, I don't want to be responsible for having to protect you."
"With all due respect, Your Grace, I'm the one who'll be protecting you on this occasion. You're a warrior, not a scholar, Rohan. I've been studying this book, and I've already decoded the clues. You don't stand a chance without me."
"Just give them to me."
"No! I'm going with you. Now, if you prefer to survive the fiendish obstacle course that lies beyond that cave, quit wasting time arguing with me, because my mind will not be changed. For that matter, the Prometheans will be here soon. So, let's go!" With that, she pivoted on her heel and marched off toward the small-boat.
Once more, she had left him and her father stymied, not sure what to say.
"She's very determined," Rohan finally muttered.
"Wish I could say she takes after her mother, but I'm afraid she's a bit too much like me."
"You think?
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
He claimed he was on the right track as far as the two kinds of economy people, land versus money. But not city people against us personally. It’s the ones in charge, like government or what have you. They were always on the side of the money-earning people, and down on the land people, due to various factors Tommy mentioned, monetize this, international banking that. The main one I could understand was that money-earning ones pay taxes. Whereas you can’t collect shit on what people grow and eat on the spot, or the work they swap with their neighbors. That’s like a percent of blood from a turnip. So, the ones in charge started cooking it into everybody’s brains to look down on the land people, saying we are an earlier stage of human, like junior varsity or cavemen. Weird-shaped heads. Tommy was watching TV these days, and seeing finally how this shit is everywhere you look. Dissing the country bumpkins, trying to bring us up to par, the long-termed war of trying to shame the land people into joining America. Meaning their version, city. TV being the slam book of all times, maybe everybody in the city was just going along with it, not really noticing the rudeness factors. Possibly to the extent of not getting why we are so fucking mad out here. It took a lot of emails of Tommy telling me how far back it went, this offensive to wedge people off their own holy ground and turn them into wage labor. Before the redneck miner wars, the coal land grabs, the timber land grabs. Whiskey Rebellion: an actual war. George Washington marched the US Army on our people for refusing to pay tax on corn liquor. Which they weren’t even selling for money, mainly just making for neighborly entertainment. How do you get tax money out of moonshine? Answer: You and what army. It goes a ways
”
”
Barbara Kingsolver (Demon Copperhead)
“
In Greek mythology, the titan Prometheus stole fire and gave it to humans, creating civilization. As punishment, Zeus bound him to a rock and each day sent an eagle to eat his liver, the organ where the Greeks thought human emotions resided. The moral of the story is knowledge brings eternal emotional torment. In the Garden of Eden, the serpent tempts Eve and Adam to eat forbidden fruit from the Tree of Knowledge. God punishes them by banishing them. The moral of the story is knowledge destroys innocence and produces suffering. The list goes on and on. It’s an archetypal idea. Every overreaching mad scientist in every sci-fi movie is another retelling of this ancient story. Me, I say grab the fire. I say eat the fruit. I say bring on the suffering. The history of science is one of pain, broken dreams, and occasional triumph. This is the march of progress. This is the wheel of civilization.
”
”
Craig DiLouie (Episode Thirteen)
“
I’ll try to remember how to play,” he called over his shoulder, “if you lot can remember how to march!”
“I’m no genius like Jurand,” called Glaward, turning so he was trotting backwards, “but as I recall, it’s one foot after the other!”
“We’ll give it a try, my lord!” called a thickset sergeant, the men already moving faster.
Leo smiled as he started to tap out the rhythm. “That’s all I ask.
”
”
Joe Abercrombie (A Little Hatred (The Age of Madness, #1))
“
This book is about women so angry at slavery and lynching that they risked their lives and reputations and pioneered new forms of public expression for women, including speeches in front of mixed-gender and mixed-race audiences; about women so furious at their lack of a franchise that they walked 150 miles from New York City to Albany to petition for the vote, went on hunger strikes, and picketed outside the White House. Women so angry that they stayed angry for the decades—their lifetimes—it took to get the right to vote, first via the Nineteenth Amendment and then the Voting Rights Act, their rage leading them to acts of civil disobedience—marches and sit-ins and voting when it was not legal to do so—for which they would be jailed, beaten. Women who took conversations that had historically been whispered and chose instead to broadcast them via open-air rallies and in the pages of newspapers and in lawsuits and in front of political conventions and judiciary committees.
”
”
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
“
She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page.
“Jane,” he said with a touch of exasperation.
“Shh, I’m reading,” she said.
“Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..”
“You’re not hanging around me, I’m reading.”
“Bugger, Jane…”
“Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.”
“So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.”
Huh! thought Jane.
He snapped a dead branch off the trunk.
Huh! she thought again. She stood and started to walk away.
“Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?”
Jane shrugged.
“You do?”
“More than I want to, though you’ve been making it seem unnecessary lately.”
Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.”
“I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’”
“Ah. I mean, aha! is what I mean.”
Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side.
Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs.
“Are you breaking up with me?” she asked.
“Were we ever together enough to require breaking up?”
Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied.
“Pardon the interruption, I mistook you for someone I knew.”
She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched.
You stupid, stupid girl, she thought. You were fantasizing again. Stop it!
It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever?
“Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.
”
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Shannon Hale (Austenland (Austenland, #1))
“
I dived out of the office and I was gone … hitting these fields like a mad March hare. This wasn’t Born Free, it was RUN FREE!
”
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Stephen Richards (Harry's Fight: Harry Marsden - From Catholic Care Home Abuse To Gangster To Good Fellow)
“
Faced with the Führer, Hácha caved in. He declared that the situation was very clear and that all resistance was madness. But it’s already two a.m., and he has only four hours to prevent the Czech people from defending themselves. According to Hitler, the German military machine is already on the march (true) and nothing can stop it (at least, no one seems very keen to try). Hácha must sign the surrender immediately and inform Prague. The choice Hitler is offering could not be simpler: either peace now, followed by a long collaboration between the two nations, or the total annihilation of Czechoslovakia. President Hácha, terrified, is left in a room with Göring and Ribbentrop. He sits at a table, the document before him. All he has to do now is sign it. The pen is in his hand, but his hand is trembling. The pen keeps stopping before it can touch the paper. In the absence of the Führer, who rarely stays to oversee such formalities, Hácha gets jumpy. “I can’t sign this,” he says. “If I sign the surrender, my people will curse me forever.” This is perfectly true. So Göring and Ribbentrop have to convince Hácha that it’s too late to turn back. This leads to a farcical scene where, according to witnesses, the two Nazi ministers literally chase Hácha around the table, repeatedly putting the pen back in his hand and ordering him to sign the bloody thing. At the same time, Göring yells continuously: if Hácha continues to refuse, half of Prague will be destroyed within two hours by the German air force … and that’s just for starters! Hundreds of bombers are waiting for the order to take off, and they will receive that order at 6:00 a.m. if the surrender is not signed. At this crucial moment, Hácha goes dizzy and faints. Now it’s the two Nazis who are terrified, standing there over his inert body. He absolutely must be revived: if he dies, Hitler will be accused of murdering him in his own office. Thankfully, there is an expert injecter in the house: Dr. Morell, who will later inject Hitler with amphetamines several times a day until his death—a medical regime that probably had some link with the Führer’s growing dementia. So Morell suddenly appears and sticks a syringe into Hácha, who wakes up. A telephone is shoved into his hand. Given the urgency of the situation, the paperwork can wait. Ribbentrop has taken care to install a special direct line to Prague. Gathering what is left of his strength, Hácha informs the Czech cabinet in Prague of what is happening in Berlin, and advises them to surrender. He is given another injection and taken back to see the Führer, who presents him once again with that wretched document. It is nearly four a.m. Hácha signs. “I have sacrificed the state in order to save the nation,” he believes. The imbecile. It’s as if Chamberlain’s stupidity was contagious …
”
”
Laurent Binet (HHhH)
“
Looking down, she felt heat traveling up her face when she saw that, in her mad dash to get away from the goat, she’d completely neglected to realize that not only had she forgotten her shoes and stockings, she’d also forgotten that she hadn’t buttoned her gown up all the way. “Goodness,” she muttered as she yanked the neckline of her dress up as high as she could. “If it makes you feel better, I don’t believe anyone took note of your somewhat questionable state of dishabille.” Her head shot up as she met Bram’s eyes. “You obviously noticed.” He sent her a charming smile. “Noticed what?” He extended her his arm. “There’s a lovely grove right through those trees, which is nowhere near the barn, I might add. It’ll afford you a bit of privacy to set yourself to rights since I don’t believe you’ll be keen to face all the people still lingering outside the castle doors.” Glancing to where Bram was now looking, Lucetta found a small cluster of people looking her way, although Mr. Kenton and Archibald were walking back toward the castle, the skirts of their dresses fluttering in the breeze. Abigail, however, seemed to be in the midst of a heated conversation with her daughter, both women gesturing wildly with their hands as the remaining members of Bram’s staff edged ever so slowly away from them. “Should we intervene?” she asked with a nod Abigail’s way. “I willingly admit I’m not that familiar with my grandmother when she’s in a temper, but my mother is not a woman who would appreciate an intervention. I suggest you get yourself straightened about, and then I’ll take you for a lovely walk around the grounds. By the time we get back, they’ll have hopefully settled a few of their differences from the past thirty years.” “It’s fortunate your grounds seem to be extensive.” “Quite,” Bram agreed as she took the arm he was still holding out to her. He turned his attention back to Abigail and Iris. “I’m taking Miss Plum for a tour of the grounds,” he called. “We’ll be back in an hour or two.” Abigail and Iris stopped arguing and turned their attention Bram and Lucetta’s way. It was immediately clear that Abigail took no issue with Bram giving Lucetta a tour of the grounds. She lifted her arm and sent them a cheery wave before she spun on her heel and headed back toward the castle, spinning around again a moment later. Putting her hands on her hips, she marched her way back to Iris—who’d not moved at all—took her daughter’s arm, and with what looked to be a bit of wrestling, hauled Iris inside with her. “Perhaps we’ll mosey around the grounds for more than an hour or two,” Bram said as he steered Lucetta toward the trees.
”
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Jen Turano (Playing the Part (A Class of Their Own, #3))
“
So what are you doing lurking out here?” Madison asked, cradling the sticker with Blue’s number in her hand, so Jeremy wouldn’t see it.
Jeremy leaned in until his face was only inches from hers, and whispered, “That’s for me to know and you to find out.”
“Ahem!” a deep voice sounded behind them. “I hate to interrupt this little tete-a-tete, but don’t you have someplace else you ought to be right now?”
Madison and Jeremy sprang away from each other like startled pigeons. They turned and guiltily faced the principal. Madison spoke first. “Hello, Mr. Kaufman. I left some, um, material for my report for Mr. Dalberg’s class in my locker and I was just about to get it.”
“Is that your locker?” Mr. Kaufman asked.
Jeremy cut in. “Actually, it’s my locker. Madison forgot to mention that she had asked me to keep it for her.” Jeremy spun the combination on the lock to show Mr. Kaufman that he was actually getting the report. He swung open the locker and grabbed the first thing he could put his hands on--a MAD magazine.
Without skipping a beat, Madison took it and started talking. “You see, Mr. Kaufman, we’re studying the role that periodicals and newspapers have played in American historical events. For instance, um, Tom Paine’s pamphlet Common Sense helped start the American Revolution, and, well, Horace Greeley’s editorials in the New York Tribune sparked the great Westward migration and the idea of Manifest Destiny, and now MAD magazine has, um, er--”
“Redefined the concept of social satire in the twentieth century,” Jeremy jumped in. “Without MAD, there’d have been no National Lampoon. Without the National Lampoon, no Saturday Night Live. Without SNL, there’d be no Bill Murray. Eddie Murphy. Adam Sandler. The list goes on and on.”
“Really?” Mr. Kaufman raised one eyebrow. “Very interesting.”
Madison plastered a grateful smile on her face and extended her hand to Jeremy. “Thanks for keeping this, um, research material for me.”
Jeremy shook her hand politely. “Anytime, Madison. I have room in here for lots more of your, uh, reports.”
Before Mr. Kaufman could say anything, Jeremy shut his locker, and the two of them marched off in opposite directions away from the principal.
As she walked away, Madison held her breath waiting for Mr. Kaufman to call them back. But he didn’t. Madison couldn’t believe her luck. What a bizarre encounter! And yes, she had to admit it: Jeremy had really bailed her out when she’d run out of gas with her excuse.
”
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Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
“
She was said to have been tenderly attached to a youth of remarkable beauty, named Atys, who, to her grief and indignation, proved faithless to her. He was about to unite himself to a nymph called Sagaris, when, in the midst of the wedding feast, the rage of the incensed goddess suddenly burst forth upon all present. A panic seized the assembled guests, and Atys, becoming afflicted with temporary madness, fled to the mountains and destroyed himself. Cybele, moved with sorrow and regret, instituted a yearly mourning for his loss, when her priests, the Corybantes, with their usual noisy accompaniments, marched into the mountains to seek the lost youth. Having discovered him[6] they gave full vent to their ecstatic delight by indulging in the most violent gesticulations, dancing, shouting, and, at the same time, wounding and gashing themselves in a frightful manner.
”
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Anonymous