Marble Game Quotes

It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death. "Cut," I hear Cressida say quietly. "What's wrong with her?" Plutarch says under his breath. "She's figured out how Snow's using Peeta," says Finnick. There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken. Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob. "I can't do this anymore," I say. "I know," he says.

Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.

If little else, the brain is an educational toy. The problem with possessing such an engaging toy is that other people want to play with it, too. Sometime they'd rather play with yours than theirs. Or they object if you play with yours in a different manner from the way they play with theirs. The result is, a few games out of a toy department of possibilities are universally and endlessly repeated. If you don't play some people's game, they say that you have "lost your marbles," not recognizing that, while Chinese checkers is indeed a fine pastime, a person may also play dominoes, chess, strip poker, tiddlywinks, drop-the-soap or Russian roulette with his brain.

As I descend the stairs, I can’t help brushing my fingers along the unblemished white marble walls. So cold and beautiful. Even in the Capitol, there’s nothing to match the magnificence of this old building. But there is no give to the surface - only my flesh yields, my warmth taken. Stone conquers people every time.

But I think you’ll see in this book a girl who does find herself, not by success in the music industry but by taking the opportunity to sensibly and truly lose her marbles. The thing being that after losing them, one finds them and plays the game better.

What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.

In my mind, President Snow should be viewed in front of marble pillars hung with oversized flags. It's jarring to see him surrounded by the ordinary objects in the room. Like taking the lid off a pot and finding a fanged viper instead of stew.

The Stadium Have you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators. At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.

When my dad was young he shot marbles. When I was young I played Marble Madness on my Nintendo Entertainment System.

To the sound of this voice, to the music of the chessboard's evil lure, Luzhin recalled, with the exquisite, moist melancholy peculiar to recollections of love, a thousand games that he had played in the past... There were combinations, pure and harmonious, where thought ascended marble stairs to victory; there were tender stirrings in one corner of the board, and a passionate explosion, and the fanfare of the Queen going to its sacrificial doom.

when you cannot justify / your origin / when you say / “i was only playing / a game / to see how it felt” / & the lie lands heavy / like a marble / on the kitchen floor

Always more, always hungrily scratching for more. But there were times, quiet moments, when our mother was sleeping, when she hadn’t slept in two days, and any noise, any stair creak, any shut door, any stifled laugh, any voice at all, might wake her, those still, crystal mornings, when we wanted to protect her, this confused goose of a woman, this stumbler, this gusher, with her backaches and headaches and her tired, tired ways, this uprooted Brooklyn creature, this tough talker, always with tears when she told us she loved us, her mixed-up love, her needy love, her warmth, those mornings when sunlight found the cracks in our blinds and laid itself down in crisp strips on our carpet, those quiet mornings when we’d fix ourselves oatmeal and sprawl onto our stomachs with crayons and paper, with glass marbles that we were careful not to rattle, when our mother was sleeping, when the air did not smell like sweat or breath or mold, when the air was still and light, those mornings when silence was our secret game and our gift and our sole accomplishment—we wanted less: less weight, less work, less noise, less father, less muscles and skin and hair. We wanted nothing, just this, just this.

What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.

Despite all her efforts to not be one of those historical romance heroines, walking into the marble foyer and seeing the slick hardwood floors beyond, the glittering chandeliers and sconces, she felt like one. She felt small and alone. And like maybe her dad lost her in a poker game.

I just believe,' he said, 'that the whole thing is going to be reduced to the human body, once and for all. I want to be ready.... I think the machines are going to fail, the political systems are going to fail, and a few men are going to take to the hills and start over.... I had an air-raid shelter built,' he said. 'I'll take you down there sometime. We've got double doors and stocks of bouillon and bully beef for a couple of years at least. We've got games for the kids, and a record player and a whole set of records on how to play the recorder and get up a family recorder group. But I went down there one day and sat for a while. I decided that survival was not in the rivets and the metal, and not in the double-sealed doors and not in the marbles of Chinese checkers. It was in me. It came down to the man, and what he could do. The body is the one thing you can't fake; it's just got to be there.... At times I get the feeling I can't wait. Life is so fucked-up now, and so complicated, that I wouldn't mind if it came down, right quick, to the bare survival of who was ready to survive. You might say I've got the survival craze, the real bug. And to tell you the truth I don't think most other people have. They might cry and tear their hair and be ready for some short hysterical violence or other, but I think most of them wouldn't be too happy to give down and get it over with.... If everything wasn't dead, you could make a kind of life that wasn't out of touch with everything, with other forms of life. Where the seasons would mean something, would mean everything. Where you could hunt as you needed to, and maybe do a little light farming, and get along. You'd die early, and you'd suffer, and your children would suffer, but you'd be in touch.

In my mind, President Snow should be viewed in front of marble pillars hung with oversized flags.

It could very well be that if a grandfather paradox really gets going and history from the point of the twonky forward starts to come unglued... ...we all softly and suddenly vanish away. Not just you and me, but the Sun, Jupiter, Alpha Centauri and the Andromeda Galaxy. And so forth. This is known as the Cosmic Disgust Theory. Or: "If you’re going to play games like that, I’ll take my marbles and go home. Signed, God.

As I descend the stairs, I can't help brushing my fingers along the unblemished white marble walls. So cold and beautiful...But there's no give to the surface--only my flesh yields, my warmth taken. Stone conquers people every time.

The thought should have comforted Bobby but it didn’t. He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battle-cruiser and good for them . . . but who would rescue the crew? That was stupid, no one ever looked less in need of rescuing than Rionda Hewson did at that moment, but the words still haunted Bobby. What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.

It’s okay. It’ll be okay, sweetheart.” He sits me on a length of broken marble pillar and keeps an arm around me while I sob. “I can’t do this anymore,” I say. “I know,” he says. “All I can think of is — what he’s going to do to Peeta — because I’m the Mockingjay!

Back to the subject at hand.” Finn’s gaze fell on Selena’s bow. “Tell me you hadn’t ever planned to kill us in this game.” “Of course she had,” I said in a low voice. “You heard her. First we take out Death, then all bets are off.” Gazing around wildly, Finn opened his mouth and closed it. Open, closed. “You guys are humming my balls, right?” Everyone frowned at him. “Gargling my marbles? Screwing with me?” His eyes looked frantic. “Tell me, Selena!” “I can’t believe I gave you food and shelter,” he told Selena. “I even gave you my last Snickers bar! Might’ve been the last one on earth.

On the grave-mound of Leonidas, with its marble lion, he laid a garland. “I don’t think,” he remarked after, “that he was really much of a general. If he’d made sure the Phokian troops understood their orders, the Persians could never have turned the pass. These southern states never work together. But one must honor a man as brave as that.

All elves were jaw-droppingly gorgeous, but there was something particularly handsome about Keefe Sencen—and the boy was well aware of it. Though he seemed a little off his game at the moment. His smug smirk was noticeably absent as he scrounged around his blankets, searching for something. “Here,” Ro said, tossing Keefe a wrinkled black tunic from the floor. “Bet you’re wishing it didn’t smell so much like sweaty boy in here, huh?” “It’s fine,” Sophie promised, even if the room could definitely use some airing out. A good cleaning would work wonders too. Everywhere she looked were piles of crumpled clothes and scattered shoes and stacks of papers and plates of half-eaten food. And all the thick curtains were drawn tight, leaving the space dim and stuffy. The room was clearly designed to be beautiful, with marble floors broken up by rugs woven to look like pristine sand, and seafoam walls inlaid with starfish and anemone shells. But under Keefe’s care, it was a disaster zone. Even the furniture had a strange randomness to the arrangement that made Sophie wonder if he’d moved it all just to bug his dad.

Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. 'It's okay. It'll be okay, sweetheart.' He sits me on a length of broken marble pillar and keeps an arm around me while I sob. 'I can't do this anymore,' I say. 'I know.

Alone in the bathroom, I stared into the mirror over the sink. Who was I looking at? Andrew or Drew? The boy on the lawn had been wearing my jeans, my T-shirt, my running shoes. I was wearing his clothes. I’d whistled for his dog the way he would have. I’d called his mother “Mama” as naturally as I’d once called my mother “Mom.” If I stayed here long enough, would I sink down into Andrew’s life and forget I’d ever been anyone else? No, no, no. Splashing cold water on my face, I reminded myself I was just acting a part. When I won the marble game, the curtain would go down on the last act. I’d be Drew again and Andrew would be Andrew--for keeps. Till then, I’d call Mrs. Tyler “Mama” and Mr. Tyler “Papa,” I’d think of Hannah and Theo as my brother and sister, I’d whistle for Buster, I’d do whatever my role demanded. Outside, a horn blew and Theo yelled, “Andrew, hurry up or we’ll leave without you!” Yes--I’d even ride in a genuine Model T.

Try again, Andrew,” Hannah said patiently. For the rest of the long morning, we played. By the time we quit, my thumb hurt, my neck and shoulders ached, and my finger felt permanently crooked. It looked like I wasn’t going to beat Andrew anytime soon. Chucking me under the chin, Hannah laughed. “Goodness, don’t look so glum. It’s a game, Andrew, not a matter of life and death.” I turned away quickly and began gathering the marbles. The things the Tylers said in ignorance were downright scary.

God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come. Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since... I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind. I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely. I felt like a damn lecher. "At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.

He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battlecruiser and good for them . . . but who would rescue the crew? ...What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses?

Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.

It is not so much what people suffer that makes the world mysterious; it is rather how much they miss when they suffer. They seem to forget that even as children they made obstacles in their games in order to have something to overcome. Why, then, when they grow into man’s estate, should there not be prizes won by effort and struggle? Cannot the spirit of man rise with adversity as the bird rises against the resistance of the wind? Do not the game fish swim upstream? Must not the chisel cut away the marble to bring out the form? Must not the seed falling to the ground die before it can spring forth into life? Must not grapes be crushed that there may be wine to drink, and wheat ground that there may be bread to eat? Why then cannot pain be made redemption? Why under the alchemy of Divine Love cannot crosses be turned into crucifixes? Why cannot chastisements be regarded as penances? Why cannot we use a cross to become God-like? We cannot become like Him in His Power; we cannot become like Him in His Knowledge. There is only one way we can become like Him, and that is in the way He bore His sorrows and His Cross. And that way was with love. It is love that makes pain bearable.

He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.

Having crossed the international date line, it was Tuesday morning when Marlboro Man and I finally checked into the Park Hyatt, nestled right on the Sydney Harbor. Starving, we feasted on a big plate of scrambled eggs from the lobby buffet before heading up to our room, which overlooked the harbor and had remote control-operated drapes and a marble bathtub just big enough for two newlyweds hell-bent on discovering every single thing about each other’s bodies that they could, as soon as humanly possible. We didn’t come up for air till Wednesday afternoon. “Let’s just stay here for the whole three weeks,” Marlboro Man said, tracing his finger along my scapula as we lay dreamily in our honeymoon bed. “I’m game,” I said, gazing at his whiskered face. Sydney was my new favorite place on earth. Marlboro Man pulled me closer, our heads nestling in each other’s necks…our legs wrapping as tightly around each other as was orthopedically possible. We were as one flesh as two people could be. There were no two ways about it.

I would stop by the table, where the kitchen-maid had shelled them, to inspect the platoons of peas, drawn up in ranks and numbered, like little green marbles, ready for a game; but what most enraptured me were the asparagus, tinged with ultramarine and pink which shaded off from their heads finely stippled in mauve and azure, through a series of imperceptible gradations to their white feet—still stained a little by the soil of their garden-bed—with an iridescence that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form and who, through the disguise of their firm, comestible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting like one of Shakespeare's fairies) at transforming my chamber pot into a vase of aromatic perfume.

Do you know how to play?” I asked. Hannah gave me one of her vexed looks. “Goodness, Andrew, if it weren’t for me you wouldn’t know the first thing about marbles. Your brain is a regular sieve these days.” I tapped my forehead to remind her I’d been sick. She looked so contrite I felt guilty. “Will you teach me all over again?” Hannah poured her marbles onto the quilt and sighed. Without raising her eyes, she said, “Girls my age are supposed to be ladies, but sometimes I get mighty tired of trying to be what I’m not.” Cradling an aggie almost as shiny as Andrew’s red bull’s-eye, she cocked her head, studied her targets, and shot. The aggie hit a glass marble and sent it spinning off the bed. Hannah grinned and tried again. When all the marbles except the aggie were scattered on the floor, Hannah seized my chin and tipped my face up to hers. Looking me in the eye, she said, “If you promise not to tell a soul, I’ll give you as many lessons as you want. No matter what Papa thinks, I’d rather play marbles than be a lady, and that’s the truth.” “Ringer,” I said sleepily. “Do you know how to play ringer?” Hannah ruffled my hair. “You must be pulling my leg, Andrew. That’s what we always play. It’s your favorite game.” I yawned. “Starting tomorrow, we’ll practice every day till I get even better than I used to be.” “When I’m finished with you, you’ll be the all-time marble champion of Missouri.

A strange illusion,” I murmured shakily. “Not an illusion,” said Amar. His voice was brittle. “Didn’t I promise you the power of a thousand kings?” He crossed the marble floor that had once been an ocean. Water glistened on his feet and a gray fish flopped helplessly in a corner. He stood in front of me, his eyes hectic and alive. Even through my fury, I couldn’t look away from him. “You and I are the ground and ceiling of our empire,” he said, his voice harsh and desperate, pleading and ruthless at once. “You and I can carve lines into the universe and claim all that we want. We need only share between ourselves. Don’t you see?” “All I see is your power,” I said. “None of my own. All I see are my words and expectations thrown up against whatever it is that you choose to tell me--” “--whatever I can tell you,” finished Amar. “And as for your power, I was hoping you would ask that. It’s time to practice.” “Leave me alone,” I hissed. “Your duties in Akaran will pay no heed to the whims of its empress.” I bared my teeth at Amar and he returned it with a half-grin. “From now on, whatever concentration you use is yours alone. It is your power. Not mine.” “How would I know?” “You’ll feel it in your bones. Like blood singing to marrow.” I slid off the bed and when my feet hit the floor, something silvery trilled through my body, like light had seeped in and was rediscovering me. It was like being full for the first time. Like being weighed and made whole. “Power needs balance,” said Amar. “Our game today, as our reign, is simply a matter of reaction. What can we do when chaos is flung into our face?

It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.” “If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.” Hannah raised her eyebrows. “It seems to me he outplayed you once.” “Pshaw. What’s one game?” If Aunt Blythe hadn’t come back just then, I’d have argued, maybe even challenged Andrew to a rematch, but instead, I smiled and leaned my head against Hannah’s shoulder, happy to feel her arm around me. This close, she still smelled like rose water. Turning the pages of the album, Hannah showed us pictures of Mama and Papa, Theo, herself--and Andrew. “These are my favorites.” She pointed to the photographs John had taken of us in the Model T. We were all smiling except Theo. He sat beside me, scowling into the camera, still angry about Mrs. Armiger and the music lessons. “We wanted Theo to come with us today,” Hannah said, “but he’s living down in Florida with his third wife--a lady half his age, I might add.” Andrew nudged me. “He sends his best, said he hopes to see you again someday.” I glanced at Aunt Blythe but she was staring at the photograph. “The resemblance is incredible. If I didn’t know better, I’d swear it was Drew.” Andrew chuckled. “Take a good look at me now. This is how the poor boy will look when he’s ninety-six.” I studied his rosy face, his white hair and mustache. His back was bent, but his eyes sparkled with mischief. Going to his side, I put my arms around him. “You’re not so bad,” I said. Dropping my voice to a whisper, I added, “I wouldn’t be surprised if you could still beat me in a game of ringer.

You must go back to bed.” “No,” I shouted. “Not yet! I have to finish this game.” I couldn’t leave Andrew, not now, not when I was finally winning. Hannah released me so suddenly I staggered backward. “I’ll fetch Papa!” she cried. Andrew threw himself at her. “Hannah, stop, you’re ruining everything!” I grabbed his arm. “Let her go. We don’t have much time!” Casting a last terrified look at me, Hannah ran downstairs, calling for Mama and Papa. Andrew turned to me, his face streaked with tears. “Quick, Drew. Shoot four more marbles out of the ring!” Holding my breath I aimed. Click, click, click. An immie, a cat’s-eye, and a moonstone spun across the floor, but I missed the fourth. Andrew knuckled down and shot at the scattered marbles. Of the seven in the ring, he managed to hit two before he missed. Downstairs I heard Hannah pounding on Papa and Mama’s door. “One more, Drew,” Andrew whispered. It was hard to aim carefully. Papa and Mama were awake. Their voices rose as Hannah tried to explain I was in the attic acting as if I’d lost my mind. My hand shook and the first marble I hit merely clicked against another. Andrew took his turn, hit three, and missed the fourth. “Send me home, Drew,” he begged. “I don’t care if I die when I get there.” Two marbles were left--a carnelian and an immie, widely separated. Neither was close to my aggie. Even for someone as good as Andrew, it was a hard shot. Holding his breath, Andrew crossed his fingers and closed his eyes. I knuckled down and aimed for the carnelian. Click. As Papa tramped up the steps with Mama at his heels, the seventh marble rolled into the shadows. My aggie stayed in the middle of the ring. Andrew let out his breath and stared at me. I’d won--what would happen now?

You didn’t marry?” Aunt Blythe asked Andrew. He glanced at me. “When I was a boy no older than Drew, I had a close brush with death. It always seemed to me a miracle that I lived.” Once more Hannah made an attempt to stop her brother with a poke of her cane, but Andrew went on talking, his eyes on my face, his voice solemn. “I often thought I’d been meant to die, so I decided to lead a solitary life. There’s no way of telling what one person might do to change the history of the world.” Before he could say anything else, Hannah patted Aunt Blythe’s arm. “I brought along an old photo album. Would you please fetch it from the car?” As soon as my aunt was out of sight, Hannah said, “If you don’t hush, Andrew, we’re going to leave the minute Blythe comes back. I swear I don’t know what ails you. You might as well be twelve years old!” She turned to me then and took my hand. “You know what I’m talking about, don’t you, Drew? He was an absolute imp when he was your age and he still is. All that’s changed is his outside.” I stared into Hannah’s eyes, faded now to the color of shadows on winter snow. “He told you, didn’t he?” “In some ways, I think I knew all along.” Hannah squeezed my hand. “I’m so glad we’ve lived long enough to see you again.” I flung my arms around her. She felt as thin-boned as a bird, and I was afraid to hug her too tightly. I didn’t want to hurt her. “It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.” “If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.” Hannah raised her eyebrows. “It seems to me he outplayed you once.” “Pshaw. What’s one game?

saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.

Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.

In the square field of the game he has found the ground mirror of the circular plan of the heavenly sphere. Through play, he was becoming aware of the crux gemmata – the sign of Christ, and he created the letters of the Glagolitic script, and turned the trinitarian game into a tetragonic one. He had made the Glagolitic script, a game of four gospels in which the symbol of Christ’s name is placed. The Glagolitic is his game with three marbles – one for each of the messengers of the good news.

We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine. I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes. Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries: "Carciofi fresci." "Funghi belli." "Tutto economico." I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man. Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny. The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me: "Hey, Rosa, who's your friend?" We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special. We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.

What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just play-ground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.

As she craned her neck further she finally saw his face. She knew her mouth must have been gaping open like a clown in a ball toss game but she couldn't help it. His face was without a doubt the most beautiful thing she had ever seen. It was the kind of face that should have been gracing the pages of magazines, not the sidewalks of suburban Melbourne. The kind of face that made her yearn for her sketchbook and pencil. He couldn't have been more than a year or two older than Sachi was, with dishwater blonde hair cut short and styled meticulously, a pointed jaw and hollow cheeks. His eyes were the colour of storm clouds and framed by lashes any girl would kill for. He was a contradiction of sharp edges and porcelain smooth. He could have been carved out of marble. He couldn't be real.

Russians by history were chess players. The surface game as in chess, was important, but not vital. The real game, for power, control - all the marbles - was the thing. Americans, as a people, did not care for chess. They preferred a ball game, and this was what the USSR would not play. With no greater game in mind, Western policy always fell into the trap of watching the current score, the needs of the day, and the passing scene, never the future. It put more store in ephemeral diplomatic gains than real, if hidden, shifts of power.

Today's marbles were then called,  ‘blorot'. It is possible that the source of this strange name came from the language spoken by the people of  Tiberias. The  blorot  was an entire world. There was no self-respecting child who did not have them in his possession. There were those who walked proudly with a fixed 'Rasiot'. The Rasiot was a special brand of  blorot,  usually larger, but what was important was that they were trusted by the user, who could rely upon them when shooting. The  blorot was in abundance and appeared in different forms, in different colors, and in different sizes. There were giants and small  blorots, there were those that were made of glass or ceramic. There were transparent  butterflies, some that were decorated in a way that only someone with a wild imagination could design. Every  blora was more beautiful than the other, but most beautiful of all, was no doubt the variety of games you could play with them.

gripped Nate’s hand affectionately. Nate poured a glass of water from a carafe with his free hand and offered it to MARBLE. “You look well,” he said, priming the pump. There was a tray on the sideboard with plates of sandwiches, a small salad, a container of vinaigrette. They had not touched the food. MARBLE smiled and shrugged. “The work progresses,” he said. “In the Center we claim successes to please one another. We play the myshynava voznya, the mice games. Few of them are really worth the effort.” He let go of Nate’s hand, sat back, took a sip of water, and looked at his watch. “I do not have more than a half hour

But he continued to watch her with an unwavering regard. And this time, he didn’t pretend to indifference. For an intense interval, their eyes met, and she wondered how she could ever have overlooked him. He was the most striking man she’d ever met. Her horse stamped in impatience at the delay, but Serena held the mare and studied Giles, imprinting his image on her mind forever. The tall, lean body. The rumpled black hair. The quirky, intelligent face that lately seemed so much more appealing than mere good looks. Something strong and dark rushed through her, something that wasn’t a game at all. With an abrupt gesture, she set her heels to her horse so the mare bounded into a gallop. But as she dashed through the trees, nothing could erase the memory of Giles standing, proud and solitary, in that frame of white marble. Solitary. And heartbreakingly lonely.

This is the most solid stuff we are able to find—the things we enjoy doing. When we look for what we don’t enjoy, we are tangled in a web of infinite possibilities. We have no center to refer back to. There’s too much to point to—a rule, the way somebody looked at us, the color of the marbles, the ground, the air. But

In 132 Hadrian, now in his late fifties, decided to leave Greece, the country he had placed at the centre of his empire, and turn for home. He had accomplished all that he had ever planned on the greatest stage set the world had ever seen. The council of the Panhellion had been inaugurated with games and religious ceremonies. Athens, basking in the generosity of an emperor who loved her, had never looked more splendid. Alabaster, gilding, bronzes and hundreds of marble columns and statues decorated the restored city, and festivals had been arranged in perpetuity. Great games – more to the Roman taste, of a kind rare in Greece – had been held, where 1,000 exotic animals from all over the empire were slaughtered. The celebrations went on for weeks on end. The cult of Antinous had been established in all the major centres of Greece and Asia minor. The dream of a Roman empire united by Hellenic nostalgia had reached its zenith.

Sylvie flicked her brush over the dragon, leaving a line of glittering pigment on the spiked tail. The edible paint had an oil-slick effect, shimmering from blue to pink to purple to black under the light. "What time do I have to---" Jay began. "Shhh," hissed about fifteen voices at once, as Sylvie picked up the dragon and set it on the lowest tier of the cake. Three layers of rich chocolate cake, covered in mirror glaze icing, marbled blue, purple, and black, with gold paint etched and feathered to replicate the appearance of the sugar dragon's scales. She wound the tail upward, adjusting the long curve to swoop neatly around the top tier, the very tip coming to rest protectively on the sculpted couple who sat on the edge, their legs dangling, tiny sugar ankles entwined. One totally edible princess with long black hair and thick eyeliner. Her endearingly fluffy blond love. And Caractacus, the dragon sentinel from the video game I, Slayer, over which the royal couple had apparently bonded, turning an excruciating first private date into an all-nighter. From curt questions and stammering answers to a beer-drinking, ogre-bashing bonk-fest. Just like all good fairy tales. The Brothers Grimm would be proud.

Children’s leisure had to fit around work and school. Visit any playground in Britain today, and you will witness Victorian games in action. Various forms of Tag, British Bulldog, Grandma’s Footsteps and What’s the Time, Mr Wolf? still form much of the charging about when children gather. Games of marbles can be found in quieter corners, Five Stones and Jacks are still popular, and many girls are still highly skilled with a skipping rope.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the fornt doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

In a way, every game exists already. They’re out there, hidden in the logic of the universe. We don’t create them. We find them like a sculptor finds the statue in a block of marble — not by adding anything, but by taking away the excess material that obscures the form within.

The worst thing was not knowing. The newsfeeds were awash with information, but very little of it matched up. Four billion were dead on Earth. Or seven. The ash and vapor that had turned the blue marble to white was starting to thin already—much sooner than the models predicted. Or the surface of the Earth wouldn’t see daylight and blue skies for years. It was the dawn of a resurgence of natural flora and fauna driven by the human dieback or it was the final insult that would crash a perennially overstressed ecosystem.

The newsfeeds were awash with information, but very little of it matched up. Four billion were dead on Earth. Or seven. The ash and vapor that had turned the blue marble to white was starting to thin already—much sooner than the models predicted. Or the surface of the Earth wouldn’t see daylight and blue skies for years. It was the dawn of a resurgence of natural flora and fauna driven by the human dieback or it was the final insult that would crash a perennially overstressed ecosystem.

In the years directly following World War II—the time when modern childhood began in earnest—the toy boom began in earnest too. In 1940, toy sales were a modest $ 84 million; by 1960, they had reached $ 1.25 billion. Many classic children’s toys were invented during this era, including Silly Putty (1950) and Mr. Potato Head (1952). And the pickings back then were paltry compared to today, when playrooms as well stocked as Emily’s are increasingly common. In Parenting, Inc. (2008), Pamela Paul writes that toy industry sales “for babies between birth and age two alone” were over $ 700 million annually. According to the Toy Industry Association, domestic sales of kids’ toys were $ 21.2 billion in 2011, a figure that didn’t include video games. Such oceans of plenty have had unintended consequences. In Huck’s Raft, Steven Mintz notes that toys before the twentieth century were primarily social in nature—jump ropes, marbles, kites, balls. “Modern manufactured toys,” on the other hand, “implied a solitariness that was not a part of childhood before the twentieth century.” He’s thinking of Crayons, for instance, introduced in 1903. Or Tinker Toys (1914), Lincoln Logs (1916), or Legos (1932).

Broad shoulders. Tapered waist. Abs like chiseled marble. And those thighs. They looked like they could crush a freaking watermelon.