Malfoy Manor Quotes

Oh, she's got fire." Bellatrix grinned down at her. "I should smack that look off your face." Mia glared up at the older witch. "I've had worse." "You're lucky it's considered bad taste to spill blood on the morning of a marriage. Especially one so important." Bellatrix leant in close to Mia and whispered, "Maybe another day, little girl. I look forward to it. Dealing with you, my little cousin here, and all of your adorable blood-traitor friends. It's rumoured you even have a pet werewol—" Too far. "You will not touch my family, you bitch!" Sirius put his arms around Mia's waist and tugged her back several feet, shoving himself between her and Bellatrix, his eyes wide. "You dare speak to me that way? Do you have any idea who I am?" Bellatrix shrieked, her hands shaking with rage, and her eyes alight with fury. "You filthy little blood-traitor, I will enjoy watching you die screaming!" She had screamed. Mia had screamed and screamed right there in Malfoy Manor, and yet she did not die. She vividly remembered the sight of the black dog launching on top of the dark witch, jaws clamped around her throat, ripping and tearing as she struggled for air. Mia stood, unafraid as Bellatrix Lestrange looked down threateningly at her. "And I will enjoy watching you die . . . gasping.

For me, Draco's arc in the final films gets to the very heart of one of the main themes of the Harry Potter stories: the theme of choice. It's an arc that reaches its climax during the scene in Malfoy Manor. Harry is disfigured. Draco is called upon to identify him. Is this Harry Potter, or is it not? There was no discussion on set about whether Draco knows for sure if this is Harry. My opinion is that he knows exactly who it is. So why doesn't he say so? The reason, it seems to me, is that the boy who had no choice finally gets one. He can choose to identify Harry, or he can choose to do the right thing. At every moment up until then, he'd have dobbed Harry in. Finally, though, he understands what Dumbledore told Harry early in the story: that it's our choices, not our abilities, that show us what we truly art.

The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.