β
Love is a striking example of how little reality means to us.
β
β
Marcel Proust (In Search of Lost Time)
β
Love is not vain because it is frustrated, but because it is fulfilled. The people we love turn to ashes when we posess them.
β
β
Marcel Proust (Remembrance of Things Past: Volume II - The Guermantes Way & Cities of the Plain)
β
Love is space and time measured by the heart.
β
β
Marcel Proust
β
People who are not in love fail to understand how an intelligent man can suffer because of a very ordinary woman. This is like being surprised that anyone should be stricken with cholera because of a creature so insignificant as the common bacillus.
β
β
Marcel Proust
β
In his younger days a man dreams of possessing the heart of the woman whom he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
It is our imagination that is responsible for love, not the other person.
β
β
Marcel Proust
β
The bonds between ourselves and another person exists only in our minds. Memory as it grows fainter loosens them, and notwithstanding the illusion by which we want to be duped and which, out of love, friendship, politeness, deference, duty, we dupe other people, we exist alone. Man is the creature who cannot escape from himself, who knows other people only in himself, and when he asserts the contrary, he is lying.
β
β
Marcel Proust (In Search of Lost Time)
β
Pleasures are like photographs: in the presence of the person we love, we take only negatives, which we develop later, at home, when we have at our disposal once more our inner dark room, the door of which it is strictly forbidden to open while others are present.
β
β
Marcel Proust (In the Shadow of Young Girls in Flower)
β
No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.
β
β
Marcel Proust (Within a Budding Grove (In Search of Lost Time, #2))
β
Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom now. When you still had your mother you often thought of the days when you would have her no longer. Now you will often think of days past when you had her. When you are used to this horrible thing that they will forever be cast into the past, then you will gently feel her revive, returning to take her place, her entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power ... that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know that you will never love less, that you will never be consoled, that you will constantly remember more and more.
β
β
Marcel Proust
β
For, just as in the beginning it is formed by desire, so afterwards love is kept in existence only by painful anxiety.
β
β
Marcel Proust
β
Love...., ever unsatisfied, lives always in the moment that is about to come.
β
β
Marcel Proust
β
With women who do not love us, as with the "dear departed," the knowledge that there is no hope left does not prevent us from continuing to wait.
β
β
Marcel Proust (In the Shadow of Young Girls in Flower)
β
In a separation it is the one who is not really in love who says the more tender things.
β
β
Marcel Proust
β
I think that life would suddenly seem wonderful to us if we were threatened to die as you say. Just think of how many projects, travels, love affairs, studies, itβour lifeβhides from us, made invisible by our laziness which, certain of a future, delays them incessantly.
βBut let all this threaten to become impossible for ever, how beautiful it would become again! Ah! If only the cataclysm doesnβt happen this time, we wonβt miss visiting the new galleries of the Louvre, throwing ourselves at the feet of Miss X, making a trip to India.
βThe cataclysm doesnβt happen, we donβt do any of it, because we find ourselves back in the heart of normal life, where negligence deadens desire. And yet we shouldnβt have needed the cataclysm to love life today. It would have been enough to think that we are humans, and that death may come this evening.
β
β
Marcel Proust
β
We fall in love for a smile, a look, a shoulder. That is enough; then, in the long hours of hope or sorrow, we fabricate a person, we compose a character.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
When two people part it is the one who is not in love who makes the tender speeches.
β
β
Marcel Proust
β
So we don't believe that life is beautiful because we don't recall it but if we get a whiff of a long-forgotten smell we are suddenly intoxicated and similarly we think we no longer love the dead because we don't remember them but if by chance we come across an old glove we burst into tears.
β
β
Marcel Proust
β
One says the things which one feels the need to say, and which the other will not understand: one speaks for oneself alone.
β
β
Marcel Proust
β
For what we suppose to be our love or our jealousy is never a single, continuous and indivisible passion. It is composed of an infinity of successive loves, of different jealousies, each of which is ephemeral, although by their uninterrupted multiplicity they give us the impression of continuity, the illusion of unity.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
Fall in love with a dog's bum,
And thou'll think it pretty as a plum.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
People who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while; which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
I loved her [Gilberte]; I was sorry not to have had the time and the inspiration to insult her, to hurt her, to force her to keep some memory of me. I thought her so beautiful that I should have liked to be able to retrace my steps so as to shake my fist at her and shout, "I think you're hideous, grotesque; how I loathe you!"_
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
This malady which Swannβs love had become had so proliferated, was so closely interwoven with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he hoped for after his death, was so utterly inseparable from him, that it would have been impossible to eradicate it without almost entirely destroying him; as surgeons say, his love was no longer operable.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
Love is a reciprocal torture.
β
β
Marcel Proust
β
Ah, in those earliest days of love how naturally the kisses spring into life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
My only consolation when I am really sad is to love and to be loved.
β
β
Marcel Proust
β
For regret, like desire, seeks not to analyse but to gratify itself. When one begins to love, one spends one's time, not in getting to know what one's love really is, but in arranging for tomorrow's rendezvous.
β
β
Marcel Proust (In the Shadow of Young Girls in Flower)
β
She poured out Swann's tea, inquired "Lemon or cream?" and, on his answering "Cream, please," said to him with a laugh: "A cloud!" And as he pronounced it excellent, "You see, I know just how you like it." This tea had indeed seemed to Swann, just as it seemed to her; something precious, and love has such a need to find some justification for itself, some guarantee of duration, in pleasures which without it would have no existence and must cease with its passing.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
The person with whom we are in love is to be recognised only by the intensity of the pain that we suffer.
β
β
Marcel Proust
β
He sat there silent, watching their love expire.
β
β
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
β
I have built, deep in my heart, a chapel filled with you.
β
β
Marcel Proust
β
No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory β this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. ... Whence did it come? What did it mean? How could I seize and apprehend it? ... And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before mass), when I went to say good morning to her in her bedroom, my aunt LΓ©onie used to give me, dipping it first in her own cup of tea or tisane. The sight of the little madeleine had recalled nothing to my mind before I tasted it. And all from my cup of tea.
β
β
Marcel Proust (In Search of Lost Time)
β
The most exclusive love for a person is always a love for something else.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
because the erotic frisson is such that the kiss that you only imagine giving,can be as powerful and as enchanting as hours of actual lovemaking. As Marcel Proust said, it's our imagination that is responsible for love, not the other person.
β
β
Esther Perel
β
For we are not as faithful to the being we have most loved as we are to ourselves and sooner or later we forget her β since that is one of our characteristics β so as to start loving another.
β
β
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
β
Our love of life is only an old liaison of which we do not know how to rid ourselves. Its strength lies in its permanence. But death which severs it will cure us of the desire for immortality.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
For the possession of what we love is an even greater joy than love itself.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
And in love, it is easier to relinquish a feeling than to give up a habit.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
When we are in love, our love is too big a thing for us to be able altogether to contain it within ourselves. It radiates towards the loved one, finds there a surface which arrests it, forcing it to return to its starting-point, and it is this repercussion of our own feeling which we call the other's feelings and which charms us more then than on its outward journey because we do not recognise it as having originated in ourselves.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
when a creature is so badly constituted (perhaps in nature that being is man) that he cannot love unless he suffers and that he must suffer to learn truth, the life of such a being becomes in the end very exhausting. The happy years are those that are wasted; we must wait for suffering to drive us to work.
β
β
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
β
And it is because they contain thus within themselves the hours of the past that human bodies have the power to hurt so terribly those who love them, because they contain the memories of so many joys and desires already effaced for them, but still cruel for the lover who contemplates and prolongs in the dimension of Time the beloved body of which he is jealous, so jealous that he may even wish for its destruction. For after death Time withdraws from the body, and the memories, so indifferent, grown so pale, are effaced in her who no longer exists, as they soon will be in the lover whom for a while they continue to torment but in whom before long they will perish, once the desire that owed their inspiration to a living body is no longer there to sustain them. Profound Albertine, whom I at once saw sleeping, and who was dead.
β
β
Marcel Proust (Time Regained)
β
We are, when we love, in an abnormal state, capable of giving at once to the most apparently simple accident, an accident which may at any moment occur, a seriousness which in itself it would not entail. What makes us so happy is the presence in our hearts of an unstable element which we contrive perpetually to maintain and of which we cease almost to be aware so long as it is not displaced. In reality, there is in love a permanent strain of suffering which happiness neutralises, make potential only, postpones, but which may at any moment become, what it would long since have been had we not obtained what we wanted, excruciating.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
It was she whom I loved and whom I could not therefore see without that anxiety, without that desire for something more, which destroys in us, in the presence of the person we love, the sensation of loving.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
... from the moment when they were in love, it was superfluous to obey them, since they would only be more in love later on.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
There can be no peace of mind in love, since what one has obtained is never anything but a new starting point for further desires.
in a chapter called Desire and Despair
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
No doubt, few people understand either the purely subjective nature of the phenomenon of love, or how it creates a supplementary person who is quite different from the one who bears our belovedβs name in the outside world, and is mostly formed from elements within ourselves. So there are few who see anything natural in the disproportionate dimensions which we come to perceive in a person who is not the same as the one they see.
β
β
Marcel Proust
β
At that time, he was satisfying a sensual curiosity by experiencing the pleasures of people who live for love. He had believed he could stop there, that he would not be obliged to learn their sorrows; how small a thing her charm was for him now compared with the astounding terror that extended out from it like a murky halo, the immense anguish of not knowing at every moment what she had been doing, of not possessing her everywhere and always!
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
To think that I wasted years of my life, that I wanted to die, that I felt my deepest love, for a woman who did not appeal to me, who was not my type!
β
β
Marcel Proust
β
A woman whom we love seldom satisfies all our needs, and we deceive her with a woman we do not love.
β
β
Marcel Proust (Time Regained)
β
For, like desire, regret seeks not to be analysed but to be satisfied. When one begins to love, one spends oneβs time, not in getting to know what oneβs love really is, but in making it possible to meet next day. When one abandons love one seeks not to know oneβs grief but to offer to her who is causing it that expression of it which seems to one the most moving. One says the things which one feels the need of saying, and which the other will not understand, one speaks for oneself alone. I wrote: 'I had thought that it would not be possible. Alas, I see now that it is not so difficult.' I said also: 'I shall probably not see you again;' I said it while I continued to avoid shewing a coldness which she might think affected, and the words, as I wrote them, made me weep because I felt that they expressed not what I should have liked to believe but what was probably going to happen.
β
β
Marcel Proust (In the Shadow of Young Girls in Flower)
β
The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest.
β
β
Marcel Proust
β
To understand a profound thought is to have, at the moment one understands it, a profound thought oneself; and this demands some effort, a genuine descent to the heart of oneself . . . Only desire and love give us the strength to make this effort. The only books that we truly absorb are those we read with real appetite, after having worked hard to get them, so great had been our need of them.
β
β
Marcel Proust
β
the practice of solitude had given him a love for it, as happens with every big thing which we have begun by fearing, because we knew it to be incompatible with smaller things to which we clung, and of which it does not so much deprive us as it detaches us from them. Before we experience it, our whole preoccupation is to know to what extent we can reconcile it with certain pleasures which cease to be pleasures as soon as we have experienced it.
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β
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
β
Like everybody who is not in love, he thought one chose the person to be loved after endless deliberations and on the basis of particular qualities or advantages.
β
β
Marcel Proust
β
The truth is that as we grow older we kill all those who love us by the cares we give them, by the anxious tenderness we inspire in them and constantly arouse.
β
β
Marcel Proust
β
Homosexuals would be the best husbands in the world if they did not put on an act of loving other women.
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Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
But I consoled myself with the reflexion that in spite of everything she was for me the real point of intersection between reality and dream.
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β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
One can seldom admire what one loves.
β
β
Marcel Proust (The Complete Short Stories of Marcel Proust)
β
...love, and consequently fear, of the crowd being one of the most powerful motives in all human beings...
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Marcel Proust (In the Shadow of Young Girls in Flower)
β
[My grandmother] was so humble of heart and so gentle that her tenderness for others and her disregard for herself and her own troubles blended in a smile which, unlike those seen on the majority of human faces, bore no trace of irony save for herself, while for all of us kisses seemed to spring from her eyes, which could not look upon those she loved without seeming to bestow upon them passionate caresses.
β
β
Marcel Proust
β
Every person whom we love, indeed to a certain extent every person is to us like Janus, presenting to us the face that we like if that person leaves us, the repellent face if we know him or her to be perpetually at our disposal.
β
β
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
β
The lie, the perfect lie, about people we know, about the relations we have with them, about our motive for some action, formulated in totally different terms, the lie as to what we are, whom we love, what we feel with regard to people who love us β¦ that lie is one of the few things in the world that can open windows for us on to what is new and unknown, that can awaken in us sleeping senses for the contemplation of universes that otherwise we should never have known.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
A person does not, as I had imagined, stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourselves (like a garden at which we gaze through a railing with all its borders spread out before us), but is a shadow which we can never penetrate, of which there can be no such thing as direct knowledge, with respect to which we form countless beliefs, based upon words and sometimes actions, neither of which can give us anything but inadequate and as it proves contradictory information β a shadow behind which we can alternately imagine with equal justification, that there burns the flame of hatred and of love.
β
β
Marcel Proust (The Guermantes Way)
β
It is to such sufferings that we attach the pleasure of loving, of delighting in the most insignificant remarks of a woman, which we know to be insignificant, but which we perfume with her scent.
β
β
Marcel Proust (Remembrance of Things Past: The Sweet Cheat Gone)
β
It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.
β
β
Marcel Proust (The Guermantes Way)
β
Now the same mystery which often veils from our eyes the reason for a catastrophe envelops just as frequently, when love is in question, the suddenness of certain happy solutions, such as had been brought to me by Gilberte's letter. Happy, or at least seemingly happy, for there are few that can really be happy when we are dealing with a sentiment of such a kind that any satisfaction we can give it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion of being healed.
β
β
Marcel Proust
β
Bodily passion, which has been so unjustly decried, compels its victims to display every vestige that is in them of unselfishness and generosity, and so effectively that they shine resplendent in the eyes of all beholders.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
We fall in love for a smile, a glance, a bare shoulder. That is enough; then, in the long hours of hope or sorrow, we fabricate a person, we compose a character. And when later on we see much of the beloved person, we can no longer, whatever the cruel reality that confronts us, strip off that good character, that nature of a woman who loves us, from the person who bestows that glance, bares that shoulder, than we can when she has grown old eliminate her youthful face from a person whom we have known since her girlhood.
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β
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
β
I was merely making more perceptible that binary rhythm which love adopts in all those who have too little confidence in themselves to believe that a woman can ever fall in love with them, and also that they themselves can genuinely fall in love with her. They know themselves well enough to have observed that in the presence of the most divergent types of woman they felt the same hopes, the same agonies, invented the same romances, uttered the same words, and to have realised therefore that their feelings, their actions, bear no close and necessary relation to the woman they love, but pass to one side of her, splash her, encircle her, like the incoming tide breaking against the rocks, and their sense of their own instability increases still further their misgivings that this woman, by whom they so long to be loved, does not love them.
β
β
Marcel Proust
β
... which would enable him to prolong for the time being, and to renew for one day more the disappointment, the torturing deception that must always come to him with the vain presence of this woman, whom he might approach, yet never dared embrace.
β
β
Marcel Proust
β
And indeed when we are no longer in love with women whom we meet after many years, is there not the abyss of death between them and ourselves, just as much as if they were no longer of this world, since the fact that we are no longer in love makes the people that they were or the person that we were then as good as dead?
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
Although she failed to grasp the meaning of this speech, she did understand that it might belong to the category of 'scoldings' and scenes of reproach or supplication, and her familiarity with men enabled her, without paying attention to the details of what they said, to conclude that they would not makes such scenes if they were not in love, that since they were in love it was pointless to obey them, they they would be only more in love afterward.
β
β
Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
β
One can feel an attraction towards a particular person. But to release that fount of sorrow, that sense of the irreparable, those agonies which prepare the way for love, there must be -- and this is perhaps, more than a person, the actual object which our passion seeks so anxiously to embrace -- the risk of an impossibility.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
I was genuinely in love with Mme. de Guermantes. The greatest happiness that I could have asked of God would have been that He should overwhelm her under every imaginable calamity, and that ruined, despised, stripped of all the privileges that divided her from me, having no longer any home of her own or people who would condescend to speak to her, she should come to me for refuge. I imagined her doing so.
β
β
Marcel Proust (The Guermantes Way)
β
What best remind us of a person is precisely what we had forgotten (because it was of no importance, and we therefore left it in full possession of its strength). That is why the better part of our memories exist outside us, in a blatter of rain, in the smell of an unaired room or of the first crackling brushwood fire in a cold grate: wherever, in short, we happen upon what our mind, having no use for it, had rejected, the last treasure that the past has in store, the richest, that which, when all our flow of tears seems to have dried at the source, can make us weep again. Outside us? Within us, rather, but hidden from our eyes in an oblivion more or less prolonged. It is thanks to this oblivion alone that we can from time to time recover the person that we were, place ourselves in relation to things as he was placed, suffer anew because we are no longer ourselves but he, and because he loved what now leaves us indifferent. In the broad daylight of our habitual memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never recapture it. Or rather we should never recapture it had not a few words been carefully locked away in oblivion, just as an author deposits in the National Library a copy of a book which might otherwise become unobtainable.
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β
Marcel Proust (Within a Budding Grove, Part 2)
β
When we are in love with a woman we simply project on to her a state of our own soul; that consequently the important thing is not the worth of the women but the profundity of the state; and that the emotions which a perfectly ordinary girl arouses in us can enable us to bring to the surface of our consciousness some of the innermost parts of our being, more personal, more remote, more quintessential that any that might might be evoked by the pleasure we derive from the conversation of a great man or even from the admiring contemplation of his work.
β
β
Marcel Proust (Within a Budding Grove, Part 2)
β
Sheβs an absolute idiot!β she added with the wisdom invariably shown by people who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while; which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.
β
β
Marcel Proust
β
And it is perhaps one of the causes of our perpetual disappointments in love, this perpetual displacement whereby, in response to our expectation of the ideal person whom we love, each meeting provides us with a person in flesh and blood who yet contains so little trace of our dream.
β
β
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
β
My grandmother had a love which found in me so totally its complement, its goal, its constant lodestar, that the genius of great men, all the genius that might ever have existed from the beginning of the world, would have been less precious to my grandmother than a single one of my defects.
β
β
Marcel Proust (The Guermantes Way)
β
I saw that what had appeared to me to be not worth twenty francs when it had been offered to me for twenty francs in the house of ill fame, where it was then for me simply a woman desirous of earning twenty francs, might be worth more than a million, more than one's family, more than all the most coveted positions in life if one had begun by imagining her to embody a strange creature, interesting to know, difficult to seize and to hold.
β
β
Marcel Proust (The Guermantes Way)
β
The relations one has with a woman one loves (and that can apply also to love for a youth) can remain platonic for other reasons than the chastity of the woman or the unsensual nature of the love she inspires. The reason may be that the lover is too impatient and by the very excess of his love is unable to await the moment when he will obtain his desires by sufficient pretence of indifference. Continually, he returns to the charge, he never ceases writing to her whom he loves, he is always trying to see her, she refuses herself, he becomes desperate. From that time she knows, if she grants him her company, her friendship, that these benefits will seem so considerable to one who believed he was going to be deprived of them, that she need grant nothing more and that she can take advantage of the moment when he can no longer bear being unable to see her and when, at all costs, he must put an end to the struggle by accepting a truce which will impose upon him a platonic relationship as its preliminary condition. Moreover, during all the time that preceded this truce, the lover, in a constant state of anxiety, ceaselessly hoping for a letter, a glance, has long ceased thinking of the physical desire which at first tormented him but which has been exhausted by waiting and has been replaced by another order of longings more painful still if left unsatisfied. The pleasure formerly anticipated from caresses will later be accorded but transmuted into friendly words and promises of intercourse which brings delicious moments after the strain of uncertainty or after a look impregnated with such coldness that it seemed to remove the loved one beyond hope of his ever seeing her again. Women divine all this and know they can afford the luxury of never yielding to those who, from the first, have betrayed their inextinguishable desire. A woman is enchanted if, without giving anything, she can receive more than she generally gets when she does give herself.
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Marcel Proust (In Search of Lost Time [volumes 1 to 7])
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Compared with that of a great artist, the friendliness of a great nobleman, however charming it may be, seems like play-acting, like simulation. Saint-Loup sought to please; Elstir loved to give, to give himself. Everything he possessed, ideas, works, and the rest which he counted for far less, he would have given gladly to anyone who understood him. But, for lack of congenial company, he lived in an unsociable isolation which fashionable people call pose and ill-breeding, the authorities a recalcitrant spirit, his neighbours madness, his family selfishness and pride.
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Marcel Proust (In the Shadow of Young Girls in Flower)
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In the case of the solitary, his seclusion, even when it is absolute and ends only with life itself, has often as its primary cause a disordered love of the crowd, which so far overruled every other feeling that, not being able to win, when he goes out, the admiration of his hall-porter, of the passers-by, of the cabman whom he hails, he prefers not to be seen by them at all, and with that object abandons every activity that would oblige him to go out of doors.
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Marcel Proust (Within A Budding Grove, Part 1)
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At the start of a new love as its ending, we are not exclusively attached to the object of that love, but rather the desire to love from which it will presently arise (and, later on, the memory it leaves behind) wanders voluptuously through a zone of interchangeable charms -- simply natural charms, it may be, gratification of appetite, enjoyment of one's surroundings -- which are harmonious enough for it not to feel at a loss in the presence of any one of them.
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Marcel Proust (Within a Budding Grove, Part 2)
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The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest. Even those women who claim to judge a man by his looks alone, see in those looks the emanation of a special way of life. That is why they fall in love with soldiers or with firemen; the uniform makes them less particular about the face; they feel they are embracing beneath the gleaming breastplate a heart different from the rest, more gallant, more adventurous, more tender; and so it is that a young king or a crown prince may make the most gratifying conquests in the countries that he visits, and yet lack entirely that regular and classic profile which would be indispensable, I dare say, for a stockbroker.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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Among all the modes by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as this gust of feverish agitation that sweeps over us from time to time. For then the die is cast, the person whose company we enjoy at that moment is the person we shall henceforward love. It is not even necessary for that person to have attracted us, up till then, more than or even as much as others. All that was needed was that our predilection should become exclusive. And that condition is fulfilled when β in this moment of deprivation β the quest for the pleasures we enjoyed in his or her company is suddenly replaced by an anxious, torturing need, whose object is the person alone, an absurd, irrational need which the laws of this world make it impossible to satisfy and difficult to assuage β the insensate, agonising need to possess exclusively.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.
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Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
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A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.
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Marcel Proust (The Complete Short Stories of Marcel Proust)
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There is a degree of resemblance between the women we love at different times; and this resemblance, though it devolves, derives from the unchanging nature of our own temperament, which is what selects them, by ruling out all those who are not likely to be both opposite and complementary to us, who cannot be relied on, that is, to gratify our sensuality and wound our heart. Such women are a product of our temperament, an inverted image or projection, a negative of our sensitivity.
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Marcel Proust
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If one were to list all the cruelties and maltreatments, both physical and emotional, that parents and adults inflict on children under the guise of love, the list would be a long one. But, going beyond such sinister examples, even kissing and hugging may or may not convey to a child that he is loved.
Love is a feeling, an emotional state. Artists, writers, philosophers, poets have tried to define it. Marcel Proust says, "Love is space and time measured by the heart." What is space and time? It is the here and now. It is you.
As unfortunately I am no poet, I will try to recall from my own experience how it feels to be truly loved by someone. It makes me feel good, it opens me up, it gives me strength, I feel less vulnerable, less lonely, less helpless, less confused, more honest, more rich; it fills me with hope, trust, creative energy and it refuels me.
How do I perceive the other person who gives me these feelings? As honest, as one who sees and accepts me for what I really am, who objectively responds without being critical, whose authenticity and values I respect and who respects mine, who is available when needed, who listens and hears, who looks and sees me, who shares herself - who cares. Cares. To care is to put love in action. The way we care for our babies is then how they experience our love.
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Magda Gerber (The RIE Manual)
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Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as - in the moment when she has failed to meet us - for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage - the insensate, agonising desire to possess her.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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...But it was above all that fragmentation of Albertine into many parts, into many Albertines, that was her sole mode of existence in me. Moments recurred in which she had simply been kind, or intelligent, or serious, or even loving sport above all else. And was it not right, after all, that this fragmentation should soothe me? For if it was not in itself something real, if it arose from the continuously changing shape of the hours in which she had appeared to me, a shape which remained that of my memory as the curve of the projections of my magic lantern depended on the curve of the coloured slides, did it not in its own way represent a truly objective truth, this one, namely that none of us is single, that each of us contains many persons who do not all have the same moral value,...
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Marcel Proust
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Besides, those whose suffering is due to love are, as we say of certain invalids, their own physicians. As consolation can come to them only from the person who is the cause of their grief, and as their grief is an emanation from that person, it is there, in their grief itself, that they must in the end find a remedy: which it will disclose to them at a given moment, for as long as they turn it over in their minds this grief will continue to show them fresh aspects of the loved, the regretted creature, at one moment so intensely hateful that one has no longer the slightest desire to see her, since before finding enjoyment in her company one would have first to make her suffer, at another so pleasant that the pleasantness in which one has invested her one adds to her own stock of good qualities and finds in it a fresh reason for hope.
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Marcel Proust (In the Shadow of Young Girls in Flower)
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Within five minutes of leaving the reunion, I'd undone the double wrapping and eaten all six rugelach, each a snail of sugar-dusted pastry dough, the cinnamon-lined chambers microscopically studded with midget raisins and chopped walnuts. By rapidly devouring mouthful after mouthful of these crumbs whose floury richness - blended of butter and sour cream and vanilla and cream cheese and egg yolk and sugar - I'd loved since childhood, perhaps I'd find vanishing from Nathan what, according to Proust, vanished from Marcel the instant he recognized "the savour of the little madeleine": the apprehensiveness of death. "A mere taste," Proust writes, and "the word 'death' ... [has] ... no meaning for him." So, greedily I ate, gluttonously, refusing to curtail for a moment this wolfish intake of saturated fat, but, in the end, having nothing like Marcel's luck.
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Philip Roth (American Pastoral)
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β¦I suddenly discerned at my feet, crouching among the rocks for protection against the heat, the marine goddesses for whom Elstir had lain in wait and whom he had surprised there, beneath the dark glaze as lovely as Leonardo would have painted, the marvelous Shadows, sheltering furtively, nimble and silent, ready at the first glimmer of light to slip behind the stone, to hide in a cranny, and prompt, once the menacing ray had passed, to return to the rock or the seaweed over whose torpid slumbers they seemed to be keeping vigil, beneath the sun that crumbled the cliffs and the etiolated ocean, motionless lightfoot guardians darkening the waterβs surface with their viscous bodies and the attentive gaze of their deep blue eyes.
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Marcel Proust (In the Shadow of Young Girls in Flower)
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For in this way Swann was kept in the state of painful agitation which had once before been effective in making his interest blossom into love, on the night when he had failed to find Odette at the Verdurins' and had haunted for her all evening. And he did not have (as I had, afterward, at Combray in my childhood) happy days in which to forget the sufferings that would return with the night. For his days, Swann must pass them without Odette; and as he told himself, now and then, to allow so pretty a woman to go out by herself in Paris was just as rash as to leave a case filled with jewels in the middle of the street. In this mood he would scowl furiously at the passers-by, as though they were so many pick-pockets. But their faces - a collective and formless mass - escaped the grasp of his imagination, and so failed to feed the flame of his jealousy.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
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Marcel Proust (In the Shadow of Young Girls in Flower)
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[T]his jealousy gave him, if anything, an agreeable chill, as, to the sad Parisian who is leaving Venice behind him to return to France, a last mosquito proves that Italy and summer are still not too remote. But, as a rule, with this particular period of his life from which he was emerging, when he made an effort, if not to remain in it, at least to obtain a clear view of it while he still could, he discovered that already it was too late; he would have liked to glimpse, as though it were a landscape that was about to disappear, that love from which he had departed; but it was so difficult to enter into a state of duality and to present to oneself the lifelike spectacle of a feeling one has ceased to possess, that very soon, the clouds gathering in his brain, he could see nothing at all, abandoned the attempt, took the glasses from his nose and wiped them; and he told himself that he would do better to rest for a little, that there would be time enough later on, and settled back into his corner with the incuriosity, the torpor of the drowsy sleeper in the railway-carriage that is drawing him, he feels, faster and faster out of the country in which he has lived for so long and which he had vowed not to allow to slip away from him without looking out to bid it a last farewell.
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Marcel Proust (Du cΓ΄tΓ© de chez Swann (Γ la recherche du temps perdu, #1))
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By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath.
I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding.
On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
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Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))