Makeover Movie Quotes

We've searched our database for all the quotes and captions related to Makeover Movie. Here they are! All 25 of them:

Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
You cannot choose your face but you can choose your dress.
Amit Kalantri (Wealth of Words)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
I don’t like movies where people’s heads spin around, or where things come bursting out of their stomachs. I like movies with beauty makeovers and dancing.
Meg Cabot (Princess in the Spotlight (The Princess Diaries #2))
An old fashioned outfit is not a costume, it's a comedy.
Amit Kalantri (Wealth of Words)
I liked your stats and moons,” Val said softly. “but maybe it’s for the best. Think of it as a complete Merlin makeover.” “You mean like in those teen movies from that hideous decade with the hairspray?
Cori McCarthy & Amy Rose Capetta (Once & Future (Once & Future, #1))
A landmark 2007 report by the American Psychological Association (APA) found girls being sexualized--or treated as "objects of sexual desire... as things rather than as people with legitimate sexual feelings of their own"--in virtually every form of media, including movies, television, music videos and lyrics, video games and the Internet, advertising, cartoons, clothing, and toys. Even Dora the Explorer, once a cute, square-bodied child, got a makeover to make her look more svelte and "hot.
Nancy Jo Sales (American Girls: Social Media and the Secret Lives of Teenagers)
I gesture at the hair, the dress, the shiny, sexy costume that somehow caught his attention in a way that "just Meg" never did. Because the fact is, he's looked right past me all year. Even in my old gown, I didn't register - like I don't exist unless I fit their weird category of hotness. I suppose that's what they don't tell you about makeovers in the movies - that maybe the people who gasp with grand double takes aren't worth the effort. Because if I don't deserve his attention when I'm myself, then what good is he?
Abby McDonald (The Anti-Prom)
Many of us drink in order to take that flight, in order to pour ourselves, literally, into new personalities: uncap the bottle, pop the cork, slide into someone else’s skin. A liquid makeover, from the inside out. Everywhere we look, we are told that this is possible; the knowledge creeps inside us and settles in dark corners, places where fantasies lie. We see it on billboards, in glossy magazine ads, in movies and on TV: we see couples huddled together by fires, sipping brandy, flames reflecting in the gleam of glass snifters; we see elegant groups raising celebratory glasses of wine in restaurants; we see friendships cemented over barstools and dark bottles of beer. We see secrets shared, problems solved, romances bloom. We watch, we know, and together the wine, beer, and liquor industries spend more than $1 billion each year*2 reinforcing this knowledge: drinking will transform us.
Caroline Knapp (Drinking: A Love Story)
This is the part of the book where the author usually sums it all up in a conclusion chapter and announces, “I did it!” I suppose I could have titled it “The Finale,” but that’s just not me. I don’t think you ever reach a point in life (or in writing!) where you get to say that. It ain’t over till it’s over. I want to be an eternal student, always pushing myself to learn more, fear less, fight harder. What lies in the future? Truthfully, I don’t know. For some people, that’s a scary thought. They like their life mapped out and scheduled down to the second. Not me. Not anymore. I take comfort in knowing not everything is definite. There’s where you find the excitement, in the unknown, uncharted, spaces. If I take the lead in my life, I expect that things will keep changing, progressing, moving. That’s the joy for me. Where will I go next? What doors will open? What doors will close? All I can tell you is that I will be performing and connecting with people--be it through dance, movies, music, or speaking. I want to inspire and create. I love the phrase “I’m created to create.” That’s what I feel like, and that’s what makes me the happiest. I’m building a house right now--my own extreme home makeover. I love the process of tearing something down and rebuilding it, creating something from nothing and bringing my artistic vision to it. I will always be someone who likes getting his hands dirty. But the blueprint of my life has completely changed from the time I was a little boy dreaming about fame. It’s broadened and widened. I want variety in my life; I like my days filled with new and different things. I love exploring the world, meeting new people, learning new crafts and art. It’s why you might often read what I’m up to and scratch your head: “I didn’t know Derek did that.” I probably didn’t before, but I do now.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
No one is interested with your past, non-professional relationship with Agent Harris, Detective Garner.” I cut them off. Seriously, nobody wants to hear it (I know I do not), since it is probably a perfect fairy tale of a prodigy guy and prodigy girl, and together they catch bad guys while looking excessively beautiful at doing it. They look so majestic side by side, like prom king and queen from some cheesy coming-of-age movie where they dance flawlessly and sing like pro despite that it’s their first gig. Also, their eyes sparkle. It takes a long, sort-of out-of-sense explanation why eyes can figuratively sparkle, but it just does. You know in romantic comedy movie where the guy stares far away and then he is smiling when he finally makes a decision involving the only girl he wants to spend eternity with? And girl when she meets a boy band member? Yeah, that’s how they look at each other. Jemma looks at this guy like how girl looks at boy (ah, it even sounds sexist in my head), but not at me. She looks like me like I am a special case that she wants to solve. She looks at me like she's trying to find my eyes (which is, always there, I don't know why it is so hard for her to see a pair of black dots above my nose), and maybe I am a little bit irritated because this Harris guy breathes and just like that, you can see the grace in Garner--how big, mushy twinkie, of a person she really is. Also, I am definitely irritated because Jemma's ex is terrifyingly perfect, it's alarming, but then there's me. She's settling down with me. I feel insecure and I do not like that feeling. So, like a literal five years old child, I stroll between them, ruining their unexpected reunion (hey, doesn't anyone want to talk about how Harris tracked down all cases at JCPD so he can jump into whatever his ex is currently working on? This is not reunion, it's stalking) and offer him a handshake. At the time like this, I wish I had electricity running through my palm. I probably couldn’t end this Harris guy’s life, but at least I could give his perfect blond hair a ‘struck by lightning’ makeover. “Hi, Detective Irving. Homicide Unit. Strategic Expert. By the way, I’m good at combining them, you know.” I introduce myself. Which is true, I can be writing a mental note on how to eliminate this threat in my head for all he knows. “Strategy, and murder. I can mix them up.
Rea Lidde (Haven (Clockwork #0.5))
She eschewed the conventional star makeover, refusing to pluck her eyebrows, wear thick makeup, or change her name, and she maintained a level of assertiveness quite uncommon to female actors of her generation.
Noah Isenberg (We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie: The Legend and Afterlife of Hollywood's Most Beloved Film)
It would just be like a movie makeover montage, pop music scoring the ugly girl's transformation from bespectacled duckling to cheerleader swan.
Leila Sales (This Song Will Save Your Life)
I spent a lot of years wondering what it’d be like to do the things that dating couples do,” Ky began slowly, not meeting his eyes. He gave a small shrug. “Have a drink at a bar. See a movie at the movie theater. Hold my boyfriend’s hand in public.” Noah’s
River Jaymes (The Boyfriend Makeover (The Boyfriend Chronicles, #3))
I liked your stars and moons,” Val said softly. “but maybe it’s for the best. Think of it as a complete Merlin makeover.” “You mean like in those teen movies from that hideous decade with the hairspray?
Cori McCarthy & Amy Rose Capetta (Once & Future (Once & Future, #1))
In movies, makeovers were treated like a triumph of the human spirit. It suggested we'd had a low bar for triumph, in recent history. A dash of lipstick qualified, a haircut and some styling gel. A new outfit. That was what the human spirit had turned into.
Lydia Millet (A Children's Bible)
The movie people will go apeshit when they see Hannah’s eye. They can maybe film around her or fix her eye in post. CGI makeovers are boilerplate for the big stars—contractually obligated digital eye lifts and virtual Botox.
Jordan Harper (Everybody Knows)
That evening, Nina could see the jacarandas were having their usual giddy effect: Every May, jacaranda trees burst into flower in an improbably riotous display of color. Ranging from deep purple to the palest violet, they bloom together on some prearranged schedule, so one night Angelenos go to bed in Kansas and wake up in Oz. They’re all over the city, hundreds of them, but until they bloom, they’re totally unremarkable. Like dozens of transformation scenes in movies from My Fair Lady to Mean Girls, jacarandas are the previously plain girl who suddenly gets a makeover and emerges triumphant to turn everyone’s head.
Abbi Waxman (The Bookish Life of Nina Hill)
Sweetie – look, I get it. I’ve read those books too. You have Stockholm Syndrome. He’s an asshole and you refuse to leave him. We can fix that mindset of yours though, first by giving you a haircut. That’s how all girls find their identities again after a really bad relationship. Haven’t you seen the movies? You’re not doomed, just a little frumpy.
Ian Kirkpatrick (Dead End Drive)
And then, of course, there was Jae. When I walked down the stairs to meet him after the girls helped me get ready, I felt like Rachel Leigh Cook in She's All That. It wasn't like I'd had a major makeover or anything, but to be fair, in the movie all they did was remove her glasses and overalls and give her a cute dress. For me, that moment was about the confidence she felt and the way Freddie Prinze Jr. looked at her. Maybe that's what it was--- the expression on Jae's face made me feel like the female love interest in a movie. Like he'd never seen anyone or anything so beautiful in his life. And as he smiled up at me, I felt my heart lurch.
Mia P. Manansala (Guilt and Ginataan (Tita Rosie's Kitchen Mystery, #5))