Males Life Friendship Quotes

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This is the oath of a Knight of King Arthur's Round Table and should be for all of us to take to heart. I will develop my life for the greater good. I will place character above riches, and concern for others above personal wealth, I will never boast, but cherish humility instead, I will speak the truth at all times, and forever keep my word, I will defend those who cannot defend themselves, I will honor and respect women, and refute sexism in all its guises, I will uphold justice by being fair to all, I will be faithful in love and loyal in friendship, I will abhor scandals and gossip-neither partake nor delight in them, I will be generous to the poor and to those who need help, I will forgive when asked, that my own mistakes will be forgiven, I will live my life with courtesy and honor from this day forward.
Joseph D. Jacques (Chivalry-Now: The Code of Male Ethics)
I know my life's meaningful because"- and here he stopped, and looked shy, and was silent for a moment before he continued- "because I'm a good friend. i love my friends, and I care about them, and I think I make them happy.
Hanya Yanagihara (A Little Life)
All that is good in your life needs continuous nurturing: your body, your profession, your friendships, your familial connections, and yes, your love life.
Matthew Hussey (Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve)
For the husband, the male prostate can only be accessed through the anus. It is called the "male G-spot" as it is reportedly a source of great pleasure when stroked by such things as a wife's finger.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, & Life Together)
Male writers who never find the stabilizing force of an understanding woman in their lives usually end up as the jaded figures of their days, the types who give much artistic expression to the world, but who are lonely in their overcrowded worlds of love.
Janvier Chouteu-Chando
people, also, after all, let the lovely cornflower bloom./No one planted it, no one watered it./Vulnerable, it grows freely/and in cheerful confidence/that it will be allowed to live its life/under the wide sky.” Such is the image of friendship; such is the image of grace. Such is the manifesto of people everywhere, gay, straight, male, female, black, white, who might not quite fit, seeking sacred communion with the other: “Far or near/in fortune or calamity--/each knows in the other/the faithful helper/toward freedom and humanity.
Diane Reynolds, The Doubled Life of Dietrich Bonhoeffer
There is no one way of seeing. Nor is there a right way of seeing. Yet simply to accept the notion that both the male and the female gaze are equally valid and equally to be valued in cinema (and in life) is to welcome with relief the rise of women directors. Needless to say, there are whole aspects of human experience that women are much better positioned to explore, including friendship between women, anxieties about women’s careers, women’s parenting and aging, women’s social concerns and, as in the work of Kathryn Bigelow, men as seen through women’s eyes. Likewise, though romance may be of equal concern to both sexes, a woman’s perspective will inevitably be different.
Mick LaSalle (The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses)
I have spoken of reinventing marriage, of marriages achieving their rebirth in the middle age of the partners. This phenomenon has been called the 'comedy of remarriage' by Stanley Cavell, whose Pursuits of Happiness, a film book, is perhaps the best marriage manual ever published. One must, however, translate his formulation from the language of Hollywood, in which he developed it, into the language of middle age: less glamour, less supple youth, less fantasyland. Cavell writes specifically of Hollywood movies of the 1930s and 1940s in which couples -- one partner is often the dazzling Cary Grant -- learn to value each other, to educate themselves in equality, to remarry. Cavell recognizes that the actresses in these movie -- often the dazzling Katherine Hepburn -- are what made them possible. If read not as an account of beautiful people in hilarious situations, but as a deeply philosophical discussion of marriage, his book contains what are almost aphorisms of marital achievement. For example: ....'[The romance of remarriage] poses a structure in which we are permanently in doubt who the hero is, that is, whether it is the male or female who is the active partner, which of them is in quest, who is following whom.' Cary grant & Katherine Hepburn "Above all, despite the sexual attractiveness of the actors in the movies he discusses, Cavell knows that sexuality is not the ultimate secret in these marriage: 'in God's intention a meet and happy conversation is the chiefest and noblest end of marriage. Here is the reason that these relationships strike us as having the quality of friendship, a further factor in their exhilaration for us.' "He is wise enough, moreover, to emphasize 'the mystery of marriage by finding that neither law nor sexuality (nor, by implication, progeny) is sufficient to ensure true marriage and suggesting that what provides legitimacy is the mutual willingness for remarriage, for a sort of continuous affirmation. Remarriage, hence marriage, is, whatever else it is, an intellectual undertaking.
Carolyn G. Heilbrun (Writing a Woman's Life)
In regard to gay male life specifically, a number of academic studies have concluded that we’re more emotionally expressive and sexually innovative than heterosexual men, more empathic, and more altruistic (we do volunteer work far more often than our straight male counterparts), and we’re more likely to cross racial and gender borders when forming close bonds of friendship. When part of a couple, we—and this is even more true of lesbian partnerships—avoid stereotypic gender roles and instead emphasize mutuality and shared responsibilities. Gay couples have “more relationship satisfaction” than straight couples, and when we do argue, we’re better at seeing our partner’s point of view and at using humor to deflate belligerence.
Martin Duberman (Has the Gay Movement Failed?)
Jack Holby’s parents both worked in Cageley House, his father as an under-butler, his mother as a cook. They were pleasant enough people but I did not see them often. Jack, on the other hand, fascinated me. Although he was only about a year or eighteen months older than I was, and although he had in fact led a much more sheltered existence than my own, he seemed a lot more mature and far more aware of where he saw his life going than I was. The difference between us, I think, was that Jack had ambitions while I had none, ambitions which his unchanging existence throughout his youth had forced him to create. He had spent enough years at Cageley House to know that he did not want to be a stable boy for ever; I had spent enough time travelling around to appreciate a little stability for once. Our differences helped us to become friends quickly and I looked up to him with something approaching hero worship for he was the first male peer I had known whose life did not revolve around stealing from other people’s pockets. Where we had greed and idleness, he had dreams.
John Boyne (The Thief of Time)
I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
The distance between us and the maleness of our friendship precluded revealing anything that truly mattered, and at the time I was too naive to know that if you were friends with someone––truly friends––then you told him what was going on ("It's called 'catching up,'" my wife informed me when I asked how it was possible for her to yap with her girlfriends for as long as she did and share every innocuous detail of her life). Instead, I thought that by concisely presenting the most easygoing and put-together version of myself, I was being "all good." Really, I was just fronting. And Rob was doing the same.
Jeff Hobbs (The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League)
The author observes that the friendship of John Hay and Charles Francis Adams benefited from a physical distance that required correspondence, meaning that feelings only implied in person had to be explicitly expressed.
John Taliaferro (All the Great Prizes : The Life of John Hay, from Lincoln to Roosevelt)
Being shameless in thinking, then talking, about male friendship because it is important. Make room for friendship in your life. Make a federal case out of it.
Stuart Miller (Men and Friendship)
He had known Wind for much of his life; like many male English friendships it was based on faint disdain mixed with longevity.
Iain Pears
Same-sex contact between men was part of the fabric of everyday life. But to raise a hue and cry about such contact was also a weapon in the arsenal of the slanderer, the fabulist and the blackmailer.
Will Tosh (Male Friendship and Testimonies of Love in Shakespeare's England)
Edda Marty: – No, voi non mi avete mai, neanche tu Momi, presa per il mio verso. Non m’avete capita. Io volli essere semplicemente un vostro compagno, e voi m’avete sempre respinto e ricacciato nel mio sesso, mi avete costretto a restar donna perché vi facessi male.
Giani Stuparich (Un anno di scuola e Ricordi istriani)
An uneasy truce had come to exist between Lillian and St. Vincent after a great deal of past conflict. Although she would never truly like him, Lillian had prosaically decided that St. Vincent would have to be tolerated, since he had been friends with Westcliff for years. Lillian knew if she asked her husband to end the friendship he would do so for her sake, but she loved him too much to make such a demand. And St. Vincent was good for Marcus. With his wit and perceptiveness, he helped to bring a measure of balance to Marcus's overburdened life. Marcus, as one of the most powerful men in England, was in dire need of people who didn't take him too seriously. The other point in St. Vincent's favor was that he appeared to be a good husband to Evie. He seemed to worship her, actually. One would never have thought of putting them together- Evie the shy wallflower, St. Vincent the heartless rake- and yet they have developed a singular attachment to each other. St. Vincent was self-assured and sophisticated, possessing a male beauty so dazzling that people sometimes caught their breath when they glanced at him. But all it took was one word from Evie to make him come running. Even though their relationship was quieter, less outwardly demonstrative than those of the Hunts or Westcliffs, a mysterious and passionate intensity existed between the two. And as long as Evie was happy, Lillian would be cordial to St. Vincent.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Sei come un gatto. Quando mi avvicino a te, ti allontani, girandoti da un'altra parte. Quando sto male mi gironzoli intorno, come se volessi condividere il mio dolore.
Naoshi Arakawa (四月は君の嘘 8 (Shigatsu wa Kimi no Uso, #8))
In his entire life, he’d never had to question his feelings or attractions and lately it seemed he was doing that at least once a day. Since puberty, he’d only thought of being with girls and once he hit high school, he wanted them in his bed. He always had a close circle of male friends, even had a gay friend in college, but never once had he spent a single second of time questioning the specifics of those friendships or if he wanted there to be more – possibly something physical. Until Dagger.
Ann Lister (Fall For Me (The Rock Gods, #1))
We stayed for hours as we asked for endless refills of bad coffee or ordered odd dishes off the menu. I wish I'd had a stenographer who followed me so I had transcripts of these quotidian moments that as a whole were more life-changing than losing your virginity or having your heart broken. Freud said, in his correspondence with Josef Breuer, that "creativity was most powerfully released in heated male colloquy." The foundation of our friendship was a heated colloquy that became absorbed into our art and poetry. When I made art alone, it was a fantasy, but shared with Erin and Helen, art became a mission.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Well, I might be all or none of the things you say," said Boq staunchly, "but you will learn that I am persistent. I will not let you say no to our friendship, Galinda. It means too much to me." "Behold the male beast roaring in the jungle for his mate," said Elphaba. "See how the female beast giggles behind a shrub while she organizes her face to say, Pardon dear, did you say something?
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Gregori’s teeth tore at his own wrist. His mind merged with Mikhail’s, and together they forced Raven’s reluctant compliance. She was still a fledging, a mere quarter of a century old, yet she was already strong. It took both of them to force her to feed from other than Mikhail. She resisted for a moment. For our child, little one, Mikhail whispered softly, lovingly, bending her will to his. You must do this for our child. Gregori added his own reinforcement. I have never asked anything of you, Raven, of our friendship. This I ask. Raven pushed down her revulsion and allowed Mikhail and Gregori to put her into a trance so that she was able to accept the life-giving fluid that both she and her daughter needed so desperately. Gregori concentrated on connecting with the child. It was so helpless, so tiny, so afraid. A living, thinking being already. He could feel the confusion and its sudden awareness of being alone. He sent waves of reassurance. His blood, flowing into the small body, would strengthen their bond, ensure that her chemistry would match his. He had spent a lifetime preparing for this moment, the time when he would have the opportunity to choose his mate. He had always known it would be a child of Mikhail’s. When Raven had been attacked and mortally wounded years before, Gregori had made certain he had supplied the blood to heal her: His ancient blood was powerful and strong, and he had sent with it the rudiments of the first bonding in the hopes that Raven, a human woman, would conceive a female child. Now he was able to reinforce that bond, seal the child to him for all time. She was bound to him, body and soul, as he was to her. For the first time in centuries he felt hope. And to a male Carpathian on the verge of turning vampire, hope was the only thing left.
Christine Feehan (Dark Desire (Dark, #2))
The man richer than Bill Gates, smarter than Albert Einstein, more powerful than an American president, and more influential than the pope amassed a harem rivaled only by men who are porn addicts who collect women in their minds. Despite having sexually sinful parents who conceived his older brother through adultery, he did not learn his lesson. Despite being the wisest man to ever walk the earth other than Jesus Christ, he did not learn his lesson. Despite marrying a beautiful and sexually free woman who loved him, as recorded in the Song of Songs, he did not learn his lesson. Instead, he intermarried with seven hundred godless pagan women and kept three hundred additional sexual concubines from many other nations who helped turn his sinful heart away from God so that he worshipped false gods, even building pagan altars where sexual sin was conducted in worship to demon gods.a This includes his support of Ashtoreth, the Canaanite demon goddess of sex worshipped around male phallices symbolized by poles around which orgies occurred. He also funded the worship of Molech, the demon god who demanded children be sacrificed by fire; and of Chemosh, the Moabite god who demanded child sacrifice not unlike abortion. Solomon’s example reveals that the longer we wait to repent, the more damage we do. Solomon himself wrote an entire book of the Bible, Ecclesiastes, in part to repent and warn us not to follow his folly.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, and Life Together)
MURRAY CONTINUED TO RAISE the issue of sex discrimination in her writings and presentations to academic and civic groups. On June 19, 1970, at a hearing held by the U.S. House Committee on Education and Labor, she described the multilayered discrimination black women faced, using an impressive array of charts to compare salary and unemployment rates by race, sex, and age to supplement her testimony. From her days as a restaurant worker in college to her career as an attorney and educa-tor, she had been paid less than, and denied the respect accorded to, her male peers. She had spent the first half of her life fighting for equal rights as an African American, only to discover that she would have to spend the second half fighting for equal rights as a woman. 'If anyone should ask a Negro woman what is her greatest achievement, her honest answer would be,' Murray told the committee, her voice laden with emotion, 'I survived.' Three months later, she would testify before the New York City Commission on Human Rights, headed by fellow Yale Law School alumna Eleanor Holmes Norton. Unable to hold back the tears, Murray openly wept as she recounted the opportunities she had been denied.
Patricia Bell-Scott (The Firebrand and the First Lady: Portrait of a Friendship: Pauli Murray, Eleanor Roosevelt, and the Struggle for Social Justice)
People do want to be young and beautiful. When they meet in the street, male or female, if they're getting older they look at each other's face a little ashamed. It's clear they want to say, Excuse me, I didn't mean to draw attention to mortality and gravity all at once. I didn't want to remind you, my dear friend, of our coming eviction, first from liveliness, then from life. To which, most of the time, the friend's eyes will courteously reply, My dear, it's nothing at all. I hardly noticed.
Grace Paley (A Grace Paley Reader: Stories, Essays, and Poetry)
Dr. Kent Kiehl, neuroscientist and author of The Psychopath Whisperer, a man who’s dedicated his life’s work to clinical brain imaging in order to understand mental illness, especially criminal psychopathy, says, “The best current estimate is that just less than one percent of all noninstitutionalized males age eighteen and over are psychopaths.
M. William Phelps (Dangerous Ground: My Friendship with a Serial Killer)