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When you are alone, you have all the time in the world to practice whistling like a bird. When there is no one in the world you can turn to, a horse or .even a lion may give you companionship. When you don't know if there is anyone in the world like you, you seek contact with something living however you can
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Jean M. Auel (The Clan of the Cave Bear, the Valley of Horses, the Mammoth Hunters, the Plains of Passage (Earth's Children, #1-4))
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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The empathy and compassion we feel for our own kind is sometimes extended to the rest of the living things on the earth. If we allowed it to keep us from killing a deer, or other animals, we would not live long. The
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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I personally think humans have got about as far as we can go. We're wrecking the planet. We're never short of good reasons to massacre each other. Wrong god. Wrong race. Wrong color. Wrong sex. I'm actually quite surprised a thoroughly pissed-off History hasn't waved a flaming sword and we're all back in caves in the snow, chewing on half-cooked mammoth. And even that's more than we deserve.
No wonder we still can't get to Mars. I suspect the Universe is making damned sure we don't get the chance to contaminate other planets with our stupidity. It's keeping us on this one where the only thing we can damage is each other.
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Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's, #4))
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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middle of a vast continent, somewhere near the undefined
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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After a night's sleep the news is as indispensable as the breakfast. "Pray tell me anything new that has happened to a man anywhere on this globe"—and he reads it over his coffee and rolls, that a man has had his eyes gouged out this morning on the Wachito River; never dreaming the while that he lives in the dark unfathomed mammoth cave of this world, and has but the rudiment of an eye himself.
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Henry David Thoreau (Walden)
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Children are always a joy, but pain, too. And they all must lead their own lives. Even Mut will let Her children go their own way, someday, but I fear for us if we ever neglect Her. If we forget to respect our Great Earth Mother, She will withhold Her blessings, and no longer provide for us.
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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Your wolf doesn’t need to hate what he kills. It would be easier if we could kill without compunction, like your wolf does, but then, we wouldn’t be human.
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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When men were ready to marry, look out.
Their evolution busted out all over. They nabbed the closest female hanging out near their caves, anyone who looked like she would clean his woolly mammoth tunics down by the creek, keep his fires burning, bear his children, and tote his brood around on a fur-clad hip.
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Gale Martin
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Now the Spirit of the Cave Lion wants me to leave.” She looked up at the tall man beside her. “Do you think we’ll ever come back?” “No,” he said. There was a hollow ring to his voice. He was looking in the small cave, but he was seeing another place and another time. “Even if you go back to the same place, it’s not the same.
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Jean M. Auel (The Mammoth Hunters (Earth's Children, #3))
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Your generation forgets that humanity has lived for thousands of years without allergy tests and crap like that before you showed up and started thinking you were so important. When we were living in caves, do you think they used to put mammoth skins through a scalding-hot machine-wash program?
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Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
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A few animals may eat nuts or fruits and others may browse leaves, or even twig tips from a tree, but bark and wood are largely inedible, and grow back slowly once destroyed. The same energy and soil nutrients put into an equal weight of grass will feed many, many more, and the grass will constantly renew itself.
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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Since stone tools were the only technology that survived archaeologically for millions of years and across several hominin species, it was assumed that they were male technology. It said so on the box: man the toolmaker, man the hunter. Women gave birth, cowered in the backs of caves, posed as the model for a Venus figurine occasionally so that Palaeolithic ‘man’ could get his other rocks off, and maybe collected a worthless vegetable from time to time when the mammoth chops were running low. The sometimes openly stated and mostly implicit assumption was that human physical and cultural evolution was driven by male hunting. Was this the best we could do?
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Alice Gorman (Dr Space Junk vs the Universe: Archaeology and the Future)
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In an era when man can no longer dash out of his cave and slay a mammoth, he simply slips on his Lycra and goes for a run.
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Phil Hewitt (Keep on Running: The Highs and Lows of a Marathon Addict)
Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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Cave paintings done by Indians in America seem to clearly depict a dinosaur. Since scientists accept the mammoth drawings done by Indians, why not the dinosaur-like drawings? However, the evolutionary indoctrination that man didn't live at the same time as dinosaurs preclude evolutionary scientists even considering these drawings as dinosaurs that lived at the same time as the Indians.
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Ken Ham (The Great Dinosaur Mystery Solved!)
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After a night’s sleep the news is as indispensable as the breakfast. ‘Pray tell me any thing new that has happened to a man any where on this globe,’ — and he reads it over his coffee and rolls, that a man has had his eyes gouged out this morning on the Wichito River; never dreaming the while that he lives in the dark unfathomed mammoth cave of this world, and has but the rudiment of an eye himself.
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Henry David Thoreau (Walden)
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find of the basket’s contents, then reworked the cinch-basket-harness arrangement, fastening the two spears the way they had fallen, points down. She attached the grass mat, which had been wrapped around the deer, to both poles, thus creating a carrier platform between them—behind the horse but off the ground. She lashed the deer to it, then carefully tied down the unconscious cave lion cub. After she relaxed, Whinney seemed more accepting of the cinches and harnesses, and she stood quietly while Ayla made adjustments.
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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Unspoiled, undamaged, ruled by her own natural law and subject only to her own will—and the great void whence she sprang—the great Mother Earth took pleasure in creating and sustaining life in all its prolific diversity. But pillaged by a plundering dominion, raped of her resources, despoiled by unchecked pollution, and befouled by excess and corruption, her fecund ability to create and sustain could be undone. Though rendered sterile by destructive subjugation, her great productive fertility exhausted, the final irony would still be hers. Even barren and stripped, the destitute mother possessed the power to destroy what she had wrought. Dominion cannot be imposed; her riches cannot be taken without seeking her consent, wooing her cooperation, and respecting her needs. Her will to life cannot be suppressed without paying the ultimate penalty. Without her, the presumptuous life she created could not survive.
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Jean M. Auel (The Earth's Children Series 6-Book Bundle: The Clan of the Cave Bear, The Valley of Horses, The Mammoth Hunters, The Plains of Passage, The Shelters of Stone, The Land of Painted Caves)
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Not only could he share the memories, and control them, he could keep the link intact as their thoughts moved through time from the past to the present. The men of his clan enjoyed a richer, fuller ceremonial interrelationship than any other clan. But with the trained minds of the mog-urs, he could make the telepathic link from the beginning. Through him, all the mog-urs shared a union far closer and more satisfying than any physical one—it was a touching of spirits. The white liquid from Iza’s bowl that had heightened the perceptions and opened the minds of the magicians to The Mog-ur, had allowed his special ability to create a symbiosis with Ayla’s mind as well. The traumatic birth that damaged the brain of the disfigured man had impaired only a portion of his physical abilities, not the sensitive psychic overdevelopment that enabled his great power. But the crippled man was the ultimate end-product of his kind. Only in him had nature taken the course set for the Clan to its fullest extreme. There could be no further development without radical change, and their characteristics were no longer adaptable. Like the huge creature they venerated, and many others that shared their environment, they were incapable of surviving radical change. The race of men with social conscience enough to care for their weak and wounded, with spiritual awareness enough to bury their dead and venerate their great totem, the race of men with great brains but no frontal lobes, who made no great strides forward, who made almost no progress in nearly a hundred thousand years, was doomed to go the way of the woolly mammoth and the great cave bear. They didn’t know it, but their days on earth were numbered, they were doomed to extinction. In Creb, they had reached the end of their line. Ayla felt a sensation akin to the deep pulsing of a foreign bloodstream superimposed on her own. The powerful mind of the great magician was exploring her alien convolutions, trying to find a way to mesh. The fit was imperfect, but he found channels of similarity, and where none existed, he groped for alternatives and made connections where there were only tendencies. With startling clarity, she suddenly comprehended that it was he who had brought her out of the void; but more, he was keeping the other mog-urs, also linked with him, from knowing she was there. She could just barely sense his connection with them, but she could not sense them at all. They, too, knew he had made a connection with someone—or something—else, but never dreamed it was Ayla.
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Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
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The Language of the Birds"
1
A man saw a bird and found him beautiful. The bird had a song inside him, and feathers. Sometimes the man felt like the bird and sometimes the man felt like a stone—solid, inevitable—but mostly he felt like a bird, or that there was a bird inside him, or that something inside him was like a bird fluttering. This went on for a long time.
2
A man saw a bird and wanted to paint it. The problem, if there was one, was simply a problem with the question. Why paint a bird? Why do anything at all? Not how, because hows are easy—series or sequence, one foot after the other—but existentially why bother, what does it solve?
And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? We do. Anyone can.
Blackbird, he says. So be it, indexed and normative. But it isn’t a bird, it’s a man in a bird suit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible.
Unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the paint is like looking at a bird that isn’t there, with a song in its throat that you don’t want to hear but you paint anyway.
The hand is a voice that can sing what the voice will not, and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart.
3
They looked at the animals. They looked at the walls of the cave. This is earlier, these are different men. They painted in torchlight: red mostly, sometimes black—mammoth, lion, horse, bear—things on a wall, in profile or superimposed, dynamic and alert.
They weren’t animals but they looked like animals, enough like animals to make it confusing, meant something but the meaning was slippery: it wasn’t there but it remained, looked like the thing but wasn’t the thing—was a second thing, following a second set of rules—and it was too late: their power over it was no longer absolute.
What is alive and what isn’t and what should we do about it? Theories: about the nature of the thing. And of the soul. Because people die. The fear: that nothing survives. The greater fear: that something does.
The night sky is vast and wide.
They huddled closer, shoulder to shoulder, painted themselves in herds, all together and apart from the rest. They looked at the sky, and at the mud, and at their hands in the mud, and their dead friends in the mud. This went on for a long time.
4
To be a bird, or a flock of birds doing something together, one or many, starling or murmuration. To be a man on a hill, or all the men on all the hills, or half a man shivering in the flock of himself. These are some choices.
The night sky is vast and wide.
A man had two birds in his head—not in his throat, not in his chest—and the birds would sing all day never stopping. The man thought to himself, One of these birds is not my bird. The birds agreed.
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Richard Siken (War of the Foxes)
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We have been taught that our societies are built on rational contracts and our economies on free markets. That manufacturers and consumers, employers and employees – everything – are one and the same consciousness in different forms. Different expressions of one and the same reasoning. The world, the impersonal sum of the individual’s free choices. Actually, society is more like a form of war. It’s exploitative, racist and patriarchal. The economic reality is more ‘the survival of the fittest’, the rich grow richer and the rest of us chase after them. On some level, we know this. But still we continue to fantasize. For centuries we have been fed stories about how society arose because people made a rational decision to unite. After establishing that we would all benefit from a collaborative structure, we started to depend on each other. No sooner, no later. This creation myth is told in countless variations, and like most other myths, it’s a mind game. It’s hard to imagine it really happened this way: there we were sat hunched over in our caves. Darkness, cold, other squatting figures in other caves, impossible to determine who was friend, foe, human or mammoth. Suddenly, one person stands and exclaims: – Hey, listen up! Why don’t we join forces and help each other as part of a society? We can trade things with each other, everyone will benefit from that! Hardly. But that’s our fantasy of self-sufficiency. And it’s seductive.
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Katrine Kielos (Who Cooked Adam Smith's Dinner?: A Story of Women and Economics)
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Here's how I figure puppy eyes got their start.
Cave humans were sitting around a fire, wearing mammoth fur and grunting about how there was nothing on TV because TV hadn't been invented yet, and some wily wolf thought, Whoa, they've got leftover mammoth meat!
And he probably whimpered and cowered and did a tummy display and looked pathetic enough that Mr. Oog finally tossed him a bone. And soon enough, a few zillion years later: voila! Man's best friend.
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Katherine Applegate (The One and Only Bob (The One and Only #2))
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they took a trip into Mammoth Cave in Kentucky, one of the deepest caverns on the planet—so deep, in fact, that no detectable sunlight penetrates its farthest reaches. It was from this darkness that Kleitman and Richardson were to illuminate a striking scientific finding that would define our biological rhythm as being approximately one day (circadian), and not precisely one day.
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Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
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Overheard Near a Neanderthal's Cave at 11,000 B.C.
"Your woman scratches like a saber-tooth tiger."
'Oh yeah. Well fuck you and the woolly mammoth you rode in on.
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Beryl Dov
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The red mammoth in the cave at Pindal is very special because its heart, also red, is depicted inside its chest.
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Juan Luis Arsuaga (The Neanderthal's Necklace: In Search of the First Thinkers)
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When men were ready to marry, look out.
Their evolution busted out all over. They nabbed the closest female hanging out near their caves, anyone who looked like she would clean his wooly mammoth tunics down by the creek, keep his fires burning, bear his children, and tote his brood around on a fur-clad hip.--Ellie Overton
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Gale Martin (Who Killed 'Tom Jones'?)
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I personally think humans have got about as far as we can go. We’re wrecking the planet. We’re never short of good reasons to massacre each other. Wrong god. Wrong race. Wrong colour. Wrong sex. I’m actually quite surprised a thoroughly pissed-off History hasn’t waved a flaming sword and we’re all back in caves in the snow, chewing on half-cooked mammoth. And even that’s more than we deserve. No wonder we still can’t get to Mars. I suspect the Universe is making damned sure we don’t get the chance to contaminate other planets with our stupidity. It’s keeping us on this one where the only thing we can damage is each other.
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Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's #4))
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The oldest known flute is 35 000 years old, made from the tusk of the now extinct woolly mammoth. It was discovered in a German cave in December 2004.
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Dave Benson (Music: A Mathematical Offering)
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But Aristotle held a deeper interest for Boethius. With the knowledge of Greek steadily disappearing from western Europe, the need for a Latin version of Aristotle seemed more urgent. In fact, Boethius made it his life’s work. “I wish to translate the whole work of Aristotle,” Boethius wrote when he turned thirty. “Everything Aristotle wrote on the difficult art of logic, on the important realm of moral experience, and on the exact comprehension of natural objects, I shall translate in the correct order.”9 Boethius never finished the mammoth project he had set for himself (prison and death also interrupted his plans to translate Plato’s dialogues). Aristotle’s writings on politics, ethics, and rhetoric, along with his central work, the Metaphysics, had to wait another six centuries before they saw the light of day in the West.
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Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
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personally think humans have got about as far as we can go. We’re wrecking the planet. We’re never short of good reasons to massacre each other. Wrong god. Wrong race. Wrong colour. Wrong sex. I’m actually quite surprised a thoroughly pissed-off History hasn’t waved a flaming sword and we’re all back in caves in the snow, chewing on half-cooked mammoth. And even that’s more than we deserve.
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Jodi Taylor (A Trail Through Time (The Chronicles of St. Mary's #4))
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And then there is the Löwenmensch – the Lion Man of the Hohlenstein-Stadel. In the hills between Nuremberg and Munich in Swabian Germany there are caves that have yielded one of the most important works ever crafted by an unknown artist. Around 40,000 years ago, a woman or man sat somewhere in or near that cave, with the detritus of a hunt scattered around. They took a piece of ivory, a tusk from a woolly mammoth, and carefully considered that it might be the right material, shape and size for something that they had been pondering. Now extinct, cave lions were fierce predators at that time, posing a threat to people, and also to the animals that people would hunt and eat. That person thought about the lions, and how formidable they are, and maybe wondered what it would be like to have the power of a lion in the body of a human. Maybe this tribe revered the cave lions out of fear and awe. Whatever the reason, this artist took that mammoth ivory, a flint knife, and patiently carved the tusk into a mythical figure. It is a chimaera, a fantastic beast that is made up of the parts of multiple animals. Chimaeras exist throughout all human cultures for most of history, from mermaids, fawns or centaurs, to the glorious monkey-man god Hanuman, to the Japanese snake-woman nure-onna, to the Wolpertinger, an absurd and mischievous Bavarian part-duck part-squirrel part-rabbit with antlers and vampire teeth. Today, we have reached the ultimate manifestation of a 40,000-year interest in hybrid creatures in genetic engineering, where elements from one animal are transposed into another, and hence we have cats that glow in the dark with the genes of deep-sea crystal jellyfish Aquorea victoria, and goats that produce dragline silk from the golden orb weaver spider in their udders. The Lion Man of Hohlenstein-Stadel
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Adam Rutherford (The Book of Humans: A Brief History of Culture, Sex, War and the Evolution of Us)
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The first of these that we know of is the Löwenmensch. It is an extraordinary piece of work, around twelve inches tall, the figure of a man with a lion’s head, and an important piece in understanding our evolution. Of the artist, it shows profound skill, fine motor control and foresight in selecting the right bone and having a plan to carve this figure. It shows an understanding of nature, and reverence of the animals in the ecosystem that impact upon the lives of those people. Crucially it shows a willingness to imagine a thing that does not exist. The figure is a man, as determined by the genitals, and has seven stripes cut into the left arm, almost like tattoos. It was found deep inside the cave at Hohlenstein-Stadel in 1939, in an almost secret vault, a kind of cubbyhole that also held other objects – carved antlers, pendants and beads. The inference is that these objects were precious, possibly things with totemic significance. Nearby in the Vogelherd Cave, figures of a mammoth and a wild horse have been found, and the ornately carved head of a cave lion. Perhaps cave lions at this time were iconic of a ceremonial cult, and the cut marks on the arm meant something important on this mythical creature. Perhaps.
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Adam Rutherford (The Book of Humans: A Brief History of Culture, Sex, War and the Evolution of Us)
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The heart of the issue is the modern principle, that does not hold much water,
death of us,
sever from the bosom thine breast and dispersed, surmounted morals by sadist of uncivil.
Mammoth falling gradually dying without remorse, history hidden on the hills and caves, decipher not,
roots abandoned for modern indulgence,
eyes see not,
civilization dying in the orb of beauty
when wine blinds us.
Rivers moving upstream,
oceans feeding rivers,
deserts with dense pine trees, oasis with mackerels, the amazons’ sands with camel foot prints,
the Savanah snow rain paint beauty of pandas.
Mother is blinded by mammon, father drunk with savory of rum while it digs, it destroys the spirit while it penetrates the cudgel spell.
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Tapiwanaishe Pamacheche (Depth of colour)