Manga Art Quotes

After being hurt by the world so much, they began to see the demons within humans. So without hiding it through trickery, they worked to express it.

Just because I'm doing what I love, doesn't mean It's always going to be fun.

You'll pay for making Genos look like modern art! Lead the way!

There is no such thing as a perfect drawing, especially if you're ametur.

Shigure: "Lemme guess; you lost your temper and yelled at her again, right? You know, you shouldn't do that if you're just going to regret it. Not too bright, now is it?" Kyo: "Save your breath. I'm just not meant to get along with other people. Period. End of story." Shigure: "Oh sure, some people just aren't. But you're not one of them. You lack experience, that's all. For example, I'm sure you could smash this table to bits with your bare hands. But I'm equally sure you could punch the table without breaking it. And why is that? Because I know your training has taught you to control your fists... at least I should hope so, after four months of fighting bears and-" Kyo: "I didn't fight bears!" Shigure: "My point is, it takes just as much training to get along with people. Only, training by yourself in the mountains won't do you any good. You need to surround yourself with others. As you get to know them, of course you take the chance that you'll end up hurting them, or they'll end up hurting you. One of those things might very well happen. That's the only way we learn... about others, and about ourselves. You're a black-belt in martial arts, but I'd guess you still a white-belt in social skills. Someday, you're going to meet someone that truly wants to be your friend, and you, theirs. But it if you don't keep training, you won't be ready when that happens." Kyo: "It'll never happen, anyways!" Shigure: "Uh-uh! Never say never." Kyo: "Ok, fine. Maybe if I meet someone with brain-damage... or something." Shigure: "That's the spirit!

If you're upset, that means you're willing to fight.

I'm not talented at all. It's just that I spend more time thinking about art than others.

Try putting aside the thought of "failure". If you can do that... All the things you have learned since then, along with this piece will become your strength.

Humans lose focus of the big picture when they’re drunken in the midst of their feelings. - Tojuro Hattori

If I can only be my true self in the virtual world . . . then what was the point of coming back to reality after all?

Private school girls are scary.

You're free to underestimate me all you want.

You're a mere human that started learning how to draw 6 months ago. Just who do you think you are ? Your fight has only begun.

I've had just one goal. I wanted to get to the 22nd floor before anyone else . . . so I could buy a certain player house, a log cabin deep in a thick forest.

But kids who can't work hard, are those that don't have any passion. It's only natural for people to invest their lives on things they are most passionate about.

- Youth. Live life and enjoy while thou art still young. - Huh? Where's it come from? Who said that? - I did.

Manga and graphic novels are not just for kids; they are a form of art and literature that can be appreciated by people of all ages.

This is my story now.

What matters is that we survive.

How can he stay so calm in these circumstances? No . . . it's not being calm. He's going all out. He's not making excuses. He's choosing to use every ounce of ability he has to fight. That's his strength.

In that sense, “otaku” referred to a sudden, spontaneous, and, to most Japanese, inexplicable eruption of extreme obsessiveness among the country’s youth. One day, Japanese in their teens and twenties were normal, well-adjusted young people. The next day, or so it seemed, they were hopeless geeks who had forsaken all social skills in favor of a deep dive into—whatever. Manga (comics). Anime. Super-hard-core deviant anime porn in which tender young schoolgirls are violated by multi-tentacled octopi. Trains. It could be anything really.

The innocent beauty of a young love, repeated and filtered by the minds of poetic and passionate young manga artists - no matter what gender - is the only art that brings together all complex forms of expression. 90s Shōjo Anime is the most important artistic occurance since the work of the Renaissance artists Leonardo and Michelangelo.

Cuando regresó, el hijo del posadero le entregó las ropas del guerrero, limpias y dobladas. Mikhon Tiq las subió al sobrado y las colocó en orden junto a sus armas. Eran ropas de estilo Ainari, aunque mezclado con algunos detalles bárbaros del Norte. Las botas, que el propio rapaz había encerado, estaban arrugadas en los tobillos, casi cuarteadas; botas de espadachín acostumbrado a doblar las piernas y girar los pies en la danza del combate. Las mangas de la casaca eran amplias. Sin duda su dueño las utilizaba para guardar en ellas las manos y ocultar así las emociones, según la costumbre de Áinar. Pero tenían corchetes de latón para que, llegado el momento de la pelea, pudieran ceñirse a las muñecas y no estorbar los movimientos. El talabarte, ya descolorido, tenía una pequeña vaina a la derecha para el colmillo de diente de sable que sólo los Tahedoranes podían llevar. A la izquierda había dos trabillas de piel con sendas hebillas para colgar la funda de la espada. Éste era otro detalle que lo delataba. Los guerreros normales llevan una sola hebilla, de forma que la espada cuelgue junto al muslo. Los maestros de la espada, sean Ibtahanes o Tahedoranes, necesitan dos para que la espada se mantenga horizontal; de esta manera pueden sujetar la vaina con la mano izquierda y extraer el arma a una velocidad fulgurante, en el movimiento letal conocido como Yagartéi que es en sí mismo un arte marcial. Pero lo que más llamaba la atención de Mikhon Tiq era la propia espada. Hacía años que no veía una auténtica arma de Tahedorán. La funda era de cuero repujado, reforzada con guarnición y punta de metal, y con dos pequeños bolsillos a ambos lados. Uno de ellos contenía una navaja con un pequeño gavilán en forma de gancho; de este modo servía de arma y a la vez de herramienta para desmontar la empuñadura de su hermana mayor. En la otra abertura había papel de esmeril para sacar filo a la hoja; aunque un Tahedorán sólo haría esto en una emergencia, pues los aceros dignos de tal nombre deben ser bruñidos y afilados por maestros pulidores. En torno a la empuñadura de la espada corría una fina tira de piel, enrollada y apretada con fuerza para evitar que la mano resbalara al aferrarla. Mikhon Tiq miró de reojo a Linar. Tenía el ojo cerrado; o dormía o estaba encerrado en su mundo interior. En cuanto al guerrero, su respiración bajo la manta era profunda y pausada. Mikhon Tiq sintió la tentación de desenvainar la espada para examinar la hoja. Pero aquello habría sido una afrenta, como desnudar a una doncella dormida, así que apartó las manos del arma y procuró pensar en otras cosas.

Many powerful works were created by the Hikari clan. My clan. But in creating those works of art, they also created a curse. That curse plagues even me. Maybe I want to test that curse…

Once upon a time…there lived a young artist. Many of the works that he created seemed to have the spark of life within them, and they captured the hearts of the people. One of those people was another young man…who was entranced by the artist’s work. He wished to possess those works of art by any means possible. And in reality…their wishes were one and the same.

Markers Markers are my go-to for coloring anime characters. They are simple to use and versatile, especially brush-tip markers. For the illustrations in this book, I only used alcohol-based markers, specifically Copic Sketch or Ciao markers.